#juzu

[cyberianpunks]

otherworld(ly)

[tanuki-kimono]

Unsual patterns for this black based obi showing buddhist items: osenko (incense stick offering), juzu (Buddhist prayer beads​), and hossu (horse tail ceremonial fly whisk).

I wonder who commissionned this obi and why (patterned mourning/ half-mourning obi are not like this usually?).

In any case, here is some buddhist vocabulary for Obon season :)

[kneipe]

bern 2023

[woodxstone]

JAPANESE BUDDHIST PRAYER BEADS

General

"The Buddhist rosary was introduced to Japan in the early stages of Japanese Buddhism... Although rosaries were probably considered valuable objects since the introduction of Buddhism in Japan, it seems they were not widely used in religious practices for another several centuries. Only by the Kamakura period (1185–1333) do prayer beads seem to have become common ritual implements."

"The form of the first prayer beads in Japan already varied, but over the centuries, the rosary was further modified to fit the usage and doctrine of different schools. As a result, various distinct forms developed, which can be easily distinguished from each other today. The rosaries differ, for example, in the number of larger beads, tassels, or beads on the strings attached to the larger beads... Also, the manner of how to hold a rosary differs depending on the school."

The most common term for the rosary is juzu 数珠 (Ch. shuzhu), literally “counting beads” or “telling beads,” which hints at the ritual usage of the beads for counting recitations. The other common term, nenju 念珠 (Ch. nianzhu), can be understood either as “recitation beads,” describing the beads as an aid in chanting practices, or as “mindfulness beads,” suggesting that “chanting is an aid to meditation and even a form of it.”

(from Prayer beads in Japanese Sōtō Zen, link under Sōtō)

Juzu beads in two different styles. Image from Wikimedia Commons by Suguri_F.

The number of beads

"The earliest text on prayer beads, the Mu huanzi jing, states that the rosary should have 108 beads, which is the most common number of beads in a Buddhist rosary. Other sutras further mention rosaries with 1,080, fifty-four, forty-two, twenty-seven, twenty-one, and fourteen beads. Lower numbers than 108 are encouraged, if one has difficulties obtaining 108 beads. Rosaries with thirty-six or eighteen beads are also used in Japan."

(from Prayer beads in Japanese Sōtō Zen, link under Sōtō)

108: The number 108 has many symbolic associations. Most commonly the 108 beads are associated with the 108 defilements. The number 108 further represents the 108 deities of the diamond realm (kongōkai) in esoteric Buddhism, or the 108 kinds of samādhi.

54: The number fifty-four stands for the fifty four stages of practice consisting of the ten stages of faith, ten abodes, ten practices, ten transferences of merit, ten grounds, and the four wholesome roots.

42: The number forty-two expresses the ten abodes, ten practices, ten transferences of merit, ten grounds, plus the two stages of “equal” and marvelous enlightenment (tōgaku and myōgaku).

27: Twenty-seven symbolizes the stages toward arhatship.

21: The number twenty-one further represents the ten grounds of inherent qualities, plus the ten grounds of the qualities produced by practice, plus buddhahood.

The names of the beads

"A rosary has at least one large bead, which is called the mother bead (boju) or parent bead (oya dama) alerting the user that they have finished one round of the rosary. When finishing one round, the user should not cross over the mother bead, as this would be a major offense; instead, they should reverse the direction."

"Sometimes a rosary has two larger beads; in this case, the second larger bead is either called middle bead (nakadama), as it marks the middle of the rosary, or also mother bead. The other beads on the main string are called retainer beads (ju dama) or children beads (ko dama). There are four beads among the retainer beads that are usually of smaller size and/or different color. They are placed after the seventh and the twenty-first beads on both sides of the (main) mother bead and therefore mark the seventh or twenty-first recitation. These four beads are called shiten 四点 beads (lit. four point beads). They are often interpreted as the four heavenly kings (Shitennō), Jikokuten (Skt. Dhṛtarāṣṭra), Tamonten (also called Bishamonten, Skt. Vaiśravaṇa), Zōjōten (Skt. Virūḍhaka), and Kōmokuten (Skt. Virūpākṣa). The beads are therefore also called “four heavenly kings” (shiten 四天), a homophone of “four points.”

"The main mother bead, and sometimes also the middle bead, has tassels attached. Usually, there are two short strings with smaller beads, known as recorder beads (kishi dama) or disciple beads (deshi dama), attached to the main mother bead. These beads help to count the rounds of recitations. They are thought to symbolize the ten pāramitās or, especially if they are called disciple beads, the Buddha’s direct disciples. At the end of the strings just above the tassels are the recorder bead stoppers, which are called dewdrop beads (tsuyudama), because they are often shaped like teardrops. The string between the mother bead and the recorder beads has usually a small loop, and on one side of this loop is a small bead, which is called jōmyō 浄明 (lit. pure and bright)... The bead is also called successor bodhisattva (fusho bosatsu) because it might take the place of any recorder bead that might be broken."

