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talesofsonicasura · 16 days ago

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Venomous Call Part 2

The next part to the KN8/Venom AU. We'll be delving more into the Kaiju No.8 side, particularly some of the series events and how things change through the symbiote's inclusion. Also Fugitive!Kafka because why not? Third part is here. Let's get started.

Similar to the symbiote bonded to him, Kafka is a very stubborn man. Even if it means being on the run from the Defense Force and seen as a wanted criminal to the public. It was pretty obvious that his fellow Sweepers would call him. Well ambush is the more appropriate term since they want answers.

They took the whole Venom thing surprisingly well although were pissed that he kept the whole thing to himself. Like the good friends they are, the Sweepers continue to help Kafka. Granting him shelter to helping the Lethal Protector escape the Defense Force.

Even understanding Venom's abilities better like crafting a disguise with synthetic skin so the man could have some of his normal life back. Unfortunately the Defense Force also evolved their tactics too. Sound grenades, ice bombs, and tranquilizers became a permanent part of their toolset.

Mina continues to lead the chase with her Vice Captain Soshiro following her lead. A status quo that would continue for a few more years. Until a small unidentified kaiju decided to shatter it into pieces. One of those rare moments where Venom should've kept their mouth shut.

Let me go a bit deeper into Kafka's bond with the symbiote before we delve further ahead. Both became very very tight knit over the span of their vigilante career. This mainly stems from good communication skills, ability to compromise and willingness to talk about any potential issue.

Kafka tries to keep their respective identities separate as much as possible. Sadly he developed a bad habit of using 'We' in public. This shift stemming from how bonded they are as the Lethal Protector and Venom's preference in plural based pronouns. Don't ask about his love life since the Symbiote is super possessive.

Now onto the small kaiju in the room: Tiny. Like in canon, the little bugger goes down Kafka's throat. Although it happens while they are Venom as the symbiote thought the tiny fella would make a nice snack. Things are fine...for like two minutes before the Lethal Protector falls to the ground screaming.

Kafka painfully watches the black symbiote disappear into his body and the growing cacophony of ghoulish cries overtakes his mind. He almost passes out until everything just stops. Venom eventually manifests again but Kafka doesn't even have the chance to ask what had happened when they both see it.

A dark naval blue symbiote emerging from the man's opposite shoulder. Its slimy body covered in glowing cyan veins and the face bearing a demonic white bone mask with short horns. Yep, Kafka's kaiju has become a symbiote who the himbo calls Ai.

Although this isn't the only change wrought by Tiny. Due to Venom's presence, the larval kaiju infused itself to the symbiote's biology and merged all three together. Whatever remains of the barrier keeping them separate is gone. Now here's a thing about the symbiote race.

They are an asexual reproducing race that come from a hive mind-like structure. What this means is sharing knowledge, telepathic connections, and obviously hosting other symbiotes. Tiny essentially turned Kafka's body into a living Hive.

Kafka's food intake only slightly increased from it. This is due to Ai's ability to multiply the nutrition garnered from kaiju meat. Although they still eat human criminals as there are nutrients that can't be gained from the monsters or animals.

Now Ai still recreates Kafka's kaiju form like in canon since he's more kaiju than symbiote. The form is more amorphous despite the appearance as Kafka can easily shapeshift his body similar to Play-Doh. (Best way to visualize it is this concept art from the Spider-Man 2 game.)

He does gain a new ability due to his hive status. The man can now combine both forms into a very powerful one. Although he can't maintain it for long due to the large strain it leaves on his body.

Kafka starts with only one which is Venomai, the combination of Venom and Ai. This form stands around 15 ft in height with features from both alongside a few extra. Ai's body structure but the horns/dorsal plates now glowing teal in color, jagged, and longer. Venom's tail has been given cyan tipped thorn-like spikes, body markings are rigged whilst becoming teal in color alongside a twin pronged stinger.

Their combined form bears four arms, four eyes(each set from the respective symbiote), four horns(similar case to the eyes), two tongues, glowing cyan claws, twin tails and two pairs of wings. Venomai is as if the ferocity belonging to all three was tempered into a deadly calm before the storm. To enrage them is an awful idea since they aren't above torturing the target first.

He will get more combinations with each symbiote addition. If you are wondering about the comics, Venom does have multiple offspring specifically seven: Carnage, Phage, Agony, Lasher, Scream, Riot and Sleeper. The himbo is going to be dealing with more than two symbiotes in his head. Although how many comic related ones could appear is still up for debate.

Sleeper's guaranteed though. Especially since one of his forms is a cat and we know which KN8 character is obsessed with felines. (Plus he's a good goopy boy and the recent writers handling the Venom comics are dicks.)

Now there is a major flaw to Kafka being a Hive. Should both Ai and Venom be removed then he will die. Just losing one can greatly cripple the man as they are vital in maintaining his bodily functions. Not good for Kafka since the main tactic for the Defense Force is to separate him from Venom.

