#just thoughts that I might write more of

[dramalets]

I don’t want to write a full fic because I do not have the concentration for it right now but I do keep thinking about it so have some We Are A/B/O thought dumps.

Peem - An alpha raised by beta parents I feel. He’s conscious of others and his herding instincts are strong but he’s not domineering. Making their friend group an official pack is his idea and, outside of Tang, he’s the best at corralling everyone together for pack hangs.

Phum - Omega. For a long time he’s uncomfortable about it and uses blockers to pass for a Beta. His size and posturing allow him to glance pass as alpha or beta. He presented when he was living alone in a foreign country and learned to hide to get by. But the longer he’s in a relationship with Peem, and conversely his friends, the more comfortable he becomes. Toey adds him to gc named ‘Stop! Omega time’ containing him, Toey, Fang and Pun. He and Fang both complain at first but they grow to like it so much that often the four of them will have omega only nights out that usually end up with them nesting at the pack house.

Q - Alpha raised by two alphas. Was a bit of a dick before he met Peem, Tan, Chain & Pun in high school. Still can be a bit of a dick but he’s better with it now. Both his parents didn’t like that he chose art over something more ‘alpha’ but he always does things his own way and that wasn’t going to change. As a result he’s not close with his birth pack and prefers his chosen pack and Peem’s parents.

Toey - Omega with a very traditional family and pack I think. Raised to think that his gender rendered him inferior and that he needed to find a pack approved alpha so he could get married and have pups. He started questioning that around the same time he started leaving notes as Milk Frappe Boy. Like Q he’s also no longer close with his birth pack. I think he and Q are also the first in the pack to have a pup. The others are surprised but Q isn’t knowing his mate may have rejected a lot his upbringing but that he never lost the desire to have a pup.

Tan - Alpha. Has an alpha and a beta parent but his beta parent, mum, left when he was a kid so he was raised by his dad. Quite an angry kid, like Q, Peem, Chain and Pun were good influences on him. Meeting Fang in high-school also helped. He’s close with his dad, working in the family garage that he’ll probably take over one day. Almost always the first one too organise pack get togethers.

Fang - Omega and not shy about it. His and Phum’s elder brother is an Alpha which meant their parents placed most of their pressure and attention onto him leaving Fang and Phum alone. Has never had the best relationship with their dad but does his best to keep the peace and keep Phum safe. He swore he’d never fall for an alpha, made him self as unpleasant and prickly as possible but Tan saw through it all. Low key the packs head omega, pretends he doesn’t care but is secretly the one that plays protector and aggressor to Peem’s more gentle nature as the head alpha.

Chain - A beta raised by betas was considered boring by a lot of his peers but he didn’t really care. Met the gang when he helped Peem break up a fight between Q and Tan. Pun had wandered by, sneezed at the alpha stench, and then proceeded to ask them all if they wanted to share his chips. If he’s honest with himself that’s when he fell in love.

Pun - An omega with lesbian omega parents. Pun has never known shame where his status is concerned and it’s something he’s spread to the rest of the pack. When they finish university he goes into a role where he works to improve omega rights. He loves nesting and he and Toey teach Fang and Phum how to do it well. In high-school he plays up to being the only omega in their pack but Chain’s the only one to dote on him. When he asks Peem, Q & Tan about it years later they roll their eyes and tell him Chain made it clear from the start that Pun was his.

Peem is the one who initially brings up the idea of forming a pack; non-traditional packs are becoming more commonplace and as they all started to mate and grow into their adult lives he thought turning their unofficial pack into a proper pack was the move. Nobody is overly hard to convince but Phum and Fang are the ones who take time to adjust. Once Fang adjusts he quickly takes to his role as the eldest omega, he forms a surprisingly strong bond with Toey who, along with Pun, helps him too help Phum better accept his sub-gender.

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[fairsweetlonging]

system wardrobe malfunctions and small scenario pushers: exteme edition au

after his qi deviation, shen qingqiu starts working on slowly building up relations with his fellow peak lords and disciples; saving liu qingge in the caves, spoiling luo binghe rotten, freely praising his students, inviting the sect leader over for tea, he's a whole new person!

and yet... his friendliness levels aren't going up.

he knows it's a bit icky to judge his relations with other people based on numbers an alien entity is giving him, but he needs them to survive, and he swears that once he's above a certain threshold (somewhere between "civil" and "friendly", he figures), he will mute every and all notifications regarding it.

but they're just not going up. since his deviation he's at least managed to claw his way from "hostile" to "tolerant" with most of them, but some are somehow still stuck in the "aloof" section! they wouldn't even care if he died!

he just doesn't know what he's doing wrong; he understands these things take time, but it feels so bad when people refuse to sit next to him or sigh when they're assigned a mission with him, especially since it's not his fault.

now, it so happens that, one day, the system hears his woes and takes pity on him.

