#just so i know what characters we're working with at any given time.

[total-drama-brainrot]

Hello! About the fake dating!au, I was wondering how the episode Niagara brawls would play out if Alenoaheather was happening. Would Alejandro and heather still be paired up or would one of them be paired up with Noah?

Well, to be entirely honest, I haven't really thought too much on it yet. Mostly because it's still kind of up-in-the-air as to when Noah's elimination would take place in this AU. I think we've sort of settled on post-merge, so he would be present in the Niagara Falls challenges, but the timeline's still really vague so I personally haven't really invested any time in figuring out the semantics of how each episode would play out.

But since you asked, I might as well toss my hat into the ring! I'll just type out my thoughts as they come, so please excuse this response if it's a little all-over-the-place or formatted weirdly.

Off the bat, it's been fairly well established that the canon final four remains unchanged, so at the very least both Sierra and Cody are still present in this challenge; this is important, since in canon the only reason Heather ends up partnered with Alejandro is because Sierra is the one who rejects him as a husband first. I don't really see a reason to change the canonical play of events here, unless a brainstorming session later on down the line necessitates Noah being paired with either Heather or Alejandro for whatever reason. Mostly just because keeping as many "pre-written" plot points as possible lessens the workload on our shoulders (us, of course, being me and @perpetualexistence, and occasionally @ur-local-brown-multifandomist).

But that does leave the question of who Noah would be paired with.

And again, this would be super dependant on who's left in the competition at this point; since Noah's made it to the merge, we know someone has to have taken his place in the London elimination- just that small change could have potential consequences on all of the subsequent eliminations afterwards, so the merge cast might look almost completely different to World Tour's "official" line-up.

And this is also super dependant on whether or not it's Blaineley who wins the Aftermayhem challenge- I'm not sure if any of the others intend to swap her out for a more interesting/plot relevant contestant (which, as much as I do love Blaineley, she's just find of there with no real relevance to the story) like perhaps Lindsay, Leshawna or maybe even Beth- I assume it'd have to be a girl, since the show itself works to even out it's gender ratios, but it could hypothetically be anyone.

So Noah's partner could be... literally anyone, save for the Final Four (Alejandro, Heather, Sierra and Cody).

...Unless?

Now, don't judge me here, but I do kind of like the idea of Noah ending up with Heather as his partner. Maybe it's the vast potential of how their (entirely self-constructed, and self-indulgent) character dynamic could play out in this scenario, or maybe I just want the opportunity to write Noah trying and failing to pick up Heather, eventually leading to her being the one to carry him across the Falls tightrope like a pathetic, soggy kitten. Or maybe I'm just getting my Noaheather on- who knows?

All I'm saying is, they'd be giving a lot of Connecticut Clark and Malfina vibes and I'm so here for it.

And maybe I just want to see something new; there's so many explorations of how an Alenoah Niagara Brawls challenge would play out (and they're all wonderful, don't get me wrong!) so it's time to give some other pairings the spotlight!

Plus, this particular scenario would not only allow the contestants to see Heather and Noah acting like the "fake" couple they're supposed to be, but Alejandro could also play it as either a double-breach of his trust (since he's also supposed to be "fake" dating Noah, at least, and he has his whole romantic rivalry with Heather) or take advantage of his position and try to charm whoever he's partnered up with and either secure a valuable ally for later on down the road, or beguile his next elimination target into a false sense of security- since a huge part of Alejandro's character is his conniving flirtatiousness, and I don't want to completely negate that.

Now that I'm thinking about it, Alejandro's flirty nature could be a conflict point between himself and his partners. That's a thought for another time, though.

But, again, it's still very up-in-the-air and I don't really think I can give a definitive answer until a proper elimination order has been established- or, at the very least, the elimination order pre-merge. So, uh, sorry for the lack of a definitive answer!

[beeing1alive]

Could you play the Tokyo Revengers characters with a really pretty girlfriend?

Note: Of course and I had a lot of fun writing this

f.t.: Mikey (Manjirō Sanō); Draken (Ken Ryūgūji); Mitsuya (Takashi Mitsuya); Chifuyu (Chifuyu Matsuno); Baji (Keisuke Baji); Takemichi (Takemichi Hanagaki); Angry (Souya Kawata), Smiley (Nahoya Kawata); Hakkai (Hakkai Shiba); Kazutora (Kazutora Hanemija), Koko (Hajime Kokonoi); Inupi (Inui Seishu); Hanma (Shuji Hanma)

Mikey is not at all shy about telling you how perfect and really perfect you look in every conceivable situation. You go for a walk? He tells you he's never seen anything prettier. You're in the shower? He's practically glued to it and won't stop telling you how wonderful you look.

Draken almost always looks at you. At least whenever he can. For some reason, his eyes are always around you, no matter what you're wearing. He might go crazy if you're wearing a short skirt or a tight shirt because he can't help but stare at your accentuated body parts and blush every time you move even slightly. We won't go into that any further.

Mitsuya always gets extreme love attacks when you wear clothes that he has made. He always adjusts every seam and every fabric to your perfect body, so that all the wonderful parts are highlighted. Every time you walk around in front of him in one of these pieces of clothing, he forgets how to breathe and has to turn away to hide his blushing face.

Chifuyu thought at the beginning of your relationship that you were only with him because you wanted to get closer to one of his friends. Not a single girl has ever looked at him the way his friends are looked at, so he wondered why such a beautiful person fell in love with him. But after your first kiss, he realised that love can't be faked so well.

Baji got a nosebleed when he saw you for the first time. You just walked into the classroom in your school uniform and as soon as he caught a glimpse of your pretty face, it happened. Of course he was terribly uncomfortable and that wasn't the first impression he wanted to make on you, but at least now you can tease him every time he stares at you.

Takemichi wonders every day why someone like you, who could get anyone with his beauty, would want to be with him. You just look so pretty with that sweet grin painted on your perfect face. He thinks that you are a work of art. Of course, he's not just with you because you're pretty, but honestly, he loves your body.

Angry adores your body and he just can't keep his hands off you. Not just in the kinky sense, but much more in general. He's very shy, but even so, his little finger is given away with yours as soon as he walks or stands next to you. There is simply no prettier creature for him than you.

Smiley really does show you off a lot. To be honest, he always stands behind you so that you come into your own in front of him. It's just his thing to stand behind you, one arm around your waist, like: I know, she's a masterpiece, isn't she? Well, unfortunately it's already mine. I don't know why, but his grin always gets a little more mischievous when he sees that another boy staring at you and then realises who is standing behind you.

Hakkai is, just to be clear, extremely shy around pretty much any girl. You're certainly no exception. But we're only talking about in public here. Behind closed doors, he can hardly keep his hands or eyes away from you. He likes it best when you only wear short and comfortable clothes so that he can see a lot of your skin.

Kazutora hasn't seen you for a long time and honestly? He almost fainted when he saw what a beautiful young woman you had become. He quickly got used to it though and made a habit of admiring and loving every inch of your perfect body. He just can't help himself.

Koko loves your body and every inch of it. Sometimes you're just lying on your sofa scrolling through social media and he lies on top of you and draws circles and lines on your body. He loves these moments, especially because he can really relax, as he usually works so much and hardly gets any rest. And he has a clear view of your body…

Inupi stares at you from a distance and when you notice it, he looks away and blushes so much that you know he was staring has been staring. Your body is simply too hypnotising for him and he doesn't know what to do about it. Every single movement looks perfect and every part of your body is wonderful.

Hanma rarely tells you how great you look, but he definitely shows it. Not intentionally, but he shows it. Sometimes you notice how he stares at you with extraordinary affection or how he absently strokes your body and hums softly. He actually wonders why you're with him. With your beauty, you could have anyone. Oh God, he just loves you too much.

Attention: The characters and the gif do not belong to me. All credits go to the actual owners. If you want anything to be changed or removed, please write to me.

[tinfoil-jones]

Tate Pines AU 

(aka Tater McGucket is an oops baby Fiddlestan kid)

Note: LONG POST. This is me hyper fixating on a brain worm because the Gravity Falls Fandom roared back to life. This is probably misspelled in a lot of areas, and not the clearest or most concise post because this is me rambling at 2 in the morning. Also the characters are maybe OOC. Also, this is written without accents because I'm not from the Midwest or southern United States.

In this AU/Scenario, Stan is a transgender man, and 'encountered' Fiddleford during his vagabond years. It was a heavily drunk/high one-night-stand, so they never properly met or even knew each others names. This happens after Ford graduating Backupsmore University, and for this scenario to work let’s say that Fiddleford went to BMU for his undergraduate program, but then went to the local university in Palo Alto for his graduate studies.

Years later, just like in the OG show Fiddleford is Stanford's research partner in Gravity Falls, and married to Emma-May Dixon; but they don't have any children together at this time, and they got together *after* his encounter with Stan. So this isn't an affair baby scenario.

Tatum "Tate" Pines is 5 years old, living on the road with his dad, currently staying in a motel but they're about to move into a real apartment for the first time ever because Tate needs to start school soon. Stan is still a drifter and a con man, but he recently came upon a large sum of money because Tate accurately guessed the lottery number for the state they were currently in.

Stan still receives a postcard from Gravity Falls that says "Please Come", and is allegedly sent from his estranged Twin who he hasn't seen in almost 12 years. But this is roughly a few months before it would have happened in-canon.

Given Stan's disownment, no one knows that he even has a son, not even Ma Pines. Not like he'd want them to know. Having his own son and loving him unconditionally made him realize that his own dad Filbrick was a monster, who he didn't need to prove himself to. But he still wants to reconcile with Ford, so he decides to go just like in canon.

This post card, however, wasn't sent by Ford. It was sent by Fiddleford, who was watching Ford spiral in real time and hoped that if anyone could convince Ford that he was acting crazy and unstable, it was his twin brother.

While Stanford doesn't greet Stanley with a crossbow like in the original because this is before the portal test with Fiddleford, he's definitely shocked to not just see Stanley there, but Stanley with a tiny gap-toothed child in tow.

Stan doesn't know that Ford wasn't expecting them, and excitedly introduces Ford to his nephew.

Ford: Stanley, are you sure this child is yours? Stan: ...Ford, did you forget we're not identical twins?  Ford: ...Oh! Oh my, Stanley... Stan: *thinking* 'I don't know if I'm touched that you don't see me as anything other than a man... or insulted that you forgot something so fundamental about me'

Flabbergasted, Ford lets them both in; Fiddleford is welding something downstairs so he doesn't see or hear any of this. Ford plants Tate on the couch in front of the TV and practically drags Stan to the kitchen to talk to him privately; he's too surprised by Stan having a child to question why they were there in the first place.

Ford: Is there a... another parent..? Stan: ...It's just me and Tate. Always has been. Ford: How did...? Stan: I didn't plan a pregnancy... but I had no money for T-shots for months on end, and without the T, everything down stairs went to factory default.  Ford: Do you know who it is? The father- I mean, the other father? Stan: Not exactly, some southern guy, don't think I ever got his name. Ford: What happened? Stan: Funny you should ask. (FLASHBACK) Fiddleford, high out of his mind: -and that's how I won a golden fiddle. Stan, drunk out of his mind: That's crazy, dude. *grabs him aggressively by the shirt collar to pull him close* Now shut up and fuck me until I can't walk. Fiddleford, horny out of his mind: Hoo-whee, well don't you diddly-darn mind if'n I do. (END) Ford: Stanley? Stan: Hmm? Ford: Are you okay? You just said 'its funny that you ask', and then stared off into space for 10 seconds. Stan: Let's just say I never touched tequila ever again.