He still befriends Reno although their first encounter was quite different. The Lethal Protector had saved the young man a few years ago from a would-be kidnapper. Ichikawa remembers it to this day so he was beyond shocked when very familiar black tendrils pulled him out of the spider kaiju's path.

Or for them to come from his senpai's shredded right arm. Kafka kills the Yoju before quickly hiding as Mina's squad approaches. He is very surprised that Reno lies to the Defense Force for him. Venom does kidnap Ichikawa from the hospital since the Symbiote was curious about why he would lie to them.

Reno also gets a front row seat to the Lethal Protector's Tiny Style glow-up. He becomes an early alert system for Kafka once in the Defense Force as he is even more concerned about the himbo's health. Being able to help the vigilante avoid Mina and Soshiro's line of sight eases both their nerves.

While we're on that topic, Kafka is obviously not joining the Defense Force. He's a wanted man and a synthetic disguise ain't gonna change that. The Lethal Protector will still support them from the shadows even if they try to catch him.

Encounters between both groups really hit their peak around this point compared to his early days. It gets even more chaotic with another factor: the public. When it comes to Venom, how people feel about him is a very mixed bag. There is one type of group who are constant thorns to the Defense Force: The Slums.

Places where criminals are way worse than kaiju. Bad neighborhoods that have various threats which can range from Yakuza to corrupt government officials. The perfect feeding ground for the Lethal Protector when it comes to human prey.

It didn't take long for folks who live in such areas to view Venom as a hero. They are fiercely protective to the point a mob will form in seconds to chase off anyone that dare try to harm them. Even the Defense Force isn't safe as some officers have returned to base with bruises or broken bones.

Mina is usually the one who finds Venom the most and you can bet the symbiote's comments bring mixed results. The Defense Force has a theory going on that whatever is inside Kafka might be bringing his inner thoughts to the forefront.

One such possibility being love or lust for Mina from the more...crude comments. She has tried to get the man to come willingly before trying to use force. Kafka does share some details about Venom during these encounters(not being a Symbiote Hive or the black slime being an alien for obvious reasons.)

The small bit he shares is why he eats people and how the man could die. Mina didn't take it well as she already feels responsible for him becoming Venom.(I.e left him behind because he couldn't get into the Defense Force.)

She wants Kafka back and the safest place for him is in her division's custody. Those like the 1st would rather bring the man back dead than alive. Unfortunately they have to play a few more rounds of cat-n-mouse before that happens.

Kaiju attacks begin to be aimed towards the Lethal Protector. The beasts appearing in areas where he frequents most or been to last. Something wanted to test Venom and things only escalate from there.

At least Kafka can handle the taste of human flesh now as the Defense Force are no longer the only people who want him.

@discoknack @noodlesbf-blog @kafkahibinomybeloved @foolmariofest @renard-dartigue @scribblermerlin @mechazushi @giantgoblin @writeroffanfiction @cynicalwindmill

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hiemaldesirae · 8 months ago

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Arrax here; I want Vox's full out demon form to be some horrifying eldritch being, like...I dunno maybe Vox's form is Vox's electricity--omly his, his Cyan electricity that the city uses.

Like, Vox gets shot with an angelic bullet and he falls. Everyone thinks he's dead, and yest Vox's employees are still fighting. The Vox's screen lights up, as does every single screen in the surrounding area, and you hear this draconic, viscous snarl and using all 8 screens that are around him, fully demonic Vox breaks out, and he terrifies everyone.

oh, thats a very interesting concept!!. my favourite ever FULL full demon form of vox comes from RHTVS, where he has (technically...) two full demon forms, one as a giant white electricity beast and another being like this giant kaiju mecha

i have seen gorgeous depictions of voxs demon form such as a giant mecha-shark hybrid, but i like imagining him close to the devils from csm. (actually, this kind of correlates with your hc too)

something like a cross between the gun devil and the falling devil, where he's still somewhere "close" to an approximation of a human body (bc for some reason, vox just strikes me as the type of person to cling onto what human parts of himself he still has. might just be me tho), but built up of a mixture of mechanical wires, electricity, and the souls under his contracts. id imagine like the gun devil, many many many fucking television screens would be incorporated onto his body.

also, in the situation youve posed, i cant help but imagine a scenario where vox never told anyone about this form before, and everyone (even the vees!) truly thought he might be dead for a moment, the power around hells pride ring slowly flickering and crashing as his opponents revel in having taken down one of prides top overlords- before they start screaming. limbs start to burn from an overwhelming amount of static electricity in the air, a smell of ozone and burnt bits wafting through the streets of the entertainment district as vox reaches forward with arms constructed of pure electricity and strings of wiring, pulling forward until he stands up, form flickering with static and power. every broadcast flicks on, and the unfortunate sinners too weak to resist the pulls of their screen are pulled in toward him until he consumes them too, fueling him with only more ammunition for the fires.

