#kayamb

[themusicpilgrim]

Kayamba - East African Reed Shaker

Available for purchase at Bacara

@bacaraworldof

https://worldofbacara.com

#kayamba #kayamb #maravanne #caïamb #kayanm #reedshaker #raftrattle #seedfill #percussion #idiophone #percussionofeasternafrica #segamusicofmauritius #maloyamusicofréunion #madeinkenya

[bezesta]

Danyèl Waro playing kayamb

[needtowriteaf]

Ti pa ti pa !

Kan ou té i Gard a mwin dan zyé,

Mon kér té i chap konm un canot’

dan’ l’embouchure rivièr langevin.

Mon corps té i tremb,

Mon lang té maille en dan’ mon bouch,

Mwin la pérd’ ziska mon kozé..

Melanz créole ek bon fransé !

Ô mon l’aimé !

Kan ou té i ténir for mon main,

mi té laiss l’émotion monté..

Ti pa ti pa !

Kan ou té i gard a mwin dan zyé,

Mon kér té i bat derrièr mon dos..

Mon rein té i tourn’

Konm si un ti l’air maloya !

Ou kraz mon pér,

Ou krak mon kér,

Konm un Kayamb semb un roulér,

Néna poin moin si n’a poin ou,

Na poin la montagne san la mér

Ni bon cary san bon l’odér !

Ô mon gâté !

Continié gard a moin dan zyé,

Éclair somin ek ton limiér..

Ti pa ti pa,

Aou semb moin,

N’a mont mafat konm maronér,

n’a mélanz créole tout’ koulér,

N’a mont bana,

Trouv un maniér..

Po fé nout l’amour saut la mér 🌊

#20desemb 🇷🇪

[congratulationsgeorge]

Retournons à la mer

Retournons à la mer, retournons à l’étang, là où une entreprise prophétique nous a Promises. Par la concordance des cigales, et du ciel rouge qui s’appose sur ton front la taule, et le mal, et la peine que nous ignorions encore. L’accent rond, les : pain, main, hein, tarpin, pneu peneu pe neu mélodiques.

Retournons à la mer, en ton sein, puisque nous avons regardé le même film, dans la même salle, sans le savoir, à quelques rangées, quelques sièges d’écart, tu étais trois rangs avant moi. puisque nous avons une expérience commune : ces plaies béantes, ces gencives saignantes, et ces cheveux gominés, ces accusations, ce venin anxiogène, qu’iels jetaient sur nous parce que nous étions noires.

La crainte de t’aimer, de poser encore sur toi, tes yeux, ta peau pégueuse à la D’Angelo, beaucoup trop huilée par la coco, un regard qui me trahirait.

Retournons à la mer, je ne pourrai que le répéter, au fond de la cour, tu l’as si bien dit, il y avait les pins, tiens, les pins, la cour qui se tenait juste là, en pente, le petit jardin clos où l’on faisait pousser des fruits et des légumes, là où seul.e.s les CE2 A/ B/ ou C avaient le droit d’aller.

Je pleurais de rire, dans ces innombrables épines de pins, parsemées sur le sol brûlant, je me souviens du regard flou, flouté par les feux de joie, les cages de foot et les zygomatiques tendues.

Je taclais les garçons au foot, m’asseyais dans le creux des ondulations du bitume/du ciment blanc anthracite et aucun d’eux ne m’aimait.

Retournons à la mer, je t’emmènerai près de l’étang, l'odeur des œufs pourris de Berre nous frappe les narines entre deux pétards. Dans les sanglots, la solitude, et l’abandon, d’être une femme noire dans une famille blanche, d’être une femme noire qui aime les femmes c’est près de l’étang que tu te réfugiais.

Une dizaine d’années plus tard des ellipses parmi les vagues et les éclaboussures de la piscine de la mamie de Clara en juillet des bougies d’anniversaire numériquement trop trop nombreuses à souffler chaque année.

Retournons à la mer, puisque j’ai dit tout bas des signes, des choses inavouables.

Ils disent que « l’amour ça ne s’apprend pas », que « l’amour ça se vit » et pourtant j’aurais aimé apprendre.

