#Phil Haynes

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 30]

premierowa emisja 21 sierpnia 2024 – 18:00 Graliśmy: Sam Braysher feat. Sara Dowling “That’s Him” z albumu  “That’s Him: The Music of Kurt Weil” Andromeda Turre “Geosphere” z albumu “From Earth”     Individuation “Multiple Worlds” z albumu “The  Phenomenal” – Mother Brain Records Kronthaler “Night” z albumu  “Some call him Johnny Grey” –  BMC Records Erik Friedlander “D’Arce (Mod 2)” z…

[shy-and-reserved]

Movie Icons: Vera Ellen and Danny Kaye as Judy Haynes and Phil Davis in White Christmas (1954)

[martianbugsbunny]

Girlboss x malewife enthusiasts I beg of you not to forget these two:

The classics the icons the legends

[dollarstoreartsupplies]

merry christmas from the ceos of lavender marriages goddamn

[dynamobooks]

Brian Michael Bendis, Bob Gale, Alex Maleev et al: Daredevil Modern Era Epic Collection: Underboss (2001-2002)

[krispyweiss]

Song Review(s): Phil Lesh Quintet - “Night of a Thousand Stars,” “New Speedway Boogie,” “Dear Mr. Fantasy” and “Shakedown Street” (Live, March 6, 2024)

A bunch of “Wheel” teases - that’s who the Phil Lesh Quintet are.

Taking the stage March 6 in New York, the band sung an a cappella section of the Grateful Dead number before rolling into “Night of a Thousand Stars” an original from its 2002 album, There and Back Again. A bit rushed, it was nevertheless a fine performance and a real treat to hear this long-neglected gem from Lesh’s small stable of self-penned material.

The same preference for sprightly tempos marked the version of “New Speedway Boogie” that followed on the band’s generous livestream sampler from the gig. Keyboardist Rob Barraco sung this one and the mid-song jam found the musicians slowly tearing the music apart, eventually devolving to the threads of formless, but not uninteresting, improvisation, before they pieced it back together for the final verse and a cappella conclusion.

A prime example of how post-Grateful, Dead music should be explored.

Warren Haynes was back on the mic for “Dear Mr. Fantasy,” another quickly paced number that found the singer engaging with fellow axeman Jimmy Herring in a thrilling inter-verse duel that continued until bassist Lesh and drummer John Molo nudged the Traffic song toward Jamaica and a reggae jam that eventually led to more vocals and the outro.

Haynes kept on singing when an atypically slow “Shakedown Street” emerged from the post-“Fantasy” silence. The song’s essential backgrounds were rough and the livestream faded before the track ended. Seemingly no great loss, given this “Shakedown” didn’t seem destined to seriously poke around, though Sound Bites’ll never know for sure.

No matter. In the nearly 55 minutes of music that the band gave away, it reinforced why its now-periodic reunions are so highly anticipated and why - when it was a going concern during the aughts - the PLQ was such a beloved institution.

Grade card: Phil Lesh Quintet - “Night of a Thousand Stars,” “New Speedway Boogie,” “Dear Mr. Fantasy” and “Shakedown Street” (Live - 3/6/24) - B/B+/A-/I

3/7/24

[halfdeadwallfly]

how out of pocket would it be if i made god general waverly in my good omens white christmas au

[bogmonstergeneral]

i think. i think white christmas is a gay lovers + queer sisters story. phil and bob love each other and poor judy and betty are watching them flounder

[americanahighways]

Americana Highways Obituaries – November 2024

Americana Highways Obituaries – November 2024 @kriskristofferson @jackjones @phillesh @quincyjones @nickgravenites @jamesdarren @blakerhea @sergiomendes @caterinavalente @billyeddwheeler @jdsouther @petesinfield @sheltalmy @royhaynes @paulkamanski @libbytitus @bobbyhicks @petewade @markmoffat @scottsimon @herbieflowers @titojackson @liampayne

Americana Highways Obituaries – November 2024 ObituariesKris Kristofferson @ 88 – a pioneering, award-winning figure in the outlaw country genre. Kris was the songwriter who wrote “Me & Bobby McGee” a hit for Janis Joplin (who Kris dated) & “Why Me Lord,” a Gospel-oriented concert favorite of Elvis Presley. He wrote other hits like “For the Good Times,” “Sunday Mornin’ Comin’ Down” & “Help Me…

[theranilord]

The one thing I didn't like about White Christmas was how Betty bailed on everything without asking Bob for an explanation. Like, she didn't even think to hear his side first?!