#ran rambles #i went on a tangent on the end but. shrugs #you get the idea #i love my wife i only want to see him commit mass murder #plus fujimoto may be insane but his designs go SO hard #whenever i think of vels demon form i think of the doll devil #i never really thought about vals demon form bc i frankly dont think he uses it much since its 'ugly'#he might just pull a makima and let his contracts kill and die for him. shrugs #i do know id want to do something w the smoke for him tho thats fun #i want to see a fuller demon form for al where he really embodies that 1920s radio host aesthetic #well. hes technically 1930s but u get it #hazbin hotel #general asks #hazbin vox

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discoknack · 4 months ago

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Kikoru's Spirit Guy Part 2

Part 1 here

For @sonicasura 's ghost!Kafka AU. Also, to clarify, Kafka's character-color is currently green, not yet cyan - that's why his thought paragraph is green.

Also also, I don't know what the floor plan of the mansion looks like so I'm just making things up as I go along.

I have one two more posts in me. Not about this particular storyline, but the ghost AU more generally.

Kafka completely forgot himself.

For a while that day, he had been stalking around for Kaiju souls to consume - awful quiet on that front for now - and beating back some delinquent desire to decorate the outside of the mansion like a haunted house. Again. He noted Kikoru's arrival and her sprint for the door, but didn't think much of it. Until he soon realized: he was bored. Then he figured he might see what Kikoru was up to before mischief sounded too enticing.

Simply phasing through the wall, he heard it: the kind of scream that had him frightened! He merged with the shadows and slithered fast. Kafka sweeping closer, the scream had evolved into a sob before he reached the kitchen.

His urge was kind in nature. Which was a great thing, as he was overwhelmed by it and had lost his usual sense of discretion.

Overwhelmed so much so, that when he spotted the distressed pre-teen Kikoru - red in the face, tears flowing, and gripping her chest as if she was about to go into cardiac arrest - he completely spaced on the fact he resembled some screwed-up worm-on-a-string made of darkness, with human-like hands and a face that glowed green like a Jack-O-Lantern.

Lunging, he shouted, "Kikoru!" And grabbed her shoulders. Partly in an attempt to physically stabilize her in the case of a medical emergency, and partly because he was all wound-up. Kikoru drew in a deep gasp, opening her eyes at the same time, as Kafka shouted, "are you okay?"

No, she was not. Her eyes widened at him, horror striking her face. Kafka realized his mistake too late, as Kikoru's eyes rolled upward and closed. She went limp in his hands.

Kafka exclaimed, trying to be gentle as he shook her slightly, "Oops! Oops! Oops! Not good!"

He paused. Keep it cool, Kafka. I'll just check her pulse and make sure she's breathing. Her soul is still in there, so that's a good sign.

But before he had the chance, he heard rapid footsteps approaching.

"Kikoru-Sama?" It was the butler! Sebasu. The gentleman entered only to see an empty kitchen. He called for her again, looking around, and fidgeted with his collar when he heard no response.

Kafka was hiding in a corner of the ceiling, of course, having wrapped Kikoru and himself in shadow. He watched Sebasu continue marching. But before leaving the room completely, Sebasu looked in the direction Kafka was hiding. Looked right at him! A shadow too large and too dark for the atmosphere. But it wasn't enough to make Sebasu pause - he slowed down but did not stop - and he disappeared through a door.

Kafka waited, listening. He could tell by this point that Kikoru was fine, her breathing steady as she slept. Now, what to do with her?

Sebasu called for her again, his voice anxious.

Kafka considered taking her to her room as soon as the butler was far enough away.

But the gentleman paced through the kitchen again, muttering, "Perhaps the mistress ran to her room!"

Of course he would think that!

Kafka had to be fast. No, not just fast, but nimble and quiet. Slinking away from the wall with Kikoru in bridal-carry, he followed the quick butler through the house. Kafka knew where Kikoru's room was, but needed an opportunity to get there first.

The stairs were a literal turning point. If he was too slow, Sebasu would turn at the landing and easily spot either a floating Shinomiya or a dark spirit carrying her. Luckily, Kafka had no need for stairs to ascend, so he flew himself up in a back-flip - coiling to minimize his presence and keep Kikoru secure - over the banister at the second floor.

Once at the top, he spared no pause and glided straight to her room, opening and closing the door with a wave of his ghostly tail, and gently set her down on her bed.

Just in time, too, because before Kafka could really stop and think, Sebasu knocked on the door. "Kikoru-Sama?"

A moment was long enough for Kafka to hide under the bed.

Sebas opened the door a crack, half-entering. He whispered, "Ah, you're asleep. Not wearing your blanket?" He hummed thoughtfully. He tiptoed to her bedside and remained there for some small amount of time. Then he turned in no particular direction. Perhaps he was looking around for something. He walked back to the door and paused, humming again. Finally, he left.

Kafka finally had time to reflect. In the kitchen, Kikoru had screamed. And this brought the attention of Kafka, Sebasu, and Hikari - who saw most of the situation unfold and now materialized at the head of Kikoru's bed, glittering with an almost divine aura. Kafka knew this because he could sense her presence and now saw her foot.

The one person who didn't show up to check on Kikoru at all? Mr. Shinomiya.