Moi, fille de Mars, qui n’ai jamais appris que l’impatience, le drame et le chaos élevé par le kayamb, son frère tam tam, et les chants de guerre qui les accompagnent. Moi, fille de Mars, j'aurais voulu me sentir capable d’exprimer l’amour dans le calme, de sortir des sentiers tumultueux ancestraux de m’écarter de la voie de la surveillance, de la méfiance, de la gangrène routine, de CELUI OU CELLE QUI CRIERA LE PLUS FORT

Moi, fille de Mars, j’ai cherché à t’atteindre et à te montrer la plaine verte qui s’étend à l’infini, la végétation et le colibri la profondeur et l’abondance de la rivière en avançant mes lèvres, les extrémités tendues et riches des mots à te donner, en plongeant la tête la première dans le Gouffre des esprits à Terre Sainte, en serrant nos corps tandis que Les Déesses chantaient notre histoire.

(Nous étions ces deux gamines amies en primaire unies par un zouk après dix années de silence.)

Retournons à la mer, 2019, George Eperonnier

publié dans The Black Lesbian Rises Issue pour le magazine Lesbians Are Miracles (USA) en 2021

[toutmontbeliard-com]

Conservatoire du Pays de Montbéliard : le programme d'octobre 2023

En octobre 2023, le Conservatoire du Pays de Montbéliard vous propose : Jeudi 12 octobre 2023 20h00 - MONTBÉLIARD Auditorium du Conservatoire En collaboration avec le Moloco. Gratuit sur réservation obligatoire sur lemoloco.com Musique du monde CHRISTINE SALEM, Maloya-blues Originaire de la Réunion, Christine Salem est auteure, compositrice, chanteuse et joueuse de kayamb. Aux percussions de son île, l’icône réunionnaise du maloya-blues emmêle les mélopées des instruments virtuoses. Sur ses pistes voyageuses, aux couleurs blues, maloya et rock, elle rend grâce à ses ancêtres et chante la paix. Sans compromis mais fort d’une sensibilité à fleur de peau, dans la puissance et la douceur… Christine Salem, chant, guitare, kayamb, harmonica ; Jean-Didier Hoareau, chant et percussions. Vendredi 20 octobre 2023 20h00 - MONTBÉLIARD Auditorium du Conservatoire Entrée libre, dans la limite des places disponibles. Récital piano JARDIN SECRET "Depuis très longtemps, chacune de mes journées commence immuablement au piano avec Bach. Une joie infinie et nourricière. Domaine privilégié du rêve, de l’intime, de l’ineffable, mon jardin secret est composé de toutes ces œuvres qui ont jalonné ma vie de musicienne et de pianiste. Pas nécessairement les plus éblouissantes ni les plus démonstratives, mais plutôt celles qui murmurent à l’âme et parlent au cœur. J’ai eu envie de partager quelques-unes de ces pièces, rassemblées ici en un récit imaginaire, dont Bach serait à la fois le fil conducteur, son alpha et son omega", Anne Condamin. Au programme : J.S. Bach, I. Albeniz, B. Bartók, J. Brahms, F. Mompou, W.A. Mozart, A. Piazzolla, M. Ravel, S. Rachmaninoff, R. Schumann Anne Condamin, piano. Read the full article

[eleanordubinsky]

View this post on Instagram

A post shared by Eleanor Dubinsky (@eleanordubinsky)

Miroca Paris: Lisbon-based Cape Verdean #percussionist, #composer and #songwriter with boundless energy and a world of talents. Here he is recording for my new record at @atlanticobluestudios. Obrigada Miroca for bringing so many colors and grooves to my songs and for making them (and us) dance. Congratulations on your new album D’alma! @miroca_paris #mirocaparis #percussionist #capeverdean #capeverde #percussion #mirocaparisproject @dalma #caboverde #recording #recordingstudio #recordingpercussion #bestpercussionist #musician #lisbon #lisboa #atlanticobluestudios #caxixi #congas #chimes #udu #brushes #shakers #kayamb #rainstick #triangle #oba @therockpaperscissors 🎶 🎥 by Tiago Sousa Dias (at Atlântico Blue Studios)

[kyokushinpunk]

I wanna share something different but that is very personal to me here. I won’t go on about the details of my life, but I was adopted as child, and my adoptive father comes from Reunion Island, a French island in the Indian Ocean that was home to slaves brought from Mozambique and later to several different populations (mostly Chinese and Indian). Reunion has a very vibrant local culture, most notably a very typical cuisine between chinese, indian & créole (grew up on that stuff it’s DELICIOUS), prominent music styles called sega and maloya (the latter being unique to the island)... and martial arts !!

