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moonchild033 · 4 months ago

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Astro Observations-6💪

Helllooo! Here we go with Part-6 🤗 Feel free to comment down your thoughts/experiences💅💃

(These observations are based on the whole sign system, sidereal charts and all obs are subject to change with other aspects in the chart, so don't conclude anything with a single placement) ❤

Ascendant Lord in Cardinal signs can mean that the person has control over their mind and thoughts. They always have the tendency to focus on the brighter side of everything and are not easily influenced by anyone. They do what they decide to and unwaveringly stick to it.💪

Ascendant in Mrigashira, Chitra and Dhanishta - They can be short tempered and take hasty decisions. They're driven by emotions, making them prone to react based on their current emotions and regret it later. This can apply to 1H mars too.🤯

Mercury-Rahu conjunction (within 5 degrees) in 3/6/8/12H---Pls be careful on the internet. These placements can be affected by cybercrime issues. This could happen based on the house themes, not necessarily for everyone, just a reminder to stay safe sweeties.👩‍💻

Rahu in asc or in conjunction with ascendant lord - Delulu pro max placement fr. They be having a whole different world in their mind or acting like they have multiple personalities. It's so hard to read them, no matter how many yrs you spend with them, you'll still be wondering how they would react or what they would say for a particular situation. They shed their personality or remold it frequently that they feel like a whole different person within short spans of time. 🐍

Venus-Saturn conjunction in 12H especially for Gemini and Scorpio ascendants - Their first heartbreak would be insane. They could've got to the point of engagement or in a long term relationship, so used to each other and never would've imagined a breakup but it would strike them so hard one fine day, they would've pictured and planned their whole life with that person. This placement can give an unexpected, absolutely shattering kind of heartbreak in their first love.🤧

Dhanishta Moon- Conflicts with their mom. Mom could often use emotional blackmail as a weapon or leave the household often if it's in 8/9/12H.😬

11H lord in Ardra, Swati or Shatabisha- Friendships you get can be totally different from what you've expected. The friend you loved so much can surprisingly show their true colors and betray you whereas the person you didn't even like to interact with at first could become your loyal confidants. Forget getting like minded friends, you'll get the type of friends who will motivate you to be more open minded, teach you controversial/ type of stuff that doesn't go along with the conservative or large scale population. Whether they're a bad influence or good influence depends on the 11H lord.💯

Mars in 6-8 Alignment synastry (ie. If their mars is in 8H when counted from your mars, yours will be in 6H when counted from their mars)--The physical attraction is eternal and this could also be someone you'll have your first time with. The lust part will be never ending, if there are other long term aspects, this couple could turn out to be the ones having the same libido & yearning as before kind of physical intimacy even after manyyy yearrsss. As this alignment includes 6H too, the frequency will be high as 6H indicates routine.💀

Jupiter in Domicile/Exalted house in D9 in Woman's chart- Partner will suit your type so perfectly, it will feel like you've manifested the type of person you wished for. The downside is the qualities you wished for will be overexpressed, which can be a problem sometimes. If u wished for a kind hearted and helping person, they could be so much that they give out hefty checks out for donations, you could feel that the amount is unnecessarily high. They're what you wished for, you know that but sometimes it's too much and feels overwhelming or troublesome to handle.💖

Venus-Ketu conjunction in 12H-Especially in capricorn or aquarius can lead to unrequited love. They can be in delulu love for so many years and obsessed with them. They just want that one person and no one else, they would start to understand the reality that this is going nowhere only around 25yrs old. Guys, you deserve better wake up!🤗

This should be carefully analyzed- If your 11H or it's lord is stronger than 7H or it's lord, it can lead to a second marriage or multiple love affairs.😌

Venus in 2H (In Leo/Libra)- The type of ppl to woo the opposite gender by their flirtatious and spontaneous talks. They tend to spend a lot on their partners, the type of spending can be based on the naks. Magha venus can buy antique or unique products for their partners, they focus more on the status a specific gift shows rather than it's utility. Purva phalguni venus would buy a lot for themselves too and they would love joint assets, gifts that can be shared between the couple, like a luxury car or just a unisex branded hoodie. Vishaka venus would be the partners who take their better half on a shopping spree and let them buy anything for themselves, they mostly would like to leave the choice to their partner.💝

Let's Learn and Grow Together!💅💋

With Love-Yashi ❤⚡

Masterlist💖

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venussaidso · 2 months ago

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Nodal Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 (part 1) 𝐨𝐟 𝐩𝐚𝐫𝐭 𝟓

Ardra, Swati, Shatabhisha embody Rahu qualities to the fullest. Breaking boundaries, whether they mean to or not, refining or rebuilding themselves by the way they absorb Maya (illusion), being thrown into foreign lands to create, explore and challenge existing paradigms. The ultimate mastery of Rahu nakshatras lies in recognizing that Maya is not the goal, but the process of refinement. This is shown in the natives' urge to learn, apply and cultivate something for themselves. This means that their initial stages have a lot of lack, and that's where that hunger to achieve and receive comes from. They'll take on challenges if it means there's an opportunity to fulfill themselves. In these following examples, the Rahuvian character is often given an opportunity to enter higher societies, usually through a job, a scholarship or from meeting the right person in the right time.

Swati Sun Julia Roberts, in Pretty Woman, plays a poor, sex worker who enters the high society through a billionaire and becomes 'refined'. Despite her glow up, her authenticity still contrasts with the pretentiousness of the high class social circle she finds herself in, challenging their perceptions of worth and class.

Much like Pretty Woman, in the film My Fair Lady, the Rahuvian meets a snobbish phonetics professor who wages that he can make her presentable in high society.

In the film Khoobsurat, Shatabhisha Moon Sonam Kapoor Ahuja plays a quirky physiotherapist who is ill-mannered and boundless. She is given a once-in-a-lifetime opportunity to work for a royal family. There, she meets a handsome young Rajput prince who is her complete opposite (given that he is portrayed by a Mula Moon native, Fawad Khan, who adheres to the customs of his background, bound by his roots).

Despite their different social classes, the royal family learns a lot from her authenticity.

This theme of outer duality in which the native crosses over to a whole new world different from where they originally came from centers a lot around the 'poor vs rich' dynamic in these modern examples — exploring classism, elitism and other societal divisions which make outsiders.

As I briefly gave examples in this post, Shatabhisha can be linked to Cinderella. Which means that trine nakshatras can also inherit this theme of person from poor background falls in love with person from wealthy background. As shown in that post, the union is often with a Mula native. It was expected to find these Rahu-Ketu connections, as the nodes are always one with each other. Their themes can overlap, which I'll be going more into further down this post.

The Mula CEO also comes from old money.

Rahu thrives on venturing the unknown and embracing the unconventional, often shown in the trope of one falling in love with someone alien.

This otherworldly love is seen in Pirates of the Caribbean: On Stranger Tides, where a Rahuvian sailor falls in love with the mermaid, Syrena. Mermaids are captured and exploited by humans — immediately we see this theme of division. And unlike the other humans, he treats Syrena with respect and equality.

Syrena is portrayed by Mula Moon Astrid Berges-Frisbey, while the sailor is portrayed by Ardra Sun Sam Claflin. In the end, Philip becomes a merman and lives with Syrena underwater. This transformation that the Rahuvian goes through in order to unite with a lover of another species is also seen in the film Lisa Frankenstein, starring Shatabhisha Moon Kathryn Newton — although it's more in a Romeo-&-Juliet style.

The Rahuvian character, Lisa, falls in love with Creature, who is a living corpse portrayed by Magha ASC Cole Sprouse. Lisa kills herself in a tanning bed to join the Creature in death. Their union shows her alive, but mummified.

This theme of one overcoming the obstacle between them and the person they desire is seen yet again in the film Casper (1995). A girl, played by Magha ASC Christina Ricci, meets a ghost named Casper, who falls in love with her. Casper is voiced by Malachi Pearson who has potential Swati Moon. Casper's one wish is to be human again so that he can win her heart.

His wish is fulfilled but he can only be human up until midnight. His human form is portrayed by Swati Moon Devon Sawa.

In the Korean drama, Are You Human?, Shatabhisha Sun Gong Seung-yeon plays a bodyguard who is given an opportunity to protect an advanced humanoid whom she falls in love with. Another abnormal, interspecies relationship.

The humanoid is the clone of an heir of a rich conglomerate. The heir is portrayed by Magha Moon native Seo Kang-joon – him being born into wealth contrasts with her being brought up from a poorer background; we see this theme again of a cross over between two opposite worlds as she gets romantically entangled with him.

A lot of these pairings show Rahu's need to break taboos and seek authenticity over conformity, as these unions tend to be abnormal in a discriminatory society. As illusory as Rahu is by nature, it highlights the illusions within society and the challenges that come with it.

Rahu seeks to challenge conventions, forcing individuals to confront their biases, embrace diversity, and explore love in its most expansive ways; while Ketu can be detached from society in general, already transcending or dissociating from it altogether.

Now extending the old money archetype into this, we can see Rahuvians embodying this shabby, nonconforming, rough-around-the-edges, transformative archetype who'll be on the opposite end. As Ketu symbolizes the past, ancestral roots, tradition, the old way of doing things; Rahu symbolizes the future, foreignness, pursuit, a new way of doing things.

Old money often means adhering to strict family rituals, customs, and expectations. There's an expectation for the wealthy to marry their own, maintaining a cultural practice that has existed for centuries, a theme of Ketu as it means to preserve the past. But Rahu comes in as a disruptor, changing rules that seemed absolute, causing more confusion and tension. Rahu often seeks unity, even with our all differences.

Rahu and Ketu are always 180 degrees apart in a chart. This gives an understanding to how they're always on opposite sides of the same coin. So their union in these media examples often come with resistance and chaos.

The story of Romeo and Juliet is about a star-crossed love stuck in this push-&-pull between tradition and breaking free from tradition.