Eventually, Fiddleford does come upstairs when he notices Ford didn't come back downstairs, and see's the brothers in the kitchen just as Ford asks Stan why he even came here.

Fiddleford admits it was him who sent the postcard, that someone needed to 'talk some sense' into Ford, and then introduces himself to Stan.

While Stan isn't perplexed by Fiddleford because he was too drunk to remember a face- Fiddleford, who has very good memory, immediately knows he met Stan somewhere, he just can't quite place where, when, or why.

Ford does show Stan the portal, saying it's his life's work and he'll need to test it soon, and casually asks Stan if he wants to stay and help. Before Fiddleford can protest that's a bad idea and Ford should just stop, Stan agrees because he wants to reconnect (and also keep a roof over Tate's head, what were the chances they'd win another lottery?), it did hurt his feelings that Stanford hadn't reached out out to him after all, but maybe they could work on that.

While Ford hasn't exactly forgiven Stanley for the science fair incident, he can't just let his brother, a single father be homeless with a five-year-old (Stan had to drop the lease with their intended apartment to come to Gravity Falls). And... well, Ford gets attached to Tate quite early:

Tate: ... *staring at him* Ford: Can I help you with something, Tatum? Tate: Uncle, is your name "Stanford"?  Ford: Yes, but if you prefer you can call me Uncle Ford. Tate: Oh. Okay. It's funny, Stanford is my middle name. *later* Stan: Kiddo, why has your uncle been sobbing in his room for the past thirty minutes? Tate: *shrugs*

Not realizing the gravity (hehe) of the situation, Stan gets settled in the house and helps Ford and Fiddleford where he can (usually just moving heavy objects or punching paranormal creatures, or forcing Ford to shower). He does notice that Ford seems a bit... unhinged, and weirdly obsessed with some new geometry based religion, but people change after college right?

He does get unnerved by Fords weird episodes where his personality seems to shift and he goes into town to act like an absolute menace. Stan can't help but think that isn't Ford; its been years since he saw him but damnit he knew his brother and whatever entity possessed him just to slap a cops belly, *that* was not Ford. But Ford always brushed him off when he tried to bring it up, and one time 'Ford' even coldly reminded Stan that he could remove Stanley and his son from the home at any time if he wasn't going to be useful.

During this time, Stan and Fiddleford get to know each other, they get along quite well actually; Fiddleford is fond of little Tatum, who along with Stan enjoys listening to him play the banjo. One could say, given Fords obsession with his current passion project and prioritizing work over his relationships, that Stan and Fiddleford become close. 

Fiddleford picks up, however... that little Tate is a genius. Although he's a quiet kid, he has an advanced vocabulary for his age. He's able to read and write at what must be a 2nd or 3rd grade level despite not even starting kindergarten yet, and... one time Fiddleford left an 8x8 cubiks cube unattended, and came back no more than five minutes later to see that Tate had already solved it. And Stan had told him that Tate has actively predicted lottery numbers before.

He brings it up with Stan, who admits that he already knows Tate is a genius, but he also knows what academic pressure and high expectations can do to someone (referring to Ford), and he just wants Tate to live life by his own terms, not let other people dictate that for him based on his IQ.

Fiddleford... also see's resemblances between himself and Tate. Sure, Tate has browner hair like Stan, but the wavier texture is just like his own. And while Stanley does have a prominent nose, it's not as prominent as Tates, which is much more similar to Fiddlefords. 

Fiddleford begins to ask Stan about his past, specifically bringing up that he believes they may have met before.

Fiddleford: Say, Stan, did we meet before you moved here? You're so familiar to me. Stan: I wonder where you could have possibly seen my face before? *glances at the lab* Fiddleford: No. I feel like we've met before - you ever been to Palo Alto? Stan: That city in Cali? Yeah. I'd say about six years ago. I was just passing by, resupplying, and selling weed to college students. Fiddleford: You were a weed dealer? Stan: Among other things, yeah. California's *the* place to go to for weed. I don't do it anymore. Fiddleford: Did you... ever visit the university there? Stan: A couple times. Hated going there because it reminded me of... well, I think you know. Why? Fiddleford: I did my graduate studies there, maybe I met you there? Stan: You think so? I only saw buyers, did you buy weed from me? Fiddleford: No... I had a dealer, but it wasn't you. Stan: Other than that, I did get invited to a frat party once. Think they were called "SigEp" or something. Fiddleford: That's 'Sigma Phi Epsilon'. That was the fraternity I belonged to. Did I see you at that party? Stan: Probably - oh man that party was crazy. I made so many bad decisions that night. Fiddleford: Stanley... how old did you say your son was? Stan: Five, why? Fiddleford: ... Fiddleford: Stanley... *reaches out* Stan: *jerks back, before pointing away* Hey look over there, a distraction! Fiddleford: What- *looks away* Stan: *jumps out the window and makes a run for it*

Stan does not entertain any further discussions with Fiddleford about his past, and goes out of his way to keep Tate with him and away from Fiddleford. Given his criminal past, he's afraid that if Fiddleford is correct, he could make legal actions to take Tate away from him.

Fiddleford eventually goes to Ford about his suspicions.

Fiddleford: Stanford I'm going to tell you something, and I need you to promise you'll stay calm. Stanford: *doesn't look up from microscope* Are you going to tell me you suspect you're Tatum's father because you slept with my brother around the time he would have been concieved? Fiddleford: ... Stanford: Because you are. Fiddleford: What in tar- Stanford: *tosses a file folder towards Fiddleford* I have all of our DNA on file - Fiddleford: You do???? Stanford: Of course I do! I store the DNA profile of everyone who's entered my residence, just in case there's a shifter afoot. Comparing yours and Stanley's DNA to Tatum's, there is only a 0.001% chance that he isn't your biological child. Fiddleford: ... *speechless* Stanford: Congratulations, according to science you're a father.

Fiddleford does eventually manage to talk to Stan about it, and clear the air between them. Stan is apprehensive because Fiddleford is married, but he's at least relieved that Tate happened before Fiddleford was in a relationship with Emma-May. Stan allows Fiddleford to spend more time with Tate (supervised), but they agree Tate doesn't need to know just yet what Fiddleford is to him.

Fiddleford also holds back on telling his wife about Tate, he'd prefer to tell her face-to-face.

But then the portal test happens and Fiddleford gets a glimpse of the horrors beyond the portal, which traumatizes him just like in the original. This doesn't convince him to leave, because Ford is becoming dangerous and Fiddleford is worried about what would happen if Stan and Tate were left alone with him. He invents the memory gun, but holds up on using it on himself.

The relationship Ford has with both Stan and Fiddleford  becomes more explosive. Stan and Fiddleford are both telling Ford that he's messing with forces beyond his control.

To get Fiddleford off of his back about the portals, Ford instead lashes out at him about something else.

Stanford: Fiddleford... you know you're my best friend right? Fiddleford: ...Of course. Stanford: Stanley and I don't have a good relationship... we haven't in a long time. *puts a hand on his shoulder* But don't you dare hurt my brother, or nephew. I don't care how strained things are between Stanley and myself, or how close you and I are... He's my brother, and I'll always protect him, even if it's from you. Fiddleford: Do you think I would try to steal Tatum, Stanford?! *Pushes him away* Also, if you're going to threaten me, you could at least not be such a hypocrite. Stanford: How dare- Fiddleford: You say you care about Stanley? That you'd protect him? He's been homeless for over a decade! You SAW him get kicked out of home when he was still a minor! He escaped three different prisons, had extremely shady black-market top-surgery, chewed his way out of the trunk of a car, and gave birth by himself in an alleyway! He had walking pneumonia for nearly a year straight and almost died from it because he had to choose between himself and Tate over who needed treatment more!  But you didn't know any of that, did you? Because you don't talk to him or try to reach out. You still avoid him. You still treat him like he's your enemy. You're still resentful about that damn science project.  You don't know him or what he went through. You didn't even want him here, I called him up here so maybe somebody could set you straight!  Working with this portal, messing with these forces beyond comprehension and control- the only threat to Stan and our son is you! Ford: Get the hell out of my lab- and stay the hell away from my twin.

But this 'Mystery Trio'-esque era of their lives has a Bad End:

After Ford gets sucked into the portal the same way as he did in the original, Stanley decides to take over his identity; Fiddleford helps him with everything up until Stan fakes his own death.

As Tate's biological (other) father, and Stan having recently altered Tate's birth certificate to add Fiddleford, the boy is given to Fiddleford right away following Stan's 'death' and not put into foster care or an orphanage. This window of time is also when Fiddleford establishes the Society of The Blind Eye, but he chooses a leader after he founds it rather than leading it himself.

When Stan makes it clear he's going to dedicate himself to fixing the portal and bringing Ford back, Fiddleford makes a drastic decision. 

Knowing what the portal obsession did to Stanford, Fiddleford doesn't want Tate to be around if- no, when, the same thing happens to Stan. 

He uses the memory gun on Stan to make him forget about their son entirely. He does the same thing to Tate to make him forget about Stanley, legally changes his name to Tater McGucket, and takes him back to California with him.

He makes this decision because in this scenario he never used the memory gun on himself, so the memory of what's on the other side of the portal still haunts him, making him more desperate and callous, especially with a child involved.

It breaks his heart that he did this, but he doesn't want Tate to be dragged into Pines drama. He takes the boy home and tells his wife that he was conceived before they were together (looking at Tate's age, he was born at least a year before they started dating), and uses the news clipping about Stan's death to explain how he got custody without any trouble, and Emma-May adopts Tate. Tates memory gaps are excused by his young age, and the trauma of losing a parent at such a young age, so Fiddleford and Emma-May decide not to tell him about Stanley.

Stan forgets about both Tate and Fiddleford, but he has this deep sense of loss and betrayal that he can't place. He figures over the years that maybe it's just some of his feelings about Ford having gone through the portal...

Decades later, and after a divorce, Fiddleford moves back to Gravity Falls, bringing Tate with him so Tate can start his Bait and Tackle Shop somewhere quiet. Fiddleford is there to check up on the Society of the Blind Eye, and also to check on Stanley because he feels guilty about what he did. Although he knows that this is Stanley pretending to be Stanford, he says nothing to anybody about it, it's the least he could do.

When Stan see's Fiddleford again - he doesn't know why, because he's 'never met the guy', but just looking at his face pisses him off. And every time Stan see's Fiddleford from then on, whether its across the street or at the shops or what have you, he is openly hostile towards him even if he can't adequately explain why he feels this way about Fiddleford. Also strangely attracted to him, particularly his banjo playing, but its overshadowed by his hostility.

Stan meets Tate shortly after the Tate and Backles Bait and Tackle shop is opened... and he doesn't know why, but this young man he's never met makes him feel sad. But also... Relieved? Elated? Proud?? He comes by often, sometimes not even buying (or stealing) anything, he just chats with Tate (and Backle to a lesser degree).

Tate himself feels strangely fond of this frequent flier customer. Like he's met a dear old friend. He is awfully confused why Stan will sometimes call him 'Tatum', seemingly without noticing, and why he never feels like correcting him. 

Fiddleford knows why, because he never erased his own memory, and he feels so guilty. But it's been 30 years, he can't say anything without ruining his relationship with Tate (which became strained after the divorce, which in this timeline happened maybe around Tate's late teen/early adult years). 

One way that this whole thing can be revealed is when Dipper and Mabel deal with The Blind Eye society, they find two memory tubes, one labelled "Tatum S. Pines" and another labeled "Stan Pines" take it with them because it has their last name, and Grunkle Stans name, on them.

They play the one labeled Stan Pines at first, and realize it's Tates early childhood memories of Stan.

