#just here to use this as a guide for myself
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false-heteros16 · 2 days ago
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Hey party people, beccause of the kind of loosy goosy portrayal, of House’s pain in the show, I decided to take it into my own hands to analyze how House’s disability affects him. My credentials? I took Kinesiology in the twelfth grade and I’m super obsessed with this show.
I also made this for-myself as a guide for my writing so i know the specifics of how house is effected by his pain.
Where is his pain and How does it effect him?
The infraction, lead to a surgery in which the flexor & extensors of House’s knee and hip were impacted. From pictures of the scar, its the upper lateral-medial thigh, so i see three main muscles being effected: vastus laterals, vastus intermedius, and rectus femoris.
Those muscles, are important for alot of movement.
The rectus femoris flexes the hip, which means raising the leg would be painful
The vastus laterals and vastus intermedius, (and somewhat the rectus femoris too) help with extension of the knee, meaning straightening his knee would cause alot of pain
Im under the assumption that his hamstrings have not been affected, so that means he can bend his knee, and extend his hip (lower his leg) to an extent.
Actions this effects: walking, running, raising the leg, and any pressure placed on the leg (includes standing).
His chronic pain, (originating Psychosomatically, and due to the strain of (even slight) movement ) means a constant level of pain that affects movement & function even more.
- House’s prescribed medication (vicodin s1-5,s7-8) dulls the pain to an extent which allows him some relief but even on high dosages of this medication House still experiences sharp pain with prev actions mentioned.
The show accurately portrays:
- house using his hands to keep leg straight as he raises/lowers his leg on/from a object. (eg. Coffee tables, chairs, footstools)
-house using the cane for walking, and while standing to support the weight of his leg, and also to bring objects closer or use as support with other movments
The show should better portray:
-strain of driving/using motorcycle on his leg. (yes his leg isn’t being actively used with the bike but there is extended hip flexion)
-the extent of Psychosomatic pain, and a better acknowledgement of it AS PAIN. Many instances where Cuddy and Wilson refuse to prescribe pain relief because his pain is Psychosomatic. (Wtf kinda logic-)
-Rewrite of s6. Fucking god wtf do you mean they took him off his primary pain meds and gave him ibuprofen instead, and we never see the extent of that strain on him once hes back on cases.
-portrayal of how House’s Psychosomatic pain that isnt cured by the pOwEr oF lOvE. (looking at you s6 finale)
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carisa-ironfell · 2 days ago
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If you're going to church just for the "sermon" and want to get pissy about getting "lectured" instead, you're not actually listening to what's being said (or your pastor isn't saying the right things) and you definitely aren't going to church for the right reasons. It's just autopilot at that point, just a pointless ritual that doesn't mean anything. And I know this from experience because that's WHY I stopped going to church. I wasn't getting anything useful out of it, and the environment was taxing my mental health instead of helping me heal. I wasn't growing, I was just miserable and angry and bitter.
The point of church, as I've always understood it ever since I was little, is to connect with the other members of your community and help each other learn and grow and continuously become better people, to follow Jesus' teachings and LOVE people. You go to church to LEARN, and when needed, to be guided back to the right path by your pastor and/or your peers. That's literally their job. For example, most of Paul's writings. (Paraphrased: Y'all are acting crazy, stop doing that. Here's how to fix it.)
You don't have to agree with others' choices in order to love them, and something that a LOT of Christians seem to miss is: if you're not getting through to someone and you can't change their mind, let it go. The seed is planted, and there's a chance that years down the line, God will speak to that person and they'll be ready to listen. Shouting in their face (literally or figuratively) is only going to make them get defensive and shut down and push that time further away.
Anyway. No one who claims to be Christian or any kind of servant of God should be rejoicing in mass slaughter. And I've had to listen to "Christians" rant about how great and amazing the nightmare in Palestine and other Middle Eastern conflicts are, and it makes me sick. Whether you agree with them or not, people don't deserve to die like that. And if there's a member of a church who tries to implore the president to do something positive about that whole disaster, don't get pissed off with them, because they seem to understand the teachings better than you do.
I don't really consider myself Christian. I want nothing to do with that (generalized) group of people, because I have yet to meet any of them who make sense to me and can help me grow. I believe in God, I do my best to act in ways that reflects Him, but until the church starts shaping up and actually behaving with love and compassion instead of hatred, I'm not involving myself with them. It's dismal to watch and it makes my heart ache. And I can only imagine God probably feels the same way in a lot of cases.
I wasn't expecting to say this much ._. Uhh, sorry if anyone actually reads this lol Be safe and well! With love, Reggie 🤍
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The lack of self-awareness is truly astounding.
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moonstruckme · 1 day ago
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Hello! I find myself unable to stop thinking about fae Sirius, so here's another drabble about him as sort of a continuation to the first :)
cw: brief, vague allusion to sex
fae!Sirius x whimsical!reader ♡ 745 words
You’re scanning the earth for small, white flowers when there’s a rustle in the bushes nearby. You turn, expecting the orange streak of a fox vanishing into the brush or a bird taking flight, but you see nothing. The forest is quieter today, as it has been for you lately. Stiller. The sort of place with secrets. 
You draw in a breath as arms snake around your middle, catching you in their snare. 
“Hello, my little naïf,” says a familiar voice, smooth and lovely as the rock in your pocket. “What are you doing wandering about by yourself?”
You turn in Sirius’ arms. He grins down at you, and you press your smiles together in a gentle kiss hello as your own arms wind around his middle. He likes spending a lot of time pressed close together like this; you didn’t know you’d enjoy it so much until you did. 
“I’m looking for chickweed,” you answer him. 
Sirius’ eyebrows raise. Like most of him, they’re beautiful, finely shaped things; you reach up to trace your finger underneath one. Sirius very dignifiedly does not preen over it. “You’re not looking for me?” 
You shake your head, though you both know it’s a lie. You’ve always enjoyed this particular forest, but you visit twice as often since you met him. You’re never not thinking about Sirius, finding things for him, wishing to see him. It’d be embarrassing if he weren’t the same. 
“I was looking for you,” you confide to appease him. 
He tuts softly, a smile curving one side of his mouth. Sirius loves when you’re plain about your feelings for him. He doesn't always return the courtesy, but that’s alright; you can tell that they’re there whether he does or not. He wouldn’t have given you his name otherwise. 
“And what have you brought for me today, lovely thing?” 
“Do I always need to bring you something?” you ask, teasing. “Am I not enough by myself? You never give me anything.” 
Sirius’ eyes flicker with amusement, because this too is a lie. Sirius has given you many, many things. He’s taught you how to listen to the moods of the wind and shown you how to entice butterflies to rest in your palm and brought you unimaginable pleasure one long afternoon by the creek. Not least of all, he’s given you his devotion, proven in a thousand tiny ways. 
You’re unable to conceal your smile as you reach into your pocket, pulling out the rock you picked up this morning. It’s oval, worn to perfect smoothness by the rushing waters of the river you found it near, and a grayish blue that reminds you of Sirius’ eyes (when they stay still for a while, that is). 
Sirius takes the rock from you, studying it. He rubs his thumb across the top. “This is pretty.” 
“It is,” you agree, basking in your own private pleasure. You think he’d still say the same thing even if he did know why you chose it for him, but you enjoy keeping this to yourself. Sirius’ eyes slide to yours like he can tell you’re keeping secrets, but he doesn’t push. 
“Not,” he says, “as pretty as you, however.” His hold tightens without warning, drawing a surprised giggle from you as your bodies come flush together. “You’re more than enough of a gift.” 
You hear the sincerity in his tone and repay it in kind, kissing the corner of his mouth. “I know.” 
Sirius’ eyes squint the way they tend to do when you particularly delight him. Just before he calls you strange or silly or my lovely little oddity. He doesn’t say any of those things now; only, “You won’t find chickweed around here, you know.” 
You frown. “If I knew, why would I be looking?” 
Sirius heaves a great sigh and presses his lips to your temple before loosening his hold on you. He guides you away from your little patch of bushes by your hand, moving with otherworldly grace. “There’s chickweed by the meadow. We’ll find it for you there. Do you use it for something?” 
You nod. “Pesto.” 
His brow furrows. 
“It’s food. I’ll bring some for you to try.” You give him a sweet look. “Thank you for showing me where to find it.” 
A low hum. “What would you do without me?” 
“I don’t know. I suppose I’ll never have to find out.” 
“No,” he agrees, fingers winding between yours like vines, “you won’t.” 
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buckets-and-trees · 2 days ago
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idk about you but i just KNOW that nomad steve talks you through it. in the most panty soaking gut wrenching way. he’s always tried to hold back a little, be respectful, not be too much, but once he becomes nomad he just stops giving a damn. and he’s so cocky with it too, knowing he can keep going, keep making you feel good. he gets you going and then it’s all “that’s it baby let go” “that’s riiiiight” “that feel good? yeah? ohh look at you” mocking your desperation when you start moaning and gasping GOD i need him.
Just Say When
Characters/Pairings: Nomad!Steve Rogers x curvy Millennial Female!Reader Word Count: 3.2k Summary: Saturday, February 10, 2018. A surprise in your apartment the weekend before Valentines.
Content/Warnings: "fluffy" angst; repeated hook ups; Nomad Steve is still soft!dark and a warning all his own; explicit smut (oral: male receiving, vaginal fingering, nipple play, vaginal intercourse, unprotected sex/ejaculation); light dirty talk (there's talking, but it's not nasty dirty talk)
Author Notes: Eighth treat for the Valentine Storygrams.
Previous Part | Exiled Nomad Series
↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest
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You sighed as you closed the door behind you, dropping your keys on the small table in the entryway. The trip to UPS had taken longer than expected due to a line of people also shipping back their own Amazon returns. You were looking forward to a quiet evening at home, heating up something easy for dinner, and maybe catching up on that book you'd been meaning to finish.
As you shrugged off your coat, a sound made you freeze. The unmistakable hiss of running water hitting tile came from your bathroom. Your heart leapt into your throat, adrenaline surging through your veins. You lived alone. No one else had a key. There shouldn't be anyone in your apartment, let alone using your shower.
For a moment, you stood rooted to the spot, mind racing. Should you call the police? Grab a weapon? Run? But curiosity and a strange sense of anticipation overrode your fear. Cautiously, you made your way down the hallway.
The sound of water shut off the same moment you entered your room, and you hear very faint shuffling from the en suite bathroom. The door was slightly ajar and steam was billowing out. You hesitated for a moment before gently pushing it open.
The sight that greeted you made your breath catch in your throat. A very familiar, very masculine figure. His broad shoulders and muscular back were on full display as he stood wrapping one of your towels low around his hips.
For a moment, you simply stared, unable to believe your eyes. It had been a little over a month since you'd seen him unexpectedly in that nightclub in Aspen. How was he here, in your shower, as if he belonged?
Certainly sensing your presence, Steve turned, his eyes locking with yours. Without a word, he stepped closer.
"I hope you don't mind," he said, his voice low and husky. "I let myself in."
You stood frozen in the doorway, your mind reeling, pussy pulsing already.
You swallowed hard, your eyes roaming over Steve's damp, chiseled torso. Droplets of water clung to his skin, trailing tantalizing paths down his chest and abs. The towel hung dangerously low on his hips, leaving little to the imagination.
"How did you get in?" you managed to ask, your voice barely above a whisper.
Steve's lips quirked into a small, almost sheepish smile. "I may have picked the lock. I needed to see you."
Your heart raced at his words. He needed to see you. Despite the shock of finding him in your apartment, a thrill of excitement coursed through you.
"Steve," you breathed, taking a hesitant step towards him. "What are you doing here?"
He closed the distance between you in two long strides, his large hands coming to rest on your waist. The heat from his body radiated through your clothes, making you acutely aware of how close he was.
“This,” he answered your question by lowering his mouth to yours.