Rahu is symbolized as the head of a dragon, while Ketu is the tail. Together they remain in this endless chase, their nature defined by longing and separation. Maria and Tony from A West Side Story mirrors this nodal dynamic, as it's based on the classic Romeo and Juliet. Just as the nodes themselves are forever trapped in opposition and in an eternal chase, these lovers remain trapped by their differences. Their love and lives are destined to be cut short, signifying the impossible union between the opposing nodes in these forbidden love stories.

The tragic ending of Maria and Tony’s story reflects the inevitable nature of the nodes. In both Romeo and Juliet and A West Side Story, we see the power of love transcending societal barriers, yet this love is doomed by the very forces it seeks to overcome.

Ashwini nakshatra literally has the strongest ties in Romeo & Juliet (list).

Another pair of this nodal influence (Ketu-Ketu), with this exact theme, is Mavis and Johnny from the animation Hotel Transylvania. Mavis is voiced by Ashwini Moon Selena Gomez, and Johnny is voiced by Magha Sun Andy Samberg. Mavis is a vampire and Johnny is a human. Their worlds should never have had a crossover to begin with. But Johnny, being Magha, feels a sense of belonging with these monsters and Mavis instead of fearing them (a nod to the Mula archetype and Beauty-&-the-Beast trope, which, as I've stated before, can also manifest itself as Ketu-Ketu instead of Ketu-Jupiter... much like Belle and Rumpelstiltskin from Once Upon A Time, Belle being played by Mula Sun Emilie de Ravin and Rumpelstiltskin portrayed by Ashwini Sun Robert Carlyle — the show's own Beauty & the Beast).

Though light-hearted and comedic, their union was forbidden as monsters and humans should be kept apart to their own worlds due to past conflicts. Mavis' father, Dracula, goes to great lengths to separate the two, but then he realizes that their love is genuine and overcomes his prejudices.

The theme of letting go touches on Ketu's tendency to sever ties, signifying the lesson of how temporary things are, including love. The film Untamed Heart is a great example, perfectly encapsulating this theme between two Ketu natives.

And as Mars also rules Ashwini nakshatra, this can be a major focus.

Connecting Orpheus to Ashwini, so much of this nakshatra's themes are highlighted in this Greek myth. Ketu is associated with nature, animal caretaking, and taming wild beasts. This is seen in Orpheus's ability to charm animals, move trees and rocks, and even change the course of rivers, through his music. Music has been known as a form of comfort and healing, and Orpheus' music is so powerful that it hypnotizes wild beasts, even influencing Hades, the ruler of the underworld.

The mythological character loses the love of this life, Eurydice, and he is unable to accept her death. He becomes so desperate, filled with grief and fear, that he descends into the underworld to get Eurydice back. As Ashwini can be driven by selfishness, severance becomes a major lesson in their journey.

The musical film Black Orpheus (1959) is directed by Ashwini Sun, Magha ASC Marcel Camus, a black Brazilian retelling of the tale.

In Jason & the Argonauts (2000), Ashwini Moon Adrian Lester portrays Orpheus. In the animation Hell and Back, *Ashwini Moon Danny McBride voices Orpheus. In 1960s The Giants of Thessaly, Massimo Girotti portrays Orpheus and he has Moon in Magha (trine nakshatra to Ashwini). This obvious connection of Ashwini to Orpheus takes me back to the ruling deities, the Ashwini Kumaras. Ashwini can be related to partnership, soulmates, connected minds. Here, there's a theme of inseparability yet the nature of the nakshatra forces severance. Back to the tale — With just the charm of his music, Orpheus is able to convince Hades to bring Eurydice back to life, only under the condition that Orpheus never looks back at her when they leave the underworld. Overwhelmed with so much love, he's unable to help himself, as he fails and looks back at her as they neared the exit. This is how Orpheus loses Eurydice forever.

Similar to Orpheus, the Twelfth Doctor from Doctor Who spirals into madness and desperation after the death of his close companion, Clara Oswald. The Twelfth Doctor is played by Ashwini Sun native Peter Capaldi. His Aries relentlessness and selfishness has him breaking the laws of time to bring her back, just like Orpheus breaks the natural order of life to get Eurydice back.

Clara Oswald is interestingly nodal herself, being played by Ashwini native Jenna Coleman.

YouTube video link

His journey through grief and his refusal to let her go mirrors Orpheus's determination to challenge the natural order of life for love. In the end, Twelve's memories of Clara get wiped out when he is forced to sever ties with her. Clara remains dead and so does Eurydice. This makes these pairs star-crossed, as Ketu reminds us of the inevitability of loss and separation. With Mars there, it makes it an obvious theme with Ashwini nakshatra.

Orpheus tried to get Eurydice back after her death by seeking the realm of the dead as a mortal being. He finds the cave that led to Hades and slowly descended into the Underworld. He sang to Cerberus, a terrifying, three-headed monstrous watchdog, able to tame and charm the beast so that he enters. This theme of entering portals to other worlds and dimensions tends to be associated with Ketu, and I find it interesting that I am particularly seeing the magic within Ashwini nakshatra.

In the 2008 film Jumper, Ashwini Sun Hayden Christensen plays a young man who can teleport himself anywhere and everywhere due to a genetic anomaly.

It is interesting that Ketu nakshatras also have this otherworldliness quality to them which is seen in having access to portals or dissociating into other realms. Although I have already explored this theme within the context of Anuradha nakshatra, there is still an undeniable nodal influence to it as I see these nakshatras frequently pop up in this genre of film.

Magha Sun Amy Adams' character in Enchanted falls into a well which is a portal to another world. In Alice in Wonderland (2010), Magha Moon and Swati Sun native Mia Wasikowska's character also falls into a portal to another world.

In the animation Caroline, Ashwini ASC and Shatabhisha Sun native Dakota Fanning voices a girl who finds a portal to another world. In 1953's Peter Pan, Ardra Sun Kathryn Beaumont voices Wendy who is taken to another magical world called Neverland by a boy named Peter Pan who's voiced by Shatabhisha Sun Bobby Driscoll. In 2003's Peter Pan live-action movie, Wendy is played by Ardra Moon Rachel Hurd-Wood, taken into this whole other reality of magic and wonder. In Hook (1991), adult Peter Pan is portrayed by Shatabhisha Moon and Swati ASC Robert Williams, the character a middle-aged lawyer from the modern world who returns to his magical origins. In the Korean drama Spice Up Our Love, Ashwini Moon Han Ji-hyun's character wakes up as the protagonist of the web novel she wrote. In the Korean drama W: Two Worlds Apart, Shatabhisha Sun Han Hyo-Joo gets sucked into a webtoon written by her father. There she falls in love with the protagonist who is played by Shatabhisha Moon Lee Jong-Suk, who gets gets sucked into her reality as well. In the Chinese drama Love Game in Eastern Fantasy, Mula Sun Esther Yu gets sucked into a video game novel as a supporting character. In The Wizard of Oz, Mula Moon and Ardra ASC Judy Garland plays a Kansas farm girl who is taken away in a tornado and ends up in the magical Land of Oz. In the series Emerald City, Ashwini Sun Adria Arjona is a Kansas nurse who is transported by a tornado to the Land of Oz. In the film Oz: The Great & Powerful, Ashwini Sun James Franco is a magician who is hurled away from Kansas into the wonderful land of Oz. In the 2013 animation Epic, Magha Moon Amanda Seyfried voices a young girl who finds herself transported into an alternate world and even falls in love with Ashwini Moon Josh Hutcherson's character (I highly recommend this film).

As Rahu is associated with illusions and exploring the foreign, we see this theme of escaping into simulations and dreamy worlds which one becomes absorbed in. This has been explored deeper within Swati nakshatra, which combines the arts and illusory tendencies of Rahu together.

The influence of the nodes often transcends the physical realm, embodying forces of spirituality, illusion and transformation together. But they both manifest differently in this theme. Rahu becomes absorbed in illusions (in form of the arts, simulations, imagination (ex. Peter Pan being the boy who is attached to Neverland because he never grows up — Neverland is an illusory place only found in the minds of children, this highlighting his attachment to illusions)); while Ketu tends to escape the material plane altogether, yearning transcendence and passing by realms to seek meaning and lessons.

In the film Meet Joe Black, Mula Sun Brad Pitt plays an otherworldly being who takes over the body of a man to experience Earth and be guided in the teachings & meaning of life. His very existence quite literally transcends time and space, which I relate to Ketu, as he is a mystery himself.

He is innately detached from human concerns like time, societal expectations, and permanence. But he falls in love with a human named Susan, who is also nodal-ruled, and his nature makes their connection doomed from the start. Susan is played by Mula Sun, Mula Moon native Claire Forlani. This making for another star-crossed pair because he can never fully participate in human life.

Going into the body-swapping trope, this calls to Rahu's desire to navigate a foreign perspective while Ketu seeks to transcend its rigid reality.

In the film Hot Chick (2002), Swati ASC Rachel McAdams plays a teenage girl who wakes up in the body of a 30-year-old male criminal played by Swati Sun and Ashwini Moon native Rob Schneider. In 1989's film Dream a Little Dream, an accident puts the consciousness of an elderly dream researcher played by Magha Moon Jason Robards into the body of a bratty teenager who is played by Mula Sun and Shatabhisha Moon native Corey Haim. Many more examples often include a Saturn nakshatra native as well, which I found very interesting. Hopefully I'll be circling back to that one day!

Rahu is thriving on the chaos of this trope since an entirely new identity is being explored (and lessons are learned as the social difference in one's gender, class, and even age tends to be highlighted for the ignorant one (Rahu essentially refining the native through this experience)).

The interaction of the nodes drive each other to a deeper understanding of life's illusions as it signifies letting go and refining oneself. In this little exploration, I got to understand that Ashwini is a romantic nakshatra which deals with loss and forced detachment due to Ketu. While Rahu nakshatras tend to be more romantic and igniting conflict in their pursuit of a love that's not right according to societal standards. This solidifies the image of the eternal chase of the dragon representing desire and detachment.

