#just so i know what characters we're working with at any given time. | Explore Tumblr posts and blogs

sage-nebula · 2 months ago

Text

Thinking about how important it is that Wendy is a part of the Pines family. (Because she is, as much as Soos is. It's why she's in the family photos, such as the one representing Ford's happiness at the end of The Book of Bill.)

We don't know too much about Wendy's home / family life. Unfortunately, we don't a single Wendy-focused episode, and we don't get to learn too much about her outside of how she interacts with the main characters. But here is what we do know:

Wendy is the oldest of four siblings, with three little brothers. Wendy herself is 15. We are never given ages for her brothers, but given the photo that she shows Dipper of her younger self in "Double Dipper", I'm guesstimating that the youngest Corduroy brother (Gus) is about 6 in the present day. This is because young!Wendy was wearing braces and also noted to be "freakishly tall" for her age, and Gus was wearing a diaper in the photo (but standing on his own). Braces can take two to three years to be removed, and Wendy doesn't have them in the present day, meaning she was probably around 11 or 12 in the photo. Meanwhile, Gus was in a diaper but able to stand, meaning he was probably a toddler, likely around 2. So in the present day, Wendy is 15, Gus is around 6 (depending on if Wendy was 11 or 12 in the photo), and Marcus and Kevin (the middle brothers) are between 14 and 7.

Wendy's mother died when she was young. Given the age of Gus in the photo, we can estimate that Wendy's mother died when Wendy was, at youngest, 11 or 12 -- so, three or four years pre-canon. (Because any earlier than that and Gus couldn't have been born.)

Wendy's father is Manly Dan, who shouts just about every line of dialogue he has and routinely breaks things, including in his own house, albeit sometimes by accident. He also spends most of his time in a biker bar, though we do know that he does love his children. (e.g. is seen with the boys on both family fishing day and Summerween, is seen taking Wendy out for breakfast in "Dipper vs. Manliness").

Dan is the reason why Wendy has a summer job. As she says in "Gideon Rises", "If I can't work at the Shack, my dad's gonna force me to work at my cousin's logging camp up north." This implies that Wendy has to work somewhere, per a rule of Dan's.

In "Into the Bunker", Wendy has this to say when she comments on how she's excited to be going on an adventure with Dipper and Mabel: "It beats cleaning up after my dad at home." She says this with a frown, in a grousing tone. We're then treated to a clip of Dan breaking apart the cabin as mentioned above.

In "Society of the Blind Eye", before she's about to have her memories erased, Wendy confesses thus: "I'm stressed like 24/7. Have you MET my family?"

Wendy dreams about her mother every night. The glimpse of her dream that we're shown depicts her receiving a comforting hug from her mother.

The conclusions that I draw from the above are thus: prior to her mother's death, Wendy had what amounts to a normal family life in Gravity Falls. The Corduroys were a two parent household, her mother was there to help balance Dan out and raise the kids (Wendy included), and Wendy could, well . . . be a kid. It's possible, even, that some of Dan's more worrying traits (such as spending the majority of his time at a bar) didn't exist when Wendy's mom is alive. It's pure speculation on my part, but it's possible that Dan feels compelled to go to a bar to be aggressive (and drink, even if we don't see it because it's a kid's show) because that's how he processes his grief over his wife's death, away from his children's eyes and ears. He's trying to be a responsible father and not hurt his kids, while at the same time still not handling things in the most healthy way.

But back to Wendy. Once Wendy's mother died, the dynamic in the Corduroy household shifted. Dan was hit by the tidal wave of grief that comes with losing a spouse, as well as the sudden onslaught of being a single father to four children, one of whom was very possibly still in diapers. And if my speculation is correct and that he took to going to the bar to deal with his grief, then who is left to change Gus' diapers and get him potty trained? To operate the stove or oven or microwave to make sure that the boys (who would all be under age 10 at this point) got fed, and to make sure she got fed herself? To, in her own words, "clean up [her] dad's messes" when he was at home to make them by breaking apart the house with his own head?

Wendy.

Wendy was a child herself when her mother died, but she was the oldest child, potentially freshly into middle school while the boys were still in elementary, and the oldest daughter to boot. The girl, expected to know how to do "girl things" like cook and clean. I'm not saying that Dan told her to do these things, but we know from Wendy's personality that she is protective of those who need it (e.g. Dipper and Mabel) and, more importantly, that's her home and her family, and she does love them (she makes this clear in the Weirdmageddon episodes numerous times). She wouldn't let her little brothers starve, wouldn't let her youngest sit in a filthy diaper, would try to pick up the house if her dad and brothers wouldn't. Wendy would step up to do it out of necessity, even if she hated it and felt stressed out about it, especially while also feeling the crushing grief that comes with having lost her mother.

So Wendy, having lost her mother at a young age, probably had to step up into a pseudo-parental role in her own house, trying her best to fill the void that was left by her mother's passing even though she was only a child herself. And this is why she's "stressed, like, 24/7." Because not only are her father and brothers loud and chaotic (especially with Dan raising the boys into miniature versions of him), but because it's her responsibility (spoken or no) to keep the house in as much order as she can. It's little wonder that, outside of the movie that she and Dipper are watching in the beginning of "Into the Bunker", Wendy seems to spend as little time as possible in her own home.

So, how does this fit into it being important for Wendy to be part of the Pines family? Or, worded in a better way, why it's so important that she has the Pines as a second family, and the Mystery Shack as a second home?

As I said above, once Wendy's mother died, her ability to be a child in her own home effectively ended. Again, to make it clear, Wendy doesn't hate her family. In fact, it's the opposite; the Weirdmageddon episodes make it clear that she still loves her father and her brothers very much. But "Society of the Blind Eye" also makes it clear that they stress her out. She has a lot of complicated feelings, something that's understandable given her complicated situation.

But because she has to help keep the house together when she's at home, that means she can only really be a kid (or teenager, as the case may be) when she's outside of it. She has a lot of fun doing this with her friends, but sometimes a teen does need a home to relax in. And for Wendy, that home is the Mystery Shack -- and yes, that includes when she's on the clock.

Now, I know what you may be thinking: it's stated that Stan is a terrible boss, that he barks orders, that he yells -- how is that any different from her father? Well, I'll tell you how: the only time we actually see this is in "Boss Mabel", in which Stan being a boss who yells and barks orders at his employees is a plot point meant to create the conflict for the episode. Otherwise, we never really see Stan being an awful boss, and in particular we never see him being hard on Wendy. In fact, I would argue we see the opposite.

Here are things we know about Wendy's behavior at work, and Stan's response to her behavior at work:

Wendy constantly reads magazines while working the cash register, often right in front of Stan. Stan never tells her to put the magazine away.

Wendy often puts her feet up on the counter. Stan never tells her to take her feet off the counter.

Wendy goes up to the roof "all the time, every day" to the point where she has a chair and cooler up there. ("The Inconveniencing"). We don't know if Stan knows about this or not, but it's hard to believe he wouldn't if Wendy goes up there as much as she says she does.

When Stan told her to hang signs up out in the woods, she said, "I would, but I can't . . . reach . . ." while making no effort to get up to get the sign, and not removing her eyes from the magazine or her feet from the counter. Stan simply said, "I'd fire [. . .] you if I could." i.e. she got away with it 100%. ("Tourist Trapped")

When Stan double checks with Wendy and Soos that they'll wash the bathrooms while he's gone, Wendy says, "absolutely not" with a salute. Stan laughs and then says to stay out of trouble, not caring at all. ("The Inconveniencing")

Wendy was supposed to work the ticket stand all night at the party. She quit about ten minutes in and blatantly joined the party. Stan had to have seen her. He did nothing. ("Double Dipper")

Wendy claims in "Boss Mabel" that Stan doesn't let her have friends at work. In contrast, we see Robbie visit her at work all the time throughout their relationship (e.g. "Fight Fighters", "Boyz Crazy"), and Stan even comments on "is that the guy that's always making googly eyes at Wendy?" but otherwise has no problem with it. So again, it was a conflict invented for "Boss Mabel" that otherwise doesn't exist.

And that is just off the top of my head. The point is, Wendy is perhaps treated the easiest of the staff at the Mystery Shack. She's blatantly lazy and snarky and the most Stan ever does is grouse that he would "fire [her] if he could."

And this is a good thing.

The Mystery Shack, even if when she's on the clock, is clearly a place where Wendy can relax. It's somewhere she feels comfortable, rather than stressed. Yes, she's working -- but she's putting in the barest minimum effort because the stakes are the lowest they could possibly be. Because even though Stan grouses and complains about how little she cares, he won't fire her. He says he can't, but let's be honest, he could. One could argue that he'd be out a cashier, but he already is when the school year starts and Wendy has to go back to school. The Shack doesn't close down then, so it wouldn't close now if he fired Wendy.

But he won't fire her, because he knows that if he did, she'd be sent up north to her cousin's logging camp, a job she would hate and that would add on to the stress she already has from her home life. Stan has been in Gravity Falls for 30 years; he's been there since before Wendy was born. He knew her mother. He remembers when her mother died a few years ago. He probably saw how Dan's personality changed, how Wendy's personality changed from a more carefree little girl to a little girl who had to act more carefree than she actually was because she won't ever dare let anyone know she's anything but tough as nails, kinda like the guy he sees when he looks in the mirror. So he'll grouse at her about her laziness, and she'll complain about how much she hates having to work, but he'll also never hire another cashier even during the school year when the Shack maybe could use the extra help, and she knows that he both has an orthopedic back pillow and where it's kept, and that's as much as either of them will say about it. (Source for the orthopedic back pillow: "Soos and the Real Girl").

Wendy spends time at the Shack that would otherwise be spent at her home. When she decides to leave Tambry's party early, she goes to hang out at the Shack and watch movies with Stan, before the twins or Soos arrive ("Summerween"). She's likewise hanging out with the Pines and Soos watching television despite work clearly being over in the beginning of "Dreamscaperers". Wendy can relax at the Shack, can be in a home environment where she has no responsibilities, where she can simply be a teenager without also having to be a pseudo-parent. She can be a big sister figure to Dipper and Mabel without the added responsibilities of having to make sure they're fed and brought up right. She can be snarky with Stan, and he'll be snarky back, and there are no risks or consequences at all.

It's important that Wendy is a member of the Pines family, because here there are no complications for her. She loves her original family, but things got difficult when her mother died, and they won't ever stop being difficult. But things aren't difficult with the Pines. In a way, being with the Pines is as comfortable as the hugs she gets from her mother in her dreams every night. Being with the Pines feels right. It feels safe.

It's good that Wendy has them. It's important that Wendy has them. And fortunately, she always will.

#gravity falls #wendy corduroy #pines family #stanley pines #manly dan #corduroy family #again none of this was meant as an indictment of dan or Wendy's family #she does love them and i think dan does do his best #but going on how these things often end up IRL plus things Wendy says #i just think this is all likely #plus with how much time Wendy spends with the Pines #and how much Stan lets her get away with as well #(which is a good thing to be clear lmao i love it)#anyway

687 notes · View notes

the-one-that-weeps · 5 months ago

Text

Most of you don't realize the limits of creating pjsk ocs are literally just "Hatsune Miku has bestowed you with a world from your feelings. Enjoy." So, I've come here once again to remind you guys to be creative.

Here are some parameters I rarely see being played around with while creating pjsk ocs:

Age: project sekai was created for a younger audience. However, characters in project sekai are a representation of the music producers (as in they create songs for Virtual Singers to sing), and a composer can be any age desired. This is not a limitation.

Character nationalities: yes, it would make the most sense for your setting to be Japan. However, seeing as vocaloid are international idols, that is not a limitation. 99% of those that read this have listened to vocaloid, only 1% if not less are Japanese. This is not a limitation.

Speciality: a common misconception is that, in order for Miku to become interested in you, you have to be a singer/composer. This makes sense, but had been proven wrong by canon itself: Rui is a director, Ena is an artist, Mizuki is a capcut editor. Heck, it's never even specified anyone outside of Nene sing in wxs. This is not a limitation.

People per unit: FOUR IS NOT A LIMITATION. PLEASE. If you're a perfectionist, you might want to have your card sets make sense, but I've seen people figure it out with groups of 3 or even 6. This is not a limitation.

I'm so tired of you guys saying it's not possible for an Urdu 70 year old lady to discover Hatsune Miku and go "oh! I like this :)" and then wake up in a parallel pocket dimension with a Japanese man pretending to be a cowboy, a Samoan Mozart-in-the-making twelve year old and Kagamine Rin.

It IS possible and if it's not, it would be FUN AS HELL, and that is PRIORITY.

Fuck shit up. Go crazy. Cringe is dead and you'll be too in a few years. Carpe diem til it kills you.

We don't know what a Sekai is, and we don't know what a fragment is. How are songs made? We don't KNOW! And even if you would like to abide by the pjsk worldbuilding rules, there's still so much you can play around with!

And don't even get me started on what you can do with SEKAI!! It's a world created from your feelings, ANYTHING IS POSSIBLE, especially because we don't know ANYTHING about them!

By the rules we're given in pjsk, Sekai could solve world hunger. By the rules we're given in pjsk, you can technically bring an unlimited amount of cats into your world. And if you take in the Miku Lore about her being from the future, A TIME TRAVELING SEKAI IS SOMEWHAT POSSIBLE.

This post you might know me for was actually a recycling of my own ocs! And guess what, by the rules we're given in the game, THIS COULD VERY MUCH WORK.

#mine ☜#project sekai #pjsk #pjsekai #prsk #project sekai oc #project sekai ocs #pjsk of #prsk oc #pjsekai oc #something went wrong and i had to repost this sorry guys

481 notes · View notes

pomefioredove · 6 months ago

Note

heyyy! i really love your writing🥹🥹 btw can i request a hc with riddle and jamil (separated) with gn!reader who’s very lazy and they have a test and only study the morning before the test? but somehow pass?? i wanna see their reaction

anyway sorry if i made any mistakes, this is my very first request and english is not my first language😔 it’s fine if you can’t do it!!

-🎲

no worries! this is a great request, their reactions would be very funny

summary: reader miraculously passes a test they last-minute studied for type of post: headcanons characters: riddle, jamil additional info: platonic or romantic, reader is not specified to be yuu, reader is gender neutral, not proofread

Jamil knew that it wasn't his place to judge

after all, being raised with the al-Asims, he'd been taught to keep his bitter thoughts to himself

but something about your carelessness reminded him all too much of Kalim

...okay... maybe you weren't exactly partying, or spacing out, but your complete lack of conviction is almost identical

and, so, Jamil decides to give you a word of advice the day before the big exam

"Worried about tomorrow's History of Magic test?"

he even gives you a big smile, trying to play it off as a casual question

you shrug. "Eh, not really,"

"If I were you, I'd be a little more concerned. The grading system is very strict at NRC,"

and with that, he's gone

his sly remark, spoken as if in friendly conversation, leaves him feeling a little more satisfied with himself

he doesn't even feel irked when Kalim nearly sleeps through the test, or when he forgets his notes, or when he absent-mindedly reads the questions aloud during...

in fact, Jamil is quite confident that in any case, you'll do much worse than Kalim, which saves the both of them

after the exam scores are posted in the hall, you find him

"What did you get?"

Jamil hates answering these kinds of questions, especially knowing that he could be in the top of the class if he was allowed to try. "Passing. And you?"

"Well..." you smile. "I really thought about what you said, so I studied this morning."

Jamil's sour mood at his own score seems to lighten

you studied the morning of the exam? oh, this was going to be rich

"...And I got full marks!"

...what.

you show him the paper and it takes all his strength to keep his usual poker face

otherwise, his jaw would drop

"How did... how?"

you shrug. "Good study plan, I guess,"

"Hmph," he crosses his arms. "Well, then... you'll have to come tutor Kalim sometime. What works for you must work for him,"

Riddle spends the entire week pestering you about studying

"I just don't feel like it," you groan

goodness. you sound just like that terrible Floyd...

"It's not a matter of want, it's a matter of need. This exam counts for a significant amount of your grade!"

"Eh... I'll just wing it,"

wing it?! oh, now you've really done it

"Consider yourself lucky for not being a part of Heartslabyul. I would have your head for that!"

and then he storms out. how graceful!

when he sees you the following afternoon, that calm, unbothered look of yours is still on your face. it drives him mad

"If I were you, I'd be praying," he says. he's almost smug about it

Riddle earns full points on every exam- it's just a given. he's sure that the two of you will be on polar opposites of the grade spectrum once the results are posted

you shrug. "Yeah, about that... I thought about what you said, and decided that I don't want to have to retake this class. So I studied this morning,"

he almost smirks. "One last-minute cram won't be enough to raise your grade above failing, I'm afraid. But perhaps this will serve as a lesson, next time you-"

Riddle stops dead in his tracks as Trein posts the exam results on the wall behind you

his eyes widen

"Full... full marks?! We're in the same percent!? How is that possible?!"

You chuckle as his face goes all red, both frustrated and flustered

"Hey, you should count this as a victory for yourself. You give great advice,"

#twisted wonderland x reader #twst x reader #jamil viper x reader #riddle rosehearts x reader #queued #🎲

536 notes · View notes

tinfoil-jones · 24 days ago

Text

Tate Pines AU

(aka Tater McGucket is an oops baby Fiddlestan kid)

Note: LONG POST. This is me hyper fixating on a brain worm because the Gravity Falls Fandom roared back to life. This is probably misspelled in a lot of areas, and not the clearest or most concise post because this is me rambling at 2 in the morning. Also the characters are maybe OOC. Also, this is written without accents because I'm not from the Midwest or southern United States.

In this AU/Scenario, Stan is a transgender man, and 'encountered' Fiddleford during his vagabond years. It was a heavily drunk/high one-night-stand, so they never properly met or even knew each others names. This happens after Ford graduating Backupsmore University, and for this scenario to work let’s say that Fiddleford went to BMU for his undergraduate program, but then went to the local university in Palo Alto for his graduate studies.

Years later, just like in the OG show Fiddleford is Stanford's research partner in Gravity Falls, and married to Emma-May Dixon; but they don't have any children together at this time, and they got together *after* his encounter with Stan. So this isn't an affair baby scenario.

