#just something interesting i noticed

[skyward-floored]

I'm realizing I think a lot of the Links are younger then most people generally put them at

[thoughtfulstudentsalad]

They both can sense when he is panicking and seek to calm him down

[spoop-dee-boop]

While doing the finishing touches on my painting today I have learned that Meta’s insignia is different between the main series games and the smash series

In the main games the sword points up but in smash the sword points down

[acroagoraphobe]

I was.. It was too overwhelming for me :(

tags (you dont have to ofc): @hisohisoart @cloudyvulpine @kimjunnoodle

Making a chain cause why not!? Hdisiwisjs

Put your name/nickname in the Character Headcanon Generator and see what you get!

Link!

Erm...so-

@starsinthenigth @mxnaceo @duckp0t + Anyone who wants to do it! (No pressure)

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[james-silenthill]

He never really initiates? I'll need to take note when I reread, but he's more a passive participant than anything. Like he flirts and talks and shit, but the women are always making the first move + always the one pushing him out

[catmask]

it is insane how normal i am medicated like. you mean this was an option the whole time. what

[autism-swagger]

I sincerely hope you all know that when I say "baby butch Jackie Taylor who died before he had a chance to realize/explore it" I'm not just pulling that out of my ass. Literally just look at the outfits she wears over the course of season 1.

Are they the most masculine things ever? No, of course not! But when you compare them to the outfits we see her wear before the crash, when they're still in Wiskayok?

It paints a very interesting picture.

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[artbyzephra]

Always wanted a Scizor in my party when I played Pokemon Crystal, but I didn't have any friends to trade with to get them.

Original sketch/color:

[starrysharks]

hotel manager

[beaulesbian]

I was once again thinking about this goofy Luffy moment after his Lucci punch™ and i had to see it frame by frame.

first the force of it throws them both away, and while Lucci is seen on screen tumbling for a long moment, Luffy is just away in a blink of an eye.

and then his funny scene - his legs are like jelly that he tries to get under control,

he stumbles, falls, rolls into a mix of all his limbs and eyes,

and then only the cloud behind him cushions his fall

- which would be interesting if he can subconsciously control that while he tries to regain the control over his movements - that the environment around him still adapts to his awakened Devil Fruit abilities and morphs to help him. Where others would probably fall through that cloud, for Luffy that cloud backs him up like a trampoline.

It's just fascinating!

[al-luviec]

I got so insanely mad while drawing this

+ closeup and normalness

[2004hitalbumsevenswans]

I really enjoyed Batman: Caped Crusader. I was worried (like everyone else) that Bruce Timm would push his Bruce/Barbara obsession, but they barely interact when Bruce is out of costume, and he’s all business as Batman. Barbara is (presumably) about the same age as Bruce in this adaptation, she’s a young public defender, who still lives at home with her dad. Commissioner Gordon is mentioned to have 30 years on the Gotham police force at one point. And the series is loosely based on Batman: Year One by Frank Miller, and has Matt Reeves as a producer. It’s definitely an interpretation of the early years of Batman.

The setting is vaguely and aesthetically set in the 1940s, mirroring the original Batman and riffing on DC comic stories and character interpretations from that time. Clayface’s story and appearance is based on the original interpretation of the character, which I really enjoyed - especially as someone’s who’s read the first couple years of the original Detective Comics/Batman stories. (There’s also a lot of great references to the Adam West show, and a couple of its themes are reimagined for this more noir story.)

I could see the series setting up something between Bruce and Barbara potentially, but their interactions are really blink-and-you’ll-miss-it. There’s a moment where Bruce’s is climbing back onto the Iceberg Lounge yacht and he uses a pick up line on her, which she scoffs at, then he proceeds to use the line on two other young women. There’s another moment that you could say is pre-flirting, or is at least setting up a foundation to further a relationship between the two. Where Barbara makes a comment about Batman letting himself into her office unannounced whenever he feels like it, and she tells him she needs a way to contact him, and he gives her the Batphone number. At this point I think you could make more of an argument for a Harleen/Barbara pairing than her and Bruce.

I think the characters would both individually need a lot more development to be in a romantic relationship. I’ll say this even though I know it will be an unpopular opinion: in this interpretation I wouldn’t mind putting Bruce and Barbara together. I know that’s practically sacrilege coming from someone who’s favourite character is Oracle but hear me out.

My main issues with Bruce and Barbara together (especially when it comes to Timm’s work) is the age difference. It’s often debated but Barbara in most iterations (including current comic canon) is around the same age as Dick, usually a couple of years older, 2-3 at most. Bruce is depicted as having at least 15 years on her, if not more. And most stories that have Bruce and Barbara together also fixate on her being batgirl. Then there’s the tendency to make a Nightwing-Batgirl-Batman love triangle which I don’t want to get into but I hate completely.

