#justine cain

[thefableddestiel]

Here’s a parallel I noticed that highlights the difference between Cas relationship with Dean and Cas relationship with Sam pretty well. Episodes 10x22 vs 14x15

When MOC Dean is beating up Cas, Cas doesn’t hit back even once. The most he does is try to bear hug him from behind to calm him down. But not a single punch.

When Sam is Justin Smith, Cas says he won’t hurt him, but he actually does pick him up and slam him into the ground. It’s not a big deal, obviously he knows Sam can take it, but it’s something he wouldn’t even do with Dean.

Before the actual fighting, Cas tells dean, “I’m your friend… I’ll be the one that watches you murder the world.” And then when MOC Dean is on top of Cas holding the angel blade to him, Cas holds onto the wrist Dean has on his tie and the only thing he says is, “please”. He doesn’t even try to grab the hand holding the knife. And then Dean stops.

On the other hand, when Sam is on top of Cas trying to stab him, Cas uses an entirely different approach. He’s forcibly holding back Sam’s arm that’s holding the angel blade. He tells him he understands that he wants to be happy, but that if he does this he fails the people they lost. He says “if you do this you fail Jack. Sam, you fail Dean.” And that makes Sam stop.

The difference that’s so stark is that Cas has to appeal to Sam through talking about Dean. But Cas can appeal to Dean through his own relationship to him. He doesn’t need to bring up what it will do to Sam or anyone else, because their own relationship is powerful enough and he knows it.

[lihiominaa]

LOIS & CLARK: THE NEW ADVENTURES OF SUPERMAN, 1993 02.21 • Whine, Whine, Whine

[grandtreeangel]

i'm fine im fine these words are all I have to hide behind

(pic from motion city soundtrack IG story)

[lvoless]

lvoless core (I made this 3 years ago but people don’t change much)

litany in which certain things are crossed out - richard siken / the broken column- frida kahlo / american teenager - ethel cain/ genera+tion (2021) / primer for small weird loves - richard siken / girl pictures - justine kurland

[productomag]

ethel cain photographed by justine paquette, 2022

[kent-farm]

—Lois & Clark, "The People v. Lois Lane" + Smallville, "Dominion" (Directed by Justin Hartley)

[paradiss]

Source ig: @_leonca

[urv3nicebitch]

😍

[sogoodtoletgo]

Motion City Soundtrack @ Brooklyn Bowl Philadelphia PA 1/10/2024

[dc-polls]

The DC Comics "Best Dancer" Who's Who Dance Party Post!

[ID: Thumbnails of the characters Guy Gardner, Booster Gold, Ted Kord, Sir Justin, Greg Saunders, Cass Cain, Batman, and Virgil Hawkins. /End ID]

Here are the submissions we received for DC Best Dancer. I'll be honest, it's a very unlikely group for a dance battle, but here we are nonetheless. 😁 Feel free to comment, tag or add on to any of the polls or this post with your propaganda! Without further ado, let's bring in our contestants...

Guy Gardner (Green Lantern)

🎵I Just Want To Celebrate by Rare Earth (YouTube)🎵

[ID: Comic panel of Guy Gardner as Green Lantern, leading in several people in a conga line all singing Celebrate drunkenly. /END ID]

Michael Jon Carter (Booster Gold)

🎵Shakedown by Bob Seger (YouTube)🎵

[ID: Cropped comic panel of Blue Beetle leapfrogging over Booster Gold. Booster talks to Scott Free off screen saying, "The question, Scott, is - URK! I hate playing leap-hero - Why aren't you there with that girl?" /END ID]

Ted Kord (Blue Beetle)

🎵Shakedown by Bob Seger (YouTube)🎵 Note: Booster and Beetle were submitted together, so they get the same song. But alas, since this is an individual tournament, we must do the unthinkable and split them up.

[ID: Comic panel with the setting labeled "Justice League Embassy, New York". Ted Kord as Blue Beetle and Fire dance to the stereo while Ice looks on. Beetle sings along, "Oh, do the mon-kay, at the love shack, bay-ay-ay-BEE!" /END ID]

Sir Justin (Shining Knight)

🎵The Wind That Shakes the Barley by Dancing Willow (YouTube)🎵 A message from the submitter: "traditional music for a reel, a traditional dance that may have gone back to Justin's time. we don't know a lot about medieval dance but this is a bet"

[ID: Comic panel of Sir Justin as Shining Knight riding atop the pegasus Winged Victory with sword brandished. In the background are a wizard and other figures. /END ID]

Greg Saunders (Vigilante)

🎵Roy Rogers and the Sons of the Pioneers, 1940s square dancing music (YouTube)🎵

[ID: Character profile image of Greg Saunders as The Vigilante with one gun drawn and a hand on the other. In the background are several characters from his adventures. /END ID]

Cassandra Cain (Batgirl)

🎵Enchanted Lake from Swan Lake by Pyotr Ilyich Tchaikovsky (YouTube)🎵

[ID: Comic panel of Cassandra Cain in many graceful ballet poses. A small image in the bottom corner depicts her near a window overlooking the city. Narration reads, "And, in her own way, she begins to speak... She begins to shout... And sing." /END ID]

Bruce Wayne (Batman)

🎵Drives Us Bats by the Music Meister (YouTube)🎵

[ID: Old comic panel of Batman stuck in what appears to be a fishing net above water. His narration reads, "I did the Batusi on that netting -- until a certain cap of my utility belt opened and the laser-torch fell out..." He thinks to himself, "It'll float on top of the water -- drift past me with the moving tide..." /END ID]

Virgil Hawkins (Static)

🎵Static by James Brown (YouTube)🎵

[ID: Comic art of Virgil Hawkins as Static in a nighttime city with electric energy surrounding his hands. He is in a crouched pose and his hoodie flows behind him. /END ID]

--

All polls and posts for this tournament can be found using #dc-polls-best-dancer!