【 user seems to experience difficulty increasing character favor levels 】

you could say that

【 would host like to utilize our special deluxe package to activate 'The Path of Blossoming Hearts and Unspoken Affections' free of charge? ₊˚⊹♡ 】

though shen qingqiu isn't trustful of the system's antics, he can't deny that so far they have helped him well enough, and since it's free of charge with no penalties, wouldn't it be a waste not to use it? the title is a bit dubious, but was the original shen qingqiu not known for his frozen heart? for never sparing a single nice word to anyone? this could be his chance to let it blossom without the system nagging on his characterization.

【 accept optional mission? [yes]/[no] 】

he picks [yes].

two weeks later, he wishes he hadn't.

the package is devided into small scenarios that mostly appear at random, ranging from small dialogue challenges where he has to pick the right option (he really doesn't like those, the dehumanization of it makes his skin crawl), to the equivalent of two rivals getting locked in a room together.

the first few scenarios are minor and not very impactful, to the point where he's finished three of them and his favor count with qi qingqi has increased a whopping +2 (still "aloof") and that of wei qingwei +5 (still "tolerant").

his fourth scenario, however, reminds him of exactly why he should never accept gifts from strange screens floating in the sky.

he's on a nighthunt with liu qingge to slay a mirebeast that's been terrorizing travelers—an amphibious creature with thick, slimy skin, a crocodile tail and a leech-like mouth that shoots mucus when threatened... and shooting mucus it did.

while his clothes can easily be cleaned with a cleaning talisman, he never feels truly clean himself unless he actually bathes. luckily, there's a beautiful, glass-like pond nearby that's surrounded by natural demonic-repellent vegetation, a win! he's just draped his clothes over a nearby branch and submerged himself in the water, when the system rings out.

【 heads up! small scenario "Stolen Silks and Sunlit Waters" is about to begin! penalty: none. wishing user good luck (˶˃ ᵕ ˂˶) 】

hold up—stolen what.

stolen silks. his silks. stolen by a mossy-jade stag that happens to scratch its huge antles on the exact tree he hung his clothes on, which rattles the branch and causes his robes to fall exactly onto its head, spooking it into a gallop as it disappears into the forest.

how. how does that even happen.

shen qingqiu is just about to get out of the water when of course liu qingge chooses that exact moment to stomp into the glade looking for him, even though he should have been miles away to the village to ensure the people the beast is dead.

for anyone looking in from the outside, it's not a bad picture: shen qingqiu, with his hair pulled up and away from his slender neck, submerged to his (very bare!) pale shoulders in golden sunlit waters, surrounded by lotus flowers and lily pads. to liu qingge, this must be a terrible view, apparently—shen qingqiu can think of no other reason that would cause his face to flush so bright red.

liu qingge tosses his outer robe on the grass between them and turns resolutely around. it's only a bit insulting—is shen qingqiu not pretty enough to try and sneak a look at? even just a glimpse? meanwhile liu qingge is trying really hard to mentally recite the ethics sutra to not fixate on the sound of shen qingqiu getting out of the water (naked!!) or the rustle of fabrics as he wraps liu qingge's robe around his (naked!!!!) body. when liu qingge turns around he flushes an even darker shade as he sees shen qingqiu's bare legs and feet sticking out from under the robes.

"thanking shidi," says shen qingqiu, who notices none of this, as he pulls the robe a little closer around him, "for coming to this one's untimely rescue."

liu qingge grunts, turns, and walks away.

【 congratulations! liu qingge's favor increased. character satisfaction points +50. please continue to work hard! 】

shut up

【 ૮(˶╥︿╥)ა 】

they return to the sect victorious, but very embarrassed. the mirebeast gets all the blame. where his clothes are? well—uh, gone. the mucus dissolved them. yes he knows that's not how mucus works but it did this time okay?!!

yue qingyuan acts a bit strange seeing shen qingqiu wearing liu qingge's outer robes. he almost qi deviates when he finds out his shidi is wearing absolutely nothing under it. it's all very dramatic. apparently the sect is made up of people who shower with their clothes on or something.