[hotvintagepoll]

I know they won't be allowed in because they just did the one movie together, but in the spirit of the holidays I want to give a shout out to Danny Kaye and Bing Crosby in White Christmas because those two definitely explored each other's bodies while they did showbiz together - their whole patter in the dressing room at the beginning while they casually change and toss articles of clothing to each other, every time Danny Kaye points to his "injured" arm and Bing Crosby rolls his eyes affectionately, how they know each other's bullshit thought patterns so well... It's all just such old married couple bickering (ignore that the bickering is about how one of them should find a girl to settle down with)

ok fine

[soon-palestine]

Can you recognize these faces? All these leaders made profound sacrifices for their people, and the artist who created this powerful drawing must be considered one of them. Kevin “Rashid” Johnson, who is extensively quoted in this shocking article, is one of them, one of the men being tortured 24/7 at Red Onion State Prison. Next to Mumia Abu Jamal, Rashid is the most read and respected prisoner in the U.S. Red Onion is a super-maximum security prison designed and built to be torturous in every way, just like Pelican Bay State Prison in California, where prisoners surmounted impossible odds in 2011-2013 to stage a series of three mass hunger strikes joined by 30,000 prisoners at their peak. To offer your help and support to the prisoners at Red Onion, use the contact information at the end of this article. – Art: Kevin “Rashid” Johnson

by Phil Wilayto

Just how bad are things at Virginia’s Red Onion supermax prison?

On May 24, 2023, DeAndre Gordon deliberately started a fire in his cell that caused a third-degree burn on his leg. Gordon, who is Black, said he had been badly beaten by guards at the prison and feared for his life.

“I didn’t know any other way that I could get out of their custody besides to set myself on fire,” Gordon told a reporter with Radio IQ. “Because they don’t have a burn center in Southwest Virginia, I knew that I would be going to Richmond.”

According to the American Burn Association, Virginia has just three facilities capable of dealing with severe burns. Two are in Richmond: the Evans-Haynes Burn Center at VCU Health, a state institution, and the Wound Healing Center at Doctors Hospital, a private hospital. The third is at the Eastern Virginia Medical School in Norfolk.

Red Onion, in Wise County, is about 375 miles west of Richmond.

On Aug. 23 of this year, Demetrius Wallace, 27, also Black, says he set fire to his leg to force a transfer out of Red Onion.

The Defender spoke with Wallace on Nov. 1.

“I did actually set my foot on fire,” Wallace said. “I got the charge that shows it. They came to my cell door and saw the flames on the side of my leg. They took me to medical, they assessed me right there that night, told me they don’t deal with burns, they would have to talk with the nurse practitioner, and that I would have to be taken off the mountain.

“That was Friday, Aug. 23 … so Monday around 2 in the afternoon, they drove me seven hours away to the VCU burn unit. As soon as the doctor sees me, he said, ‘When did this happen?’ I said, ‘Friday.’ He said, ‘Why haven’t you been here?’ I said, ‘I’m not trying to be funny, but I can’t drive myself from the prison.’

“He said to the COs [correction officers], ‘You see this foot? You tell your major I can’t treat him immediately, I have to put him on antibiotics’ to treat the infection.

“I stayed in the hospital for 14 days. They had to do an allograft [a temporary graft using skin from a skin bank] and a skin graft. After 14 days I was sent back to Red Onion state prison. Harassed me, everything is still the same, stuck me in the hole, still being denied access to my JPay [a commercial email service for prisoners] or my actual phone.”