Tatum "Tate" Pines is 5 years old, living on the road with his dad, currently staying in a motel but they're about to move into a real apartment for the first time ever because Tate needs to start school soon. Stan is still a drifter and a con man, but he recently came upon a large sum of money because Tate accurately guessed the lottery number for the state they were currently in.

Stan still receives a postcard from Gravity Falls that says "Please Come", and is allegedly sent from his estranged Twin who he hasn't seen in almost 12 years. But this is roughly a few months before it would have happened in-canon.

Given Stan's disownment, no one knows that he even has a son, not even Ma Pines. Not like he'd want them to know. Having his own son and loving him unconditionally made him realize that his own dad Filbrick was a monster, who he didn't need to prove himself to. But he still wants to reconcile with Ford, so he decides to go just like in canon.

This post card, however, wasn't sent by Ford. It was sent by Fiddleford, who was watching Ford spiral in real time and hoped that if anyone could convince Ford that he was acting crazy and unstable, it was his twin brother.

While Stanford doesn't greet Stanley with a crossbow like in the original because this is before the portal test with Fiddleford, he's definitely shocked to not just see Stanley there, but Stanley with a tiny gap-toothed child in tow.

Stan doesn't know that Ford wasn't expecting them, and excitedly introduces Ford to his nephew.

Ford: Stanley, are you sure this child is yours? Stan: ...Ford, did you forget we're not identical twins? Ford: ...Oh! Oh my, Stanley... Stan: *thinking* 'I don't know if I'm touched that you don't see me as anything other than a man... or insulted that you forgot something so fundamental about me'

Flabbergasted, Ford lets them both in; Fiddleford is welding something downstairs so he doesn't see or hear any of this. Ford plants Tate on the couch in front of the TV and practically drags Stan to the kitchen to talk to him privately; he's too surprised by Stan having a child to question why they were there in the first place.

Ford: Is there a... another parent..? Stan: ...It's just me and Tate. Always has been. Ford: How did...? Stan: I didn't plan a pregnancy... but I had no money for T-shots for months on end, and without the T, everything down stairs went to factory default. Ford: Do you know who it is? The father- I mean, the other father? Stan: Not exactly, some southern guy, don't think I ever got his name. Ford: What happened? Stan: Funny you should ask. (FLASHBACK) Fiddleford, high out of his mind: -and that's how I won a golden fiddle. Stan, drunk out of his mind: That's crazy, dude. *grabs him aggressively by the shirt collar to pull him close* Now shut up and fuck me until I can't walk. Fiddleford, horny out of his mind: Hoo-whee, well don't you diddly-darn mind if'n I do. (END) Ford: Stanley? Stan: Hmm? Ford: Are you okay? You just said 'its funny that you ask', and then stared off into space for 10 seconds. Stan: Let's just say I never touched tequila ever again.

Eventually, Fiddleford does come upstairs when he notices Ford didn't come back downstairs, and see's the brothers in the kitchen just as Ford asks Stan why he even came here.

Fiddleford admits it was him who sent the postcard, that someone needed to 'talk some sense' into Ford, and then introduces himself to Stan.

While Stan isn't perplexed by Fiddleford because he was too drunk to remember a face- Fiddleford, who has very good memory, immediately knows he met Stan somewhere, he just can't quite place where, when, or why.

Ford does show Stan the portal, saying it's his life's work and he'll need to test it soon, and casually asks Stan if he wants to stay and help. Before Fiddleford can protest that's a bad idea and Ford should just stop, Stan agrees because he wants to reconnect (and also keep a roof over Tate's head, what were the chances they'd win another lottery?), it did hurt his feelings that Stanford hadn't reached out out to him after all, but maybe they could work on that.

While Ford hasn't exactly forgiven Stanley for the science fair incident, he can't just let his brother, a single father be homeless with a five-year-old (Stan had to drop the lease with their intended apartment to come to Gravity Falls). And... well, Ford gets attached to Tate quite early:

Tate: ... *staring at him* Ford: Can I help you with something, Tatum? Tate: Uncle, is your name "Stanford"? Ford: Yes, but if you prefer you can call me Uncle Ford. Tate: Oh. Okay. It's funny, Stanford is my middle name. *later* Stan: Kiddo, why has your uncle been sobbing in his room for the past thirty minutes? Tate: *shrugs*

Not realizing the gravity (hehe) of the situation, Stan gets settled in the house and helps Ford and Fiddleford where he can (usually just moving heavy objects or punching paranormal creatures, or forcing Ford to shower). He does notice that Ford seems a bit... unhinged, and weirdly obsessed with some new geometry based religion, but people change after college right?

He does get unnerved by Fords weird episodes where his personality seems to shift and he goes into town to act like an absolute menace. Stan can't help but think that isn't Ford; its been years since he saw him but damnit he knew his brother and whatever entity possessed him just to slap a cops belly, *that* was not Ford. But Ford always brushed him off when he tried to bring it up, and one time 'Ford' even coldly reminded Stan that he could remove Stanley and his son from the home at any time if he wasn't going to be useful.

During this time, Stan and Fiddleford get to know each other, they get along quite well actually; Fiddleford is fond of little Tatum, who along with Stan enjoys listening to him play the banjo. One could say, given Fords obsession with his current passion project and prioritizing work over his relationships, that Stan and Fiddleford become close.

Fiddleford picks up, however... that little Tate is a genius. Although he's a quiet kid, he has an advanced vocabulary for his age. He's able to read and write at what must be a 2nd or 3rd grade level despite not even starting kindergarten yet, and... one time Fiddleford left an 8x8 cubiks cube unattended, and came back no more than five minutes later to see that Tate had already solved it. And Stan had told him that Tate has actively predicted lottery numbers before.

He brings it up with Stan, who admits that he already knows Tate is a genius, but he also knows what academic pressure and high expectations can do to someone (referring to Ford), and he just wants Tate to live life by his own terms, not let other people dictate that for him based on his IQ.

Fiddleford... also see's resemblances between himself and Tate. Sure, Tate has browner hair like Stan, but the wavier texture is just like his own. And while Stanley does have a prominent nose, it's not as prominent as Tates, which is much more similar to Fiddlefords.

Fiddleford begins to ask Stan about his past, specifically bringing up that he believes they may have met before.

Fiddleford: Say, Stan, did we meet before you moved here? You're so familiar to me. Stan: I wonder where you could have possibly seen my face before? *glances at the lab* Fiddleford: No. I feel like we've met before - you ever been to Palo Alto? Stan: That city in Cali? Yeah. I'd say about six years ago. I was just passing by, resupplying, and selling weed to college students. Fiddleford: You were a weed dealer? Stan: Among other things, yeah. California's *the* place to go to for weed. I don't do it anymore. Fiddleford: Did you... ever visit the university there? Stan: A couple times. Hated going there because it reminded me of... well, I think you know. Why? Fiddleford: I did my graduate studies there, maybe I met you there? Stan: You think so? I only saw buyers, did you buy weed from me? Fiddleford: No... I had a dealer, but it wasn't you. Stan: Other than that, I did get invited to a frat party once. Think they were called "SigEp" or something. Fiddleford: That's 'Sigma Phi Epsilon'. That was the fraternity I belonged to. Did I see you at that party? Stan: Probably - oh man that party was crazy. I made so many bad decisions that night. Fiddleford: Stanley... how old did you say your son was? Stan: Five, why? Fiddleford: ... Fiddleford: Stanley... *reaches out* Stan: *jerks back, before pointing away* Hey look over there, a distraction! Fiddleford: What- *looks away* Stan: *jumps out the window and makes a run for it*

Stan does not entertain any further discussions with Fiddleford about his past, and goes out of his way to keep Tate with him and away from Fiddleford. Given his criminal past, he's afraid that if Fiddleford is correct, he could make legal actions to take Tate away from him.

Fiddleford eventually goes to Ford about his suspicions.

Fiddleford: Stanford I'm going to tell you something, and I need you to promise you'll stay calm. Stanford: *doesn't look up from microscope* Are you going to tell me you suspect you're Tatum's father because you slept with my brother around the time he would have been concieved? Fiddleford: ... Stanford: Because you are. Fiddleford: What in tar- Stanford: *tosses a file folder towards Fiddleford* I have all of our DNA on file - Fiddleford: You do???? Stanford: Of course I do! I store the DNA profile of everyone who's entered my residence, just in case there's a shifter afoot. Comparing yours and Stanley's DNA to Tatum's, there is only a 0.001% chance that he isn't your biological child. Fiddleford: ... *speechless* Stanford: Congratulations, according to science you're a father.

Fiddleford does eventually manage to talk to Stan about it, and clear the air between them. Stan is apprehensive because Fiddleford is married, but he's at least relieved that Tate happened before Fiddleford was in a relationship with Emma-May. Stan allows Fiddleford to spend more time with Tate (supervised), but they agree Tate doesn't need to know just yet what Fiddleford is to him.

Fiddleford also holds back on telling his wife about Tate, he'd prefer to tell her face-to-face.

But then the portal test happens and Fiddleford gets a glimpse of the horrors beyond the portal, which traumatizes him just like in the original. This doesn't convince him to leave, because Ford is becoming dangerous and Fiddleford is worried about what would happen if Stan and Tate were left alone with him. He invents the memory gun, but holds up on using it on himself.

The relationship Ford has with both Stan and Fiddleford becomes more explosive. Stan and Fiddleford are both telling Ford that he's messing with forces beyond his control.

To get Fiddleford off of his back about the portals, Ford instead lashes out at him about something else.

Stanford: Fiddleford... you know you're my best friend right? Fiddleford: ...Of course. Stanford: Stanley and I don't have a good relationship... we haven't in a long time. *puts a hand on his shoulder* But don't you dare hurt my brother, or nephew. I don't care how strained things are between Stanley and myself, or how close you and I are... He's my brother, and I'll always protect him, even if it's from you. Fiddleford: Do you think I would try to steal Tatum, Stanford?! *Pushes him away* Also, if you're going to threaten me, you could at least not be such a hypocrite. Stanford: How dare- Fiddleford: You say you care about Stanley? That you'd protect him? He's been homeless for over a decade! You SAW him get kicked out of home when he was still a minor! He escaped three different prisons, had extremely shady black-market top-surgery, chewed his way out of the trunk of a car, and gave birth by himself in an alleyway! He had walking pneumonia for nearly a year straight and almost died from it because he had to choose between himself and Tate over who needed treatment more! But you didn't know any of that, did you? Because you don't talk to him or try to reach out. You still avoid him. You still treat him like he's your enemy. You're still resentful about that damn science project. You don't know him or what he went through. You didn't even want him here, I called him up here so maybe somebody could set you straight! Working with this portal, messing with these forces beyond comprehension and control- the only threat to Stan and our son is you! Ford: Get the hell out of my lab- and stay the hell away from my twin.

But this 'Mystery Trio'-esque era of their lives has a Bad End:

After Ford gets sucked into the portal the same way as he did in the original, Stanley decides to take over his identity; Fiddleford helps him with everything up until Stan fakes his own death.

As Tate's biological (other) father, and Stan having recently altered Tate's birth certificate to add Fiddleford, the boy is given to Fiddleford right away following Stan's 'death' and not put into foster care or an orphanage. This window of time is also when Fiddleford establishes the Society of The Blind Eye, but he chooses a leader after he founds it rather than leading it himself.

When Stan makes it clear he's going to dedicate himself to fixing the portal and bringing Ford back, Fiddleford makes a drastic decision.

Knowing what the portal obsession did to Stanford, Fiddleford doesn't want Tate to be around if- no, when, the same thing happens to Stan.

He uses the memory gun on Stan to make him forget about their son entirely. He does the same thing to Tate to make him forget about Stanley, legally changes his name to Tater McGucket, and takes him back to California with him.

He makes this decision because in this scenario he never used the memory gun on himself, so the memory of what's on the other side of the portal still haunts him, making him more desperate and callous, especially with a child involved.

It breaks his heart that he did this, but he doesn't want Tate to be dragged into Pines drama. He takes the boy home and tells his wife that he was conceived before they were together (looking at Tate's age, he was born at least a year before they started dating), and uses the news clipping about Stan's death to explain how he got custody without any trouble, and Emma-May adopts Tate. Tates memory gaps are excused by his young age, and the trauma of losing a parent at such a young age, so Fiddleford and Emma-May decide not to tell him about Stanley.

Stan forgets about both Tate and Fiddleford, but he has this deep sense of loss and betrayal that he can't place. He figures over the years that maybe it's just some of his feelings about Ford having gone through the portal...

Decades later, and after a divorce, Fiddleford moves back to Gravity Falls, bringing Tate with him so Tate can start his Bait and Tackle Shop somewhere quiet. Fiddleford is there to check up on the Society of the Blind Eye, and also to check on Stanley because he feels guilty about what he did. Although he knows that this is Stanley pretending to be Stanford, he says nothing to anybody about it, it's the least he could do.

When Stan see's Fiddleford again - he doesn't know why, because he's 'never met the guy', but just looking at his face pisses him off. And every time Stan see's Fiddleford from then on, whether its across the street or at the shops or what have you, he is openly hostile towards him even if he can't adequately explain why he feels this way about Fiddleford. Also strangely attracted to him, particularly his banjo playing, but its overshadowed by his hostility.

Stan meets Tate shortly after the Tate and Backles Bait and Tackle shop is opened... and he doesn't know why, but this young man he's never met makes him feel sad. But also... Relieved? Elated? Proud?? He comes by often, sometimes not even buying (or stealing) anything, he just chats with Tate (and Backle to a lesser degree).

Tate himself feels strangely fond of this frequent flier customer. Like he's met a dear old friend. He is awfully confused why Stan will sometimes call him 'Tatum', seemingly without noticing, and why he never feels like correcting him.

Fiddleford knows why, because he never erased his own memory, and he feels so guilty. But it's been 30 years, he can't say anything without ruining his relationship with Tate (which became strained after the divorce, which in this timeline happened maybe around Tate's late teen/early adult years).

One way that this whole thing can be revealed is when Dipper and Mabel deal with The Blind Eye society, they find two memory tubes, one labelled "Tatum S. Pines" and another labeled "Stan Pines" take it with them because it has their last name, and Grunkle Stans name, on them.

They play the one labeled Stan Pines at first, and realize it's Tates early childhood memories of Stan.

When they play the one labeled "Tatum S. Pines" they see it's all of Grunkle Stans memories of Tate, leading up to his confrontation with Fiddleford.

(MEMORY) Stan, backing up: Wait, what is that thing? Fiddleford, what are you doing with that?! Fiddleford, pointing the memory gun at him: I'm sorry Stan, I truly am. But I can't let you drag our son into this... I do care for you, and I wish things could have been different. But you're just like him! **BLAST** (END OF MEMORY)

This horrifies them, and they have a real moral conundrum of if they tell Stan and Tate, or if they keep it to themselves to keep the peace.

They deserve to know... but it'd be so painful. And this would take place before "The Tale of Two Stans" so they don't even know what Fiddleford was talking about to justify stealing Tate, or who 'him' is.

Eventually, it's Wendy and Soos who confront McGucket and tell him that he better be honest with Stan and Tate, or they're going to do it for him. That he's a selfish coward who ripped someone's young child from their arms.

Or, an alternative scenario; Fiddleford never stored those memories in the first place, or at least didn't store them with the Society of the Blind Eye, and it's Ford who brings this all up to Stan. Ford was already through the portal when Fiddleford decided that parental abduction was totally okay if there was amnesia involved.

Ford: Are these Tatum's children? *motioning to Dipper and Mabel*. Stan: They're Shermie's grandkids, and - who? Ford: ...Tatum? Tatum Stanford Pines? Your son. Stan: ...I don't- I don't have a son. *tears gathers in the corner of his eyes, but he either doesn't notice, or chooses to not react* And if I did, I wouldn't give him your name as a middle. Ford: Yes you do, and yes you did. You introduced us right before the portal incident. I even DNA-sequenced him to confirm that his other father was Fiddleford. Stan: WHAT? And- who?? Ford: Here, look *pulls up his DNA files from ones of his secret safes in the lab and shows it to Stanley, which not only has the DNA results but also pictures of Stanley, Fiddleford, and Tate from the time* Honestly Stanley, how could you forget a child you car-.

Ford realizes something is wrong when it's clear that Stanley is distressed, but also confused, like having a son is legitimately a surprise to him. He's so shocked he has to lie down for a bit. His eyes keep leaking tears but he doesn't know why 'Fords cruel and oddly elaborate joke' is making him so upset, because 'clearly it's not true'.

When Ford hears Fiddleford lives in Gravity Falls, he seeks him out and demands answers.

At first, Fiddleford tries to play it off like maybe Ford was remembering things wrong - but with enough pressure, and a ray gun pointed at his chest, Fiddleford finally comes clean. About what he did. Why he did it.

Ford is still angry at Stan for getting him trapped in the Nightmare Realm Multiverse for 30 years; and then stealing his name, identity, and house, but that's still his twin brother. And what Fiddleford did was to him was horrendous, especially after Stanford had already warned him years ago to not to hurt Stan or Tate. This was a crime against the whole Pines family.

So Ford beats him up. No, he doesn't kill or maim him, but he beats the living dog shit out of him until Fiddleford promises the glass tubes of Stan and Tate's memories in exchange for mercy.

Mabel, Dipper (and Soos/Wendy) are clearly confused (because they wouldn't have seen the memories in the "The Hall of the Forgotten"). Although, this whole revelation does bring Dipper closer to Stan, because Dipper had no idea he wasn't the only transgender person in the family.

Ford shows these memories to Stan first, who is going through all kinds of emotions especially after getting Ford back and their bitter reunion. This allows Ford and Stan to somewhat reconcile early; just like how Ford lost 30 years of his life to the portal, Stanley lost 30 years with his own son because of his conviction to fix it.

Ford also has to physically stop Stan from hunting down and murdering Fiddleford (who Stan only knew as McGucket up to this point) with his bare hands. Reminding him that it's more important that he reaches out to Tate.

But Stan is conflicted. He wants to be Tate's dad again but... Tate is in his mid-thirties, he doesn't need him like he did when he was 5. And Tate already has two loving parents, both of which don't have an extensive criminal record, and who provided him with a stable home, which Stan never did because they were homeless the whole time.

Does he really want to uproot Tate's life and/or peace of mind with a revelation this big?