【 ⁺‧₊˚bonus scenario!!˚₊‧⁺˖ interactive dialog quest: pick the best suited options to win additional favor points! 】

i don't like where this is going

"shidi?" yue qingyuan asks, looking at him with those big worried puppy eyes.

【 choice A: (demure) this shidi is cold. will you not invite me in at least?

choice B: what are you looking at?! mind your own business stupid old man!

choice C: i'm in love with liu qingge 】

WHAT

if he was drinking tea he would have spat it out, and then coughed himself to death. what the hell kind of options are these!!

【 system has based these options on what will earn (or lose!) user the most points. please pick one. 】

[ admin notes: option A will earn +60 points. option B will neither increase nor decrease points. option C will decrease -100 satisfaction points and increase +200 heartbreak points ]

shen qingqiu silently curses the system. option B is way out of line, even for the original shen qingqiu, who probably would insult yue qingyuan, but not with so little class. he doesn't even consider option C an actual option. and, well, he is cold. and wet. and almost naked. he would like a warm bath and some clothes. A it is then.

he doesn't like the way yue qingyuan's face light up when he grits out the dialog.

【 congratulations! yue qingyuan's favor increased. character satisfaction points +60! keep up the good work! 】

he can't keep doing this much longer.

unfortunately, he does have to keep doing this for much longer.

he's just about to go to bed when someone knocks on the door. luo binghe is already sleeping so he goes himself. just as he's about to open the door the system rings out—but it's too late.

shen yuan is used to wearing old tshirts to bed and no pants (he hates the feeling of his legs being restricted while he sleeps), so he doesn't really care when the only equivalent of this in pidw is a silk nightgown. his mother wore them, his sister wore them. hell, one of his brothers once bought one for fun and ended up using it for months. it's florally embroidered with puffy sleeves and reaches to his knees, that's decent enough, right?

【 heads up! small scenario "Dreamy Encounters at Dusk" is about to begin! good luck! 】

he has no idea what that's supposed to mean and he doesn't care. he opens the door, and it's mu qingfang. not... that unusual, but still.

"can this master help you?"

it takes mu qingfang a moment to remember what he's here for, it seems, because he stares at shen qingqiu for a good few seconds before raising an eyebrow like he's caught him doing something wrong.

"does shen-shixiong always answer the door like this?"

shen qingqiu glares back. "only when unsolicited guests come stumbling around my porch in the middle of the night."

"fair enough."

apparently he's here on behalf of yue qingyuan, who had asked him to do a post mission check up as soon as he was available, which is now. which yue qingyuan had apparently forgotten to relay to shen qingqiu himself. awesome.

he invites mu qingfang in (he can hardly close the door on him, it's late for him too!), and sits through the usual poking and prodding.

the system is prodding, too.

【 would user like some advice on how to maximize point earning? 】

no

【 ( •̯́ ^ •̯̀) system is only trying to help!! 】

i really don't need your help with this, thanks. i can keep a conversation on my own.

【 optional system booster: not mandatory. user may choose to decline this quest.

option 1: this one appreciates your care. the hardship is... unexpected. (look away shyly). i find it difficult to accept help sometimes, even when i need it.

option 2: i'm in love with you.

option 3: stand up and pretend to faint into his arms 】

shen qingqiu is about to spit blood—what the HELL is this!!! why do all your options make you look bipolar HUH??? and what's this about professing my love to people?!! why is that always an option??! this isn't a dating simulator, stupid system, they'll think i'm crazy!

【 all these options result in an increase of character satisfaction points (˶ᵔ ᵕ ᵔ˶) 】

HOW

【 (ó﹏ò｡) user seems misinformed about character preferences. [mu qingfang] likes to take care of people! 】

... i decline the quest. booster. whatever. i'll figure it out myself. and stop talking about him like he's some one dimensional character!

they hear stumbling coming from the little side room, then the creaking of floorboards. binghe peeks through the door, hair sleep-ruffled and his robes pulled on over his sleeping clothes.

"shizun?" he asks, worried, "what's wrong? why is mu-shishu here?"

【 ⁺‧₊˚bonus scenario!!˚₊‧⁺˖ interactive dialog quest: pick the best suited options to win additional favor points! 】

oh god, not again.