Steve's lips crashed against yours, hungry and demanding. You melted into the kiss, your arms wrapping around his neck as he pulled you flush against his damp body. The towel was the only barrier between you, and you could feel the hard planes of his muscles through your clothes.
His tongue swept into your mouth, tasting you deeply as his hands roamed your body. One large palm cupped your ass, squeezing possessively as he ground his hips against yours. You could feel his arousal growing, pressing insistently against your stomach.
"I shouldn't keep coming here," Steve murmured against your lips between kisses. "But I need to have you."
You knew you should question this, but all rational thought fled your mind as Steve's lips trailed down your neck, nipping and sucking at the sensitive skin.
Your head fell back, giving Steve better access to your neck as he continued his sensual assault. His beard scraped deliciously against your skin, sending shivers down your spine. Your fingers tangled in his damp hair, holding him close as he lavished attention on your pulse point.
He walked you backwards out of the bathroom and further into your room.
Then Steve stepped back, his eyes roaming over your body with undisguised hunger. The intensity of his gaze made you shiver, desire pooling low in your belly.
"Undress for me," he commanded, his voice low and husky. "Slowly."
Your fingers trembled slightly as you reached for the hem of your shirt to lift it over your head. Steve's eyes followed every movement, darkening with lust as you revealed more skin. Once your torso was fully exposed, you glanced back at Steve and let the shirt fall to the floor.
Steve's hand moved to the towel at his waist. He pulled it away, letting it drop. Your breath caught in your throat at the sight of him fully naked, his impressive arousal on full display.
Steve's hand wrapped around his cock, stroking slowly as he watched you continue to undress. The sight of him touching himself sent fire through your veins.
“Keep going,” he insisted.
Next, you unzipped your jeans, shimmying them down your hips. Steve's breath audibly caught as you stepped out of it, leaving you in just your mis-matched bra and panties. At least they were good ones.
With deliberate slowness, you reached behind your back to unhook your bra. You held the cups in place for a moment before letting it fall away. Steve's eyes darkened as your breasts were revealed, his hand moving faster on his cock.
"Don’t stop," he breathed.
Your thumbs hooked into the waistband of your panties, sliding them down your legs. You stepped out of them, now fully naked before Steve's hungry gaze.
Steve studied your body for another moment, drinking in every curve and plane. "Come here," he growled.
You moved towards him, drawn like a magnet.
“Kneel,” he said.
You sank to your knees before Steve, your eyes level with his impressive erection. His hand was still wrapped around the base, and you watched a bead of precum form at the tip.
"Open your mouth," Steve commanded, his voice husky with desire.
You complied, parting your lips as Steve guided the head of his cock between them. The taste of him exploded on your tongue as he pushed deeper into your mouth. Your hands came to rest on his powerful thighs, steadying yourself as you took more of him.
"You're always so eager for me," he gloated.
You didn't care. It was true.
Then Steve's fingers tangled in your hair, guiding your movements as you began to bob your head. "That's it," he groaned. "Take all of me."
You relaxed your throat, allowing him to slide deeper. Your tongue swirled around his shaft as you sucked, drawing a low moan from Steve. His hips began to rock, fucking your mouth with shallow thrusts as you worked him with your lips and tongue.
"Fuck," Steve groaned, his fingers tightening in your hair. "Your mouth feels so good."
You hollowed your cheeks, sucking harder as Steve's thrusts became more urgent. His cock hit the back of your throat with each movement, making your eyes water. But the sounds of pleasure falling from his lips spurred you on, eager to bring him to the edge.
Just as you felt Steve's muscles tensing, signaling his impending release, he suddenly pulled away. You looked up at him, confused and breathless.
"Not yet," Steve panted, his chest heaving. "I want to be inside you.”
Steve's eyes were dark as he reached down to help you to your feet. Without warning, he lifted you effortlessly, your legs instinctively wrapping around his waist as he carried you to the bed. He dropped you down onto the mattress, his body covering yours quickly as he settled between your thighs.
His lips found yours in a searing kiss, his tongue plundering your mouth as his hands roamed the curves of your body. You arched into his touch, desperate for more contact. Steve's beard scratched deliciously against your skin as he trailed kisses down your neck, nipping and sucking at your pulse point.
"Steve," you whined as he lavished attention on your breasts, his tongue swirling around a nipple before sucking it into his mouth.
His hand slid between your bodies, fingers finding your slick folds. You moaned as he stroked you, his fingers teasing your labia, circling your clit before dipping lower to tease your entrance. You mewled and arched into his touch, desperate for more friction.
"So wet for me already," Steve murmured against your skin, his voice low and husky. "Is this all for me?"
"Yes," you breathed, your hips rocking against his hand. "Only for you, Steve."
He groaned at your words, capturing your lips in another searing kiss as he slipped two thick fingers inside you.
And it was true. You had never been this way with any one else - not so quick to get physically involved, not uninhibited, willing to let him use your body, so ruin you with pleasure. You let him give and take without question.
You moaned into his mouth as he began to pump his fingers in and out, curling them to hit that perfect spot inside you. His thumb found your clit, circling it in tight, precise movements that had you trembling beneath him.
You knew you should stop. You knew this was dangerous, that you were setting yourself up for heartbreak. But as Steve continued working your body, you could only continue to succumb to your desperation for him, the thing that flickered in and out of your life.
"Steve, please," you whimpered, teetering on the edge of release. "I need you inside me."
Steve growled low in his throat, withdrawing his fingers. He positioned himself at your entrance, the thick head of his cock nudging against your slick folds.
"Look at me," he commanded, his voice rough with desire.
You forced your eyes open, meeting his intense gaze. The raw emotion you saw there – lust, possessiveness, and something deeper you couldn't quite name – took your breath away.
Steve pushed forward slowly, stretching you as he sank into your heat inch by glorious inch. You both groaned at the exquisite feeling of him filling you completely. When he was fully seated, he paused, giving you a moment to adjust to his size.
"You feel so good," Steve murmured, his forehead resting against yours. "So tight and perfect for me."
You whimpered in response, overwhelmed by the fullness and the intensity of having Steve so close, here with you.
Steve began to move, starting with slow, deep thrusts that had you gasping with each roll of his hips. His eyes never left yours as he gradually increased his pace, the intensity of his gaze making you feel utterly exposed and vulnerable.
"Is this what you wanted?" he growled, snapping his hips forcefully. "To be filled by my cock, stretched around me?"
"Yes," you moaned, your nails raking down his back. "God, yes, Steve."
The sound of skin slapping skin filled the room, punctuated by your breathless moans and Steve's low grunts. He hooked one of your legs over his arm, changing the angle to hit even deeper inside you.
"Fuck," you cried out as he struck that perfect spot.
"You like that?" he panted, driving into you relentlessly. "You like how I fuck you?"
"Yes," you whimpered, your nails raking down his back. "God, yes!"
His rhythm became more frantic, his hips snapping against yours with increasing force. The intensity of his thrusts had you clinging to him, pleasure building within you with each powerful stroke.
“Then fucking take what I give you,” he said.
Your mind lost everything except the feeling of Steve moving inside you, the sound of skin on skin, and the increasingly desperate noises falling from both your lips. Steve's rhythm became more frantic, his hips snapping against yours with increasing force. The intensity of his thrusts had you clinging to him, nails digging into his back as pleasure built within you.
"Open your eyes," Steve demanded, his voice strained.
You forced your eyes open, meeting his intense gaze, not realizing you’d let them slip closed. The raw emotion you saw there – desire, possessiveness, and something deeper you couldn't quite name – took your breath away.
"I want to see you fall apart," he growled, never breaking eye contact as he continued to drive into you relentlessly. "I want to watch what only I can do to you."
One of his hands snaked between your bodies, his thumb finding your clit and circling it with practiced precision. The dual sensations of his cock pounding into you and his fingers on your sensitive bud quickly pushed you towards the edge.
"Come for me," Steve commanded, his voice strained. "I want to feel you come around my cock."
His words and the relentless pressure on your clit sent you spiraling into ecstasy. You cried out Steve's name as your orgasm crashed over you, your inner walls clenching tightly around him. The intensity of your climax triggered Steve's own release. “Look so pretty when you fall apart,” he groaned, burying himself deep inside you as he came. “So pretty with my cock inside your cunt.”
For a moment, you both lay there, panting and trembling in the aftermath. Steve's weight pressed you into the mattress, but you relished the feeling of being surrounded by him.
When he finally lifted his head to look at you, his blue eyes were soft, almost vulnerable. He brushed a strand of hair from your face, his touch gentle.
"Are you okay?" he asked softly.
You nodded, still trying to catch your breath. "More than okay."
Steve rolled to the side, pulling you with him so you were curled against his chest. His arms wrapped around you, holding you close as your breathing slowly returned to normal. For a few moments, you simply lay there in comfortable silence, basking in the afterglow.
But as the haze of pleasure began to fade, reality started to creep back in. Questions swirled in your mind - why was he here? How long would he stay this time? When would you see him again, if ever?
As if sensing your thoughts, Steve's arms tightened around you. "I should go," he murmured.
“You say should go, that you shouldn’t have come here, that you shouldn’t have sought me out at the night club, I’m so tired of should’s, Steve.”
“What are you saying?”
You propped yourself up on an elbow, looking down at him. "I'm saying... I don't know what I'm saying. Parts of this are confusing, Steve. You show up out of nowhere, rock my world, and then disappear again. I never know when or if I'll see you next. It's exhilarating and amazing when you're here, and maybe that’s all this needs to be."
He sighed heavily, running a hand through his hair. The conflict in Steve's eyes was clear. "You can’t mean that.”
“I’m an adult woman, Steve. I’ve built a life for myself. Let me know what I mean. If I make good or bad choices, they’re mine.”
Steve's jaw clenched as he considered your words. His hand came up to cup your cheek, his thumb tracing your lower lip. "You deserve better than this. Better than stolen moments and uncertainty."
"Maybe," you conceded. "But right now, this is what I want."
Steve searched your face, his eyes intense. "You don't know what you're asking for. The danger I'm in, the life I lead now, it's no life for anyone else."
You sat up, pulling the sheet around you. "I'm not asking to join you on missions or be part of your team, Steve. I'm just asking for this to be fine and not a ‘shouldn’t’ anymore."
He sat up as well and ran a hand down your back. You looked over at him.
“That’s all I could give you.”
Your heart swelled painfully in your chest, but you ached for more. He set your bones on fire and made you feel so good. The logical part of your brain knew this was a dangerous path. But in this moment, with Steve's warmth beside you and the lingering afterglow of pleasure, you couldn't bring yourself to care.
"Then give me that," you said softly, meeting his gaze.
And how was this any worse than the fuckboys, the bad relationships that had crashed or stuttered out, or the periods of solitude and celibacy?
"Give me whatever you can," your voice was resolute.
Steve's eyes searched yours, a mix of longing and conflict swirling in their blue depths. For a moment, you thought he might refuse, might pull away and disappear into the night as suddenly as he had appeared. But then he nodded, a small, almost imperceptible movement.
"Okay," he agreed, his voice barely above a whisper.
Relief flooded through you at Steve's agreement. You leaned in, capturing his lips in a fierce kiss. Steve responded immediately, his hand coming up to cup the back of your neck as he deepened the kiss.
When you broke apart, Steve rested his forehead against yours, both of you breathing heavily.
“I’m thirsty,” you said. “Do you want anything to drink?”
“Oh, I’m plenty thirsty,” he replied. “I’ll have some water, but I’ll also have something else when you come back,” he emphasized by slipping his hand between your legs to cup your pussy, curling one of his fingers into your folds, and you moaned.
You quickly but reluctantly pulled yourself away from Steve's touch, shivering as his finger slipped out of you. As you stood, you could feel the evidence of your escapades trickling down your thighs. You padded across the room, snagging Steve's discarded t-shirt from the floor and slipping it on. The soft cotton draped over your curves, the hem barely skimming the tops of your thighs.
