#just let them dig a little

[ladydisdainsstuff]

Has this been done?😅😅😅

[shikisei]

is that so

[somegrumpynerd]

How absolutely wild must it have been for Nightmare to have like, minimum-to-no contact with mortals for hundreds of years and then the first two he has any regular close interactions with are Killer and Dust.

Like he must have a book in his castle somewhere of all the observations he kept like he was studying a new species

[blimbo-buddy]

imagine a fantasy story where the other races are freaked the fuck out by humans (whatever they’d be called) because they don’t blink a lot and they just stare at you for minutes on end

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[ofyorkshire]

sitting on bj now bc now i'm thinking about his gender again and how i have no idea how to figure it out because he doesn't totally seem to know, and even if he did, there's a huge discrepancy between the films (where i primarily base my portrayal) and the novels.

i think he should experiment more. he doesn't get to, but he should. i think he's mostly afraid of the reactions he'd get from friends, whether he decides "yeah, actually, i'm a girl / i'm genderfluid / i thought i was something else for a while but actually i think i am cis after all and just feel euphoric cross-dressing, sorry, i've never been allowed to form an identity until now", and idk. whatever it is, i think i do need to figure it out, eventually, if only bc it seemed so important to him that barry gannon understood him.

whatever tumbles out of him when i get the chance to really shake him for it, i'm soft about bj having the freedom to discover himself. and i'm soft thinking about him having friends who'll accept him not in just whatever he finds, but his in searching.

[queen0fm0nsterz]

I think the way the Lady and the Thin Man became a lot more enjoyable to me as a duo when I stopped believing Six to be the Lady needs to be studied in a lab

[polysyndetonaddictsupportgroup]

the higher-ups (and Yaga) immediately trying to leverage Gojo & Ieri's absence to put Yuuta on the roster??? God that's such a stark moment. Thank god Nanami and Gojo saw through that one immediately, because Yuuta wants to justify his own survival so badly he would've fallen straight into it.

That whole scene, with Yuuta immediately jumping on the opportunity to help people even though something is Extremely Wrong with him and he's on the brink of physical collapse--this boy is selfless to the point of self destruction and I am chewing the drywall about it. I love him so much.

If only he was able to summon his newly found homicidal rage in defense of himself, the higher-ups would no longer be a problem. Alas, this boy is Extremely Unwell.

(Sea Glass Gardens is absolutely incredible and i am obsessed with it in a way that is totally and 100% normal. I'm so normal about it, trust me <3 )

The thing about Yuuta is that he really is prime to be taken advantage of right now and the higher ups know it. They had him try to kill himself for them--they know that there's a window of opportunity that they can use to get him under their thumb and avoid The Problem of Gojo, which is, namely, having a human weapon who you cannot fully control. Gojo nailed it from the beginning: they want a magic gatling gun with no personality or free will. They learned their lesson with Gojo and are trying to rob Yuuta of his agency before he learns how to protect himself.

And Yaga's part in that scene really was meant to kind of emphasize how, even with the best intention's, he just doesn't work to protect the kids. Like. everything he said was technically true, and he meant it with the best of intentions. He's the guy who has to think of everyone's needs. he has to manage this crisis. he's got a lot of people hurt badly who just came out of a war, and a lot of people going into fights with some very aggravated curses spawning without sufficient manpower to address the danger and no healer to save them if they cut it a little too close. He didn't have the intention of manipulating or sacrificing Yuuta, but he was aware that it would come to his detriment and risk.

The issue is the higher ups. They don't give a shit about the people in their workforce. They should be the ones doing whatever it takes to solve this crisis and save their people--and if that means giving up on their machinations? They should have already done it. It's their responsibility.

They just don't care. They want Okkotsu Yuuta under their thumb, and their society hemorrhaging is treated like an opportunity, not a dire problem to be solved. They don't care if half a dozen of their own people need to die to do it. Hell, it's better if they do die--they can put it straight on Okkotsu for not being willing to sacrifice himself, when they should have been making whatever promises they had to in order to make this work.

Gojo's done this before, is the thing. He was Yuuta, a long time ago. Nanami was right there watching it happen. They both know what the higher ups do: They let society get to a crisis level and put all the responsibility on you to save it. they let you maneuver yourself into a vulnerable position as a result, and then they use it as leverage to put their goddamn boot on your neck.

The thing is that Gojo adopting megumi all those years ago really did put them into a crisis state. the zenin pitched the mother of all bitch fits trying to secure his unconditional return, and they were a huge percentage of jujutsu society's labor force and resource pools. instead of the higher ups managing the problem at all, they took advantage of the situation and shoved more and more of its weight and responsibility onto gojo, until he was dropping off his own kid at his abusers' compound thinking it was the only compromise that could resolve things. megumi paid the price for gojo not calling bullshit, and right now, with him in a hospital bed? gojo's less willing to repeat mistakes than ever.

he knows that they're going to use the safety and suffering of everyone else as the leverage against him, and he knows that as terrible as it is, he cannot blink first. He's played this game before, and he knows that the only way to get the higher ups to back off on something like this is to dig in your heels.