Réunion has two prominent martial arts : La Croche, a form of folk wrestling that exists only on the island (and that is similar to most wrestling styles found around the world), and the subject of this video : Moringue. Moringue is incredibly similar to Capoeira, and some modern Moringue group actually linked it to Capoeira Angola, but it’s something completely unique to Reunion. It’s half dance and half actual fighting, mostly with kicks, that look like an incredible crossover of usual front kicks / side kicks and acrobatic, capoeira-like kicks. Actual full contact competition exist, from the video it looks like the goal is to get your opponents out of bounds through kicks. Kicks are mostly used because, similarly to Capoeira, Reunionese slaves wore chains on their hands and had to use their legs to do anything. In this video (where people speak a mix of Reunionese creole and french), the guy sitting behind drums with his hair tied explains he is a scientist who is working on Moringue and its history, and mentions concepts like Afro-descendence, something relating to the common cultural heritage of former slaves that explains how places that are as remote as Brazil and Reunion end up having similar traditions. He mentions Moringue evolved from the original slaves, included Chinese and Hindu influence (probably kung fu and kalaripayattu, some of the kicks look A LOT like kalaripayattu) and later more European influences. Reunion moringue is done exclusively to the rhythm of maloya, the one typical musical style of Reunion, which participates to its unique character (Moringue has similar styles in Madagascar and the surrounding islands, but the Reunion one is unique). It is a fascinating art on so many aspects. Another testimony of African culture that was passed down from former slaves. My adoptive father was a maloya musician, playing a kayamb, that he had brought from his island and kept like one of his most treasured possessions. It sat on the walls of the house for years. I’m estranged from him now but I can absolutely picture him playing to moringue and i’m pretty sure he did, and that’s where his fascination for martial arts started.

The town I live now has a HUGE Reunionese population. Hell, three of my most regular musical collegues are Creole. I wonder if some of them brought Moringue to the mainland ? I’m gonna look into this when I have time.

In any case, I wanted to talk about that on Budoblr. Please look up Moringue.

[broodsys]

i rly want to get my hands on agricultural canna lily seeds. the common ones have been bred to increase the flower size and theyre very pretty, but the ones for eating have much larger tubers. canna lillies grow rly well in my area and, despite the name, are not related to actual lillies which are one of the most toxic plants to cats, so. no. actually they’re much more closely related to ginger and banana than to real lillies

and bc i just cant summarize it, here’s a list of uses from wikipedia:

“The rhizomes of cannas are rich in starch, and have many uses in agriculture.

All of the plant material has commercial value, rhizomes for starch (consumption by humans and livestock), stems and foliage for animal fodder, young shoots as a vegetable, and young seeds as an addition to tortillas.

The seeds are used as beads in jewelry.

The seeds are used as the mobile elements of the kayamb, a musical instrument from Réunion, as well as the hosho, a gourd rattle from Zimbabwe, where the seeds are known as hota seeds.

In more remote regions of India, cannas are fermented to produce alcohol.

The plant yields a fibre from the stem, which is used as a jute substitute.

A fibre obtained from the leaves is used for making paper. The leaves are harvested in late summer after the plant has flowered, they are scraped to remove the outer skin, and are then soaked in water for two hours prior to cooking. The fibres are cooked for 24 hours with lye and then beaten in a blender. They make a light tan to brown paper.

A purple dye is obtained from the seed.

Cannas are used to extract many undesirable pollutants in a wetland environment as they have a high tolerance to contaminants.

In Vietnam, canna starch is used to make cellophane noodles known as miến dong.

