#just something i thought was adorable

[crunchchute]

my attempt at a bunch of my fav artists styles :] idea by sootnuki!!

i would love to do more but this was already a huge challenge

if any artist here dislikes this/is uncomfortable with it/any reason i can take it down or turn off reblogs etc. otherwise i hope its ok 🫡 im not gonna tag anyone just gonna let it do its thing in the wild lol

[skruttet]

more pics of the moomin nendoroid

[fatedroses]

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

[mrsoharaa]

why yes I do believe in snow leopard hyrbid! Satoru + black Jaguar hybrid! Suguru <33

and yes, I do believe in how incredibly cuddly and playful they get and how much love they show while wrapping their pretty long soft tails around you to show you their affection. <33

I do in fact believe in them nuzzling into the crook of your neck and purring pleasantly, battling out who gets to cuddle into your warm lap, making gentle biscuits next to you and following you around everywhere to just be with you. <33

I also do believe in them getting impeccably territorial with you whenever other males come around into their space (your home). Leering glares, deep hisses, ears pushed back and tails slowly weaving from side to side in a warning manner. Hands and tails would protectively/possessively wrap all around you, instinctively pulling you into their solid, stifled bodies. <33

[jyou-no-sonoko19]

Sapphic Disco Week, Day 6: "But What If It Was Yuri?"

Lena and Mireille, lesbians in their 70s exploring the vanishingly rare marvels of the world together, excuse me im cri

[screechingfromthevoid]

Orym is giving very "I have fallen in love again and that feels like a betrayal to my dead husband" energy.

He's also giving "I care so much about my friends and I have to protect them but the love I have for one is so strong that it's distracting me AND it's not fair to the others"

Like there is so much love contained in the Orym and also so much guilt.

[justaz]

arthur has always been suspicious of the tavern excuse for merlin’s absences, but he has no proof on the contrary and when confronted merlin either tells him outlandish tales of near death experiences that have no chance of being remotely truthful or he admits to and apologizes for slacking on his duties to get drunk. one day, he decides enough is enough and he and all the knights go to the tavern with merlin and arthur casually brings up merlin’s history in the tavern and says he could probably beat gwaine in a drinking contest. merlin tries to divert the discussion away from the idea but arthur is determined. they receive a round of drinks and arthur pushes a pint of ale into merlin’s hands with a look of challenge. merlin’s options are to either commit to the lie to hide his secret or admit to the lie and risk exposing his magic. he takes the former. merlin gives lancelot a Look and then slams back the pint of ale with a minor bit of gagging and pauses to breath. gwaine already finished his pint thirty seconds ago but its entertaining to watch merlin so he doesn’t say anything.

merlin (built like a twig, rarely drinks, lightweight) is proper sloshed. arthur is almost vindicated but he needs merlin to admit it. he orders two more pints and gives one to gwaine and the second to merlin, instigating the competition further despite the fact that gwaine won already. merlin grimaces and tries to do the same thing again but only gets a few gulps in before he folds. he slams the mug down and gives arthur a kicked puppy look before admitting and apologizing for lying. arthur is Vindicated. merlin is still wasted.

the nights wears on and merlin feels the effect of the ale more and more every minute that passes. he sits between arthur and lancelot and feels almost unbearably warm but that could be bc of the alcohol in his system, or the crowded tavern. merlin looks around and watches the people that pass their table by while the knights talk and joke and laugh amongst themselves. merlin feels relaxed and excitable now, his worries seem to have melted away and he cant seem to remember why he was always so stressed and worn down before. he sees a game of [insert game here] (i was gonna say darts but google says that game hasn’t been invented in canon time so ill leave it up to interpretation) going on and climbs over lancelot to join in.

the knights watch with amusement and anticipate merlin’s clumsy attempts at [whatever]. oddly enough tho, merlin is a fucking god at [game]. a small crowd gathers and betting pools form and then challengers approach and put money on the line to go against merlin and merlin absolutely demolishes them all. honestly if arthur didn’t know any better, he’d think merlin was using magic to win bc there was no way his bumbling fool of a servant was that good at…anything.

the challengers take their defeat with honor and grace. the audience is a huge fan of merlin and they keep buying him drinks but he just sends them to the table for the other’s to drink. many people come up to him and flirt, maybe motivated by all the money he won that night or maybe just bc he’s merlin, and when merlin responds to them he’s………..he’s a real good fucking flirt? like could put gwaine to shame and he’s rejecting them???? how can someone come across so flirtatiously while turning down offers to take various beautiful people to bed??

arthur was already itching to intervene when people were flirting with merlin but he seemed to have a handle on it so he let it slide, but then people started touching merlin and arthur’s hand had drifted to his hip where his sword was usually sheathed. however, again, merlin was very skilled at escaping the situations with little to no conflict and he came back to the table with his winnings. the knights cheer for him and order more drinks with his money which merlin is too inebriated to notice and truthfully doesn’t really care about. his eyes are on arthur and if arthur thought watching merlin flirt from afar was bad then having him up close in his personal space, hands brushing against his arms and dark eyelashes fluttering softly against his pale skin, breathing his name into the space between them and licking his full pink lips was absolute torture and the worst and best agony he couldn’t even dream up.

[ryllen]

[ But i wish, the '"interesting" him' I am talking to right now, Hold some part of truth of the 'true him'. ]

----

( a bit of thought after seeing their 2 interactions on x & x )

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[every-aj-needs-an-angel]

Okay so my niece was born yesterday (finally!!) so obviously there's a lot of baby holding and oohing and ahhing over the little bundle of joy but all my brain can think about is...

Eddie seeing Steve hold a baby for the first time!!