Chaos boiled inside of Kafka, and he considered pouring every ounce of his venom into Web That Makes You Go Insane 100%. His fingers itched as he imagined storming the man's office and spraying him right now.

Hikari stage-whispered, "Kafka!" Startling him from his thoughts. "You are like a cat who hides and throws up. I sympathize with you, I do." And she huffed a sigh, growling a little. "Heaven knows I do - but you're making a bit of a mess here, bud!"

Kafka looked down and saw, mortified, that he had been leaking Web That Makes You Sufficiently Paranoid 35%. In this room, of all places! How irresponsible.

Exclaiming, he rapidly wiped it away, muttering something about restraint or clumsiness. He phased upward through the bed, still embarrassed, "my bad..." He also clipped through Kikoru's leg, and she pulled away and curled up on herself a little more. No harm done, though.

Hikari was stroking Kikoru's hair, deep in thought.

That's right. Putting Isao in the psyche ward would leave Kikoru alone, and leave no one to pay the butler (who was a real-one for providing his service keeping Kikoru safe and happy). Plus, it would piss off Hikari to no end. If Kafka had no quarrel with her, but she had plenty with him, the ensuing fight would be at least a little one-sided. And even if he survived, the loss of their friendship would devastate him.

Not sure what to do with himself, Kafka sat at the foot of the bed, coiling his tail under him.

Hikari spoke, frustrated and gloomy. "How did things wind up like this?"

Kafka's mouth quirked, his sharp green smile a touch ironic. "You can say that again."

Hikari threw sarcasm, "Ha, ha. Common complaint!"

Kafka interpreted this as anger and he shrank, hands in surrender. "No no! I meant...!"

"Just messing with ya." Hikari stuck her tongue out. Then she bent down to kiss Kikoru's head, and the girl smiled in her sleep. "A lot of us do have similar feelings. It's natural."

Kafka had watched her display of affection, and now hummed in the affirmative.

"Kiiiikoruuu... Kiiiiiikoru-chaaAAAaan- oh! I'm saying it like that again..."

Kikoru stirred, groaning and lazily opening her eyes. She sniffed. "Smells... candy?" She licked her lips and hummed, suspicious. No trace of the treat she had earlier. What was that scent?

A man's voice greeted her from the foot of the bed.

Kikoru lifted her head, wide-eyed, and scooted herself backwards. It was the shadow monster from earlier! But she didn't shout, and after some moments, she relaxed against her pillow. She simply watched him, slowly slipping on her best attempt at a poker face.

The ghost explained that he had woken her up in case she needed to do homework today, but he'd let her sleep if she felt she needed it more.

Kikoru wanted to go back to sleep; she had a wonderful dream. But thinking about it too much now would make her cry, and this thing in front of her looked nefarious. Kikoru had displayed enough weakness already and wanted to deal with this monster sooner rather than later. She didn't understand the situation, but supposed that if the ghost did have evil intent, he probably had to follow some set of rules, or else he would have enacted his plans while she slept. "What do you want from me?"

"Eh?"

"You can’t have my soul. I need it." She didn't tell him why beyond the obvious. If, for example, she told him she needed it to save the country, he would probably try to barter her soul for something that would accomplish a similar goal. This is how she thought of the situation: From her perspective, she was an unlikely folk hero up against a mysterious being in a deadly game of wits. Then she realized she might already have enticed him, if he were the more mischievous type that wants to take something personally important from his victims. But she tried not to let her mistake show on her face.

Kafka barked a laugh, which came off a little sinister given his looks. "I'm not hungry. -Uhh! Bad joke, not funny..." he waved his hands as if shooing away even the mere suggestion. "I don't eat people~."

He almost sounded tired by the end. But even so, that was exactly what a ghost who ate people would say. Kikoru held her suspicion. This ghost might be able to lie.

Kafka made a casual gesture like he was thinking. "Maybe you could think of me as, an undead body guard!" He held up a clawed thumb, nodding to himself once and making a hmph noise, like he got it perfect. "I'm here to make sure you're safe."

"Why?" Kikoru narrowed her eyes.

"'Why?'"

Though she acted brave, Kikoru hugged her knees. "You're not my mommy."

Kafka's smile widened and he squinted, seeming shy. His voice was warm. "Nah. I wish I could be as cool as her."

Kikoru kept scrutinizing. "You're no angel, either."

His smile became more like a grimace. "...no..."

"Uh huh. You scared me really bad, Obake-san*. You're lying about protecting me."

*Obake-san means Mr Ghost, basically.

"Nuh uh!" Kafka protested. It hurt, but ultimately didn't matter if she believed him or not. Sighing, he began to uncoil. "Whatever. I'm doing a favor for a friend by watching over you. Expressing my gratitude. That's why. I'm off now, so," the ghost set his posture, ready to fly off. "You don't have to worry about me anymore."

Kikoru couldn't come up with a response. It seemed like she won for now, but didn't resolve the situation. He would come back, she was certain.

Kafka stopped at the wall. "One more thing. Actually, two." He turned around. "Call me what you like; I don't mind. But know my real name: Hibino Kafka."

