#kenner mask

[netroids]

Netroids PoidKarts P.A.S.K papertoy. Includes Miles Mayhem with Switchblade and Venessa Warfield with Manta! FREE PDF

#freepdf #papertoy #papercraft #1980s #80stoys #80s #kenner #mask #venom #milesmayhem

[evilhorse]

MASK toy ad (circa December 1985)

[80sheaven]

M.A.S.K. Bulldog toy by Kenner. An Armored Half-Track / Diesel Truck with a Boris Bushkin action figure with mask. A vehicle missile and poster were also included.

See more M.A.S.K. toys

[raurquiz]

#otd #mask #premiere #iguana #lestersludge #bullet #alibombay #manta #nissan #300zx #vanessawarfield #firefly #juliolopez #meteor #aceriker #actionfigures #kenner #hasbro @Hasbro

[josiahiswrite]

Photo Op

I decided I wanted a cool photo op for my booth at LA Comic Con (find me in booth 2027 December 1-3), and thought it would be fun to be photographed with life-sized action figures.

I spent weeks working on laying out my action figure background. It took me forever to pick the action figures. I reached out to people for ideas, and everyone had their own (and all good) but I realized that I had to have it be MY top action figures. The figures that I'd never sell no matter what.

After that, it took me just as long to photograph them, something I'm not great at. After that, I messed with the layout for a long time. I struggled to get things in the proper scale, until I realized I could just add an 8x8 grid (the backdrop itself will be 8x8). I had it as good as I could make it, then I sent it to the printer.

I thought all was well, until I checked my junk mail box and found an urgent message. The resolution was low on the figures and they were blurry when blown up. I tried to export a higher quality image, but had issues with compression. Finally, the printer (which was located in India, I didn't know this until I started to deal with customer service, which was awesome by the way). They agreed to recreated my image at a higher resolution free of charge.

Come Thanksgiving morning, I am on the phone with someone finalizing the design, getting it printed, and shipping it off. It's scheduled to make it to me by next Thursday, a day before I need it. I'm super nervous it will be delayed, but will just hope it comes on time and focus on the things I can control. I hope to see you at LA Comic Con posing in front of my favorite action figures.

[beholdmystuffz]

Back cover advertisement of Firestarter (April 2)(issue 2 in a four issue limited series) for MASK action figure line and accessories from Kenner

[blackhistorychatgpt]

Black inventors

From Perplexity:

Famous black inventors have significantly contributed to various fields, from everyday household items to groundbreaking technological advancements. Here are some notable figures:

George Crum (1824-1914): A chef who is credited with inventing the potato chip in 1853[1].

Frederick McKinley Jones (1893-1961): Developed refrigeration equipment for trucks, trains, ships, and planes, receiving over 40 patents. His invention, the Thermo King, revolutionized the food and medical transport industries[1].

Granville T. Woods (1856-1910): Accumulated almost 60 patents, improving railroad functioning. Notably, he invented the induction telegraph system for train communication[1].

George Washington Carver (1864-1943): An agricultural chemist who developed 518 products from peanuts and sweet potatoes, including ink, dye, soap, and synthetic rubber[1].

Madam C.J. Walker (1867-1919): Became the first African American woman self-made millionaire by creating a line of hair products for African American women[1].

Garrett Morgan (1877-1963): Invented the traffic signal and a safety hood that served as a prototype for the gas mask[1].

Mary Beatrice Davidson Kenner: Patented the sanitary belt in 1957, a significant advancement in women's health and hygiene[1].

Thomas L. Jennings (1791–1859): The first African American to receive a U.S. patent, for a dry-cleaning process[4].

Patricia Bath (1942-2019): Invented a laser cataract treatment, becoming the first African American female doctor to receive a medical patent[4].

Mark Dean (1957-present): Holds over 20 patents, including contributions to the creation of the color PC monitor and the first gigahertz chip[4].

Elijah McCoy (1844-1929): Known for his invention of the automatic lubricator for oiling steam engines, leading to the phrase "the real McCoy" to denote something authentic[4].

These inventors have left a lasting impact on society, demonstrating ingenuity and perseverance in the face of challenges.

Citations: [1] https://www.oprahdaily.com/life/work-money/g30877473/african-american-inventors/ [2] https://www.parents.com/kids/education/world-changing-black-inventors-that-every-kid-should-know-about/ [3] https://www.black-inventor.com [4] https://www.biography.com/inventors/g46697619/famous-black-inventors [5] https://en.wikipedia.org/wiki/List_of_African-American_inventors_and_scientists

From Gemini (formerly Bard):

20 Famous Black Investors with Short Descriptions:

Dr. Shirley Jackson: First Black woman to earn a doctorate in nuclear physics, invested in research and development for the U.S. Department of Defense.

Robert F. Smith: Founded Vista Equity Partners, a private equity firm with over $85 billion in assets under management. Known for his philanthropic endeavors.

Oprah Winfrey: Media mogul and investor, known for her investments in cable channels, production companies, and Weight Watchers.

Udayan I. Lekhraj: Founded CMG Partners, a private equity firm specializing in healthcare investments. Advocate for diversity and inclusion in venture capital.

Catherine Hughes: Founded Urban One, a media company serving the African American community. First Black woman to chair a publicly traded company in the U.S.

Rodney Bryant: Co-founded JUST Capital, a firm that measures and incentivizes corporations to prioritize stakeholder capitalism.

Ellen Johnson Sirleaf: Former President of Liberia, Nobel Peace Prize winner. Focused on economic development and investment in her country.

Ronald Lauder: CEO of Estee Lauder Companies, known for his investments in the beauty industry and philanthropic work.

Charles R. Bronfman: Chairman of The Seagram Company Ltd., invested in various industries including entertainment, real estate, and philanthropy.

John Rogers Jr.: Founded Ariel Investments, a mutual fund company with over $28 billion in assets under management. Advocate for responsible investing.

Marc Morial: Former mayor of New Orleans, currently president of the National Urban League. Focused on economic empowerment of Black communities.

Ronald Watkins: Founding CEO of Watkins Investing Group, invests in real estate and businesses within the Black community.

Melody Hobson: President and CEO of Ariel Investments, known for her work on financial literacy and diversity in boardrooms.

Aisha Evans: Founded BE Capital, a venture capital firm focused on Black and Latinx tech entrepreneurs.

Kevin Hart: Comedian and investor, known for his investments in production companies, streaming platforms, and sports teams.

Jay-Z: Rapper and entrepreneur, known for his investments in music streaming, sports teams, and venture capital funds.

Will Smith: Actor and investor, known for his investments in production companies, media platforms, and venture capital funds.

Serena Williams: Tennis champion and investor, known for her investments in venture capital funds focused on women and diverse founders.

Rihanna: Singer and entrepreneur, known for her investments in beauty brands, fashion lines, and technology startups.

LeBron James: Basketball player and investor, known for his investments in media companies, production companies, and technology startups.

Please note: This list is not exhaustive and can be debated in terms of individual importance and impact.

Reading List on Black Inventors:

Black Inventors: Lives That Mattered by Darlene R. Medford

Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race by Margot Lee Shetterly

Lifting the Veil: Celebrating the Unsung Heroes of Black History by Michael Hill

Lost Genius: The Forgotten Black Inventors Who Changed the World by Dennis Freeman

Pioneering Women in American Mathematics: From Agnes Scott to Emmy Noether by Pamela Prochazka

Black Inventors in Science and Technology by Shirley J. Smith

A Colored Man's Reminiscences of James M. Whitfield: With Recollections of the Early Struggles of Colored Men in Boston by Wilbur H. Siebert

Inventing the Future: Black Inventors in Science and Technology by Geneva Gay

African Americans in Science, Math, and Invention by Darlene R. Medford

Black Inventors in the United States by Darlene R. Medford

This list offers a variety of books covering different periods and areas of innovation by Black inventors. Consider exploring further based on your specific interests.

I hope this information is helpful!

[darkskiesrpg]

It happens without warning, dark clouds rolling in quicker than anyone has ever seen covering all of New Mystic Orleans Falls in complete darkness as lightning cracked with deafening thunder, wind roaring and rain coming down in a torrential down pour. With a single thunderous boom the entire city shakes and the entirety of the two cities is masked in complete and utter darkness; city wide power outage. The winds howl dangerously as people scatter to find refuge in any building available near them. There was something off about the storm the fear that struck blood cold throughout the fairy and dragon communities told those around them that this was definitely not your average storm. Something or someone was royally pissed. But why?

With Arya Bhat and Kaidan Meadows in a stand off in the middle of Triad Industries, shadows swirling around him as his rage wreaked havoc on the merged cities of New Orleans and Mystic Falls the others have yet to realize that one of their own has been taken hostage by their enemies. The wind is blowing at increased forces and the rain slamming down against the concrete of the cities leaving all muses stuck in the buildings they sought refuge in.

Below the cut you will find your refuge and grouping.