When they play the one labeled "Tatum S. Pines" they see it's all of Grunkle Stans memories of Tate, leading up to his confrontation with Fiddleford.

(MEMORY) Stan, backing up: Wait, what is that thing? Fiddleford, what are you doing with that?! Fiddleford, pointing the memory gun at him: I'm sorry Stan, I truly am. But I can't let you drag our son into this... I do care for you, and I wish things could have been different. But you're just like him!  **BLAST** (END OF MEMORY)

This horrifies them, and they have a real moral conundrum of if they tell Stan and Tate, or if they keep it to themselves to keep the peace. 

They deserve to know... but it'd be so painful. And this would take place before "The Tale of Two Stans" so they don't even know what Fiddleford was talking about to justify stealing Tate, or who 'him' is.

Eventually, it's Wendy and Soos who confront McGucket and tell him that he better be honest with Stan and Tate, or they're going to do it for him. That he's a selfish coward who ripped someone's young child from their arms.

Or, an alternative scenario; Fiddleford never stored those memories in the first place, or at least didn't store them with the Society of the Blind Eye, and it's Ford who brings this all up to Stan. Ford was already through the portal when Fiddleford decided that parental abduction was totally okay if there was amnesia involved.

Ford: Are these Tatum's children? *motioning to Dipper and Mabel*. Stan: They're Shermie's grandkids, and - who? Ford: ...Tatum? Tatum Stanford Pines? Your son. Stan: ...I don't- I don't have a son. *tears gathers in the corner of his eyes, but he either doesn't notice, or chooses to not react* And if I did, I wouldn't give him your name as a middle. Ford: Yes you do, and yes you did. You introduced us right before the portal incident. I even DNA-sequenced him to confirm that his other father was Fiddleford. Stan: WHAT? And- who?? Ford: Here, look *pulls up his DNA files from ones of his secret safes in the lab and shows it to Stanley, which not only has the DNA results but also pictures of Stanley, Fiddleford, and Tate from the time* Honestly Stanley, how could you forget a child you car-.

Ford realizes something is wrong when it's clear that Stanley is distressed, but also confused, like having a son is legitimately a surprise to him. He's so shocked he has to lie down for a bit. His eyes keep leaking tears but he doesn't know why 'Fords cruel and oddly elaborate joke' is making him so upset, because 'clearly it's not true'.

When Ford hears Fiddleford lives in Gravity Falls, he seeks him out and demands answers.

At first, Fiddleford tries to play it off like maybe Ford was remembering things wrong - but with enough pressure, and a ray gun pointed at his chest, Fiddleford finally comes clean. About what he did. Why he did it.

Ford is still angry at Stan for getting him trapped in the Nightmare Realm Multiverse for 30 years; and then stealing his name, identity, and house, but that's still his twin brother. And what Fiddleford did was to him was horrendous, especially after Stanford had already warned him years ago to not to hurt Stan or Tate. This was a crime against the whole Pines family. 

So Ford beats him up. No, he doesn't kill or maim him, but he beats the living dog shit out of him until Fiddleford promises the glass tubes of Stan and Tate's memories in exchange for mercy.

Mabel, Dipper (and Soos/Wendy) are clearly confused (because they wouldn't have seen the memories in the "The Hall of the Forgotten"). Although, this whole revelation does bring Dipper closer to Stan, because Dipper had no idea he wasn't the only transgender person in the family.

Ford shows these memories to Stan first, who is going through all kinds of emotions especially after getting Ford back and their bitter reunion. This allows Ford and Stan to somewhat reconcile early; just like how Ford lost 30 years of his life to the portal, Stanley lost 30 years with his own son because of his conviction to fix it.

Ford also has to physically stop Stan from hunting down and murdering Fiddleford (who Stan only knew as McGucket up to this point) with his bare hands. Reminding him that it's more important that he reaches out to Tate.

But Stan is conflicted. He wants to be Tate's dad again but... Tate is in his mid-thirties, he doesn't need him like he did when he was 5. And Tate already has two loving parents, both of which don't have an extensive criminal record, and who provided him with a stable home, which Stan never did because they were homeless the whole time.

Does he really want to uproot Tate's life and/or peace of mind with a revelation this big?  

This goes all the way to Weirdmageddon, where everyone gathers in the Mystery Shack for security; faced with a possible end of the world, Stan takes Tate to the side, dragging Fiddleford with them, and tells him the truth. Fiddleford confirms it all, ashamed and apologetic. Finally, they give Tate his memory tube, which he watches.

For a moment Stan and Fiddleford have a moment of solidarity; Stan can see that Fiddleford really did want to spare Tate from whatever unknown-at-the-time fate had befallen Stanford because of the portal.

Fiddleford finally faces his past mistakes, and apologizes for what he did. That what he did was wrong, and he can never make it up to them, but if they survive this maybe he could try to make things right.

This is their last family moment between the three of them pre memory-wipe.

The mind wipe thing still happens. Gravity Falls is saved. Mabel and Dipper manage to jog Stan's memory but there's no way to make him remember Tate - the glass memory tubes have already been used, and Stan didn't keep any photos from his homeless era because he couldn't afford it most of the time, and when he could he always managed to get kicked out of whatever state they were in before the photos were done developing.

Once again, Ford comes in clutch. Throughout his last journal, just like how he made entries about Fiddleford, he also made entries about Stan and Tate, including detailed sketches. How Tate liked to get into high places, exasperating Stanley who was afraid of heights. How Stan would take him to the woods to follow the creeks because Tate was intrigued by waterways. How Tate said so few words but Stan always seemed to know exactly what he wanted or needed at any given time. How Tate only liked eating the green M&M's but Stan was fine with it because he got to eat the rest. 

Now while Stan's heartwarming memories of his son come back, so does his desire to break Fiddlefords neck. 

Fiddleford still buys the Northwest Mansion and converts it to "McGucket's Hootenanny Hut", but because the Pines families are the heroes of Gravity Falls, they (Ford) manage to convince the local government to put Fiddleford on house arrest for an indeterminate amount of time as punishment for 30-something years of parental abduction and alienation (also the whole starting a Cult thing). Fiddleford accepts this, and Tate still lives with him.

Post memory-wipe Stan still reconciles with both of them, and his relationship with Fiddleford is... weird, but not entirely bad. It's like they're dating, but with a lot of emotional distance. Like, Stan still tells Ford he wants to murder him... but also tells him to never, ever, check their texting history. 

Stan still goes to sail the world with Ford on the Stan O'War II. They do invite Tate, who declines because "He'd rather just live the simple life in Gravity Falls, and not get involved in whatever supernatural gobbledygook his dad and uncle are sure to get into".

And Stan is so proud of him... because just like he said thirty years, there's nothing he wanted more for Tate than to live his life by his own terms. He video chat's with him as often as he does with Dipper and Mabel. 

Tate ends up keeping McGucket as his last name, but he changes his first and middle back to what it was originally.

And that's the end of this tale, thanks for sticking with me. Here's a passage where Ford teases Stan while they're on their sea adventure;

Ford: It was so sweet of you to give your son my name. Stan: Poindexter, I swear to Moses. Ford: Even after a decade apart. Admit it, you missed me so much. Stan: *rolls his eyes* Of course I did. Stan: Stan: But the real reason that's his middle name is because he was conceived at Stanford University. Ford: I- Ford: I really didn't want to know or think about that.

The End... Go home.

[babe-a-yaga]

What was done to Isseya is one of my personal biggest upsets with this game. I loved her in Last Flight. She's a genuinely interesting, complex character, and given the themes of mistakes and regret present through Veilguard, it makes TOTAL sense for her to make an appearance! What makes no sense at all is for her to be reduced to a two dimensional villain with no clear motivation who's just...doing exactly the thing she fucked up in life? Except worse? I'm gonna summarize the events of last flight for the folks who haven't read it;

The first griffin Isseya put through the joining was already blighted in battle, and dying from it. Quickly. Griffins are extra sensitive to the Blight and any attempts made to join them resulted in the animals going berserk and tearing themselves, and anyone else in range, to pieces to get away from what was now in their veins.

In a well meaning, but misguided effort to save one of the animals she loved, she used blood magic to alter the griffon's mind, to convince it the Blight in it's system was just a regular cold, and it didn't need to fight it, then put it through the joining.

It worked, but it changed the griffon. Made it stronger, fight harder. More difficult to handle. The griffon ultimately went out in a spectacular blaze of glory, and people didn't know what she did, just that she did SOMETHING, and that griffon did ten griffons worth of damage on it's way out.

The fourth blight was far worse, far longer than any of the blights we have witnessed first hand. I think it lasted like 15 years? And it was going badly for Thedas. They ordered Isseya to do what she had done to the first griffon again as a last ditch to stand a chance at I *think* Starkhaven (it's been a little bit since I read last flight, so I'm sketchy on dates and what battles were fought specifically when). She hated doing this, but it was orders, and it was exploit this handful of griffons or watch the world die. She's a warden, she signed up to stop the blight at any cost. In war, victory. In death, sacrifice.

By the time her brother Garahel slays Andoral, she's had to blight a number of griffons, and the constant blood magic use has massively accelerated the blight in her own body. Her brother garahel is this golden haired pretty boy beloved by everyone who looks upon him, and Isseya looks so much like a ghoul at this point people are uncomfortable being in the same room as her. Even though this is completely due to her service to the wardens.

Then, the remaining joined griffons start going mad. And then it starts to spread to the other, non-joined griffons. In using blood magic to convince the griffons the blight was just a disease, she had caused it to become one. A contagious one.

It's one of the most interesting examples of how dangerous blood magic actually is we ever see. We're just told over and over "blood magic bad, slippery slope to killing people. Bad. Even if you use your own." And we never really see explicitly why it's an inherently dangerous form of magic until this.

Back to Isseya though. Garahel's lover's Griffon had a clutch of eggs sired by Garahel's Crookytail. Isseya, knowing there was no stopping what was now in motion with the griffons, set out to do her one last act of penance. She took, and purified those eggs, hid them in a ward that kept them in stasis, so that they might only hatch once the griffons were gone, and this disease had died with them, so they might have a chance. And then she hid the clues to their location, and begged that whoever find them not let them be used by the wardens again.

And then she went on her calling.

These are not the actions of a villain. Isseya EMBODIES the warden principal of sacrifice. But it isn't glorious battle rewarded by a quick death alongside an archdemon for her. It's death by inches, by blight, knowingly and willingly accelerated in her own body to stop it from consuming the world. Sacrificing her ideals, the animals she loves, her brother, Garahel. Isseya gives it all for the wardens, to end the blight, and is not thanked for it or remembered kindly.

And she did everything she could to seed the slightest bit of hope, that both in spite of her and because of her, griffons might return to the world, as free creatures.

Her Veilguard arc feels like really egregious character assassination, and I wish she had been given an ounce of the sympathy that other characters had been given. It made sense for her to be here, thematically, mistakes and regret, and good intentions still leading to bad ends, but she deserved the same opportunity for forgiveness and/or redemption that Solas, Mythal, Cyrian, even Illario got.

Isseya was done dirty by Veilguard.

[the-one-that-weeps]

Most of you don't realize the limits of creating pjsk ocs are literally just "Hatsune Miku has bestowed you with a world from your feelings. Enjoy." So, I've come here once again to remind you guys to be creative.

Here are some parameters I rarely see being played around with while creating pjsk ocs:

Age: project sekai was created for a younger audience. However, characters in project sekai are a representation of the music producers (as in they create songs for Virtual Singers to sing), and a composer can be any age desired. This is not a limitation.

Character nationalities: yes, it would make the most sense for your setting to be Japan. However, seeing as vocaloid are international idols, that is not a limitation. 99% of those that read this have listened to vocaloid, only 1% if not less are Japanese. This is not a limitation.