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laifromthecosmos · 4 months ago

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Mercury AtmaKaraka: Souls in search of Dialogue and Wisdom

“Mercury has the best looks, is witty, likes jokes and laughter, and is erudite. He assumes the nature and constitution of the planets with which he is associated” Parashari 3.26

In Vedic astrology, the concept of AtmaKaraka is one of the most profound and revealing in the natal chart. The atmaKaraka, also known as the “soul indicator”, is the planet that bears the greatest responsibility for the individual’s spiritual journey. It represents the greatest challenges, lessons and the path that the soul must take in this life to achieve growth and fulfillment. The planet with the highest degree in any sign becomes the AtmaKaraka, “the significator of self” or “self-indicator”. This, as the lord of the Ascendant, can become the most powerful planet in your chart. It is the most important planet to consider when judging an individual's spiritual nature, particularly in relation to its position in the ninth harmonic chart (navamsha). He provides us with a key to the aspirations of the soul. We often consider its position, such as the Ascendant, and read the chart indications accordingly.

This planet not only guides the purpose of life, but also indicates internal obstacles that a person needs to overcome to find their true identity. The AtmaKaraka position shows how we deal with our weaknesses, how we develop spiritually and where we should invest energy to evolve. The Atmakaraka carries the most important karmic lessons for this incarnation, becoming a key to understanding destiny and the soul's inner motivations. Although there are many other important points in the birth chart, the Atma is special because it is a direct representation of the qualities that our soul has already mastered in past lives and those that still need to be worked on. Depending on which planet occupies this position, the nature of these lessons varies profoundly. AK influences how we approach challenges in different areas of life, right down to our spiritual worldview.

Mercury is the greatest messenger of the gods. It is the planet that represents speech, communication and commerce at all levels. In its lowest function it organizes and articulates material sources. In its highest function it connects us with our internal capacity: the power of the mind.

As Jupiter generally represents the higher or abstract mind, Mercury indicates the lower or concrete mind, the intellect or informational mind. However, Mercury is not limited to this. It also shows the abstract mind in its discriminatory capacity and connects us with the Divine World, or the world of truth. Mercury rules writing, education, calculations, thoughts. It is the planets that move faster and so this indicates quick understanding, ease and plasticity in expression. Mercury is quick to correlate ideas and quick to exchange information or things of value. It shows the intellectual power and degree of mental development in life.

When Mercury assumes the role of AtmaKaraka, the soul's journey is especially marked by the power of intellect, communication and learning. Mercury is a planet of duality and adaptability. It governs the mind, speech, logic and the ability to absorb knowledge. For those with Mercury as AK, life lessons revolve around the way they express themselves, how they interact in the world through words and ideas, and how they develop a deeper understanding of the realities that surround them.

Individuals with Mercury like AtmaKaraka are on a mission to master the power of the mind and communication. For them, words are more than simple tools of expression: they are portals of transformation. There is a strong desire to learn and share knowledge, and their lives often revolve around intellectual processes, teaching, writing or any form of information exchange. However, the challenge is not just to acquire wisdom, but to use it ethically, clearly and sufficiently. Mercury as AK can also indicate the need to find balance between reason and emotion. Although these individuals may be inclined to rely on their sharp minds, there is an important lesson about integrating feelings with logic. They may face dilemmas related to the way they communicate, they may need to learn to be more patient, clear or flexible in their interactions. There is also an inclination to avoid hasty decisions, as Mercury can be quick to jump to conclusions without considering all the variables. This karmic path demands that natives develop a flexible mind, which welcomes different perspectives and is always open to evolving their thinking. Thus, spiritual growth for those with Mercury like AtmaKaraka does not just lie in accumulating information, but in transforming it into profound wisdom that can be shared with the world.

Image description: Emma Watson at the launch of the HeforShe campaign at the ONU in which she says: "the more I talk about feminism, the more I come across the reality of fighting for women's rights." The (brazilian) singer Sandy Leah, when she was honored at PUC (Pontifical Catholic University) said: "if I can give some advice, I would say: stay curious, be present in the here and now, question, participate, get involved and, above all, never underestimate the power of education to change the world." Emma Watson has a degree in English Literature and Sandy also has a degree in Literature. Both pursued academic degrees that require an advanced understanding of the language. This reflects a strong alignment with the Mercurian nature that values the ability to analyze and convey ideas with clarity and depth. Angelina Jolie promotes a variety of causes, including environmental conservation, education and women's rights, and is best known for her advocacy on behalf of refugees. She advocates for refugees in several large-scale crises. Djamila Ribeiro (brazilian philosopher) in her speech at the ONU: "education plays a fundamental role in creating opportunities and expanding our worldview. Education has the power to transform people and institutions." People with Mercury atmakaraka tend to have a strong desire to share information, which makes them adept at engaging in debates, social discourses and conveying messages to the public.

Mercury, when it is at its highest degree, breaks the barrier and reveals humanity and human needs. Individuals have compassion and equity based not so much on feeling, but on objectivity and practicality. Mercury may value public opinion more than the truth, and becomes dependent and defensive of any involvement. He is the mind that has no real nature, but reflects everything that it considers to be reality.

Mercury is a childish planet and is considered the son of the Moon. He is not the mind that perceives, but can organize ideas. Mercury is the rational mind, the most articulate part of the subconscious (the Moon). In Sanskrit, Mercury is Budha, which means intelligence and is related to Buddhi, the faculty of determination by which we discern the real from the unreal (fully awakening, one becomes enlightened, a Budha). When this faculty judges reality not by appearances, but by discerning the transitory from the eternal, then it functions correctly and the superior power of Mercury is revealed. When we discriminate between names and shapes, we become trapped in the apparent reality of the external world. In the highest sense, Mercury is that faculty of truth and determination that discriminates the real from the unreal, the pure from the impure, truth from illusion. This is the most precise and perfect functioning of the mind. In this higher activity (atmakaraka), Mercury, the mind, is Vishnu, the pervasive consciousness who is also the divine son, the guiding cosmic intelligence, and the source of the great teachers.

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youremyheaven · 11 months ago

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Rahu & Ketu: Abuse & Addiction

TW: drug overdose, death, suicide, abuse, childhood abuse

Nodal influence can be very destabilising and intoxicating. They're opposites but as they say the extremes of anything is a meeting point for it's opposite, so Rahu & Ketu share many similarities.

Rahu & Ketu are both shadow planets, Rahu is the head whereas Ketu is the tail. This in itself reveals much about the nature of the two. Rahu is over immersed in the world whereas Ketu is completely cut off from it.

When I say Rahu is over immersed/over stimulated, I don't mean they're profoundly connected to reality, I mean the opposite, they're deeply immersed in Maya/illusion that they often have no sense of reality. Rahu is the head, imagine if you lived in your head all the time? You'd be in your own la la land, disconnected from what is actually happening around you. This is Rahu energy. Without your body, you cannot use your senses, you cannot fully feel alive or experience reality. Rahu being the head means you're cut off from what is "real". You only live in your head and what happens in your head is very subjective and completely illusory.

They are so deeply immersed in an illusory world. This can manifest as substance addiction, video gaming, fame, material success, internet addiction, overly obsessed with "binging" content, maladaptive daydreaming etc, any experience that disconnects you from what is "real" and immerses you in something that feels very real but isn't real. Both Rahu and Ketu people suffer from addiction, Claire had mentioned that Nodal influence can make someone prone to addiction but why Rahu and Ketu are addicted tend to be very different. Rahu is overstimulated, they always need more of everything. There are people who spend 10 hours a day just watching YouTube videos or IG reels or whatever, that's because they need that much stimulation, since they live in their heads. Their minds need that kind of fodder to thrive off of. Once you start using any kind of substance, your brain builds a tolerance for it and you have to start using higher and higher doses to get the same high. When a Rahu native accumulates wealth, they start indulging in it but nothing is ever enough. They never feel "full", they don't have that fuse in their brain that flares up and says "this is enough". Basically they never know when to stop, they just keep going and going and going with anything they immerse themselves in. People play video games for 3-4 days straight without leaving their game set up. They don't ever feel satisfied. This is scary because "feeling full" is our brain's way of asking us to stop. Without that mechanism, we would overindulge and overdo everything which is what these natives do.

This is also why relationships are so tricky for Nodal people. They give too much and immerse themselves to the point where it's detrimental to the relationship. You either feel like you're losing part of yourself to it or the other person feels like you're consuming their energy too much (which makes them feel drained). Moderation does not exist for Nodal people either they're completely detached or they're completely obsessed.

Its similar to Jupiter energy in the sense that Jupiter is also very expansive and has the ability to immerse itself in everything and give so much but Jupiter has other principles that firmly ground it in reality as it is not a shadow planet like Rahu. It is not suspended in an illusion, Jupiter natives give so much or do so much because they have the internal space to do so, not out of a tendency to immerse themselves in Maya/illusion. Jupiter is the opposite, they see through Maya and find it hard to consciously part take in it.

Taylor Swift- Ardra Moon

She works harder than anybody in the biz. Her concerts are like 3 hours long and she does like 40-50 shows on average. She's ALWAYS doing THE most. She releases a new album every 2 years or so, has other projects etc this is a positive manifestation of Rahu energy because it allows you to be deeply immersed in your craft and your world but it also means you live in a bubble and you are cut off from "real life".

Ketu is the tail, it is cut off from reality and feels profoundly disconnected to reality. It is hard for these natives to feel like they relate to anything. This is why Ketuvians struggle with addiction. They use substances because they want to feel something, want to feel tethered, want to feel connected. They have to use higher doses because it helps them feel heightened emotions when they usually don't feel anything at all.