Hospital

Zehra Jamakovich

Charlotte Kenner

Samantha Jefferson

Harald Anselson

Ellington Mikaelson

Cordelia Langthorne

Kai Parker

Carson Mikaelson

Nova Abe

Blossom Bellerose

Azalea

Boarding School

Mary Louise

Oaklee Whitlock

Hayley Marshall-Kenner

Henrik Mikaelson

Seanna Mikaelson

Kevin Hwang

Reina Mondragon

Haven Kenner

Georgie Kenner

Feride Guven

Triad Industries (Any supernatural creatures that are put here can be simply seeking refuge from the storm- sort of considering what's causing the storm)

Ashton Kenner

Jackson Kenner

Adelina Meadows

Abigail St. John

Gwendolyn Song

Miguel Alfonso

Caelius

Dagger Axston

Persephone Lopez

Apollo Aurelius

Wyatt Guerrera

Mikaelson Compound

Alaric Saltzman

Choi Taejin

Kean Moore

Falin Wei

Sebastian Meadows

Gracie Mikaelson

Davina Claire

Mary Dumas

Beckham Mikaelson

Nikolai Delgado

Nix Hendrix

NOPD Precinct

Roxelana Demir

Artemis Mikaelson

Devyn Bhat

Dakota Kerr-Saltzman

Marlie Rosza

Atticus Jefferson

Riley Lockwood

Lee Yeon

Eliza Salvatore

Josie Saltzman

Kane Beckford

Theater

Javier Mondragon

Klaus Mikaelson

Kymber Salvatore

Sebastian Mondragon

Kol Mikaelson

Mavi Badem

Ignacio Mondragon

Olivia Parker

Bonnie Bennett

Saphira Mondragon

Library

Blade Axston

Amelia Dunn

Aliyah St. John

Hope Mikaelson

Harrison Fairlight

Rebekah Mikaelson

Nicolette Mikaelson

Nik Mikaelson

Alex Wake

Ruslan Jamakovich

Indoor Sports Plex

Ryker Bradenton

CJ Choi

Cora Kenner

Marshall Mikaelson

Kiera Mikaelson

Ember Fairlight

Arynn St. John

Maveric Salvatore

Alexandrea Kenner

Phoenix "Jagger" Hendrix

And with that our next event commences. As always you are welcome to continue threads outside of the event but all event threads must be done with those in m your musings groupings. We hope you enjoy.

[keepsdeathhiscourt]

Pairing: Elijah Mikaelson x Original Female Character

Rating: Mature (18+ Only)

Story Summary: It's been ten years since Lucie LeMarche last set foot in New Orleans. But when she's forced to return to bury the woman who raised her, she finds herself pulled into the midst of rising supernatural tensions in the city. Entangled in a web of intrigue and seeking answers, Lucie must learn to navigate a powder keg of warring factions, family secrets, and old wounds if she hopes to survive.

Warnings: Canon Typical Violence, Language, Death, Mourning, Mental Health Issues, Family Drama, Gore, Depictions of Violence, Death

Series Masterlist

Read on AO3

Chapter 18: Ghosts

The streetlights pass in a blur of yellow and orange. All the while, the manila folder screams at her from the passenger seat. Cami resists the urge to reach across and inspect the contents. Maybe this time, she’ll find something she missed, some key element telling her she was wrong and her tired brain was playing a trick on her all the times before. But she knows to her core that there is no mistake, and if she were to run her hands over the soft black-and-white photo for the thousandth time, she would find the same thing:

The 1919 Picayune clipping of Marcel smiling in front of the New Orleans Opera House with none other than Klaus Mikaelson.

It should be impossible, but there’s no mistaking the high cheekbones, the smirking mouth, and even dressed in spats and a tailored jacket. His cocky swagger is the same.

The first time she saw it was rough. Her stomach bounced against her ribcage and her ears rang. She hadn’t wanted to believe it. Yet it made a strange sort of sense --absolutely bat shit insane-- but sense all the same. And for the first time in months, she felt relief buried beneath the confusion and fear. The missing chunks of time, her and Sean’s code on sheets of notebook paper that she never remembered drawing- she isn’t sure how, but it has to connect back to this.

Cami resists the urge to bounce her leg as she waits for the light to turn, fingers drumming against the wheel. Tired of obsessing over this alone, she’d left her Kenner apartment, throwing a coat on over her pajamas, and was on her way into the city before she could think things through. Now, adrenaline fading and making space for reason, she doubts.

What do you say in this kind of situation?

Hey, Lucie. I know it’s 3 am, but remember that British guy from the bar? Well, I’m pretty sure he’s over 100 years old.

She shakes her head, tapping the accelerator when the light turns green. There isn’t time for second thoughts. She isn’t about to spend the rest of the night on her couch in a paranoid stupor. Maybe Lucie will call her a basket-case then they can laugh it off and watch something mindless on TV.

Her breathing is mostly back to normal by the time she pulls up to the curb behind a red sports car she doesn’t recognize. She tucks the folder under her arm and heads for the porch. The air is humid. It makes her shirt cling to her stomach and the dew-damp grass tickles her ankles.

The rough planks of the porch groan when she reaches the top of the stairs. She can hear voices from inside, muffled by the door, and she hesitates. It never occurred to her that Lucie might not be alone. She was too much of an introvert for a party. A silhouette passes in front of the living room window, a blurry shape behind the curtains. It could be a man, but she’d never mentioned she was seeing anyone…

Maybe she should come back in the morning. Uncle Kieran might still be at the church--

A woman shouts, the sound almost drowned out by breaking glass and a thud hard enough to shake the windows.

Every true crime documentary she’s ever seen tells her she should call the police and let them handle it. Instead, she turns the knob and, finding the door unlocked, she throws her weight into it. The hinges groan as it opens wide. There’s no knife-wielding maniac on the other end, no robber in a ski mask, and no amount of crime drama could prepare her for what’s waiting beyond the threshold.

The first thing she sees is Lucie’s face, mouth slack, and eyes round with shock. She follows the curve of her tear-streaked cheeks, the bloody mess of her neck. With a little cry, Cami steps forward, halting when she catches movement behind her.

Broken glass and tattered wallpaper litter the hallway, like someone let a wild bear loose. Instead, she finds Klaus’ sister running faster than any living thing has any business moving. All she can do is stand there stunned as she grabs a man by the collar and slams him into a wall with enough force to break the drywall.

When shifts, Cami gets her first glimpse of Elijah. His eyes are frantic, hair disheveled, but her eyes lock on the bloody mess of his shirt, the red around his mouth, and the gleaming, monstrous fangs within. Something primal in the back of her head screams at her to run, but her knees are shaking and her feet won’t budge.

She staggers sideways, catching the door frame for balance, and chokes out, “What the hell is going on here?”

Three sets of eyes find her. Rebekah throws Elijah to the ground like he’s only a sack of flour, holding him in place with a foot to the chest. Her mussed hair is a ragged halo in the hallway's light.

She rolls her eyes, tossing her head. “Oh, for the love of--“

Elijah seizes her momentary distraction, hand wrapping around her ankle. Before he can pull her over, she plucks up a broken table leg and pierces through his chest in one fluid motion. He goes limp, dead on the floor. This time Cami does scream.

“Keep an eye on this one,” she tells Lucie, unbothered by her brother’s fresh corpse. “I’ll take care of this.”

Cami winces as Rebekah moves towards her, only to be stopped when Lucie grasps her wrist with a frantic, “No! Don’t.” It earns her a withering look. “She should know the truth.”

The house falls quiet as the two women exchange a look that Cami can’t even decipher. Then, Rebekah steps back with a gesture that can only mean ‘Fine, but this is on you,’ before dragging Elijah by the ankle into a back room.

Lucie turns to her and for a long while, neither of them says anything. Cami can’t seem to slow her racing thoughts enough to grasp a coherent thought, and Lucie seems focused on gnawing a hole through her bottom lip.

There’s a loud thump from somewhere toward the back of the house. It breaks the spell.

“Let’s talk in the living room,” Lucie says, tiptoeing around shards of glass to press the front door closed. Her hand trembles when she grasps one of Cami’s, who allows herself to be guided through an archway and onto a rich, patterned couch.

She pulls a pillow to her chest. Something about the warmth or the plush fabric smashes open the dam and she laughs, a breathy, choked noise from deep in her chest. Is this it? Is she about to snap?

The cushions dip as Lucie sits down beside her. She hadn’t even noticed her slip out of the room, but now she has a damp towel pressed to combat the gore on her neck. It does nothing to soothe Cami’s frayed nerves.

Her eyes fix on a landscape painting on the far wall, the oil strokes warping as her vision clouds over. She doesn’t realize she’s hyperventilating until Lucie says, “Take slow breaths like this.”

She demonstrates, sucking a lungful of air through her nose and then releasing it out of her mouth. Cami copies the motion, sloppy at first, and then more steady with each repetition until she feels less like passing out.