Asked why he had set himself on fire, Wallace said, “I got a lawsuit in because I was assaulted and sprayed by the COs twice while I was handcuffed. So as soon as I filed the lawsuit, they started retaliation. They denied my fiance access to the prison, for no reason; you had COs and a lieutenant looking at her Facebook; they messaged her … She has screenshots.”

Wallace also said he wasn’t the only prisoner who has recently set himself on fire.

“I was in medical, and I witnessed five other offenders who came back there. They had burned their legs or arms. There are still two or three there now.”

On or about Sept. 15, Ekong Eshiet, a 28-year-old African-born prisoner at Red Onion, says he also set fire to his leg.

On Oct. 25, he gave an interview to Prison Riot Radio, a Philadelphia-based online program that provides a platform for prisoners to speak out about prison conditions and other issues.

In the interview, Eshiet said that, two days before, on Oct. 23, he had begun a hunger strike.

“I’m trying to get off of here. I’m doing my best, I’m going about this the right way, I guess, with the hunger strike way. But if I have to, I don’t mind setting myself on fire again, and this time I’ll set my whole body on fire.

“Before I have to stay up here and do the rest of my time up here, I would rather die before I stay up here, because every day I’m dealing with discrimination, whether it’s behind my race, my last name or my religion.”

The Defender has been in touch with Kevin Rashid Johnson, a longtime prisoner activist and author who last December went on a 71-day hunger strike, demanding to be transferred from Red Onion because he said there were no medical facilities in that area equipped to deal with his several severe medical issues. He eventually was sent to VCU Health, then transferred to Greensville Correctional Center, and is now back at Red Onion.

Rashid wrote the Defender that he was in the medical unit at the prison when Eshiet was brought in for treatment, and Rashid said he saw for himself the severe burns on the man’s leg.

“He had been placed in a cell next to me in the prison’s medical department, where I overheard him talking with others about a series of prisoners including himself setting fire to themselves. I could not help asking him what was going on.

“He told me simply that the racism, the horrid and inhumane conditions at the prison, were so intolerable that he and others were setting themselves on fire in desperate attempts to get transferred. These were not protests, he made clear, but acts of desperation hoping to get out of an insufferable situation.”

Rashid, at great risk to himself, wrote a report that he sent to outside news media and support groups. The report was picked up by Prison Riot Radio, the Arlington-based Interfaith Action for Human Rights and The Virginia Defender, among others.

On Oct. 25, this reporter called Red Onion and spoke with the warden, David Anderson. I explained that we had received a report that as many as a dozen prisoners at Red Onion had recently set themselves on fire, and asked if the report was correct.

“No, it’s not true,” Anderson said.

After a pause, he added, “I really shouldn’t be commenting on this.”

“So you’re saying that no one has set themselves on fire?” I asked.

“I can’t speak any further about that,” Anderson answered.

I told Anderson I would send him an email, with further questions. He said he would forward the email to the proper department for a response.

These are the questions sent on Oct. 25:

Over the last two months, did one or more prisoners at Red Onion set themselves on fire, as claimed by the letter writer?

If so, what are the names and prison ID numbers of the men?

What is now the location of each of the men?

What is the medical condition of each of the men?

Have any of the men been charged with institutional or criminal offenses as a result of these alleged actions?

As of this writing, on Nov. 4, there has been no response.

Meanwhile, we have been trying to find corroboration on the reports. undefined

In addition to speaking directly with Demetrius Wallace, we called Marsha Prichett, Eshiet’s mother, on Oct. 25. She said her son has had a very hard time since being sent to Red Onion in June.

“There’s been name calling, they call him Eat-Shit, they spit in his food. After he hurt himself, they treated him for minor burn wounds. “Then the hospital called us to let us know Ekong was in the hospital, but they said we couldn’t visit with him or talk to him because the warden said he was a danger to himself or others. So we couldn’t visit because of what the warden said.”

On Nov. 1, a Friday, the Defender reached out to VCU Health to ask if any Red Onion prisoners had been treated there recently for severe burns. At first we were told the hospital was not allowed to give us that information because of the issue of patient privacy. We hadn’t asked about any particular patient.