None of that is happening here. Barbara has her own storylines that are just as prominent as Bruce and Harvey’s. She’s an adult with agency and flaws and is just as fleshed out as any of the other characters are. I wouldn’t be surprised if the show takes a season or two to develop a romantic relationship between the two of them. Bruce is completely focused on being Batman and sees Bruce Wayne as a persona. He’s callous with peoples feelings (Harvey, notably) and is shown to struggle with smaller acts of empathy, opening himself up to people, and honestly, social skills. The last of which doesnt doesn’t affect him too negatively because he’s a rich and well known man in Gotham.

Compared to the Bruce Wayne of BTAS it was a smart choice to show a Bruce/Batman who struggles with people and emotions. It reminded me a lot of Reeves’ the Batman. In wider Batman media you usually see two types of depictions: a compassionate Batman (which is where I would place BTAS) or a more emotionless, be-stoic-and-punch-the-bad-guys-and-look-badass version that is usually just a male power fantasy.

This version of Batman sets up the foundation for a storyline that is relatively unexplored, and I’m sure they’re going to explore it more in the next season (which has already been greenlit).

I was surprised at the lack of adult themes in the show, it was marketed for an adult audience but could easily fit into a PG13 rating, but that was probably on purpose. I was impressed they managed to have so many strong, fleshed out storylines in only 10, 30 minute episodes. But I wouldn’t expect anything less of Bruce Timm, or some of the other names I recognized attached to the project in various ways (Greg Rucka, JJ Abrams, Matt Reeves, and Ed Brubaker).

While there are a lot of critiques of Timm I agree with, I generally enjoy his work and the care he puts into it. I love Greg Rucka and was really excited to see that he wrote the episode that was more Renee Montoya centric. And while I have my issues with Ed Brubaker, I do enjoy his work.

While the series is visually and technologically based around the 1940s, the politics are more modern. Harleen asks Renee out on a date and she talks about it with Barbara openly. I saw one review call the show “race blind” which I would not agree with. Most of the racism is implied through euphemism (the scene with Lucius Fox and Gentleman ghost), but it’s still felt as a point of friction for multiple characters, it affects how they interact with the world around them. There’s also a line spoken by either detective Flass or Bullock that implies no one in the GCPD wants to follow Renee because she’s gay. It’s cut off before the last word, but again, the meaning is implied.

An issue I always had with the Timmverse is its depictions of female characters. They always feel less real than their male counterparts, less important and less visually stylized. All the important (read: desirable) women have the same body shape. They’re thin and extremely, unnaturally curvy. I’m aware that these characters are supposed to evoke that 50s comic pinup imagery but I always thought it was a bit much. Male characters - even before the animation downgrade in BTAS season 4 - were always way more unique from each other than the female characters. That wasn’t something I felt with Caped Crusader. The three most prominent female characters (Barbara, Renee and Harleen) were all different from each other, with different heights, body shapes, hair and clothing styles. They also all had 3 distinct personalities that were built up through the series. I would argue that the show was as much about the “supporting cast” (characters like Harvey, Commissioner Gordon, Renee and Barbara) as it was about Batman.

Overall I was really impressed by the show. I was disappointed with how short it was. I hope that Renee’s personal life gets a focus with the next season, and I hope they bring back Greg Rucka to write it. I love how he wrote her in Gotham Central. I was a little annoyed that they introduced the Joker at the end of the series (as a peak into the next season). I think he’s too over saturated as a character, and sometimes his introduction into a Batman story takes over everything else, and he’s depicted as Batman’s Moriarty. I do have hope that this won’t happen in Caped Crusader, because it seems that villains will be reoccurring, but there’ll be a large cast, just like in BTAS. That aspect did remind me of the way characters were introduced in those early Batman comics, it really has the same vibe. I also really really do not want Harley to be involved with the Joker in any way. Please keep her as a separate character, this new interpretation of her is great as is, he doesn’t need to be involved.

I would also be interested to see if the show develops Barbara’s character into Oracle. I could see that happening with the introduction of the Joker at the end of season one. Maybe they’re going to rework the Killing Joke? I couldn’t see them having her as batgirl, but I would be interested to see how they worked Oracle into a world with 1940s technology. I’m thinking back to her as Oracle in the Doom that Came to Gotham, and how clever that was. I’m sure they could do something just as interesting with her here. Something more supernatural feels like a long shot, because Timm usually sticks to the more “realistic”, street-level versions of Batman, but they did introduce Gentleman Ghost. So it’s a possibility.

One thing I did think could have been better was some of the voice work. Not the voice acting itself, but the design. It felt too polished alongside the score and the animation. I wish the voice acting had been more atmospheric, had more depth. It felt too clean. Hamish Linklater was great as Bruce/Batman. Following Kevin Conroy is no small feat, and Linklater’s performance felt reminiscent of Conroy without sounding like an impression. It was quiet and unassuming, yet strong.