“What the fuck just happened? Why are you bleeding? Why is Elijah Mikaelson dead on your floor?—“The words, once free, stop coming, picking up velocity.

“Cami!” Lucie says, voice sharp, as she squeezes her hand. “Breathe.”

So she does.

“I’m going to tell you everything, alright? But I can’t do that if you faint on me.”

She shifts her hands into her lap, remembering the folder under her arm for the first time since she walked through the door. Setting it on the coffee table, she turns to Lucie with an exaggerated breath.

“First things first, Elijah is going to be fine—”

“—But I just watched Rebekah stab him in the chest—”

“—Because he’s a vampire.”

Cami loses her train of thought, jaw slack. Her mouth snaps shut, and she shakes her head. “Vampires? Whatever joke this is, it’s not funny.” But even as she says it, something falls into place, like the last stitch pulling the whole tapestry together. Her eyes dart towards the folder.

“Trust me, I wish I was joking,” Lucie says, playing with her fingers. She’s sitting cross-legged on the couch, body angled to face her. “There’s a lot you don’t know about New Orleans, Cami.”

----

She watches the servants set the dining table with fine silver and priceless china and all the while, Hayley resists an urge to be sick which has nothing to do with morning sickness. It’s been less than a week since Tyler Lockwood snatched her off the front porch and dragged her out into the bayou in some half-cooked scheme to get back at Klaus --as if he’d ever let any hybrids sired by someone other than himself live. After Klaus had run him off, staying at the manor was off the table.

She doesn’t dislike the Abattoir itself, even though it smells damp and you could hear a pin drop in the courtyard. It’s blessedly cooler here, the stucco walls built to keep out the heat, and she has to admit that the balconies are perfect for watching the sunset over the French Quarter. No, it’s not the compound, but its revolving door of inhabitants that set her teeth on edge.

She reaches for a glass of water, the other hand resting against her expanding belly. All the while, she keeps a sidelong look at the small army of vampires gathered around the table. Two chairs to her right is Marcel and beside him is his newest right-hand man, the one they call Diego. Her eyes narrow when he catches her staring, dark eyes full of calculation. She isn’t sure how much Klaus has told them about her and their miracle baby, but, then again, she doubts it matters.

Diego breaks the stand-off first when Klaus taps his fork against his wineglass. It’s not until she sees the back of his curly head that she turns to him as well. At the other end of the table, Klaus is on his feet with that smug ‘I have something important to say’ face that Hayley hopes their daughter doesn’t inherit.

“Let us begin with a toast to our shared gift: immortality,” he says, glass held high. “After a thousand years, one might expect life to be less keenly felt, for its beauties and its sorrows do diminish with time. But, as vampires, we feel more deeply than humans could possibly imagine.”

With a gesture, a handful of wait staff step forward, hovering just over the shoulders of the gathered guests. It only takes one look at their identical glassy expressions to know they’ve been compelled. He continues, “Insatiable need, exquisite pain…,” She holds back a wince when each cuts their wrists filling the empty glasses with blood. “Our victories, and our defeats.”

When all the glasses are filled, he lifts his higher. She doesn’t miss the way his eyes lock on Marcel as he says, “To my city, my home again. May the blood never cease to flow��”

Marcel raises his glass with a wide smile that doesn’t reach his eyes. “…and the party never end!”

Her eyes drift to Diego. It’s no secret that he resents Klaus’ takeover of the vampire faction, only following orders out of some misguided loyalty to Marcel. She waits to see if he’ll make a scene. Maybe that would liven things up around here, only to be disappointed when he raises his glass and murmurs, “To New Orleans.”

“To New Orleans,” they all refrain, drinking deeply. Hayley sips at her water, wanting nothing more than to shut herself in her room away from all the male posturing. But she knows Klaus well enough to understand that whatever he’s building to, he expects her to be present. She just wishes he’d hurry it up.

“I understand that some of you may have questions regarding the recent change in leadership.” An interesting way to refer to a failed assassination attempt staged by Marcel that led them all under Klaus’ subjugation. “And I invited you here tonight to assure you that you are not defeated. No, my intentions moving forward are to celebrate what we have. What Marcel, in fact, took and built for this community of vampires--

“And what about her?” Diego interrupts, ignoring Klaus’ veiled irritation. “The wolf.”

It’s a fair question, one that Hayley has asked herself more than once. Her own place in Klaus’ best-laid plans is still a mystery, even to her. She turns her head, watching Klaus warily.

“Had you’d let me finish, Diego, you would know that there is, of course, one further matter I would like to address.” Then he’s moving around the table, her stomach doing a backflip as he heads right for her. “As many of you know, the girl is carrying my child. Consequently, I trust you will all pay her the appropriate respect.” Which, to a vampire, is none. “However, I understand that some of you are concerned by this vicious rumor that I intend to use the blood of our child to create hybrids. I assure you, I do not.”

She can’t help the bitter curl of her lips. “Father of the year.”

If he was expecting elation or even relief, he finds none. The vampires spare the odd glance at Marcel before fixing him with a dozen blank, unsettled expressions.

With a dull satisfaction, she notes the way his eyes tighten at the corners and some of the sheen disappears from his grin. “It appears that I will have to earn your trust,” he says with a finality that makes her uneasy. “Very well. We’ll eliminate the root of your anxiety. You see, how can I sire any hybrids if there are no more werewolves alive in the bayou to turn?”

And Hayley’s heart crashes through the floor. “What?” she chokes in horrified disbelief. “Klaus, no!”

She’s only just gotten used to the idea of having family out there and now, to soothe the fears of some motley group of vampires, it’s all slipping through her fingers.

“So eat, drink and be merry,” he commands over the ringing in her ears. “And tomorrow, I suggest you have yourselves a little wolf hunt. Go ahead, have fun. Kill them all!”

The chair screeches in protest as she rises to her feet. She’s heard more than enough. Without a backward glance, she storms out of the room. Not that Klaus notices, he’s far too wrapped up in Marcel and his own blood lust to care.

Her feet lead her up the stairs to the second level, ignoring the exultations coming from below. When she reaches her room, she slams the door behind her hard enough to make the lamp on the dresser shiver. She doesn’t notice, she already has her phone in hand.

If she wants to stop this, she needs someone on the outside. But Elijah doesn’t answer, and neither does Lucie. And so she tries her one last lifeline and almost cries with relief when she hears Rebekah’s voice on the other line.

___

“So let me get this straight, not only are the Mikaelsons vampires but they’re the first ones in existence,” Cami says, once Lucie finishes giving her the thousand-foot overview of all things supernatural in New Orleans.

She’s sitting with her legs crossed beneath her. Across from her, Lucie mirrors her position. “Right, the Originals.”

“And while Marcel and Klaus are playing tug of war with the city, the witches,” That’s going to take some getting used to, “are also angling for control. And the werewolves…?” she trails, pinching her nose to ease some of the pressure building behind her eyes.

“Were banished from the city by Marcel decades ago.”

She groans in frustration, leaning sideways against the couch.

“You’ll catch on. It just takes some time.”

“It would be a lot if I could just remember.” She is still foggy on the details, but she knows enough to understand that what she had been experiencing wasn’t a slow descent into madness, but the effects of mind compulsion--another fun vampire trick. “You’re a witch. Are you sure you can’t just…I don’t know…wiggle your fingers and fix me?”

“Not a very good one.” Lucie’s lips pull into a frown. “I wish it was that easy.”

“When is anything in this town ever simple?” she asks with a laugh, but even she can hear the bitterness creeping in at the edges.

“I’m sorry you got dragged into this. By the time I realized you were in the middle of it all, Klaus already had his hooks in you.”

Klaus. The arrogant son of a bitch that toyed with her for his own gain and made a smoothie of her brain. His name alone is enough to make her want to break something. “I’m more sorry that no one thought to tell me,” she snaps, regretting it the second she sees the pained look in Lucie’s eyes. She sighs. “I get it, but just tell me one thing; if you suspected what was going on, why didn’t you do something?”

“What makes you so sure I didn’t?” Lucie says, loaded with meaning.

“What are you—” She gasps when it clicks, fingers tracing the space around her wrist. “You mean the bracelet? How?”

“My great-great grandmother spelled it with vervain, to protect from compulsion.”

She’s quiet for a minute, taking in the new information as she swallows a fresh lump in her throat. “Well,” she starts with a shaky puff of laughter, “Now I really wish I hadn’t lost it.”

Lucie doesn’t respond, only gives her a long look before disappearing into one of the back rooms. She’s back in moments, dropping something cold into Cami’s palm as she sinks back down on the couch.

She uncurls her fingers and finds herself staring at the familiar sun and moon charms. “Where did you find this?”

“Let’s just say I stole it back from the person who stole it.”

“Stolen? But I thought I—fucking Klaus,” she swears. “I’m going to kill that asshole if I ever see him again.”

