#just magnificent.

[sydney-carton-of-sour-milk]

The Many Illustrators of A Tale of Two Cities 5: Rafaello Busoni (⅘)

Vignettes for Book the Third, Chapters 1-9

Now we're on to Book the Third! This will actually be the last set to have anything but the regular mini vignette drawings. 21 in total!

1 / 5 || 2 / 5 || 3 / 5 || 4 / 5 || 5 / 5

& the standard endnote for all posts in this series:

This post is intended to act as the start of a forum on the given illustrator, so if anyone has anything to add - requests to see certain drawings in higher definition (since Tumblr compresses images), corrections to factual errors, sources for better-quality versions of the illustrations, further reading, fun facts, any questions, or just general commentary - simply do so on this post, be it in a comment/tags or the replies!💫

[elizabeths-storytime]

Some thoughts about how Team 10 does their hair

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[ohheyitsgray]

possessed marv

[elodieunderglass]

Accidentally found this picture of a serious child sabering champagne and now can never know peace again

[kingorqueenofnarnia]

Peter, fifteen and fresh out of a bloody and brutal war, sneaking out of Cair Paravel in the middle of the night and going to the river, sticking his head into ice-cold water to shock himself out of a nightmare riddled sleep. Narnia won, but at what cost?

Peter, lying in Susan's bed with his fingers curled tightly into the fabric of her skirts, dried tear tracks on his face and Susan singing quietly in an effort to comfort him. Her fingers pick apart the strands of his hair and he falls asleep only to wake up an hour later with screams on his lips.

Peter, wrapping his arms around an Edmund who has returned from war and murmuring frantic thanks to the Gods for keeping him alive. He presses kisses on Edmund's forehead, cheeks, nose and eyelids, and considers the idea of never letting any of his siblings out of his sight ever again.

Peter, sitting on the High King's throne at the age of thirteen and wondering if he is worthy of this, if he deserves this, if he is capable of this. He is thirteen and barely knows anything about anything and he is High King who should know everything about everything is he worthy is he deserving is he capable he does not know—

Peter, in Lucy's room sitting on the floor with his back pressed to her bed, allowing her to braid flowers into his hair as he stares at the wall. The Victory Parade is in a few hours, but they lost many soldiers and people and Peter has lost sleep and sanity and good friends. Narnia has won but Peter has lost.

Peter, carrying a candle to the Castle Library at two in the morning and pulling out a book about children's fables. He cannot sleep, might as well distract himself. The candle dies down and the sun comes up, and Peter drags himself back to his quarters to get ready.

Peter, who locks himself in his chambers and does not come out for days and days, who refuses food and drink and buries himself under his blankets and stares out the window with blank eyes and slack eyebrows, who does not speak and does not cry and pushes his face into his pillow and screams for the nightmares to go away please I'll do better I just want to sleep please stop please—

Peter, who wants peace and contentment, but cannot help but go to war. Peter, who is quiet and introspective but needs to be loud and abrasive because he is High King. Peter, who wishes he could put down the sword that he wields as easily as he breathes.

Peter, who desires peace, but becomes a God of War

[the-mother-of-lions]

atticus

[dragonroses]

[bloodfreak-boyking]

this implies that Sam regularly watches Dean fuck from the car, in this essay i will-

[felassan]

[indycarnocontext]

[muppenthings]

Part 1 - Part 2 - Part 3

Get affectionately squeeshed~ :3

And that's a wrap on the promised Gorm fluff!

[mrmeepsmadmind]

his horns (finials) (idk)(ears)(whatever) shaking... the jumping ??? the struggling 😭 the off center twitching ..he is PISSED. AWF !!!!!!