This goes all the way to Weirdmageddon, where everyone gathers in the Mystery Shack for security; faced with a possible end of the world, Stan takes Tate to the side, dragging Fiddleford with them, and tells him the truth. Fiddleford confirms it all, ashamed and apologetic. Finally, they give Tate his memory tube, which he watches.

For a moment Stan and Fiddleford have a moment of solidarity; Stan can see that Fiddleford really did want to spare Tate from whatever unknown-at-the-time fate had befallen Stanford because of the portal.

Fiddleford finally faces his past mistakes, and apologizes for what he did. That what he did was wrong, and he can never make it up to them, but if they survive this maybe he could try to make things right.

This is their last family moment between the three of them pre memory-wipe.

The mind wipe thing still happens. Gravity Falls is saved. Mabel and Dipper manage to jog Stan's memory but there's no way to make him remember Tate - the glass memory tubes have already been used, and Stan didn't keep any photos from his homeless era because he couldn't afford it most of the time, and when he could he always managed to get kicked out of whatever state they were in before the photos were done developing.

Once again, Ford comes in clutch. Throughout his last journal, just like how he made entries about Fiddleford, he also made entries about Stan and Tate, including detailed sketches. How Tate liked to get into high places, exasperating Stanley who was afraid of heights. How Stan would take him to the woods to follow the creeks because Tate was intrigued by waterways. How Tate said so few words but Stan always seemed to know exactly what he wanted or needed at any given time. How Tate only liked eating the green M&M's but Stan was fine with it because he got to eat the rest.

Now while Stan's heartwarming memories of his son come back, so does his desire to break Fiddlefords neck.

Fiddleford still buys the Northwest Mansion and converts it to "McGucket's Hootenanny Hut", but because the Pines families are the heroes of Gravity Falls, they (Ford) manage to convince the local government to put Fiddleford on house arrest for an indeterminate amount of time as punishment for 30-something years of parental abduction and alienation (also the whole starting a Cult thing). Fiddleford accepts this, and Tate still lives with him.

Post memory-wipe Stan still reconciles with both of them, and his relationship with Fiddleford is... weird, but not entirely bad. It's like they're dating, but with a lot of emotional distance. Like, Stan still tells Ford he wants to murder him... but also tells him to never, ever, check their texting history.

Stan still goes to sail the world with Ford on the Stan O'War II. They do invite Tate, who declines because "He'd rather just live the simple life in Gravity Falls, and not get involved in whatever supernatural gobbledygook his dad and uncle are sure to get into".

And Stan is so proud of him... because just like he said thirty years, there's nothing he wanted more for Tate than to live his life by his own terms. He video chat's with him as often as he does with Dipper and Mabel.

Tate ends up keeping McGucket as his last name, but he changes his first and middle back to what it was originally.

And that's the end of this tale, thanks for sticking with me. Here's a passage where Ford teases Stan while they're on their sea adventure;

Ford: It was so sweet of you to give your son my name. Stan: Poindexter, I swear to Moses. Ford: Even after a decade apart. Admit it, you missed me so much. Stan: *rolls his eyes* Of course I did. Stan: Stan: But the real reason that's his middle name is because he was conceived at Stanford University. Ford: I- Ford: I really didn't want to know or think about that.

The End... Go home.

222 notes · View notes

the-littlest-goblin · 2 months ago

Text

Something that's stuck with me from the Arch Heart's appearance, which highlights a major underpinning of my frustration with C3, is the "Big Doors don't work" comment.

In what way exactly is the Big Door not working?

The purpose of the Divine Gate was to mitigate the gods exerting undo influence on mortal affairs, and according to everything we've seen in all 3 campaigns up to this point, this was a demonstrable success: the Calamity ended, and despite multiple potentially world-ending catastrophes cropping up since then, it has been up to mortals to deal with these threats. They've often done so with divine aid, but I fail to see how that's overreaching on the gods' part when accepting said aid is still dependent on mortal choice.*

Part of the Arch Heart's reasoning for wanting to "let go" is, as I understand it, because mortals continue to rebel against and resent the gods even from behind the Divine Gate. Which, yes they do, but like... the customer is not always right. Not every complaint needs to be catered to, especially the ones based on faulty postulates.

I get that this is not how the Arch Heart is thinking about it; my issue is not with the roleplay of individual characters, but with the narrative whole and the sheer amount of time it has spent, both in the text and extra-textual framing, sincerely entertaining the base axioms of an argument that is so poorly constructed Ludinus wouldn't make it past round one of a middle school debate club. None of the anti-god arguments have given any tangible evidence for the claim that the gods are an oppressive force or that Exandria would be better off without them that is not either:

A. Aeor, which was pre-Divine Gate and in fact the catalyst for the gods to pull back on interfering with mortal affairs, and therefore not all that pertinent to the current status quo;

or B. an event or action that, while it may be done in the name of the gods (e.g. Hearthdell) or directly encouraged by a god (e.g. Opal and the Crown) is nonetheless still contingent on mortals making choices, and therefore not a convincing argument that the gods are infringing on free will,** nor that removing them would prevent these types of situations.

An ongoing motif of C3 has been showing perspectives which challenge the prevailing narrative about the gods as established within Exandria's lore to this point. As a story enjoyer, I normally would eat up this sort of reversal—I love a metatextual play with in-universe narratives. But to do so convincingly requires more substance than a handful of characters going 'Trust me bro.' I'm going to need to see some peer-reviewed studies on Exandrian metaphysics before I take Ludinus "17 ulterior motives stacked in a wizard robe" Da'leth's word over what I've seen with my own brain over thousands of hours worth of game play.

If the message of the narrative is telling me to question the diegetic information it presents, then I am going to do just that. So far every argument that the gods do more harm than good for Exandria has been rampant citationless behavior. I find it baffling and borderline infuriating that we're approaching the denouement of this campaign and I still have yet to see evidence that the core conflict of the story, the central debate which has plagued every in-game and fandom discussion for a year now, is based on an actual problem. Like, at all.

*If you think Vax did not exercise his own agency and free will in every step of becoming Champion of the Matron, you are simply wrong.

**For real, we know there are magical means of straight-up mind control in Exandria. Like, you don't have to approve of it, but the gods engaging in standard issue verbal manipulation does not constitute a violation of free will, and it certainly doesn't make the argument that they are so immeasurably more powerful than mortals that they should not be allowed to exist.

#anyway earlier today I reblogged a shitpost that says better in 2 images what I took 3 days and ~8 paragraphs to articulate #so you should reblog that instead of this #critrole #c3 #cr spoilers

243 notes · View notes

beeing1alive · 7 months ago

Note

Could you play the Tokyo Revengers characters with a really pretty girlfriend?

Note: Of course and I had a lot of fun writing this

f.t.: Mikey (Manjirō Sanō); Draken (Ken Ryūgūji); Mitsuya (Takashi Mitsuya); Chifuyu (Chifuyu Matsuno); Baji (Keisuke Baji); Takemichi (Takemichi Hanagaki); Angry (Souya Kawata), Smiley (Nahoya Kawata); Hakkai (Hakkai Shiba); Kazutora (Kazutora Hanemija), Koko (Hajime Kokonoi); Inupi (Inui Seishu); Hanma (Shuji Hanma)

Mikey is not at all shy about telling you how perfect and really perfect you look in every conceivable situation. You go for a walk? He tells you he's never seen anything prettier. You're in the shower? He's practically glued to it and won't stop telling you how wonderful you look.

Draken almost always looks at you. At least whenever he can. For some reason, his eyes are always around you, no matter what you're wearing. He might go crazy if you're wearing a short skirt or a tight shirt because he can't help but stare at your accentuated body parts and blush every time you move even slightly. We won't go into that any further.

Mitsuya always gets extreme love attacks when you wear clothes that he has made. He always adjusts every seam and every fabric to your perfect body, so that all the wonderful parts are highlighted. Every time you walk around in front of him in one of these pieces of clothing, he forgets how to breathe and has to turn away to hide his blushing face.

Chifuyu thought at the beginning of your relationship that you were only with him because you wanted to get closer to one of his friends. Not a single girl has ever looked at him the way his friends are looked at, so he wondered why such a beautiful person fell in love with him. But after your first kiss, he realised that love can't be faked so well.

Baji got a nosebleed when he saw you for the first time. You just walked into the classroom in your school uniform and as soon as he caught a glimpse of your pretty face, it happened. Of course he was terribly uncomfortable and that wasn't the first impression he wanted to make on you, but at least now you can tease him every time he stares at you.

Takemichi wonders every day why someone like you, who could get anyone with his beauty, would want to be with him. You just look so pretty with that sweet grin painted on your perfect face. He thinks that you are a work of art. Of course, he's not just with you because you're pretty, but honestly, he loves your body.

Angry adores your body and he just can't keep his hands off you. Not just in the kinky sense, but much more in general. He's very shy, but even so, his little finger is given away with yours as soon as he walks or stands next to you. There is simply no prettier creature for him than you.

Smiley really does show you off a lot. To be honest, he always stands behind you so that you come into your own in front of him. It's just his thing to stand behind you, one arm around your waist, like: I know, she's a masterpiece, isn't she? Well, unfortunately it's already mine. I don't know why, but his grin always gets a little more mischievous when he sees that another boy staring at you and then realises who is standing behind you.

Hakkai is, just to be clear, extremely shy around pretty much any girl. You're certainly no exception. But we're only talking about in public here. Behind closed doors, he can hardly keep his hands or eyes away from you. He likes it best when you only wear short and comfortable clothes so that he can see a lot of your skin.

Kazutora hasn't seen you for a long time and honestly? He almost fainted when he saw what a beautiful young woman you had become. He quickly got used to it though and made a habit of admiring and loving every inch of your perfect body. He just can't help himself.

Koko loves your body and every inch of it. Sometimes you're just lying on your sofa scrolling through social media and he lies on top of you and draws circles and lines on your body. He loves these moments, especially because he can really relax, as he usually works so much and hardly gets any rest. And he has a clear view of your body…

Inupi stares at you from a distance and when you notice it, he looks away and blushes so much that you know he was staring has been staring. Your body is simply too hypnotising for him and he doesn't know what to do about it. Every single movement looks perfect and every part of your body is wonderful.

Hanma rarely tells you how great you look, but he definitely shows it. Not intentionally, but he shows it. Sometimes you notice how he stares at you with extraordinary affection or how he absently strokes your body and hums softly. He actually wonders why you're with him. With your beauty, you could have anyone. Oh God, he just loves you too much.

Attention: The characters and the gif do not belong to me. All credits go to the actual owners. If you want anything to be changed or removed, please write to me.

1K notes · View notes

sonamytrash · 9 months ago

Text

Midnight

Underground Virgin!Levi x Virgin!Femreader

MDNI

Warnings: y/n used, Childhood friends to lovers, fluff, smut, puberty mentioned, masturbation mentioned, fingering, sex, mentions of abuse, mentions of rape, mentions of prostitution, characters ages aren't mentioned, but it's suggested they're both in their late teens, of age when writing but could be interpreted as underage? Virgin levi, virgin reader.

Note: Kind of wanted to write something about Levi losing his virginity and give him the blessing of something in his life that wasn't all bad. Reader and Levi have grown up together. Feelings have blossomed, and desires have been ignited over the years. The underground is a tough place to live with sex and violence everywhere. There's no smut in the first chapter, but it is heavily suggestive. Let me know what you think. Enjoy!

-----------------

In a world where the sun never shines, where the only light comes from flickering Street lights, candles, and the occasional spark from a fire, three souls found solace together in front of a fire. The underground city was a maze of dimly lit tunnels, cramped living quarters, and a constant struggle for survival. You had grown up together, survived together, and lived together in this harsh, unforgiving environment.

Your landlord was a cruel and greedy man, having come to you the with news that he wanted his rent earlier than usual, probably because he owed someone else the money or had pissed his own money up the wall. You couldn't afford to be out on the streets again. It wasn't hard to find a crook to rent a small apartment to three teenagers. But his terms were unreasonable.

Desperation and stress hung heavy in the air. You were usually the type to try and remain cheery, strong, and resilient, but these sorts of situations made you anxious. Finding money down here was hard enough, but being given less time to find it was so much more stressful. "I-I don't know what we're going to do," you stammered. "There has to be some way to make the money quickly." Furlan said thoughtfully as he tried to reassure you, but even his words sounded hollow. It really wasn't much time to get the money together.

You were always aware of the easiest way for a girl to make money down here. Selling your body to some piece of shit man to use for pleasure. It was quick and easy cash that much was true. If you were lucky enough to get paid, that is. The attempt to make any money that way came with many risks. Most women down here lived in fear of getting raped, abused, and even killed before the added risk of being a working girl. Having grown up with Levi and Furlan, they had kept you safe. Currently, you worked a part-time job at the morgue, which didn't pay well but allowed you to learn and study to some extent. But in recent years, since hitting puberty and developing into a young woman, the pressure had been more intense, men often offering plenty of money for the opportunity to have their way with you. Although this sort of interaction would result in being beaten to a pulp by Levi, he would die before he allowed you to have to resort to sex work. And you were grateful for that. The thought of having to resort to prostitution, a common but desperate measure, filled you with dread.

Levi, said nothing. He just stared at the floor, his jaw tightening with anger. You glanced at him, concerned. "Levi, if we need the money I can-" You asked softly, stopping when you saw him look up at you, his eyes burning with a fierce protectiveness. "I'm not going to let you do that," he said, his voice steady and unyielding.

You frowned. "It will guarantee us the money."

"Y/N" He said sternly. "I won't let you go out there and sell yourself for us to survive. I'll find another way. I promise." You looked into his eyes, searching for any hint of uncertainty, but found none. There was only determination.

You nod in response, feeling reassured for now by his words. "I've got to go out. I'll be back around midnight, okay?" He states. Again, this wasn't uncommon. You worried about him and where he was going but even if you asked he wouldn't have told you. Criminal and immoral are the exact words that he himself would've used to describe his work, he was probably going to go and find some quick and easy job, guaranteed to pay but always carried so many risks. Furlan smiles gently at you as he follows Levi out of the door.

Having had a bath and tidied up a little. You toss and turn in bed for hours, lost in your own thoughts. You knew Levi would keep you safe to an extent, but nothing was guaranteed down here. Even if you didn't end up in a brothel, there was nothing stopping anyone from breaking into the apartment you shared now while the boys were gone, you could he kidnapped, raped and murdered any night, or day for that matter. You shudder at the thought. You wanted as much of your life to be in your own hands and control as possible. It wasn't like you wanted to stay a virgin forever, while still being young, you were old by the standards of the underground, which made you laugh. You wanted your first time to be something you choose, not something taken from you. You had desires and thoughts late at night like this when you were alone. Always of your stoic companion. You weren't sure when your feelings towards him became romantic, but it frightened you. He was difficult to read, but you were sure that there could be something there. And if there wasn't? Well, you were sure you could convince yourself that you would be satisfied to just be by his side in whatever capacity the universe will allow. Maybe you would be fortunate enough to be born as a princess in the next life, and he would be your Prince charming. You roll your eyes and laugh at the thought. A girl could dream, and your fantasy of prince's, pretty dresses and castles, however impossible it was did help you to fall asleep for a few hours before you were abruptly awoken by the sound of Levi and Furlan returning. You could recognise the sound of Furlans footsteps retiring to his small room at the end of the corridor. It sounded like Levi was still in the living room. You sit up in bed and light a candle.

Levi walks over to your door, having noticed the light emitting from beneath. A heavy sigh escapes him, his eyes carrying a look of exhaustion. As he knocks on your door just once, his voice is soft.

"Can I come in?"

You respond with a sleepy yes, and Levi pauses for a moment before he comes into the room. His eyes shift to your bed, and he realizes that you're only wearing a tank top and underwear. He doesn't let his eyes roam over you for more than a second, trying to focus on something else in the room before speaking up, sounding worried:

"Are you alright? Why aren't you sleeping?"

You smile. "I was, and I wasn't, I fell asleep not long ago, but I heard you come home. Is everything okay?" You ask him concerned.

Levi nods as he sits down on the edge of your bed.

"Yeah, everything is fine. Sorry if I woke you up. You should get back to sleep." He smiles softly, something only you and you alone are ever lucky enough to see. You gently tug his arm. "Stay, just for a little longer." A blush creeping across your cheeks. This was a bold move for you. Maybe you were still slightly delirious from having just woken up.

Levi looks down at your hand as it lays on his arm. A slight blush creeps up on his cheeks as he looks up at you again. Your messy hair, dreary eyes, and smile are just too cute. He doesn't know what he would do without you. He hates that he can't find a way to get you all out of this cesspit. You're like the moon that continues to shine on the darkest night. He's already resided himself to do anything to keep you safe and by his side. He feels guilty that this sight of you is making his cock twitch. The years have been kind to you and you're such a beautiful young woman now, each and every night his hand is tightly gripped around his cock at the thought of you. Seeing you like this, the covers barely covering your panties and your nipples visible through your tank top is all the more fuel for his desires. But he knows how it is for girls down here, he saw what life was like for his mother, he sees it daily in the streets. He would never dream of treating you with anything but the respect you deserve. Not only that, but the thought of jeopardising the relationship that you have now should he tell you how he feels, loosing you would really plummet his life into eternal darkness.

He reaches out and gently tucks a strand of hair behind your ear. "I guess I can stay for a little bit." He says softly. "Since you're such a brat if you don't get your own way." He teases.

You pout playfully at him, he chuckles as he shifts a bit closer to you, now sitting next to you with his arm around your shoulder, you nestle into his chest. A slight blush appears on his cheeks, which he immediately hides by turning his face away from you. "You're not still worrying about the money, are you? Is that why you're acting so needy?." He asks quietly

You shake your head. "Not anymore, I know it won't come to that." He nods, relieved that it isn't worrying you any longer. He's pulled from his thoughts when you speak up again. "I'm grateful. I know what I want for myself. And it's thanks to you that I'm able to make my own choices." You lift your head to meet his gaze, your face painted with a furious blush. "I'm ready to make my own choices."

Levi chuckles. "Well, you're spoilt for choice if that's the case." He says, trying to ignore the pang of jealously he can feel in the pit of his stomach.