The hardwood floor was cool beneath your bare feet as you padded down the hallway towards the kitchen. The apartment was quiet, save for the faint hum of the refrigerator and the distant sounds of traffic from the street below.
You pulled two cups out of your cupboard, then opened the refrigerator to pull out your water pitcher. As you pulled the door open, the interior light illuminated the contents, and you did a double take.
There, on the middle shelf, sat a familiar white takeout container that definitely hadn't been there earlier. Your heart skipped a beat as you recognized the logo emblazoned on top - it was from Bella Notte, your favorite Italian restaurant in the city.
With trembling fingers, you reached for the container, already knowing what you'd find inside. As you lifted the lid, the rich aroma of coffee and cocoa wafted up, confirming your suspicions. It was their famous tiramisu, the very same dessert you and Steve had shared that night in September when he'd shown up unexpectedly at your door.
The sight of it brought a flood of memories rushing back.
You’d been fine when he left in September.
You’d been fine when he left the first time.
You would be fine when he left this time.
You would be.
This was fine.
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next part: March 10, 2018
↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest
So this is it! This is the last encounter that brings us now to the original pieces of Nomad Steve March 10 and then March 21 (back when this was one random drable and one follow up).
And what now, you ask? There are four more parts I have planned out for them formally.
read more in the Exiled Nomad Series
I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!
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00valentina-writes00 · 10 hours ago
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GIRL LISTEN- this request is...strange kind of but bear with me.
What if we got sevika, ambessa AAND grayson (yes all together) x reader where they all pleasure the reader (maybe each other too?) I don't know I just can't get it put of my mind, I always see sevika x ambessa x reader and think to myself "gosh if only grayson was added in there too..."
ANYWAYS THE YOUR WORKS ARE JUST PERFECT ILY💌💗🎀
(Thank you for asking this)
♡♥︎Triple threat♥︎♡
Warnings: Fingering, strap on sex, rough sex, throat fucking, being passed around between Grayson, ambessa and Sevika.
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You’re not sure how you ended up here—naked, drenched in sweat, spread out between three of the most powerful women in Noxus, Piltover, and Zaun.
Ambessa, Grayson, and Sevika. They don’t just want you; they own you, passing you between them like a prize, keeping you flushed and trembling, body wrecked with pleasure.
Grayson is the first to have you, holding you down with firm, calloused hands as she sinks two thick fingers inside you. She’s slow, methodical, taking her time stretching you open, whispering quiet praises against your ear.
“Fuck, you’re so tight,” she murmurs, curling her fingers just right, pressing against that spot that makes your back arch. “So perfect when you take my fingers.
Ambessa watches from the other side of the bed, stroking herself—her massive strap slick with lube, waiting for its turn.
“She’s handling you well,” the general comments, voice thick with hunger. “But let’s see how she takes something bigger.”
Grayson smirks, but before she pulls away, she leans in, pressing a slow, teasing kiss to your lips. “Don’t keep her waiting, sweetheart.”
Then Ambessa is behind you, her hands dwarfing your waist as she lifts your hips, lining the thick head of her strap against your dripping cunt.
“Relax,” she coos, dragging the tip through your slick before pushing in slow, forcing you to stretch around her. “You can take it.”
You sob, body trembling as she sinks in deeper, splitting you open inch by inch. Her sheer size alone is overwhelming, filling you up until you’re shaking.
Sevika clicks her tongue from where she’s kneeling in front of you, the head of her own strap tapping against your cheek. “C’mon, baby,” she drawls, gripping your chin. “Suck.”
Your mouth is already watering as you part your lips, letting her ease the thick length past your tongue. She doesn’t force it—yet. Just lets you get used to the stretch before guiding more inside, groaning when you start to hollow your cheeks.
“Fuck,” Sevika hisses, eyes dark as she watches you work. “So pretty with your mouth full.”
Ambessa’s pace picks up, slamming into you hard enough to jolt your body forward, forcing more of Sevika’s strap into your throat. You gag, eyes rolling back, body overwhelmed from every angle.
Grayson, not content to just watch, moves beside you, pressing a soft kiss against your temple before her fingers find your clit again, rubbing slow, lazy circles.
“Think you can cum for us, sweetheart?” she whispers, voice warm, coaxing. “Be a good girl and soak Ambessa’s cock?”
You’re already there, body locking up, vision going white as the pleasure overtakes you. You sob around Sevika’s strap, thighs shaking as you clench around Ambessa’s cock, coming so hard your body collapses into the sheets.
They don’t stop.
Sevika chuckles, pulling out of your mouth to let you breathe. “Not done yet, baby,” she purrs, wiping a tear from your cheek.
Ambessa pulls out slowly, watching the way you drip down your thighs. “You can still take more.”
Grayson presses another kiss against your jaw, voice like velvet. “Let’s see just how many times we can make you cum”
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luckykiwiii101 · 1 day ago
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AND WHO AM I? *INSERT NAME*
| | MY PERFECT SELF CONCEPT | |
XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL
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XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL
ཐི I finally have my dream life, what can I say, i’m god ཋྀ
✰ AND WHO AM I? | | AND WHO AM I? | | AND WHO AM I? ✰
p.s. This is a generalised self concept guide template. Please change it to your liking (by making your own personalised one!!)
| | AND WHO AM I? | | MY PERFECT SELF CONCEPT | |
✰ I am *insert name here* -> associate your desired name with your self concept. vice versa.
✰ I’m god AKA pure consciousness
✰ I have the perfect self concept:
| | ✰ I have my dream life
| | ✰ I manifest so effortlessly & instantly
| | ✰ I always wake up purely conscious (in the void state aware).
| | ✰ I always succeed no matter what. I know that success is the only outcome. I have faith & belief in myself.
| | ✰ I’m always doing everything right because I’m god.
| | ✰ I know that nothing can “ruin” my manifestations because they’re already here. I already have them.
| | ✰ *add your own rules*
| | REMINDERS TO MY PERFECT SELF | |
✰ Creation is finished. It already happened.
✰ The 3D does not exist to a purely conscious being, in other words, me. (there is no concept of the 3D & time in the god state).
✰ The only concept of time in the I AM is NOW, therefore waiting does not exist. I have my dream life right now.
✰ I’m not “thinking as if”, i’m thinking as it already is because I truly have all my desires. (there is nothing to pretend or desire to have).
✰ God does whatever god wants. Therefore I do whatever I want. All I do is remind myself that i’m god and I have all my desires. The right way to manifest is however I want to manifest.
✰ In the god state, nothing feels impossible or difficult.
✰ god state = I AM (real me)
✰ I AM pure consciousness. Faceless & formless.
✰ I experience no limitations because I view manifestation from the inner (real) me.
✰ I understand that it’s impossible for me to not have my desires.
✰ There is absolutely NOTHING outside of me. Every little thing that I could possibly put on a pedestal is within me. I am on the pedestal because i’m literally god.
✰ The whole point of the law of assumption is that the 3D outer self is not the one experiencing my desires, it is the inner (real) me who has it. The real me does not experience the 3D at all! So there is no reason to attempt to fool myself by the delusions of the 3D when I know it isn’t me.
✰ I AM is the only power that exists, which is me.
✰ I am not assigned to any original reality or identity. I am merely pure consciousness physically experiencing whatever I assume.
| | HOW I REMIND MYSELF THAT I HAVE ALL MY DESIRES | |
| | ✰ I close my eyes and feel myself to be purely conscious, then I tie that feeling of awareness to the feeling of being all powerful.
| | ✰ I feel myself to be my desired self
| | ✰ I feel myself to have all my desires & the perfect self concept
| | ✰ *write whatever you want in this section e.g. any methods you like using or simply just deciding.*
| | ✰ *If you’re using a manifestation routine, paste it here*
The devil doesn’t wear submission. She wears prada, oh!- and narcissism. You already have everything you want. XOXO
- gossip girl
XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL
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XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL
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star-suh · 1 day ago
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Johnny, La Gente Está Muy Loca… WTF
Johnny Suh x Male Reader
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cw: protected sex to bareback (remember do NAWT use oil based lube when you're using a condom), some impregnation kink disguised as silly jokes 😭
an: this is the best title i could ever think of ngl, like this is peak star-suh idk.
yn was in line waiting for the doors to open so he can finally witness a party with DJ JohnnyBe, he heard that all his parties are fun.
when they opened yn went straight to the bar to order something to drink, while he was waiting for the show to start he made some friends her and there.
“ladies and gentlemen please give it up for our guest DJ JohnnyBe” screams and claps of excitement flooded the room when the dj appeared. “hello everyone, i'm glad to be here and i hope i could make this night unforgettable for all of you” he winked, put on his dark glasses and blasted his first set of songs. the bass sounds make the floor vibrate. the music was intoxicating, DJ JohnnyBe indeed knows how to lit a party. during one of his last sets johnny removed his glasses, his gaze was adjusting to the bright colored flashing lights when he saw yn in the crowd. the guy was happy having the time of his life, something that made johnny smile and caught his attention too.
“excuse me, i’m going to the bathroom” yn whispered to one of his new friends and went there. “it was a magnificent night guys, thank you for coming here but i have to go now” everyone awwed, disappointed, wanting more of him, “but don't worry, tye part continues with the next dj”, everyone screamed in euphoria while johnny left and went to the bathroom.
yn was washing his face when someone entered the bathroom, “hey you're the happy boy that was on the crowd” johnny said with a happy tone. yn was stunned seeing him that close, his mouth was agap, thinking it was a dream caused by all the drinks he had tonight he said “fuck, you're so hot”. johnny was taken aback by this but then smirked, “well thanks” he replies.
yn realized it's not a dream, dj johnny fucking be was right there in front of him. his face became red like a tomato. “i-i'm sorry i think i-i d-drank a lot to-tonight haha” his flustered ass tried to brush it off. johnny places both hands on each side of tn cornering him against a counter. “you look so cute when you're flustered” both males made eye contact, one’s eyes showing how shy he was while the other's were fierce, as if a hunter had just hunted his prey.
“what's wrong party boy. what happened to that “fuck you're so hot” earlier comment, hmm?” at this point yn didn't know what to say he just closed his eyes but opened them again when he felt something poking at his bulge. it was johnny’s bulge. “see how horny i am, right now?, you should take responsibility for it” the low tone of his voice sending yn already to cloud 9, he moaned johnny’s name.
“hmm what was that?” johnny asked, his breath tickling yn’s neck. his lips ghosting his skin. he was desperate to feel johnny, he wanted him to touch him, obliterate him, rearrange his insides. “i’ve never felt this horny before for someone” yn confessed, feeling even more shy. johnny grabbed him by his chin so he can look directly at his eyes, “me neither” he said kissing the flustered boy…
johnny guided yn towards a bathroom stall while still kissing him, his tongue wxploring the other's mouth. “just put it in, i prep myself at home” yn said in between moans. “naughty” johnny heaved. he pulls out a condom from his pocket, unwrapped it and rolled it down his big thick shaft.