Kikoru returned to scrutinizing him intensely. "Shinomiya Kikoru." The ghost used her name before already, so she wasn't giving more information away, but this seemed to be some more formal introduction.

Kafka raised a finger. "And, I heard you got a 'B' on your test." His smile returned. "The first failure is always the hardest. Try not to let it discourage you."

Kikoru watched him phase through the wall, growing frustrated. What kind of preachy nonsense was that?

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cometchasinglove · 5 months ago

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Heya! Here's a little fic I wrote for a dear friend of mine, @kaijus-love-zone, featuring her Sona and TFP Ratchet! I had such a fun time writing this!

Ocean Wonders

Warnings: None

Word Count: 1,046

As the two lovers passed through the swirling, green portal from the Autobot base, a smile blossomed across Kaiju’s face. Once the ambulance exited the ground bridge and rolled onto the pavement of the road, she could barely contain her excitement as she wiggled in his front seat.

They arrived at the coordinates of the secluded beach. There, no one could find them or bother them. As Ratchet led the way to the white, sandy paradise, he noticed her cheery demeanor quite swiftly.

“Excited, Kaiju?”

The woman nodded.

“I am! I can’t believe this is your first time seeing the ocean.”

Ratchet hummed.

“Well, none of our missions ever directed us here.” His alt-mode shifted. “Besides, I never saw the appeal.”

Kaiju thought for a moment, feeling her heart flutter inside her chest. She winked at his dashboard, giggling a little.

“I think you may change your mind on that, Ratchet.”

Several moments later, the two made it to the field of sand. Ratchet allowed Kaiju to step out onto the ground before he transformed with mechanical clicks and whirrs. Kaiju sighed happily, running her fingers through her mohawk as the setting sun glowed across the freckles on her skin. Eventually, she caught Ratchet staring at her with an almost fond look, his cyan optics bright with silent adoration.

“Come on!” Kaiju waved at him. “It’s right up ahead.”

She walked alongside him, trying to match his speed as best as she could. The ocean shoreline was only a few feet away, and she couldn’t wait to show him its unyielding beauty.

...

Frankly, Ratchet didn’t understand why Kaiju wanted to show him the ocean. It couldn’t have been more exciting than other locations on the planet, surely? Nevertheless, he knew that it was important to her, and that was enough for him to join her.

The mech felt the environment around him, acknowledging the salty, sea air on his olfactory sensors as well as the cool breeze against his plating. As he approached the ocean, his pedes sinking into the sand, he wondered if it was more pleasing than other sites on Earth he personally witnessed. Once the two reached the shoreline, he watched as Kaiju gasped and smiled out into the grand, blue expanse of water.

“We made it!”

Ratchet turned his gaze from her, focusing out into the sea. His optics widened and his digits gave a slight wiggle at his sides. He took his time, soaking in the sight before him. His audial receptors picked up the sound of crashing waves against the sand while his optics noticed the birds soaring in the distance above the water. The sun glistened across the ocean, turning it almost orange. It seemed endless, just as his love for Kaiju. He appreciated it; he admired it. Ratchet smiled.

“Oh.”

Below him, Kaiju lifted her phone and showed it to Ratchet. Before the trip, she asked him if she could take pictures of his reaction. He said that it was fine before, and it was certainly fine now. As she took photos, she kicked her leg as she watched him absorb everything into his processor.

“The sea is so calm today. It worked out perfectly for us.”

Ratchet tilted his helm, curious.

“Is it…normally not calm?”

He supposed that it made sense as Kaiju nodded, her loose hair flowing in the wind.

“Oh, no. The ocean is both dangerous and beautiful. It’s-”

She paused, and then, she shook her head, noticing how Ratchet kept his gaze steady on the sea.

“Well, I’ll tell you later.”

Ratchet turned to face her, sharing her smile. Her knowledge made him joyful, her passion almost contagious.

“I would like to know.” He rolled his shoulders a little. “As for now, may we lie in the sand for a moment?”

Kaiju nodded.

...

Soon after, the two found a secure spot on the beach, resting there together. The sand was warm but soft as the two sat in silence, enjoying the world around them. Occasionally, she glanced up at his large form. Kaiju was delighted to witness Ratchet’s appreciation for Earth. It may not be his home planet, but it still had much to offer.

After some time passed, Ratchet fidgeted and complained about the sand finding its way into his plating.

“How irritating.”

Kaiju smiled, feeling sympathetic.

“Yeah, sand does that to us, too. I can give you a detail clean soon, if you want.”

Ratchet shook his helm.

“No, no. It’s fine. I can manage for now.”

Kaiju hummed as the two continued to relax as one. Gradually, Ratchet pointed out into the sand, his curiosity lifting.

“May I ask what that green substance is on the shoreline?”

Kaiju was more than happy to explain.

“It’s kelp! It’s getting washed-up by the waves!” She crossed her legs, gesturing with her hands. “The spots where it’s all clumped-up on the shore is where the tide reaches during high tide. At low tide, the water goes out and you can find sea creatures like crabs and clams!”