Lucie laughs, hands resting over her knees. “There might be a line.” It wrangles a chuck from Cami even as her expression turns serious. “I really am sorry you had to find out the way you did.”

She sighs before placing a hand over Lucie’s. “Help me with Klaus and we can call it even. Just keep me in the loop from now on. Deal?”

Her lips curve up in a small smile. “Deal.” Then her face falls once more. “Cami, there’s something else I need to tell you. It’s about Sean.”

---

The pounding in his head is the first thing Elijah is aware of, a persistent thrumming behind the eyes that beats in time with his pulse. His limbs are granite slabs as he raises shaking fingers to his temple. While he works up the courage to open his eyes, he notes the softness of the mattress beneath him, the familiar scent of wisteria, and the faint padding of footsteps somewhere beyond.

Steeling himself, he opens his eyelids. It’s just a crack, but enough for the pale moonlight to slip between the blinds and burn into his retinas with the full force of the sun. He groans, shielding them with the side of his hand. Forcing them wider, he blinks until it doesn’t hurt so much and the surrounding room takes shape. A gray coverlet frames him, and a pile of pillows behind his head props him up. Straight ahead, garments in various shades of black and gray hang from the open closest, the wall around the doors plastered with band posters.

Suddenly, the floral smell makes sense. And if this is the LeMarche home, then he must be in Lucie’s room.

Lucie.

He jolts upright, memories of last night flooding back to him in hazy flashes. Her wide, worried eyes when she found him in the alley. Her fingers had been cool against his burning skin. He remembers the tremor in her voice, the warmth of her presence at his bedside. The events warp and waver, take a darker turn as he recalls her heart pounding beneath her breastbone. The hot, heady elation as her blood pooled in his mouth and overwhelmed his senses.

Shame crashes over him in a tidal wave, remorse as sharp as the stake Rebekah drove through his chest before he could do something he couldn’t take back. He wants to sleep, maybe for a decade, until he’s ready to face her. Instead, he kicks off the covers, staggering to the side like a drunkard when his feet hit the floor. He grasps the edge of the dresser and pauses, glimpsing himself in the mirror.

The creature blinks back at him with red-rimmed eyes. Stubble is a dark shadow around his jaw while the hair at his head sticks up in every direction. He rakes a hand through the errant strands with an absent precision, unable to tear his eyes away from the damning rust-colored stain on his shirt.

He pulls away, following the sounds of life to the front entryway where he finds Lucie, sweeping glass into a dustpan. She does not notice his presence. It’s a chance to watch her undisturbed. As his eyes rake over her slight form, he notes the tired slump of her shoulders, the shadows beneath her eyes, and wonders if she’s been awake this whole time. But any worry over her exhaustion is eclipsed when he sees her neck. Identical bite marks taunt him, red and angry against her skin. His stomach lurches and guilt trickles in, hotter than the fever that had ravaged his system the last two days.

Before he can vanish from her life forever, before he can even begin to make amends, she turns. Whirling around in a flash of russet, she jumps when she spots him, free hand clutching her chest.

“Shit. I didn’t know you were awake,” she whispers. Then, before he can answer, she presses a lip to her finger and, with a glance down the hall, adds, “Cami is asleep in the other room. We can talk outside.”

She leads him back down the hallway and, abandoning the dustpan on the kitchen table, slips out into the backyard. The moon is only a day or two shy of full, so bright that even behind the clouds, its glow casts the withered garden in shades of silver and blue.

Neither of them speaks until they’re down the steps, hovering near the overgrown path that weaves around the garden, the spot where she’d once accepted his deal.

When she turns to him, the moonlight draws the bite mark into sharp relief again. Elijah’s shoulders tense and he shoves his hands into his pockets to curb any misguided attempt to brush his fingers against it. With an exhale, he opens his mouth to speak, but Lucretia beats him to it.

“Before you start whatever ‘I’m a monster speech’ you have on deck, it’s been a long night,” she says, arms folding over her chest. “Yes, you were a dick and scary and it also wasn’t your fault - don’t give me that look, it wasn’t. So can we just skip to the part where I forgive you and you agree to stop looking at me like a kicked puppy?”

For a moment, he says nothing, only watches her carefully. His guilt will not be so easy to abate, neither will the conviction that somehow his entrance into each other’s lives has only made things more complicated than they should be. But there’s no missing the resolve in her stare.

“Very well,” he says. “But in the spirit of negotiation, I’d like to make a counteroffer.” When she raises her eyebrows, he adds, “I will agree to your terms if you allow me to heal you with my blood.”

This time, it’s her turn to regard him silently. Her eyes scan his face and, not for the first time, he wonders what is going on behind those large, guileless eyes.

Her jaw sets in determination. “Alright, fine.”

It’s a quick thing, giving her his blood. He opts to give it to her in a mug retrieved from the kitchen. After his attack, anything more intimate than that seems a step too far. When he returns, it’s with his hand wrapped around the handle and a blanket draped over her arm. He hands her the former, ignoring the skeptical look his way when he tucks the latter over her shoulders.

Her nose wrinkles as she examines the macabre contents. And then, with a deep inhale, she chokes it down in a few quick gulps. To her credit, she doesn’t wince, only wipes at her mouth with her sleeve. And Elijah watches as the wound at her neck fades until it’s as if it never happened, almost. Though it dulls some of the sharper edges of his shame, the bulk of it remains.

“Lucretia, I know I do not have a right to ask any more of you,” he says, unable to endure any more silence. “But in my…state…last night, did I say alarming?”

Her hesitation gives him his answer, but, kind as she is, she does not make him ask for details. “There was a moment you thought I was someone else. You called me ‘Celeste’…” She must catch the way his cheeks heat because she adds, “Nothing too scandalous, I promise.”

He doesn’t miss the waver in her smile, the anxiety lurking in her dark eyes. So he gently prompts, “What else?”

“When I touched you, I saw one of your memories.”

With a catalog of ten centuries at her disposal, he doesn’t guess, only waits in growing apprehension for her to tell him which horrible act of brutality she’d witnessed firsthand.

“A ball at the governor’s mansion. Niklaus was there,” she says. “And Melodia.”

“I see.”

She shifts the knit fabric over her shoulders, pulling around herself and holding it closed with one hand. “I guess it only makes sense you knew each other.”

His head tips up to where the moon is still beaming down from a velvet field of stars. “She was a gifted witch, your progenitor. And good woman.” When he turns his attention earthward, he finds a strange expression on her face. “What’s on your mind?”

Though it’s dark, he swears he spots a flush on her cheeks. “I know it was a long time ago, but were you two…close?”

He furrows his brow, confused. And then, catching her meaning, he can’t help a small bark of laughter. “No, at least not in the way you’re thinking. …It was an alliance built on mutual respect and a common goal.”

She snorts. “Sounds familiar.”

“Perhaps,” he says with a wry smile. “With some notable differences.”

The breeze bats playfully at a loose curl. Elijah watches it flutter about her face as she bites her lip, deep in thought, and resists the urge to tuck it behind her ear. Soon, the impulse fades.

“Elijah,” she starts, so uncertain that he knows beyond a doubt what will follow. That does not stop his breath from hitching when she asks, “Who was he, the boy she mentioned?”

Silence ensues as Elijah debates over how much he wants to tell her. “His name was Cyrus,” he says, adjusting his cuffs. “A member of the Dupin family.”

Her lips pull into a frown, a line forming between her brows. “Dupin? I don’t know that name.”

“That is unsurprising. The Dupins were an ancient magical lineage from the Old World, powerful as they were proud. The boy was the last of their line,” he explains. “He was an orphan when we came to the city, with a vast inheritance and little sense.” Over his shoulder, he gives Lucie a half smile. “Of course, he took a shine to Niklaus.”

“Of course.”

“With his name and connections, he was vital to our integration into New Orleans society, and it was a fact he used to his advantage once he understood who we were. I believe Cyrus always veered toward ambition, but it was under my brother’s tutelage that the truth of his character began to take shape. From Niklaus, he learned to manipulate, to embrace his lust for power, and, in turn, my brother not only benefited from his status and deep pockets, but I believe the boy amused him.”

“Meanwhile, his powers grew with each passing year, until they were such that the elders of the nine covens feared his potential. I soon found myself equally troubled. You see, Cyrus had become obsessed with the immortality that my siblings and I possess, and I soon understood that he meant to obtain it by any means necessary.”

“But Klaus never meant to turn him.”

“No,” he concedes. “He did not. Niklaus strung the boy along with empty promises of siring him. After all, a powerful warlock beholden to no natural tenets or compunctions about morality was a valuable asset. And when the young Dupin heir finally realized that his master would not give him what he wanted, he endeavored to take it for himself. It was New Orleans that paid the price.”

“What happened?”

“I still do not understand the full extent of what he discovered or how he came upon it, only that it was an unnatural magic, the likes of which I’ve only experienced once, when my mother turned us into vampires. But a darkness fell upon the city as an eclipse blotted out the sun for days on end and it was then that Niklaus realized the true extent of his folly. Thankfully, we were not the only ones seeking a way to end his quest for power.”