You shake your head "That's not what I mean, Vi." You nervously bring your palm to his cheek. "I want to be with someone I trust, someone I love."

Levi stares at you. Blushing slightly at your words. You have grown into a young woman who's a lot braver than he gives you credit for. A small smile forms on his face, but he's still hesitant to say all the things he wants to.

Levi tries to keep his usual cool exterior "A-Are...Are you saying what I think you're saying right now?"

You nod nervously. Averting your gaze, you have said enough for someone as intuitive as Levi to piece together. The seconds seem to last forever, but he finally gives you his response with a soft and gentle tone:

"I... I want that, too."

#levi x reader #levi ackerman #underground levi #levi x y/n #levi smut #levi aot #minors do not interact #aot smut #build up #fluff #friends to lovers #levi ackerman x reader

663 notes · View notes

dovesndecay · 5 months ago

Text

It's June! It's Pride! It's (my) Birthday!

The Introduction Spiel:

Hi, I'm Reyah! (any pronouns! no really, go for it!) On June 21st, I'm turning 32, an exciting and mysterious age to be!! (So I've heard)

Warning: This is a post asking for financial help, and if there's one thing I would ask is that if you read the whole thing: please reblog.

I'm a multiply-disabled queer person of color, a writer, artist, and photographer. I live with three of my best-good-pal-friends, (@renthony, @kryptidkhaos, and @natalieironside) and our collective army of pets.

We all know it's damned hard to be all these things at the same time under the capitalistic hellscape we're living under, and we/I am always in need of a lot of help with the existing.

I ended the month of May with some smaller bills left still to pay, but am thankful to say that June already had fewer bills than usual due, and the amount I need to start the summer off right is actually less than I was afraid it would be! Woohoo!

What I Make

I mentioned my artistic endeavors, let me show you them!!

Writing

I write less often than I'd like, but I share poetry and shorts, when I have them, on my Patreon!

You must be over 18 to pledge, as I have, can, and will again share Adult Content occasionally. Patrons pledging at least $1/month get access to all content. But most posts becomes free to access eventually. :)

When I do longer form content, I primarily write fantasy with a focus on queer brown characters with disabilities, mental illnesses, and disordered attachments. Because therapy is expensive, and writing is free.

Photography

I do wildlife and landscape photography, primarily, but you can also check out my portrait and event work on my website! You can purchase PRINTS HERE.

And because it's my birthday, I'm offering a 32% discount code for all my prints! The code is good from June 1st to July 1st!

A Note, if you purchase a print: first off: thank you. (please feel free to send a photo of wherever you display it!!!) secondly: this will not go towards the received totals on my financial need because Pixels doesn't pay out until nearly 2 months after the purchase. Funds made from sales will go towards future needs.

CODE: PDHHTR

Artwork

I've been exploring art, both analog and digital, a lot more lately, and have shared both process photos and final drafts on Patreon! Here are just a few examples:

I admittedly don't post on patreon as much as I wish I had the energy to, but I try to make at least one thing a month, provided I have the spoons and time.

Creativity is, like, a level 5 spell slot when you're disabled and impoverished, and I appear to have exactly One (1) of those available at any given time.

The Needs:

The Bills: $1,100

Yeah, we had to get here eventually. Since this post is already pretty long, I'm putting the rest under a cut.

More than half of this, as always, is just for the car payment and insurance that keeps the regular day-job-haver getting to said job, and all our medical appointments, errands, etc.

I still owe around $13,000 total on Johnny Car, but I think we all know that's just not a real number.

The rest of the funds would go toward paying the small subscriptions, for my various medications, and the regular attempts to whittle away slowly at the $4,300 worth of other debt.

($2,200 of back taxes, and $2,100 of credit card debt, and gods, do I mean slowly. Interest piles up so much faster than I can seem to whittle.)

If you're able and willing to help with paying the bills, direct donations can be made here:

PayPal | (link)

Venmo | (dovesndecay)

Cashapp | ($dovesndecay)

If you can, and only if you can.

The It Would Be Cools:

Since every dime that comes in goes primarily towards food and bills, there's little left afterward to be put towards other life necessities like clothes, toiletries, let alone things I just think would be nice/neat/nifty to have.

I have a High Priority wishlist. It's mostly art supplies, bulk toiletries, etc.

I'm woefully low on clothes, being short, fat, and trans, so very little of what I own actually feels good to wear so much as it simply covers my body. I have a wishlist of clothes that would be nice to have.

For everything that firmly lands under the "I just want it" category, I have an Enrichment list. It's mostly stuffies, but also games, room decor, hobby supplies, books, and stim toys.

Our household keeps a big wishlist for things we need, want, groceries, accessibility products, and everything in-between.

Okay, now what?

Well, now, I'm gonna ask that if you got to this point, and if you can't/don't want to do any of the things listed above, then please reblog this post.

The more people that reblog it, the more likely I'm able to pay my bills for one more month this year.

But if you don't, it's not like anyone's gonna know. I'm not omniscient, I swear.

Anyway, I don't expect anyone to do anything if you can't or even if you just don't wanna, but if you can and you're willing to, it means the world.

I didn't think this is where I'd be at 32. But I never really expected to get here at all in the end, and it's a lot nicer than I thought it would be. Mostly because I am surrounded by amazing people who have the capacity to be so much kinder than I will ever have the words to describe.

Thank you, and to all, a happy pride!

🧡💛💚💙💜🤎🖤

#fundraiser #dono post #mutual aid #long post #queer #nonbinary #disabled crowdfund

340 notes · View notes

chaos-in-deepspace · 6 months ago

Text

L&DS: "Watch This!" | Crack

So I dunno about you, but I'm one of those idiots who seldom drink water and sometimes forgets to eat for like two days. So when I stand up too fast it's like a moment of "Oh look the lights went out." So anyway that's the entire idea for this. Everyone experiences this, right? This is a normal human thing to experience when you stand up? Just standing up and almost (or actually) peacing out? Anyway, I never said my writing ideas were good but I they're there.

Disclaimer: This is an original fan work for “Love and Deepspace”. Do not repost on other platforms or plagiarize. All characters shown in this fic is 18+. Warnings: Fainting, Crack Fic, Reader can't take care of themselves, Zayne is stressed as your doctor, Rafayel might have a heart attack, Xavier just assumes you died, Rafayel does as well but he's dramatic on a good day

Blog Information | Masterlist

Xavier

"Xavier, I promise you I am totally fine. I just got a little dizzy because of the heat." You tried assuring the blonde man as he looked around his apartment. He had already gotten a cold compress and thrown a glass of water in your hands for you to sip on. This was all because you guys had gone on a small jog together to prepare for the latest event in town and you had gotten a bit woozy. He had insisted on carrying you back to the apartments and here you where.

"Your face went as white as a sheet." He pointed out and you scoffed. Impossible. You don't even think it's possible to turn that color with how hot you had felt. If he said you looked like a cherry tomato or something from how red your face had gotten from the exertion it would've been more believable.

"Xavier, would an unwell person be able to do this?" You asked as you went to stand. As you jolted into a standing position you then remembered a key detail. The water he had given you was the first thing you had to drink today...and you don't think you had breakfast either.

The thought flashed through your mind as you felt the blood pounding in your ears and your vision darkening. Your only thought was 'Oh sugar, we're going down, down.' before you collapsed in on yourself.

Next thing you knew you were lying on the ground, a soft lap underneath you as Xavier fanned you off. You groaned as you came to, staring at Xavier's face. The man looked like he had just witnessed your death as he stared at you with wide eyes.

"Oh good morning." You managed to murmur out. Xavier's eyes narrowed as he glared down at you.

"You said you were fine then immediately fainted. I was about to call an ambulance." He scolded you, his tone harsh as he shifted your head on his lap. You noticed his free hand was holding a cell phone.

"Oh don't do that please. I'm okay."

"That's what you said last time."

"How about this...you get me something yummy to eat and I drink some water and if I'm still fainting after that then we can consider maybe going to see a doctor."

"Do you swear?"

"No..."

"We're going to the hospital." You then felt your world shift again as you were tossed unceremoniously over his shoulder like a sack of potatoes. You beat his back, begging him to let you down. Alas, once Xavier had his mind made, there was nothing you could do to stop him.

Zayne

"Have you already eaten today?" It was a simple enough question as you sat at the end of your check up with your favorite doctor. Your legs swinging over the edge as you put in some thought to that question. Zayne sat there, waiting patiently as he looked up and quirked an eyebrow in question.

"That is a brilliant question that I don't have an answer to." You might've eaten something today...or perhaps that was yesterday? The days sometimes blurred together in the most confusing ways.

"Have you drank any water?" Oh that was an easy question. No. The answer was no.

"You know the first ingredient in an energy drink is water."

"No..." Zayne said, pinching his eyebrows together in frustration. How you managed to still be alive is a miracle. Not even science could explain how you didn't just kneel over on any given day with how little care you put into your health.

"Zayne, I can promise you, I am totally healthy. Watch this." You stated before jumping up off the examination table. Immediately you felt the world shifting under you like the floor decided to become sentient and move like a damn treadmill.

Next thing you knew, you were waking up in the arms of the best cardiac surgeon at Akso hospital. You grumbled a bit as the light was bright. You looked up to see Zayne's not amused expression, in fact you might even call it a frustrated look.

"How long was I out?"

"30 seconds too long."

"Am I in trouble?"

"You're going to the cafeteria with me right now to get food and water. If you faint again I'm admitting you for the night and hooking you up to an IV."

"So you're saying fainting gets me a dinner date with the Doctor Zayne, and a possible sleepover?"

"Why are you like this?"

Rafayel

You made the realization that you could only entertain yourself by playing on your phone for so long. Rafayel had promised that as soon as he finished some light detail work on his latest painting, you could go out to town and grab some dinner.

That was well over six hours ago as you laid on his couch. You had already finished a book you had downloaded on your phone, scrolled through all your social media, checked out new memes, and caught up on videos of people you followed. As you looked over you saw Rafayel was still sitting on his stool, painting away.

You groaned, rolling yourself off the couch you had been glued to for those entire six hours. You plopped onto the floor, noting that he really did need to clean this studio up a bit. Normally Rafayel would at least be talking to you, but he had been so quiet and boring today.

"Raf...I'm dying of boredom here." You finally called out to him. The man in question looked over at you then looked outside. The sun had set a long time ago and he paused in what he was doing.

"I promise, I'm almost done." He said with a sigh and you groaned again. Then you remembered a little party trick you had up your sleeve. You'd admit you were actually hungry on account of being too busy to eat and then being promised food earlier, you opted not to have snacks. Not to mention water was gross for drinking so it all accumulated into the perfect way to get his attention.

"Rafayel, I'm fading away. I'm starving. I might die. I'm so weak." You called out from the floor and Rafayel finally turned in his stool to eye you up and down.

"I'm sure you are." His tone was sarcastic as he looked at you. He seemed to be entertained by your antics, "I can always order you some food. I also have snacks in the kitchen." He pointed out.

"That won't work, Raf. I'm too far gone. I mean...just watch this." You said, jumping up from your position on the ground. As soon as you were in a standing position, your body fought against you. Your ears were ringing uncomfortably and your vision went in and out. You could barely hear Rafayel calling your name in concern, followed by a him cursing as things clattered.

You collapsed, fainting just like you knew your dumbass would. You knew your body and knew the perfect conditions for going lights out, after all.

When you came to, you saw Rafayel almost in tears as he tried getting you to wake up. You murmured something that not even you could decipher as Rafayel's shoulders sagged in relief.

"I thought you actually died." He looked shaken up as you raised a hand to touch his cheek.

"Can we get food now like you promised?"

Rafayel was silent for a moment as he calmed his heart down and looked at you, "Did you faint just so I'd stop painting and take you to dinner?"

"Well did it work?"

"...Yes, but never do that again."

364 notes · View notes

aihoshiino · 2 days ago

Note

The babygirlification if Hikaru is crazy in this fandom... I can't believe that people seem to believe he did zero bad things when ch109 literally showed him standing over Yura and saying that she died so he could feel something...? Just because he's not the one who pushed her, doesn't mean he wasn't an accomplice! (I don't see how Nino would've known about the hiking trip without his help. Also don't see why he would be there monologuing unless he's also a hiking enthusiast who just happened to be there.) He could be both! He could be someone Ai loved but also be a person who became lost without her! Look at Aqua who literally went on a maniacal journey of revenge that saved literally no one & killed 2/3 people whom Ai loved. Because she's gone. The way I see Hikaru's character is that, he loved Ai and understood her as a person instead of the persona she presented. Yet her passing made that persona the only legacy she left behind (in his eyes). She was seen as "the idol closest to the Dome" even though she didn't care! That title wasn't given to any of the other Bkoma members, just her. And, he wasn't really allowed into their children's life because she said so. The only thing he's got left were the "lies" and despite knowing that killing people for her legacy is not what she would've wanted, she's not around to stop him anymore. I think he was a man driven to desperation and doing terrible things because his love was genuine yet no one taught him how to love properly. And her final "rejection" made him believe that being a terrible person was the only thing he could be. Which was why Ai's video became such a huge blow to him: he could've lived without her knowing that her as a person didn't let go of him, yet he went down this path thinking that the true her rejected him & the "lies" was the only thing he could take.

I don't think Ai's rejection broke Hikaru, per se. I think she made him believe that he was worthy of love and not broken (like he thought). And the way things unfold drove him into a spiral that was planted long ago. Humans don't need to be innocent to be worthy of love. The HKAI relationship was two traumatised children finding comfort in eachother. And Hikaru's crimes were about someone letting intrusive thoughts get to them. I don't like how Akasaka handled it at all, but I think erasing Hikaru's grief and the destruction it brought isn't a good way to read his character.

SO, for what it's worth, I do think the way you've analyzed Hikaru here is how he was intended to be read by Akasaka, at least by the end of the story, I don't blame anyone at all who went into this final stretch of OnK legit thinking we were going to get a reveal that Hikaru was not just a straight up villain or at least sympathizing with him and interpreting him as a slightly softer character, because the story basically spends the entirety of the Movie Arc beating you over the head with Extremely Sympathetic Hikaru Characterization.

Hell, it starts asking you to sympathize with him basically from the word go. The first concrete fact we learn about him outside of Aqua's insanely (understandably!) biased POV immediately throws every explicit and implicit assumption we have about him out the window. Not only does his age mean that he was one of Ai's peers and not, as Aqua seems to have been assuming, an older man who had victimized her but we learn this information in tandem with realizing - as Akane points out - this means Taiki was conceived when he was eleven years old, with all that implies. Akane's disgusted reaction pretty clearly telegraphs to the reader how we're supposed to take it and… idk, maybe this sounds cynical, but giving a character a backstory of CSA is like the Press To Make Audience Instantly Want To Protect This Character's Smile button. It very much primes you to want to feel bad for him.

109 does throw a spanner in these works and I do remember even at the time feeling very fucking uncertain about OnK potentially going for the grody old trope of "this character was a CSA victim and now they're Evil" (IF ONLY I FUCKING KNEW) but the more I re-read 109, I felt increasingly uncertain of what, exactly, we were supposed to take away from it. I actually had a suspicion for a really long time that 109 was so heavy handedly and overtly portraying him as a straightforward villain specifically to mislead the reader When They Cry-style and that he wasn't the one responsible for Yura's death at all.

Add all this to the fact that the Movie Arc centers Hikaru's victimhood and his extremely sad wet cat pathetic boy characterization literally at the expense of Ai's story in the movie that was supposed to be about her but what the fuck ever and it's really hard not to think that this is how the story wants you to feel about Hikaru. Hell, the Movie Arc even asks us to empathize with Airi, who is a fucking child rapist. I don't think it's unreasonable for anyone to assume that we were not supposed to think of Hikaru as a straightforward villain, especially when Ruby basically, like, looks into the camera when she's having her meeting with him and goes "nobody is born ontologically evil btw people get fucked up by their environments and blaming individuals for systemic issues isn't how anything gets fixed".

Also, like… I want to be delicate about this but I think it's also important to remember that Hikaru's motivations and supposed villainy as portrayed in OnK as of late are pretty outlandish and hard to connect with. But there are almost certainly people in OnK's audience who are also C/SA survivors who are able to resonate with a more grounded portrayal of him. I don't blame anyone at all for preferring a more sympathetic take on him in that case.

#oshi no ko #oshi no posting #onk spoilers #onk asks #csa mention #hikaru kamiki

31 notes · View notes

txttletale · 5 months ago

Note

If we're asking about games on your list of favourites, as someone who adored Paradise Killer, I'd love to hear your thoughts on it! I always enjoy your analysis.

so first of all the aesthetics of paradise killer are really good. usually games that were written in english but read like translations from japanese irritated me, but here i think it is very much leaned into and embraced as an aesthetic and set of cultural signifiers in its own right, which i really enjoy. the character designs are outlandish and charming. but what i really like about it is like, the way the core premise works

in most detective games, there is a correct answer, and not getting it is a failure state. you can't end a case in ace attorney with your innocent client being convicted, you can't get the wrong guy in the frogware sherlock holmes games. and this invariably, even if the game is critical in other aspects, tends to come around to a fundamental faith in the legal system and authority, right--something that's kind of baked into the detective genre at a fundamental level.

paradise killer upends that by simply saying "you are the detective. get the facts you need, make a compelling argument, and if the authorities above you believe you then you get to distribute justice as you see fit." you arrive on the island you're investigating and you're immediately told "hey, this member of a disenfranchised underclass did it, we've already arrested him, here's the evidence." and absolutely nothing stops you from taking that evidence and walking into the trial room and presenting it and saying "yep, he did it!" and beating the game! it's not a 'bad ending', you don't get a big popup saying 'you're wrong', the powers that be just accept the convenient narrative you've been given to present and everything moves on.

i like this from both, like, an ideological perspective, and also from an interpersonal stakes perspective. in most detective games, you can't miss a crucial piece of evidence, either because the game will not proceed until you pick it up or because you'll be forced to restart the 'trial' or 'deduction' segment when you game over because you're missing it. in paradise killer, whatever argument you put forward, if enough evidence supports it--even if you know for a fact it's wrong!--leads to the person you're accusing being executed. so the stakes are much higher, right, because instead of a game over screen and trying again, getting it wrong means that's just... how the game ends, with an innocent person being executed.

and more importantly i think it does a fantastic job--better imo even than something like disco elysium--at deconstructing the fantasy of justice. a constant theme of the game and something that the protagonist repeats often is "there is a difference between facts and the truth". you can withhold evidence at trial because it implicates your friends, or misrepresent it to implicate that bitch you hate. nothing in the system exists to stop you getting wrong, in fact your superiors encourage you to make the easy completely stritched up conviction and move on with your life.

and at the end, even if you get it right, if you catch all the criminals--all the time you spend investigating this island shows that, like, the society you're part of is fucking evil! you're all deranged immortals making constant human sacrifices to your evil gods! and you don't change that by solving the case, the whole thing just packs up and moves on. you don't get any comfortable resolution to that or to your role in it. you can play lady love dies as a diehard true believer or as a dissident rebel but either way she's ultimately just another cog in a machine, dispensing an alien and uncaring justice that is only attached to any real morality or truth by your decision to do so. a genuinely incredible game.

plus i like how whenever you open it a voice says 'paradise killer' so you know you're playing paradise killer

#ask

242 notes · View notes

modmad · 7 months ago

Note

Hey Mod, I don't know what's going on that hurt you, I feel like I missed something that's happened, but I can tell from what I did see that it didn't just hurt you, but scared you and made you feel a Lot of doubt. I've also seen a lot of messages pouring in with support, and I want to share mine.