Ratchet appeared puzzled.

“And how can the water rise and lower in level?”

Kaiju smiled.

“The moon! Its gravity pulls the water around a bit.”

Ratchet thought to himself, lifting a digit to his mouthpiece.

“Hm. Well, in that case, could we visit a low tide someday?”

Kaiju nodded, excitement bubbling in her stomach.

“Sure! We can go right now.”

And that was when Ratchet stopped her with his voice. Kaiju turned towards him, witnessing a slow grin draw itself across his faceplate.

“It’s tempting. But, seeing as we’re alone together…I have other plans that I would like to offer you, Kaiju.”

...

The medic felt a rush of warmth in his chassis once he noticed his lover’s reddening face, matching the glow of her dark, brown eyes. He smiled, gently pulling her closer into his servos. He cupped her tiny body, protecting her and cradling her near him. Tenderly, he drew his digits down her back in a soft but sensual manner. Ratchet heard her breath hitch and he smiled, lifting her higher to his helm.

There, he pressed her forehead against his and vented with a blissful sigh.

As long as he still functioned, no force on Earth or on Cybertron could ever bring her harm.

Divider Credit: @/thetaey

#mouseyindulgence #my fics #transformers prime #ratchet #kaiju #raiju #other self inserts #other self ships

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kaiju-wolfdragon · 1 year ago

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Human version of kaiju among us characters 2/2

#my oc art #g/t #g/t art #kaiju #among us au #among us g/t #kaiju among us #kaiju among us au #among us #kaiju!lime #kaiju!cyan #kaiju!coral #kaiju!banana #kaiju!rose #kaiju!tan #kaiju!maroon #kaiju!gray

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adm-starblitzsteel-4305 · 3 months ago

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To be honest...

Ma. Celestina (OC) as Sailor Godzilla and Sailor Mothra

😳😉

Full description is here because I am tired of typing sheeesh.

There's a new ability I introduced for all of you guys:

"Titan Up! (insert Kaiju transformation)"

It is a mixed of Godzilla and Sailor Moon style I created. So how does it acquired with such magic?

I started the small concept about a small fusion: supposedly there was a girl who likewise have a powers like Godzilla and her transformation into a Godzilla themed style plus sailor fuku, but then I thought about this small concept will be the main course.

If you remember my human OC and main protagonist of POTM - Ma. Celestina (Celestia is her alias): yes, SHE is the ONE who will acquire the power of her Titan parents (Godzilla and Mothra) and with the Cosmic Brooch's superstitious magic. She can allow herself to transform into a magical superheroine girl.

BACKSTORY BEFORE MONSTERVERSE:

On the prelude of Sailor V, Ma. Celestina meets Minako Aino alongside Artemis who likewise senses her powers the same as Minako (who is the superheroine beauty called Sailor V), she allows herself to become a superheroine beauty like Sailor V, under the name as Sailor C. The two worked together to vanquished supernatural evils who steals energies of humans before Artemis reveals that they will have to find the other Sailor Guardians like themselves because he explains that Minako is the long lost Moon Princess of the Silver Millenium and that she wields the mystical Silver Crystal, which is the main reason why the Dark Kingdom was after for it. Minako posed herself as a student on Juuban High School (Usagi's school) while Ma. Celestina continues to search the Silver Crystal while gathering information about the Dark Kingdom's leader.

The two eventually met the other Sailor Guardians: Sailors Moon, Mercury, Mars, and Jupiter, alongside a black cat named Luna, before they joined into many adventures and battles they encountered (I used the Sailor Moon Crystal Seasons 1 to 3).

After the battle with Pharaoh 90, Ma. Celestina coincides about staying with the Sailor Guardians, but her quest was not complete yet. She asked Sailors Uranus, Neptune, and Pluto to watch over Hotaru Tomoe (known as Sailor Saturn) while she is away, giving baby Hotaru a necklace emblazed a topaz star pendant, promising to return back from her adventures as they depart.

Ma. Celestina is currently absent on the events of Sailor Moon Eternal and Sailor Moon Cosmos.

IN MONSTERVERSE:

Short prequel from after the events of POTM, the now 18 years old Ma. Celestina - who is given a name Astra II after her Titan incarnated past - adjusts her life as a Princess and normal life with Godzilla and Mothra, her newly adoptive family alongside Mothra Leo and the reformed Titan-turned-human Battra. What's more even interesting is that her Cosmic Brooch allows its user to fused a being that is incredibly powerful. Astra II spliced Godzilla's radioactive heat ray and Mothra's cyan bioluminiscent dusts from her mystic celestial magic, allowing it to combined the power as one because she is a part human and part Titan.

As Sailor Godzilla, she wields a Radioactive Titan Staff which produces an immense amount of heat ray and conjuring a powerful god-like aspects (think about Sailor Saturn's Death Reborn Revolution, but much more powerful). It is also noted that whenever she feels angry, there's a certain transformation about becoming a Godzilla genes due to heredity that is not awakened in time. This is her yell:

"TITAN UP! GODZILLA!"