Speciality: a common misconception is that, in order for Miku to become interested in you, you have to be a singer/composer. This makes sense, but had been proven wrong by canon itself: Rui is a director, Ena is an artist, Mizuki is a capcut editor. Heck, it's never even specified anyone outside of Nene sing in wxs. This is not a limitation.

People per unit: FOUR IS NOT A LIMITATION. PLEASE. If you're a perfectionist, you might want to have your card sets make sense, but I've seen people figure it out with groups of 3 or even 6. This is not a limitation.

I'm so tired of you guys saying it's not possible for an Urdu 70 year old lady to discover Hatsune Miku and go "oh! I like this :)" and then wake up in a parallel pocket dimension with a Japanese man pretending to be a cowboy, a Samoan Mozart-in-the-making twelve year old and Kagamine Rin.

It IS possible and if it's not, it would be FUN AS HELL, and that is PRIORITY.

Fuck shit up. Go crazy. Cringe is dead and you'll be too in a few years. Carpe diem til it kills you.

We don't know what a Sekai is, and we don't know what a fragment is. How are songs made? We don't KNOW! And even if you would like to abide by the pjsk worldbuilding rules, there's still so much you can play around with!

And don't even get me started on what you can do with SEKAI!! It's a world created from your feelings, ANYTHING IS POSSIBLE, especially because we don't know ANYTHING about them!

By the rules we're given in pjsk, Sekai could solve world hunger. By the rules we're given in pjsk, you can technically bring an unlimited amount of cats into your world. And if you take in the Miku Lore about her being from the future, A TIME TRAVELING SEKAI IS SOMEWHAT POSSIBLE.

This post you might know me for was actually a recycling of my own ocs! And guess what, by the rules we're given in the game, THIS COULD VERY MUCH WORK.

[raven-at-the-writing-desk]

wake up and smell the ozone, guys

[ Sebek and internalized racism / Sebek and his place in the Diasomnia found family / Sebek and his capacity to love / Sebek and the love of literature ]

wake up Wake Up WAKE UP

DO YOU REALIZE WHAT'S GOING ON??? ? ? ?? ? ? ? ? ? ? BECAUSE I'LL TELL YOU, I'LL TELL YOIU WHAT 'S GOING O N

Do you remember... Lilia's farewell party????? In 7-34, he takes us aside and says this: "Then if you truly wish to repay me, would you indulge a little request of mine? There's a freshman in our dorm, Sebek Zigvolt... It's been half a year since he started here, but I have yet to see him make any friends in the freshmen class. [...] I wouldn't ask [you to be friends with him]. Just... If you notice he's ever stuck at some point during your time here... I would ask that you card soldiers give him a little nudge."

When Sebek runs over shortly after with berry juice for Lilia, Lilia invites him to toast with his fellow first years (Ortho included): "These people will be your rivals and classmates until you graduate. You should take this chance to bond with some students from other dorms."

Of course, Sebek adamantly refuses to do so at that point in the story. "While I appreciate your consideration, I haven't the slightest intention of being friendly with these shallow people. [...] I already have more than enough training partners between Silver and our fellow Diasomnia students. Feeble humans are naught by deadweight! There's no need to be chummy with them!"

We are now well into book 7's Heartslabyul update and it is only now that I realize WE'RE FULFILLING LILIA'S REQUEST FROM ALL THE WAY BACK THEN IN 7-34.

Firstly, Sebek is already having his entire worldview shaken because he is exposed to the terror hie liege, his idol, Malleus, has brought about. The person he dedicated his life to and worked so hard to better himself for is misusing his powers to force his will upon others, including his own retainers. And then Sebek is given a taste of his own medicine when he meets a younger version of his grandfather in Lilia's dream. Baur calls his own grandson "human" and acts suspiciously towards him because of Sebek's race (refusing to trust him, refusing to eat food he prepared, etc.). Sebek, who is hateful and others non-fae, is now the one receiving hate and being othered by the grandfather that he loves and admires. He is experiencing the discomfort with being the target of the behaviors that he himself engages in irl. These two events are challenging Sebek's beliefs and how he sees the world. He's being forced to recognize that Malleus isn't perfect, and how it feels to be persecuted and rejected on the basis of one's race.

Sebek is taken aback by the attitude of dream!Baur and doesn't exactly know how to react (though he continues to act in ways to try and earn his grandfather's praise). Silver has to intervene and remind Sebek that, in real life, Baur doesn't despise him and to not let this get to him--but it's clear that this experience still bothers Sebek, as he grumpily responds with the usual DONT BELITTLE ME, OF COURSE I KNOW THAT tsundere response. Many of the other events Sebek experiences in Lilia's dream also call into question the nature of racial relationships, and, at times, puts Sebek in the shoes of the one defending the partnership between humans and fae. For example, some Silver Owls demand to know why we're siding with the fae, and Sebek declares back that whether human or fae, it doesn't matter because at the end of the day, they fight against those with bad intentions.

When we finally transition into the dream hopping segment of book 7, I noticed that Sebek has very targeted interactions with specifically the first-year characters--the very same group that Lilia asked to help him out if he ever gets stuck. For example:

Sebek spends a prolonged period of time in Lilia's dream with Silver (a human he does like), Yuu, and Grim (two newcomers that he has to get adjusted to). Together with them, he unravels an unspoken about part of his country's history. It's kind of like traumabonding/j

Sebek relies on the technomantic support of Idia and especially Ortho (who helps them navigate to new dreams in combination with Silver's UM). He has to acknowledge that this is a specialty of Ignihyde and not something that he, a student of Diasomnia and a first year, could achieve on his own. It humbles Sebek and forces him to depend on others instead of trying to brute force the task by himself. He's physically INCAPABLE of doing so.

In Epel's dream, he appears very tall and muscular. However, Sebek chides Epel and recalls that, at Lilia's farewell party, Epel was praising Lilia because although Lilia has a similarly small stature, he never once failed to be at Malleus's side. Back then, Lilia had told Epel that physical prowess has nothing to do with a mage's strength. Later on, Sebek even praises Epel's style of fighting despite Epel being a first year. Moreover, Epel has a 70-80% success rate at casting his UM--which shocks Sebek, who has not yet mastered his own. Here, he is learning that humans that present as small and weak can actually be formidable fighters with skill that surpasses his own. This is notable because Sebek often pushes himself to train hard physically and mentally to be the best possible retainer and may have insecurities about being a magical late bloomer.

In Jack's dream, Sebek makes a big fuss about the injustices Diasomnia suffered back in book 2 due to Savanaclaw's nasty plot. He makes it clear that he won't forgive them even now--but then Jack says it's understandable given that his dorm members were playing so dirty. Sebek expresses surprise that "there are people like Jack" in Savanaclaw. He's acknowledging that even in a dormitory that Sebek had previously pegged as all underhanded ruffians, there are people who have a moral compass and go against the grain. After all, Jack was the whistleblower in that incident and still to this day realizes their actions were wrong. This shows Sebek that not all members belonging to a group are the same.

In Deuce's dream, Sebek and Deuce bond over books. Deuce shares happy memories that he has with a popular children's book from the Queendom, and this inspires Sebek to want to read the book irl. He also suggests that Deuce pick out or recommend a book for Yuu and Grim, which is similar to what Sebek does for his own loved ones (like Silver). Here, he is sharing his interests with a non-fae in a sort of cultural exchange.

So if that's the case... I’m anticipating an interaction between Sebek and Ace that brings this full circle in Ace’s dream 👁️ or at least before the end of book 7!! I'll be keeping my eyes peeled for that!

I know I've critiqued the pacing of book 7 a lot (particularly when it comes to the dream segments), but I find it really ironic that, of all characters, Sebek is the one with the most spread-out character arc... Lilia's and Silver's arcs were mainly crammed into Lilia's dream, we haven't seen Malleus for several tends of chapters now (so he only ends up being present in the beginning and end of the book), and then you have Sebek pacing himself in this marathon 🤡 even though Sebek is also the one in Diasomnia that's the most in a rush to "grow up" and "be better" (so much so that even his UM is associated with wanting to quickly rush to someone and/or to be immediately stronger).

[revelboo]

Maybe some optimus, metroplex, or tfp ratchet pretty please🙏 I have no special reason bc you always make sure we're fed regularly I'm just addicted to them💅 *looping around your legs like a cat and you're holding the treat bag*

Also I am floored over some(all tbh) of the other characters recent chapters and just how many different paths all these stories are on and how well they all flow like do you somehow have extra storage space in your brain??? Where can I get the update installed for myself😂how the hell are you sorting all these bc you may pump them out fast but thats still like a lot of things to track😅 plz tell me you have a comically large brick of sticky notes you're slowly going through bc otherwise real talk if youre just rawdogging this all by memory plz ignore the request and give your brain a rest🙏we ly but plz make sure to take breaks with lots of snacks and sleep💗

Nah, I just keep track of them in my head. I’m weird like that 😅 I’m doing better now. First day I’ve woken up without a headache in two weeks

I Can Feel You Pt 11

Metroplex x Reader

• Rasping softly, brows creasing in frustration that he can’t speak. Still. Keeps his head turned toward where you’re sitting on a table with Ratchet’s tools as the medic works to repair the drone’s damaged systems. To give him a voice again. Something pulls, hurts and there’s a burst of staticky noise. “Little one,” he says, not his voice, but his words. And you stand, little fingers fisted in the blanket Ratchet has given you. “I think everything should be back online now, but take it easy. This drone’s been inactive for centuries,” Ratchet says. But he’s not listening, focused on you as he mass shifts the drone to your size, the energy strain slamming through him in drowning pain. Crippling him and severing the connection to the drone. Hearing Ratchet’s frustrated, “What did I just say?”

• Visor dimming, the drone sags. “Metroplex?” Looking from him to Ratchet when the medic vents tiredly. “Is he gone again?” Nodding, the medic slams down a tool a bit rougher than necessary. “Can I sit with him until he comes back? Please,” you add as he frowns at you.

• “Probably not a good idea. Any involuntary movement could hurt you even at that size,” he mutters so you content yourself with sitting on the edge of the table, legs dangling. “We should at least get some answers,” he grumbles. “No matter how much damage we repair, he’s rerouting energy somewhere and staying critically low.” Hesitating as he begins cleaning his tools, he looks at you, expression critical. “Hound told me you’d said the Titan was speaking to you.”

• Face heating at the memory that speaking isn’t all you’d done, you shrug weakly. “He was lonely. I started talking to him first.” Because you’d been lonely, too. Overlooked a lot of the time by the Autobots just because you’re so small, an after thought most of the time. Easily forgotten. But Metroplex had heard you, seen you. Reached out in return. Echoing your loneliness and halving it.

• Again. Frustrated as he retreats deeper into himself, knows he needs to build energy again. Be patient. But the drone is there with you. It’s mass displaced. These are steps forward, not stumbles. He just has to remain on course. You’re waiting for him. You’ll be right there. He needs to believe it, desperate to hold you in his arms even if they’re borrowed. To recharge with your heartbeat against him, to hear your soft voice and to be able to answer. Wants to hear about your day, your dreams, everything. And he’s getting closer to that goal. Closer to you.

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Amusing myself all the way to Pier Park leaving notes

[pomefioredove]

heyyy! i really love your writing🥹🥹 btw can i request a hc with riddle and jamil (separated) with gn!reader who’s very lazy and they have a test and only study the morning before the test? but somehow pass?? i wanna see their reaction

anyway sorry if i made any mistakes, this is my very first request and english is not my first language😔 it’s fine if you can’t do it!!