I have hypermobile type EDS, fibromyalgia, and a whole bucket's worth of faulty wiring in my brain. And I've always had stories to tell but I never felt I was good enough to share them. If it's because I can't focus enough to get through nanowrimo, or because I can't manage the focus and time towards drawing as a hobby, or the fact that an excessive amount of either for me leads to my hands wanting to shut down. But you? You *inspire* me. Your stories, all the ones I've seen, read, experienced in some way or another, they're so good. And you're open and honest with your fans about your own health, and of course, we support you and always would rather you rest and feel as best you can, instead of pushing out something and working yourself too hard. But all of this is to say that. I think I would have given up on my own stories if I hadn't found you and yours.

I hope whatever is going on sorts itself out, I hope you're able to keep telling your stories. At your own pace, in your own way. I think you deserve to be happy. If there's anything we (your fans, especially those of us too awkward to come off anon, whoops,) can do, to help in some way? Even if it's silly videos or cute cat pictures or whatever it is that could just help you smile. We're here. We love you.

woof. I woke up to so many messages I can't even read them all in one go I'm getting too emotional- I do feel I owe an explanation so I'll explain what happened under the cut but all you guys need to know is I'm okay, I got through it, I love you, and you're so important to me and I'm so grateful for all the messages that have asked me to stay.

tw for suicidal thoughts and all that

yeah so I have the bad morning of all mornings: was introduced to the fact there's this one character (Mr Puzzles) on a very popular youtube that. resembles RGB. incredibly strongly. like. I don't want to link to it just look if you want to. Anyway at the time I thought it had just dropped (seems to have been around for 6 months actually), and having commented on it I immediately got an inbox full of hate mail.

My website, meanwhile, had locked both me and my web designer out of it, and- already in a bad state of mind- I went into full on panic/paranoid spiral of 'they have hacked it, and they are going to delete any proof that I was here before them.' This of course wasn't true, and we have since recalimed control of the site (don't know what happened there but hey. it's fine???? haha. ha.)

On top of this my father has terminal cancer of the pancreas, which is horrible for everyone already but it means that- at some point this year- I am going to be the only person with an active income in my house. I am disabled, do not make a lot of money, and the cost of living is skyrocketing. Combine that with months of Despair at the world right now, with the multiple wars, genocide, corruption and AI and the loss of control any of us have over our IP or lives and I just decided it was time to end it all.

I somehow remembered this was a bad idea to act on immediately (hard during a period of entirely irrational thought) and instead went for a very long walk, crossed the bridge I could have jumped off and during that I came out of the worst of it. I then came back home to so much love online I felt deeply ashamed for ever contemplating it, and I cried a lot. My nose is still puffy and now my feet hurt! lmao

Anyway. Yeah. There's your context. I am not going to stop hoping, making, or living. I am prone to moments of weakness and this was one of the worst of them and I am still here, thanks in a large part to all of you. I might need you in the future to defend me against this, or people who take our ideas, but I hope you know that I will do the same for you. We need each other, and to be there for you I need to be here at all.

also fuck Mr Puzzles

#context for mod's little (massive) mental breakdown yesterday #you don't need to read it but I felt folks are due an explanation #tw suicide #ask to tag #mental health is wow!!!! a thing

262 notes · View notes

ginnsbaker · 1 year ago

Text

In Silent Screams (2/3)

Several weeks into her affair with Vision, the voice inside Wanda's head urging her to end things diminishes to faint murmurs, eventually fading away entirely.

Chapter word count: 8k+ Pairing: Wanda Maximoff x Fem!Reader, Wanda Maximoff x Vision Warnings: Smut (F/M), Cheating, Angst, Gaslighting, Manipulation, Dubious Consent, Toxic Relationships

Notes: M rating this time. It gets spicier because what's between them is just pure lust. There will be a full smut scene that is a bit triggering given the context of how it happens, why it happens. I will mark it in red so you can skip it. Again, you will probably hate Wanda here more than the previous part, be warned.

Series Masterlist | Main Masterlist

Part II

Comfort starts to creep in, wrapping around Wanda like a cozy blanket.

Several weeks into her affair with Vision, the voice inside Wanda's head urging her to end things diminishes to faint murmurs, eventually fading away entirely. And as she allows herself to indulge in the newness of his body and all the ways he is different and not what she’s used to, it becomes even more pleasurable (and addicting) for her when they come together.

Wanda starts to think that maybe being with Vision like this doesn't take away from the love she has for you. It's almost as if she's compartmentalized herself—her relationship with you remains sacred, undisturbed by the dalliances that occupy her days. Vision has become a separate chapter, a deviation from the norm, but he's not taking the place of what she's built with you over time. Every night, regardless of how late it gets or how entangled she becomes in her meetings with Vision, she finds herself retracing her steps back to you. Her days begin with your face, and they end with your arms around her. There's a routine in that, a certainty she clings to.

Being with Vision helps her forget she's even in Westview. She's less haunted by the child she couldn't have with you, by the job she left behind for your sake. She dwells less on missing you, on feeling like she's become a secondary character in your life as you work tirelessly to provide for her. And isn't that what marriage truly is? More than the vows and the rings, it's about choosing the same person every day. It's about finding ways not to hold grudges, to keep the bond strong, to maintain a balance, right?

Her friendship with Vision, devoid of the usual societal filters, feels pure. They share, they debate, they laugh. But as the sun sets, Wanda always knows where she belongs.

To you.

“You’re kidding.”

Vision glances back at her over his shoulder, flashing a playful grin. They're in a park just outside of town, a result of those spontaneous drives they occasionally take. They've found a quiet corner, a place where they can be with each other, away from the rules of their complicated lives. Him being her student makes everything that much more delicate.

“Why would I joke about something like that?” he says, looking pleased with himself.

Wanda puts down the essay she’s reviewing and leans back on the picnic blanket, shielding her eyes from the sun. “You seriously want to buy art from the gallery?”

He shrugs, “I like what they showcase. Plus, I thought... well, it might be a good opportunity for you to earn a commission.”

It’s a weak argument and they both know it. She smirks, “Trying to impress someone?”

Vision pauses, taking a deep breath, serious as he says, “Maybe.”

Wanda sighs, feeling a knot tighten in her stomach. “Vision, we need to be careful.”

“Careful? Wanda, we're miles away from Westview. I'd say we're being pretty meticulous about this.” He smirks, pointing to the tall trees that shield them from any possible onlookers. “With all these trees and not a bird in sight, we could even fuck right here in the open if we wanted to.”

Wanda fixes him with a sharp gaze, one that immediately conveys her disapproval. Immediately, the smirk fades from his lips, replaced by a realization that he might have gone too far with his teasing. He reads the message in her eyes loud and clear. Not only is his suggestion off the table, but he also senses that he may have jeopardized his luck in the coming days.

“I… I’m sorry,” he murmurs, going back to his sketchpad. They don’t speak to each other for a while. Wanda is deeply engrossed in the essays she has to review, already behind the deadline she set for herself, while Vision gives her space to cool down from his mistake. Their arguments are always brief but intense, and lately, they haven't been leading to sex as often as Vision would prefer.

“I’ve been meaning to ask,” Vision starts, “How is it, being with Y/N? Being married, I mean.”

Wanda stiffens at the mention of your name. She's never discussed you with Vision, and a surge of panic begins to rise within her. She hides her reaction by neatly rearranging the papers alphabetically in front of her.

“I told you she’s off limits,” she answers a moment later.

Vision feigns surprise, tilting his head slightly. “Ah, my apologies. I meant no disrespect,” he says, his voice carefully neutral.

Wanda purses her lips, her posture tensing further. “Just... let's not go there.”

Vision nods, though he can't help but steal a quick glance at the wedding ring on her finger. It taunts him everytime he sees it, reminding him of the life she shares with someone else—a life he often finds himself yearning to be a part of. He's been daydreaming about a different reality, where Wanda is by his side not on borrowed time, where he is the one she turns to at the end of a long day.

He's persuaded her to share her thoughts with him, to spread her legs for him; how much more challenging could it be to win her heart next? He'll take it one day at a time if he has to. Patience is something he doesn't mind exercising.

Cleverly masking his intentions behind a facade of casual curiosity, Vision continues, “Hypothetically speaking, if you were to give insights on marriage, just in general...What are your thoughts?” He leans back, making the conversation seem casual, though every word is carefully calculated.

She glances at him, slightly suspicious but not fully alarmed. “Why the sudden interest?”

“Oh, you know," Vision waves his hand dismissively. “It's just something that's been on my mind lately. As a concept, I mean.”

Wanda narrows her eyes slightly, studying him. She knows Vision well enough to understand that behind his seemingly innocent inquiries, there's often an ulterior motive. But she also knows that he's persistent, and sometimes, the best way to deal with him is to play along, to a point.

“It’s…” Wanda finds herself grappling for an answer. She hadn’t expected that the answer would be much more complex now given recent events. She used to look at it in an idealized way, where marriage is what happens at the end of an epic love story, the banner over the path that the two main characters continue their journey on; the natural conclusion when people say 'happily ever after'.

Perhaps she's been wrong to view it that way all along. Perhaps marriage is just a tool to peel back the facade meticulously crafted during dating, for nothing remains hidden in marriage. To enforce a commitment that's always existed. To harness the rights it bestows between two individuals. To—

Wanda can list countless facets of marriage, and yet it wouldn’t change the way she feels about you, with or without it. She can change—she has, and marriage can vanish from the world, her love for you would persist unscathed. While every fiber of her being might be judged for her actions, she believes her love can’t be tainted. She’s sure of it. And so, essentially, marriage is—

“...it’s an indemnity.”

It’s not at all what he assumed she’d say. “An indemnity? That's an... interesting choice of word.”

Wanda nods, pushing a stray hair behind her ear with a thoughtful look. “Right. It's like our safety net, not just from what's out there but from our own doubts too. It's us saying to ourselves—and to anyone watching—that no matter how tough things get, we're in it together. It's a promise that even in the darkest times, we'll stand by each other.”

Vision absorbs her words, trying to see the cracks, the spaces where he could insert doubt or lay the groundwork for his plans. “But don’t you think,” he ventures cautiously, “that sometimes, that very protection, that indemnity, becomes the chain that binds? Don’t you ever feel... trapped?”

Wanda takes a deep breath, sensing the subtext of his question. He has a knack for drawing out the very things she's trying so hard to keep from him. In the end, she still ends up talking about you. If he's truly eager to hear what she has to say about you, then Wanda doesn’t care if he won’t like what he hears.

“I know what you’re trying to do here,” Wanda says with a wry smile. “To assume she's the one trapping me would be a gross misunderstanding.”

He laughs for a long moment. It's loud and over the top, and somewhere in the midst of it, it begins to feel like an insult. Wanda lifts her chin, unfazed by his antics.

After a few moments, Vision's laughter subsides, replaced by a somber look. “I apologize,” he says, even as Wanda goes back to her readings. “I didn’t mean to make light of your feelings. It's just... sometimes I feel like you're still lying to yourself, Wanda.”

Wanda's eyes narrow, her stance firm, but she doesn't rise to the bait immediately. “How am I lying?”

There it is—his opening.

“Yes. Sometimes, I wonder if you're using these philosophical explanations as a way to protect yourself from confronting something deeper. Something you might not want to face,” he says.

She chuckles, but it's devoid of any real amusement. “And what might that be?”

“That maybe,” Vision says, crawling closer to her until they're just a breath away. “Maybe being with her isn't everything you once believed it to be.”

A retort forms on Wanda's lips, ready to be unleashed. But as she looks into Vision's eyes, she notices something genuine and disarming in them.

“All I’m saying is that you don’t need to defend yourself around me,” he murmurs, his voice gentle, fingers lightly grazing her cheek. “You don't need to explain yourself. Not about this, not about anything.”

His lips find the curve of her neck, placing a chaste kiss there, sending a shiver down her spine, making her sigh softly.

“You can enjoy that,” he whispers against her skin, voice husky. His lips move upward, caressing her cheek before they meet hers. His hand slides to her waist, pulling her closer, until she’s on his lap, straddling him. Her skirt rides up her thighs, allowing him easy access to her dampening underwear.

Wanda shifts nervously. “Vision, we're in public,” she whispers sharply, but doesn’t make any move to get away from him.

His lips twitch into a confident smirk. “I know.” His fingers daringly slide beneath the hem of her skirt, edging towards her panties. “Don't worry,” he assures her, “I just wanted to see if your body tells the truth, even if your words might not.”

Her breath catches as his fingers find the growing wetness there. “See?” he murmurs, his mouth twisting into a boyish grin. “Your body doesn't lie.”

She enjoys it. To be brutally honest, without the haunting thought of your reaction if you were to find out, she concedes she savors their meetings. She’s attracted to him and it’s consuming her every thought.

Wanda blushes furiously, coupled with the fear of being discovered like this, she’s surrendered to this wicked game. He doesn’t worship her like you do. He doesn’t try to make her feel like nothing is her fault the way you do. Why weren’t you disappointed that she couldn’t get pregnant? Couldn’t contribute to your household like equals? Why didn’t you agonize over the financial repercussions of her relentless quest to start a family with you?

Why won’t you ever, ever hate her?

It's twisted that she even thinks of you as she tilts her hips upwards, urging Vision to touch her just right.

Without warning, Vision plunges his long middle finger inside her, causing Wanda to gasp and grip onto him. The intimate intrusion is brief, and she barely has time to process the sensation when he withdraws, pushing her off his lap and onto the soft grass beside him. He holds his glistening finger up to the light, then brings it to his lips, never breaking eye contact with her. She watches, entranced, as he deliberately savors her taste.

Wanda’s chest rises and falls rapidly, every nerve in her body alive and buzzing. She feels exposed, laid bare both by his actions and by the force of her own arousal. There's a delicious humiliation in it, a thrill of being seen and wanted so openly.

But before she can get a chance to speak, Vision reaches into his pocket, producing an envelope thick with cash and hands it to her. She doesn't need to count it to know it's a significant amount.

“What the fuck is this?” Wanda asks, looking down at the cash in her hands.

He laughs again. He enjoys riling her up. Makes this all the more charged and exciting.

“It's for the painting from your old gallery,” Vision explains calmly. “Going back to that, yes, I want to purchase it. And that’s just 50% of my intended offer.”

Wanda reflects on all the support you've offered her, the financial aid you generously extended without ever demanding explanations. A portion of the money in the envelope—her future commission— could be a start, a way to repay some of the debts she owes you, even if it doesn't cover everything.

Not that you’ve ever asked her to pay you back. You’ve never once hinted at any imbalance in financial obligations in your relationship.

“I shouldn't take this,” she mumbles, yet her fingers clutch the envelope a little tighter.

“I want to,” he insists. “Although, I want a special request.”

Wanda's eyebrow arches in skepticism. “Which is?”

“A handwritten dedication from you, when the painting is delivered,” he replies.

She averts her gaze. “I’ll think about it.”

Vision nods. “Keep the money while you do.”

Wanda starts leaving the house early too, going to her lover’s apartment before they go to the university together.

Vision sits comfortably on the plush couch, engrossed in his video game, his fingers swiftly moving over the controller. Wanda enters, shrugging off her light jacket, her simple, functional underwear visible from the thin material of her dress.

“You know, Wanda,” he begins casually, “Have you ever considered just... being in your natural state here?”

“What do you mean?” Wanda asks, helping herself to some tea.

“Your body is a work of art,” he replies, pausing the game now and turning to face her fully. “And as someone who appreciates art...” His gaze travels to her current choice of undergarments and back up to her eyes, leaving his sentence hanging.

“Are you suggesting I walk around here naked?”

He grins cheekily. “The thought did cross my mind.”

Wanda's cheeks flush. “That’s not happening.”

“Alright, maybe not that,” he relents with a mock sigh. “But perhaps wear something more... refined? Exquisite?” His emphasis on 'exquisite' draws a clear line between what she currently wears and what he's suggesting.

She's always prided herself on being confident, knowing her worth. But Vision’s playful, yet sharp suggestion chips away at her armor just a bit. For a split second, she wonders if this is how he truly sees her. If her choice of underwear, something so personal and intimate, is a reflection of her self-worth in his eyes. It's crazy to let his comment get to her; she's aware of that. But she can't help but think of you, of the intimate times you both share, the mornings she finds herself waking up beside you, and the nights you take off her clothes.

Do you notice? She wonders. Do you think the same?

It's all these tiny moments, insignificant on their own, but together they build a narrative in her mind. A story where maybe you don't desire her as you once did. That thought affects her more than Vision's words. The insecurity, an old nemesis she thought she had left far behind, resurfaces.

Wanda forces a nonchalant smile. “Why don't you mind your own business, and focus on your own wardrobe choices?” she retorts, but there's a lack of her usual sharpness in her tone.

He snickers, going back to his game. She hopes you don't see her the way he does.

She buys a new set of lingerie—for you.