“wait” yn stopped johnny from putting in, “use this” he handed johnny a little bottle of lube that one of his new friends, conveniently, gave it to him as a ‘gift’ so he can have lots of fun tonight.
johnny applied and large amount of it on the latex and on yn's hole, he slapped it a few times on the entrance and slowly put it in, inch by inch. the sex was rough, with johnny using his hands to muffle yn's moans, something that was unnecessary due to the excessive loud music outside in the club. there were times were johnny instead made yn suck his fingers as if it was his dick. every time the dj thrusted deep a bulge formed on yn's tummy, “joh-johnny you're very deep”.
yn was pressed against the stall door with his eyes rolled back, johnny was stimulating his prostate continuosly and in return he was gripping hard on johnny's meat, “you're choking my little budy down there” he put his hand on the bottom's head pushing it even more harder against the door. a smile appeared on yn's face, he loved how rough johnny was treating him. “more. more. i need moree~”.
if someone were in the bathroom right now they would think that some rabid dog would be locked in the bathroom, with the loud strange sounds and the banging against the cold metal walls. but in reality johnny was there thrashing yn around the stall, there was not a pose left for them to try or a surface that they haven't touched with their sweaty bodies. missionary, against the wall, riding, with one leg up, johnny fucking him while still grabbing him. yn's hole was already obliterated but eager to receive more.
the smell of sweat, liquor and spit make them both feel dizzy, lost in the pleasure they both craved. hickeys littered all over their collarbones, necks and torso, hell even johnny made some on yn's thigh.
the euphoric feeling made them lost trace of time and their surroundings so much that yn didn't notice that johhny's dick felt warmer and warmer by time, he could feel every vein brushing against his walls. the same happened to johnny, he felt yn's insides warmer and how they hugged his little buddy even more than before. ‘woah, condoms nowadays make you feel like you're not wearing one’ they both said it in their minds. they didn't realize the condom broke and with every thrust it slowly went down johnny’s shaft sitting in the base of it.
johnny hugged yn tightly to impale his meat even more deep and harder, “fuck yeah please like that” yn whimpered, his body squirming in pleasure. “keep doing it like that. just a bit more. yes just right there” yn said to johnny who complied to the bottom’s demands. yn came, his torso being painted in white. his body spasm with every spurt of it. he was happy, he hasn't felt this way in years, this might be the best sex of his life.
“fuck i'm gonna cum” johnny grunted, he wanted to came on yn's face but he didn't wanted to stop feeling the warm insides of the guy so ge decided to just came inside the condom. little did he knew that he was, in fact, covering those insides with his white seed. “how does it feel to have a man's seed deep inside your hole?” johnny asked nibbling on yn's neck. “it feels sticky and so wet” yn slurred, coming back from his high.
the realization hit them both right there, “what do you mean sticky and wet?” johnny looked down seeing how the broken piece of latex was on the base of his shaft while the rest of it was inside of the other, bareback. “oh god i just bred you”, “oh my god you just breed me”, johnny and yn exclaimed in unison…
they both get out of the stall, yn walked awkwardly after all his hole suffered a lot tonight. staring at themselves in the mirror with a dumbfounded expression while fixing their looks and disheveled hair. “why are we acting as if you're gonna get pregnant” johnny joked, trying to lighten the awkward atmosphere.
“johnny, it … it was the first time someone came inside me” yn looked down feeling embarrassed but once again johnny grabbed his chin to make eye contact with him “then i guess i have to take responsibility for that baby on there” he caressed yn’s stomach. they looked at each other and then exploded in laugh, “dumbass” yn blurted out hitting johnny's shoulder lightly.
“you're way cool than it thought” yn confesses “and so wild in sex, my back side hurts a bit”.
“i also think you're cool” johnny replied politely too, “if you want, come to my hotel room. i know a home remedy to ease that pain” he gripped one of his ass cheeks, “the night is still young” he wiggled his eyebrows.
yn caught what he meant and said “oh yes of course, i would like to try it. besides i kinda want other of your babies inside me”. johnny kissed him in the lips and then in the forehead, “let's make a football team then”. they left the bathroom straight to the hotel room to chase that euphoric feeling again.
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cleolinda · 2 days ago
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youtube
Here’s voice commentary over gameplay as I gradually figure out how to stop being scared of fight Pyramid Head. (The jumpiness of the video mystifies me; I apologize. Sometimes OBS does that to me, and sometimes it doesn’t.) For copyright/fair use reasons, I’m going to make anything with actual video of the game public; there’s also a transcript with notes (unlocked) on my Patreon.
(Content: A deceased monster covered in blood near the beginning; a lot of gunfire; syringes for healing; no vomit for once; no gore in the actual combat.)
Handy timestamp guide if you want to skip ahead:
00:00:00 - Warm-up and strategy and being scared to start
(James, honey, we're gonna work together. I'm not gonna scream at you anymore. If you don't do what I want you to do, it's not your fault.)
0:07:28 - First try
[James dies. Every time he gets killed, he collapses in a new and more pitiful way.]
0:08:13 - Second try
They're just like slap-fighting at this point. [James dies.]
0:09:10 - Third try
He's like, just could we—can we go anywhere? No, we can't go anywhere. [We are cornered. James dies.]
0:09:45 - Fourth try
Yeah. Time loop theory? I'm the one responsible for all the dead bodies. That's me. All the Bad Day Jameses, that's—that's all me.
0:10:25 - Fifth try
Okay, now, we are {NAAA NA NA NA NA NA NA NA NA NA NO—}
0:11:19 - Sixth try
I confuse even Pyramid Head. Like, Pyramid Head is not ready for me.
0:12:40 - Seventh try
What is it they say about chess where it's like—it's the—it's the newbies you have to watch out for, because— (NO! GO FORWARD! GO FORWARD!) —if you can't predict what they're gonna do, you can't— {MOTHERFUCKER!}
0:14:00 - Eighth try
Well, okay! Run, run, run backwards, do something, do anything. [James dies.]
0:14:52 - Ninth try
I'm not running away, I'm running towards, and I'm still not FINDING HIM! MMPH! (HIT HIM! HIT HIM! JAMES! YOU CAN DO IT! HIT HIM! NO, HIT HIM? HIT HIM! YOU CAN DO—) [James dies.]
0:15:53 - Tenth try
Where is he? {NO! NO! NO! NO! NO NO NO NO NO NO NO! NO! ASSHOLE, NO!} [James dies.] NOOOO, WE ALMOST MADE IT THAT TIME!!
0:18:59 - Eleventh try
Okay, did you do that? Did you seriously do that. We talked about what not to do and then you did all of it.
0:20:44 - Twelfth try
[A determined yell from James.] Dodge, dodge, dodge!
Something I discuss in the transcript is why I call James “honey” and “sweetie” constantly. Turns out, I realized, it’s partly externalizing a growth mindset @ myself, and it’s partly the way I talk to my dog.
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serpentface · 3 days ago
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How do you go about words and language in your worldbuilding? im curious about your method and also it just feels good to try to pronounce the words you use, I love it
Most of it started back-engineering languages based on character/creature/place names I put together before having any guidelines and just like a vague Vibe of what the language would sound like. Nowadays I have cfull naming languages for the major languages I will be using regularly, maintain glossaries, etc. Most of the words I have to worry about are in Wardi so that's the most detailed of all.
I think a good starting point is to make a decision on what consonant sounds you want to be present in any given language. I Did Not Do this until later but the best way to go if you're serious about it is to learn (or at least reference) the IPA so you have a very clear understanding of which phonemes are in the language rather than just going off letters (which can have multiple different pronunciations within the same language), and use it to make a naming language. (Should note I only have very entry level understanding of the IPA)
this guide for naming languages is pretty good and helps you understand the IPA and what its terms mean
[x] full IPA pronunciation guide
[x] if your first language is a North American English vernacular, this is just a good starting point to learn how the sounds You regularly use are represented in the IPA.
I think this step is really important if you want to have coherent pronunciation rules (and is just good for learning how languages work on the most basic level) but if you just need Words That Look Good On Paper In The Latin Alphabet you can somewhat narrow this down to choosing consonant sounds from This alphabet.
So like from that simplified angle Wardi doesn't have the sounds represented by the english Z V and X, I will not produce a word from that language containing these letters (backed myself into a corner early on by giving SEVERAL characters names with these letters. I was able to write around this very easily by having them be foreign names pronounced differently by native speakers, but stuck with the original spellings. This is an unresolved issue and I should really be spelling the names as 'Faitsa' 'Saitsen' 'Lifya' 'Stawis' for more clarity).
From the more complicated angle, Wardi does not have the /θ/ ('thorn') /ð/ ('thy') /z/ ('zebra') /ʒ/ ('genre') /v/ ('vowel') /æ/ ('atlas') sounds, which I use to inform spelling (so also avoiding 'th', and any 'g's that would intuitively be read as a soft G by an English speaker).
There's also sounds I've established as present here that are not present in/close analogues to sounds in English or directly representable by the Latin alphabet - /r/ (rolled r) /ɾ/ (post alveolar flap r) / t͡s/ (like 'tsetse') ((also I've been having difficulty determining what this sound is in the IPA, but a sort of flapped 'L'), (also dental clicks used as consonants in a rare few words and more frequently as an interjection that adds emphasis to words without changing their core information, and as a filler sound). I can't indicate most of these in spelling with any clarity so it's mostly for my own use.
Romanization in general is kind of tricky and is ultimately semi-arbitrary to begin with (presuming you're constructing a language for a setting in which the Latin alphabet doesn't exist). The best way to do it is a non-vibes based way where you set up rules for what letters represent which sounds. This is an area I've been sloppy with/have rules that aren't readily apparent ('ch' spellings in Wardi can denote either a /k/ ('cog') or 'tʃ' ('cherry') sound depending on surrounding vowels, lone 'c' always has a /k/ sound, with 'ch' used in its place where English speakers would otherwise presume a soft C. This means I shouldn't need to have Any words represented with a letter K whatsoever but a few have slipped through anyway).
I would say like, 25% of the words I've constructed are Entirely just putting Canonically Appropriate vowels and consonants together in a way that look good and stick to established rules. But in doing so once I establish a word and its meaning I'll try to pick out roots that I can use again when constructing words with related concepts.
So for an example where I did this in a ultra simple capacity of just Putting Roots Together:
An/ana- root pertaining to fresh water, clean water
Nae- root pertaining to a narrow pathway, implies carrying/movement
Pel/pele- root pertaining to saltwater, undrinkable water
Nau- root pertaining to something that holds/enfolds, mostly in an abstract/cosmological sense
From this:
Anae: river ('freshwater path')
Pelennau: ocean ('enfolding saltwater' (specifically influenced by cosmology in which the world is functionally an island atop an infinite sea)
Pelenae: estuary ('saltwater path')
These roots don't have to be limitations (the same assemblage of letters can occur in words that wouldn't have any obvious etymological relations to an established root), especially if you aren't setting out to make a fully fleshed out hard conlang, it just helps establish a sense of coherency and connectedness in a given language. (Also if you want your language to be really fleshed out you probably shouldn't Just do the 'mashing roots together' thing, pronunciation of words drifts away from their root components over time).
Anyway yeah that's the general methodology I use. I'm very new and entry level at conlanging so it's pretty simple and sloppy but it serves its purpose well enough.
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librarylexicon · 3 days ago
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hi! i'm one of those insane people who got into dc via seeing tumblr posts and going "huh these tropes seem like they are tailor made to get me obsessed" but was too intimidated by the volume of comics, and instead read the wikipedia pages of like 20 characters and dove right into fanfiction after. but i've been finding myself getting more and more frustrated with fanfics that are of the "i ignore canon entirely" variety and more and more curious about aspects of canon that are only brushed upon in fanfic. i kinda want to get into the comics but the amount is just. overwhelming. i don't really know where to start, both in regards to the timeline and where to actually find the comics to read. can i ask you for recommendations? if you don't have the time or inclination, no pressure, just delete this ask XD. thank you!
Hi! I'm glad you asked! I've had this ask sitting in my box for a little while because I've been working on redoing a Batfamily comics reading guide I made for my sister back in 2019 to get her into reading comics (it worked). Here is the reading guide, which is currently complete up to the No Man's Land section:
There's a lot of info in the guide to get you started (especially regarding your second point of where to actually find the comics to read), so I'll just address your first point (the timeline) here under the cut by providing an extended summary of events. There are spoilers ahead, but it's a useful read if you're the kind of person who likes to see the big picture before delving in. Warning: it's long!
The Timeline
(Most of the comics mentioned below have been bolded in the reading guide, so should be easy to find and read.)
