#kenzan

[tsukimino]

Kenzan Substory: Izumo no Okuni

We’re back, and since Ishin now has an official English release, it’s time to move on to other things! Without further ado, below the cut is a complete English translation of Kenzan’s Izumo no Okuni substory – better known as the substory in which Kiryu Kazumanosuke inadvertently invents kabuki. 

[Kiryu walks toward the temple at the east end of Rakugai; right in front of the doors, he runs into a trio of rough-looking swordsmen. Their leader confronts Kiryu.]

Swordsman: Huh?! Is that Miyamoto Musashi? We’ve finally found him! 

[The leader reaches for his blade.]

Swordsman: That’s as far as you go! Die! 

[A fight ensues. Naturally, Kiryu trounces his opponents, but when the fight ends, he’s crouched over and breathing heavily.]

Kiryu: (Was that all of them…?)

Swordsman: He’s hurt! Finish him off now! 

Kiryu: (Shit…! I’ll just hide somewhere until this blows over…) 

[The screen fades to black. When we return, Kiryu has found a hiding spot of some sort in an enclosed, dimly-lit space.]

Kiryu: Hah…! Hah…!

[The camera pans over to reveal a woman standing nearby.]

Okuni: Wh- what the!? What happened to you? 

Kiryu: It’s nothing… 

Okuni: That’s not nothing at all! Those injuries – they need attention! 

Kiryu: Sorry. I’m being chased. Would you mind if I stayed here for a bit? 

Okuni: Chased, huh? 

[We hear muffled shouts on the other side of the wall.]

Swordsman: Where is he!? Dammit! Find him! 

[Kiryu falls dramatically to the floor at Okuni’s feet.]

Kiryu: Ugh…

[The screen fades to black.]

Okuni: Hey, now! Hang in there!

[When we fade back in, Kiryu’s lying on the floor in a set of unfamiliar clothes. Okuni is standing around with a trio of men, having a conversation of some sort.]

Kiryu: Where am I…? 

Okuni: Well, maybe now’s the time… 

Lead Actor: What are you saying, Okuni-san?

Clown: You said we were gonna put on a play like no one’s ever seen! You were so excited!

Okuni: Quiet! This is all happening because your acting won’t cut it!

Heartthrob Actor: H-hey! We’re doing our best! 

Lead Actor: That’s right! We’ve come up with all sorts of things, and you’ve hemmed and hawed about all of them! 

Okuni: But in the end, you haven’t been able to pull any of them off, have you? When you’re all talk, you can say anything you like!

Lead Actor: …

Okuni: If you’ve got time to complain, you’ve got time to rehearse! 

Lead Actor: Y-yes…

Okuni: Ahh, good grief…

[After the actors leave, Okuni looks down at her guest.]

Okuni: Oh, you’re awake?

Kiryu: What’s this outfit…?

Okuni: We couldn’t take care of your wounds the way you were, so we took the liberty of changing you out of your clothes. And besides, if you walked out of here in those bloody rags, they’d find you right away. 

Kiryu: I see… Thanks. 

Okuni: But I can’t guarantee that they won’t find you if we stay here, so…

Okuni: I’ve got it! 

[A full cutscene begins: Okuni grabs a brush and attempts to start painting Kiryu’s face.]

Kiryu: Hey!

Okuni: Sit still!

[Kiryu turns his head away again.]

Kiryu: Hey, quit it!

[Okuni grabs him by the chin and forces him to look at her and stay still. Kiryu finally stops acting like a petulant child and sits (mostly) still while she paints. When she’s finished, she stands up and gazes down at her work.]

Okuni: How’s this? 

Okuni: Ah, it came out pretty good! Now nobody will even know it’s you. 

[There’s a shout from off-screen.]

???: He’s here!

[The swordsmen from before rush in, blades drawn. One of them bends down to inspect Kiryu.]

Swordsman: What the hell? What’s with that getup? 

Okuni: Darn, they saw through it after all. 