Cannas attract hummingbirds, so can be part of a pollinator and wildlife habitat strategy.“

[burlveneer-music]

Bon Voyage Organisation - (Loin des) Rivages - Adrien Durand on keys & vibes leads a set touching on spiritual jazz, r&b, Latin, and even a bit of disco

Bon Voyage Organisation is above all the story of the construction of an ensemble, the quest for harmony, through music, between beings. A central leitmotiv in Adrien Durand's composition and production work for almost ten years.

Emancipated from all constraints and affirming the radical choice - previously initiated with La Course - of an entirely instrumental sound, (Loin des) Rivages was recorded over five days in June 2020 at Jean-Benoit Dunkel's Studio Atlas (Air) and mixed the following summer by Adrien Durand in his Parisian studio, Bureau 12. It was an orchestrated performance considering that all ten tracks were played live, gathering up to thirteen musicians in the same room. This close collaboration allowed Adrien Durand and the members of the ensemble to transcend themselves. Together, they deliver the incredible energy of Sentier des Orpailleurs (and Adrian Edeline's superb solo), the depth of melancholy of Apacheta (co-written and co-arranged by Adrien Durand and Gustave Rudman), and the originality of Et s'éveillent... Inspired by the great explorers of the soul: Sun Ra, Moondog, Coltrane - a cover of his Naïma actually opens the album - Adrien Durand mixes humanity’s first instruments (the percussions and the winds) with its latest ones (the mixing tables and the synthesizers). Thus, he continues the most interesting yet rewarding artistic journey: The journey inward, far from the standards of civilization, in the heart of what some can take for madness, reaching into a jungle of the soul so marvelously represented in Clément Vuillet’s artwork. This is not an intellectual record but rather a spiritual effort, because, as Adrien Durand likes to repeat in his concerts: "Let us step into music as we step into a sanctuary." Rhythm Section : Adrien Durand : Piano, Bass Synthesizer, Organ, Synthesizers, Vibraphone. Maxime Kosinetz : Additional Synthesizers on Yuseef. Adrian Edeline : Acoustic and Electric Guitar. Pedro Barrios : Congas, Percussions, Cavaquinho, Vibraphone. Wendy Killman : Drums, Timbales, Glockenspiel. Arnaud Biscaye : Drums, Marimba, Kayambe, Triangle. Additional Musicians : Emma Broughton : Alto & Bass Flute. Julien Cavard : Soprano Saxophone, Flute. Arnaud Sèche : Alto & Soprano Flute. Adrien Soleiman : Tenor & Baryton Saxophone. Tanguy Jouanjan : Trumpet, Flugelhorn. Malvina Meinier : Baldwin Harpsichord (Apacheta). Gustave Rudman : Solina String Synthesizer (Apacheta).

[shemakesmusic-uk]

Pongo is back with new single ‘BRUXOS’

Pongo returns with her first new music of 2021, single release ‘BRUXOS’. Available now on Virgin Music, it’s the follow-up to the hotly-tipped Angolan-Portuguese artist’s 2020 EP UWA. Arriving ahead of a 15 date UK headline tour - kicking off at London’s EarthH on July 31, ‘BRUXOS’ is streaming now across all platforms.

BRUXOS - meaning sorcerer in Portuguese - refers to the belief that Pongo was confronted with when growing up in Angola, that jealous people would cast spells on those who succeeded. Pongo grew up with this idea stuck in her head, purposefully aiming not to succeed too much in whatever she undertook, for fear of being caught by the curses of these sorcerers, dissatisfied with their own lack of success. Today, she frees herself from these BRUXOS, and urges her audience to get rid of the constraints, even those self-imposed, that lead to doubt and taint success. ‘BRUXOS’, this new ode to resilience in Pongo's signature style, resonates with everyone and will leave no one indifferent.

There was, around ‘BRUXOS’, the desire to combine the dances dear to Pongo: Kuduro, Break, Malanje, dancehall, an improbable fusion of rhythms found in South and Central Africa, Reunionese instruments (Kayamb) and Caribbean grooves. The composers Dj Tony438, young French dancehall legend, and Lazy Flow, stemming from ballroom indie club culture and member of “House of Ladurée”, have made a wild anthem with the omnipresent concept of escapism at its core. Produced by King Doudou (Pnl, BadGyal, JBalvin), the vision was to incorporate flows from various global electronic music genres (dancehall, BaileFunk), while having a large majority of the elements played by fantastic instrumentalists in the studio, ensuring that the song would have the energy and feel of a live performance.