I’m not usually someone who watches things more than once, but I’m definitely going to be rewatching Caped Crusader soon.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[alexiethymia]

Yor Briar, Yor, and Yor-san

I was reading an excellent post about the nuance in the original japanese and now I thought I’d take a crack at what this means for Loid (although other people have already made an excellent analysis on this).

Loid has only called her Yor Briar in the beginning and when he was suspecting her of playing him. But Fiona’s insistence on her full name, Yor Briar, and her notice of Loid’s seemingly stubborn refusal to use it seems to me that Loid had always previously referred to assets by their full name. It could also be pragmatic in that he knows Fiona wants the ‘role’ of his wife hence her stubborn insistence of using Yor’s maiden name, so he uses Yor-san to counter Fiona’s way of delegitimizing Yor’s role. But I don’t think Loid can sense the real reason for Fiona’s insistence, so while in his view Fiona may be acting unprofessionally, generally speaking, I think Loid would be the one acting unprofessionally in constantly using ‘Yor-san’ to refer to his ‘wife’ to his WISE colleagues especially if he didn’t use to do that before (which yeah it’s hard to imagine him addressing his other marks that way).

Although the audience knows that Fiona is acting far from being professional, with Loid’s limited knowledge of her feelings, wouldn’t she actually have a point in referring to Yor as YOR BRIAR in a working setting? Because isn’t that all she was supposed to be? An asset or a tool? And yet Loid seems annoyed by that and insists on humanizing her by calling her, Yor-san.

Now someone might say, that’s nothing to make a big deal about. It would have been a big deal had he referred to her as ‘just’ Yor without the honorific. Because using someone’s name without honorifics is supposed to connote a deeper sort of intimacy. But that’s the thing. It would have been a forced intimacy for show. ‘Yor’ is his mode of address when he’s putting on a show of being a loving husband, complete with that <fake> Loid Forger voice. Yor is what he calls her around her colleagues or his colleagues (Nightfall undercover as Fiona at the hospital) to present how they’re a completely ordinary, close and loving family. In a way, it’s a subtle cue to Yor as well that they’re in ‘family’ mode now or ‘husband-and-wife’ mode. Yor denotes her as being a mask.

Which is actually why Yor-san is perfect. If Yor Briar is her as an asset, Yor is her as a mask, then Yor-san is her as a partner. He’s used women to get to his goal before. The only thing different now is Anya and the fact that on some level he is also working together with Yor. Had he actually succeeded in his first honeytrap attempt with Yor when he thought she had fallen in love with him, I imagine that he might have started treating Yor the same way he did his other assets before. But thank goodness it didn’t succeed, and in my view, he ended up falling into the trap instead.

Yor-san is perfect because it parallels the way Yor calls him. It’s perfect because it conveys the perfect level of intimacy. They’re not actually a lovey-dovey couple as ‘Yor’ would imply, but unfortunately for Nightfall, she’s also not just ‘YOR BRIAR’ another tool to him. It’s perfect because it conveys respect which Loid has a healthy amount of for Yor. If he can help it, he doesn’t like using her. And Nightfall is right to be worried that this comfortable mode of address of Loid’s is bleeding over to Twilight as if to blur the two. Loid is supposed to be an entirely different person or character so what does it mean that Twilight also calls his wife the same way Loid does? ‘Yor-san’ and ‘Loid-san’ are partners in a lot of ways. Yor-san is whom he can let down his guard down around, and someone this perfectionist spy can ask help from and rely on.

So what about Yuri Briar? He doesn’t know the true nature of Yor and Loid’s arrangement. Shouldn’t he be calling her Yor in front of him to keep up the ruse? Again, I think part of it is pragmatic. He doesn’t want to further aggravate the siscon. But especially in light of Chapter 86 and Volume 10’s inner cover, I think (at least unconsciously) it’s because Yuri is family. I notice that Twilight hasn’t even kept up the Loid persona as much in front of Yuri anymore (which tbf can’t blame him cause how do you even react to Yuri) but it’s not as if Yuri is someone to be underestimated. Some way or the other, even if he doesn’t fully realize it, I think Twilight is starting to treat Yuri like how Yor treats him or at the very least he can’t treat him like any other enemy or bystander because he’s someone important to Yor. Which again as CH 86 would show, Fiona has already noticed, and Twilight himself is angry at himself about. I don’t think Twilight has realized any sort of feelings for Yor yet, but I guess to Fiona, his mode of address for her is and has always been telling.

It’s actually interesting to think that perhaps it’s when he’s calling her ‘Yor-san’ that he’s most like himself - like Loid, Twilight and the boy before there was Twilight all at once - with her.