Ketu is connected to spirituality because natives who feel disconnected from the real world to this extent find it easier to immerse themselves in the occult and in esoterica. It is more abstract and requires you to think non-logically, i.e, experientially, but this is something Ketuvians have a hard time with, they themselves feel very "abstract" or like they aren't real or don't exist, so while they're intrinsically drawn to the esoteric, they feel untethered/ungrounded by immersing themselves in it too much. They need something they can cling to, they need something solid that they can attach themselves to.

All Rahuvian nakshatras belong to the Shudra caste, specifically the Butcher caste, this is very interesting because Shudra is the lowest caste (Mleccha is "outcaste" which means it exists outside the system entirely), to be Rahuvian means to operate on the lowest level. Butchers have to slaughter meat to make a living, that is unpleasant and brutal work, and only if they are disconnected from it can they keep doing it. They cannot be too focused on what they actually do because then it will be hard for them to do their tasks. They're not repulsed by it because they're disconnected from it.

2/3 Ketuvian naks are also Shudra caste whereas Ashwini is the only Ketu nak that is upper caste as it is a Vaishya nak.

(table by me hehe)

Rahuvian naks are found in all 3 ganas (Swati is deva gana, Ardra is manushya gana, Shatabhisha is rakshasa gana)

2/3 Ketuvian naks are Rakshasa gana (Mula, Magha) with only Ashwini being a Deva gana nak

I feel like Ketuvians are always made to feel like the bad guy / people villainize them a lot. They're the "ugly ducklings" who have to "win" approval as they're never accepted for who they are.

Rahu needs to immerse itself in something because its sensory perception is limited and they need to really indulge to grasp what is "real". Its very common for people with heavy Rahuvian or Rahu in a malefic placement to experience hallucinations or feel like their grip on reality is very thin.

Ketu has nothing perceive with at all. Its like being completely lost in the shadows or the dark. There's no perception taking place at all, it makes the natives inwardly drawn because its truly hard for them to absorb from their surroundings unlike Rahu which absorbs easily and fully. Rahu is over immersed whereas Ketu lacks immersion at all.

Lets look at the yoni animals of Rahu & Ketu naks respectively

Rahu: Ardra -dog yoni, Shatabhisha- horse yoni, Swati-buffalo yoni

Ketu: Magha-rat yoni, Mula- dog yoni, Ashwini-horse yoni

one common theme is that all these animals are abused, mistreated and exploited

(rats are the go to animal for lab testing, dogs are valued for their loyalty and are at the mercy of their owners, horses are made to endure so much labour, buffalos are farm animals)

all of these animals are also associated with dirt/filth in some way or another which is perhaps why people with Nodal influence often have a dishevelled appearance. They're bad at taking care of themselves.

Both horse yoni & dog yoni are divided among Rahu & Ketu naks whereas the yoni consort for Swati is Hasta (Moon ruled) and Magha is Purvaphalguni (Venus ruled).

Horses are very strong but very fragile animals. They start walking almost immediately after birth, they sleep standing up but they require a lot of attention and care as their health tends to be very fragile. Even though horses are associated with working hard, its not exactly innately part of their nature, it's just that they've been domesticated into being that way. It represents a very powerful active energy, as horses can be highly temperamental and unpredictable.

Dog yoni on the other hand, makes a person very needy and eager to please others. Dogs depend on the affection of their owners and without it they feel unhappy. Both these nakshatras have obsessive tendencies and a people pleasing nature. They're also two nakshatras who endure abuse the most.

I've noticed that a lot of people tend to have both nodes in their chart and I wonder what its like to house such contradictions. On one hand you're extremely involved, on the other, you're supremely detached.

The entertainment industry is one where people with Nodal influence really thrive but also often, self-destruct themselves. Its immensely hard to balance these energies since Rahu heightens whatever is in it, the way Jupiter expands whatever it touches. Both planets make you feel manic but in different ways.

Addiction is the result of an overactive nervous system and a coping mechanism. Ketu feels cut off from society/life/the world so in order to feel connected, it over indulges. Rahu needs something that will help them fully lose themselves, idk if I'm explaining it properly but you know how the best movies you've watched are the ones where you feel like you were in them experiencing those things with the characters? Its like that

There is an unhappy pattern of Rahu & Ketu influenced people being abused, I have especially noted this among child actors but also others.

Taylor Momsen- Swati Moon

Her parents signed her up with Ford Modeling when she was just 2 years old. "No 2-year-old wants to be working, but I had no choice. My whole life, I was in and out of school. I didn't have friends. I was working constantly and I didn't have a real life."

This theme of not experiencing "real life" or reality is very prominent in the lives of Rahuvian and Ketuvian people. It can be interpreted in many ways according to the context but there is always a sense of being deprived of what was "normal" or "real" as a result of which these natives had to live in their imagination or indulge in other things.

Like the child star who worked their whole life playing other people (acting is very Rahuvian) or the loner kid who spends all their time immersed in movies or video games because that feels more "real" to them.

Fame is also an inherently Rahuvian experience bc it's an illusion & a prison.

Judy Garland- Ardra Rising, Mula Moon

She was emotionally abused and controlled by her mother who got her addicted to drugs by the time she was a teenager. She was also sexually abused by the studio executives she worked with. Judy had a very tough life.

Aaron Carter, Ardra Moon, Mula Rising

Aaron Carter claimed that as a teen musician, his family spent $500 million of his money on 15 houses and 30 cars. He claimed that when his parents sold the houses, he didn't get a cut of the profits. He also alleged that his dad shot a .44 magnum near his ear — which resulted in him going 70% deaf in one ear — to force him into signing a $256,000 check.

Being heavily tattooed (more examples at the end of this post) is also a very Nodal thing to do.

He unfortunately passed away in 2022 from an accidental drug overdose. This is also a very unfortunate pattern among Nodal celebrities.

Macaulay Culkin- Shatabhisha Moon, Magha Sun & Mercury

Macaulay Culkin's father Kit managed him during his childhood career. Macaulay has shared that his father was controlling and had him on a very busy filming schedule in the early '90s. He added his father made him stay up every night to study the lines he would have to say the next day. Macaulay asserted that his father was "such a crazy person" that he forced him to do SNL without cue cards when he hosted the show at 11 years old. Macaulay has explained that he felt his father was jealous of him because “everything he tried to do in his life I excelled at before I was 10 years old.”When Macaulay stopped acting after his 1994 movie Richie Rich, he told his parents, “I’m done, guys — hope you all made your money because there is no more coming from me.”His parents were never married and after he stopped acting, his mother filed for custody. Macaulay ended up taking his parents to court to stop them from controlling his $17 million in earnings. Since then, he and his father have been estranged.

I feel like the "child star gone wild" is a trope meant specifically for Nodal people

Keke Palmer, Magha Sun & Mercury, Mula Moon

Palmer shared on IG:

"Due to traveling and scheduling both of my parents had to stop working to support my career and be present for my three siblings, leaving me with the financial responsibility around age 12. Which I took great pride in because I knew what it would do for generations to come and a huge blessing that I could even help out. However it caused me a lot of pain because I essentially had to abandon my childhood feelings and desires, becoming like a parentalized child, which is something some of you can probably relate to in your own way. This was something that I have had to continuously work through because I am grateful but often feel like.. I missed “IT”. Life can be such a tragic comedy because how funny is it.. that now becoming an actual parent, and the responsibility I’ve always carried being more valid now than ever, has in fact given me the chance to feel what it’s like to be a kid again, I get a chance to explore a lot of the things I missed out on with my son, His freedom is like, the most priceless gift to me. He is already teaching me so much, it’s like he awakened the little me inside that I thought was long gone."

Ketu dominance = being your own parent, being neglected by your family or having to be your parent's parent.

Michael Jackson, Magha Sun & Mercury, Shatabhisha Rising

From a young age Jackson was physically and mentally abused by his father, enduring incessant rehearsals, whippings and name-calling. Jackson's abuse as a child affected him throughout his grown life. reading about the lives of the Jackson siblings and how severely they were all abused is very perspective altering and sad

Mary Kate & Ashley Olsen, Magha Moon, Ashlesha Rising (inc the ashlesha placement bc its another nak often subject to control and abuse)

“With what we were doing in business when we were younger, I don’t think it ever felt like we were actresses,” Mary-Kate “Because we spend so much more of our time not in front of the cameras, building a brand. Ashley agreed, saying: “I always looked at myself, even as a kid, as a business woman.” Mary-Kate said she wouldn't wish her childhood on anyone, and said she felt like a "monkey performer."

they quit acting in the mid 2000s and rarely make public appearances and god only knows what they endured in the business bc neither of them will talk about it.

Sarah Michelle Geller, Ashwini Sun conjunct Ketu, Shatabhisha Moon

Sarah herself enjoyed the path she'd ended up on, she has rules in place for her own daughter. Recalling the "industry abuses" she experienced as a teenager in Hollywood, she said she hoped she'd "set up a safety net for these actors that I didn't have," but that she and husband Freddie Prinze Jr. have "rules in place" that mean daughter Charlotte "can't be in front of a camera until she graduates high school."

Kylie Jenner, Swati Moon

Kylie started appearing on her family's reality show when she was 10

In 2016, she told her sister Kim in an episode of the show: "I feel like I've had anxiety for too long. I feel too much, I care too much, I read too much. Some people are born for this life and some people aren’t. I just know I’m not supposed to be famous.” in an old IG post she said: "I’m proud of myself, my heart, and my strength. Growing up in the light with a million eyes on you just isn’t normal. I’ve lost friends along the way and I’ve lost myself too sometimes. My first tattoo was 'sanity' to remind myself everyday to keep it. I’ve struggled with anxiety my whole young adult life." "I know I don't want to be famous forever. There's gonna be a time where I feel comfortable, I'm at a good place in my life, and I just stop."

Natalie Wood, Ashwini Moon

The late Natalie Wood was forced into acting by her mother, Maria, who missed her chance to become a performer and instead focussed her efforts on pushing her daughters to stardom.