[Kiryu grabs an umbrella and stands up. Just to be extra dramatic, he begins to speak without turning to face his would-be assailants.]

Kiryu: You guys sure are persistent… But I can’t let loose in here. Let’s take this outside. 

[Kiryu pushes his way through a set of curtains; the men follow him while Okuni reaches out in a vain attempt to stop him.]

Okuni: Hey! That’s the way to… 

[Of course, Kiryu stomps out directly into the middle of a stage, where we finally catch a glimpse of him in full kabuki face-paint, wielding his umbrella as a weapon. Four enemy swordsmen surround him with their blades drawn and ready.]

Kiryu: You’re gonna break more than just a leg!

[A battle begins, in which Kiryu gives the men a thrashing with his paper umbrella.]

[Afterwards, as he stands in the middle of the pile of bodies, Okuni starts clapping for him offstage.]

Kiryu: Sorry about that – I’ve caused you a whole lot of trouble. 

Okuni: Trouble?! Far from it! Look at that!

[Okuni gestures toward the crowd. The place is packed, and everyone’s cheering enthusiastically for his performance.]

Okuni: Thanks to you, the crowd’s going wild! 

[We fade to black again, and when we return, Kiryu’s in the backstage area once more.]

Okuni: I never imagined I’d see so many happy playgoers. It was one last fond memory – thank you so much!

Kiryu: Last?

Okuni: Yeah, it’s time for this troupe to call it quits. Attendance has been way down, lately. 

Kiryu: You’re bound to have times like that if you’re in this business long enough. Isn’t it a little soon to be giving up?

Okuni: We’ve tried a bunch of different acts, but in the end, the only thing a little troupe like ours can do is rehash old material, and young actors these days think that’s tedious. They get bored. We’re always squabbling, and I’m getting sick of it. 

Kiryu: …

Okuni: If we only had a performer like you… 

Okuni: Oh, don’t worry, I’m just kidding. 

Kiryu: You really want to keep this theatre going, don’t you? 

Okuni: Huh? Well, it’d be nice if I could, but…

Kiryu: Well then, mulling it over on your own’s no good, right? 

Okuni: But those guys still don’t know the first thing about acting… 

Kiryu: Now, I’m just an amateur, but wouldn’t you say it makes for good theatre when everyone’s in step? 

Okuni: In… step? 

Kiryu: Have you ever taken them seriously? From your point of view, they’ve got a long way to go, yet, but those players must have their dreams riding on you. That’s why they’re here now. 

Okuni: …

Kiryu: You can quit anytime – but before you throw in the towel, try putting more trust in your players and talking to one another. 

[We fade to black yet again. When we return, Kiryu’s back in his usual running-around-town outfit.]

Kiryu: (That troupe’s gonna be just fine – after this, they’ll carve out a path for themselves. I should hurry up and get out of their dressing room.)

[The screen fades to black once more. The three actors from before are standing together, mid-conversation.]

Lead Actor: But what a surprise! That fight scene was amazing! 

Clown: Right, right! And that makeup was fantastic! A real transformation! But kind of strange, too. 

Heartthrob Actor: Totally! I’ve never seen such a strange-looking actor before!

Lead Actor: A strange-looking actor…? Or maybe a kabukimono…*

Heartthrob Actor: Hey, why don’t we try making a play out of that fight we saw just now? We’ll call it “kabuki”! 

Clown: Fantastic! Just a sec – let me go tell Okuni! 

Lead Actor: Huh? But she’s already said that the theatre… 

Clown: Let’s give it a shot! That performance was amazing – she’ll definitely get it!  

[We return to Kiryu, who’s standing outside the temple again. A notice pops up saying that Kiryu received 10,000 EXP. Before Kiryu can bumble off to intervene in anyone else’s problems, a guy waves to him from the gates.]

Actor: Hey, you! Hold on a second! 

Kiryu: You’re one of the actors... What do you want with me? 

Actor: I wanted to say a quick thank-you. 