【 option A: (gently) nothing is wrong, binghe. this master is alright. go back to sleep.

option B: (gently) nothing is wrong, binghe. this master is alright. (invite him to sit next to you during the examination)

option C: (gently) nothing is wrong, binghe. this master is alright. mu-shidi is just keeping me company tonight. 】

huh. so you can give meaningful options that i would actually consider picking?

【 ◝(ᵔᵕᵔ)◜ 】

[admin notes: option A will decrease -100 points for luo binghe. option B will increase +20 points for luo binghe. option C will decrease -300 points for luo binghe, and increase +20 points for mu qingfang. option A & C increase luo binghe jealousy levels with 400 points].

[secretagentspydetectiveninja]

posting this with absolutely no context

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[inkprilled]

I'm going to be honest, I'm not happy. Instead I just am. Just here. Just there. I'm, just. I spent way too long picking the colours for this blog instead of cleaning my house, I spent way too long worrying over my poems instead of worrying over the bills, I spent way too long writing about things that have happened and not about what could. I reply with flowers under comments because I'm worried I'll sound too blunt without them, but sometimes it feels fake, because I'm not that person alone, I don't think in pretty colours, happiness doesn't bloom behind my eyelids in pinks and yellows. Instead my thoughts are blunt and apathy stuffs itself into my ears and covers my eyes. It encases me in a womb, and I'm just waiting to be reborn. Into what exactly I don't know, just more awake I hope, less rotting in bed and more laughing in a field somewhere.

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[fatedroses]

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[just-null]

Wowie rly digging the yandere clone headcanons… how would each react if their darling tried to run away from them?!

You said tried so I assume this was a failed attempt!

Short answer: they get really upset and try making it your fault (shocker.) Ain't no way any of these mfs think they're the problem. Good news! you're mostly unharmed and alive.

This will just be purely writing bc i mostly had thoughts! sorry no drawing this time!!

[cw! mentions of potential harm to reader (no actual harm done), manipulation, toxic relationship dynamics (yandere flavor), obsessive behavior]

Sekido

You're always being hunted the moment the sun comes down and you don't return home in time. Reasons like that are exactly why he hates it when you part from him. 

This time is different.. he can't find you in your usual spots. There's no fucking way, right?

How could you.. No, how DARE you? Do you think that he's some joke? That his feelings for you are something that you can run away from like it's nothing? 

The second he's sure the sun won't harm him, he's already white knuckling his khakkhara, swinging at anything and everything in his path until he gets to you.

They know how to sense if you're near or not, hell, they probably know how your specific blood type smells like. 

Did you think cuddling up to you and memorizing every detail about you was for nothing? Don't be stupid. All he needs is a trace of you and he's gone in the blink of an eye.

You better enjoy running while you can because when he catches you, and he will, those legs of yours won't have much use after he's done with them. 

Sekido doesn't WANT to do this, but you honestly give him no choice. After he trusted you enough to stop looking over his shoulder, you do this? How can he ever put any faith in you again!?

On the bright(?) side, Sekido's rage wouldn't be solely on you, it'll ricochet onto everyone, especially the other clones and himself. 

They were supposed to be looking after you! But they can't do anything right, even a task as simple as this. 

And why did he think it was a good idea to trust them with something of big importance when all they do is fuck everything up!? Everyone's idiocy is rubbing off on him!

The entire time on his search for you, he's cursing and wanting to crush anything he can get his hands on, especially your bones. 

He doesn't even bother with speaking to the others, too busy spewing out all sorts of hurtful and frustrated comments about everything. 

The brutal thought that you’d rather run away than be with him isn't one he wants to entertain, but it's echoing in his head.

At least, once the other clones get there, Karaku and Aizetsu brawl with Sekido so you're unharmed while Urogi carries you overhead. 

Sekido's jealousy flares up when he sees you in Urogi's arms, making him even more pissed if that's even possible. Great, now he looks like the bad guy and the other three, the saviors. Fucking perfect.

There's a lot of yelling and a lot of blood, especially with Urogi making things so much more annoyingly difficult in the air. Karaku and Aizetsu aren't helping. Why is Sekido suddenly the problem?! You ran away!! 

But when he calms down enough, he's cursing at everyone through clenched teeth. Sometimes trying to convince the others that you don't even need your legs anyway!!