“You mean…”

“Yes, for once in their storied history, my family and the witches of New Orleans worked together. Melodia LeMarche was the one to perform the rite that separated him from the Ancestral Well.”

“And Cyrus?”

“Severed from the font of his power, he was just as mortal as any human. Niklaus’ retribution was swift. And buried in unconsecrated ground, Melodia banished his spirit to isolation, in a place where he could never join the Ancestors.”

When Lucie shivers, he takes her hands in his. “There’s nothing to fear, Lucretia. Three centuries later, Cyrus is little more than a ghost story, even in my own mind. The ghosts of the past cannot harm anyone now.”

Seemingly placated, she only nods, her attention diverting upward. He follows her line of sight and watches a shadow pass over her features as a cloud covers the moon.

---

It had been an hour since she’d gotten off the phone with Rebekah. And though Hayley had solicited a promise from her she would come soon, she hadn’t specified when that meant. Waiting was an exposed nerve, one that flared up and gave her a nasty shock with each minute that passed.

Hayley Marshall is sick to death of waiting. Waiting for the end of her pregnancy, waiting to learn what fate Klaus has in store for her, and always, always waiting for someone else to come to her aid. It’s enough to drive a weaker person to insanity, but she’s made of steel and fangs and tougher things. And if it means saving the family she never knew she had, she’ll take on every vampire in Louisiana if she has to.

Besides the occasional peel of raucous laughter wafting up from the courtyard, the compound is quiet. Though bedecked with modern electricity, the light that bounces off the deep gray stucco is just enough to see by. A fact that she uses to her advantage as she slips down the stairs, hugging close to the shadows.

It’s a short walk to the side door, her heart hammering in her chest all the while. She doubts Klaus will inflict any serious punishment if she’s caught, at least not to her personally. And with a death sentence hanging over the wolves, there’s not much else he can do to her that matters.

She hazards a glance over her shoulder. When she finds the hallway empty, she steels herself, ready to bolt out the door and into the night. Before she can take a single step, a figure bars her path.

“Going somewhere?” Diego drawls, amused.

Her eyes narrow and her jaw clenches. Even as her hands ball into fists, she knows she’s no match for one of Marcel’s inner circle. Not for the first time since that fateful positive drugstore pregnancy test, she wishes she could shift into her stronger form. The one that would allow her to run away from this mess or at least maul the next person who tries to fuck with her or her baby.

Hayley doesn’t notice so much as a shadow before Diego’s head wrenches to the side at an unnatural angle and he goes limp.

She fights a smile when she glimpses a familiar form. “Took you long enough,” she says as Rebekah Mikaelson throws her victim into a nearby wall.

“Yeah, well, you might have warned me about the guard.”

She manages a huff before spinning around to strike down two more vampires lurking nearby.

“Alright,” she says, circling back over to Hayley. “Come on, let’s get you out of here.”

When she reaches out for her, Hayley steps back, ignoring Rebekah’s exasperated look. “About that,” she starts, feeling a bit guilty about her lack of transparency on the phone. “That’s not actually the help I had in mind. I’ve been deemed under protection by the almighty Klaus. It’s the werewolves who need help,” she powers through before Rebekah can so much as groan, “He ordered a wolf hunt as some jacked-up peace offering to Marcel’s crew. You have to help them.”

“Out in the Bayou?” Rebekah balks, looking at her like she has two heads. “Do I look like a bloody vampire rescue squad? I think you should be grateful I came to save you.”

And she is grateful, more than she expected. But she needs this and her people need her.

“Listen, Rebekah. All my life, I’ve wanted to know who my real family was, and just as I find out they’re out there in the Bayou, Klaus orders them killed. You want to help me? Help my people. Please.”

And maybe it’s the quaver of earnestness in her voice or maybe just Rebekah’s vulnerabilities where family is concerned, but somehow it works. She spots the moment her words break through, the way Rebekah sighs when she’s about to fold.

“Fine, but you owe me a new pair of boots this time.”

___

Only when Rebekah leaves, the fate of Hayley’s pack in her hands, does Hayley return to the calm oppression of the compound. She travels the winding halls with purpose, unsure of what she’s moving toward until she finds Klaus in the study. Pouring over a book from his spot in an armchair, he doesn’t acknowledge her presence, though she knows he heard her enter. His obvious dismissal stokes the embers of rage that have been roiling all evening, threatening to ignite.

She takes a step forward, fists clenched. “Those werewolves you ordered killed, that’s my family.”

Slowly, he turns his head to look at her. The directness of his gaze is unnerving, as if he’s not just immortal by omniscient. “Not for long, love. I mean, this so-called family of yours, they haven’t done you much good, have they?” She turns away from his stare and the sharp daggers of truth behind his intent to hurt her. “You said it yourself — they abandoned you and left you on your own. Now it’s simply your turn to do the same.”

“Maybe they had their reasons,” she fires back, hearing the undercurrent of doubt.

The book slams closed, punctuating his attempts at nonchalance as he rises to his feet. “Yes, well, I have reasons too, little wolf. If the werewolves are dead, then the vampires have less desire to kill you. I am trying to keep you safe.” And she hears it, the force of conviction in his words. “Not that you appreciate the effort.”

A thought returns to her then, like a bucket of ice water dropped over her head. “And as soon as I have this baby, what happens to me then?”

His silence is damning, amplified only by the flicker of guilt that flashes behind his eyes. She swallows hard, rage tempered only by her growing fear.

“Right... Well, lucky for me, I have a little while before I find out,” she says with a bitter smile. “And in the meantime, I will find a way to pay you back for this. As long as I’m in the family, you can’t do a damn thing about it.”

She doesn’t turn around to watch her words land, but she feels the heat of his eyes on her back until she rounds the corner and disappears from his view.

___

Cami sleeps through the morning and halfway into the afternoon. More than once, Lucie toys with the idea of waking her, but when she remembers breaking the news about Sean’s hex and holding her, helpless as she sobbed in her arms, she can’t bring herself to do it.

Instead, Lucie occupies herself with cleaning up the rest of the evidence of last night’s disaster. And when that’s finished, she plants roots in the kitchen and turns her hand to dinner, hoping that maybe a home-cooked meal with bring some semblance of normalcy back to her life.

She attacks the potato in her hand with short flicks of the wrist that send little chips of peel fluttering, collecting in a pile on the cutting board. All the while, she taps her toes, hums, tries to remember the words to a poem she recited in fourth-grade English. Anything to keep her mind distracted. But try as she might, the events of last evening creep back in, present as a hand on her shoulder - or wrapped around her fingers.

It’s both astounding and irritating how long after he’s gone, Elijah’s presence always seems to linger. Like fragments of his aura make their home in the walls and burrow deep into the floorboards. She’d watched him leave just as dawn was cresting over the neat rows of shingled roofs. And as his retreating form disappeared from view, she felt the same strange desolation that came with his departure. Was this how it would always be between them; one always left behind while the other chased down their demons?

The shuffling of feet against the tile breaks her out of her thoughts. She sets the vegetable down while there’s still something left of it, the little pile of shreddings has doubled in size, and finds Cami standing bleary-eyed in the doorway.

She groans, stretching her arms over her head. “Smells amazing in here.”

Picking up a knife, she dices the potato with deft precision before adding it to the stockpot. “Thought a stew seemed fitting with the chill. Should be ready in a half hour.”

Cami nods, raking a hand through her hair and stifling a yawn. “What time is it?”

Lucie glances towards the green numbers on the microwave. “Just a few minutes before four.”

The information must kick-start some life into her because her eyes go wide with panic. “Shit,” Cami exclaims, casting around for her phone. “I had a lunch shift today. Paulette is going to kill me—”

“It’s all good,” Lucie interjects, stirring the broth with a wooden spoon. “I called and let them know you weren’t feeling well. If your boss asks, you had a migraine. Hope you don’t mind.”

“Oh.” She seems to relax a little. “No, no. Thanks for doing that.”

Lucie nods as Cami settles in at the kitchen table, occasionally helping with chopping or peeling, but mostly content to pass the time in friendly conversation. Every now and then, she manages a smile and it's a tight, fragile thing as she makes sense of all she's learned. They’ve settled into a comfortable lull when the doorbell rings.

She sets down the knife with a frown, her eyes meeting Cami’s over her shoulder who shrugs. “Keep an eye on this, will you? I should go see who that is.”

It isn’t that strange for someone to be at the door in the middle of the day. In all honesty, it’s likely a solicitor or maybe a neighbor kid looking to make a quick buck moving lawns. Maybe it’s the lingering memory of vampires outside her door, but she feels a flicker of trepidation when she turns the knob.

But as the door pulls free, it isn’t Rebekah’s haughty expression or Elijah’s steady demeanor that greets her but a pair of big blue eyes.