On Nov. 4, a Monday, we received a call from Danielle Pierce with VCU Public Relations. We asked if, from Aug. 1 until the present, any Red Onion prisoners had been brought to VCU Health for treatment for severe burns.

“I’m happy to look into it for you,” Pierce said.

Since our press deadline was the next morning, we didn’t expect to receive an answer in time for this story, but we will post any response on this newspaper’s website: virginiadefender.org. [Post-press update: As of Friday, Nov. 8, there has been no response.]

On Nov. 1, the Defender also called and left messages at the offices of Virginia General Assembly Delegate Don Scott, a former prisoner who is now Speaker of the House. We will report any response we get on our website.

We also have been trying to get various Virginia media to cover this story. What is Red Onion? red-onion-supermax-in-isolated-wise-county-va-by-google-earth, Conditions so bad that prisoners set themselves on fire: Crisis and cover-up at Red Onion super-max , Featured World News & Views This Google Earth map gives some idea of how isolated the Red Onion super-max prison is, situated on top of Red Onion Mountain in rural Wise County, far from the famiies of most of the men confined there.

The Justice Policy Center of the Urban Institute describes a supermaximum prison, or “super-max,” as “designed to hold the putatively most violent and disruptive inmates in single cell confinement for 23 hours per day, often for an indefinite period of time.”

Red Onion is a super-max prison. It opened in 1998 in the midst of a big right-wing and media scare about a new crime wave that supposedly was coming, but somehow never did.

Red Onion was supposed to house around 800 of “the worst of the worst” Virginia prisoners. As it turned out, there weren’t enough “worst” prisoners to fill the cells, so Virginia began taking in prisoners from other states – for a price. Further, many of the Virginia prisoners who wound up there were transferred from lower-level security prisons simply for breaking rules, not for committing violent crimes.

Red Onion quickly gained a reputation for extreme repression, cruelty and racism.

A 1999 report by Human Rights Watch stated that the “Virginia Department of Corrections has failed to embrace basic tenets of sound correctional practice and laws protecting inmates from abusive, degrading or cruel treatment” and claimed that “racism, excessive violence and inhumane conditions reign inside.”

In 2001, Amnesty International released a report citing human rights violations at the prison.

The 2016 HBO documentary film “Solitary: Inside Red Onion State Prison” focused on the use and effects of solitary confinement.

In one particularly notorious case, Nicolas Reyes, a Salvadoran immigrant, was kept in solitary confinement for 13 years because he couldn’t complete the mostly English-language Step-Down Program required to be released.

Reyes only spoke Spanish and couldn’t read or write in any language.

With support from the ACLU and other organizations, Reyes was finally released and received a monetary award of $115,000 – which works out to about a dollar for every day he suffered in extreme physical, social, cultural and linguistic isolation.

This is what Rashid has recently written about the prison:

“Red Onion and its sister supermax Wallens Ridge State Prison, are both located in the mountains of the far southwestern corner of Virginia in rural, segregated white communities, while their prisoner populations are near totally Brown and Black.

“Since opening in 1998 and 1999, respectively, both prisons have operated without oversight in regions where the local populations are culturally conditioned to secrecy and hostility to outside scrutiny. Which makes for prisons shielded by a curtain of secrecy, inhumane abuse and racism.

“And while Virginia has been closing down many of its predominantly Black staffed prisons across the state, it has shifted resources and focused new prison construction projects in favor of opening and operating prisons in remote, racially segregated regions of the state like where Red Onion and Wallens Ridge are located.

“The strongest public exposure and protest needs to be directed at these expensive, inhumane and unneeded human warehouses. They must be opened up to broad public scrutiny and accountability, and closed down.

“This exposure and protest should be continually directed against the Virginia governor, Virginia Department of Corrections Director Chadwick Dotson and the state’s General Assembly.

“Every effort must be made to share this information and increase public awareness about these places, their inhumane conditions and the desperate extremes they are driving fellow humans to in their pleas for relief.