(from Prayer beads in Japanese Sōtō Zen, link under Sōtō)

Prayer beads in different Japanese schools

Jōdō (Pure Land)

Nichiren

A set of garnet Nichiren Shoshu Juzu prayer beads. Image from Wikimedia Commons by BeccaTrans.

Ōbaku

Rinzai

Honren juzu beads used in the Rinzai sect of Zen Buddhism. Image from Wikimedia Commons by Peehyoro Acala.

Shingon

Sōtō

Dōgen, the founder of the Sōtō Zen school, wrote about prayer beads: “You should not hold a rosary in the hall" and later writes that a monk should not disturb others by making a sound with the rosary on the raised platform. Later still, he elaborates “In the study hall, you should not disturb the pure assembly by reading sutras with loud voices or loudly intoning poems. Do not boisterously raise your voice while chanting dharani. It is further discourteous to hold a rosary facing others.”

"Considering these three brief statements in Dōgen’s works, we can presume that the rosary played no significant role for Dōgen and his community. Yet some prayer beads left by early Sōtō monks have been regarded as temple treasures and have been venerated as a contact relic in remembrance of the master. One example is a rosary made of beautiful rock crystal that Keizan used and that is now preserved at the temple Yōkōji in Ishikawa prefecture."

The form of the Sōtō rosary changed over time. Today’s formal Sōtō rosary has 108 beads and two mother beads, one larger one, and a slightly smaller one, as well as the four point beads. It has tassels only on the main mother bead, but there are no beads on the strings attached to this bead. The contemporary formal Sōtō rosary also has a small metal ring, which symbolizes the circle of rebirth in the six realms. In the Rinzai and Ōbaku schools this ring is not part of the rosary and, therefore, a Sōtō rosary can easily be distinguished from rosaries of the other Zen schools. When Sōtō clerics added this metal ring is unclear. ...This metal ring was not part of the Sōtō rosary in the Tokugawa period and therefore must have been added later."

(from Prayer beads in Japanese Sōtō Zen, link below)

⚫️ Sōtō Zen - Wikipedia

⚫️ Prayer Beads in Japanese Sōtō Zen by Michaela Mross (link to download)

⚫️ Memorial service etiquette (sotozen.com)

Tendai

[oldgloryflash]

[burlveneer-music]

Juzu a.k.a. Moochy meets Motoharu - Untitled Movements - house music producer mixes a jazz sextet led by saxophonist of Soil and “Pimp” Sessions

Sax  : Motoharu Sax : Megumi Kitano Violin : Kyoko Oikawa Electronics : Uriah Klapter Percussions : Keita Brasil Bass : Junji Yamaguchi Darbuka : Sait Arat (1, 3, 4) Additional Beatz&Bass : MaL (2, 6) Voices : Children @ Paonta Sahib School (7) (Tibetan Government-in-Exile School in Paonta Sahib, about 480 km north of Delhi, India) Recorded by Tetsuya Sukeyasu on Mar 2005 Tibetan Education Support Foundation Art Work & Design : sati. Recording, Arrangement & Mix : J.A.K.A.M. Mastering : Sinkichi Kadoya Dedicated to Rabindranath Tagore

[slag0000]

何かとお世話になっている三善さんに、三善さんが参加している多摩川楽園本舗主催の即興イベントに誘っていただきまして、気楽にOKしたところ、蓋を開けてみれば、オープン参加の方を交えたセッション枠もありの7時間にも及ぶ長時間のイベントだそうで。しかも、ソロでもユニットでもOKとのことだったので、思い切ってソロで参加することにしてしまって、後悔...、は一切してませんけど、文字通り思い切ってやってみようと思います。 ●2023-02-26(sun) 下北沢 Half Moon Hall “MIXEDNUTS 即興の座標とベクトル“ act: 鈴木達治(g) 高橋直康(b) YASU EY(voice) 小日山拓也(影絵） JUZU [吉村政信(g, vo) 清水亮司(dr) 廣瀬寛(tub, etc) 梅澤妃美(dousa)] Limbo Quartet [鎌田雄一(t.sax) 木下浩美(p) 竹嶋賢一(cb) 難波博充(dr)] M☆A☆S☆H [雨宮拓(p) 森順治(a.sax, b.cla) 大沼志郎(dr)] 多摩楽 [鎌田雄一(sax) ガッツツガヌマ(t.sax) 小日山拓也(daxophone) 木下徹(g) 三善出(g) 木下きのこ浩美(pf, key) 左方慎一(b) Kyatatsu(dr)] 清水ともこ(cam) open 12:00 / start 13:00 / close 20:00 charge 2000yen / オープン参加 1000yen

[madoyaka]