"I bring balance and justice to those who opposed the Earth! Sailor Godzilla! Here to fight, and bow before your Ruler!"

As Sailor Mothra, she wields a double-bladed katana engraved with gems and a symbol of Mothra (like Mothra's limbs). She can also created a similar god rays like Mothra to erased the storms, and a magical song to target the enemies' old pasts about their loved ones in order to surrender, or to fight. She is capable of using silk attack to struck opponents. Note that her moth wings has Mothra's patterns, but much likely resembles Ma. Celestina's moth wings. Her majestic form is alluring to humans and Titans. Plus, Mothra's ancient song can be played by two of Ma. Celestina's new Twin Priestesses, but added a bit magical to express the devotion of the Stars. Her yell:

"TITAN UP! MOTHRA"

"I am the Goddess of Peace, Giver of Life, and Protector of the Earth. A King needs his Queen. I, Sailor Mothra, shall cast forth upon your evil deed! Bow before your Ruler!"

So, what do you think of my OC's transformation?

And that's it. I hope you like my fusion as both Sailor Moon style and Godzilla style.

If I ever fused Rodan and Ghidorah, then that's my promise.

I don't own any Godzilla and Sailor Moon Characters. They all belong to their respective owners and rights.

I only own my OCs.

Game:

Sailor Moon Dress Up on Dolldivine.

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sonicasura · 2 months ago

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In the KN8/ Pokemon Crossover will the Ash-Greninja form look different because of Trainer's hidden Kaiju form?

There are minor physical changes like the red stripes being cyan in color, the red star on the forehead becoming gold and ashen smoke trails following Ash-Greninja's every step when running. (Like that scene when Riot Mode Kafka runs at Isao before the episode ends.)

The rest of the changes affect battle properties. Opponent's super effective attacks do less damage similar to Prism Armor while Ash-Greninja's own super effective attacks do more damage akin to Neuroforce. Trainer's kaiju nature seemed to empower the Water/Dark Type even further.

#sonicasura #sonicasura answers #asks #foolmariofest #kaiju no. 8 #kaiju no 8 #kn8 #kaijuno.8 #kaijuno8 #kaiju number 8 #monster no 8 #monster no. 8 #pokemon #pokemon pocket monsters #pokemon series #pokemon trainer #pkmn #greninja #ash greninja

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neobiohazardus · 5 months ago

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Kaijune2024 - Day25: Zossur

Kaijune 2024 - Day 25 [Barebones] Only 5 more days left! This challenge has passed by fast...

[I'm following this prompt list]

=====

BIO: Breaching to the surface whilst fighting Scirox, the cyan-to-orange beams Zossur shot during its fight turned all eyes towards The Ascent, due to all of their technology sharing the same colour. As explained by The Ascent, they claim that the energy they use originates from the same source that Zossur gets their energy from, and that they've had to deal with Zossur fighting them for the energy source before.

As for the fight, due to being about 1.5x the size of Zossur, Scirox had no problems flinging the kaiju around, though found its hard shell difficult to rasp through. Eventually it resorted to using its acid the burn though the creature's shell and tore the creature in half, splattering the nearby area in viscera, though oddly, Scirox didn't eat any of the other kaiju, this fight apparently having nothing to do with food.

As cleanup crews were going to retrieve the carcass of the fallen kaiju for research, what they instead came upon was the entire area where Zossur was killed flattened, with no traces of the kaiju left... though they were able to find a single fist-sized mass of flesh. This information has been kept secret to all parties except for those immediately in contact with the material. The flesh is being examined as we speak.

#kaiju #kaijune #digital artwork #drawing challenge #kaijune2024

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containatrocity · 1 year ago

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"Ah, nah, we got this one covered, Little Red- head out, have some fun, Sissy and I are gonna hang out here for a bit, maybe carve some pumpkins. If we see your dad headed your way-"

"Just start screaming. a task you are uniquely prepared for- metalcore, kaiju movie, disappointed japanese father- you got options, Slenderman." Cyan laughs and rolls his eyes, bending and pulling Wren into a tight hug, Wren parting to hug Sissy all the same before departing the duo. It's while she's eating a piece of pumpkin pie, sat on the end of a picnic table that she spots a familiar face not currently invested in running interference against her father seeing her dressed- like this. "Hey Declan!" She greets, sitting her empty plate aside and wiping the corner of her mouth with a thumb before waving him over. "You havin' fun tonight?" She's enjoying the freedom, distracted only for a moment to clear pie crust crumbs from between her boobs. "Ugh. that's annoying."

@ambercast

#w.threads #w.declan #w.declan02 #w.event04

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monsterblogging · 11 months ago

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Quotes from the Pacific Rim commentary re: Guillermo del Toro's aesthetic decisions

"You cannot do world creation without filling in with texture and detail."

...

"People think that world creation - movie, for example - is the big gestures. But it isn't. It's all this small details. Look at the markings. Look at the vehicles that open the doors. Look at the banners and the markings in the crawler that moves the robot. Everything is full of detail. We designed this."