“Dare to Struggle Dare to Win!

“All Power to the People!”

Interfaith Action for Human Rights has started an online petition urging change at Red Onion. To sign, log onto change.org and search for “Investigate Self-Harm Episodes and Improve Inhumane Conditions at Red Onion Prison.”

As we go to press, Kevin Rashid Johnson, Ekong Eshiet and Demetrius Wallace are all being held in solitary confinement – what the prison calls “restrictive housing.” All three men have reason to fear for their lives.

Rashid, who has been targeted because of his outspoken condemnation of the whole Virginia prison system, has outside attorneys working to try to get him transferred out of Red Onion.

Note: Both Rashid and Demetrius Wallace have given the Defender permission to quote them for this story. We haven’t spoken directly with Ekong Eshiet.

Conclusion

At this point, we are confident in reporting that at least two men held at the Red Onion State Prison – Demetrius Wallace and Ekong Eshiet, and possibly others, have taken the desperate step of setting themselves on fire to try to force the prison officials to transfer them out of that notorious hellhole.

And the prison system is not only denying that these events ever happened, but have taken steps to isolate the men involved in order to keep the public from knowing about it.

The Virginia Defenders are calling for an immediate, independent, impartial, outside investigation of the conditions of these three men, as well as the general conditions at Red Onion. We will be sending copies of this story to Gov. Glenn Youngkin, Virginia Attorney General Jason Miyares, all members of the Virginia General Assembly, U.S. Senators Tim Kaine and Mark Warner, Virginia Department of Corrections Director Chadwick Dotson and all our contacts in the Virginia media.

[shy-and-reserved]

Movie Icons: Vera Ellen and Danny Kaye as Judy Haynes and Phil Davis in White Christmas (1954)

[cinemaocd]

Movies I watched in March 2024

Under the Cherry Moon (1986)** I'm Not There (2007)*** Jingle All the Way (1996)* Three Graves to Cairo (1943)** Hitchcock (2012) ** Silent Partner (1978)** Possession (2002)** Oppenheimer (2023)** Oscar Wilde (1960)** Turning Point: The Cold War and the Bomb (2024)** Anselm (2023)*** 24 Hour Party People (2002)** Two of Us (1999)*** Remains of the Day (1993)*** Doubt (2008)*** Dune (1984)*** Dune Part II (2024)***

Under the Cherry Moon (1986)** Absolute bobbins of a script is still beautiful to look at, very gay and of course mainly a vehicle for Prince's music. Under the Cherry Moon was the follow up to Purple Rain. It was a box office flop, a critical failure that earned Razzie nominations, but is a worth another look. Prince and Jerome Beton are sex workers with a rich female clientele on the French Riviera, the kind of career that only exists in movies. Kristin Scott Thomas makes her film debut as the debutante who comes between the friends and threatens to part them. Prince's death scene, harkens back to Camille with Prince playing Garbo. Like Garbo, Prince was happy to exploit his own androgyny and like Garbo, he was doomed to only explore that in a way that could be squeezed into heteronormative films.

I'm not There: (2007)*** A fascinating look at Bob Dylan, dividing him into six personae played by six different actors. Haynes uses different film styles, the Cate Blanchett mid Sixties Dylan of Bringing it All Back Home and Blonde on Blonde is matched in style with the black and white cinematography of D.A. Pennebaker's Don't Look Back. It also has elements of the Italian Surrealists like Felinni or Antonioni with a scoch of A Hard Day's Night. The soundtrack is particularly good, avoiding for the most part, the licensing pitfalls that plagued Haynes' Bowie biopic, Velvet Goldmine. Some of the most effective moments of I'm Not There, pair landscape shots with Dylan's music. Given the catalogue and the array of talent, Haynes has gathered, one perhaps expects a bit more , but then that has always been Dylan's nature, he's mysterious and aloof, leaving us wanting more.