[manichewitz]

sam and frodo’s relationship is so crazy theyre like what if we had a homoerotic adventurer’s bond that was so strong it overcame the power of supreme evil, saving not just the world but one another, and the only reason we were able to survive the violence around us was through sheer love for each other, and although we’re not canonically lovers our relationship is so much more intimate and tender than acceptable norms for male/male relationships that we transcend easily definable labels and thus become queer irregardless of whether our attraction is platonic, romantic, or sexual…and we were both hobbits

[the-jules-world]

thoughts on the Pevensies returning home

Peter Pevensie was a strange boy. His mind is too old for his body, too quick, too sharp for a boy. He walks with a presence expected of a king or a royal, with blue eyes that darken like storms. He holds anger and a distance seen in veterans, his hand moving to his hip for a scabbard that isn't there - knuckles white. He moves like a warless soldier, an unexplained limp throwing his balance. He writes in an intricate scrawl unseen before the war, his letters curving in a foreign way untaught in his education. Peter returned a stranger from the war, silent, removed, an island onto himself with a burden too heavy for a child to bear.

Only in the aftermath of a fight do his eyes shine; nose burst, blood dripping, smudged across his cheek, knuckles bruised, and hands shaking; he's alive. He rises from the floor, knighted, his eyes searching for his sisters in the crowd. His brother doesn't leave his side. They move as one, the Pevensies, in a way their peers can't comprehend as they watch all four fall naturally in line.

But Peter is quiet, studious, and knowledgeable, seen only by his teachers as they read pages and pages of analytical political study and wonderful fictional tales. "The Pevensie boy will go far," they say, not knowing he already has.

His mother doesn't recognize him after the war. She watches distrustfully from a corner. She sobs at night, listening to her son's screams, knowing nothing she can do will ease their pain. Helen ran on the first night, throwing Peter's door open to find her children by his bedside - her eldest thrashing uncontrollably off the mattress with a sheen of sweat across his skin. Susan sings a mellow tune in a language Helen doesn't know, a hymn, that brings Peter back to them. He looks to Edmund for something and finds comfort in his eyes, a shared knowing. Her sons, who couldn't agree on the simplest of discussions, fall in line. But Peter sleeps with a knife under his cushion. She found out the hard way, reaching for him during one of his nightmares only to find herself pinned against the wall - a wild look in Peter's eye before he staggered back and dropped the knife.

Edmund throws himself into books, taking Lucy with him. They sit for hours in the library in harmony, not saying a word. His balance is thrown too, his mind searching for a limp that he doesn't have, missing the weight of his scabbard at his side. He joins the fencing club and takes Peter with him. They fence like no one else; without a worthy adversary, the boys take to each other with a wildness in their grins and a skillset unforeseen in beginner fencers. Their rapiers are an exertion of their bodies, as natural as shaking hands, and for the briefest time, they seem at peace. He shrinks away from the snow when it comes, thrust into the darkest places of his mind, unwilling to leave the house. He sits by the chessboard for hours, enveloped in his studies until stirred.

Susan turns silent, her mind somewhere far as she holds her book. Her hands twitch too, a wince when the door slams, her hand flying to her back where her quiver isn't. She hums a sad melody that no one can place, mourning something no one can find. She takes up archery again when she can bear a bow in her hands without crying, her callous-less palms unfamiliar to her, her mind trapped behind the wall of adolescence. She loses her friends to girlishness and youth, unable to go back to what she was. Eventually, she loses Narnia too. It's easier, she tells herself, to grow up and move on and return to what is. But her mourning doesn't leave her; she just forgets.

Lucy remains bright, carrying a happier song than her sister. She dances endlessly, her bare feet in the grass, and sings the most beautiful songs that make the flowers grow and the sun glisten. Though she has grown too, shed her childhood with the end of the war. She stands around the table with her sister, watching, brow furrowed as her brothers play chess. She comments and predicts, and makes suggestions that they take. She reads, curled into Edmund's side as his high voice lulls her to sleep with tales of Arthurian legends. She swims, her form wild and graceful as she vanishes into the water. They can't figure out how she does it - a girl so small holding her breath for so long. She cries into her sister, weeping at the loss of her friends, her too-small hands too clumsy for her will.

"I don't know our children anymore," Helen writes to her husband, overcome by grief as she realizes her children haven't grown up but away into a place she cannot follow.

[freshydip]

everyone always loses their mind over "we dug coal together" "that's right", and rightfully so, but can i please hear some noise for "I know you have never believed a word that has come out of my mouth, though I have harbored the secret hope that you have nevertheless enjoyed hearing them"