Grano grosso di un juzu (rosario buddhista) gigante; i quattro grani grossi sono dedicati ai Quattro Re Celesti. • Large bead in a giant juzu (Buddhist rosary); the four large beads represents the Four Heavenly Kings. • 大きな数珠の四天珠（四天王を表す珠）の一つ。 ••• #juzu #rosario #religione #buddhismo #tempio #tempiobuddhista #nichiren #architetturagiapponese #rosary #buddhistrosary #religion #buddhist #buddhism #buddhisttemple #temple #japanesebuddhism #nichirenbuddhism #japanesearchitecture #数珠 #念珠 #珠 #四天王 #仏教 #寺 #日蓮宗 #宗教 #日本建築 #cerchio #circle #円 (妙林寺 (岡山市)) https://www.instagram.com/p/Cl1BaahPMCe/?igshid=NGJjMDIxMWI=

[miyabiislife]

Canon Juzumaru: Master, shall we pray together~?

"Historically Accurate" Juzumaru: Master. Have you recited your daily Namu Myoho Renge Kyo?

[ovidiomedes]

i find it interesting that chisa, munakata and juzu are supposed to be a parallel of the main trios of the other games (makoto, kyoko and byakuya. and hajime, nagito and chiaki) and you have to wonder.

what Do byakuya, juzu and nagito all have in common?

[mey-rin-is-fabulous]

CONGRATS TO JUZUMARU FOR FINALLY GETTING HIS KIWAME

[seaquestions]

hehe (id under cut)

[ID: 4 portrait drawings of the four player characters from slay the spire, silent, ironclad, watcher & defect. silent & ironclad are facing away from the viewer with their hair in ponytails. watcher & defect are facing the viewer with a hand by their faces and three little lines by their heads indicating joy. notably each one is wearing a relic from the game as accessories: silent's wearing tough bandages around her neck, ironclad's wearing a velvet choker, watcher has her hair down & a violet lotus on her head & defect is wearing a juzu bracelet. End ID]

[woodxstone]

SŌTŌ-INSPIRED JUZU IN BAYONG

This is a juzu inspired by the contemporary prayer beads used by the Sōtō-sect, one of the Japanese Zen Buddhist schools (my post about Japanese Buddhist prayer beads). It has 108 counting beads, 4 marker beads in addition to the parent beads (the middle bead, also known as second parent bead, here similar to the markers) and a sliding ring typical of the Sōtō school. I did, however, use a stone ring instead of the metal (usually silver) ring used in the Sōtō juzu. The parent and marker beads divide the counters into sets of 18. The tassel is knotted from 6 strands of 1 mm thick satin rattail cord, 4 black and 2 coppery brown.

Materials:

Main (counting) beads (judama, kodama): 108, bayong, 8 mm

Parent (mother, guru) bead (oyadama): snowflake obsidian

Middle bead (nakadama) and marker (four point) beads (shiten): onyx, 6 mm

The ring and the two decorative beads (8 mm): carnelian

1 mm satin rattail cord

Black beading string (non-elastic)

[mythgirlimagines]

I read this theory on Twitter awhile ago that theorised that Juzo and Sato were siblings due to their striking resemblance and now I can't get it out of my head so….

HC about Juzo and Sato being siblings, while bonding over their crushes on Munakata and Mahiru respectively???

ooo sure

There were only a few years between the two of them, so they grew up relatively close to each other. There was always something Sato envied about her brother, though: talent.

Even though there was that bit of jealousy between them, along with their ages, they were still on good terms. That was especially true when they came out to each other.

Being able to talk about their crushes with someone was honestly such a relief, even if they both could be annoying about it at times. Juzu especially was glad to have someone to talk to.

He always tried his best to look out for Sato and help keep her out of trouble, but he knew he wouldn’t always be able to, especially if that one girl in her class kept picking on her and her friends.

Sato thought he could be overbearing at times, though she knew he was trying his best. She appreciated that, but as strong as he was, she could also take care of herself.

[kings-lone]

The Lesser

-

Juzu (she/her)

[slag0000]

今年に入ってから、急に共演する機会が増えたドラマーの清水くんからのお誘いで、Juzuの企画に彼とのデュオで出演することになりました。今回は清水くんの日ということで、彼がオーガナイズ、叩きっぱなし企画です。当初は、もう一人誰か誘ってトリオで、と話していたのですが、先日スタジオに入る機会があり、デュオを試してみたところ、良い感触だったのでデュオで行こうということになりました。とても楽しみにしています。 ●2022-12-17(sat) 阿佐ヶ谷 Yellow Vision “僕の日 清水亮司編” act: 清水亮司(dr) 高橋直康(b)+清水亮司(dr) 比嘉良秀(g)+溝辺隼巳(cb)+清水亮司(dr) Juzu [吉村政信(g, vo) 清水亮司(dr) 廣瀬寛(tub, etc) 梅澤妃美(dousa) guest:瀬尾マリナ(voice)] open 18:30 / start 19:00 charge 2000yen(+1d)