Jingle All the Way (1996)* We watched this Christmas movie in March because we recently learned that part of it was filmed at my son's elementary school. It had Jake Lloyd somehow being more annoying than he was in the Phantom Menace as a bonus. Phil Hartman got dragged into this unfunny mess as well.

Three Graves to Cairo (1943)** Tense war time drama about a British officer who gets trapped behind the lines and ends up hiding out in a hotel working as a waiter for Field Marshall Rommel. Billy Wilder ratchets up the tension, his script giving all the best lines to Rommel, played by Erich Von Stroheim who really owns the film though Anne Baxter and Franchot Tone nominally "star."

Hitchcock (2012)** Hichcock's struggle to make Pyscho dramatized with fantasies where he hangs out with Ed Gein, while Alma Hitchcock gets involved in a Hitchcockian romance with a hack writer. Scarlett Johannson plays an almost deliberately obtuse Janet Leigh and James Darcy captures pre-Psycho Tony Perkins. It's a bit silly but I'll never turn down Helen Mirren and Anthony Hopkins in anything. This has a slight, arch feel to it, like many of Hitchcock's pictures, but lurking underneath are the ordinary hates and passions of a man who fears being left behind, at the height of his career. For his long-suffering wife's part, she too feels she's being replaced by the young actresses that Hitchcock is obsessed with at the moment. The conclusion is sweet enough for the Hayes office: husband and wife rediscover the magic of their working relationship, which was always the rock upon which their relationship was built.

The Silent Partner (1978)** With Elliott Gould, Christopher Plummer and Susannah York in the cast, this should have been better. Decent heist plot that devolves into slasher film . Christopher Plummer takes on the dubious mantels of playing a villain in a piss-poor American action film and a cross-dressing murderer.

Possession (2002)** A rather thin adaptation of a great novel, A.S. Byatt's story of two modern academics who disover a previous hidden romance between two Victorian poets. The film lacks the poetry of the novel, which I think is necessary for the story to have its full impact, but the film is full of plenty of jabs at academia as well as burning passions. Gweneth Paltrow and Aaron Ecklund play the young couple, while Jeremy Northam and Jennifer Ehle play the poet/lovers. Tom Hollander has a small but memorable part as does Toby Stephens.

Oppenheimer (2023)** My least favorite half of Barbenheimer still damn good and the physics nerd in me reveled in seeing my dead physicist boyfriends on screen. There are better films about Oppenheimer's life (BBC did a mini series starring Sam Waterston and it's on youtube) but something about the dreamy quality of Nolan's film captures that quantum mystery kinda vibe and put it in a blockbuster package. Cool.

Oscar Wilde (1960)** Preceded the landmark film Crisis by one year, without the world shaking honesty that film managed, around the topic of homosexuality and the law. Both films hinged on blackmail of a gay man but Oscar Wilde is careful to skirt around explicit mentions of sexuality, using tricks like showing the dictionary definition of "sodomy" briefly on camera. More was needed and more was achieved a year later. Ralph Richardson contributes to the courtroom scenes admirably and Morley is a terrific Wilde, who would rather make point for style than save himself from prison.

Turning Point: The Cold War and the Bomb (2024)** Fascinating background to our current situation, most of which is terrifying and now I'm worrying about the bomb again. I took off a star for the sheer number neo-con/Reaganite talking heads in this...

Anselm (2023)*** Wim Wenders stirring mostly visual documentary about Anselm Kiefer, a German artist who has explored his childhood memories of post war Germany in a frank and intimidatingly in your face way, on a massive scale combining sculpture, painting and physical spaces, many of which he has engineered himself. As a middle aged person who feels estranged and terrified to look more deeply into her own childhood, Anselm was something to sit with for two hours.

24 Hour Party People (2002)** Steve Coogan plays Tony Wilson, the Manchester TV personality and club owner who helped launch the careers of Joy Division, New Order and The Happy Mondays. Coogan has a tendency to make all his characters Alan Partridge and this is no exception, but it kind of works? It did more to get me to listen to Joy Division that numerous goth roommates ever could...