While young Natalie had a natural talent for performing, it seemed that her reason for going to movie sets was more to please her mother than to quench any desire of her own.

Bella Thorne, Mula Moon

"I was sexually abused and physically growing up from the day I can remember till I was 14. When I finally had the courage to lock my door at night and sit by it. All damn night." She has also stated that she only started acting as a child to support her family.

Drew Barrymore, Shatabhisha Sun

Drew's mother took her to clubs and allowed her access to drugs and alcohol, ultimately leading to her institutionalization at the age of 13, and emancipating herself at 14. Drew described fame at such a young age as "a recipe for disaster."

Edith Piaf, Mula Sun & Mercury, Magha Mars

Born in Paris practically on the streets, she struggled from day one, the daughter of street performers. The mother, a singer, eventually abandoned both Edith and her father for a solo career. Piaf spent her youth entertaining passers-by, receiving little formal education in the process. She often accompanied her father's acrobat street act with her singing and at various times was forced to live with various relatives, in alleys or in cheap hotels. An aborted love affair left her with a baby girl at age 17, but little Marcelle died of meningitis at 2 years old. Devastated, Piaf returned to the streets she knew, now performing solo. Her fortunes finally changed when an impresario, Louis Leplee, mesmerized by what he heard, offered the starving but talented urchin a contract. He alone was responsible for taking her off the streets at age 20 and changing her name from Edith Gassion to "La Mome Piaf" (or "Kid Sparrow"). Piaf grew in status entertaining in elegant cafés and cabarets and became a singing sensation amid the chic French society with her throbbing vocals and raw, emotional power. From 1936, Piaf recorded many albums and eventually became one of the highest paid stars in the world.

Later in life she became an addict and died in poverty at the age of 47.

Brittany Murphy, Swati Moon & Venus

she was a child star who was managed by her controlling mom. she battled with eating disorders and drug addiction. rip britt.

Justin Bieber, Shatabhisha Sun conjunct Saturn

Justin shot to fame at a very young age and was severely exploited by his management/everybody around him

Now here are some heavily tatted celebs and their placements

L to R

Rihanna- Shatabhisha Sun

Paris Jackson- Ardra Moon

Cheryl Cole- Ardra Sun & Mars, Shatabhisha Moon

Demi Lovato- Magha Sun

Jungkook- Magha Moon, Mula Rising

Ruby Rose- Swati Rising

Machine Gun Kelly- Ashwini Sun

The 27 club refers to a phenomenon where several musicians have died by age 27, many from an overdose. Unfortunately many of them have Nodal influence.

Brian Jones- Shatabhisha Sun

Jimi Hendrix- Mula Rising

Amy Winehouse- Mula Moon

Kurt Cobain- Shatabhisha Sun, Ardra Moon,

Janis Joplin- Ardra Moon, Mula Mars, Asc conjunct Ketu (in Dhanishta)

Jim Morrison- Ketu conjunct Rising (in Shravana)

several other celebrities who have died from overdoses also tend to have prominent Nodal influence

John Belushi- Mula Rising

Phillip Seymour Hoffman- Mercury in Ardra 2h, Mars conjunct Ketu in Swati

Prince- Shatabhisha Moon, Ketu in Ashwini

Whitney Houston- Shatabhisha Rising

River Phoenix- Magha Sun conjunct Ketu, Swati Ascendant conjunct Jupiter

Elvis Presley- Shatabhisha Moon

Margaux Hemingway- Ashwini Rising

Nodal planets are shadow planets and it can be very difficult for these natives to manage this energy as it is energy without a source, Rahu & Ketu don't have physical form or existence, that is a lot of uncontrolled energy to possess within yourself. Many people turn to spirituality and other esoteric sources and good Rahu & Ketu influence is vital and necessary to study or gain access to gnosis, study astrology or other occult matters but when this energy is imbalanced in their chart, these natives are more prone to self-destruction than any other planetary dominance simply because the unbridled energy is impossible to contain and requires some kind of coping mechanism. I have dated several Nodal men and they all dealt with varying degrees of addiction to varying substances and they all spoke about "wanting to feel more real" or how "nothing feels solid". I will try to focus on the positive manifestations of the Nodes on a future post.

thanks for reading<333

#astrology notes #astrology observations #vedic astro notes #nakshatras #astrology #astroblr #astro notes #astro observations #vedic astrology #sidereal astrology #jyotish #rahu #ketu #ashwini #shatabhisha #mula #magha #swati #ardra

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rabiosantologia · 3 months ago

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Bettie Page

♒︎ Shatabhisha ASC and Purva Bhadrapada Ketu in the 1H

♌︎ Purva Phalguni Rahu in the 7H

♍︎ Hasta Saturn in the 8H (lagnesha)

♈︎ Ashwini Sun and Bharani Mercury (atmakaraka) in the 3H

♉︎ Rohini Mars in the 4H

♊︎ Ardra Moon conjunct Pluto in the 5H

♓︎ Purva Bhadrapada Venus in the 2H

♎︎ Vishakha Jupiter in the 9H

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marsprincess889 · 2 months ago

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My honest advice to astrology tumblr and even to tarot readers/consumers

With all the heated discourse about astrology I think people are forgetting the simple truth: astrology is rahuvian and is full of labels. It can provide mental limitations and definitions but ketu is what lives. Ketu is the body, the hunch, the inner sight that guides you, your ultimate foundation.

Get the basics with astrology but stop overanalyzing before you even hear yourself. Rahu already helped you by letting you know how your Ketu can be defined_ where it is, how you might access it, but with that it did its job for now. You're not going to be disconnected from your Rahu that easily, not unless you fall too deeply and uncotrollably in your Ketu. Hold onto that basic knowledge that let you know about your Ketu, and start to actually live.

Rahu leaning individuals might want to hear this. "This means this not that cause Ik this..." who the hell cares. You shouldn't care that much unless you have that knowledge integrated within you.

Please do not fall into the trap of thinking astrology or any system/science for that matter is the ultimate truth. Their truth is inferior to your inner sight. And you might want to step back and connect to it.

#vedic astrology #astrology #nakshatras #astrology observations #sidereal astrology #astro notes #astrology tumblr #ketu #ketu nakshatras #rahu #rahu nakshatras #ashwini #magha #mula #ardra #swati #shatabhisha

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naisaspalace · 11 months ago

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Personal Nakshatras observations series: MULA NAKSHATRA part 1

2/27

nakshatra characteristics:

Translation: The root Symbol: A tied bunch of roots or elephant goad yoni: A male dog Presiding Deity: Kali or/and Niritti. Ruling Planet: Ketu Ruling Deity of the Planet: Ganesha Body parts: Feet & Left side of trunk. Nature: Rakshasa (demon) Mode: Active Number 19 Gender: Neuter or male (depending on the source) Dosha: Vata Guna: Tamasic Element: Air Disposition: Sharp and dreadful Bird: Red Vulture. Trimurti: Brahma/Creation. Direction: North Motivation/Goal: Kama. Downward Facing.

"The root star, origin star, foundation star"

Power to ruin, destroy, scatter things.

small overview of the nakshatra:

So Mula is the nakshatra that is opposite ardra and naturally, it's going to deal with opposite themes or at least is going to deal with the same matter but using another tactic

this time mula instead of simply cutting the problem right away now we are going to see an individual who will find the truth by digging into it.. digging into the roots to find the source of the problem.

mula its the "matured" state of ketu contrary to ardra which is the infant or initial manifestation of rahu

mula can be just as chaotic as ardra or even worse because this time there's not head only the body, ketu, and the challenge now it is to cut off only the part of the root that is sick or bringing problems.

this time instead of cutting the problem straight away we will go on a journey to see what happens when you decide to go after to eliminate the root of the problem and its consequences.

i also highly recommend that you check my previous post, that i will link on the end of this post, to be able to get a better understanding of the matter.

Pop culture mula representations:

Singers

Gerard Way (depression, singer and songwriter, fame, and art)

Gerard Way is a famous 00s punk rock vocalist of a band called My Chemical Romance. he has mula moon with mercury Bharani conjucted ketu Ashwini and just by looking at his placements we can already see that he has huge ketu energy on his chart.

He is a Taurus rising with mercury-ketu on his 12th, exalted rx venus on his 11th with the sun. The 12th house is the house of liberation, salvation, losses, and things that are hidden from us and the 11th is the house of earned gains and social networking.

(i use astroseek to see the carts so i believe that might be some differences although i don't think his nakshatras change regardless)

I am going to discuss the lyrics of his albums that, according to him, are very personal.

his second band album was launched in 2004 and it is called "Three Cheers for Sweet Revenge"

okay lets just start by looking at the cover because i just found out that i was inspired by "bonnie and clydes kiss" and i just checked and clyde, just like Gerard, he have exalted venus (but gerard have retrograde venus and its at revati and clydes is at purva bdp),and they have their lagnas on the same nakshatra the difference is that g's is at taurus mrigashira and clydes at gemini

meaning that sad mula emo boy took inspiration on a couple of murders to make his band's debut album and to be even more coincidental is the fact that he have strong synastry with the man meaning that

"In the drawing, you can see a small white heart on the male character's forehead. It is the only spot on his bleeding forehead, as it represents the couple's bulletproof love."

and on this album there's a music dedicated to his dead grandmother, called Helena.

I will not elaborate further on this album because the focus of my analysis will be on the second album of the band, but this first observation is here to show that Gerard's way of dealing with his pain, alongside drug use, was to write songs.

my main focus will be in the bands second album, where through the lyrics, we can see his mother's issues, his fear of abandonment, and more of his personality.

the third band's album is called "the black parade" and the band recorded this album in a haunted abandoned house where the members lived for a while only to be able to record the album. The members spent 2 months inside a haunted mansion isolated and said to have experienced supernatural stuff.