....

"We going to what I call gothic tech, or goth tech. Which is to go right away into a world that is rusting, that is in decay, where you have the concrete is cheap, the paint is chipping off, the armors in the robots is dented, it's sort of pitted and they feel like knights, like these ancient knights, and we start accumulating, for example, atmosphere."

...

"I wanted the movie to be very romantic, but not romantic in the Harlequin novel sense or the romance novel sense of the word. I wanted it to be romantic in its epicness. You know, I wanted it to feel like an opera. I wanted it to feel dramatic. So instead of doing this in a well-lit street in New York I wanted this first fight to happen in an almost like, the middle of a romantic painting, like Caspar David Friedrich is a romantic painter I adore. And I wanted very much for it to happen in the rain in the middle of a tempest in an ocean where the waves are crashing into them. And the water throughout the movie becomes an incredibly complex expressive element."

...

"We're going to go from the biggest, the widest, to the little bug of a pilot crawling out of the helmet. Isolate Raleigh. You know, we isolate Raleigh. I'm telling the story: Look at the markings on his suit, the burn marks on his skin, those are going to become scars that he's going to carry for the rest of the movie. And I'm telling you this is when we started losing. This was the price for arrogance, this was the price for youth, and we're staining the white with red. I'm trying to build a character not just by the work of the actor, but by the storytelling with audiovisual elements."

...

"And look at this, Raleigh's all introduced in this one color, he'd golden, gold colors, and he's all coated in warm greens and earth tones and the light that is bathing him is always golden, and it's about that color coming together with Mako's dominant color, and Pentecost in this case, which is connected with Mako, which are blue."

...

"So this, we come to the scene where they meet for the first time. And I have color-coded this scene entirely in those two colors, in the blue and the ambers. You know, the bright ambers and the blue, the sort of cyan blue. And this is Mako meeting Raleigh, so the entire thing needs to be color-coded like that. And Mako's blue, because I'm making her origin to the kaiju, the kaiju blue, the blood of the kaiju - but also you will see in a few minutes a memory. A memory that is all color-coded in blue and splashes of red in her past as a child. And that blue has stained her hair. Even her hair has this strands of blue because she cannot get rid of that memory. She carries it in her."

...

"We color-coded, for example, the Chinese robot, we color-coded it red and gold and is patterned after medieval armor, and it needs to feel Chinese in essence, it needs to respond to martial arts movements; its musical theme is very strong."

...

"And here again we have now a robot, a Jaeger, that is designed, a mech that is designed to resemble a T-series Russian tank, color-coded like that, with like a cooling tower from a nuclear reactor on top."

...

"And we introduce Striker Eureka, the Australian Jaeger, which is designed a little bit like an all-terrain vehicle and color-coded with the outback camouflage colors and is the most masculine of the robots, of the Jaegers, of the mech, and is very much testosterone-driven."

...

"We talked about the color red; well, here it becomes very important. We have these characters fighting that is very very color-coded to be warm; we have a lot of reddish art direction here. We color-coded this arena in black and red. The stakes, the wood, the machines, the color of the light hitting the machines, the symbols on the wall, everything is permeated with red. Because again, I wanted red to symbolize sort of the heart. And Mako's going to find her heart and Raleigh's going to find his heart, or life, by connecting with Mako. We saw him bleeding - the last time we saw red with any importance other than the Chinese robot was when he was bleeding in the beach."

...

"And again, red coming in and linking these three characters; these three characters are the heart of the movie, you know. And blood for nobility and mortality is what makes us human. And Pentecost and Raleigh and Mako are the heart of the film."

...

"And now we start bringing, literally, bringing the crazy colors into the film. I wanted to color code this movie, bring it as close as possible to a living anime, or a living incarnation of a magazine that was very important for me growing up, which is Heavy Metal with Angus McKie, Richard Corben, Chris Foss, all these guys working with super primary colors, and I wanted to bring that saturation of colors to this, and for that I needed Hannibal Chau to meet Newt in Hong Kong."

...

"In shooting the film, we then came to the final moment and again, these three characters, Mako, Raleigh, and Pentecost, which have existed in a blue-amber world start to come to a red space, you know? This is the first time we used this red space properly in this film. Other than the Chinese robot, we were very careful with not coding anything in red. But now, at the end of the adventure, everybody's coming away. And at the end of the life, at the end of their life, that is Mako, Raleigh, everybody's gonna find this light is red. And now I can talk to you about the way I sort of organized the three fights for Raleigh. I wanted one fight with the kaiju to be the fight where he loses someone. He loses his brother in the beginning. That's where he bleeds red, you know? Then the second fight in Hong Kong is where he gains a partner. He loses a partner in the first fight, he gains a partner on the second fight. And in this final fight, he saves that partner. So, it's a full circle. I show him in the construction area in the beginning sitting in a sort of throne of concrete, if you remember, when he meets Pentecost; he made an incomplete circle. And here he completes that circle."

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