Wanda decides she’ll do it by the end of the week. Determined to finalize the sale, she picks up the phone while dinner simmers on the stove. With you still out, Sparky remains her only companion, and a pang of guilt strikes her for having neglected him lately.

She dials the gallery. After a few rings, the familiar voice perkily answers. “Hello?”

“Agatha, it's Wanda,” she says. “About the painting I texted you earlier. My buyer is all in.”

“There's already a bid on it,” Agatha interrupts, “with a deposit ready to go. But if you can secure the painting by tomorrow at the latest, it’s yours to sell.”

“Thanks. I'll make it happen.”

Only after hanging up does she understand that she'll need your help to ensure everything goes smoothly. The next morning, she broaches the subject, and, thankfully, doesn’t have to jump through many hoops to convince you. She loathes bending the truth about the gallery's closing hours, but she's pressed to secure the painting promptly.

Of course, you're there for her again. You even go as far as to offer her lunch, but she has to decline; she genuinely has an appointment with the dean. She reluctantly agrees to dinner, already having said yes to Vision to visit the Museum of Modern Art, where he's also set to give her the remaining 50% for the painting.

“We can have dinner,” Wanda proposes tentatively. “Maybe drive to the city for some steaks and a dive bar after?” It’s tiring to drive back and forth like Manhattan isn’t at least one and a half hours away without traffic, but she wants to spend time with you, and thank you for your effort.

“I'll pick you up at seven,” you say. “It's a date.”

She's excited, but deep down she's aware of the tight schedule. It would be nothing short of a miracle if Vision gets her back to Westview on time.

Wanda cancels dinner at the last minute. She's relieved that you're amenable and just texts to ask her what time she’ll be home.

When she gets her hands on the painting, it takes her a long time to think of a dedication message. Truthfully, writing heartfelt letters has never been her strong suit; she struggles to articulate her feelings. But as she contemplates her feelings for Vision, she draws a blank. She considers simply thanking him for engaging her in conversations she hasn't had with anyone in so long, conveniently omitting their other indulgences. At the same time, she doesn’t want to leave a piece of herself behind, not even something as trivial as a personal dedication.

So she settles on a quote:

‘To Vision, the only secret people keep is immortality.’ - W

On a particular plane, it speaks to her. It's a phrase that mirrors the fundamental human longing for significance and a sense of purpose—something she has unknowingly let slip along the way.

Surprisingly, Vision appears content with the note. Wanda doesn't bother to inquire about his thoughts on it. He doesn't make a spectacle of his appreciation for the painting either, and it becomes apparent that he's indulging in a fantasy from some porno, where an older woman brings him something before he takes her to bed.

The sex is always intoxicating in its own messy way, now that she’s ready to admit she’s not after perfection whenever she comes to him. She doesn’t go to him because there’s something wrong with you. It might be because something is wrong with her, but there isn’t really any room to psychoanalyze her own mental state when she’s being taken from behind, facing a full length mirror. As pleasure builds, her eyes roll back, she briefly toys with the idea that she might be harboring deeper feelings for him.

Then, out of the blue, a red flash catches her eye, but with two quick blinks, it vanishes.

“What’s that?” Wanda whispers, momentarily distracted before a moan escapes her lips.

“What?” he mutters distractedly, pulling her hair, when her head starts to droop.

But before Wanda can form a coherent thought, he adjusts, lifting one of her legs and shifting his angle. With a few deliberate thrusts, she's spiraling into an overwhelming climax. And as pleasure washes over her, any lingering thoughts of deeper feelings for him evaporates along with the haze of lust.

Later, she would brush aside the memory of that brief red flash as she stealthily slipped into your shared home, careful not to disturb Sparky, who slept soundly. With a day off scheduled for tomorrow, she had completely lost track of time, fooling around a couple more times with a college kid.

“D-Did I hurt you?”

Right this second, Wanda feels like she'd welcome the ground opening up to take her or a random bullet finding its mark in her heart. Anything, if it would end her anguish.

She watches your face crumple with guilt and hurt, and she can't believe she's caused you to feel this way when you’re just aching for her.

Without missing a beat, Wanda draws you into an embrace, feeling your heart race against her chest. “No, you didn’t. I shouldn’t have made you feel that way,” she whispers. The mere thought of you second-guessing your intentions with her shatters her heart.

You lean into her completely, feeling like a child in her arms. “I’ve been missing you so much lately, and I thought... I thought we were on the same page.”

Wanda insists it's not your fault. None of this is your fault. She desires closeness with you, but she hadn't expected it to make her feel so uneasy beneath her skin, especially considering she had been touched by another less than 24 hours ago. She has to remind herself that you aren't aware. But she knows, and it plagues her mind, why you’d want to touch her.

Your reply, soaked in typical selflessness, is, “I know. I’m sorry.”

Your apology, the earnestness in your tone is starting to make her feel dizzy. The fact that you feel this way, that she has led you to question your privilege—something she has always granted you—to touch her, is agonizing.

“Stop saying you're sorry,” Wanda snaps, her words sharper than she intends, fervently hoping that you understand her outburst isn't aimed at you. “You do everything right. It's me. I've missed you too, more than you can possibly imagine.”

When you softly say, “I love you,” it's filled with so much emotion that it brings tears to Wanda's eyes. It takes her too long to respond with an “I love you, too,” because there’s many more she wants to say. And she can’t say it without revealing the one thing that she fears will drive you away.

She can only hope that you believe her because she means it more than anything.

Wanda can't pinpoint exactly when she developed the habit of locking the bathroom door. It likely started around the time Vision would text her, innocently asking about her lectures. Then, one day, she received a short video clip of him pleasuring himself and moaning her name. She promptly deleted the clip, but from that point on, she learned to check her messages at home only when she was about to step into the shower.

Natasha visits and something inside Wanda unfurls itself. She becomes hyper-aware of her activities with Vision, how she conducts them and where. Before relocating to New Jersey, you mentioned that Natasha had taken an open-ended break from her job, suggesting she might be ready to leave her old life behind. Still, she’s uneasy when she learns about it too late, and Natasha’s already outside, waiting to be let into the house.

You're still in your office attire, donning a pristine suit that would have captured her attention for the entire evening, if not for the fact that she's on the verge of breaking down at the mere thought of you discovering her affair with Vision.

“Why didn't you tell me she was coming?” she snaps, gesturing at the dinner table set for two and the disorderly state of their living room. Her eyes dart to a stack of her students' reaction papers lying exposed on the coffee table, and the unkempt pillows. To you, it might seem trivial, but to Wanda, every small detail could give away something she'd rather keep private.

“You could've at least warned me,” she continues, her tone reflecting more than just her concerns about dinner and the state of the living room, but you fail to catch it. You try to help, reaching out to straighten the living room, but she's too frazzled. Seeing the frustrated look on your face, she can't help but feel cornered. She hastily scatters the pillows about, her movement nothing short of hysterical.

Sensing that things might take a worse turn than they should, you make the decision to be the one to step back.

“If it's too much trouble for you, we can just grab dinner elsewhere,” you suggest, struggling not to lose your own patience.

She can't help but throw you a sharp look, feeling as though your words only made things worse. The mere idea of you and Natasha, alone, maybe sharing stories or opinions about her, feels threatening. But there’s nothing she can do but hope you will veer away from talking about her, that you won’t confide in Natasha how you haven’t had sex in months.

“Fine,” she snaps and quickly retreats up the stairs. “Send my regards to Natasha,” she throws over her shoulder, the guest bedroom door shutting loudly behind her.

She sighs heavily, pressing her back to the door, heart racing. From the window, she sees you walk back to the car, your frustration evident in every step. Natasha looks at you with that questioning glance Wanda knows all too well. She watches as you speak before handing Natasha the car keys.

She gazes up at the ceiling, determined to hold back the tears that are on the verge of spilling. She doesn't want to push you away, but her fear of Natasha, and what might be revealed, leaves her feeling trapped.

Out of frustration, she calls Vision, and they meet in his car, about two blocks from their house.

In the cramped confines of the backseat, Vision is quick to slide into her, the condom barely in place before he's thrusting with a fervor.

She peaks once, but not from him being inside her. She's too tense, too tightly wound for that. So Vision, realizing this, drops to his knees to truly bring her over the edge.

Later, Wanda lies on her side, every muscle tense, acutely aware of the presence beside her, all the while pretending to be deep in sleep.

“She used to crash at our place almost every week,” you murmur into the stillness.

A hint of irritation passes through Wanda, though she can't really tell why. “What?” she asks, her voice low and weary.

“Natasha,” you specify. “I didn't think to mention it because it was just our norm. She'd drop by unannounced all the time.”

You want to have a conversation about it, to work through this issue. She knows how you’ve been trying to give her space, thinking she hasn’t adjusted yet to life in Westview. You’re always thinking about her. Always putting her needs first above yours.

And Wanda can see how it’s worn you down, how you're starting to doubt your own logical reasoning, and how you're piecing together facts to present your case, hoping for her to be more receptive and listen. She despises the fact that she's putting you through all of this, merely because she's determined to prevent her different worlds from colliding.

She can sense you searching her face, looking for answers, trying to understand the wall she’s erected between you too. It’s so tall now, casting a shadow over both of you.

“Wands?”

“Baby?” you try again. It seems like it's all you ever do these days. “Please?”

Wanda resists the urge to turn toward you and pull you into her arms. She knows that if she does, the tears will flow uncontrollably, and she understands that you won't let her keep her troubles to herself. She composes herself, letting out a shuddering sigh.

“We're fine, Y/N. Let's just go to sleep.”

You give into her wishes, because you will always give her what she wants. She extends her hand, delicately interlocking your fingers with hers. It's the smallest gesture she can manage. She pretends not to hear you, feel you shake, as you cry on your own.

She'd planned to watch the movie alone, in the middle of the day. So, when Vision discreetly takes the seat next to her, Wanda stiffens. A few others are scattered in the front rows of the dark theater, chatting softly as they munch on popcorn.

Without turning to face him, she whispers accusingly, “Are you stalking me?”

“I was in the neighborhood and thought I'd catch a movie. Pure coincidence.”

“You hate cinemas,” she counters.

He chuckles softly. “Maybe I'm learning to appreciate them.”

She’s about to retort when she feels a gentle touch on her hip. Wanda's muscles tense under his soft fingers as they start tracing the curve of her waist, moving slowly downwards, caressing her thigh. Her breath hitches, and she turns sharply to face him.

“What are you doing?”

Vision just smirks, leaning back in his seat. “Thought you might want to spice up the afternoon.”

Wanda rolls her eyes. “I'm not in the mood, Vision. Hands off.”

His laugh is a bit too loud, drawing “shhhs” and glares from the front row. Seeing him unmoved by the stares, Wanda huffs and stands up, making it clear she's moving seats. As she shimmies past him, Vision's hand snakes out, gripping her wrist. “Stay,” he murmurs, eyes serious. “I promise to behave.”

She hesitates, looking at him skeptically. Finally, with a sigh, she slides back into her seat. For the most part, Vision keeps his promise. They sit in silence, engrossed in the movie, but Wanda can't help but notice Vision's restlessness. Twice, he excuses himself, claiming he needs the restroom. She can't help but wonder what he's really up to, but she refrains from asking. Whatever it is, she's not sure she wants to know.

Later, when they step out of the theater, they're greeted by the aftermath of a rainstorm. Puddles dot the pavement, making it tricky for Wanda in her heels. Vision holds out his hand, and she takes it, especially when she almost trips trying to leap over a particularly large puddle.

For some reason, she suddenly feels like she's being watched. From the corner of her eye, she spots the black SUV, parked in the same spot as when she arrived at the cinema. But before she can give it more thought, Vision pulls her towards a bookstore, quickly diverting her attention. She brushes off the odd sensation, attributing it to anxiety since the theater she picked is quite far from town.

Wanda stares, open mouthed and shocked, as Vision shows her his final project for her course.

It's a charcoal drawing on canvas featuring a nude woman, with only her mouth visible, reclining on a bench. Wanda doesn't need a second glance to realize that the woman in the painting is her. From the curve of her jaw to the birthmark on her left hip and down to the fold of her knees, the resemblance is remarkable.

There's no way she can allow him to submit this.

His audacity to draw her in such an intimate manner without her consent leaves her momentarily speechless. She briefly wonders what other liberties he’s taken without her permission.

“What the hell is this?” Wanda questions in barely contained rage.

Vision smirks, arrogance dripping from every word. “It's you, obviously. Pretty accurate, don't you think?”

She clenches her fists, anger rising. “You had absolutely no right. This is beyond inappropriate. What were you thinking?”

Leaning against the table, he shrugs nonchalantly. “I was thinking about how hot you were and I wanted to immortalize it.”

She frowns, crossing her arms defensively. “This was private, between us. How could you think it's okay to make it public?”

“I thought you liked when I took control,” he says, stepping closer, his voice dripping with insinuation.

Wanda feels like throwing up. “This isn't a game,” she snaps. “You can't just use our personal moments as fodder for your projects!”

“You never seemed to mind before.”

Wanda replies sharply, “There's a difference between us being together in private and you broadcasting it to the world.”

He squares his shoulders, firming up his stance. “Maybe I wanted them to see.”

“To see what exactly?” Wanda yells, but the fear in her voice is unmistakable.

“How good we are together,” he says. “Maybe I’m tired of hiding, Wanda. Ever thought of that?”

Wanda's mind races, a thousand thoughts crashing into one another. She's always been able to control the narrative, always had the situation in her grip. But now, Vision's defiance, his blatant challenge, terrifies her. The realization that Vision could, and possibly would, spill their secret terrifies her more than she thought possible. For the first time, she's faced with the real possibility of losing everything she holds dear. Of losing you.

“So, what's it going to be, Professor?” Vision challenges, towering over her in a display of intimidation. “Should I submit this, or maybe...” his voice drops to a whisper, “show it to your wife?”

She grits her teeth, trying to gain some semblance of control. “Destroy it. Now.”

Vision grins, leaning in closer until their faces are inches apart. “Make me.”

“Vis—”

Vision's lips crush down on hers in a fierce, demanding kiss. His hand clamps around the back of her neck, holding her in place as he ravishes her mouth. It’s fervent, consuming, and fueled by a hunger she hasn't felt from him before. Her brain screams at her to resist, to push him away, to regain control of this spiraling situation. She shoves at his chest, her nails digging in, but he doesn't budge. Instead, he deepens the kiss, his tongue demanding entry, which she denies him.

In her mounting frustration, she raises her hand and slaps him hard across the face. Vision barely flinches, his gaze never leaving hers. His determination only fans the flames of her anger further, but beneath it all simmers an irrefutable want. Without a word, Vision's hands descend to her waist, deftly unbuttoning and pushing down her pants and off her legs. She makes quick work of his belt, discarding them recklessly to the side.

As he inches closer, his breath hot on her ear, Vision murmurs, “Say it, Wanda… say 'I want you to fuck me’.”

She can feel the solid length of him pressing against her, and despite her anger, the way he slowly gyrates his hips makes her weak. She draws a shaky breath, the words stuck in her throat. It’s wrong, and he shouldn’t have this much power on her.

He moves in, his lips trailing down her neck, as his hands find their way around her waist, pulling her in even closer. “Say it,” he murmurs again.

“I want you to... fuck me,” she finally breathes out, her voice breaking into a whiny plea that she would never have believed she could utter, especially under these circumstances.

His response is immediate. Before she can fully register what's happening, he has her lifted, her back pressed against the wall, her legs wrapped around his waist. With a sharp thrust, he's inside her, filling her completely. While Vision usually found his release before she did, this time was different. She notices he's holding back, which confuses her. Why would he? Especially now. Wanda, lost in the sensation of him inside her, is curious but also a little apprehensive.

She soon realizes why. His fingers find her clit, rubbing it in a rough, almost painful manner that sends shockwaves of pleasure through her. “Come on,” he urges, almost impatiently, his voice strained.

She feels herself spiraling, the coil inside her tightening. His cock angles and adjusts, targeting her sweet spot, making her clench around him. The slickness between them grows, and his fingers work in tandem with his thrusts, pressing, rubbing, coaxing her closer and closer.

“I'm gonna... I'm coming,” she warns, feeling the walls of her pussy fluttering.

And then she feels it—the unmistakable warmth, the pulsing. Her eyes widen in realization as Vision buries himself deeper, releasing inside her.

“No!” Wanda screams silently, the sounds failing to escape her throat as the knowledge that he's come unprotected pushes her further into her own climax. Her instinct is to flee, to pull away from him, but Vision's grip is ironclad. He feels her panic and responds with more pressure on her clit, manipulating the nub with determined fingers. Each stroke sends her further into ecstasy, locking her in place as his other arm wraps around her waist, preventing any escape.

“Stay,” he murmurs into her ear, his voice filled with a possessiveness that she's never heard before. As he continues to spurt inside her, their hips still weakly grinding against one another, the reality of the situation dawns on her. He didn't use protection. He could—he could get her—

Terror claws at Wanda's insides. Was this all premeditated? Had he planned to trap her like this? She struggles to pull away, but Vision holds her even tighter, keeping her pressed against him as the last of his release fills her. He languidly rests his forehead against Wanda's shoulder, taking a moment to revel in the afterglow. When he finally dares to look at her, he expects to see anger or fury or maybe even forgiveness. Instead, he's met with wide, bloodshot eyes swimming with tears that violently spill over, tracing the contours of her cheeks.

His smugness dissipates and his brow furrows in confusion. “Wanda?”

She chokes on her tears, desperately trying to speak. “Did you—did you do this on purpose?” Using every ounce of strength she can summon, she pushes him away, stumbling slightly as her legs threaten to give out. Hastily, she starts grabbing her clothes.

Vision, looking lost for once, reaches out, but she recoils away from his touch.

“Don’t you fucking touch me!”

“Wanda, please. Let's talk about this.”

As Wanda attempts to regain her balance, she can feel the telltale wetness slide down her inner thighs. The physical evidence of their tryst, the proof of Vision's seed making its way out of her, sends a sharp pang of revulsion through her. Her hand moves instinctively, trying to wipe away the residue, a feeble attempt to erase the aftermath—or perhaps the entirety of their history. Her vision blurs as tears continue to stream down her face, her breathing jagged. Vision, looking both remorseful and lost, reaches out in an attempt to console her, but she flinches at the barest contact of his fingertips.