Batman and Batfamily comics are old. Batman and Robin have both been around for over 80 years. Does this mean you need to read every comic since 1940? Absolutely not! For comic book reasons, there have been several mainstream continuities throughout the years, one after the other, but the best place to start is directly after the universe-rebooting event called Crisis on Infinite Earths in 1986, which established a new continuity known as Post-Crisis. Don't try to read that comic, just trust that it happened. You don't have to read every single one of the comics listed here, especially if you already know some context from fandom (like who's who), but these are the ones most important to the Batfamily mythos.
Origin and early years
Start your Batman reading journey with Batman: Year One, which documents the origin and first year of Batman, establishes his working relationship with Jim Gordon and introduces Selina Kyle (Catwoman). There are many stories capturing Batman's earliest years, the best of which are Batman: The Man Who Laughs (where he meets the Joker for the first time), Batman: The Long Halloween and its sequel Batman: Dark Victory.
Dick as Robin
Dick Grayson, a young acrobat, is introduced in Batman: Dark Victory when Haly's Circus comes to Gotham and his parents fall to their deaths before his (and Bruce's) eyes during their trapeze act, and he comes into his own as the first Robin in the superb one-shot Batman Chronicles: The Gauntlet. You should also read Batman: Ego for an excellent dissection of both Bruce and Batman. Other high quality Dick!Robin stories that flesh out this period and establish Bruce and Dick's relationship are Robin: Year One, Batman: Grimm (Batman: Legends of the Dark Knight #149-153) and Year One: Batman/Scarecrow. Also a good read around this time are the three Halloween stories by Jeph Loeb and Tim Sale (who created The Long Halloween and Dark Victory) collected in Batman: Haunted Knight. Lastly, a natural companion to Robin: Year One is Batgirl: Year One, starring Barbara Gordon, Jim's daughter-slash-adopted-niece.
Jason as Robin
Bit of a timeskip here. By now, Dick's been Robin for six years or so (sources vary), and Jason Todd is introduced in Batman (1940) #408-409 and faces Two-Face in #410-411. There are some fun Jason stories in Detective Comics (1937) #569-574. To see what Dick's up to at this time, read Nightwing: Year One, and also check out Batman #416 for an alternate story of how Dick and Jason meet.
A new Gotham vigilante, Huntress (Helena Bertinelli) is introduced right around here in Huntress: Year One, and Barbara Gordon (who by now has retired from being Batgirl) is shot by the Joker and left paralysed from the waist down in Batman: The Killing Joke. A good Jason!Robin story that slots in here is Batman: The Cult, before the tension between Bruce and Jason is raised in Batman #425-426. Finally, Jason's life and short-lived career as Robin are permanently ended by the Joker in Batman: A Death in the Family.
Aftermath
Bruce is straight up not having a good time right now. He's mourning his kid, the Joker is still at large, he's sans both a Robin and a Batgirl, and he's accused of treason in the character study comic Batman: Blind Justice (Detective Comics #598-600). Sometime later, Dick Grayson (who is sort of estranged from Bruce and has been hanging out with his Titans friends for years) returns to Gotham in the fantastic Batman: Year Three (Batman #436-439), which retells Dick's origin (with some contradictions to other stories listed here, because that's just the nature of comics) and deals with Dick's parents' killer, Tony Zucco, possibly getting parole. Look out for a cute cameo in this one, but don't worry if you miss it – it'll come up again.
Noticing Batman's increased brutality in the wake of Robin's death, a precocious thirteen-year-old named Tim Drake bursts into the narrative when he hunts down Dick at Haly's Circus in the seminal Batman: A Lonely Place of Dying. Batman: Dark Knight, Dark City (Batman #452-454) is a good solo Batman story from around this period, and Batman: Rite of Passage (Detective Comics #618-621) and Batman: Identity Crisis (Batman #455-457) are defining stories for Tim's pre-Robin period as he explores who he is and who he wants to be. (Specifically, Tim's mother is killed and his father is left paralysed.)
Tim as Robin
(Note: Tim is Robin up until Damian is, but I've split Tim's Robin tenure into multiple sections so that it's easier to follow.)
Now that Tim has officially taken up the mantle, Bruce sends him to train in Paris, where he makes enemies of his own and chooses the bo staff for his weapon in the 1991 Robin miniseries. Around this time, Barbara Gordon reinvents herself as Oracle in Oracle: Year One (The Batman Chronicles #5). Tim debuts as Robin with Batman in Gotham in Batman #465, works cases with Bruce in stories like Batman: Shadow Box (Batman #467-469), and even tackles the Joker when Batman is out of town in Robin II: The Joker's Wild.
Other good stories from this period are Batman: Electric City (Detective Comics #644-646), a character study of Tim's relationship with his dad in Batman #480, and a Batfamily teamup and Nightwing cameo in Batman: The Last Arkham (Batman: Shadow of the Bat #1-4). Stephanie Brown dubs herself the Spoiler to spoil the plans of her father, third-rate villain Cluemaster, in Detective Comics #647-649, and Huntress returns with her unorthodox methods in Detective Comics #652-653.
Next up, the sprawling epic that is the Knightfall Saga. Jean-Paul Valley, a graduate student with a family legacy causing him to be beholden to a lifetime of conditioning known as "the System", debuts in Batman: Sword of Azrael. Batman, who has been overworking himself due to increasing pressures from all sides, finds himself increasingly worn out in the stories collected in Batman: Prelude to Knightfall. (Around this time, Robin also forges an unlikely friendship with Huntress in Robin III: Cry of the Huntress.)
In Batman: Knightfall, a huge Arkham Asylum breakout pushes Batman to his limits, and when he finally returns home, mentally and physically depleted, he finds a new enemy waiting to destroy him. It's not pretty. While Bruce recovers, he appoints Jean-Paul Valley to be Batman to Tim's Robin in Batman: Knightquest. Unfortunately, with the System still active, Tim finds himself increasingly sidelined and Jim Gordon breaks ties with this new, inappropriately ruthless Batman. A lot of things happen, but Bruce eventually returns (and so does Nightwing, yay!) in Batman: KnightsEnd.
Right after KnightsEnd but before the next story, there's a DC-wide event called Zero Hour, in which the universe is destroyed and remade. From a Doylist perspective, this is an opportunity for DC to smooth out some oddities with their Post-Crisis timeline and eliminate any plot elements they were dissatisfied with. Among other things, the murderer of Bruce's parents, who had previously been established as a random mugger named Joe Chill, is retconned to be unconfirmed (naturally, this changed later). You don't have to read the main Zero Hour comic, which is a five-issue limited series numbered in reverse order, but there are interesting crossover issues in the various Batfamily comics that are ongoing at this time, including Tim!Robin solving a case with Dick!Robin in Robin (1993) #10. The main reason I mention Zero Hour is because it explains why there are key differences between early Post-Crisis comics like most of Jason's run and post-Zero Hour comics like Nightwing: Year One. The answer is retconning, and it'll come up again and again. Such is the nature of trying to maintain longevity and internal consistency for comics that never end.
Okay, back to the main events! In what is my favourite comic of all time, Bruce rights wrongs by asking Dick to temporarily be Batman instead of Jean-Paul (yay!), and Dick and Tim grow close as Batman and Robin and as honorary brothers before Dick and Bruce finally see eye to eye in Batman: Prodigal. When Bruce is ready to be Batman again, he dons a new, darker suit (which is very close to the suit in the Tim Burton movies that were popular at the time) in Batman: Troika. Alfred, who voluntarily left Bruce's employ in Knightquest, is persuaded to return to Gotham by his best friend, none other than Dick Grayson, in Nightwing: Alfred's Return. Later, Dick does some soul-searching of his own (and gains a new costume!) in the 1995 Nightwing miniseries, and three concurrent stories in Batman: Shadow of the Bat #46-47, Batman #527-528 and Detective Comics #693-694 lay the groundwork for the dramatic next stage of Gotham history.
No Man's Land
What's up next for Gotham? It's a plague! Dubbed the Apocalypse Virus and otherwise known as the Clench, this plague ravages Gotham in the Batfamily crossover Batman: Contagion, which is followed by a resurgence in Batman: Legacy. It's dramatic, it's whumpy, it's mesmerising and it's pretty great.
By this point, you'll be familiar with the regular cast of characters and can read more of their solo comics at your leisure. There's Batman for Bruce and Detective Comics and Batman: Shadow of the Bat for higher chances of him teaming up with others. Tim's solo comic, Robin (1993), has been going since Knightfall, and Dick's excellent long-running comic Nightwing (1996) begins here. Read Robin for Tim's teenage adventures (skateboarding, making friends in school), family ups and downs (his dad is mercurial, but at least he has a cool stepmother, Dana) and love life (he starts dating Steph) and read Nightwing for Dick striking out on his own in the neighbouring city of Blüdhaven, where he eventually joins the police academy to fight crime from a different angle. (There's also the Azrael comic, which may appeal if you find yourself liking Jean-Paul Valley, but as I haven't read much of it, I make no promises about its quality.)
Continuing the notable Batfamily crossover events, Nightwing has a dalliance with Huntress in Nightwing/Huntress, and a massive earthquake devastates Gotham in Batman: Cataclysm. The consequences of this spin into Batman: Aftershock, Batman: Road to No Man's Land and the sprawling, ambitious epic that is Batman: No Man's Land, in which Gotham is declared no longer part of the United States. Within this year of danger, chaos and political limbo, we are introduced to a silent young woman, daughter of the assassin David Cain. With Barbara's blessing, she comes to live at Oracle's base (the Clock Tower) and becomes the second Batgirl. (Also during this period, Steph gives birth to a baby from a former boyfriend, and Tim – in disguise – gets himself stuck in No Man's Land to help her. It's complicated.)
New Gotham
This, along with the previous section, is one of my favourite periods in Batfamily comics. Many of the solo comics just mentioned are at their peak in terms of storytelling, characterisation and plot development, and several more excellent series begin here, including the family-focused Batman: Gotham Knights and the first ever perpetual Batgirl series for the new Batgirl, who would come to be known as Cassandra Cain. Both series are well worth reading!
Batman: Evolution (Detective Comics #742-750) touches on the fallout of the No Man's Land and rebuilding "New Gotham", and Bruce unwillingly gains a personal bodyguard named Sasha Bordeaux in Batman: A Walk in the Park (Detective Comics #751-752), which of course complicates his nocturnal activities as Batman. Soon after, Jim Gordon is shot in Batman: Offcer Down, and (unrelatedly) Dick and Barbara, who have been having off-the-chart levels of UST for years, finally call their flirting what it is: dating. Also at this time, Bruce has been rekindling his relationship with his pre-No Man's Land girlfriend, Vesper Fairchild.
In Joker: Last Laugh, the Joker decides to go out with a bang in when he finds out he's apparently suffering from terminal brain cancer. The theme of family is explored in Batman: Gotham Knights, with Bruce offering to adopt Dick (at long last) in Batman: Matatoa (Batman: Gotham Knights #16-17). And then a secret threatens to tear the Batfamily apart when Bruce is accused of murdering Vesper Fairchild in Bruce Wayne: Murderer?, eventually prompting him to drop the Bruce Wayne identity completely (this made a lot of people very angry and has been widely regarded as a bad move) and become Batman full-time as he goes on the run in Bruce Wayne: Fugitive. Eventually the murder is solved and the murderer is accounted for, and these two stories are probably my favourite Batfamily crossovers ever. They're so juicy and get to the heart of everything I love about each member!
The excellent Bruce & Dick comic Batman/Nightwing: Bloodborne fits somewhere around here, as well as Jeph Loeb and Jim Lee's beautifully drawn and critically acclaimed Batman: Hush, which touches on Bruce's on-again, off-again relationship with Selina Kyle. Around this time in the Nightwing comic, Dick's life has been on a downward spiral for months because of a multitude of factors, including losing his girlfriend, his day job, his circus family, his apartment building and more. This is also where the villains Blockbuster and Tarantula are prominent.