It is a rock opera and concept album centered on a dying man with cancer known as "The Patient". The album tells the story of his apparent death, experiences in the afterlife, and subsequent reflections on his life.

in short, the man died and saw his life in the form of a parade, hence it was called the black parade, it was a place where he reflected on his life choices after arriving at the afterlife.

now lets go over the album songs in a quick overview to see the story (the tracks are listed according to the order.)

"The Black Parade" focuses on the journey of a man known as "The Patient", diagnosed with cancer, as he reflects on his life and impending death. The album begins with "The End", where The Patient prepares for his funeral without expecting much mourning. In "Dead", he faces the reality of his imminent death and regrets not living his life fully. In "This Is How I Disappear", he realizes he will be forgotten and faces the consequences of his actions. "The Sharpest Lives" explores his toxic behavior and substance abuse after his lover leaves him. In Welcome to the Black Parade, The Patient recalls his father's advice to help others. In I Don't Love You, he breaks up out of self-hatred. House of Wolves sees him mocking fake faith. Cancer shows his fear of being remembered at his worst. Mama reflects on a mother's love despite her son's actions. The Patient learns that his family's love remains, like the mother's in the story. The Patient in "Sleep" faces internal turmoil and regrets, viewing himself as a monster unworthy of sympathy. Memories of his heinous acts torment him in death. The theme of disconnection from society, as portrayed by teenagers, reflects his warped perspective. "Disenchanted" portrays his wasted life and fear of death. In "Famous Last Words," The Patient finds hope for a second chance at life with his lover after facing his fear of death.

(I got this explanation from Reddit. tumblr didn't allow me to post the full explanation so please go to the post and read for yourself to see the detailed version.) (the explanation will use the detailed version of the track story explanation.)

in my personal opinion, Gerard was just as personal on this opera as he was on the song about his grandmother. This time we got to see mula's form of trying to fix the problems that disturb an individual's mind.

the lyrics feel way to personal, especially knowing that mulas tend to have mother issues, as we can see on the track mama where the dying man is begging for his mother for help and he feels desperate and looking for love and care, following the "welcome to the black parade" track where the man is remembering the words of his father and that to me portrays his rising ruler, Revati venus rx at 11th conjuncted his sun, the internal feeling of wanting to save people and to do good for others

In The Sharpest Lives, he says "he promises that if he has her back he will give up all of his addictions, as her light would be so bright in his world that the sun would be ashamed", the nodes are eclipsing the sun(Rahu the artificial sun) and the moon (ketu artificial moon), here I believe he meant that by facing her without the drug addiction he would be have no choice but to actually face his shadows because he uses the drugs to run from reality to run from his head demons.

he have rahu libra ruled by his rising lord, venus 11th that is conjuncted with his sun, libra = relationships, rahu fake or artificial, the artificial sun is ruled by exalted venus and pieces also deals with addictions, maybe the sun that he mentioned is the artificial sun, the one who would be ashamed, as his soul and venus are together.

everyone wonders what happens at the afterlife and no wonder he wrote this opera..... and by last the fact that he wonders through the whole album if he wasted his life away and desires to have his lost love back, again coming back to venus and union of two souls.

by he i was talking about gerard, who i truly believe mirrored himself on this punk opera as a way to express his mental tortures and transform into art. in the end the dying man and Gerard can be the same they sound the same.

differently from ardra, mula expresses his soul pains in a way more artistic to be able to find out what is wrong with him why does he feel so much pain in his life and regardless of gerard knowing or not those pains were put in his life as a test to achieve his soul liberation, something that I believe years later he find peace.

gerard said on a interview on 2022 :

-“The triumph of the human spirit over darkness was something that was kind of built into the DNA of the band from the beginning,” he explained. “The self-actualization, the triumph of the spirit and things like that, getting through really hard things. “There’s darkness in the world. And I think overcoming that darkness, that darkness externally and internally, is a beautiful thing. It’s a challenging thing, but it is beautiful if you can do that if you can kind of triumph over that. So that’s a theme that’s definitely in ‘Black Parade’, the song, and it’s in my work.”"

Billie Eilish (singer, famous star)

Billie is a famous pop singer that has mula sun-mercury-ketu 11th, 12th shravana moon, jupiter ardra rx - rahu mrigashira 5th, with lagnaand mars at purva bdp aquarius ruled by 4th rohini saturn rx.

where we got two famous singers with big saturn (gerard have cancer saturn i forgot to mention) ketu and Jupiter Energy that they channel to create their arts, but this time is billies brother who writes for her or co-writers with her (depending on the source you use).

finneas (her brother) have jupiter rx capricorn, leo stellium (mercury, venus and rahu) , mrigashira gemini moon and saturn pisces.

billies moon conjuncts her brothers jupiter and his moon conjunct her Jupiter-rahu and his ketu conjunct her first house lagna and mars so i truly believe that they are very close to each other and can understand each others internal mental battles to me they channel together, funny because one of the symbols of gemini is the twins.

also his sun conjuncts her saturn which should bring discipline to their work.

this time we got to see how mula operates under the umbrella of rahu, mula stellium ruled by jupiter ardra. In other words, we are going to see how, through an intellectual lens, Billie channels her inner mental torture and expresses her unique yet common emo mindset to make a career out of her pains.

she have her 10th ruler at 1st, 10th jyeshta venus ruled mars aquarius, this explains why shes very famous and why we are able to see her channelized expression of herself. 10th planets are what is exposed to the world, our reputation.

the 10th house is oposite the 4th, where the fourth house is the most private house of our chart and her chart ruler is at 4th, Rohini Saturn. Wealth is what, usually a rohini wants but its ruled by a jyeshta very public venus, venus does not like to be that public (exposed) and definitely had a hard life, two things that a rohini doesn't like at all.

just like Gerad, Billie displays mommy issues within her artwork, alongside her social difficulty, ketu = detached and is with sun-mercury meaning having a harder time with her mind.

her debut album called "When We Fall Asleep Where Do We Go" was inspired, in part, by lucid dreaming and night terrors. again two common nodal themes. According to her, night terrors and lucid dream is what happens when you fall asleep.

the album talks about hopes and fears surronding drug addiction, heartbreak, mental health, and suicide.

even tho the themes are and can be very personal billie said that she and her brother like to write as if they were someone else, meaning that she often likes to separates herself from the artwork this mimics the relation with herself, the 5th house is the natural house of the sun, the ego, and its located at the 11th, the house of social gains.

so this time, the idea of being a separate persona makes way more sense to her instead of gerads, because she really feels detached from all of these matters, mercury 11th with ketu.

yet she have 4th saturn and its said to be the worst house for saturn, i truly believe that they (the siblings) channel their bad mental experiences that they had as a child to write her music because her 12th moon is ruled by 4th saturn, and a Capricorn moon is also said to experience mental anxiety and problems.

this time she might actually feel separated from the art but the art, once again, truly mimics the inside of our hearts.

so as we can see in order to heal, these two mulas use their pain and transform into art and by doing this they liberate their heads from the pain and eventually, even if takes long they find some kind of peace.

in 2021, billie launched her album called "Happier Than Ever" and this time the inspiration was the covid 19.

this time billie was more, just like the rest of the world, isolated and said that the album creation felt very natural and she also mentioned that was able to feel more confident on her work.

she further adds that self-reflection was the biggest muse behind the record and she mentioned that wrote the track "male fantasy" by herself which helped her realized some unprocessed feelings she previously had.

and just like gerald, with the help of isolation came the biggest form of inspiration.

END OF PART 1.

hi thank you so much for reading until the end i hope you enjoyed and were able to learn something ;).

please feel free to request any suggestion of themes you would like me to talk about and share you personal feedback :))

contact info.

ardra nakshatra p1 analysis.

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supremeromanticizer · 25 days ago

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who got insight on d60 Ketu in Ardra bc ngl d1 and d9 the only ones I rlly know about fr

#this is a girlblog #supremeromanticizer #girlblogging #hit tweet #thought daughter #vedic astrology #astrology #vedic #D60 #d60 chart #d60 ketu #d60 Ketu in ardra #d1 #d9 #ardra #ketu

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rabiosantologia · 3 months ago

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Fred Astaire

♈ Krittika Sun (atmakaraka) and Ashwini Mercury in the 6H

♉ Rohini Moon in the 7H

♏ Jyestha ASC

♋ Ashlesha Mars in the 9H (lagnesha)

♓ Revati Venus in the 5H

♎ Swati Jupiter in the 12H

♐ Mula Saturn and Rahu in the 2H

♊ Ardra Ketu in the 8H

Fred Astaire, Royal Wedding, 1951

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moonchild033 · 7 months ago

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Rahu/Ketu stars and The Air/ Fire Signs: A Philosophical Perspective 🐍🍂

Why are all the Ketu ruled stars in Fire signs alone? 🐍🔥

The three Ketu ruled stars-Ashwini, Magha and Mula are present in Aries, Leo and Sagittarius respectively, all of which are Fire signs.

What do we think when we imagine Fire? Fire is something that burns and destroys. Likewise, Ketu destroys our ego, materialistic desires and needs for worldly attachments. Detachment is the only way to enlightenment and enlightenment is the key to liberation.

Fire is the ultimate END. Ketu teaches that the only END of a soul is liberation and not death itself. Rebirth is a soul having karmic baggage.

Why are all the Rahu ruled stars in Air Signs alone? 🐍🌬

The three Rahu ruled stars- Ardra, Swati and Shatabisha are present in Gemini, Libra and Aquarius respectively, all of which are Air signs.

Air is something that doesn't want to settle, constantly moving and spreading everywhere. Likewise, Rahu creates unrealistic desires, high ambition, always on the move to do this and that, desire to move abroad, lack of commitments and strong sense of independence.

This doesn't mean that the air zodiac signs have these qualities, there are the traits of Rahu and this post is more of a philosophical perspective of why the shadow planets chose the elements for their stars.