“Please, at least let me drive you to—”

“To where?” she spits out, her voice mocking. “Home? To my...? I can't—not now.”

Vision's eyes widen, and suddenly he looks much younger.

“Wanda,” he starts, voice shaky and eyes beginning to tear up, “I'm so sorry. I didn't mean... I didn't think… I-It’ll never happen again.”

But the pitiable sight of him, looking scared and unsure, only adds fuel to the fire. “You think a simple 'sorry' is enough?”

The door is her escape, and she's quick to reach it. As she’s about to leave, he whimpers, almost begging, “Please don't go. I... I'm sorry.”

But she's done. With one final, withering glance, she exits, leaving the door to swing shut behind her.

While Wanda waits for her period to come, she can't focus on anything else. She feels disoriented during the day, and it keeps her awake at night.

In her world, everything's spiraling into a fragmented mess, like a vintage vinyl record that's been smashed to bits.

She tosses out reading assignments like candy at a twisted parade, tells the kids to scribble down essays. For them, it's almost like a holiday. For Wanda, it's a desperate lifeline. By the window, she stands. Watching. Waiting. But not really seeing anything. Vision's eyes, burning into her, but she never meets his gaze. She hasn't been responding to his texts or calls, discarding them immediately without even opening them. The classroom exit strategy is always the same: blend in with the herd, avoid the predator. She doesn't give him even the slightest opportunity to get her alone.

Home should be her fortress. Instead, it's like quicksand. Sparky, always eager for her attention, brings toys to her feet, his tail wagging in hopeful anticipation. But her patience is thin, and she finds herself shooing him outside, much to the dog's confusion. She's been bringing home takeout repeatedly, and the repetition isn't lost on you. While you never openly complain, she notices when you start to take the reins, cooking dinner, a quiet acknowledgment of her current state.

She waits and waits—a ghost haunting a lover, a home, a school, a town, waiting for salvation.

She’s more than a week late for her period when she (terrifyingly) decides to buy a pregnancy test kit. Wanda clutches her coat tighter around herself, hesitating for a moment before pushing the door open. Inside, she avoids making eye contact, moving purposefully towards the aisle she's dreading. As her fingers wrap around a pregnancy test kit, her heart hammers in her chest. With the box safely tucked inside her bag, she hurries back home, sneaking glances over her shoulder, feeling as though the world knows her secret.

When she arrives home, she pretends as if she had simply stopped by the grocery store. She musters a smile as she begins to prepare dinner, maintaining a light and cheerful conversation with you. You savor her food as if it were your last meal, showering her with compliments like a discerning food critic, which brings a slight chuckle from Wanda. You peck her lips when you’re finished, thanking her for it. For a while, it seems like everything is back to normal, and that nothing will shatter the illusion that she’s still living her happily-ever-after with you.

She waits, counting the minutes, ensuring you're deep in sleep before she tiptoes into the bathroom. She reads the instructions multiple times, her eyes scanning over each word as if hoping they'd change. It's as though she hasn’t been through this ritual numerous times before, back when her deepest desire was to bear your child. The irony isn't lost on her: in just a few months, she's transitioned from yearning for a baby to fervently hoping she isn't pregnant.

Finally gathering enough courage, she rips the packaging. Just get it over with, Wanda muses. The minutes that follow feel like hours. The silence is suffocating, the potential consequences bearing down on her. She jumps at the slightest noise, every creak of the floorboards or rustle of sheets convincing her that you've woken up.

The alarm on her phone finally goes off, signaling that it's time. With bated breath, she looks down at the test, her world teetering on the brink of change.

She’s hidden the pregnancy test deep in the trash bin, concealed under tissues and other refuse. It’s the middle of the night, and she ensured it is further out of sight by taking the trash outside.

As the initial relief floods through her, it is swiftly replaced by a profound sense of shame. She sits curled up on the couch, hugging her knees, desperately wishing to escape from herself and her crimes. She realizes, with a piercing clarity, that she can't compartmentalize or keep secrets when it comes to you, because you're not just a part of her life—you are her life. The mere thought of you finding out fills her with a terror so profound, she's left gasping for breath. She'd rather face any consequence, even death, than watch the love fade from your eyes, replaced by hurt, anger, and betrayal.

She loves you, but Wanda doesn’t—she doesn’t know what to do, how to move forward.

But in the midst of her life falling apart, an unexpected sentiment finds its way to the forefront: hope.

A fragile, quivering kind of hope. Wanda's lips twitch, trembling as they pull into a weak smile. Maybe the universe is giving her a second chance. Maybe her not being pregnant is a sign, a way out. It's as if fate is holding out a lifeline, imploring her to take it and mend the fractures in her life. With renewed determination, she silently promises herself that she'll devote every bit of her being to you. She knows she can't change the past, but she believes, fervently, in the possibility of a future where she remains true, where she will never stray again.

Still, the weight of her deeds anchors her to the couch, each sob a violent reminder that she's the villain in her own story. And that’s how you find her, in the dark living room, crying and blaming a nonexistent movie for being in such a mess.

“Wanda?”

She looks up and every cell in her body threatens to crumble. “Hey, baby,” she murmurs, her fingers brushing away the tears.

“Have you been crying?”

“Just a movie,” she lies still, “You know how emotional they make me.”

You smile, your eyes full of that nurturing love. “My big crybaby.” Wanda can't believe a pregnancy scare was what it took to finally wake her up.

Looking into your eyes, a surge of need overtakes her. She longs to claim you, to solidify her stake, and leave no doubt in your mind about where her heart truly lies. She wants to show you just how much she loves you, to make up for all the times she has strayed.

She doesn't hesitate. Before she fully processes her actions, she's on top of you, her weight pinning you down, her eyes blazing with an intensity that threatens to consume. “Take off your shorts,” her voice trembles. Your obedient response sends a thrill through her, but she's barely registered the progress you've made before she's swiping a teasing finger, tasting the essence that's uniquely yours. She watches, entranced, as a shiver runs through you, your voice shaky with desire.

“Patience, baby.”

She barely shakes her head, lips parted. “Don't have any.”

And then she's tasting you, each slow, deliberate stroke of her tongue designed to drive both of you mad. Your body responds fervently, and she can sense your need building, mirroring her own desperate longing. “Please, Wanda, more…” Your whisper is a plea she can't resist. Her lips part to take in more of you, savoring the intoxicating flavor that she had missed so much.

“I've missed you so much, Y/N,” she says, deliriously lost in your pleasure. “I've missed making you feel good. Missed feeling this way with you…” She doesn't quite realize the hints she's dropping, but she doesn't care. This moment is real, and she wants it to be as honest as it can be.

Lifting your legs, Wanda applies gentle pressure, pushing them back until they're almost touching the couch cushions on either side of your head. The sight of you, so openly displayed for Wanda, sends a rush of heat and desire through her core. She can feel the power she has, not just from the position but from the trust placed in her to have you in such a vulnerable state. It feels so good, being this close to you. How could she have ever desired anything else when she had this all along?

Wanda pauses for a moment, mouth watering, her eyes hungrily tracing the sight before her. She senses a slight shift, seeing your eyes flit away, perhaps overwhelmed. But Wanda can't allow that retreat. Gently cradling your face, she guides those eyes she loves back, sealing their return home to her with a tender, grounding kiss.

“I love you,” she breathes against your lips.

You smile up at her. “I love you. More than you could ever know.”

Wanda shuts her eyes, letting your reassurance wash over her. Nothing lasts forever, but perhaps this could be an exception.

#wanda maximoff x reader #wanda maximoff x vision #wanda maximoff imagine #wanda x you #wanda maximoff #my writing #category: angst #iss #my fic #wanda x reader #wanda x y/n

642 notes · View notes

ohworm-writes · 11 months ago

Text

「✰」 ━━ CALL OF DUTY: MODERN WARFARE CHARACTER FAMILY OUTLINES

RATING PG-13 - Parents strongly cautioned [ Content warnings : references to sex, references to breeding kinks, heavy fluff, children, both pregnancy and adoption scenarios, toxic family relationship dynamics, minimal cursing, brief mention of Ghost and Farah's traumas, brief mention of transphobia and homophobia ]

SYNOPSIS In my opinion, what having a family with an assortment of Call of Duty: Modern Warfare characters would look like, be it how many kids they would have, their reasonings for having kids, their relationships with their kids, et cetera.

WORD COUNT 6.8k

CAPTAIN JOHN PRICE

Three sons and one daughter - ages ten, seven, five, and one

I'm certain we're all more than aware of this man's painfully obvious and present breeding kink, so it's no surprise to anyone that he would want to have a lot of children to call his own. He won't just be satisfied with one or two children - he's always wanted to have a full, bustling home, and he'll be damned if he doesn't try to make that a reality.

Every child of his is planned, both in pregnancy and adoption scenarios. He meticulously calculates and works to space each child out a certain range and number of years apart from one another in an effort to give himself extended experience with each developmental stage - or so he claims.

He wanted kids of his own, he decided, the second he met you, and he just hopes and prays that you'll be open to the concept of having quite a number of them. And, in his favor, you do and indulge him in his little fantasies.

And, in the ingenious words of @ghostlywhiskey , "i said that man has SWIMMERS AND THOSE MFS ARE PRICE BOYS". So, there's a very obvious patten that begins to form as more and more members are added to his little family. But, of course, there's one token daughter added into the mix, who he loves all the same as he does his boys.

In my eyes, the ideal father figure. He's extremely open and honest with his children, listens and talks with them whenever they have an issue or question, is very understanding and accepting overall, and, more than anything, works tirelessly to be a present, positive figure in their lives.

Because of all of the experience that he has with his own children, this results in the members of Task Force 141 and associated parties going to him for help or to have him answer questions they may have around their own children.

He tries to be as present of a father as he can be, given the challenges and distance that comes with his line of work, but always makes an effort, at the very least, call his kids whenever he can to ask about how they're doing, what they're up to, et cetera.

Refuses to talk about his job or entertain his children in the very idea of joining the military - the horrors he's seen is not in the slightest something he wants his children to witness for themselves. He knows the job best, and he will not allow any of his children to join.

Raises his sons right - they're respectful, mind their manners, don't start fights (but finish them, should the need arise) and instills all the necessary core morals and values they'll need to be good people when they grow up. All the same, he teaches his daughter not to take shit from anyone.

LIEUTENANT SIMON "GHOST" RILEY

Three daughters and one child (non-binary) - ages ten, six, three, and nine

Originally, he had never even spent a moment in time thinking about or entertaining the possibility of him having children, much less actively putting effort into reaching that goal. Especially when considering his own history, he can't even begin to see himself as a father, fearing he'll end up like his own.

So, when you get pregnant for the first time on complete accident/enthusiastically bring up the idea to him of adopting a child seemingly out of nowhere to him, he's completely shell-shocked. This is something he's ever put considerable thought into, and now it's being dropped into his lap without a moment to process it or breathe.

So, when he lays eyes on his first little girl for the first time, he's terrified. He's a dad now, whether he wants to or is ready for it or not. And no, it's not like he didn't tell you to get an abortion/refuse to sign the papers, but he isn't fully ready for such a heavy responsibility yet. But when he has her in his arms for the first time, he's done for.

After the first, he's so open and willing - and, quite frankly, pushing for - trying for/adopting another child. Yes, he was scared for his life to become a dad at first, but now that he's one now, he can't help but want another - and best you believe that his children are his absolute world.

Curse of the military. That's it, that's the tweet. He had all girls, plus, of course, his one gender non-conforming, non-binary kid, and all of them have equal ownership over his heart.

He's the perfect girl-dad, letting them do whatever they want with him - their own personal dress-up doll, if you will. Painting his nails, putting make-up on him, styling his hair, making him attend tea-parties and playing make-pretend. Whatever they want him to do, he does it.

When his second-oldest comes out to him (they came to him first before they did you), his heart absolutely melts. To know that his kid trusts him so wholeheartedly and isn't scared to share such a private thing with him lets him know just how good of a dad he is.

He's quick to use the right pronouns, allocates a separate room for them, helps them go shopping for clothes and items they may want, tests out new names for them should they want to, et cetera.

He's not at all a strict parent, as much as one might believe. He's stoic, cold, and cruel, sure - but that's to everyone but his family. For them? He's the biggest pushover in the world. If his children want anything, best believe he's doing everything in his power to fulfill their wishes.

SERGEANT JOHN "SOAP" MACTAVISH

One son and one daughter - ages four and five

He's always wanted children, that mindset and dream having been set long before he ever even joined the military in the first place. He used to take care of and watch his nieces, nephews, and younger cousins a lot when he was younger, so it eventually evolved into him wanting little rascals of his own as time went on - to be able to nurture, care for, and have fun with.

So, when the opportunity arises to actually start a family of his own, something that he's always dreamed of, he's so giddy. In complete honesty, he's practically beaming and bouncing on the balls of his feet, so willing and ready to make this into a reality. He has his own fears and anxieties, yes, but his excitement far outweighs it.

Both of his children are planned, of course, wanting them to be close in age as he can get them, and he's ecstatic that he gets to have both a boy and a girl. He gets the best of both worlds that way! And, when he finally gets to hold each in his arms for the first time, his heart shatters, melts, and crumbles in the best ways possible.

He isn't just a solider, a boyfriend, or a husband anymore - he's a dad now.

He's such a fun dad in general, always joking around with his kids, letting them - safely - do things that they aren't supposed to do, messing with them, taking them out for desert and sweets, et cetera.

But, as much as he's the "fun dad", that doesn't mean that he's any less strict. If his kids mess up or do something bad, he's often the one responsible for determining punishment, telling them off, and teaching them not to make the same mistake again.

His work is demanding, yes, and that often takes him away from you, his partner, and his kids for long periods of time, but he always comes back, ready to be a dad again and put "Soap" on the backburner.

The perfect role model for his kids, in all honesty - the best combination between a best friend and a parental figure. His kids tell him everything and they aren't scared of him to keep secrets from him, always telling him the truth without shame or hesitation.

SERGEANT KYLE "GAZ" GARRICK

One son and one daughter - ages seven

Both of children are twins

Having children wasn't something he had ever planned for, in his mind. Not to say that he never entertained the idea of having children of his own, nor is it to say something that he's against, either. He simply hadn't ever thought about making it a reality before.

But, when the opportunity to have/adopt children comes up into his life, it's welcomed, allowing himself to go with the flow of things and let them play out as is. He thinks about it a lot more now, daydreaming about what his child's personality will be like, what they'll look like, who they'll like more...

And then boom! Twins!

He's starstruck when he first gets the news that he'll be having/adopting twins. It's like a two-for-one deal, or so he says, genuinely shocked and excited at the same time. The way he sees it, his kids will always have a best friend (or, a partner-in-crime) and he's all for it.

Twins are a lot, he knows, but that doesn't mean he isn't up for the challenge. If anything, it only spurs him on to push to be the best dad he could ever possibly be.

For better or for worse, his kids adopt his sarcastic nature as their own and increase it by tenfold. It's his fault, given that whenever his kids are around, he's talking to them as if they'd understand his points and smart comments. They don't, most of the time, but they know their dad's tone, and they're quick to match it.

Takes the most time off out of anyone else in Task Force 141 to spend with his family if and when he can allocate it. He wants to be as present of a dad as possible, and if that means taking work home when he could easily finish it on base and then come home, maybe a day or two later, he's doing it.

Very adamant on having days out with his kids, be it for the purpose of a mental health day or just for fun. Takes them out to get breakfast and lunch, plus going to do another activity. Maybe the park, the playground, watch a movie at the cinema, go to the zoo/aquarium, et cetera.

He's not a super strict parent but that doesn't mean he isn't going to disciple his children if they misbehave or do something wrong. His punishments are lax, focused more towards talking out the issue that giving harsh lessons.

STATION CHIEF KATE LASWELL

One son - aged sixteen

She and her wife decided that they really wanted to have a kid of their own a few years into their marriage and, especially given that neither of them aren't getting any younger and didn't necessarily have the energy, time, or willingness to take on the challenge of pregnancy for themselves, they choose the more sensible option available and adopt.

It's a long, deliberate process that they have to go through in order to be so much as be approved for being able to adopt, but, once that hurdle is overcome, the two of them waste no time and immediately begin their search for the newest member of their own little family, allocating time to meticulously decide who they'll, inevitably, choose.

Their hearts end up settling on a little boy whose four years old, somehow resembling the both of them in different ways - be it personality wise or by appearance.

The two of them decide that they want to be able to escape and skip the issues that come packaged with newborns and toddlers, but also have a hand in the development process of their son, thus explaining the age they chose to adopt him at. This accomplishes both of these "goals" they have in mind, and it works out beautifully in their favor.

No matter their son's ethnic background, the two of them make a conscious effort to try and introduce practices, traditions, holidays, ideals, et cetera from their son's culture into their own as a means to keep him connected with his own past and history.

Although her job is connected with the military and does, to an extent, seperate her from her families for periods of time, that doesn't diminish the relationship she has with her son. He's fascinated with his mom's career, allowing for lengthy, in-depth discussion about what her job actually entails with him.

She and her wife are such good moms in general - always supporting him in everything he wants to do and encouraging him a thousand times over. There isn't a second in his life where he isn't being supported or loved, but it by his moms or the numerous different adult figures in his life.

Laswell gets in a fair bit of trouble with her wife for not disciplining her son in any way, shape, or form. She may have no issue with doing so with the military individuals she works with - she can be scary and intimidating when she wants to be - but with her son? She's absolutely a pushover.

Quits smoking the second she and her wife make plans towards actually adopting. It's a harsh line she draws, and one she abides by without hesitation or question.

VALERIA GARZA

None

Now, this isn't because I want to exclude her from this concept for any reasoning whatsoever, but rather because I can't really see her having or wanting any children in the first place. She's "El Sin Nombre", after all. And, in her defense, the cartel isn't necessarily the best enviroment for a child to grow up or develop in - surprising nobody.

She knows this fact better than anyone, and, having sworn her life to her role in Las Almas and the cartel, she chooses to not have any children. Additionally, she isn't going to be irresponsible and make herself vulnerable like that where, to have someone to love and care fore, only for the possibility of them being used as leverage against her later on hanging over her head, putting them in danger.