[djkerr]

📷 TMDB.org

TGF 02x06 Day 443

[batmanbeyondrocks]

[spooky-something]

Hebert walking in on Dan having sex with a girl for the 50th time

My favorite rejected New Yorker submission

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 30]

premierowa emisja 21 sierpnia 2024 – 18:00 Graliśmy: Sam Braysher feat. Sara Dowling “That’s Him” z albumu  “That’s Him: The Music of Kurt Weil” Andromeda Turre “Geosphere” z albumu “From Earth”     Individuation “Multiple Worlds” z albumu “The  Phenomenal” – Mother Brain Records Kronthaler “Night” z albumu  “Some call him Johnny Grey” –  BMC Records Erik Friedlander “D’Arce (Mod 2)” z…

[paradiss]

Photo by: @_leonca

[aeolianblues]

‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014!

It’s not tumblr-core and it’s not Lana Del Ray or 2013 AM, it’s not #girl interrupted, it’s not Ethel Cain (she literally is an artist of our time, what are you on about.)

It was 2001 with the Strokes on the cover of the NME every 2 weeks, it was cabaret night and English poetry with the Libertines in 2002, it’s those red and blue military jackets, it was the fucking grease in Julian Casablancas’ hair, it’s ’cocaine was the banker’s drug’ quoth Alex Kapranos, it was Don't Go Back To Dalston and the heroin, it was red and black horizontal striped tops and tight black shirts as evening wear, it was Russell Lissak’s mop top and a full page interview with London hairdressers in the NME in 2005, it was Jack and Meg’s saturated red and white dresses, it was cut-and-paste glitter on the cover of Santigold’s first album, it was the sleaze and the sex of CSS’s music, it was ‘cold light, hot night’, it was the anti-Bush and anti-war stances of the bands at the time, it was America by Razorlight, it was Popworld on telly and Simon Amstel being a little shit to musicians, it was Karen O defying death on stage nightly, it was throwing up in shitty nightclubs on god knows what drugs, it was the fucking danger knowing this could all collapse any second—and rightly, it should. It was the godawful egos at DFA, it was knowing that while you were lucky to be seeing these bands live, you’d fucking hate them if you had to spend even a minute in their individual company. It was Amy Winehouse telling the world to get the fuck out of her business, it was Leslie Feist and Peaches sharing a dilapidated flat above a sex shop in Toronto.

It was horrible camera flash and red-eye editing softwares and putting your feet by the warm, spinning fans of your computer while it whirred away and downloaded your albums in *checks* 46 more minutes. It was horrible, it was dirty, it was gritty, we all hated it and thought the 90s were the last time music was good and that nothing good had happened since 1997. It was garishly bright clothes we were all embarrassed of by 2011, it was multiple layers and leggings and asking your mum to cut the itchy tag on the back of your low rise jeans only for her to snip your back. It was bell bottoms at the start of the decade. It being thankful that by 2017, no one would dream of wearing low rises anymore, please please, please let them never come back.

It was faux nostalgic of the past itself. It was ‘please make sure baby you’ve got some colours in there’ in your clothes. It was moral panic over emos. It was wanting to escape into a better past that you could see was visibly impoverished in the present. It was watching your favourite programmes become less and less relevant on air. It was watching MTV decisively die a horrible death. It was watching important venues and nightclubs get bulldozed. It was watching the last regular broadcast of Top Of The Pops in 2006. It was seeing how the 2009 financial crisis most definitely put a stop to independent music in the western world for a decade, it was watching the rise of bedroom DIY and electronic music. It was seeing the phrase ‘SoundCloud rapper’ being coined. It was the rise of Disney pop. It was counter-culture Justin Bieber hatred. It was the MS paint meme of those tumblr girls thoroughly unimpressed by the guy.

It was not using the words ‘indie sleaze’ at all, in fact. That’s a retconned word. It was garage rock revival. It was ‘post-grunge’. We didn’t care what it was called, we hated it all the same. It was a lead into a decade of despair and nihilism, it was the last hurrah for the music industry before it splintered into a thousand little online ecosystems, it was the last time we had physical community and any shared pop cultural moments. It was Live8 2005. It was the same as it is now, and it was a time that’ll never happen again, for better and for worse.

But one thing is for sure: it was decisively dead by 2014. Santi and Karen O’s 2012 collab was its last hurrah and it was dead by Comedown Machine by the Strokes (2013). It has nothing to do with 2014.