This is my own theory/thoughts, if you have different perspectives or would like to add more points, I'm happy to discuss in the comments or in asks. I'm as excited as this cat here! 👇😃🤩

Let's Learn and Grow Together!💅💋

With Love-Yashi ❤⚡

Masterlist💖

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venussaidso · 11 months ago

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𝐌𝐨𝐨𝐧-𝐑𝐚𝐡𝐮-𝐊𝐞𝐭𝐮: 𝐓𝐫𝐮𝐞 𝐕𝐚𝐦𝐩𝐢𝐫𝐢𝐬𝐦

the prominent themes of vampirism such as desire, hunger, mystery and illusions tie so perfectly with the moon and its nodes. it wasn't surprising to find the nodes dominating this genre the most, along with the luminaries (moon & sun nakshatras, but more fittingly the moon). i will not be touching on the few sun nakshatras playing vampires, as the moon makes far more sense symbolizing true vampiric nature.

So many vampire movie posters have this luminous glow to them, likely done consciously because of these creatures' affinity for nighttime, and generally being nocturnal as they're extremely sensitive to any type of sunlight.

I've once briefly mentioned, in my "Moon Dominant Themes" post, that lunar natives can operate very secretly, such as 'working in the shadows'. And the whole lore of vampires always emphasizes their ability to hide themselves while still living among humans.

Vampires undergoing periods of dormancy and resurgence is interesting as that can also be linked back to the moon's cycles of waxing & maning. The influence that the moon has on vampires, in some legends, is during certain lunar phases in which they become more active. A full moon could literally mean that their strength has enhanced, whilst a moonless night could mean their desire for blood is heightened.

Rohini Sun Colin Farrell

Claire Nakti explored, in her "TOP 3 Most Magical & Mystical Astrology Signs | Cults, Divination, & Occultism | Part 2 (Nakshatras)" documentary, on the ability of Moon nakshatra natives to brainwash/mind control/hypnotize.

daniel kaluuya is a hasta moon, not rohini.

As these natives are often cult leaders, their ability to influence the mind goes back to their lunar-rulership. The Moon rules over the mind, emotions and subconscious. A vampire's ability to hypnotize humans and other lesser beings is in parallel to the Moon's influence over the psyche and subconscious.

This illusory nature found in vampires can be connected to the shadow planet, Rahu. As Rahu is illusions, desire, hunger. Rahu is very seductive and tempting; this could tie back to some legends in which vampires lure their prey giving them promises of pleasure.

Ardra Sun Tom Cruise.

In "Interview with the Vampire", Tom Cruise plays Lestat who is an overindulgent, greedy vampire. Rahu governs desires and the pursuit of worldly pleasures. It's related to insatiable cravings that lead to greed. The lustful nature of Rahu is seen in Lestat's intense bloodlust and the chaos it brings.

Rahu's associations with eclipses relates to their ability of being hidden in the shadows. Another hint is in Rahu being a Shadow planet itself, just like Ketu is which is also related to vampires.

The story about Rahu's head getting decapitated by Vishnu for trying to get a drink out of the nectar of immortality can be brilliantly paralleled with vampirism. Due to Rahu's consumption of the drop of the nectar, he became the infamous dismembered immortal. His dismemberment a symbol of the detachment from humanity to vampirism.

Rahu is considered an entity of darkness and malevolence, preying upon cosmic forces and defying the natural order of things (such as vampirism which does defy nature itself, ie. the dead becoming undead) in pursuit for immortality. Vampires are literal parasites, and Rahu is also parasitical. Vampires feed on humans without providing any benefit in the ecosystem in return, a one-sided relationship which resembles one between a parasite and its host. Rahu is depicted as insatiable and consuming, feeding and draining one's energy. It creates a cycle of thirsting for more without any fulfillment, a predicament vampires find themselves in.

Ashwini Sun Luke Evans

Rahu and Ketu represent the lunar nodes, respectively depicted as the head and tail of the celestial serpent. Their energetic interaction can be likened to the endless chase between a vampire and a vampire hunter, villain and hero, the friction between unlikely lovers. It's obvious in how Rahu embodies the insatiable hunger for experiences and the craving for fulfillment that it can be the vampiric force in such a dynamic. Like a vampire, Rahu relentlessly pursues its desires, often leading to greed and excess. And then you have Ketu, on the other hand, which embodies detachment, spirituality, and liberation from worldly attachments. It quite literally symbolizes the renunciation of desires and the quest for enlightenment, opposing Rahu's restlessness for more. Ketu is a cutting force, and like a determined vampire hunter, is skilled in tracking down illusions and breaking free from temptations.

Although it sounds like a more fitting interplay between Rahu as the evil force and Ketu as the hunter, it's actually more seen in the other way around.

It is more so that Rahuvians are the vampire hunters, which I found so intriguing; showcasing how Rahu is both the parasitical (illusory), and also the one to be rid of parasites (disillusionment). And I have explored this particular theme in my Rahu post -- how Rahu natives experience a lot of disillusionment from their reality, wanting to cast away the illusions that drain the life force.

The reversal of roles showcases the fluidity of the nodes; their roles almost always expected to reverse, illustrating just how Rahu and Ketu are deeply intertwined with the concept of karma, representing the push-&-pull between cosmic forces of destiny.

More nodal-vampire movies, and other examples in which Rahu & Ketu find themselves on opposite sides of the same spectrum in which they are both vampires, similar to the friction seen between Louis (Ketu) and Lestat (Rahu) in "Interview with the Vampire".

In the film "Fright Night", the one who has to kill the villainous vampire is an Ashwini native. It is also interesting how in "Queen of the Damned" (above, right), the villain is a Magha native who must be stopped by her Mula lover -- both being vampires.

As mentioned in the figure image about the film "Abraham Lincoln: Vampire Hunter", where a nodal-ruled native is paired up with someone who is lunar-ruled, this is a type of pairing seen a lot in these supernatural stories.

Similarly to "Twilight", as Edward was the one to turn Bella into a vampire, we see the planetary reversal of this in which the lunar-native is the one who turns the nodal-native.

Or the film "Vamps" in which Hasta Sun, Shatabhisha Moon native Alicia Silverstone turns Mula Sun, Magha Moon native Krysten Ritter into a vampire.

It isn't a surprise that the moon and its nodes are related to the extremities of the mind. These energies can cause isolation due to how polarizing they come off in regular society (furthermore validating its relation to vampirism), so they become attracted to one another -- especially the nodal natives to the moon natives, because of how much they feel magnetized by them, and vice versa.

edit: also paul wesley could be a purva phalguni moon instead of magha, there is an unconfirmed birthtime out there + he is a pushya sun and i have noticed sun nakshatras along with saturn nakshatras in vampiric roles as well. might touch on this some time soon.

The presence of some Sun nakshatras in vampire stories is present and that could tie to the Sun's influence over the Moon despite the fact that solar symbolisms regarding vampirism don't exist, and vampires are far too sensitive to the Sun so much so that they get sunburn during the full moon where the sun's light reflects (interesting to think about). The whole point of a vampire is to lurk in the shadows or during nighttime, so the strict avoidance of the Sun could make sense in there being solar-natives in vampiric roles. It makes for an interesting contradiction, certainly.

Ketu is the body of the severed demon Rahu following the consumption of the elixir. Much like Rahu, Ketu is also associated to darkness and illusions. But it symbolizes the darker, unseen aspects of reality -- all the hidden forces and energies as I've touched on in my Ketu exploration. Ketu and Rahu are two sides of the same coin, it isn't surprising to see them share many vampiric roles/stories.

Ketu is about spiritual liberation, detachment (in this context, becoming a vampire means a harsh detachment from normality/the old life), transcendence; these existential themes are found in vampirism.

The character Louis in "Interview with the Vampire" played by Mula Sun Brad Pitt describes his existential crisis as a vampire to a Magha Sun human who interviews him.

The enhanced strength, agility, speed, hearing and all these abilities are gained after the painful transformation process, going from human to vampire. This process is seen in the film "Interview with the Vampire", Mula Sun Brad Pitt's character going through excruciating pain when turning. My mind immediately takes me to Claire Nakti's first Mula nakshatra exploration, in which she touched on the interconnection of pain and evolution for access to more powers.

edit: robert pattinson is an ardra moon, not sun. and i accidentally used jk rowling's face as l.j smith, ugh! 💔

Vampires are caught between worlds, trapped in a liminal space between life & death. Ketu can cause feelings of entrapment. The yearning for release from their eternal existence is a common theme, as Ketu wants to escape its body. Louis de Pointe du Lac is the best character as example of rejecting one's own nature and wanting to cease to exist.

Mula Sun Brad Pitt

nodals being so emo jfc

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laifromthecosmos · 4 months ago

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Weakened Moon and the Rise of the "Dark Femininity"

Feminine energy is a subtle and powerful force that exists within all of us, representing the yin principle — receptive, intuitive, emotional and creative. It manifests itself through empathy, self-care, sensuality and connection with emotions. The Moon is responsible for activating these feminine powers as it is the great symbol of the most feminine planet in the zodiac. Each week she is in a phase, just like women. The Moon does not have a constant energy like the Sun (symbol of masculine energy). The Sun is God and the Moon is the Goddess, the Sun is spirit and the Moon is the creative force, the Sun is Shiva and the Moon is Shakti. Together they represent a great and primordial duality of male and female. The Moon is the divine mind (that's why in Vedic astrology its sign is the lunar) which includes emotion and feelings, the consciousness that reflects on things). The mind is dependent, reflective and conditioned to consciousness. The Moon shows how we relate to others, our social consciousness. While the sun represents individuality, the Moon indicates our personality. When afflicted, she may show personality disturbances in relation to other people or similar symptoms and emotional disturbances. A Moon with nakshatras that harmonize with your energy can give a sensitivity to human feelings, a social awareness and a need to exchange emotions. It makes our feelings recognized and shared with others. The Moon is everyone's friend, it has our popularity, social status and ability to influence mass.