Once you get back home (or temporary prison until you somehow regain favor), Sekido will eye your legs while gripping his staff from time to time. 

Exactly why he's forbidden to be in a room alone with you for a while until he settles down..

He glares at you more often and grows colder than before. Arguments are more common where he twists your words just to have you talk with him and be angry within reason. 

Any other type of conversation makes him so irrationally upset that the others need to step in so that he doesn't lose his temper again.

Karaku

The calmest out of the group. He brushes it off as “you're playing hard to get” again, and if he makes a ruckus, you'll scamper back and beg him to stop like always!

Then it gets darker out.. and when Sekido left, he seemed pretty pissed. Like more than usual..... shit.

Karaku sprints after Sekido when it clicks that he's found you. His mind starts reeling, unsure whether he should laugh at the absurdity of your decisions or get pissed off because you didn't even bother to give a hint! 

Not like that would do anything aside from give you away but regardless!

Everyone needs to relax, this is obviously something they can sweep under the rug. This isn't that big of a deal and you're just having a fit, but things like these can get you hurt, y'know? 

They're fun and all, sure, just maybe give him a heads up next time, yeah? Sekido can't take a joke, you know this!!! Still.. There's a way Karaku can work with this.

He'll be able to swoop in, save you, be your hero, and remind you why staying with him is kinda important. Just in case you forgot~ 

You don't wanna be out and about without his charming grin and protective hold would you? Don't answer that right now, he has a feeling you'll say something wrong!

Yet.. what if you need a firmer hand to remind you of what Karaku provides? What if you got a little too comfortable being protected so you thought you'd be alright leaving them? Man, who knew you could be spoiled!

Because of this, he would purposely fumble, letting Sekido get near you just so he can stop him at the perfect moment. He purposely gets hit too and makes sure some blood gets near you. To remind you how that could've been yours.

When Sekido calms down, Karaku laughs in your face and would pinch your cheeks if you weren't up in the air with Urogi on the way home.

You should've seen your face! It was really cute~! Maybe getting scared is your thing? He'll note that for later.

He offhandedly advises you not to do things like that all the time, fighting Sekido always kinda sucks, but it's not like you actually had a chance of successfully running away so he won't chastise you too much for it. 

That's not his job, and his heart hasn’t pumped that fast in a long time.. not even in a fight! You're so amazing~~

And delusional if you think he's not going to milk this “heroism” thing back there for some extra affection points with you. 

Don't be so mean. he got his head blown off twice and jaw dislocated thrice, not to mention everywhere else on his body. Don't you think those parts of him need some extra loving? more than usual?

There's not that much Karaku can say after that aside from reminiscing like it was a funny story. He's not upset about it, mostly a little miffed you got kinda far without him noticing, but he gets over it. 

The usual routine starts back up for him when you're back home. It's like nothing happened, but he keeps a closer eye on you since everyone's so tense.

Urogi

If you're not home before the sun sets, Urogi's clawing at the walls with stress. He usually accompanies Sekido to go find you, but this time is different. Urogi could just barely tell you were around.. When Sekido bolts, Urogi's flying as fast as he can, trying to find you first. 

You're so far.. you must've gotten kidnapped!!!!!

The stress from before burns into anger, expecting to see someone having their hands on you while you're calling out in vain. How could he let this happen?! Damn sun! 

He darts through the skies even faster imagining it, and when he finally reaches you, you look.. fine? and alone. and looking at him like he's the danger. He's here to save you, dummy..

Urogi falls to his knees, burying his face against your stomach and finally wrapping his arms around you again. Your fists violently hit his head and yank fistfuls of hair back, but it doesn't phase him. 

Your comforting warmth is back, that's all that matters. And god, your smell.. it's almost making him dizzy. He missed you so much.

There's many holes to the story in Urogi's head as to why you're so far from home, but he fills them in with more convoluted delusions. It's just a peaceful reunion right now.. 

That is until Sekido finally arrives and starts swinging his khakkhara way too close to your fragile bones. 

Now he's back in defense mode where he scoops you up and tries flying out of reach. This is so stressful!!! There's lightning everywhere and he keeps having to dodge the multiple staffs thrown his way. 

He shields you with his wings as best he can while trying to stay in the air, so you don't get hurt during Sekido's outburst.

In the skies, it's much clearer to see the hurt behind the haunting glow of Urogi's eyes. Did you care about how he might feel? Did you miss him at all? Did you not feel loved enough? Did someone say something to you? 

