#just different moments of the panel

[seidenapfel]

Purcon 8 (2024), Saturday panel Jensen & Misha

[hualianschild]

‼️spoiler‼️ (chapter 63)

uhm so that happened...

(i was NOT ready omfg)

[landwriter]

dead boy detectives is a show whose shortcomings and strengths make total sense when you think of it as a comic on tv, ie terribly goofy expository dialogue that sounds way better when you picture it in comic book font with every other word bolded, panel-paced conversation as our heroes figure out something very obvious, fun enormous monster set pieces that used up all the cgi budget which is why all the rooftop shots look Like That, incredible snap zooms and smash cuts in montages that hit exactly like comic panels, and side characters with bland or brilliant characterization that seems to hinge on the metric of ‘how much cunt did the actor put into their line readings’

[expensivemistake]

matthew murdock parallels. earth 65 & earth 616

[batbabydamian]

so, Batman #147… rambling about the difference in how Zdarsky portrays the two current Robins

this is a fantastic run for Tim, and very much written like a return to form of what plenty consider the best dynamic duo, but even more so "the best Robin". once Damian's introduced in this run, Zdarsky really makes sure you still know that lol

1. "We don't need anyone else" VS "I need my family"

#147 clearly exemplifies the contrast, so i'll go through it first. Damian, having fallen for Zurr's lie and accepted him as the real Bruce, goes so far as to say in the very first page "We don't need anyone else." it's cold colors, machinery, and hollow declarations of "father and son" for these two.

towards the ending, Tim has deduced where the real Bruce is hiding and brings him food expecting Bruce's knack for self-neglect. it's all warmth, sunshine, and mutual understanding - also a cute back and forth of "Batman and Robin" between them. on top of this, where Damian isolates Batman & Robin from family, Tim is the one to remind Bruce about "helping each other." Bruce heartily agrees with "I need my family" for a weighty end.

along with this parallel, from #138 Tim makes it clear that even in opposition, he's only ever trying to help Bruce. Damian was still on the wrong side with Zurr-induced-Bruce here at the time too 😭

2. Tim's independence as both a hero and partner

Tim is written as the ideal Robin to Bruce's Batman, and has made Robin its own independent hero on equal footing rather than a sidekick - it's made in statements by both Tim and Bruce, and through the entire narrative. he takes initiative and tries to foresee what would ultimately help Bruce. beyond being great partners, there's many bits showing their emotional connection ("i'm scared of being lost, but i'm more scared of losing you, Bruce" hit me like a bag of bricks). tbh this almost could be a Batman and Robin run lol

added the first panel from #126 of Tim declaring he's his own hero outside of Bruce, proven plenty especially in his backups in #131-134!! the other panels are a few highlights from #128, #130, and #135 of the partnership between Tim and Bruce

granted it's Zurr, but Damian is mostly seen following orders and given pensive looking panels when there's something concerning. While Tim continued to represent Batman's ideals during his own solo quest to find Bruce, Damian doesn't question or take action against "Bruce's" sudden shift in ethics

Batman #134 Backup - Tim showing support toward Toyman VS Batman #146 - Zurr and Damian confront Harley as she pleads about her change of heart

another kiinda parallel in #147 is Bruce acknowledging Tim's hard work to become Robin compared to Damian who's out here going Batman and Robin/Father and Son. i don't think it's an intended parallel but just the state of continuing to show Tim in a better light - Tim put in the effort "to become the second-best Robin" while Damian is Robin because..."son." supposedly less effort on his part too, because LOA.

second pic is from Batman/Catwoman The Gotham War: Scorched Earth, felt fitting to add since Tim mentions needing to "know everything" in both. and the humble brag. which ofc Tim believes Dick is the best!! but also. jic we didn't know Tim is the best current Robin sdfgh

3. Damian's blind loyalty as "Bruce's son"

there's a weight to the Robin title when regarding Tim, whereas Damian's "Robin" role is excess and counterintuitive. he's delegated to desperate sidekick to Bruce, as well as becoming an obstacle to the family. being Robin only seems significant to Damian in how it ties himself to his father, and his single Robin quality is a loyalty that's been written to an extreme fault. the only positive angle i could see this in is Zdarsky aiming to put Damian in a sympathetic light in how far Damian was willing to fall to stay by his father's side, hence, fooled by that nightmare story/confession. the problem with this is that we have not seen a single emotional connection between the two in this run, so why should we care about that relationship.

also, Damian constantly bringing up his position as Bruce's son just makes him look entitled? since Bruce rightfully expressed his claim of having the others as his sons too (with the unfortunate exclusion of his daughter)! so it's like a "lol you're not that special" vibe when looking at it from the outside?? ykw concerning #138, Damian saying "You're the one trying to destroy my father" also could have been in contrast to Tim saying "We'll help our dad" at the end.