I think what happened to Megumi all those years ago and how bad it got before they put a stop to it is something that haunts all three of them. When they first started raising him, they were very young, and they were very broken, and they loved him very, very much. He was their little boy, and he was never the same after the Zenin. They were supposed to protect him, and they didn't, and not a single one of them has forgiven themselves for that.

Megumi was sort of sacrificed for the greater good when he was a kid. None of them thought that that was what they were doing when it happened, but that's what happened. His happiness, safety, and wellbeing were sacrificed to pacify the Zenin and make it easier on everyone else.

Megumi and Tsumiki had to become their non-negotiables after. They had to become the things they refused to compromise on. The Zenin would take miles and miles if you gave them a millimeter, let alone an inch.

Gojo didn't think he was compromising them when he left them on their own to deal with Geto's war. They were disgustingly self-sufficient kids. They had been alone for longer stretches of time when they were practically toddlers--they should have been fine on their own for a couple of weeks.

But they were still his kids, and he still left them alone for everyone else's sake, and now his kid is blind and half dead in a hospital bed. It's like being punched in the face by old mistakes.

So they're off the roster completely, all of them. And they're not compromising an inch on what their focus is, and they're not letting anything happen to any of the other kids in their care.

It's terrible that their coworkers are suffering, but it wouldn't be happening if the Zenin hadn't fucked with Gojo Satoru's kid, of all the goddamn people. It wouldn't be happening if the higher ups would actually do their job and start managing shit.

And if they use Yuuta as an anxiety riddled bandaid on the bullet hole in their society? Then they'd be sacrificing him the way they sacrificed Megumi all those years ago. And they have never been less willing to do that.

I'm so so glad you like the story! Thank you for talking with me!

[antisocialxconstruct]

.

[bitfruity]

i was honestly really disappointed in the joint artist’s statement shared by olly and all who signed it. i know they’ve all signed contracts they legally have to abide by or face legal consequences, but i was still hoping for more. it only takes one broadcaster or contestant to start the domino affect of threats to withdraw. if not that, they could boycott the preparties or refuse interviews/publicity (which is what esc needs to build viewership). the media would have to talk about why some of the contestants are boycotting due to isnotreals genocide in palestine. the contestants should be doing everything they contractually can to bring attention to this.

wearing the artists for ceasefire pins is a nice gesture but it’s purposefully not loud. if you don’t know what it means it goes unnoticed. and i think that barely counts as a statement when most of the general public would have to google it to find out. it would be much more affective to wear a palestinian flag to show meaningful support and it would piss isnotreal off. that being said the palestinian flag is banned in esc and i assume any mention of palestine or the palestinian people as well.

so… what do we do here? what’s the point of all this if their support is superficial? we need actual statements and risks to be taken. i’m sorry but the excuse that they shouldn’t have to sacrifice their opportunity at esc is asinine to me. it’s unfortunate that they’ve been put in this position, yes. but people are dying, children are dying. we’ve been watching a genocide being carried out before our eyes. countless war crimes committed and bragged about with no consequence or signs of stopping. it’s a sacrifice people need to be making. to hopefully save lives and help shift policy.

speaking out and boycotting makes a difference. it could force the ebu to make isnotreal withdraw (let’s be honest they’ll never ban them). or if isnotreal sees that esc isn’t going to be profitable for them and the public opinion is against them they might withdraw themselves. the whole point they’re in esc is to garner support and promote propaganda. we have to show them that that will not be possible. no one will watch. no one will do interviews. no one will participate. the ebu only cares when the money stops. remember that.

so please follow the bds’s call to boycott eurovision

there’s also this twitter account isrbreaksrules dedicated to calling out isnotreals blatant violations of the ebu’s rules

[godsfavoritescientist]

one last thing, speaking of being glad ford doesn't make fun of people all the time: in dun.geon m.eshi I spent the last 11 episodes like "god if I was in his laios's place I would not be that patient with the people around me constantly booing me and joking about me being crazy and dumb and weird. I wouldn't *leave* considering the stakes but I would be having a bad time"

[kazumahashimoto]

spent the morning with some very cuddly boy cats. maybe there are good things in this world

[drop--pop--candy]

hey well at least i'm not afraid of mosquitoes anymore

[the-acid-pear]

Need to finish my Dave design so I can draw him with Mori

[villainsidestep]

got sad abt fawn’s little motel room again 😞

[floral-hex]

“you should get all your patches from local bands and live shows!” Honey, I’m poor and I live in arkansas, how am I supposed to do that?