As he maneuvers the sky, he holds you as tightly as possible, lightly digging his talons into your skin.

Being without you for a couple hours is agonizing enough on its own. If you HAD left him, abandoned, cold, alone.. he doesn't want to think about it. All that matters is that your kidnappers or liars or whatever influenced you are gone, and you're back safe with them!!! 

You.. you still like him, right? Of course you do, fate wouldn't force your paths together if it wasn't for a reason!

Coming back home is uncomfortably tense, especially with how violently Aizetsu kicked Urogi across the room, nearly through the wall, when he tried to lick your wounds clean. It really hurt! 

When you're patched up, Urogi is ten times as clingy if that's possible. He has his arms looped around you constantly so you can't stray too far, and if his hands are busy, he always has his wings!

As happy as he is that you're back, he can't help but cry into your chest sometimes. Everything is so tense nowadays, he hates it! How could you go and do something like that? Apologize immediately! Or at least hold him too? Doubt creeps in a lot, and your attitude isn't helping.. 

His mood swings are stronger. From sobbing uncontrollably into your clothes to being all smiles and radiating with joy the next just because you said something vaguely decent.

Aizetsu

The demotivation started to creep in the second you left. During the day, Aizetsu sits by the door, wanting to be the first one you properly greet. Sekido and Urogi usually bring you back and he'll be the one in your good graces without lifting a finger. That sounds nice.. 

But as the footsteps fade and the silence lingers, Aizetsu feels miserable the longer he waits... Hold on, silence?

Before he realizes what's happening, he's already dashing to where the familiar commotion is coming from. Dread sets in as his legs take him as fast as they can whilst being the slowest of the four. This doesn't feel like they're rushing over to you after a long day, it feels.. dangerous?

What did you get yourself into..? Why do you insist on going to places Aizetsu can't follow? Are you safe? He hates not knowing.

Usually you're the one who's fine. You deal with four demons almost daily! Please please please be okay. He can't fathom it if you were hurt. 

When he gets there, the puzzle pieces fall into place and Aizetsu gets even more depressed, but at least you're not hurt. Well, not if he interferes. His movements are sluggish, a perpetual frown plastered on his face as he tries holding Sekido down. 

Aizetsu wants to dissolve into the floor, and he does sometimes. Not wanting to fight Sekido off anymore, he slumps over. 

This could've been a regular day where you came home.. Are you serious? Leaving? How pitiful could you be to actually think you could get away? Or was it that you wanted to play some sick joke on them? Well, it's not very funny... It's terrible actually.

Aizetsu stays silent on the way home, walking with a bit more energy knowing you're near despite his heart ache.

You can feel the harrowing disappointment radiating off of him the moment you all go back home.

He's tired, annoyed, and so unbelievably upset. Aizetsu grimaced when Urogi got near your scratches with his tongue, so he “politely” ushered him away. 

Knowing a human's weak points is good in battle, but he started trying to learn how to heal them, specifically because he knew these types of things might happen.

As he cleans your scratches, he's actively scolding you for leaving in a cold emotionless tone. And by scolding, he's using manipulative language, trying to make you guilty for everything you did. 

He barely has the energy to live, but now that he finally found his light in the darkness, you want to leave? Is it so wrong he wants to hold onto what makes him even a smidgen happier than usual? He reminds you that he'll wither away without you, but he's not really too keen on dying just yet.

When he tries to get back into a routine, he just can't. He knows why you left, but he doesn't want to hear it. Even if you're sweet to him or not, he'll hold you from behind when you rest.

Looking at you is too much, but being away from you is even worse. Aizetsu compromises this way, but gets quieter, occasionally sniffling when he hides his face behind you.

There's too much going on and he's so tired.. If it weren't for the others, he probably would've held you so tight for so long so that you both would perish together.

Maybe that’s why he's only allowed to hold you when you're asleep. Just please don't do that again.. He NEEDS you. Please, please, please.

Safe to say you gave them a scare. When they double down on the protectiveness, living is ten times more difficult for EVERYBODY. when you lose their trust, it's pretty difficult to gain it back, but not impossible!!

Sekido and Urogi will always assume the worst if you're gone for too long while Karaku and Aizetsu give you a little more freedom until the others drag them along into their worries.

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[theriverbeyond]

Waiting for Alecto the Ninth (2023)

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.