Like idk maybe Joyce and Hop have a little one, maybe one of the kids get knocked up somehow, maybe Steve just finds he likes volunteering at the hospital and one day there's a preemie who needs skin to skin or whatever...

And I'm just picturing the look of pure joy and wonder on Steve's face as he looks up at Eddie with that "have you seen this?" look and Eddie just being like okay how fast can I make Steve a dad bc that's a look I need to see every day for the rest of my life

[ace-and-the-rpg-horrors]

it actually irritates me so much when people bring up the TENMA parents when someone's discussing Mrs Asahina, Harumichi or even Shinei. if you think poor Mr and Mrs Tenma are remotely comparable to those three disgraces, i am going to assume you don't read

[payasita]

can we hear more about carlos if you'd be so generous (genuine)

OH GLADLY. so ive mentioned hes the protag of a thing im making, so i wanted the broad strokes of his premise to be simple: he's a reaper! made to go up and bring souls to wherever the hell they go after death, ect ect. he was pretty good at it!

but the setting im writing here is a pretty standard "death but its a bureaucracy" type thing. something something small business growth, higher demand, things get streamlined, job title changes, ect

so he was Less Good at the desk job angle. but he worked at it! once again, he's one of the best!

is it what he was originally created to do? no. is it what he thought he'd be doing for eternity when he decided he found the most personal fulfillment in being good at what he does? not really. is it so drastically different that it's actually atrophying some facets of his personality a little? maybe. is he happy?

the important thing is, he's good at it!

[starryjkoo]

I was rewatching the last Suchwita episode Jungkook was on and it was just so endearing how he couldn’t help but talk about the Jikook NY trip even though it was something that would have to be edited out. It was funny because later in the episode he started talking about SNTY and stopped himself because he said he probably shouldn’t talk about it. Taehyung said to go ahead because they could just edit it out and JK said this 😭

And he was so serious about it! Like it was such a blunt refusal that Yoongi even told them (jokingly) to take it outside if they were going to argue.

And yet, when Yoongi asked JK about the travel show he couldn’t help but go into so much detail about it with such an adorably big grin on his face despite it absolutely being something that would have to be edited out (Jikook were taking spoilers about their show extremely seriously too lol!).

It was just sooooo cute 😭 Jungkook could have stopped at any point too but he even goes right into a second story after the “heartstrings” comment.

It’s just really sweet because that whole conversation with Yoongi was so genuine, like it was a conversation between the two of them that wasn’t part of the show because it was obviously full of spoilers that couldn't be aired. Either JK momentarily forgot because he was just so into sharing the story or he just didn’t care because he really wanted to tell Yoongi about it anyways.

And the way that both of them looked so amused and endeared the entire time from the first second that Jimin was brought up is just so… idk, I need better vocabulary, but it was just so damn adorable lol. Jimin really does have that effect on people because literally the first mention of him and it’s all laughter and smiles and you have JK forgetting his “why would I talk about something they have to edit out” mindset.

Also Jikook in general just seem so excited about their show and it’s really sweet. They've only really mentioned it I think in this clip and the last live where they jumped on Namjoon for spoiling something lmao, but it’s like the way they talk about it and how obviously excited they are to share it with us and how JK was so amused by whatever funny chaotic things happened when Jimin arrived... it's really heartwarming. And it’s just sweet that no matter what they always seem to have so much fun together.

Anyways, it’s just really funny that in the SAME episode JK asks why would he talk about something that’s going to be edited out he talked about something that had to be edited out because it involved Jimin lmao. The fact that Jimin is always some sort of exception to Jungkook too is seriously something. Like speaking of Suchwita, it reminds me of when JK basically implied that the Jimin episode was the only full episode he had watched (that whole JM live was just crazy tbh).

I really can’t wait to find out what happened that was so chaotic and funny that had JK smiling like that and what had Jimin “tugging on heartstrings”. Like, is there going to be a scene of pitiful, pouty Jimin? Or is he just super endearing at one point? I'm so curious to see what all went down. And the Japan trip just seems like a fever dream, but that's just a whole other can of worms. But I really hope they release the full Suchwita convo sometime because the way JK talked about it was seriously adorable.

[niinnyu]

WHA #80 SPOILERS

.

This spread has had me thinking so much.

While this is very much Coco reminding herself that she's not alone and that there are people she cares about and has with her as she moves forward despite being scared, I also can't help but interpret this another way.

Talking about how one must etch the people important to you into you heart, imagination and mind. That can do anything if you have ink, paper and a pen. And how even if they're not there with you, you're not alone and they're with you.

Adding Coco as part of the illustration while showing another pair of hands separate from her, drawing it. Putting in Jujy, Sinocia, and Ermile; all people Coco has barely interacted with to have too much of a strong impression of.

It feels like a subtle 4th wall break on Shirahama Kamome's part.

This dropping close to the 8th anniversary of Witch Hat Atleier's manga serialisation, and so many years before of creating the world and characters interacting in the world, feels so special. Because you can tell how special these people are to Coco, and to Shirahama herself, who's put in so much work and love into them.

This page gave me goosebumps.

[flowerbloom-arts]

You claimed that “it's like [Skinner] is just a kicked puppy sometimes and I wanna hug him” so could you maybe make something where he gets comforted please?

He needs a good cry so so bad...

[dollypopup]

"Colin should have grovelled more!" "Penelope folded too easily"

I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.

Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.

I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.

And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.

Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.

Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.

Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.

And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.

And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?

Absolutely no one.

Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.

And he apologizes. Because he listens. Really, truly listens. And really truly cares.

I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.

Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.

Because he saw her when she was invisible.

Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?

Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.

He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.

And he does.