Pongo · Bruxos

Photo credit: Axel Joseph

[poetiquementvrai]

Kissa ou lé ?

Alors l’étranger s’approcha et lui demanda de se présenter, ce à quoi elle répondit :

Enivrante couleur métisse,

Odeur vanille et z’épices,

Mi lé un zarlor pou out zyé

Kom le vol d’in payanké

Désandan mon ban zansètes

Mi vive ante montagnes ek mer

Mi lé lo Piton des Neiges

É osi lo Piton de la Fournaise

Mi lé un flanboyan an desamb

Et sous les percussions d’un kayamb

Mi devien maloya endiablé

Après un dernier ti rhum arranzé

Mi lé un volcan en éruption

I renferme toute bann nasyon,

Mi lé toute se bann zafèr koloré

Mi lé la Rényon tout entié

- Poétiquement Vrai

[beatingdrum-records]

Song from Hear My Voice EP out April 15th, 2022 Vinyl & Digital: https://beating-drum.bandcamp.com/album/hear-my-voice-5

In 2018, Piers Faccini came up with the idea of releasing an EP vinyl series, in order to champion the kind of eclectic and talented artists the label meets and seeks out for their productions. The EP collection called, HEAR MY VOICE, began with distinct and original voices from around the world: the Neapolitan songwriter, GNUT, New Zealand songstress, TUi MAMAKI and the Trinidadian poet and singer, Roger Robinson under his Folk alias, HORSEDREAMER. In November 2019, for the fourth EP in the collection, wishing to highlight the series more, PIERS FACCINI decided to release one of his own.

Today, ORIANE LACAILLE, the French singer and percussionist whose origins are from the island of La Réunion, releases the fifth jewel in the series.

Hear My Voice Ep #5, like all the others in the series, was recorded and produced by Faccini in his studio in the Cévennes in southern France.

The vinyl and digital release, #5 in the limited edition series, Hear My Voice, is out on Beating Drum on April the 15th.

About Oriane Lacaille:

Oriane Lacaille was born into an intensely musical family and growing up, her father René Lacaille, one of the great musicians from the island of La Réunion, always made sure that music rang out from all corners of the house. Oriane defines herself as Zoréol, half creole and on her mother’s side, half metropolitan French. She began accompanying her father and touring all over the world from the age of 13, playing live from such an early age, the stage has long been as familiar as home to her. In her twenties, she formed the band Titi Zara and more recently Bonbon Voudou. Now in her early thirties, Hear My Voice ep is her first release under her own name and the perfect moment for her originality and skill as a singer songwriter in her own right, to be championed by Faccini’s eclectic independent label, Beating Drum. Oriane met Piers Faccini in 2019 in La Réunion for a tour with her father and cellist Vincent Segal. They connected straight away and on their return to the mainland, their friendship blossomed as they began collaborating. Oriane sending demos of her new songs, recording her voice with some bare percussion and a ukulele while multi instrumentalist Faccini proposed arrangements and compositional ideas. Having sent the demos back and forth to each other for several months, the next step saw Oriane come to Piers’s studio, together blending tradition Réunion percussion instruments like the Kayamb or Koulins with guembri, aouisha and guitars, lthey recorded, sang and played the four songs on the album.

Follow Oriane: https://www.instagram.com/orianelacaille/

Follow Piers Faccini: https://www.instagram.com/piersfaccini

Beating Drum : https://beating-drum.bandcamp.com/

[americbuzz]

40 Best Painful Sad Quotes for Instagram That Will Save You from Pain

Hello, lovely people hope you all are healthy and fine at your respective places. Today we have comes up with the sad stuff. The word sad is very common nowadays as it is connected to your feelings. Feelings are something we cannot describe in one word. It is something which fluctuates in every moment of your life In fact in every second. Mostly whenever we talk about the feelings people come up with the two expected answer which is happy and sad. Here the question rise why we people or anyone on this planet earth are Sad.