Over in Robin, Tim's father discovers that Tim is Robin and demands that Tim give up the mantle, which he reluctantly does. This results in Bruce offering the job to Steph, driving a wedge between her and Tim. Her tenure as Robin is short-lived for several reasons, and all this leads into the mega-crossover Batman: War Games, in which a massive gang war breaks out in Gotham and Tim's sort-of girlfriend, Darla Aquista, is killed. By the time the dust settles, Steph is (believed) dead, Dick temporarily gives up his Nightwing mantle to work for the mafia (yup), Barbara and Jim leave Gotham and Tim's father is murdered in the DC-wide crossover Identity Crisis, resulting in Tim and Cassandra relocating to Blüdhaven, effectively sealing the breakup of the Batfamily. War Games is followed up by Batman: War Crimes, which is included here for timeline reasons and not much else.
Batman's pretty much all alone in Gotham again, right? Time for somebody else to return. Someone who's been haunting the narrative all these years. Yup, in the wake of the gang war, when rival mob bosses are vying to wrest control of the city, a new crime lord emerges in Batman: Under the Hood: the Red Hood, who turns out to be Jason Todd, back from the dead, and no longer a boy in a yellow cape but instead a ruthless, hypocritical murderer with a chip on his shoulder and no qualms about stabbing Batman's allies. (For more about Jason between his death and return to Gotham, read Red Hood: Lost Days.)
Lastly, there's a DC-wide event called Infinite Crisis, which shakes up the whole DC Universe and leads to Batman, Nightwing and Robin taking a trip around the world for a whole year. (Infinite Crisis also kills off Tim's best friend, Conner Kent/Superboy. Tim's really going through it at this time, poor guy.) Oh, and Blüdhaven is razed by a bomb during Infinite Crisis as well. Yup.
One Year Later
(Disclaimer: it's been a while since I read this period and this one beyond it.) After a year away from Gotham, Batman, Nightwing and Robin return, and Bruce adopts Tim (at long last) in Batman: Face the Face. I'm sure this happy-ish period is going to last, right? Well, the very next story is Batman and Son, in which Bruce learns he has a young son named Damian, who is the child of Talia, daughter of Ra's al Ghul (Batman's currently dead, formerly immortal nemesis of League of Assassins fame). Damian and Tim instantly don't hit it off – rather, Tim is friendly until the bratty and hostile Damian reveals himself to be a murderer and attempts to kill Tim. Of course, Bruce doesn't take kindly to this, and Damian eventually goes back to live with his mother.
Also, during the year the others were away, Cassandra was brainwashed and became evil because of Deathstroke and DC Editorial (this made a lot of people very angry and has been widely regarded as a bad move). Later, Bruce adopts her in the otherwise mediocre 2008 Batgirl miniseries. There's a lot of complicated stuff around this time, such as Steph being retconned as Alive All Along and returning to Gotham in Robin: Violent Tendencies (Robin #170-175, Robin/Spoiler Special), Dick relocating to New York and having a mediocre run in Nightwing, Tim having a new black and red Robin suit to honour Superboy's death, Tim struggling mentally and trying to clone Conner(!) and revive Steph, his dad and Conner, Ra's al Ghul coming back from the dead (again) and trying to use a younger body (Damian or Tim) to stabilise his form in Batman: The Resurrection of Ra's al Ghul, and Bruce tackling the criminal organisation known as the Black Glove in Grant Morrison's Batman R.I.P.
DC-wide events once again have consequences (hooray) in Final Crisis, in which Batman dies. Is he dead for good? Well, this is comic book land, so probably not, but in the meantime, the public can't know that either Batman or Bruce Wayne have died. Hush masquerades as Bruce Wayne (long story) and the Robins battle it out for the mantle in Batman: Battle for the Cowl. Despite Tim's pleas, Dick refuses to become Batman, resulting in an imposter Batman who shoots to kill taking centre stage. This impostor turns out to be Jason, who fights first Tim, then Dick, the latter of whom defeats him. Against Bruce's wishes in his will, Dick becomes the new Batman, and Damian becomes Robin at his side.
Damian as Robin
This new status quo, also known as Batman: Reborn, marks the start of several new series, including Red Robin and Batgirl (2009). Red Robin stars Tim as a deeply unreliable narrator in his new title of Red Robin in his grief-fuelled efforts to gather evidence that Bruce is not dead, while Batgirl follows Stephanie Brown as she becomes the third Batgirl under Oracle's tutelage, the pair of them working out of the Batcave.
Dick, Damian and Alfred have relocated to the penthouse in Wayne Tower and operate out of the underground bunker. Dick and Damian's rocky partnership develops into an unlikely yet compelling and heartfelt bond in Batman and Robin (2009) as they tackle a plethora of villains, including Professor Pyg and Red Hood (again). And where is Cassandra Cain? Sidelined again! She gave up Batgirl for Steph, on Bruce's request, and now goes by Black Bat, though we don't see much of her for Editorial Reasons (sigh).
This being comics, Bruce doesn't stay dead for long, and with both Tim and Dick (separately) discovering evidence that Bruce is not dead, just lost in time (yup), they work together to bring him back alive. I don't pretend to remember all the intricacies of how this works, but you can read about Bruce's journey in Batman: Time and the Batman (Batman #700-703), Batman: The Return of Bruce Wayne and Bruce Wayne: The Road Home. It's long and complex and honestly reading Grant Morrison's writing tends to do my head in.
There are a handful more stories after Bruce's return, including some hugs and heartfelt reunions (yes, really!) and the excellent Batman: The Black Mirror story starring Dick as Batman, but even though this is a really cool new status quo with a bunch of interesting implications going forward, the universe doesn't really stabilise, because we're up to 2011 by now, and the world gets hit by another DC-wide crossover called Flashpoint. Except, this is the biggest one since Crisis on Infinite Earths that I mentioned way back at the beginning, and so everything gets rebooted. EVERYTHING.
Batman and Detective Comics and other long-running comics are cancelled and their number restarted from #1, and many series are cancelled and just never reinstated. This new universe, known as the New 52, sets a new status quo that worked in some aspects but not so much in others. Many changes from the universe we just came from are just jumps that happen without explanation, such as Dick's return to being Nightwing (except now he's red instead of blue), Jason being an anti-hero with a bat on his chest instead of a villain, everyone being younger and closer in age, Steph and Cass being minimised and essentially replaced, and many more frustrating retcons that are confusing and/or illogical. But hey, at least the new Batman and Robin comic (starring Bruce and Damian) and Scott Snyder's Batman run (introducing the Court of Owls) are good! Note: the New 52 was soft rebooted in 2016 to become the current continuity, known at its inception as DC Rebirth, which reintroduced many Post-Crisis elements to mainstream canon.
Duke Thomas? He wasn't introduced until the New 52. Harper and Cullen Row? New 52. Tim being bisexual and dating Bernard? Rebirth, though Bernard was inspired by a very minor character of the same name from Tim's long-running Robin comic. Forever Evil, Spyral and the Grayson comic? New 52. Kate Kane (Batwoman)? She appeared during Batman: Reborn, but she wasn't established as Bruce's cousin until the New 52. Many such cases.
And so, right before Flashpoint is where the Post-Crisis on Infinite Earths continuity ends after twenty-five years, with Bruce as Batman and running a worldwide initiative called Batman Incorporated in Batman Incorporated (2010), Dick as Batman in Gotham, Damian as Robin, Tim as Red Robin, Steph as Batgirl, Cassandra as Black Bat, Barbara as Oracle and Jason as Red Hood (and full villain, not reformed in any way, shape or form). In this continuity, Bruce adopted (in order) Jason, Dick, Tim and Cassandra, and of course Damian is his biological son. It's my favourite continuity, and I hope you enjoy it too.
...And I apologise belatedly for the wall of text.
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bktempted · 1 day ago
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Fitting rooms. I can't remember when this became our little ritual, I just remember you mentioning you needed a new outfit. "Please, come" you said, grabbing my hand, dragging me through the mall, "I need a man’s opinion." You know, that first time I actually believed it was about clothes.
Now I know better. The fitting room is empty except for a distracted attendant arranging hangers at the end of the hall. You slip into the last stall — our stall — carrying the dress we picked out. I hear the familiar metallic song of rings against rod as the curtain closes.
Before long, right on cue, you call for me. "Babe?" Your voice is like honeyed silk. "I think I need help with the zipper."
We've done this so many times now, but my pulse still races like it's the very first. I glance at the attendant, still distracted, before joining you behind the curtain. As I step through, this room becomes our very own private theater - the mirror our audience, the muffled store music our soundtrack.
You're standing there in the dress, already zipped, your eyes meeting mine in the mirror. "Liar," I whisper against your ear, hands finding your waist.
"You should know that by now."
You lean back into me as I watch you in the reflection - the way your eyes flutter as I brush my lips against your neck, the slight parting of your mouth as my fingers trace patterns on your hips.
"We should really find a new hobby,” I say, but you know I don’t mean it. Actions speak louder than words and my hands are already beneath the hem of your dress - searching.
"But where's the fun in that?" You catch my hand, guiding it to the damp wetness between your thighs. Outside, hangers scrape against racks, footsteps pass, life goes on. But in here, time suspends itself, just for us.
"You know, there’s fun that doesn't get us kicked out of department stores." I whisper against your neck, feeling you shiver as my breath lays on your skin. My fingers pressing against your swollen clit.
"Says the man who followed me in here," you tease, lifting the dress up, giving me full access. "You're not exactly innocent."
"I was innocent." I bite back, bending you over suddenly with a forceful push, my free hand unbuckling my belt. You brace yourself, both hands pressed against the mirror. "Are you proud of what you turned me into?"
“I little bit!” you say with a yelp, a little too loud as I press my cock against your dripping slit. "Shh, baby," I whisper harshly against your ear, slowly sinking into you. "We don't want to cause a scene."
You clench around me, biting your lip to keep quiet as I start to move. Slow at first, savoring the tight heat of you, but quickly gaining momentum. The dull thud of my hips against your ass echoes softly in the confined space.
You push back against me, meeting each thrust with desperate need. Your knuckles turn white as you grip the edge of the mirror, anchoring yourself against the sensation. I can feel your walls fluttering around my cock as you near the edge.
"Fuck, I'm gonna cum," you gasp as my hand clasps around your mouth to keep your voice down. "Don't stop."
With a choked cry, you shatter, shaking and spasming around me. The feel of your release pushes me over too, and I bury myself deep inside you as I cum, muffling my groan against your shoulder.
Some couples have candlelit dinners and moonlit walks. We have fluorescent lights and fitting room mirrors. And somehow, it's perfect. A little piece of paradise we’ve carved out for ourselves in this ordinary world, where the only audience that matters is our own reflection.
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the0-tdh · 2 days ago
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MOONLIT WAVES
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A luxury cruise, the endless ocean, and a night painted in silver moonlight—M/N never imagined he’d find himself here, let alone on a date with Jay Park. The cool sea breeze carried the distant melody of a ballroom song, but nothing felt more surreal than the warmth of Jay’s hand in his own.
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MASTERLIST / REQUESTS
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The ocean stretched endlessly in all directions, reflecting the deep indigo of the night sky. Stars twinkled above, mirroring the soft golden lights lining the cruise ship’s deck. A gentle breeze carried the scent of salt and the distant hum of music from the ballroom below.
M/N leaned against the railing, fingers tracing the cool metal as he let out a contented sigh. This felt surreal—being on a luxury cruise, dressed in a sharp suit, and most of all, being here with Jay Park.
Jay, who was standing beside him, hands tucked into the pockets of his blazer, tilted his head slightly. “You’re quiet,” he mused, his voice barely above the sound of the waves. “Not enjoying the view?”
M/N chuckled. “No, it’s beautiful. Just… taking it all in.”
Jay hummed in approval, then shifted closer, his shoulder brushing against M/N’s. “I get it. This whole thing feels like something out of a movie, huh?”