Two of Us (1999)*** I can't stop watching this made for VH-1 fanfiction of a movie starring Jared Harris and Aidan Quinn as John Lennon and Paul McCartney, dramatizing a probably apocryphal tale that John and Paul met up in NYC in the 70s when Paul was playing Madison Square Garden. Pure fluff and nonsense. I need it like air.

Remains of the Day (1993)*** Revisiting this old favorite and finding that it's kind of pacey and funny for a Merchant Ivory pic. The movie that made me love Tony Hopkins as an actor, his Stevens is really such a fascinating, ostensibly tragic character and yet there is a weird kind of triumph to living one's life so completely to a schedule and a code, and yet never being to eliminate desire and feeling.

Doubt (2008)*** This is the second Philip Seymour Hoffman movie I've watched in the last few months that has left me utterly haunted. Like The Master, Hoffman creates a villain who charms the audience at the same time you know that he's probably done unforgivable things and is only at the start of a long career of doing unforgivable things. Meryl Streep gives a heavy handed performance (Streep never met a colloquial accent that she didn't wear like a Groucho Marx nose) that certainly gets the point across that unpleasant people usually aren't the bad guys you want them to be. Amy Adams plays a naive young nun who, like the audience, is left wondering what to believe.

Dune (1984)*** Unapologetic Lynch Dune lover here. I love the cheesy acting, the wild tonal shifts, and the attempts to put this sprawling multibook epic in the Star Wars shaped box that the studio wanted him to use. My favorite scene has become Lynch's cameo, he seems so happy just pretending to be a spice miner, in his little spice mining suit in his little unconvincing space ship. I love him and this whole stupid mess. Sorry Frank Herbert.

Dune Part II (2024)*** My prediction is that Villeneuve's probable trilogy will--like so many franchises--peak in the second film. The first part was a slow-moving visual feast, that only hinted at the potential of this cast. Things actually start moving in the plot and Chalamet's Paul does his best to cope. Unlike MacLachlan's avuncular Atreides, who takes being a Messiah as just being another Tuesday of being the Universe's Most Gifted Child, he actually seems conflicted. Zendaya continues to utterly dominate every time she's on screen. Can Channi be the focus of the movie? Please?

[thedevotionaltour]

saw white christmas in theaters for an anniversary showing and you know what that means. yeup. imagined matt and foggy in the haynes sister act outfits. both in the dresses and as bob and phil performing in their place outfits. yep. that's right

[krispyweiss]

Song Review(s): Phil Lesh Quintet - “Jam” -> “Help on the Way” -> “Slipknot!” - “All Along the Watchtower” (Live, March 4, 2024)

Q the music.

Phil Lesh reunited with his famous Quintet - guitarists Warren Haynes and Jimmy Herring; keyboardist Rob Barraco; and drummer John Molo - to kick off his 84th-birthday run of concerts in New York.

In the March 6 livestream sampler, the band didn’t sound like one that hadn’t played together in more than two years as it lit into a second-set-opening improvisation. This “Jam” found the rhythm section marching in brisk formation, allowing Haynes and Herring to tangle in separate channels while Barraco and Molo tossed in flourishes on their respective rigs.

While Lesh glued it together, the aural expedition continued for seven minutes until telltale chords signaled “Help on the Way.”

Sung by Barraco, this was a muscular rendering, quite Grateful but fully alive despite a bit of mucking about before the musicians kicked into a precision-tight “Slipknot!” The band proceeded to use its flawless execution of the instrumental’s tricky changes as an improvisational springboard.

All of which leads to a weird rendition of “All Along the Watchtower;” one that barely skirts the song’s Bob Dylan-Jimi Hendrix-Dave Mason contours while Haynes acts like a lounge singer on the mic.

The Q returns to the stage March 6; a different group of Phil Lesh & Friends plays March 13, 15 - the big day - and 16.

Grade card: Phil Lesh Quintet - “Jam” -> “Help on the Way” -> “Slipknot!” - “All Along the Watchtower” (Live - 3/4/24) - A-/A/A-/C+

3/5/24