#just give him free stuff

[badjohnspeakeasy]

Getting your foot in the door with Saitama isn't easy, but there's one method that always seems to work.

Link

[holographings]

my softest, beigest pillow

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[myfairkatiecat]

Everyone is entitled to love or hate a character, but if you’re loving or hating a character for the wrong reasons I’m gonna side eye you. They are the person they are, love or hate them for it but at least get them right smh

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[stranger-awakening]

One Piece Episode 102 / Episode 377

"I might not have the same bounty on my head as Luffy at the moment, but I swear to you that I'm destined to become the greatest swordsman the world has ever known. Surely that must be worth something."

[cobaltfluff]

curse you genetics!!

bonus:

[hplonesomeart]

Hehe this man is broken and severely emotionally distressed. Silly lovable guy but given self esteem issues because of the crushing weight of perfectionism. Not so funny if you think about it too long. But at least on the upside he cries pretty :))

No but seriously for all those who relate to Mr. Puzzles just want you to know your accomplishments alone do not define your value and worth as a person. Even when you’re a messy work in progress, you are loved and appreciated more than you may recognize. Thank you for being here. Don’t get me wrong it’s good to be idealistic and set goals, but don’t undermine yourself if you don’t get that perfect score….or if you start to fall behind compared to everyone else. Everyone goes through those moments of doubt or perceived failure. We need to fail every once in a while. And that’s okay

…a-anyways funny goofy dramatic TV guy we love him so much so silly so slay he lives in my head rent free yipeee. This animation is dedicated to him because if anyone in the cast deserved a feature length film it was definitely him, and he sure took up the spotlight in Puzzlevison and absolutely owned it. I’m excited for his future endeavors ✨

[katiekatdragon27]

Holy moly a rendered drawing!? And it's Flatland!? AND it's sort of gijinka-fied?!?!?!? Crazy.

Drip or drown fellas? Be honest lol.

Okay, so some design choices I wanted to point out and "explain":

A. Square does not look any different because he is peak performance. The whole thing of 2D creatures who live "water" and look like amoebas was too good to tarnish. I kept it simple, gave him some boots to help with gravitational pain n stuff on his feet, and he has glasses cuz I saw some character in the movie with them and I thought it would vibe well. He looks a little older because of them, but whatever. The nerd needs to look like a nerd.

A. Sphere I took so many liberties with. At first, I went with the most basic CEO fit I could come up with, found it boring, gave him a vest and bowtie, cut the bowtie for a normal tie and gave him rainbow suspenders, then gave him the bracelets for funsies. The most consistent thing through all the versions was the analog watch (that he probably can't read lol).

He doesn't really feel like a CEO anymore, but c'mon, in canon he's a gold sphere and the only metallic solid. He's gonna look flashy and extra. It's a given.

Are you reeeally a Flatland fan if you haven't drawn or edited an image of A. Square being yeeted like a frisbee?

I feel like this is a staple, and I found this really amusing stock image that just fit so well.

I made the whole Flatland species friend-shaped. As an OSC person (yes I'm working on stuff related to it give me a sec), I could not see the Flatlanders as anything more than the silly stick limbed creatures of that community.

Spacelanders are different, but that's more so because of how the book refers to them. "Spacelanders" in the book, although the context is probably just different 3D shapes, are addressed as people who have people systems who do people things. So, I designed accordingly. (Also, I did NOT want A. Sphere to look like that one Pacman TV show. I think I would have combusted before finishing if he did.)

These were some doodles I worked with for just looks purposes. The tendrils(?) on their corners are the longest ones on their bodies. Circles have them all mostly uniform cuz they're boring.

Below is a close up of A. Square, some progress photos, and the reference image of meme.

Thanks again, and have a wonderful day :)

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[moeblob]

Every single time I draw for an anime I think to myself "never again will I draw for an anime" and then I am proven wrong. So here, take my daughter Lulu.

[anneapocalypse]

At the end of the day you can use "Varric is an unreliable narrator" to overwrite literally any part of DA2 that you don't like. Like you can say, "Oh of COURSE Varric isn't actually against mage freedom! He just said that he objected to Hawke freeing the mages because Cassandra was interrogating him." And sure, I can't prove to you that he isn't lying about that. I can't prove to you that Varric isn't lying about anything. I can't prove to you that the entirety of Inquisition isn't also Varric making things up because he did also write a book about that and we hear Cassandra reading it in the end credits. At the end of the day if you want to you can basically wipe out Varric's entire character as presented to us and say, "Actually he was lying! He's really this."

But at a certain point you do also have to acknowledge that the frame narrative is a storytelling device that's meant to enhance the story, not like... erase it. Or at least I prefer to acknowledge that, because going too far the other way basically guts the story of all meaning. If Varric is a character we are meant to engage with on any level--and I think it's clear from his prominence in the franchise that he is!--then at least some of what we see him say and do needs to be able to meaningfully interpreted, even if we second-guess him, even if we can pick out half-truths here and there, even if we cross-check our interpretations against how he behaves in other parts of canon.

Like at least some of what we're given about Varric has to be meaningful to his character, or why even bother, I guess is what I'm saying.

[koipalm]

what if even tho sy is just an assistant sometimes disciples ask him questions bc he's weirdly well read for some dude who just spawned in one day and he'll just Answer shit if it's innocent enough. how does x demon fight? where would you find y monster? and his little hyper fixation brain just rears its head. just a weirdly helpful little scrunkly

RIIIIIGHT RIGHT RIGHT RIGHT. to the disciples hes just this guy that their shizun keeps around that knows weird obscure facts. disciples go to him like hes their personal xianxia google. i think it would be REALLLLYY funny if when sy realized his position in the sect hed be like "oh god im failing these kids. they need moral support they need 3 meals a day they need to know what kind of plant they can use to ward off Six Legged Snow Panthers" or smth like that. im not sure hes in a good headspace to really figure out how to take care of kids actually

[musubiki]

love the weird timeskip taffy quirk where everyone slowly learns that hes obsessed with fruit

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.