“Davina?”

“I’m sorry to turn up here unannounced but I need your help.” She doesn’t wait for an invitation, brushing past Lucie and into the living room. “Marcel’s been lying to me. I can’t trust him anymore.”

There’s nothing to do but follow. Davina drops her back onto the floor near the couch, craning her head to peek around the doorway that leads into the kitchen.

“Oh, hi Cami,” she says with a wave before turning back to Lucie. “I didn’t know you knew each other.”

Lucie blinks owlishly, her brain trying to catch up with the teenage witch in her living room. Meanwhile, Cami sets down the spoon and wiping her hand on a dish towel, pads into the living room with a confused expression. “I’m sorry, do I know you?”

Davina’s brows scrunch together, and then, all at once, understanding seems to dawn. “Oh, you’ve been compelled.”

She closes the distance, and as she leans forward to inspect Cami, Cami leans away. “What are you doing?”

All at once, Lucie’s sluggish thoughts catch up and she feels a surge of apprehension at the look on the girl’s face. “Davina, wait—”

“It’s okay,” she says to Lucie, and then to Cami, she adds with a reassuring smile, “I can fix you. I’m really sorry, but this is gonna hurt.”

[crimsonlyinglilly]

Day 8: trap

Part two of Day 8 for @augustofwhump,

back to Caged Founder - while Klaus was sulking Freya arranged her own plan for her lost little brother.

Follows on from Day 8

---

Elijah was about to return to Tristan to get the answers on what Mohinder was planning to make him the target of tonight's play when a voice called to him.

“Elijah Mikaelson,” he turned to find Jackson Kenner, his niece's step father and the more experienced alpha of the crescent pack standing alone, “right?”

“Yes, Jackson Kenner” he greeted, a small mannered smile on his face as he wondered where Hayley was, while no one here would dare harm her, it was concern raising to have misplaced one of their guests.

“You know-” the man started,

“I have kept an eye on my family and you are my niece’s family.” he explained even if part of him wanted to know how the man managed to survive Niklaus’ possessive jealousy. 

“You’ve been spying on your family, since when?” Jackson asked and Elijah’s smile widened slightly.

“Decades now,” he confessed, “but that doesn’t matter, how can I help you?” he replied with a question of his own, while he was interested in getting to know this man who managed to force Niklaus into accepting him without bowing to his tantrums or just being killed, here was not the place as the longer they spoke the more attention they were gaining from those around them.

“Hope.” The man admitted gruffly, 

“What?” He raised an eyebrow, something he wanted those around him to hear even less but did want to hear more about.

His niece, his miracle niece who seemed to be changing Niklaus in the way Elijah had tried for centuries.

“Your- cap- partner-” Jackson stumbled over the words but Elijah did manage to catch the one he tried to cover over the most cap cut off before he could say captor, he froze his smile before it could give him away.

It seemed it wasn’t just Niklaus and Marcellus who knew, it did add to more questions on why Hope’s step father was told of Elijah’s failing but he ignored his curiosity along with his shame and anger, and kept his attention on the man who was just growing more fascinating the longer the spoke. 

“Tristan talked to us about your son, and while Hope’s gonna have kids from the pack to grow up with she won’t have anyone on her dad’s side.” Jackson explained.

“I’m not sure my brother’s willing to accept my son as family currently.” he mused, instead of giving into his want and asking more about her.

“Doubt it, given what he’s like about family and you.” Jackson muttered mostly to himself but he had Elijah full attention despite himself.

“And what do you mean by that?” He asked knowing he shouldn’t, it was giving himself away but he doubted Jackson was that much of a danger, physically yes, Elijah had no interest in experiencing hybrid or enhanced werewolf venom again but unlike Lucien and Klaus he wasn’t familiar with him or Tristan at all to notice his tells and clear weakness. 

“Look, can we take this elsewhere?” Jackson requested, adding “I don't really want to talk about Hope surrounded by so many of these blood suckers, no offence.”

“Understandable, none taken“ he smiled, ”lead the way.”

He should have known better when he followed the man out the way to a side room close to an exit. 

It was a trap, he kept his smile up as Jackson stopped with an apology and another masked woman stepped into the clear behind him.

A false promise to lead him out from Tristan’s view away from his guards, yet if they thought he’d fall to a werewolf or two, no matter how enhanced they was they were mistaken.

He wouldn't harm them but he didn’t like being underestimated.

Elijah had shifted his weight to prepare for a fight, his smile vanished as his eyes widened in shock when a wave of heaviness hit him. One very similar to what he remembered a near hundred years ago when he had hesitated and the same had caught him, he couldn’t stop the flare of fear, the last time he had woken up chained in the dark.

But fear didn’t help him against the spell, he tried to stay awake as he fell to his knees, a powerful witch to overpower his will so quickly, he really should have noticed. 

“Sorry little brother.” He heard and almost smiled, he was only the younger brother to two people.

Freya, the missing sister, it seemed she shared the family’s inability to simply talk. ‘Tristan and Aurora were going to be unbearable after this’ he thought before darkness took him.

[bluepoodle7]

#JohnnyBravo #KingOfTheHill #UncleGrandpa #1994TheMaskJimCarreyMiloTheDog  #MattelPopplesScrappedSpinoffFuzzles#RareCartoonPlushiesThatNeverCameOutAndOtherMerch #PrototypePlush #Plushies

I sometimes like looking at prototype plushies or figures online along with defective ones and find some cool or interesting finds.

I'm kind of mad these plushies never went past the prototype stage.

I know sites like aliexpress and similar ones that sell bootleg merch sometimes have prototype plushies to figures or dolls molds that didn't make the cut or just stopped being produced.

I really want all of these if these released their price second hand would be cheaper.

The purple Mattel Popples Scrapped Spinoff Fuzzles plush is the one I really wanted and reminded me of the Baby Dingle youtube video like it could be one of the characters.

Baby Dingle (youtube.com)

Found out what the Cd is but it looks like something you put in your game cube due to the size of the disk.

eBay GIGANTO-SAURUS Back to School Sweepstakes CD-ROM (youtube.com)

Images and Videos not mine but links are there.

Johnny Bravo EARLY 1990s/2000s SAMPLE/PROTOTYPE 15" PLUSH UNRELEASED CONCEPT | eBay

Dexter's Laboratory Plush DAKIN/APPLAUSE PROTOTYPE SAMPLE 2000 Dee Dee & Dexter | eBay

Uncle Grandpa Toy Factory 2015 PIZZA STEVE PLUSH PROTOTYPE/SAMPLE UNRELEASED | eBay

King of the Hill Plush Bobby 1999 SAMPLE/PROTOTYPE FUN 4 ALL ONE OF A KIND VTG | eBay

King of the Hill PEGGY PLUSH SAMPLE/PROTOTYPE 1999 FUN 4 ALL 9" HANDPAINTED OOAK | eBay

The Mask Jim Carrey 1994 SAMPLE/PROTOTYPE MILO Plush KENNER UNRELEASED | eBay

Johnny Bravo Plush APPLAUSE NEVER RELEASED SAMPLE Very Rare | eBay

Johnny Bravo Alarm Clock VIACOM SAMPLE NEVER RELEASED Not Working | eBay

Bunny Bravo Mãe Johnny Bravo | Brinquedo Trebellos Nunca Usado 75937221 | enjoei

[jondoe297]

latest toy thrifting finds. from about two weeks ago by now but eh lazy. these are also two trips in one post.

first we got some stuff from the mini figure bin:

-fruit bat/flying fox from a company called Yowie

-baby/pre-mutation/regular ol' turtle Donny

-an a couple of these vendin machine aliens i love

ID/image description: photo of small figures of a fruit bat/flying fox wrapped in their wings hanging upside down on a tree branch,an unpainted green figure of Donatello from Teenage Mutant Ninja Turtles as a regular turtle with his mask an bo staff on his belt,and two small aliens. one on a pogo stick and one wearing ice skates and holding a hockey stick. the figures are all placed on a bookshelf with books and comics visible behind them. end description.

i was about to leave when a surprise! G1 Bumblebee mini figure from way back in 2014 for the 30th anniversary. in the package. an for less than a buck! i remember buyin these in blind bags back in the day :')

it's been 10 years since then...

ID/image description: photo of a small cartoony mini figure of Bumblebee from Transformers in his package placed on a bookshelf with books and comics visible behind him. end description.

okay the stuff from this point is from the second trip. a couple of the shops were gettin new wares so i went back the next day.

an the first thing i found is this First Appearance Style Batman from Mattel's Action League line!! yeah the head an belt are not accurate but i love im an i've always wanted im. this is my first Batman of this year :)

ID/image description: photo of a small cartoony stylized figure of Batman in his First Appearance look placed on a bookshelf with books and comics visible behind him. end description.

this nice lil Spidey. i was inspecting his joints before gettin im as i usually do when. his right leg snapped.(to be fair the joint was wonky even though i shoulda noticed that an i was not feelin my best that day) i did wanna get im anyway but i was gonna pass cuz he comes with a web line which is missin. but i broke im so of course i bought im. an super glue is our friend.