-🎲

no worries! this is a great request, their reactions would be very funny

summary: reader miraculously passes a test they last-minute studied for type of post: headcanons characters: riddle, jamil additional info: platonic or romantic, reader is not specified to be yuu, reader is gender neutral, not proofread

Jamil knew that it wasn't his place to judge

after all, being raised with the al-Asims, he'd been taught to keep his bitter thoughts to himself

but something about your carelessness reminded him all too much of Kalim

...okay... maybe you weren't exactly partying, or spacing out, but your complete lack of conviction is almost identical

and, so, Jamil decides to give you a word of advice the day before the big exam

"Worried about tomorrow's History of Magic test?"

he even gives you a big smile, trying to play it off as a casual question

you shrug. "Eh, not really,"

"If I were you, I'd be a little more concerned. The grading system is very strict at NRC,"

and with that, he's gone

his sly remark, spoken as if in friendly conversation, leaves him feeling a little more satisfied with himself

he doesn't even feel irked when Kalim nearly sleeps through the test, or when he forgets his notes, or when he absent-mindedly reads the questions aloud during...

in fact, Jamil is quite confident that in any case, you'll do much worse than Kalim, which saves the both of them

after the exam scores are posted in the hall, you find him

"What did you get?"

Jamil hates answering these kinds of questions, especially knowing that he could be in the top of the class if he was allowed to try. "Passing. And you?"

"Well..." you smile. "I really thought about what you said, so I studied this morning."

Jamil's sour mood at his own score seems to lighten

you studied the morning of the exam? oh, this was going to be rich

"...And I got full marks!"

...what.

you show him the paper and it takes all his strength to keep his usual poker face

otherwise, his jaw would drop

"How did... how?"

you shrug. "Good study plan, I guess,"

"Hmph," he crosses his arms. "Well, then... you'll have to come tutor Kalim sometime. What works for you must work for him,"

Riddle spends the entire week pestering you about studying

"I just don't feel like it," you groan

goodness. you sound just like that terrible Floyd...

"It's not a matter of want, it's a matter of need. This exam counts for a significant amount of your grade!"

"Eh... I'll just wing it,"

wing it?! oh, now you've really done it

"Consider yourself lucky for not being a part of Heartslabyul. I would have your head for that!"

and then he storms out. how graceful!

when he sees you the following afternoon, that calm, unbothered look of yours is still on your face. it drives him mad

"If I were you, I'd be praying," he says. he's almost smug about it

Riddle earns full points on every exam- it's just a given. he's sure that the two of you will be on polar opposites of the grade spectrum once the results are posted

you shrug. "Yeah, about that... I thought about what you said, and decided that I don't want to have to retake this class. So I studied this morning,"

he almost smirks. "One last-minute cram won't be enough to raise your grade above failing, I'm afraid. But perhaps this will serve as a lesson, next time you-"

Riddle stops dead in his tracks as Trein posts the exam results on the wall behind you

his eyes widen

"Full... full marks?! We're in the same percent!? How is that possible?!"

You chuckle as his face goes all red, both frustrated and flustered

"Hey, you should count this as a victory for yourself. You give great advice,"

[deliciousnecks]

Ok, let me start with this by saying that I'm not writing to change anyone's point of view, because honestly? don't care and I'm tired. I just want to share my opinion over this matter. everyone sees and experiences things differently, so with that out of the way...

Like I knew before the season started that there was going to be issues with people if nandor & guillermo went canon, because it wasn't going to happen how they wanted it, if the characters didn't ended up kissing or fucking or the usual, and here we are now..

Anyway! people saying that "we're settling for scraps" let me tell you that we're not. You want a explit love confession, but this is Nandor, that was not going to happen. Now, people say "oh, but he confessed his love to the guide, to all those other people" he didn't, because he was not in love to begin with, he said all those words but there was no feeling or real meaning to them, it was only a rehearsed speech that at this point he has repeated more than 1300+ times. what he feels for guillermo is love, selfless, caring, genuine, love, and this is why this relationship between them feels so different to the other relationships he have with those around. Him giving Guillermo another one of those "I love you" confessions would have made him just another one in the list, but he's not.

This "Unbreakable alliance" speech, has more meaning than any other "I love you" that this dude has been parroting and saying to the first stranger that crosses his way and decided to be nice to him. Also, I know that some people were like "but there's no kiss so it doesn't count" I'm sorry, but like... I'm gonna be honest with you, i think that would have been a bit OOC for both characters to all of a sudden kiss, in front of everyone and the cameras and all that shit. I have always imagined these two having their first kiss in a more private setting and perhaps away from fucking cameras, but hey! that's me.

Let's also not forget in all this, that we have never seen Nandor like this. Nandor all this time has been nothing buy a depressed sad potato even when he was been "in love" with all those others, but finally after so many years, he's feeling alive, because being with Guillermo, having this bond with him, having him as his equal and in his life forever, has given his entire existence a new purpose and a new meaning. He can't see himself living without guillermo now. Guillermo has brought meaning to his life after who knows how many centuries, and he's willing to become a better person for him.

Also! a bonus here! people saying that all the progress of the season was lost and we're back to s1 just because Nandor told Guillermo to let go of his hand, like... are you fucking kidding me? are we for real here? that's just nandor being nandor, that's his personality. what? did you think that just because the guy found the meaning of his life in guillermo (the love of his life. yes. i said it it) he's about to change his entire personality within seconds? it doesn't work like that, no relationship works like that.

so, no, we're not settling for scraps, we're not being delusional. if you're not happy with this, that's ok, but don't assume that everyone is going to feel the same way you do.

For those that are happy with this moment, this was more deep and meaningful and intense than a simple "i love you" or a "simple hand clasp". These are two characters that have realized that they want each other in each other's life, and not because it's a MUST, but because they have chosen for this to be this way, because they want it to be this way, and no one or anything can break this, not even all these difference they have going on between them, one being a vampire, the other being a human & slayer. nandor literally said "fuck that" and let's be together forever.

[the-littlest-goblin]

Something that's stuck with me from the Arch Heart's appearance, which highlights a major underpinning of my frustration with C3, is the "Big Doors don't work" comment.

In what way exactly is the Big Door not working?

The purpose of the Divine Gate was to mitigate the gods exerting undo influence on mortal affairs, and according to everything we've seen in all 3 campaigns up to this point, this was a demonstrable success: the Calamity ended, and despite multiple potentially world-ending catastrophes cropping up since then, it has been up to mortals to deal with these threats. They've often done so with divine aid, but I fail to see how that's overreaching on the gods' part when accepting said aid is still dependent on mortal choice.*

Part of the Arch Heart's reasoning for wanting to "let go" is, as I understand it, because mortals continue to rebel against and resent the gods even from behind the Divine Gate. Which, yes they do, but like... the customer is not always right. Not every complaint needs to be catered to, especially the ones based on faulty postulates.

I get that this is not how the Arch Heart is thinking about it; my issue is not with the roleplay of individual characters, but with the narrative whole and the sheer amount of time it has spent, both in the text and extra-textual framing, sincerely entertaining the base axioms of an argument that is so poorly constructed Ludinus wouldn't make it past round one of a middle school debate club. None of the anti-god arguments have given any tangible evidence for the claim that the gods are an oppressive force or that Exandria would be better off without them that is not either:

A. Aeor, which was pre-Divine Gate and in fact the catalyst for the gods to pull back on interfering with mortal affairs, and therefore not all that pertinent to the current status quo;

or B. an event or action that, while it may be done in the name of the gods (e.g. Hearthdell) or directly encouraged by a god (e.g. Opal and the Crown) is nonetheless still contingent on mortals making choices, and therefore not a convincing argument that the gods are infringing on free will,** nor that removing them would prevent these types of situations.

An ongoing motif of C3 has been showing perspectives which challenge the prevailing narrative about the gods as established within Exandria's lore to this point. As a story enjoyer, I normally would eat up this sort of reversal—I love a metatextual play with in-universe narratives. But to do so convincingly requires more substance than a handful of characters going 'Trust me bro.' I'm going to need to see some peer-reviewed studies on Exandrian metaphysics before I take Ludinus "17 ulterior motives stacked in a wizard robe" Da'leth's word over what I've seen with my own brain over thousands of hours worth of game play.

If the message of the narrative is telling me to question the diegetic information it presents, then I am going to do just that. So far every argument that the gods do more harm than good for Exandria has been rampant citationless behavior. I find it baffling and borderline infuriating that we're approaching the denouement of this campaign and I still have yet to see evidence that the core conflict of the story, the central debate which has plagued every in-game and fandom discussion for a year now, is based on an actual problem. Like, at all.

*If you think Vax did not exercise his own agency and free will in every step of becoming Champion of the Matron, you are simply wrong.

**For real, we know there are magical means of straight-up mind control in Exandria. Like, you don't have to approve of it, but the gods engaging in standard issue verbal manipulation does not constitute a violation of free will, and it certainly doesn't make the argument that they are so immeasurably more powerful than mortals that they should not be allowed to exist.

[darkficsyouneveraskedfor]

Meet the Family 3

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.(petite!reader)

Characters: Lloyd Hansen

Note: I'm feeling very Little Lies about this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

"So this is the reason you missed Thanksgiving," a butter knife jabs in your direction as you poke at the white turkey meat; this? You look up then at Lloyd as he nearly chokes. 

"Uh, yeah," he coughs behind his fist and swallows, "we were out of the country..." 

"Yes, why would you bother to stay. No use in seeing your mother at the holidays, or the rest of your family," she reproaches. 

"Mom," he groans. 

"For ten years," William adds from his wife's side. "Now you show your face and you look as if you're eating rotten apples." 

"No," Lloyd argues. "It's just... I'm busy and I don't get a lot of time away from work." 

"We all have obligations," Gwenyth argues. 

"Well, I took her away so I could propose," he explains as he presses his fork into the whipped potatoes. "And it worked out perfect, right? Cause now I can bring her to meet everyone." 

Gwenyth hums flatly, "I suppose." She clicks her tongue and takes a healthy gulp of wine. 

"So, Pixie," Lillian drawls from further down, "what do you do for work? Oh let me guess. A librarian?" 

You don't let the suggestion bother you. You don't see it as an insult even if she says it like one. You shake your head. 

"No, I--" you begin and Lloyd stomps your foot so you bite down on your voice.  

"She is a corporate consultant. International corporation," he explains.  

"Oh, wow, sounds busy," Gwenyth remarks. 

"Yes, how will you have time for children?" Lillian challenges. 

"I'm sure they'll find time to make them," Benson chortles over his snifter.  

"Ben, please," William rebukes. 

"We're focusing on the wedding before all that," Lloyd says. 

You peer around as you chew your cheeks in frustration. You're annoyed by how they speak of you as if you're not even there, and so intimately. Yet, you don't have much to say for yourself. This whole facade is tiresome and you really don't care what they think about a made-up job. Or marriage, for that matter. 

"That will be done with quickly," Gwenyth sniffs. "And she will need to quit that job if she wants to do her duty as your wife." 

"I can handle a job and a husband," you blurt out. 

The table quiets as if stunned that you can speak. You blink and Lloyd puts his fork down and touches your arm, "sweet pea--" 

"I highly doubt you'd be marrying him for any other reason than that nest egg promised to him," Lillian scoffs. "You don't need to play a saint with us, darling. Marriage is a transaction in more ways than one; affection, money, sex--" 

"Lilly," William warns and she laughs. 

"Well?" She shrugs. "You do know, the wedding only guarantees a twenty percent payout. He needs an heir to get all of it." She pets her stomach smugly and smiles. "I can assure you it's well worth it. Once you meet Lorelai, you'll see." 