M/N turned his gaze to Jay, watching the way the moonlight softened his usually sharp features. “Yeah. I never imagined myself on a fancy cruise ship, let alone on a date with you.”
Jay smirked, his usual confidence flickering in his eyes. “You make it sound like I’m some unattainable prince.”
“Well,” M/N teased, “aren’t you?”
Jay laughed, shaking his head. “You’re ridiculous.” But there was a softness in his expression, something tender that made M/N’s heart stutter.
A comfortable silence settled between them, the only sounds being the lapping waves and distant chatter from other passengers. Then, Jay reached for M/N’s hand, fingers lacing together naturally.
“Wanna dance?” Jay asked, nodding toward the deck where a few couples swayed to the music drifting from the ballroom.
M/N hesitated. “Here? Now?”
“Yeah,” Jay grinned. “What, scared someone will see?”
M/N scoffed. “No, just… I’m not great at dancing.”
Jay tugged him forward. “Good thing I am, then.”
Before M/N could protest further, Jay pulled him close, guiding him into a slow sway. The sound of the ocean faded, the warmth of Jay’s hand on his waist grounding him. They moved in sync, the moment feeling almost too perfect to be real.
“You know,” Jay murmured, “I like this.”
M/N tilted his head. “Like what?”
“This. Us. You.”
M/N felt warmth rise to his cheeks. “You’re being romantic,” he teased.
Jay chuckled, dipping his head slightly so their foreheads nearly touched. “Is that bad?”
M/N shook his head, his voice softer now. “Not at all.”
Jay’s hand squeezed his gently. “Good.”
As they continued to sway under the moonlight, with nothing but the sound of waves and their quiet breaths between them, M/N realized something.
Maybe, just maybe, this was a moment he’d want to last forever.
The song playing from the ballroom below faded into another soft melody, but neither M/N nor Jay moved to stop. The gentle sway of the ship made their movements feel even more effortless, like floating in a dream.
M/N had always thought Jay carried himself with an air of cool confidence, but in this moment—under the silver glow of the moon, with his hands resting on M/N’s waist—he looked at ease in a way that felt… different. Softer. More real.
"You know," Jay murmured, his breath warm against M/N’s temple, "if someone told me a few months ago that I'd be dancing with you on a cruise ship, I would’ve laughed."
M/N scoffed playfully. "Wow. And here I thought this was all part of your master plan."
Jay chuckled. "Oh, don’t get me wrong. I definitely planned on making you fall for me. I just didn’t expect to fall harder."
M/N’s breath hitched at the honesty in Jay’s voice. He pulled back slightly to look at him, their faces close enough that he could see every detail—the way Jay’s lips curved into a small smile, the way his dark eyes held an emotion that sent warmth blooming in M/N’s chest.
"You really mean that?" M/N asked, voice quieter than before.
Jay nodded, his fingers tracing absentminded circles on M/N’s back. "Yeah. I do."
M/N didn't know how to respond. His heart was hammering against his ribs, and for once, he wasn’t sure if it was the swaying ship or the way Jay was looking at him.
Before he could think too hard about it, Jay spoke again. "You’re overthinking," he teased. "Relax."
"Kind of hard to do when you’re saying things like that."
Jay smirked. "Then let me make it easier for you."
And before M/N could process what was happening, Jay closed the small distance between them, pressing a soft kiss to the corner of M/N’s lips—just enough to make his mind go completely blank.
M/N blinked, stunned, as Jay pulled back with an amused glint in his eyes. "See? Not so hard to just enjoy the moment, right?"
M/N swallowed, feeling his face heat up. "You’re impossible."
Jay grinned. "But you like that about me."
M/N rolled his eyes, but he couldn’t hide the small smile tugging at his lips. "Maybe."
Jay laughed, then, without warning, spun M/N in a playful twirl before pulling him back into his arms.
The world around them faded—just the waves, the music, and the warmth between them remained.
And for the first time in a long while, M/N didn’t feel like an outsider in a world he didn’t belong to. He felt wanted.
He felt at home.
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sombra-conlangs · 15 hours ago
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Conlang year 2025 · Day 1 - 4
I decided to try out @quothalinguist's conlang year, it is basically a series of daily prompts that guide you through the process of creating a new language, by the end of the year you will end up with a conlang that is developed enough to participate in relays and lexember, you can find it on quothalinguist.com
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It looks like conlang year is mostly geared towards creating languages that are naturalistic and evolved from a proto-language, and the concept I have for this is not going to really fit into that, you'll see why once I start describing it, but I don't imagine that'll be too much of an issue, it's still useful to have a guide for the different aspects of the language I should focus on. I'll try to adapt the prompts to work with my idea and I guess I'll skip the ones that I can't figure out how to adapt.
I'll be combining many prompts together into single posts for convenience, I'll tag these posts as both #Conlang year and #Conlang year 2025 so you can search those in my blog to see them all if you want (once I name the language I will also add it to the tags, but the language doesn't have a name yet).
If you want to see all of the information from these posts compiled into one place I will be adding all of the information about the conlang I create on my website: tekseni.bearblog.dev
Day 1: Set an intention for your language
(warning: this gets a bit heavy, but I try not to make it too dour)
I haven't been feeling great lately, I won't go into details, I'll just say that it can be difficult to manage your emotions when the world seems to be in such a terrible state, living through historical events is not easy.
“I wish it need not have happened in my time,” said Frodo. “So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”
I know there's some people who say you have to be constantly staying informed on every bit of news because if you don't you're a bad person, but that's not a sustainable way to live. It's important for us to keep ourselves sane, if you're going to help others through turbulent times you have to make sure you have your own feet on firm ground. I won't be of much help if I'm having a crisis, so taking care of my own mental health is important, and for many of us that can include a bit of escapism and using art as an outlet, using art as motivation to keep going and enjoy life despite the circumstances. This conlang is my escapism.
With all of that being said, here's my 2 main goals for this conlang:
1: I want this language to make me smile
I want to create something that helps me to find some beauty and hope in the world, I want the choices I make with the language to make me smile, and I want to be able to have fun while working on it, without having to worry too much about how naturalistic it is or anything like that, so ideally I'd also avoid comparing this to other conlangs.
If we compare this to visual art, I'd say this is less like trying to create an awesome painting with perfect perspective, colors and composition, and it's more like me doodling in a sketchbook that is meant primarily for me, but I also want to share it with others in case they find it to be at least mildly interesting or it helps inspire them in some way.
It's not like my other conlangs don't bring me joy, I guess what I'm trying to say is that this time I will try to design the language without worrying about things like naturalism or trying too hard to make my worldbuilding interesting or deep, it's just a canvas where I can throw paint and let myself go wild, trying out things I normally wouldn't, and making choices based on my personal preferences instead of what I think I "should" do, so I guess that makes this is a personal language.
2: This is going to be a surrealistic conlang
I have already decided who the speakers of my language will be, I'll elaborate more in the following prompts but I currently call them "dream angels" because they're basically benevolent beings that exist in the world of dreams, and because of this I want to try my hand at making a surrealistic conlang, @dedalvs wrote an essay on fiat lingua about what such a language might look like, and I keep coming back to it every now and then because I love the concept.
Even before that essay was posted I remember thinking of what conlangs might look like if they were inspired by different art movements, and a surrealistic one fits particularly well into the dream world idea, it will also allow me to fulfill my first goal fairly easily; making something that makes me smile without having to worry about naturalism and letting myself experiment. I've always been drawn to surrealism for one reason or another, not entirely sure why but I know this is something I'm excited to work on.
I'm not expecting this to be the best surrealistic conlang out there, but it doesn't have to be, it just has to be fun for me, and it will work as a learning experience regardless, so if I want to try again at some point I will have a better idea of how to approach it. I'm sure someone out there will make an amazing surrealistic conlang one day and I'll be excited to see it when it happens.
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Day 2: Set an intention for sharing your language
Basically the main audience is me, I hope that future me will be able to look at all the different translations, grammar choices and vocabulary I made and feel like it's a fun language that still brings me some joy in some way or another, even if I don't keep working on it for much longer after the conlang year has ended at least I hope it was a positive experience.
I also want to share the language online (on this blog and on my conlang website) mostly because I'm hoping that at least one person is going to look at my conlang and feel inspired, or maybe it will make them smile too, so I'm going to try to describe all the features in a way that is understandable for other conlangers.
Day 3: Determine your speakers and conworld
The basic idea is that there is another plane of existence, one we can't see when we're awake, and the world where dreams exist is connected to this other realm, so when we dream we sometimes come into contact with the ethereal beings that speak this language, and they are kind and loving.
The dream angels usually don't interfere with human affairs too much, but they sometimes help us by making nightmares go away and soothing the people they see, at least while the people are asleep (since they can't interact with us outside of dreams).
They also shift the way they speak to be a bit more familiar to the person they're encountering, so I imagine the phonology of their language might shift a bit from its default form depending on what your native language is, the language would still be unintelligible to you but it would sound a bit like someone speaking your L1 in a weird way (which also means that it will be easier for you to pronounce the language if you are able to speak back at them because you will at least get to use sounds you already know how to pronounce, though you're welcome to pronounce it in its original form).
These beings are very surreal in their appearance, there's probably different types of dream angels but the ones I'll be working with are kind of like a mix of various sea creatures, drifting through space peacefully, building all sorts of things and admiring the nature that exists in their world.
I imagine their settlements are built on floating islands full of all sorts of critters and nature, and their world as a whole is probably a bit weird and doesn't always seem to follow logical rules, in keeping with the kind of things you see in dreams, so they might look a bit like something you'd see in an M.C. Escher artwork, where you're not exactly sure what you're looking at, but it has a certain beauty to it.
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Day 4: Describe (or design) your speakers
And finally here's a picture I drew of a prototypical dream angel:
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They might look a bit intimidating or scary to you, but I chose to take inspiration mostly from various sea creatures because they help to convey this kind of ethereal and weirdly beautiful aesthetic, when I look at jellyfish I often wonder how those are living beings that exist in our world, they look more like they're inanimate objects drifting in the water and yet they're alive, and they're so mesmerizing and fascinating, like a living nebula.
I imagine different dream angels would have different characteristics, but in general they're basically like some sort of jellyfish with 3 main tentacle-like appendages, many thin tendrils, 6 insect-like arms, 6 little wings (because it makes them look a bit more angelic lol) and they have one eye, but no human has ever seen their eyes because it is always covered by something, in this case it's a butterfly, but whatever is covering their eye it does not prevent them from seeing, this is the dream world after all.
I think there might be other types of dream angels, and they're all able to speak a human-like language because they don't need a mouth to speak, they just telepathically send sounds to other beings, so the speakers of my language will be characterized by being similar to sea creatures, perhaps there's other dream angels that are more similar to other types of animals, or inanimate objects, maybe some are just completely out there and don't even look like anything we're familiar with as humans. By the way if you feel inspired to design your own dream angels go ahead! I think it'd be nice if I was able to inspire creativity in others with my work.
I'm also choosing to use a human-pronounceable phonology because I enjoy pronouncing the words and sentences of my conlangs, but perhaps at some other point I will make a different register of the language that uses different noises as phonemes, maybe sounds of water and nature, or maybe something like one of those really peaceful synths, after all their phonology is not limited by their physiology or even things like logic.
But anyway that's it for now, I feel a bit vulnerable putting myself out there so much, this feels a bit more personal than my other conlangs I've shared, it's not like a regular fantasy worldbuilding project or a fanlang or an a posteriori language, this one is very out there and weird, but again I want to share it in case other people find it interesting, and hey, we need more examples of surrealistic conlangs, so I'm more than happy to contribute to that.
