#just sad about it

[kikiiswashere]

Finally got around to writing the smut of Children of Zaun. And now it feels like the writing bug has left me.

[vyragosa]

frankly some works should not translate to anime, just not feasible, but the fact that MAPPA fucking dropped dorohedoro altogether despite fucking teasing dokuga to then go on to add unnecessary ASS SHOTS to a chainsaw man adaptation and do poorly in sales really tells it all

[rafeandonlyrafe]

well 🧍‍♀️ as a reminder this blog is NOT a safe space for trump supporters but it IS a safe place for women, queers, trans ppl, people of color, undocumented people, and any marginalized group.

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[cowboybrunch]

i love when characters get angry when they're frightened. shelter dog characters. i love when they bite, not able to tell the difference between a hand that feeds and a hand that strikes. there is no difference. a hand is a hand is a fist. i love characters that are deemed unadoptable. unlovable.

and i love when someone loves them. i love when someone sits with them, patient. they don't flinch at the snarling and snapping. they're not trying to fix it—there's nothing to be fixed. this is you, all of you, and ill wait. because one day, one day you'll take the treat. go on, draw my blood. spit and curse and rage. you're safe with me. one day, you'll feel safe with me.

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[mroddmod]

everyone be quiet i'm manifesting

[crumb-crumblet-s-crumbington]

"Why did I do that?"

close up

[chloesimaginationthings]

Michael doesn’t like Halloween anymore in FNAF..

[wojtekaneko]

That's how it went

[heartorbit]

if we could stay connected, just like this

[vongulli]

Woah, drawings!!

[panthermouthh]

“Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?”

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[morganbritton132]

AU where Tim, age nine, walked three miles to his neighbor’s house, held up his bleeding hand to Alfred, and asked if he could please have a bandaid. He got stitches instead, and a hug from Dick, who squeezed him tight and asked, “Can we keep him?”

And then Tim never went home again.

He learns gymnastics with Dick and reads in the library with Jason. He shows Alfred how to reset the wifi and rambles on to Bruce about his latest obsession (shipwrecks), and he never sees his parents again.

Behind the scenes, there was a kid left alone in a mansion while a whole international incident played out. It included a kidnapping, a ransom, a failed hostage negotiation, and two dead parents never coming home.

It pokes at a wound in Bruce when he is told about the Drakes and he has always been productive in tragedy. He knows how to shove the hurt away and build something strong on top of it.

The adoption was seamless. The sell of the Drake Estate was effortless. The trust for Tim. The memorial. The scholarships in Jack and Janet’s names. Bruce does it all methodical and singleminded.

And somewhere. Somehow. They forget to tell Tim.

Sometimes he misses his mom and dad. He misses his old room and being alone in a big house, but months turn to years and he likes it here. He really does. He has brothers here and Alfred, and they say they’re his family. He likes that.

They said they wanted to keep him, so they kept him. Kept him forever.

Then Damian is there.

Tim comes home and there’s a new boy, about the age he was when they got him. Tim asks in a whisper, “Did they take you too?”

[astrangeavenue]

drew some totally normal sadnesses

blank bg and individuals below the cut

edit: i posted some of my thoughts that went into these designs! if youd like to read you can find it in the reblogs