"Oh? Maybe when you meet her, you'll consider being a mother too," Lloyd retorts. 

"Excuse me?" Lillian snarls. "I love my daughter." 

"Of course you so," he sneers. "I'm sure she feels all that love right now as she enjoys her turkey and carrots with the nanny." 

"I can't have her around adults and alcohol. You can't possibly understand," she snaps. "And maybe it's better that you never do. I could never imagine you as a father, especially when you are such a child." 

"Takes one to know one," Lloyd growls. 

"Enough," William barks. "Both of you." 

Ransom laughs loudly at the end of the table. Lloyd shifts and Lillian rolls her eyes. You sigh at your plate. You miss your family. For the first time in years, you truly miss them. 

"What the hell are you laughing at, Hugh? The only reason you're here is because your grandpappy exiled you." 

Linda gasps, "He's not exiled--" 

"Oh, right, of course not, Lin, that's why you're here breaking bread with the peasants. That's what you called us at great grandmother's wake--" 

"Lloyd, watch your mouth," William snarls. "Better yet, shut it." 

Lloyd recoils in his chair and stiffens. His features sharpen then he lowers his chin and picks up his fork. His jaw is stone as he stirs the gravy into his potatoes. You wouldn't call him humbled, more whipped like a dog. These people make you feel something for him you never thought you could; sympathy. 

"I don't care about money that much," you say. "It can't buy respect. Besides, I would never marry a man without a prenup. Whatever Lloyd has will remain his." You push your shoulders back as a yawn tickles in your throat. "At this point, he can keep you lot as well." 

You stand up and take the cloth napkin from your lap. You fold it neatly, "Gwenyth, you can tell whoever cooked dinner that it was delicious. I appreciate you all having me but I'm going to go find a hotel and some peace." You step around the chair and push it into the table, "happy holidays." 

You turn, your insides jittering. What are you doing? Where did that come from? You could say you're tired and not thinking straight, but honestly, you're just so repulsed by these people that your head could explode. They're lucky they only got a a few pieces of shrapnel. 

You march out without looking back. Your cheeks tinge hotly with self-awareness. You've messed it all up. After years of harnessing your emotions under Hansen's thumb, you finally snapped. You blew it all. 

"What she said," another chair scrapes as Lloyd speaks. "Mom, dad, good night." 

You enter the hall and head for the entry way. You hear him beside you. You're still foggy with disbelief. It isn't until you sit to put on your boots that you notice Lloyd. 

"I know, I'm done. Fired." You pull on your leather booties. "I'll take the severance and figure it out." 

"I didn't say so," he says as he grabs a coat from the closet. 

"Um..." 

"You're completely right. We can't stay here. They're all a bunch of pricks and they wonder why I didn't come home for ten years," he pulls on his coat as he speaks. He pushes back his hair then smooths his mustache. "We're better off at the hotel. We'll sleep better there--" 

"We? Lloyd, please. Stay with your family. I need space," you stand and reach past him for your jacket. "Besides, I booked a single queen and it's Christmas Eve." 

"Queen's big enough. You're tiny--" 

"Okay, no, no," you hiss. "It's not happening. Stay--" 

"But I don't want to," he whines. 

"Mr. Hansen," you say. "You're out of your mind." 

"Well, after your blow up, I don't think I'm welcome," he puts his hand on his hip. "So this is your last chance to save your job. You made the mess, you clean it up." 

"Me?" You exclaim. 

He hushes you and step closer, "Pix, you already made a scene, let's not do the encore. I'm gonna grab my bags, alright?" 

"You can't be serious." You say. 

"Hey, I gotta play the loyal husband--" 

"And why exactly is that necessary? Why couldn't you get one of those Tinder girls?" 

"Woah, woah, come on, someone will hear you," he covers your mouth with his hand and you turn your face away with a blech. "Go warm up the car. We'll talk on the ride to the hotel." 

You stare at him. He watches you, as uncertain as you've ever seen him. In the silence, you can hear the din in the other room. 

"Always was such a baby," Lillian laughs venomously. 

"He could've chosen someone without an iron spine," Gwenyth adds. 

You grimace and throw your hands up, "fine, get your things." 

"You're the best," he grabs your shoulders but before he can kiss you, you put your hand up to pinch his nose. He recoils and rubs the tip, "ow." 

"No more of that," you say as you pull your keys out of your pocket. "Thank god I only had one glass of wine." 

You stomp out the front door. The frigid winter air hits you like a bus. Once one even ground, the swirling snow flecks onto your shoulders and hair. Great, now you get to drive in the snow with an unwanted passenger. 

You get in the driver seat and push the ignition. You turn on the heater and the heated seats. At least Hansen pays enough for the add-ons. Still, you’re not sure there’s any compensation equal to what you just went through. 

You look over as the front door opens and closes. Lloyd rolls a giant suitcase with him, another smaller bag strapped on top, and a third in his other hand. You don’t move as you watch him descend the steps, easing the wheels over the edge one-by-one. 

He comes down the long walk and jerks as his loafers slip on the icy pavement. It would be funny if you weren’t so damn exhausted. You steadies himself and continues on. You should get out and help him. You don’t. 

You pop the trunk with the button. He loads in his bags as you check the rear view. He comes around the passenger side and pulls the door open. He lets out an obnoxious ‘brrrr’ as he drops into the seat next to you. You shift gears as he shuts the door. 

“Ugh, I feel so much better getting out of there,” he says as he adjusts the seat, making room for his long legs. 

“Why?” 

“Um, why not? My family is the worst--” 

“No, why did you drag me into this?” You ask as you lean into the wheel and squint over it. The dark, the snow, the unplowed roads, it’s like the universe can’t stop throwing you obstacles. 

“You want the real answer or the nice answer?” He replies. 

“Mr. Hansen,” you growl. 

“Right, I had no other choice.” 

“No other choice?” You repeat. 

“Look, those long-legged beauties back home, they’re fun, but they don’t got much else going on. I needed someone who could play along,” he explains. 

“Play along?” 

“Yeah, I mean, you’re smart so--” 

“I’m smart...” 

“I wouldn’t hire you if you weren’t--” 

“Jeez, wow, Mr. Hansen, thank you so much. You think I’m so smart, so you should know I’m smart enough to know better than to believe you. You think I’m desperate,” you turn slowly onto the next street. “You think I have nothing else going on.” 

“No, that’s not--” he shifts in his seat. 

“It’s exactly what you think,” you huff. “Well, I do. I have a flight in...” you pause and check the time on the dash, “five hours so when we get to the hotel, I’m going to sleep and you’re going to let me. Then I’m going to catch my flight and the curtain can be pulled on this whole theatre.” 

“Your words, not mine. I don’t think you’re desperate.” 

You don’t respond. You’re tired. He just can’t leave things alone. He always has to say something. You wonder if he was truly left to his own thoughts, if his head would combust. 

“I’m actually impressed,” you says, “you held your own.” 

“Sir,” you utter. 

“It was good. Entertaining. I mean, all these years, you never once talked back to me but wow, that was... majestic, really. You didn’t even wait to see my mother’s face. Or my sister’s.” 

“Your family is weird,” you blurt out. “Sorry, uh, I didn’t mean--” 

“I mean, yeah, we probably are but I don’t really have anything to compare it to,” he says. 

You nod. He has a point. Yet, while that horde of entitled brats might explain his personality, it can’t excuse it. 

The hotel’s marquee shines like a beacon as you steer into the lot. You yawn and shut off the engine. You let yourself out and drag your feet around to the trunk. You take out your carry-on as Lloyd hovers at the other side. 

“All of your stuff, out,” you say. “I’m going straight to the airport in the morning. Checkout is ten so as long your gone by then, I don’t care what you do.” 

He’s quiet but he obeys. He takes his bags out and sets them on the ground. He pulls the rolling bag and slings his smallest bag on his shoulder. You snap the trunk shut and turn, shuffling across the icy tarmac. 

You enter through the automatic doors and cross the desolate lobby. You check in with your ID but as you look for your credit card, Lloyd flicks his between his fingers and offers it up to the clerk. 

“It’s on me,” he insists. 

You won’t argue. You really don’t trust him to leave by checkout. As you head for the elevators, he takes a deep breath. He doesn’t speak until you’re behind the sliding doors of the compartment. 

“You know, I’m still your boss so you can’t just order me around,” he says. 

You glance over at him. “Right, won’t happen again, sir.” 

“It could have been worse, you know? I could’ve actually had you come all the way out here just to drop off some gifts. If you think about it, you got a free dinner and some wine--” 

“Yeah, it was a great time,” you say dryly. “Mr. Hansen, I’m too tired to lie any more. Tonight was one of the worst nights of my life so no, I don’t think it could be worse.” 

The doors open and you stride out. You swipe the card at the door corresponding to the number written in the folio and let yourself in. He follows closely, nearly running over your heels with his suitcase. 

You take your bag to the bed and take out the cotton pajamas stuffed inside just for tonight. You bring them with you into the bedroom, doing your best to ignore your guest. Lloyd wanders along the wall and finds his way to the mini fridge. 

You’re in no rush to change, only to get to bed. You trade your dress and stockings for the cotton two-piece and emerge. You shove your bag and clothes beside the night table and slide under the blankets. You pull them up to your shoulders. 

“They got wine, tequila, beer--” 

“I’m going to sleep,” you insist. 

“The alcohol will help.” 

“No, it will make waking up even harder.” 

“After tonight, I think you need a shot.” 

“Mr. Hansen,” you grumble and cover your head. 

“Fine, more for me.” He snickers. 

You’re happy he can’t see the irritation on your face. You might just be better off to let him drink whatever. Eventually, he’ll have to pass out. At least, you can only hope he does. 

[sonamytrash]

Midnight

Underground Virgin!Levi x Virgin!Femreader

MDNI

Warnings: y/n used, Childhood friends to lovers, fluff, smut, puberty mentioned, masturbation mentioned, fingering, sex, mentions of abuse, mentions of rape, mentions of prostitution, characters ages aren't mentioned, but it's suggested they're both in their late teens, of age when writing but could be interpreted as underage? Virgin levi, virgin reader.

Note: Kind of wanted to write something about Levi losing his virginity and give him the blessing of something in his life that wasn't all bad. Reader and Levi have grown up together. Feelings have blossomed, and desires have been ignited over the years. The underground is a tough place to live with sex and violence everywhere. There's no smut in the first chapter, but it is heavily suggestive. Let me know what you think. Enjoy!

-----------------

In a world where the sun never shines, where the only light comes from flickering Street lights, candles, and the occasional spark from a fire, three souls found solace together in front of a fire. The underground city was a maze of dimly lit tunnels, cramped living quarters, and a constant struggle for survival. You had grown up together, survived together, and lived together in this harsh, unforgiving environment.

Your landlord was a cruel and greedy man, having come to you the with news that he wanted his rent earlier than usual, probably because he owed someone else the money or had pissed his own money up the wall. You couldn't afford to be out on the streets again. It wasn't hard to find a crook to rent a small apartment to three teenagers. But his terms were unreasonable.

Desperation and stress hung heavy in the air. You were usually the type to try and remain cheery, strong, and resilient, but these sorts of situations made you anxious. Finding money down here was hard enough, but being given less time to find it was so much more stressful. "I-I don't know what we're going to do," you stammered. "There has to be some way to make the money quickly." Furlan said thoughtfully as he tried to reassure you, but even his words sounded hollow. It really wasn't much time to get the money together.