Zdarsky seems to believe the only meaningful part of Damian being Robin is he's the son of Bruce, and not a single nod to any noble aspect Damian's achieved beyond that. we're constantly reminded of Tim's greatest hits as Robin, from taking on the mantle to pull Bruce out of darkness (#135, #138), mastermind a whole takedown (Gotham War: Scorched Earth), and always being on the same wavelength with Bruce etc. the entire run sings Tim's praise, and it's deserved!! my problem is how it's in stark contrast to Damian's portrayal of being the other Robin who's only special because he believes he's the greatest son and wants to be at Bruce's side.

so all this to say, if your fav is Tim YOU'RE EATING WELL!! personally as a chronic enjoyer of things, this has been an entertaining run! as a chronic enjoyer of Damian, it's definitely not for many of his fans at this point in time.

i did like this part!! his grin!!

[defeateddetectives]

nothing meaningful to add as others have done some great deep dives into a lot of the subtext here but i mostly just feel the need to frequently gaze at these panels because there's something so much softer and gentler and more comfortable about them here (especially when compared to how bristly and on edge they felt in early miharu arc not that long ago) 🥺

[souenkun]

Not sure if I'm totally reaching with this one, but... whenever yorishima is drawn with his lips closed, the single lines that midorikawa drew for them always seemed steady and sure to me; they're either relentlessly straight or meanly curved upwards for his natural rbf and his grumpy pout respectively. And yet, after the events in kusakabe's house with his daughters, this is the first time we see the single line for yorishima's closed lips waver, which now makes me wonder if it means anything at all?

[good-beanswrites]

My thoughts on how the Milgram mv machine works based on the evidence we have:

(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.

It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.

(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)

In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.

The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.

The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.

The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)

Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.

Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.

The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)

Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.

It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.

[everyryuujisuguro]

[martyrbat]

the batman's grave #3

[ID: Bruce Wayne in his Batman costume but without the cowl. He's sitting in front of the Bat-computer which is off panel and is holding a tea cup that Alfred just gave him. Alfred asks, “Are you using evil computer skills to commit financial crimes against dark capitalism, Master Bruce?” Bruce smirks slightly and says yes and Alfred bursts into a large smile. He tells the billionaire, “There's hope for you yet.” END ID]

[keicordelle]

Momo confirmed: there can never be a Banri-centric three:vale

And actually, his logic behind this is really interesting. Because at it's heart, the difference is that with Banri, Momo could never have formed the same sort of codependent relationship that he does with Yuki. Banri is capable of taking charge and taking care of himself, and so Momo wouldn't feel the need to step forward and try to help him.

Hell, it's only after he realizes that no one's taking care of Yuki that he reaches out to him in the first place. Momo establishes very well in Re:member that he needs to feel needed and useful to feel loved, or to express his love, and Yuki lets him do that in spades. Banri, though. Banri doesn't need someone to dote on him (or at least so judges Momo) and therefore Momo's acts of service (his declarations of love) are unwarranted at best and unnoticed at worst.

Whether or not this is actually true is a whole separate question. Banri does seem to rely on Momo when he's helping them out backstage (Momo valiantly kills the dreaded spider for him) -- but he does it in a moderate sort of way, taking the time to make sure Momo's not overexerting himself (ie, when he's lugging around more equipment in one trip than he probably ought to be) and that he is generally taking care of himself as much as he's taking care of others.

But Momo seems to want someone who relies on him too heavily. He needs to devote himself fully and completely to another person (perhaps because he feels he can no longer fully devote himself to his own dreams, so he seeks some other outlet, someone else's dream to latch onto to replace that). He gets drawn in by Yuki's sopping wet meow meow nature and the fact that Yuki so clearly needs someone to take care of him, because Yuki is the only one who enables him to express his love in the way he wants to. Needs to, perhaps. Regardless of how (un)healthy that expression and the resulting relationship is.

That's why MomoBan won't work with just each other. That's why they need Yuki to draw them together: Momo needs someone who he can devote his everything to, and Banri can never be that person for him.

[neixins]

[ID: three panels from “yona of the dawn”, cropped to focus on jaeha and gija. in the first, from chapter 122, gija is crying in frustration while talking to yona, who is recovering from injuries; jaeha is sitting beside him and watching him with a soft smile. in the second, from chapter 138, he's watching gija with a near-identical expression as he argues with hak, who is wearing sinha's fur headpiece over his head so it's covering his face. in the third, from chapter 198, he's smiling with his eyes closed; his head is turned towards gija and yona; gija is speaking excitedly and yona is smiling. end ID.]

absolutely enamored with these panels where jaeha’s looking at gija sooo fondly. there are little cartoon hearts floating around his head <3

[bumblingbabooshka]

Star Trek Voyager Season 2 Episode 4: Elogium

[lazycranberrydoodles]

the people in the tags understand me. starembers art is super pretty but also weird at times.

[liquidchocolatecake]

currently captive audience to a knock down drag out fight in my brain between desire to respect the wishes of the creator and not look for anyone redistributing the comic and god i fucking miss wonderlab i miss wonderlab so much you have no idea i want wonderlab back so bad