ID/image description: photo of a small action figure of Spider-Man placed on a bookshelf with books and comics visible behind him. end description.

Camouflage Swamp Thing from Kenner!!! i almost missed out on im!! cuz i got Batman an Spidey an was about to leave when i decided to linger a lil more an look at this one section i don't usually look at cuz it's all knock-off stuff,but i just wanted to pass some more time. an what do i find behind them?? Swampyyyy!

the relief i felt cuz not only did i find a Swamp Thing but i could've just left an not gotten im. an he was right there!

ID/image description: photo of an action figure of Swamp Thing placed on a bookshelf with books and comics visible behind him. he is mostly brown and has a tree branch look and texture to his body and limbs,except his head and chest which are green. end description.

last but not least thing we got is this 1998 The Power Of The Force Lak Sivrak action figure. honestly i didn't recognize im i was just like 'ooh sweet werewolf!' then i see it's Star Wars an i was like 'they didn't do a crossover with Universal too did they??' looked im up when i got home an learned he was actually in the Cantina scene before the Special Editions! an due to time restraints his look consisted of an off-the-shelf Halloween mask made by Rick Baker!! an a reused Jawa robe. fascinating stuff. he was also originally played by a woman??SO rad!! he also has a real exciting story where he started as a scout/hunter for the Empire then joined the Rebellion. the figure is not really very accurate but look at im! he's a Star Wars werewolf!

ID/image description: photo of an action figure of Star Wars character Lak Sivrak placed on a bookshelf with books and comics visible behind him. he looks like a werewolf in a beige jacket thing and pants with a lighter shirt under it and a belt. end description.

[grandhotelabyss]

Thoughts on Guy Davenport?

A great essayist, the generalist to rebuke all specialists, whose dizzying associations gradually overlap and braid together until all of humane culture appears as a unity. He was almost the last of that type, after his friend Kenner, or, in a more strictly academic vein, the likes of Frye and Auerbach. But Kenner, Frye, Auerbach—or even Bloom, Steiner, Sontag—all feel much heavier, more armored and therefore crushing in their erudition, while Davenport had the lightest touch. He was a true belletrist, an amateur in the etymological sense, who seemed to be doing it for fun.

I'll give just one example, from the title essay in the soon-to-be reissued collection, The Geography of the Imagination. I quoted part of it here before almost a decade ago, so I assume it's been forgotten by now: a literally extravagant ("from Latin extra- ‘outside' + vagari 'wander'") exegesis of Poe, who stands revealed, by the time Davenport is finished, neither as a panting pulp scribbler nor a dipsomaniacal poète maudit but as an encyclopedist of Joycean proportions, except in miniature:

Poe titled the collection of his stories published that year Tales of the Grotesque and Arabesque. These two adjectives have given critics trouble for years. Grotesque, as Poe found it in the writings of Sir Walter Scott, means something close to Gothic, an adjective designating the Goths and their architecture, and what the neoclassical eighteenth century thought of mediaeval art in general, that it was ugly but grand. It was the fanciful decoration by the Italians of grottoes, or caves, with shells, and statues of ogres and giants from the realm of legend, that gave the word grotesque its meaning of freakish, monstrous, misshapen. Arabesque clearly means the intricate, nonrepresentational, infinitely graceful decorative style of Islam, best known to us through their carpets, the geometric tile-work of their mosques, and their calligraphy. Had Poe wanted to designate the components of his imagination more accurately, his title would have been Tales of the Grotesque, Arabesque, and Classical. For Poe in all his writing divided all his imagery up into these three distinct species. Look back at the pictures on the wall in his ideal room [in the essay “The Philosophy of Furniture”]. In one we have grottoes and a view of the Dismal Swamp: this is the grotesque mode. Then female heads in the manner of Sully: this is the classical mode. The wallpaper against which they hang is Arabesque. In the other room we had a scene of Oriental luxury: the arabesque, a carnival piece beyond compare (Poe means masked and costumed people, at Mardi Gras, as in “The Cask of the Amontillado” and “The Masque of the Red Death.”): the grotesque, and a Greek female head: the classical. A thorough inspection of Poe’s work will disclose that he performs variations and mutations of these three vocabularies of imagery. We can readily recognize those works in which a particular idiom is dominant. The great octosyllabic sonnet “To Helen,” for instance, is classical, “The Fall of the House of Usher” is grotesque, and “Israfel” is arabesque.”

But no work is restricted to one mode; the other two are there also. We all know the beautiful "To Helen," written when he was still a boy:

Helen, thy beauty is to me Like those Nicaean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore.

On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.

Lo! in yon brilliant window niche How statue-like I see thee stand, The agate lamp within thy hand! Ah, Psyche, from the regions which Are Holy Land!

The words are as magic as Keats, but what is the sense? Sappho, whom Poe is imitating, had compared a woman's beauty to a fleet of ships. Byron had previously written lines that Poe outbyrons Byron with, in "the glory that was Greece / And the grandeur that was Rome." But how is Helen also Psyche; who is the wanderer coming home? Scholars are not sure. In fact, the poem is not easy to defend against the strictures of critics. We can point out that Nicaean is not, as has been charged, a pretty bit of gibberish, but the adjective for the city of Nice, where a major shipworks was: Marc Antony's fleet was built there. We can defend perfumed sea, which has been called silly, by noting that classical ships never left sight of land, and could smell orchards on shore, that perfumed oil was an extensive industry in classical times and that ships laden with it would smell better than your shipload of sheep. Poe is normally far more exact than he is given credit for.

That window-niche, however, slipped in from Northern Europe; it is Gothic, a slight tone of the grotto in this almost wholly classical poem. And the closing words, "Holy Land," belong to the Levant, to the arabesque.

Now I haven't read Davenport's fiction yet. Word on the street is that the best of it is a pederastic fantasia on themes from Fourier, but I could be wrong.

[ofkenner]

   𝑐𝘩𝑎𝑟𝑎𝑐𝑡𝑒𝑟⧸𝑓𝑖𝑙𝑒 :   mallory 'mal' kenner   ››   hybrid   ››  lola tung  .

❛❛   aesthetic.  ❜❜   ―   ◜   ❏  . ― the glow of eyes as moonlight drifts over her cheeks , the memories of her family left inside the large empty space no longer called home , the mask of a naive helpless girl , catching fireflies . ―   ◜   ❏  . ―  →

𝐈 . . . 𝐁𝐀𝐒𝐈𝐂 𝐈𝐍𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 !

name . . . . mallory kenner

nicknames . . . . mal

age . . . . 18

sexuality . . . . pansexual

date of birth . . . . october 31st

place of birth . . . new orleans

gender . . . . cis woman

pronouns . . . . she + her

current location . . . . beacon hills , CA

languages . . . . english , spanish , chinese .

𝐈𝐈 . . . 𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘 !

zodiac . . . . scorpio

bad habits . . . . losing her temper .

hobbies . . . . gardening , baking

fears . . . . already happened and it was losing jackson and mary

other mentionable details . . . . mal is the half-sister of jackson kenner .

𝐈𝐈𝐈 . . . 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄𝐒 !

faceclaim . . . . lola tung

height . . . . 5'6''

hair color . . . . brown

eye color . . . . brown

scars . . . . n/a

𝐈𝐕 . . . 𝐅𝐀𝐌𝐈𝐋𝐘 𝐈𝐍𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 !

parents names . . . . mrs. kenner ( mother / deceased ) + mr. kenner ( father / deceased )

parents relationship . . . . none . they died when mal was a little girl so she has no memories of them . but father figure would be jackson .

siblings names . . . . jackson kenner ( half-brother ) .

pets . . . . n/a

income . . . what she gets working at a bakery

residence . . . . apartment building roommates with bella swan , open wc , and open wc .

𝐕 . . . 𝐁𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐘 !

―  Mallory was conceived and born while her mother, mrs.kenner , was possessed by a demon. It should be noted however, that how she was conceived is still unclear as mal is apparently unique or at least not easily replicated, and possessions do not usually cause pregnancies. Either way , mrs. kenner managed to regain control of her body long enough to exorcise the demon from her body during labor with the help of a witch and mary dumas .

―  when mallory was born they quickly knew that mr.kenner was not the father and given the fact that this child was part demon . something unheard of and unnatural , they contemplated killing the newborn, for fear that she would be evil, but instead they later regretted the thought when they saw jackson carrying his new sibling and both laughing and smiling .

―  mallory never really got to know her parents . they died long before she could even form memories of them , when the vampires attacked the werewolves and many were killed. The vampire convinced a witch to put a curse on the pack, which trapped the surviving Crescents who had triggered their werewolf genes in their wolf forms. Their only respite being the night of the full moon, when they were briefly able to transform back into humans for a few short hours.