You were always aware of the easiest way for a girl to make money down here. Selling your body to some piece of shit man to use for pleasure. It was quick and easy cash that much was true. If you were lucky enough to get paid, that is. The attempt to make any money that way came with many risks. Most women down here lived in fear of getting raped, abused, and even killed before the added risk of being a working girl. Having grown up with Levi and Furlan, they had kept you safe. Currently, you worked a part-time job at the morgue, which didn't pay well but allowed you to learn and study to some extent. But in recent years, since hitting puberty and developing into a young woman, the pressure had been more intense, men often offering plenty of money for the opportunity to have their way with you. Although this sort of interaction would result in being beaten to a pulp by Levi, he would die before he allowed you to have to resort to sex work. And you were grateful for that. The thought of having to resort to prostitution, a common but desperate measure, filled you with dread.

Levi, said nothing. He just stared at the floor, his jaw tightening with anger. You glanced at him, concerned. "Levi, if we need the money I can-" You asked softly, stopping when you saw him look up at you, his eyes burning with a fierce protectiveness. "I'm not going to let you do that," he said, his voice steady and unyielding.

You frowned. "It will guarantee us the money."

"Y/N" He said sternly. "I won't let you go out there and sell yourself for us to survive. I'll find another way. I promise." You looked into his eyes, searching for any hint of uncertainty, but found none. There was only determination.

You nod in response, feeling reassured for now by his words. "I've got to go out. I'll be back around midnight, okay?" He states. Again, this wasn't uncommon. You worried about him and where he was going but even if you asked he wouldn't have told you. Criminal and immoral are the exact words that he himself would've used to describe his work, he was probably going to go and find some quick and easy job, guaranteed to pay but always carried so many risks. Furlan smiles gently at you as he follows Levi out of the door.

Having had a bath and tidied up a little. You toss and turn in bed for hours, lost in your own thoughts. You knew Levi would keep you safe to an extent, but nothing was guaranteed down here. Even if you didn't end up in a brothel, there was nothing stopping anyone from breaking into the apartment you shared now while the boys were gone, you could he kidnapped, raped and murdered any night, or day for that matter. You shudder at the thought. You wanted as much of your life to be in your own hands and control as possible. It wasn't like you wanted to stay a virgin forever, while still being young, you were old by the standards of the underground, which made you laugh. You wanted your first time to be something you choose, not something taken from you. You had desires and thoughts late at night like this when you were alone. Always of your stoic companion. You weren't sure when your feelings towards him became romantic, but it frightened you. He was difficult to read, but you were sure that there could be something there. And if there wasn't? Well, you were sure you could convince yourself that you would be satisfied to just be by his side in whatever capacity the universe will allow. Maybe you would be fortunate enough to be born as a princess in the next life, and he would be your Prince charming. You roll your eyes and laugh at the thought. A girl could dream, and your fantasy of prince's, pretty dresses and castles, however impossible it was did help you to fall asleep for a few hours before you were abruptly awoken by the sound of Levi and Furlan returning. You could recognise the sound of Furlans footsteps retiring to his small room at the end of the corridor. It sounded like Levi was still in the living room. You sit up in bed and light a candle.

Levi walks over to your door, having noticed the light emitting from beneath. A heavy sigh escapes him, his eyes carrying a look of exhaustion. As he knocks on your door just once, his voice is soft.

"Can I come in?"

You respond with a sleepy yes, and Levi pauses for a moment before he comes into the room. His eyes shift to your bed, and he realizes that you're only wearing a tank top and underwear. He doesn't let his eyes roam over you for more than a second, trying to focus on something else in the room before speaking up, sounding worried:

"Are you alright? Why aren't you sleeping?"

You smile. "I was, and I wasn't, I fell asleep not long ago, but I heard you come home. Is everything okay?" You ask him concerned.

Levi nods as he sits down on the edge of your bed.

"Yeah, everything is fine. Sorry if I woke you up. You should get back to sleep." He smiles softly, something only you and you alone are ever lucky enough to see. You gently tug his arm. "Stay, just for a little longer." A blush creeping across your cheeks. This was a bold move for you. Maybe you were still slightly delirious from having just woken up.

Levi looks down at your hand as it lays on his arm. A slight blush creeps up on his cheeks as he looks up at you again. Your messy hair, dreary eyes, and smile are just too cute. He doesn't know what he would do without you. He hates that he can't find a way to get you all out of this cesspit. You're like the moon that continues to shine on the darkest night. He's already resided himself to do anything to keep you safe and by his side. He feels guilty that this sight of you is making his cock twitch. The years have been kind to you and you're such a beautiful young woman now, each and every night his hand is tightly gripped around his cock at the thought of you. Seeing you like this, the covers barely covering your panties and your nipples visible through your tank top is all the more fuel for his desires. But he knows how it is for girls down here, he saw what life was like for his mother, he sees it daily in the streets. He would never dream of treating you with anything but the respect you deserve. Not only that, but the thought of jeopardising the relationship that you have now should he tell you how he feels, loosing you would really plummet his life into eternal darkness.

He reaches out and gently tucks a strand of hair behind your ear. "I guess I can stay for a little bit." He says softly. "Since you're such a brat if you don't get your own way." He teases.

You pout playfully at him, he chuckles as he shifts a bit closer to you, now sitting next to you with his arm around your shoulder, you nestle into his chest. A slight blush appears on his cheeks, which he immediately hides by turning his face away from you. "You're not still worrying about the money, are you? Is that why you're acting so needy?." He asks quietly

You shake your head. "Not anymore, I know it won't come to that." He nods, relieved that it isn't worrying you any longer. He's pulled from his thoughts when you speak up again. "I'm grateful. I know what I want for myself. And it's thanks to you that I'm able to make my own choices." You lift your head to meet his gaze, your face painted with a furious blush. "I'm ready to make my own choices."

Levi chuckles. "Well, you're spoilt for choice if that's the case." He says, trying to ignore the pang of jealously he can feel in the pit of his stomach.

You shake your head  "That's not what I mean, Vi." You nervously bring your palm to his cheek. "I want to be with someone I trust, someone I love."

Levi stares at you. Blushing slightly at your words. You have grown into a young woman who's a lot braver than he gives you credit for. A small smile forms on his face, but he's still hesitant to say all the things he wants to.

Levi tries to keep his usual cool exterior "A-Are...Are you saying what I think you're saying right now?"

You nod nervously. Averting your gaze, you have said enough for someone as intuitive as Levi to piece together. The seconds seem to last forever, but he finally gives you his response with a soft and gentle tone:

"I... I want that, too."

[puc-puggy]

really fascinated with deadpool & wolverine less as a movie and more as a corporate response to the growing insecurity in relating to and creating meaningful art. like, never have we been more aware of the impact that the relationship between art and artist is oppressively mediated by Corporation than right now with marvel, whose movies grow continually worse and more forgettable under growing corporate control, and this movie bears the weight of a particularly complicated and contentious merger. what they decided to do about it is just. fascinating. disturbing, but fascinating.

the movie is incredibly aware that it is a Product and seems to have completely sidestepped any attempt at meaningful storyline in lieu of packing as much Content into 2.5 hours as possible. and I mean Content. they broke him up with his girl & separated him from all his meaningful character connections, then sent him through a very funny but disjointed and lackluster plot, putting all the meat in nostalgic character interactions or gratuitous fan-pleaser match-ups that can work as tiktok clips. don't get me wrong, i'm a basic x-men bitch. wolverine is one of my all time favorites, especially early angry fucked up alcoholic logan. i gasped at elektra and straight up screamed when wesley snipes came into frame. I laughed out loud at the list of cocaine slang terms disney apparently has. it was fun! it succeeded in making me not mind that it was barely a movie.

and that's the rub, isn't it? it was barely a movie, and it knows it’s barely a movie. but it still has to connect with its audience somehow. and that, i think, is what's really fascinating. it forges its connection with the audience not by building characters or stakes and giving any of them genuinely grounded emotional arcs but by using a fourth-wall breaking character to commiserate with the audience about the impact of corporate ownership & profit on their relationship and access to the stories we love. while being the impact of corporate consolidation on stories you love.

deadpool makes jokes about his stupid villain and mcguffin machine, but the plot is still motivated by a stupid villain and a mcguffin machine. he jokes about being banned from doing cocaine on screen & does not do cocaine on screen because he can't. the corporation that now owns his IP has deemed it against their values. he jokes about what things "have to happen" in the movie because there is actually a list that they were given. as a friend pointed out, “the climax was exactly as contrived as it needed to be to make it a statement: ‘you see how this barely-fleshed-out villain character is just gonna kinda stand there in front of the macguffin machine for as long as we need her to so that we can have the conversations and tropes and results we want? yeah we're just gonna do that. we're gonna keep cutting back to her just standing there going Mmmmm mwah haha to specifically highlight how dumb it is. On purpose.’”

by embedding it in the plot with a character that breaks the fourth wall, the movie stops being “about” the plot on screen and starts being “about” the collective relationship to the characters, embodied by ryan reynolds, whose personal desire for a good deadpool & wolverine movie motivated by his pure love for deadpool is the mythological origin of the movie, and who was allowed to break character and say as himself to hugh jackman as wolverine “you have no idea how long i’ve been waiting for this.” he’s turned into a sort of avatar of the pure fan, who’s there to love the character and have fun and isn’t too bothered by logistics and legalities. it wants you to feel like deadpool also hates it when stories get shuffled because of corporate stockowners, like this extremely expensive bullshit is his personal protest and he's going to give them a proper sendoff & ryan reynolds was around to hold everyone up to standard. the corporation soothing the audience and fan that people who love the stories are ‘in charge’ enough to create a good time, lowering your standards and expectations of a story to what’s profitable for them to create.

kind of genius.

[dovesndecay]

It's June! It's Pride! It's (my) Birthday!

The Introduction Spiel:

Hi, I'm Reyah! (any pronouns! no really, go for it!) On June 21st, I'm turning 32, an exciting and mysterious age to be!! (So I've heard)

Warning: This is a post asking for financial help, and if there's one thing I would ask is that if you read the whole thing: please reblog.

I'm a multiply-disabled queer person of color, a writer, artist, and photographer. I live with three of my best-good-pal-friends, (@renthony, @kryptidkhaos, and @natalieironside) and our collective army of pets.

We all know it's damned hard to be all these things at the same time under the capitalistic hellscape we're living under, and we/I am always in need of a lot of help with the existing.

I ended the month of May with some smaller bills left still to pay, but am thankful to say that June already had fewer bills than usual due, and the amount I need to start the summer off right is actually less than I was afraid it would be! Woohoo!

What I Make

I mentioned my artistic endeavors, let me show you them!!

Writing

I write less often than I'd like, but I share poetry and shorts, when I have them, on my Patreon!

You must be over 18 to pledge, as I have, can, and will again share Adult Content occasionally. Patrons pledging at least $1/month get access to all content. But most posts becomes free to access eventually. :)

When I do longer form content, I primarily write fantasy with a focus on queer brown characters with disabilities, mental illnesses, and disordered attachments. Because therapy is expensive, and writing is free.

Photography

I do wildlife and landscape photography, primarily, but you can also check out my portrait and event work on my website! You can purchase PRINTS HERE.

And because it's my birthday, I'm offering a 32% discount code for all my prints! The code is good from June 1st to July 1st!

A Note, if you purchase a print: first off: thank you. (please feel free to send a photo of wherever you display it!!!) secondly: this will not go towards the received totals on my financial need because Pixels doesn't pay out until nearly 2 months after the purchase. Funds made from sales will go towards future needs.

CODE: PDHHTR

Artwork

I've been exploring art, both analog and digital, a lot more lately, and have shared both process photos and final drafts on Patreon! Here are just a few examples:

I admittedly don't post on patreon as much as I wish I had the energy to, but I try to make at least one thing a month, provided I have the spoons and time.