Kiryu: Thank me? What for?  

Actor: For getting Okuni’s spirits up again! Your acting inspired her – and us too, of course! 

Kiryu: Oh yeah? That’s great. 

Actor: Yeah! Your work was cutting-edge! Amazing! We’d never seen anyone act like that before! 

Kiryu: Uhh, that wasn’t really acting… 

Actor: I was completely enthralled by your performance! I’d love to know your name. 

Kiryu: ……Kiryu. 

Actor: Kiryu-san, eh? We’re gonna come up with a new play based on your performance! And we’ll make a fresh start with Okuni. 

Kiryu: Sure. Good luck. 

Actor: Thanks! For now, our troupe’s going to keep playing in this town. …Oh, hey, Kiryu-san! Could you stop by the stage once in a while? 

Kiryu: Huh? 

Actor: You’ll be a real crowd-pleaser if you come out, and we’ll help with the production. And I think it’ll make Okuni really happy! 

Kiryu: Uh, but I…

Actor: Yeah, it’s perfect! Just show up whenever you like – it’ll be great! 

Kiryu: Wait, but…

Actor: How does five percent of the proceeds sound for your performance fee? I’ll talk it over with Okuni! 

Kiryu: Uh, but I’m…

Actor: Huh!? Five’s not enough? Ohh, I’m in a real bind, here… I can’t go any higher than that… Would you settle for five percent – please? 

[Kiryu is then given a choice.]

> My art doesn’t come that cheap!

> I don’t need your money. 

[Kiryu can pick the first option, but when he does, the actor won’t accept it.]

Actor: Uhh… Please don’t say things like that. 

[The game then dumps you back on the choice screen, where Kiryu has to pick the more magnanimous option to proceed.]

Kiryu: Alright, alright, I get it. I’ll help you, but I don’t need your money. 

Actor: Huh!? But that’s no good…

Kiryu: I’ll help you out for free instead – it’ll be a parting gift as you all set out on the next stage of your journey. 

Actor: Really!? Thank you so much! Everyone’s gonna be thrilled! Well, whenever you feel like it, let me know! I’ll always be waiting right here. Oh – but when I say “always,” I mean only at night. We don’t perform during the day. 

Kiryu: Okay, got it. 

[End of substory.]

—

Translation Notes:

*Reader, I’m going to be honest with you: this section of dialogue between the actors is basically untranslatable in a way that retains all the significance of the original, because it involves a lot of wordplay that doesn’t really have an equivalent in English. The three players talk about Kiryu’s performance admiringly, and they note that his appearance and behaviour were like nothing they’ve ever seen before. So far so good, right? But the specific term they use for his performance is kabuku (かぶく): a verb that means “to slant” but that was also used to describe the act of dressing and comporting oneself oddly. It’s this term that leads them to conclude that Kiryu himself looked and acted like a kabukimono (傾奇者): a term derived from the verb kabuku that refers to gangs of rowdy, flamboyantly-dressed swordsmen – mostly ronin – who ran around making trouble in the early seventeenth century. It’s from this last term that one of the actors comes up a name for the new style of play they want to put on; they’re all so impressed by Kiryu’s wild appearance and his rowdy sword-fighting performance that they decide to replicate it in their own work and call it kabuki. (This theatrical term seems, in fact, to have been derived from kabukimono, so Kenzan’s writers weren’t just pulling things out of their asses.) 

This wordplay is difficult to replicate in English because while we have kabuki as a loanword, we didn’t nab any of the other terms in this chain of associations – sure, I could’ve said that Kiryu looked “kooky” or something because that sounds a bit like “kabuki,” but that term doesn’t carry the historical significance that kabukimono does.  