I am sure many among us are going to say just because of hormones. Partially true but we people get sad when we feel lonely. When our expectations not fulfilled. When we feel helpless as we are not getting the way to solve our problem. But you know guys the secret of keeping sad emotions far away from us that never ever lose hope in your life. As once well said that Umeed Par Duniya Kayamb hai. No matter that hope is related to get someone back in your life, getting good marks, getting a good job, living a happy and normal life always keep the hope lives in these things and many more, etc. Nowadays when people get sad they need some sad or painful captions to upload to Instagram. So we have got some 40 Best painful sad quotes for Instagram continue reading

[whereez]

974 : FAITES DE LA MUSIQUE !

Et si nous nous accordions une pause musicale ? Demain, c'est la fête de la musique ! Et ça tombe bien : La Réunion rime avec Musique La Réunion, cette île où toutes les cultures se mélangent, s'entremêlent, se découvrent... Où la musique a toujours été reine et a marqué l'histoire de notre territoire ! Aujourd'hui, grâce à nos partenaires, vous pouvez (re)-découvrir ces pratiques chères à notre histoire !

Des initiations aux instruments du Maloya Musique, chant et danse développés sur l'île par les esclaves d’origine malgache et africaine. Bob, Kayamb, Roulèr... testez tous les instruments !

https://whereez.com/fr/explore/experience/s/atelier-maloya-initiation-aux-instruments 

Des initiations au Moringue L’art martial dansé de la Réunion est né dans la population esclave de l’île en même temps que le Maloya. Disparu de l'île dans les années 50, redécouvrez cet art acrobatique en musique !

https://whereez.com/fr/explore/experience/fa109c98-585e-11e8-af32-fa163ef53965

Du Yoga musical Découvrez le bien-être apporté par la pratique du Yoga, et l'apport apaisant de la musique traditionnelle jouée en live par David, un expert en percussions, Moringue et Maloya.

https://whereez.com/fr/explore/experience/ns/s/session-de-yoga-en-musique-live

Ateliers de Percussions Indiennes La culture indienne très présente à la Réunion nous permet une découverte musicale magique : l'art des percussions de la musique classique indienne, dite carnatique.

https://whereez.com/fr/explore/experience/ns/s/atelier-de-percussions-indiennes-saint-pierre

Poser sa voix : la communication par le chant Et si nous nous penchions sur la façon de poser nos voix ? Apprendre à l'écouter, l'apprivoiser, l'aimer, grâce à des techniques et astuces amusantes autour du chant.

https://whereez.com/fr/explore/experience/s/atelier-communication-par-le-chant-trouver-sa-voix-voie

Des cours de Djembé et percussions africaines La richesse de la musique africaine réside dans ses percussions. Découvrez l'instrument phare de cette culture : le Djembé avec un expert du genre.

https://whereez.com/fr/explore/experience/s/initiation-djembe-percussions-africaines

Merci à la musique de faire rayonner La Réunion ! Et si vous vous mettiez à l'une de ces pratiques ? Et si vous commenciez une activité musicale ? Whereez vous propose toutes ces activités et ateliers !

WWW.WHEREEZ.COM

[trsportzm]

FULL TIME Results. Red Arrows 3-0 Green Buffaloes James Chamanga 12' James Chamanga 21' Alidor Kayambe 32' Prison Leopards 1-0 Kitwe United David Obashi 33' Green Eagles 2-2 Kabwe Warriors Field Kandela - Amity Shamende Ceaser Hakaluba - Clement Mundia Indeni 1-3 Zanaco Kilonji Mwepu - Roger Kola x2 ............... Abraham Siankombo 68' Nkwazi 0-0 Lumwana Radiants #ZSUpdates #ZambiaSuperLeague https://www.instagram.com/p/CLhMosAMpyq/?igshid=3wl3i4y8e510

[studionobilis]

Enregistrement d'un Kayamb ☀️ ! www.studionobilis.com (à Studio Nobilis) https://www.instagram.com/p/CDhUoU7BhE9/?igshid=1xke8jzn0rd8m