Creativity is, like, a level 5 spell slot when you're disabled and impoverished, and I appear to have exactly One (1) of those available at any given time.

The Needs:

The Bills: $1,100

Yeah, we had to get here eventually. Since this post is already pretty long, I'm putting the rest under a cut.

More than half of this, as always, is just for the car payment and insurance that keeps the regular day-job-haver getting to said job, and all our medical appointments, errands, etc.

I still owe around $13,000 total on Johnny Car, but I think we all know that's just not a real number.

The rest of the funds would go toward paying the small subscriptions, for my various medications, and the regular attempts to whittle away slowly at the $4,300 worth of other debt.

($2,200 of back taxes, and $2,100 of credit card debt, and gods, do I mean slowly. Interest piles up so much faster than I can seem to whittle.)

If you're able and willing to help with paying the bills, direct donations can be made here:

PayPal | (link)

Venmo | (dovesndecay)

Cashapp | ($dovesndecay)

If you can, and only if you can.

The It Would Be Cools:

Since every dime that comes in goes primarily towards food and bills, there's little left afterward to be put towards other life necessities like clothes, toiletries, let alone things I just think would be nice/neat/nifty to have.

I have a High Priority wishlist. It's mostly art supplies, bulk toiletries, etc.

I'm woefully low on clothes, being short, fat, and trans, so very little of what I own actually feels good to wear so much as it simply covers my body. I have a wishlist of clothes that would be nice to have.

For everything that firmly lands under the "I just want it" category, I have an Enrichment list. It's mostly stuffies, but also games, room decor, hobby supplies, books, and stim toys.

Our household keeps a big wishlist for things we need, want, groceries, accessibility products, and everything in-between.

Okay, now what?

Well, now, I'm gonna ask that if you got to this point, and if you can't/don't want to do any of the things listed above, then please reblog this post.

The more people that reblog it, the more likely I'm able to pay my bills for one more month this year.

But if you don't, it's not like anyone's gonna know. I'm not omniscient, I swear.

Anyway, I don't expect anyone to do anything if you can't or even if you just don't wanna, but if you can and you're willing to, it means the world.

I didn't think this is where I'd be at 32. But I never really expected to get here at all in the end, and it's a lot nicer than I thought it would be. Mostly because I am surrounded by amazing people who have the capacity to be so much kinder than I will ever have the words to describe.

Thank you, and to all, a happy pride!

🧡💛💚💙💜🤎🖤

[chaos-in-deepspace]

L&DS: "Watch This!" | Crack

So I dunno about you, but I'm one of those idiots who seldom drink water and sometimes forgets to eat for like two days. So when I stand up too fast it's like a moment of "Oh look the lights went out." So anyway that's the entire idea for this. Everyone experiences this, right? This is a normal human thing to experience when you stand up? Just standing up and almost (or actually) peacing out? Anyway, I never said my writing ideas were good but I they're there.

Disclaimer: This is an original fan work for “Love and Deepspace”. Do not repost on other platforms or plagiarize. All characters shown in this fic is 18+. Warnings: Fainting, Crack Fic, Reader can't take care of themselves, Zayne is stressed as your doctor, Rafayel might have a heart attack, Xavier just assumes you died, Rafayel does as well but he's dramatic on a good day

Blog Information | Masterlist

Xavier

"Xavier, I promise you I am totally fine. I just got a little dizzy because of the heat." You tried assuring the blonde man as he looked around his apartment. He had already gotten a cold compress and thrown a glass of water in your hands for you to sip on. This was all because you guys had gone on a small jog together to prepare for the latest event in town and you had gotten a bit woozy. He had insisted on carrying you back to the apartments and here you where.

"Your face went as white as a sheet." He pointed out and you scoffed. Impossible. You don't even think it's possible to turn that color with how hot you had felt. If he said you looked like a cherry tomato or something from how red your face had gotten from the exertion it would've been more believable.

"Xavier, would an unwell person be able to do this?" You asked as you went to stand. As you jolted into a standing position you then remembered a key detail. The water he had given you was the first thing you had to drink today...and you don't think you had breakfast either.

The thought flashed through your mind as you felt the blood pounding in your ears and your vision darkening. Your only thought was 'Oh sugar, we're going down, down.' before you collapsed in on yourself.

Next thing you knew you were lying on the ground, a soft lap underneath you as Xavier fanned you off. You groaned as you came to, staring at Xavier's face. The man looked like he had just witnessed your death as he stared at you with wide eyes.

"Oh good morning." You managed to murmur out. Xavier's eyes narrowed as he glared down at you.

"You said you were fine then immediately fainted. I was about to call an ambulance." He scolded you, his tone harsh as he shifted your head on his lap. You noticed his free hand was holding a cell phone.

"Oh don't do that please. I'm okay."

"That's what you said last time."

"How about this...you get me something yummy to eat and I drink some water and if I'm still fainting after that then we can consider maybe going to see a doctor."

"Do you swear?"

"No..."

"We're going to the hospital." You then felt your world shift again as you were tossed unceremoniously over his shoulder like a sack of potatoes. You beat his back, begging him to let you down. Alas, once Xavier had his mind made, there was nothing you could do to stop him.

Zayne

"Have you already eaten today?" It was a simple enough question as you sat at the end of your check up with your favorite doctor. Your legs swinging over the edge as you put in some thought to that question. Zayne sat there, waiting patiently as he looked up and quirked an eyebrow in question.

"That is a brilliant question that I don't have an answer to." You might've eaten something today...or perhaps that was yesterday? The days sometimes blurred together in the most confusing ways.

"Have you drank any water?" Oh that was an easy question. No. The answer was no.

"You know the first ingredient in an energy drink is water."

"No..." Zayne said, pinching his eyebrows together in frustration. How you managed to still be alive is a miracle. Not even science could explain how you didn't just kneel over on any given day with how little care you put into your health.

"Zayne, I can promise you, I am totally healthy. Watch this." You stated before jumping up off the examination table. Immediately you felt the world shifting under you like the floor decided to become sentient and move like a damn treadmill.

Next thing you knew, you were waking up in the arms of the best cardiac surgeon at Akso hospital. You grumbled a bit as the light was bright. You looked up to see Zayne's not amused expression, in fact you might even call it a frustrated look.

"How long was I out?"

"30 seconds too long."

"Am I in trouble?"

"You're going to the cafeteria with me right now to get food and water. If you faint again I'm admitting you for the night and hooking you up to an IV."

"So you're saying fainting gets me a dinner date with the Doctor Zayne, and a possible sleepover?"

"Why are you like this?"

Rafayel

You made the realization that you could only entertain yourself by playing on your phone for so long. Rafayel had promised that as soon as he finished some light detail work on his latest painting, you could go out to town and grab some dinner.

That was well over six hours ago as you laid on his couch. You had already finished a book you had downloaded on your phone, scrolled through all your social media, checked out new memes, and caught up on videos of people you followed. As you looked over you saw Rafayel was still sitting on his stool, painting away.

You groaned, rolling yourself off the couch you had been glued to for those entire six hours. You plopped onto the floor, noting that he really did need to clean this studio up a bit. Normally Rafayel would at least be talking to you, but he had been so quiet and boring today.

"Raf...I'm dying of boredom here." You finally called out to him. The man in question looked over at you then looked outside. The sun had set a long time ago and he paused in what he was doing.

"I promise, I'm almost done." He said with a sigh and you groaned again. Then you remembered a little party trick you had up your sleeve. You'd admit you were actually hungry on account of being too busy to eat and then being promised food earlier, you opted not to have snacks. Not to mention water was gross for drinking so it all accumulated into the perfect way to get his attention.

"Rafayel, I'm fading away. I'm starving. I might die. I'm so weak." You called out from the floor and Rafayel finally turned in his stool to eye you up and down.

"I'm sure you are." His tone was sarcastic as he looked at you. He seemed to be entertained by your antics, "I can always order you some food. I also have snacks in the kitchen." He pointed out.

"That won't work, Raf. I'm too far gone. I mean...just watch this." You said, jumping up from your position on the ground. As soon as you were in a standing position, your body fought against you. Your ears were ringing uncomfortably and your vision went in and out. You could barely hear Rafayel calling your name in concern, followed by a him cursing as things clattered.

You collapsed, fainting just like you knew your dumbass would. You knew your body and knew the perfect conditions for going lights out, after all.

When you came to, you saw Rafayel almost in tears as he tried getting you to wake up. You murmured something that not even you could decipher as Rafayel's shoulders sagged in relief.

"I thought you actually died." He looked shaken up as you raised a hand to touch his cheek.

"Can we get food now like you promised?"

Rafayel was silent for a moment as he calmed his heart down and looked at you, "Did you faint just so I'd stop painting and take you to dinner?"

"Well did it work?"

"...Yes, but never do that again."

[txttletale]

If we're asking about games on your list of favourites, as someone who adored Paradise Killer, I'd love to hear your thoughts on it! I always enjoy your analysis.

so first of all the aesthetics of paradise killer are really good. usually games that were written in english but read like translations from japanese irritated me, but here i think it is very much leaned into and embraced as an aesthetic and set of cultural signifiers in its own right, which i really enjoy. the character designs are outlandish and charming. but what i really like about it is like, the way the core premise works

in most detective games, there is a correct answer, and not getting it is a failure state. you can't end a case in ace attorney with your innocent client being convicted, you can't get the wrong guy in the frogware sherlock holmes games. and this invariably, even if the game is critical in other aspects, tends to come around to a fundamental faith in the legal system and authority, right--something that's kind of baked into the detective genre at a fundamental level.

paradise killer upends that by simply saying "you are the detective. get the facts you need, make a compelling argument, and if the authorities above you believe you then you get to distribute justice as you see fit." you arrive on the island you're investigating and you're immediately told "hey, this member of a disenfranchised underclass did it, we've already arrested him, here's the evidence." and absolutely nothing stops you from taking that evidence and walking into the trial room and presenting it and saying "yep, he did it!" and beating the game! it's not a 'bad ending', you don't get a big popup saying 'you're wrong', the powers that be just accept the convenient narrative you've been given to present and everything moves on.

i like this from both, like, an ideological perspective, and also from an interpersonal stakes perspective. in most detective games, you can't miss a crucial piece of evidence, either because the game will not proceed until you pick it up or because you'll be forced to restart the 'trial' or 'deduction' segment when you game over because you're missing it. in paradise killer, whatever argument you put forward, if enough evidence supports it--even if you know for a fact it's wrong!--leads to the person you're accusing being executed. so the stakes are much higher, right, because instead of a game over screen and trying again, getting it wrong means that's just... how the game ends, with an innocent person being executed.

and more importantly i think it does a fantastic job--better imo even than something like disco elysium--at deconstructing the fantasy of justice. a constant theme of the game and something that the protagonist repeats often is "there is a difference between facts and the truth". you can withhold evidence at trial because it implicates your friends, or misrepresent it to implicate that bitch you hate. nothing in the system exists to stop you getting wrong, in fact your superiors encourage you to make the easy completely stritched up conviction and move on with your life.

and at the end, even if you get it right, if you catch all the criminals--all the time you spend investigating this island shows that, like, the society you're part of is fucking evil! you're all deranged immortals making constant human sacrifices to your evil gods! and you don't change that by solving the case, the whole thing just packs up and moves on. you don't get any comfortable resolution to that or to your role in it. you can play lady love dies as a diehard true believer or as a dissident rebel but either way she's ultimately just another cog in a machine, dispensing an alien and uncaring justice that is only attached to any real morality or truth by your decision to do so. a genuinely incredible game.

plus i like how whenever you open it a voice says 'paradise killer' so you know you're playing paradise killer