—

Izumo no Okuni is a real historical figure who’s said to have invented the theatrical art of kabuki, which exploded in popularity in the early seventeenth century. As this substory suggests (and as you probably already know), kabuki is known for its flashy costumes and especially for the white makeup and bold lines with which performers’ faces are painted. Initially, the performances were heavily dance-based and were put on by women; Okuni’s own company consisted (in contrast with what we see in Kenzan) entirely of ladies. By 1629, however, lady actors were banned from the kabuki stage out of concern for the potential morally deleterious effects of female kabuki troupes’ often ribald performances. Of course, this didn’t put an end to the art – it just meant that men (often younger men) were left to play women’s parts instead, and while the ban was later lifted, kabuki performances generally remain all-male affairs to this day. 

[besidebloomingirises]

[snatching-ishidates-wig]

Swordbot - Samurai Team | ソードボット侍チーム

[raurquiz]

#policeday #transformers    #g1 #autobot #prowl #masterpiece #clampdown #go #kenzan #cyberverse #warforcybertron #siege #carrobots #machalert #thelastknight #barricade #actionfigures @Hasbro @takaratomytoys

[majimassqueaktoy]

[veirven]

for @misstatsu

[meh-ideknow]

Shipping jurassicshipping and victoryshipping is great because you can headcanon both brothers don't know how to flirt. Instead, they end up bullying or being sarcastic with their respective partner

[zephyr-mew]

why are there kenzan golf balls

why is this man like this

[shoguns-second]

Missing my stupid Jiangshi alot tonight-- so here's a repost/some stuff I haven't posted for him while I wistfully stare at him,,,

[autoacafiles]

[kenzan-kiwami]

to-play list (replays starred):

kaito files, 3*, 4, 5 [original localisation]*, 0*

played list:

0, K1, K2, 3, 5, 6, 7, 8, ishin, DS, gaiden, JE, LJ

project list:

keiji zero resub

kashiwagi scar map

making a better two trucks amv

swap one of the majimas on dondoko island for sawashiro (hypothetical for the purposes of learning to mod)

about me:

gay man (he/him)

names are weird. call me anything you want

21+

scottish

kashiwagi liker

steam deck user

i skipped yakuza 4 (but i hope to play it soon)

big faves: kashiwagi, adachi, hamura, sawashiro, hanawa, tsuruno, shishido, akame, nanba, takabe, yagami

niche faves: sasaki, kosaka, gaudy yakuza

sometimes i do art

???

likes from (rare) - @gaslightgatekeepgodot

if you like kazumaji this probably isn't the blog for you

[tsukimino]

Kenzan Substory: The Yamato-e Painter

Below the cut is a translation of Kenzan substory #45, “The Yamato-e Painter.”

Please be warned that this story contains an incident of sexual harassment that’s played for laughs in a homophobic manner. This writing is very much in line with the kinds of storytelling choices that RGG Studio has made in the past and has since disavowed through disclaimers or even outright cuts in their remastered games and remakes. 

Yamato-e is a genre of painting that (as the name – literally “Japanese painting” – suggests) takes specifically Japanese people, places, and themes as its subject matter. The Metropolitan Museum of Art’s page on yamato-e provides a helpful summary of the genre’s history. Most relevantly, by the early 14th century, artists working in this genre had begun to produce realistic portraits of subjects such as poets, courtiers, military heroes… and perhaps, in Kenzan, a certain wandering swordsman. 

[Kiryu is wandering about in Kawara when he runs into a man dressed in a white kimono with a pink-ish overcoat. The man – identified in the text box as “Ranzan” – waves him down.]

Ranzan: Excuse me, sir, do you have a moment? Where on earth did you train that magnificent body of yours? You’re not like all those other meatheads…

Kiryu: …

Ranzan: Ah, my name is Ranzan. I’m a traditional Japanese painter. Surely you’ve heard of me? 

Kiryu: …

Ranzan: My specialty is warrior portraits. If I may impose, would you be willing to let me paint you? If I were to depict that figure of yours, I’m certain that it would be a most wonderful piece: a work to be handed down through the ages! This is a once-in-a-lifetime encounter – I can’t just let this opportunity pass me by! Please, I’m begging you! I’m prepared to offer you a most handsome reward… 

[Kiryu is presented with a choice to accept or refuse Ranzan’s request; we choose to accept.] 