And, in any case, she has a breeding kink to make up for it, eh?

But, in all seriousness, as wonderful as I think she could possibly be with children in general, I doubt she plans on having or adopting children of her own unless she actually makes the move to leave the business of the cartel altogether - which, lets face it, with who she is and the role that she plays, is highly unlikely.

To make up for this, let's talk about her relationship with kids in general - be it the children of Las Almas and nieces and nephews that she has and interacts with.

She fits the "cool aunt" persona to a tee, always bringing gifts and/or cash to her younger family members, getting them whichever they desire, playing games with them, talking shit about people and listening to them vent, et cetera.

If the children have a problem with someone and, if aren't family, she has no issue doing something about it, be it using a scare tactic on them or completely removing the other person from the equation in more serious scenarios.

All the kids love her, no matter if they're family or if they know her or not. If she isn't busy and one of her men have a child of their own that they need to tend to while they're on the clock, she'll let the kid stay around in her office, so long as they don't disturb the peace.

VLADIMIR MAKAROV

One son and one daughter - ages eleven and five

Now, as cold, cruel, stoic, and heartless of a character that Makarov is, I personally believe that there would be select factors that would influence him to actually want children. Technical, albeit, and not for the sake of having someone to nurture and care for - at least, in the beginning - but I do believe that, for his own reasons, he would still want children as he progresses on later in his career and plans.

The only reason I could ever see for him to so much as bring up the concept of having children, in a way that makes sense when considering his character, would be due to the result of a close encounter that has him just barely scraping out of whatever altercation with his life to spare and hold onto.

He decides then and there that he wants to have a child - a son, specifically - who will be able to take his place and lead the groups that he controls and reigns over when he, inevitably, passes because, like he stated: "even I'm replaceable". It's a morbid phrase, yes, but it makes sense for him to have this be his reasoning.

He wants his replacement to be his own, too, and not for one of men to simply be promoted after he passes. After all, their ideologies, morals, and values could change over time and alter from his own, and he can't have that. However, if he were to have a child, he could foster and tailor their beliefs to match his own.

And besides, there's a certain charm that comes with saying his son is going to be the next in line. So, to his favor, he gets a first-born son, just as he had wished. His daughter, however, is completely accidental and unplanned/an abrupt decision when she is born/adopted. (In the context of pregnancy, though, its entirely his fault that she's conceived out of nowhere - wear protection, folks.)

For the longest time, his relationship with his son is, for lack of better wording, toxic - but this does change! If only with your intervention. All he wants in the beginning is for his son to be able to take over for him in the future - that being his sole purpose. And, unfortunately, he makes that a known fact.

Brings his son in with him to work on base often, working to teach and show to him the empire that he'll be taking over once his dad is gone. He gets a front-row view to the horrors his father is behind and in control of, be it the planning process for strategized and organized attacks, his cruel methods for dealing with traitors, and otherwise.

As much as he might, at heart, want to be a boy-dad, his relationship with his son is so strained and, frankly, falling apart, even if he refuses to acknowledge it, and so toxic in nature that it's only natural he becomes a girl-dad when his daughter is finally born. It's unfair, yes, but it's the truth of the matter.

He keeps his daughter far away from his work, shielding her completely from the badness of the world - the badness that he himself helps to create. She's his his pride and joy, and she's such a daddy's girl, leaving his son to fall to you, his other parental figure, for comfort and support - that of which his dad fails to provide.

COLONEL KÖNIG

Four daughters - ages two, three, seven, and fourteen

Interestingly enough, he's actually always quietly desired and yearned for a family of his own, though, he's never had any open discussions about it until it came to you. It's almost funny, the way that he's so awkward and tends to shy away from others any chance he's allowed to, and yet, he wants nothing more than a sizeable family for himself.

To have someone to fight for, to come back home to... it's all a soldier ever wants - himself included. And, for him, that includes a family that doesn't just consist of him and you (as content and happy as he is with it for now). The mere prospect of coming home to children of his own who can greet him and adore him is all he could ever ask for.

Though, even given this, he's especially nervous to actually become a father. He overthinks it a lot, wondering if his kids will even like him, going over the multitude of different ways that he could mess up even when he has no reason to. Because after his first, that fear melts away into enthusiasm.

Four children, especially when they're all girls, is a lot, yes, but he handles it with ease. He doesn't let the stress of it get to him, simply taking everything in stride and dealing with it rationally. He wants to preserve the positive relationship he has with his daughters, and approaching things from a logical standpoint is just the way to do it.

The true curse of the military - all girls, and so many of them, too. His younger children are all girly to an extent, too, so he's no stranger at a tea party and getting his make-up and nails done messily by his daughters. His oldest, although she may not be as girly, still has her moments, be it certain musicians maybe that she's forced her dad to listen to the entire discography of.

His girls love use him as a prop and character in their bouts of playing "make pretend". He's played a tree, standing still for them to climb all over, a dragon, protecting them from all of the bugs and critters that threatens to offend the, and even a race car, holding onto one or two of them as tight as he can and breaking into a sprint. It's strange and exhausting, sure, but he loves it.

Teaches his daughters to stick up for themselves - it's one of the first lessons he ever teaches them. Whether it be in terms of don't let people see you as a pushover, don't let anyone tell you what you can or cannot do, or stick up for yourself by any means necessary, he instills those ideals into his kids. Teaches his eldest how to fight, too - per her request - as another measure and precaution.

Although being apart of KorTac and being a colonel in general keep him busy and occupied and away from his family, that doesn't stop him from trying his hardest to be with them. He sends each and every one of his daughters, with the inclusion of yourself, gifts he picks up while he's away that reminds him of you all, just as a means to remind you all that he's here and he loves you.

COMMANDER PHILLIP GRAVES

Two daughters and two children (transgender) - ages seventeen, six, and thirteen

Both of his trans children, female-to-male, are twins

In his daydreams, he's always imagined himself with a family of his own. A nuclear family, the American ideal - married with two and a half kids, a dog, a big house with a white-picket fence, a stable job. The whole lot. That's all he's ever had in mind for himself and he yearns to make it a reality.

So, when the topic of children come up after the married, dog, house, and job things are already figured out, he's eager to speak his mind and give his input on the matter. He's got the biggest, most lopsided grin spread out across his face when he lays eyes on his eldest daughter for the first time, and that only solidifies his dreams.

Though, ironically enough, he always had in his mind that he'd have more boys than girls. He loves his daughters wholeheartedly and without shame, mind you, but... still, the sentiment remains. He always imagined himself with one, maybe two or three boys - someone he could play catch or watch sports with.

He doesn't get that, until he does, and his twins come out to him (albeit, at separate ages) as trans ftm. Of course, the whole "trans" thing is new to him, and while he may be a little clueless, seeing how happy it makes the two of his kids is more than enough to convince him him to put in effort and be the most supportive dad he can be.

I don't want anyone coming to me saying "oh, he's transphobic" because no he's not. He may fit that all-American persona of his to a tee, but I refuse to say that he would go as far to be transphobic or homophobic, especially with his own children. (Also, I'm petty, so you get two of them).

He fights and works hard to be present in his children's lives. He may be the Commander and CEO of Shadow Company, but that doesn't mean his men can't function without him from time to time. His family means everything to him, all of his time off being spent towards treating them.

Not the parent who pushes for his children to each be involved in a million after-school activities, but encourages them to take up something. His oldest plays volleyball, his second-oldest plays baseball, his second-youngest plays the drums, and his youngest dances. Takes them all to practice and helps them however he can.

Genuinely just copy and paste Jeff Sadecki from Yellowjackets and that's him as a parent. Except... with less of the drama. He's dedicated to being involved in his children's lives, making memories and having fun with them, telling horrible dad jokes from time to time, and whatever else.

SERGEANT MAJOR RODOLFO "RUDY" PARRA

One child (agender) - aged sixteen

He never actually planned on or anticipated becoming a father in the first place, more focused on dedicating his efforts towards his career and not spending more than a passing thought on creating a family. Not to say that he doesn't want one, it's just a concept he hasn't spent too much time thinking about or worrying over.

So, this means that you have to be the one to bring it up to him. And, granted, it somewhat catches him off guard - you want to try for a baby/consider adoption with him? Since when? It throws him off, to be honest, and he genuinely has to take some time to reflect and decide if this is actually something that he wants.

And, in your favor, it is.

He's somewhat nonchalant about the whole thing, not really realizing how big of an event it is until you're close to the due date/you're approved for adoption. And then it hits him full force that, yeah - sooner than later, he's actually going to become a dad and deal with the responsibilities of one and have a child of his own.

It's humbling, funnily enough, and he revaluates his priorities when it comes to his career, you, and child-to-be.

Even though he never anticipated or saw himself as someone who could accurately fill the role of a father, he's a good one. More akin to a close friend at times whereas others he can more accurately be described as a mentor, but it's important for fathers to share both of those factors, in a way. Which he absolutely does.

His child comes out to him before they reach double-digits, and its another moment that he has to pause for. Of course he's going to love them unconditionally, no matter if they identify as something else or go by different pronouns or want to use a different name, it's simply something he hadn't expected.

Doesn't really at all punish his child if they do something wrong. He'll have a conversation with them, sure, but it never truly extends to anything beyond that. Simply a "hey, don't do that again, okay?" and moving on with life. All that matters is that they understand and acknowledge their faults, in his eyes.

Involves himself in whatever his child is interested in and tries to understand it as best he can. They have a sport they're really into? He's buying them merch and watching matches or games with them. They're really into a certain video game? Start up a new save file, he'd love to play. Genuinely super supportive.

Does not at all plan on having another child. He's content with the one and, quite frankly, even one can be a lot at times. He can't count how many times he's had to go to those parent support groups just to ensure he's being as good of a dad as he can be.

COLONEL ALEJANDRO VARGAS

Four sons and one daughter - ages twelve, eleven, nine, and eight

His oldest sons are twins

The absolute definition of a family man. He, somewhat akin to Price, always imagined himself with a family of his own later down the line in his life - a large, lively one, too. He grew up in a larger household himself with a number of brothers and sisters, both younger and older, and he always imagined the same for his future family.

He's so enthusiastic about it, too. He isn't scared or worried at all, confident in his own abilities to take care of children, given his own extended experience, so he has little to no fear in what he'll be like as a parent or his own capabilities. He knows what he'll need to do, how to do it, what to buy, what to say, et cetera, so he's confident.

He doesn't really have a plan for what their ages will be, more so allowing everything to flow naturally, but he can't deny the fact that he has his own picture in mind for what he wants his family to look like. Ironically, he always imagined himself with more girls than boys, but it seems like life had... a different plan for him.

He loves it, though. He's extremely good with newborns and toddlers especially, and when he laid eyes on his twins for the first time, holding both of them to him, it was over. Plain and simple. With the first step taken, he can now fully immerse himself in being a father and cultivating the lives of his children, and that's all he could ask for.

His boys are rowdy. Especially his oldest twins and his youngest son, his eleven-year-old acting much tamer and calmer in comparison, but still has his moments. They roughhouse with one another, mess with each other, talk shit - the whole lot. Typical sibling behavior, yes, but they had so much energy.

Takes a lot of time off to be with his family when he can spare it. If he isn't physically out for an operation and instead is at the Los Vaqueros base, he sometimes will bring one or two of his children to stay in his office while he works. That is, if he doesn't up and leave to go home the second the opportunity arises.

Defiantly the one responsible for disciplining his children and dishing out punishment. It's not to say that he's cruel or mean in any sense, but he can be strict. If they do something wrong, he's quick to decide on a punishment that appropriate and relevant, dedicated to correcting that behavior as swiftly as possible.

He's an absolute pushover with his daughter, though. Not to say that he doesn't love his boys, because he does, but he'd do anything for her. Tea parties? Dress up? Make believe? You name it, no matter how embarrassing or emasculating it may be, and he's doing it if his little girl asks.

Messes around with his boys a lot. He has a positive relationship with all of them, one that's open and honest, which leaves room for him to be able to roughhouse and taunt and poke fun at them from time to time. They might have to be smart with their own words and responses, but he's making smartass, cheeky remarks whenever he can with a grin.

OPERATION OFFICER ALEX KEELER

One daughter - aged eleven

He's thought about having children before, yes, but never in a realistic context. For him, in the past, it's always been more of a "let me imagine a scenario of how myself and a future family would look" but never actively taking strides or realistically think about how he would achieve that.

So, when you bring the topic up to him, he kind of stills and... actually thinks about it. There's a difference between putting yourself in a scenario and imagining it, and actually taking steps to make it into a reality. He sort of panics, too, because... would he actually make a good dad?

He's the most apprehensive and anxious person out of anyone when it comes to considering the path of parenthood. Of course, he agrees, more than willing to try for a baby/go through the adoption process with you, but he's endlessly terrified of messing things up.

Even when he actually gets to meet and hold his daughter for the first time - he's a man who has no shame in crying, because he absolutely does when he sees her - that paranoia remains. But even so, it solidifies his goal to become the best father he can be for his little girl.

So clueless at first at how to even approach fatherhood, purchasing so many parents books and listening to an abundance of podcasts and going to classes and everything of the like. He's confident in most aspects, sure, but parenthood is something he's never dealt with in the past - it's no surprise he wants to do everything in his power to be the best dad he can be.

As anxious as he is, though, he, in my opinion, is probably the best father he could possibly ever dream to be. He's attentive to his daughter's wants and needs, can gauge her emotions correctly and acts accordingly, is responsible in terms of taking precautions to keep her safe, and he's present as much as he can be.

Number one cheerleader in everything she does. Whether it be getting a passing grade or an outstanding one on a test, he's hyping her up. If she joins and becomes a part of a particular activity of interest, he's taking her out to a celebratory dinner. All words of encouragement and praise from him.

Is a very active an present parent, too. Takes her out on little father-daughter days whenever he can to wherever she wants to go. The mall to look at the one obscure candle store? Sure, he's down. The zoo to go make up conversations between the animals. Absolutely. He loves hanging out with her, and seeing the way she lights up whenever he offers to take her out is all he could ever dream of.

COMMANDER FARAH AHMED KARIM

Two sons and one daughter - ages seven, four, and eight months

In the beginning, actually, she was very opposed to the concept of having/adopting children. Given her involvement with the ULF and that the current climate in Urzikstan was far from safe to raise any child in, she had no reason to even entertain the thought. Especially considering her own past, she was against it.

For a while, most conversations of having or starting a family were shut down by her - she yearned for it in the back of her mind, sure, but it wasn't a realistic goal. That was until she and Samara had a conversation about the topic, Samara telling her that while, yes, there were dangers to it, there's nothing more fulfilling than family.

So, after long deliberations, she began to consider it more heavily, leading to discussions where she finally agreed. She has her own reservations, fears, and anxieties about it, yes, but considering all the work she's done, she's allowed to have this. To have a child or children, to make her own family that loves her unconditionally.

She keeps her family completely separate and distanced from her work. As much as she's passionate about what she does, there's that lingering fear in the back of her mind that, one day, her family could get hurt or even possibly used against her as leverage if they're discovered. So, there's a clean separation between the two.

But it's all worth it when she meets her first born son for the first time. She's playing such important roles in her life - the Commander of the ULF, a resistance fighter, someone associated with Task Force 141, and one of the few key figures tasked with liberating her country in its entirety. But, now, she's more than that. She's a mom.

Even though she's never had children of her own before, she handles motherhood like a seasoned professional. Even before her other two children, she never got too overwhelmed with the work and responsibilities that come with being a parent, handling everything with a level head and a calm voice, turning out in her favor.

Though, she's somewhat a bit stricter with her children - not in the sense of being overbearing and not trusting them, or even that she has high expectations and standards for them. Rather, she wants to ensure the safety of her children and that their childhoods never turn out like her own, so she takes extra precautions.

She doesn't actually send her children to school, rather taking time to teach them herself - with your aid, of course. It's partially for those same reasons of fear and wanting to protect her children, but she's actually really good at it. She's taught her children how to write, how to read, how to speak two different languages... it's a way that shows how invested she is in her family.

As serious as she can be with her work, she's much more laid back and relaxed when it comes to her family - just another perk and upside, she supposes. With all the stresses she deals with, being able to come home to her sons and daughter, being overwhelmed with love - it's rewarding in a way she's never experienced before.

NIKOLAI

Two daughters - ages eight and three

He's always imagined himself with children, in complete honesty, even when he was younger - to have maybe one to three of his own. To your luck, he's open about it too, so he's actually the one to bring up the idea to you in the beginning, having no shame whatsoever in his willingness to try for/adopt a child... or two or three.

He isn't scared to become a parent, per se, nor does he have many anxieties or worries about becoming one, but there is still that subtle worry in the back of his mind that he won't be the most fit parent.

Everyone jokes about how he can be reckless and unethical, and he enjoys the banter, but it does make him self-conscious and second guess his own ability to be an adequate father.

He doesn't really consider or worry about what ages his children are, simply allowing things to fall into place naturally, as they should. He may have imagined himself with children in his own daydreams, sure, but there was never any clear specifics for age or gender he had in mind.

But once he actually gets to meet his daughters for the first time, those worries fade away partially - they still linger, yes, but for the most part he lets them simmer on the backburner, not allowing them to interfere with him as he directs his focus away from worrying and more towards becoming the father his girls deserve.

His daughters are just as much of a menace as he is. Maybe not in the "I deal with sketchy people on a daily basis and have done some questionable things" kind of way, but they have their own mischievous streaks like their father. Be it orchestrating pranks or smaller acts of the like, sometimes they even outshine the father.

He's playful by nature, yes, and he is with his girls, but you'll also never meet a more protective parent than him. He may be sly and smug and appear all cool and collected outwardly, but when it comes to his daughters, he's doing everything in his power to protect them from anything, be it people... or ants.

Likes to be his daughters' own personal jungle gym, letting the two of them hold onto him and climb all over him without a care in the world. Additionally, that means he makes for the perfect mode of transport for them, too - having them cling onto him as he walks around, moving them from one place to the other.

He can act like a child in his own right, but he's still a good father nonetheless. In line with that protective nature, he does everything he can to both foster a positive relationship and set rules and boundaries. Bed times, chores, punishments, et cetera - he's in charge of those things, and, while he isn't strict, he's responsible.

940 notes · View notes