As very sensitive and changeable, the Moon can be easily influenced and delight in other planetary energies. When strong, the Moon can have the same prominence as the Sun and can shine like it. When the Moon is in a Leo or solar nakshatra, there is a combination of a great leader who is open to people's needs. When combined with Venus, it can have intellectuality from various fields of knowledge accompanied by artistic gifts and spiritual devotion. Saturn can darken you, depress you or give you detachment. Rahu can "fog" or cause loss of mind power. This is because the Moon has the ability to become whatever influences it. Therefore, some nakshatras are responsible for "destroying" and not cooperating with this pure feminine energy that the Moon possesses and turns it into something more destructible and obscure, better known today as the Dark Femininity side.

The concept of "Dark Femininity" refers to a powerful and often repressed aspect of feminine energy, characterized by attributes such as mystery, intensity, inner strength, control, deep sensuality, dark intuition, and the capacity for transformation and rebirth. Unlike traditional feminine energy, which is often associated with softness, receptivity and nurturing, dark feminine involves more hidden, deep and even destructive aspects of the psyche. This energy is related to the acceptance of inner shadows, the ability to navigate emotions such as pain, anger, loss and the destruction of old structures to be reborn stronger. Lilith in mythology and the archetype of the Goddess Kali in Hindu tradition are examples of this dark feminine force. Dark Femininity is a concept that combines sensuality and self-empowerment, it is part of trends on social media and films that have been popular and placed in reality in a distorted way. Dark Femininity is considered "the shadow side of the feminine", which includes characteristics that are suppressed in the face of social expectations. Aesthetically, Dark Femininity is an "energy" that is capable of being more assertive, being fearless, being mysterious, being seductive, embracing your inner wisdom and instincts, acting with intention and with magnetic confidence, being firm in your decisions and among others behaviors. Dark Femininity went viral on social media as an aesthetic that understands the opposite side of the feminine. Combining this phenomenon with astrology, the Dark Femininity is best known as a suppression of the divine feminine, but today this archetype is more associated with the process of healing, transformation and integration of personal shadows, rather than just the dark side of emotions and behaviors. For this energy to ascend, the primary energy of the feminine (the Moon) must be contained, weak, debilitated. So, the Dark Femininity, which previously had no name, is much more than an aesthetic of wearing black and being a Femme Fatale, Meneater, Bombsheell and among other stereotypes of non-submissive women.

When the Moon is in the 3rd and 10th degrees of Scorpio, a sign ruled by Mars and Rahu, associated with transformation, emotional intensity, mysteries, fears and extreme situations, there is an incompatibility between the soft nurturing emotional nature of the Moon and the turbulent Scorpio. The Moon needs peace and stability to thrive and in Scorpio it feels overwhelmed by intensity and trauma, which can generate emotional instability and a feeling of vulnerability. The processes of transformation and rebirth are also harmful to the Moon, so she feels uncomfortable as if she is always in an emotional crisis or transition. The need for control when the Moon is in Scorpio (especially in Anurhadha, which is ruled by Saturn) can generate conflicts and other complications in social interactions. Although people with the Moon in Scorpio may have a keen intuition due to their high connection with the unconscious, this ability can be overshadowed due to its intensity. This makes it difficult to make clear judgment and make impulsive decisions, especially in emotional situations. Vishakha in its final portion begins to feel this debilitation, as we are leaving Libra (ruled by Venus, a planet in harmony with the Moon). This nakshatra governs the balance between light and shadow and is aimed at ambition that faces internal conflicts. The Dark Feminine is accessed through a deep search for personal power and independence that is often accompanied by challenges in relationships and feelings. Vishakha connects the dark femininity through the desire for transformation and evolution, sometimes needing to face inner shadows: such as jealousy, possessiveness and obsession. This forces the native to confront their darker side to achieve emotional and spiritual prosperity. Anuradha in its initial up to the 10th degree is where the main weakening of the Moon occurs, however it can begin to recover as soon as it moves to higher degrees. This nakshatra governs loyalty and devotion and its access to the dark feminine is more intuitive and emotional. Anuradha, ruled by Saturn, has a strong connection with the feminine archetype that sacrifices and transforms itself through devotion. The femininity dark side emerges when these qualities are tested by situations involving loss and disappointment. Here, the dark feminine is accessed by accepting pain, overcoming limits and the ability to be reborn stronger after emotional and relational crises. There is immense power in embracing suffering as part of the spiritual journey, which deepens the dark femininity. Contrary to what many think and would like, the Moon in Jyeshtha is no longer considered debilitated, that is, they do not embrace the Dark Feminine side, as this nakshatra governs superiority and control over the environment, which makes it more associated with mastery. emotional and spiritual than to the dark feminine archetype in its narrowest sense. It is associated more with the responsibility and protection of the divine feminine.

So it is also believed that all nakshatras ruled by Mercury exude the Dark Femininity vibe, but this does not occur. They are often associated with the archetype for their mystical, occult and complex characteristics, but they can no longer be seen exclusively as representatives of this archetype for some reasons linked to the most correct interpretation and evolution of Vedic astrology. I made maps of several people who had Revati and especially Ashlesha and Jyeshtha and they don't behave the same as Dark Femininity. A person already came to my Twitter and told me that he did not identify with his rashi Ashlesha because of the stereotypes recorded in this nakshatra. Let's agree that these cannot harm the lunar energy, on the contrary, they are constantly using the emotional (moon) and intellect (mercury). In Ashlesha there is deep psychological understanding and it is obvious that natives of this nakshatra are exalted in the Moon, as it is a nakshatra that belongs to the sign of Cancer, which is ruled by the Moon itself. Ashlesha represents the feminine archetype of hidden strength. Despite connotations of mystery and control, it also symbolizes deep healing and transformation through "emotional poison". The concept of dark feminine goes beyond manipulation and control, to include a feminine energy that heals through facing one's own shadows, a more evolutionary and integrative quality of Ashlesha. Women with the Moon in Jyeshtha often access their feminine by taking control of situations and becoming figures of influence. When the Moon is in a nakshatra ruled by Mercury, there is no impediment to accessing the primary feminine energy, what happens is that they usually tend to be more controlling and end up suppressing feelings and emotions, since we are also talking about Mercury and so this mind has the power to control the Moon's emotions, but is not able to suppress its feminine energy. Therefore, the reason why these nakshatras may no longer be considered exclusively representatives of the dark feminine lies in a broader and more complex interpretation of the archetype. It is no longer about the dark side of femininity energies, but how these energies can be transformed, healed and used for spiritual and emotional evolution.

And when does the Moon meet Rahu? Rahu is a shadow planet that is associated with material ambitions and karmic influences. Whether the Moon has Rahu nakshatras or is in conjunction with this planet, there can be emotional upheaval and internal conflicts that can cause insecurities and desires. When Rahu associates with the Moon, it brings mental confusion, intense desires and disconnections with reality, bringing a layer of emotional restlessness, distorting emotional clarity and creating a constant search for satisfaction that is often difficult to achieve. The Moon represents our emotional security, and when Rahu influences, the native may have a distorted self-image. There may be deep insecurity and difficulty understanding your own emotions. Ardra has a destructive and tempestuous energy. When the Moon is in Ardra, the person can feel intense emotions, drastic changes in mood and a certain emotional instability. This energy can generate a feeling of anger or internal frustration, which makes it difficult for a person to connect smoothly and fluidly with their feminine energy. Ardra brings an energy of renewal through destruction, which can make it difficult to connect with the feminine side that seeks harmony and nourishment. Women with the Moon in Ardra access their dark femininity by navigating intense emotions such as anger, sadness and frustration, using these forces as agents of transformation and growth. Ardra represents the feminine side that embraces pain and chaos as tools to find clarity and renewal. Just like a storm, they bring destruction, but also the opportunity for reconstruction. Shatabhisha, ruled by Rahu, is a mysterious nakshatra, associated with isolation and emotional detachment. When the Moon is here, there can be a strong tendency toward emotional isolation or an excessive quest for independence, which can suppress the need for intimacy, connection, and nurturing. This influence makes it difficult to express the softness and receptivity typical of feminine energy, as the person may feel that they need to maintain their autonomy and control their emotions. The woman with the Moon in Shatabhisha can manifest her dark femininity through her connection with the invisible, healing herself and others with hidden wisdom. Shatabhisha deals with secrets and mysteries, representing the mystical healer who hides in the shadows but holds a profound power of transformation. This nakshatra embodies dark wisdom and healing through unconventional or occult methods.

The Moon with a connection to Saturn (planet and sign) can also give a strong connection with the dark femininity, especially in terms of emotional depth, psychological challenges and internal transformation processes. This combination brings insight and experiences of suffering or restriction that shape the darker side of the psyche. Saturn represents limits, restrictions and difficult lessons. When in contact with the Moon, which governs emotions, the subconscious mind and intuition, Saturn can bring a heavier, more serious and introspective emotional nature, forcing the individual to confront their shadows. This creates a scenario in which the feminine, represented by the Moon, has to deal with the limitations of Saturn. This combination can generate a feminine energy that faces difficulties, emotional isolation and even loneliness, but finds strength in the midst of these challenges. The dark femininity appears as an internal resilience, an ability to face emotional pain and transform it into wisdom. When Saturn influences the Moon, emotions are forced to mature and the individual may feel a tendency to suppress their feelings. This emotional comfort is a characteristic of the dark feminine, which involves recognition and acceptance of pain and shadow. The dark femininity can be activated here as a deep healing process through emotional darkness and the strength of not showing off emotionally, but which has a strong base rooted in difficult experiences. As Saturn rules time, the Moon with Saturn brings wisdom of life stages and emotional cycles. The dark Femininity, in this case, is not something to be avoided, but rather something that is part of the natural cycle of life. Saturn teaches emotional transformation and encounters with the shadow are inevitable and necessary for growth. The dark feminine can be activated during these cycles of loss, introspection and renewal.

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