Kiryu: Uh, yeah… I’ll think about it. 

Ranzan: Yes, I would be most grateful if you would! This must be fate! 

[Ranzan wipes his forehead, then points off into the distance.]

Ranzan: Well then, let’s go to my studio right away. Please follow me. 

[The screen fades to black. When we return, Kiryu is standing in front of Ranzan in the middle of his studio. Various paintings are on display, and there's one in progress on the table to Ranzan’s left. The painter faces Kiryu and mops his brow again.]

Ranzan: Ah! How wonderful! A magnificent physique, like a rock that’s stood since time immemorial! Eyes like a tiger’s that peer into the very depths of one’s heart! Hmm… Hmm, hmm… Yes, that’s it! 

[Ranzan leans in and nods at Kiryu.]

Ranzan: Pardon me, but would you mind removing your clothes, please? Just your upper body is fine! I, Ranzan, am prepared to give this painting everything I’ve got…! 

[Once again, Kiryu is presented with a choice to agree to his request or refuse. Naturally, he agrees.]

Kiryu: Okay, got it. 

Ranzan: Yes, oh yes!  

[The scene fades to black. When we return, Kiryu has stripped down to his fundoshi.]

Ranzan: Ah! How beautiful…. Those burgeoning muscles – they bring to mind a cascade of cool snowmelt… The more I look at them, the more breathtaking they become… 

[The camera pans slowly down to Kiryu’s junk.]

Ranzan: Hmm… Hmm… Hmm, yes, I have it! Just one more thing, if you please: would you be so kind as to remove your underwear? 

Kiryu: …No way! 

Ranzan: Really, now… We’ve come this far and now you’re hesitating!? I’ll get that thing off even if I have to do it by force!

[Still in his fundoshi, Kiryu gives Ranzan – identified as an “Excited Guy” in the splash screen – a thrashing. Note that this title is probably a pun: the verb that the writers use to describe Ranzan – “tatsu” (たつ) – can also refer to getting an erection. After the fight, Ranzan falls to his knees at Kiryu’s feet.]

Ranzan: Ohh… The pen is weaker than the sword. 

Kiryu: What the hell do you think you’re doing?! 

Ranzan: From the moment I saw you, I was smitten! And what’s more, it was no mere fluttering of the heart… Yes, this is what they call love…!  

Kiryu: …

Ranzan: I’m so terribly sorry! Please don’t think ill of me… I want to make amends somehow… But at the moment, I have nothing of value. The only things here that are worth anything are these paintings – but I still need to eat. You can take whichever one you like, but please be merciful and just take the one.  

[A text box pops up and asks which one you’ll take (and adds: please show mercy and choose only one). The options are a painting of a warrior, a painting of an actor, or a painting of a famous place. The outcome of the story isn’t affected by the painting that you choose here, but the warrior and actor paintings sell for 10,000 mon, whereas the scenery sells for one single mon. In any case, once Kiryu picks a painting, the scene fades to black again, and we return to the street where Kiryu first encountered Ranzan.]

Ranzan: It pains me to part ways… I look forward to the day we meet again. Farewell…

[The screen fades to black, and with that, Ranzan is gone. A box pops up informing us that Kiryu has received 1000 EXP.]

[besidebloomingirises]

[snatching-ishidates-wig]

Swordbot - Samurai Team | ソードボット侍チーム

[michaeldark22]

Floralcraft Florist Pin Holder Kenzan

Create stunning floral arrangements with the Floralcraft Florist Pin Holder Kenzan! This 1.5" diameter needle point holder provides a sturdy base for your flowers, ensuring they stay in place while you design. Perfect for Ikebana and other artistic floral displays, the Kenzan allows for precise positioning of stems, giving your arrangements a professional touch. Enhance your floral artistry with this essential tool.

[majimassqueaktoy]

HE'S GOING FULL #DADMODE