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seabeescribbles · 16 hours ago
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Oops I disappeared and now I'm coming back with magical boy Artemis OOP
Heavy on the fairy rose and amaranth, the flower of the goddess Artemis, and I based a lot of it off of her imagery and circlets made with her symbols. Trying to incorporate his style so much that it isn't jarring while still being obviously magical girl inspired. Imagine a world where human magic used to manifest in this way, but died out a hundred or so years ago after a massive battle. Then Artemis' acquired magic and reincarnation sort of kickstarts his innate human magic and uh oh, first new magical boy in a very long time, and the nearly forgotten tradition continues. And with that resurgence of human magic, so too manifests the monsters they used to fight against.
I just want an excuse to do this. So I invented worldbuilding about it.
He keeps it a secret because he's technically the only person actually able to beat the monsters, and there's no way in hell his friends wouldn't try to involve themselves and get hurt if they found out he was taking this on by himself. The guy develops a bit of a hero complex after he comes back to life. Thankfully the magic also obscures his face on camera, and people forget what he looks like immediately after looking away from him when he's powered up.
I wanted one person to know the secret, and I asked myself who the funniest option would be. So, the only person who knows Artemis' secret identity here is Mulch. He thinks this is fun as hell. Pretty much takes it upon himself to be Artemis' "manager" and keep people away as he fights.
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I imagine there would be a sort of magical entity guide because that's a classic trope in magical girl stuff, but they would be kind of a dick. Old and frustrated and very reluctant to be here, but still trying to prevent Artemis from dying. It's in a device that is probably modeled after the C-Cube.
Artemis pretends to try and figure out who this mysterious magical human is who's suddenly out there protecting Ireland, even having a pin board where he puts a bunch of fake leads that could feasibly make sense, but always point in the wrong direction. The fairies are intrigued by this as well, and eventually will try and track down the magical human to interrogate them on how they got their powers. Fortunately, Artemis is very well-versed in fairy technology, and dodges them at every turn.
The most suspicious thing about this is the fact that Artemis is suddenly paying attention in Butler's fighting lessons.
Ireland, meanwhile, is absolutely thrilled that they get the first magical boy/girl/something in so many years. TAKE THAT, EVERYONE ELSE. GO IRELAND. HE'S EVEN GOT THE FLAG'S COLORS. WE GOT ONE, LADS
Anyway that's about all I have about that for now apart from a bunch of jokes. Hope this is interesting to someone
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t00tsmcgee · 2 days ago
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Rook as a companion fic, scene exerpt : Cal struggles to cut vegetables and almost dies
If you want to read more about my rook, he has his own post here!
Scene taken from my Rookanis fic, a little context, Cal and Lucanis are preparing dinner together in the Lighthouse kitchen. The day before, Cal was rescued from a Venatori kidnapping, where he lost quite a bit of blood.
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“Vorgoth guided me so that I knew how to use my gift properly and shield myself from the darker forces in this world, but he made a game out of it, rather than a test.” Cal said, taking a larger knife to cut the lettuce with. “Vorgoth is.. well, Vorgoth is Vorgoth. You’ll see when we meet him tomorrow. No one really knows what Vorgoth is. He’s not human, though, that’s for sure. Maybe he was once, when Andraste was still alive.” “Is he really that old?” Lucanis said, surprised. “Probably older.” Cal said casually. “He has a vast well of knowledge to pull from. He used all of it to raise me as best he could. But even he didn’t really know what my magic is or where it comes from. That's why he encouraged me to leave and explore. It’ll be nice seeing him again, it’s been over a year.” Cal smiled. Lucanis smiled with an absent look in his eyes, like he was trying to understand something but didn’t quite get it. Cal looked at him with a question in his eyes. “What is it?” he asked, bringing the knife down on the lettuce, but also on his own finger, flinching and dropping the knife. “Shit, fuck- ow.” he hissed. His first instinct was to get his injured finger away from the lettuce, the second was to look at the cut, but he wasn’t expecting the dizziness that came along with it when he saw the blood oozing from his fingertip. “Ohhh, no.” he felt himself wobble and become light-headed very quickly. “Lucanis..” “Cal? Are you alright?” Lucanis asked, coming over to see if he could help.
“Nope.” Cal said, and passed out cold, losing balance and falling backwards like a bag of rocks. Lucanis had to jump forward and catch him or he’d have hit the kitchen counter with his head, but thankfully he could grab him in time, instead gently guiding him to lay flat on the floor. “Cal?” Lucanis asked, unsure what to do. “Wake up.” he shook him carefully, looking around for something that could help. “I need some help in here!” he called. “Emmrich? Neve? Rook? Anyone?!” he swore under his breath when he got no answer. Cal was as pale as a sheet, but Lucanis at least knew how to check for a pulse, touching his fingers to Cal’s neck. His pulse was strong, comforting Lucanis somewhat. Cal also breathed normally, so he figured he could just wait until he came to again, but in the meantime he made the effort to bind the cut on Cal’s finger with some paper towels so he wouldn’t wake up and just pass out again at the sight of it. “Lucanis? What happened?” Davrin came into the kitchen casually at first, but he became alarmed when he saw Cal laying flat on the floor. Lucanis breathed a sigh of relief that another person was here to help. “He passed out at the sight of his own blood after he cut himself.” Lucanis explained quickly. “He just went down. I managed to catch him at least, but he’s not waking up.” “Lift his feet so the blood flows back to his heart and brain easier.” Davrin said, coming to assist. “His pulse is strong and his breathing normal, at least I think so.” Lucanis said, conveying what he knew while he did what Davrin said, letting Cal’s foot rest on his free shoulder. “Then he’ll wake up soon. He’s probably just a little faint from the blood loss of yesterday still.” Davrin said. “Hey, Cal.” Davrin tapped Cal’s cheeks with vigour. “Time to get up off the floor.” “Ugh.. Maker..” Cal muttered in protest. “What happened?” “You fainted. Take it easy.” Lucanis said, sounding a little worried. “I fainted? That’s so embarrassing..” Cal slapped himself in the head and sighed. “Why?” “You cut yourself. Guess the sight of blood makes you faint.” Lucanis smirked, relieved that Cal was awake again. Cal groaned with malcontent. “What? I’ve never had trouble before.. why now?” “It happens.” Lucanis said. “Just stay down. Allow the blood to flow back into your face.” “No, I can’t be seen by any more people. Not like this. Please.” Cal begged. “Just get me sat on a chair.” he pointed towards the dining table. “I hate to break it to you, but you’re never living this one down anyway.” Davrin helpfully informed him with a bit of a smirk. Cal let out a deep loathsome sigh. “You’re right. I hate it here.” “At least Lucanis managed to catch you. Could’ve been much worse.” Davrin said. “Oh, you did? Thank you.” Cal said, smiling at Lucanis. “I hope I didn’t spill any blood in the lettuce. That would be a waste of good vegetables.” “You’re good, I think it just stuck to the knife.” Lucanis said. “And you’re welcome.” "You got this, Lucanis?” Davrin asked. “I’ll go find Emmrich, he can make sure you’re alright.” “Thanks Davrin.” Cal sighed. Davrin noded and left, Lucanis taking the leg Davrin had been holding and putting it on his other shoulder. Cal sighed, still embarrassed. “I promise you I never fainted at the sight of blood before. But the minute I saw it I just got cold all over, and it felt like all the blood just fell out of my body and down into my feet. It was so strange." Lucanis chuckled softly. “Never fainted before?” “No, never..” Cal rolled his eyes but then smiled at Lucanis. “At least you saved me from worse.” for a moment Lucanis and Cal just looked at each other, slowly realizing they were in a rather compromising position, a blush appearing on both of their faces.
“Well, this is awkward.” Cal said, clearing his throat and avoiding Lucanis’ gaze. “You’re telling me.” Lucanis agreed, unsure where to put his hands or how to carry himself for a moment. “I just hope no one walks in on-” “Cal?” Taash came walking in. “Davrin said you went down. You okay?” “Yeah. Mint.” Cal said sarcastically. “Not embarrassed at all. This is great.” “Well at least you’re mouthing off about it, that’s always a good sign.” Taash grinned. “Stay down though, gotta give it like, ten minutes for the blood to get back in your brain.” “Ten minutes? That’s almost a year!” Cal protested, Lucanis repressing a grin at his little tantrum. “Don’t laugh at me.” Cal caught it but he couldn’t help the chuckle either. “Just get me up. I’ll be fine, I promise. I already feel better.” “Alright, just be careful sitting up.” Lucanis said, offering him a hand to help him sit up. Cal took it and carefully sat up, taking his legs off of Lucanis’ shoulders and sitting for a moment to give his body time to adjust. “Phew. Yeah, okay.” he blinked a few times. “That was something.” “You good?” Taash asked. “A little bit dizzy, but fine.” Cal said. “You don’t have to stay with me, I’ll just sit here until it clears.” Cal promised Lucanis. “Don’t let me keep you from your work.” “I’ll just.. wait until Emmrich comes.” Lucanis said. “Make sure you don’t pass out again and hit your head anyway.”
“I’d say there’s no need, but that does sound like me.” Cal admitted, smiling gratefully at Lucanis. “Let’s see if you’ve stopped bleeding.” Lucanis took Cal’s hand and unwrapped the haphazard bandage he’d created from a bit of paper towel. The bleeding had stemmed a little bit, but not subsided. “Don’t look.” “Why n-” Cal of course immediately looked, but couldn’t even finish his sentence this time, slumping forward into Lucanis, who was prepared and caught him quite handily. “Why did I know that would happen?” Lucanis wondered with a chuckle. “Taash, help me get him to the ward.”
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jelliclekay · 3 days ago
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Oasis: The Pros & Cons
Since I'm stuck in the airport and can't even check my bags in yet, I'm going to type out a post about Oasis and the pros and cons if you're debating going.
I do wanna start by saying the trip was absolutely worth it, and I plan on doing it again next year. But this is a guide mostly for people on the fence.
Pros:
It's Cats! Oasis uses the pre-revival choreography with the pre-revival designs (Minus Griz, but you can't win them all). So, if you want to see Cats before revival changes, this is the production (the only production) you can see it.
It's on a cruise ship! So not only do you get to see Cats, but you also get to have a fun vacation. This was my first cruise, and even if you're someone who doesn't like beach vacations, which I am, I really enjoyed myself still.
It's stupidly easy to get front row seats. Unlike seeing a production in a theater where likely the first few rows are impossible to get tickets for, Oasis theater is first come, first serve. The show is included with the cruise, so you just have to reserve a spot a week before. I showed up ridiculously early each show time and got the front row every time.
Possible photos with the cast on stage! I say possible because I don't want to say it's a for sure. But asking one of the crew members before a show goes a long way. I mentioned to a member of the crew I was on the ship to see Cats in cosplay, and he arranged for me to get photos after the 2nd show. Also be warned if you go in cosplay, people will assume you're in the show and will want you to get photos with their kids.
Videos and photos are allowed! So film to your heart's content.
Cons:
I'll mention the cruise part again here. If you're truly not interested in doing a cruise, then I would reconsider. Cruises are usually a week long, and Cats only plays 3 times at the end of the week. Cruises are actually pretty affordable, but if you wouldn't participate in any other cruise activity, I probably wouldn't go.
It's a cut show. It's only 90 minutes, with Bustopher Jones, Pekes and Growltiger being missing. Some of the songs have also been shortened. It isn't that big of a deal, but if you're someone who is really into Cats, it can be a bit disappointing.
There's always the threat of the show being canceled. This was my biggest fear. Since it's on a cruise, it's dependent on the wave conditions if the show can happen or not.
No swings, so chances are you won't see a full cast show. My shows didn't have Cassandra or Coricopat. It can be fun to see how the show changes choreography up for missing Cats, but it's still a bit of a bummer.
THE CROWD IS AWFUL. Truly awful. Almost everyone there is just there because it's something to do on the boat, and many have no respect for the performers or the show itself.
Despite the cons, all the pros made it worth it to me. I am definitely planning on going again next year!
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