―  While growing up, she was basically raised by jackson , despite him being like most kids with the werewolf gene : very angry, and when he ultimately killed a human and triggered his werewolf gene, he only became angrier because it also triggered his Crescent Curse, which forced him into his wolf form full-time . Leaving mallory on her own at such a young age at 8 .

―  still jackson kept watch over her and mallory would look after the wolves . she always knew what to do and jackson taught her how to take care of herself and never reveal to others her true eyes . eventually at 12 mal triggered her curse when she killed a human. but because she was part demon , mallory had no control of her wolf and would go on a killing spree . the curse not affecting her much but on the night of the full moon , mary and jackson would lock her up.

―  soon hayley came in the picture along with the mikaelsons . At first , mal was happy and protective of the woman jackson would marry. ANDREA . but soon saw she came with dangerous baggage ; THE MIKAELSONS . She started to dislike hayley as she saw jackson hope to have a chance with her and clearly saw she was in love with another. she hated the marriage was something forced but tolerated it because jackson married her for himself. He loved her until the very end .

―  with losing her brother at just 14 , mal hated the mikaelsons and blames them and hayley for his death . Despite mary telling her not to . Mallory left new orleans at 16 and found a new home in beacon hills , where she works at a bakery and became manager over the last 2 years . Still keeping to her secret . still , mal could feel a darkness coming for them all .

[raurquiz]

#otd #mask #premiere #iguana #lestersludge #bullet #alibombay #manta #nissan #300zx #vanessawarfield #firefly #juliolopez #meteor #aceriker #actionfigures #kenner @Hasbro

[floripire]

NPC FILES: SALVATORE BOARDING SCHOOL EDITION

Brock Paxon (he/him) is both a member of the Paxon pack and a member of the Salvatore Boarding School pack. He splits his time between New Orleans and Mystic Falls. Brock is quite knowledgable about werewolf packs and the hierarchies within as a whole but he never broadcasts his knowledge. He is currently dating Wade Rivers.

Piper Barry (she/her) is a member of the very well off Barry pack as well as a member of the Salvatore Boarding School pack. Much like Brock, she splits her time between New Orleans and Mystic Falls. But if she could choose, she'd stay in New Orleans indefinitely because she's tired of having to fight for her life every other week or so.

Piper is always working to elevate her status in the pack for herself and her friends and when she's not doing that, she's busy thwarting her parents' plans of securing an alliance with the Deep Water pack through marriage. Piper is nowhere near ready to tie the knot. She is fiercely loyal to those she considers 'her people' - like her ex-boyfriend, Brutus, and her current boyfriend, Rick - and always makes sure to add some bite to her bark.

Brutus BasRoq (he/him) is the future alpha of the BasRoq pack. Though Brutus is secretly unsure whether or not he has what it takes to take up the mantle after school.

He masks his insecurity with pointed remarks. He knows to use his words to hit where it hurts. Unlike his ex-girlfriend Piper, Brutus is quite all right with his social standing. Both at school and within the Salvatore Boarding School pack.

Though he does arch his eyebrow at the fact that his alpha is dating a vampire: Brutus may not say it aloud, but he thinks that Jed is gonna get his heart broken in the long run.

Rick Rogers (he/him) is one of the last remaining members of the Rogers pack. In fact, it's just him and his dad. When Rick took his first breath, his mother took her last. Everyone else is gone too. Hunter attack. His dad was never capable of bouncing back after enduring so many losses all at once. So he took it all out on his son.

And when he could not take it anymore, Rick left. He grabbed what little belongings he had and hitchhiked his way to Mystic Falls when he heard about a school for supernaturals. To this day, he doesn't know what became of his dad and to be frank, he doesn't want to know.

Rick is a year-rounder. He's the class clown, the jokester, and will try anything once - which is why he climbed onto the broom that Alyssa Chang had enchanted once. Rick doesn't do well with emotions but he does have genuine feelings for Piper.

Trevor Poldark (he/him) is a member of the Poldark pack and the Salvatore Boarding School pack. Technically next in line to be the alpha, but he is so not feeling it. He figures that he's here for a good time, not a long time and that he'll probably get taken down by a vampire at some point so why do all that training at all? Nah! He'll abdicate. Make sure the title goes to someone who actually wants this. Trevor is quite all right with the vampires roaming the halls of the boarding school. He wouldn't consider Wade or Floribeth his friends but it's nice to have people to eat Sinigang and speak Tagalog with.

Zoe Nguyen (she/her) is the fashion forward relative of Xi, Van and Kara Nguyen. She grew up in the Ninth Ward and is a member of the Ninth Ward Coven as well as the Choral Coven as she has more patience for singing than anything else. While her best friend, Drusilla Isobel Saitou, exclusively dates witches (and is seeing Claire Blessingway, the sewing witch and leader of the Crafty Coven), Zoe is more open-minded (even though her brief flirtation with Landon got her a nose bleed, courtesy of Josie). After all, one of her relatives - Xi, a former member of Julian's Army - is a vampire too and she keeps a close eye on him because he's literally all she's got left in the world.

She misses Van, murdered by Kol, and Kara, murdered by Hayley Marshall-Kenner on Davina Claire's orders, every single day and she doesn't know how to feel about the fact that she essentially went to school with the daughter of the woman who murdered her relative on orders of Kol's wife. She does not bring her concerns up to Hope because Hope has enough on her plate already.

Aside from that, Zoe has no time for the Super Squad or the Anti Squad. She thinks their squabbles are childish but does business with them when she has to. That and the school is her home and she'll rise to defend it if she must. She's quite unsure about returning to New Orleans after graduation but Drusilla always wanted to see where Zoe grew up so there is a trip on the docket.

Lael Pastore (they/them) is a witch with a serious knack for art. Their past is shrouded in mystery and when the school isn't facing a crisis, yet another monster of the week or losing it's funding, Lael is hitting the books, trying to find out who they are and where they came from. They make it a point to try and get along with everybody because they are a year-rounder. Despite their pleasant disposition, Lael is known as something of a mad scientist within the halls of Salvatore. Which is exactly why Floribeth took to Lael so well and why Lael and Floribeth are also study buddies.

Clara Voronova (she/her) looks small and adorable but she's mighty. Or tries to be. It's not working out very well because she's basically a baby bird. Clara's got a hard time with keeping her bloodlust under control and keeping blood down. She's not the biggest fan of blood bags, either. But she dutifully drains them all even though they taste stale and gross and yucky. Floribeth looks out for Clara when she can and often shares her blood infused sweets with her. Clara likes those much more than blood bags.

Clara is the adopted daughter of Sofya Voronova, a vampire and a hired gun who sought to end Klaus Mikaelson after he killed her entire family in the sixteenth century. Sofya once worked for Lucien Castle and ended up working for Marcel Gerard after Lucien died. To this day, she is still working for and with Marcel. Though whether or not the two are still romantically involved is anyone's guess.

Sofya took Clara underneath her wing after she found her - already turned and subsequently abandoned - because she reminded Sofya of her younger sister even in her frenzied state.

Shortly after that, Clara began to see Sofya as a mother-figure and, in turn, Sofya abandoned her plans to get revenge on the Mikaelsons, choosing instead to devote her time to her daughter, finding she quite enjoyed teaching Clara the ins and outs of weaponry.

(Which is something that Derek never forgave her for. For one, brief, shining moment, he thought he might've found someone who understood his plight and who might take up arms with him against the Mikaelsons. After all, Klaus Mikaelson had ruined Sofya's life too! He couldn't, for the life of him, understand Sofya's attachment to Marcel and to Clara.)

Nathan Clark (he/him) is a vampire who thinks that Landon Kirby is the coolest dude to ever walk around the school for single-handedly killing Malivore. Or, rather, the hottest. Because he's a phoenix, get it? Nathan is quick to ask Landon how he did it. And, honestly, he wants to know every single detail because he wants to make this life of his into art. He doesn't know what medium yet. Maybe he'll write a book. Maybe he'll create a series of paintings. Or maybe he'll work on a graphic novel.

He's gotta do something to kill the time while he works to become a journalist and snag a job at WYET 9.

(This isn't new. Nathan is nosy. He's always been fixated on stories like those. They're like the comics he's always read! And he sure does love comics a lot! Nathan hasn't quite worked up the courage to ask but he does want to know how Kaleb, MG, Clara and Floribeth got turned and who turned them. Nathan doesn't realize that those stories and intimate details might be private for a reason.)

When Nathan figures out that Landon didn't actually single-handedly kill Malivore, his admiration (and crush) vanishes. But it's a good thing. That way, Nathan can treat Landon like a regular (human) being and a friend.

Nathan often joins the others when they play DND and if he's not being a huge nerd, Nathan is helping Lael with their quest to figure out who they are and where they came from. It's something Nathan can relate to. He got turned by Lee and is trying to get in touch with him to this day. You know, for an interview.