Concept based on my previous post where i suggested Queen's Killer Queen as a Night Swan and Cygnus duet. i didn't want to make something super detailed so its mainly a sketch with basic colouring, and darkest hour's background
I said in that post that i saw it as taking place sometime around Darkest Hour, so Night Swan has her Leda appearance from there. I didn't know how to make cygnus look younger so i just removed his hat
The poses above would be struck when Freddie Mercury sings "killer" (imagine that Leda's hands are actually in a claw shape here) i probably should've had cygnus point at leda for this instead of into the air, followed by them moving to the opposite side whilst spinning their hands round their faces to "Queen". Lastly at "Gunpowder, Gelatine, Dynamite with a Laser Beam" They'd start doing a marching on the spot motion whilst pointing to the top right and bottom left like in Woof's chorus but more like in the style of a marching band, if you understand what i mean its kinda awkward to explain that motion (theres another map that uses that move in a way thats closer to my description but i can't remember what one it is. I tried to do pictograms in the corner to illustrate what i mean.
During the verses they'd probably have different moves, but i don't know what they would look like. I guess it would sorta be Cygnus acting out certain words and Leda doing more exaggerated movements akin to how she moves in witch. The lighting would probably be darker and the background would probably change location throughout.
Whats funny is that i always envisioned that if they were to do this song that it would be a quartet with three guys fawning over a Killer queen figure. Like it would be the three acting out how she acts wih her mimicking the moves of the one who is currently "speaking", but more exaggerated. The moves that i mentioned above are what i thought would work with this original idea and it just stuck and they're all i can think about when i hear the chorus.
I guess a good way for this hypothetical routine to end would be it turning out to be a memory that Cygnus is having, and him looking ashamed. I definitely do see the relationship that they probably had as sorta romantic, but whether it be romantic or platonic, beggin does make it out that he regrets what he's done and more than likely the time he spent with her. He'd look back on this memory with guilt after seeing what she did during Locked Out Of Heaven and her further plans that come up.
Someone else has definitely suggested this song for the series before, probably during 2017 and 2018 when Don't stop me now and another one bites the dust were relatively new to the series and some were expecting another queen song for 2019, (Though in all the fanmade songlists i've seen on youtube i haven't seen any queen songs mentioned). I'm not sure if i was the first one to suggest this song for these two particular coaches either, maybe someone did last year when Beggin' came out and Sweet Dreams was still believed to be released at some point.
This was just something quick to show what i think it would look like. probably should've made a title card but i might make a more detailed version at some point and include one.
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Meme season concept.
Meme season concept:
I Am Very Glad, As I'm Finally Returning Back Home - Eduard Khil = ♂️
Sandstorm - Darude = ♂️
Runaway - Sunstroke Project + Olia Tira = ♂️♀️♂️
The 7th Element - Vitas= ♀️
Heads Will Roll - Yeah Yeah Yeahs =♀️♀️
Legacy songs:
You Spin Me Round (Like a Record)
Surfin' Bird
Night Boat To Cairo
Mahna Mahna
Chacaron
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the kpoppies will hate this take bc it doesn't fit the i hate the fimmies for no reason agenda but tiger man did do the easy challenge well, however, as a dancer, i think he put way too much energy into it. he didn't "outdance" them, his style is very energetic, and in my opinion, he didn't grasp the actual concept of the choreo. it's supposed to look easy, look relaxed, and "groovy" not like you're in a dance battle. that's what the song's concept and message is. he just went a little harder than necessary, but he didn't "outdance" them, so pls stfu
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Hey! I hops life has been treating you well! And warning for a long and convoluted ask incoming (which is pretty par for the course for me). I’ve been going down a Yunho (U-Know Yunho to be precise lol) rabbit hole and I’m curious how you think he compares to other male SM solo artists especially Taemin (though I think it would be interesting to compare all SM solo artists like BOA or Taeyeon and Hyoyeon for the purpose of this ask im just thinking about the dudes). Cause I feel like him, Taemin, and Kai all fall on different ends of the same spectrum that’s distinct from some of the other SM solos like the other Exos (except I might add Baekhyun in there but I’m just not familiar enough with him) as they tend to tackle that darker sexier sound. I’ve been thinking about how when people say a male solo artists is making taemin lite music it’s usually actually closer to Yunho’s more recent stuff. Like taemin has kind of become short hand for dark male solo concept especially if it’s on the sexier or high concept side when that’s not always an accurate comparison. I’ve seen this especially with Wonho which is really interesting to me cause in my mind he falls way more on the Yunho end of the spectrum than Taemin (by like a long shot). And this could also be cause the kpop circles I run in are way less familiar with Yunho to make that comparison in the first place, I was just wondering if others like you that knew Yunho would agree with me. I also found it interesting that Taemin went solo before Yunho even though TVXQ are the older group so I wonder he affected Yunho’s music at all. Cause Yunho kind of seems like a more, I don’t want to say masculine, definitely more of a player, conventionally sexy foil to taemin’s more unhinged (satanic?? Fantasy? Horror-adjacent? I can’t really describe it accurately but I mean TVXQ has down their share of that too) sensual side and I can’t tell if it’s cause of the age difference between them, their group concepts (I mean TVXQ are the grown men of the kpop industry in my mind and I have no doubt they play a role in inspiring any “manly” or mature concept and Yunho’s concepts seems to follow pretty closely to TVXQ’s image in a way that Taemin doesn’t at all with Shinee), or their own artist personas and careers- taemin has always been viewed as the “feminine” one and you’ve talked a lot about how he’s both rejected and embraced that image overtime in his career. And to further complicate this I don’t really know where to put Kai between them cause he has the more overt sex appeal in Mmmh, and in his image over all, that Yunho has but also is more sensual and softer (subtle?) dance style that seems closer to taemin (or at least taemin’s image I’ll be the first to admit that my understanding of him as an artists doesnt always align with his actual output and the expectations I project on him) so I guess he goes in the middle. But peaches does really stand out as a sort of softer lighter storybook concept (which I love cause I feel like we don’t see traditional concepts that are more feel good) so that kind of throws a wrench into my theory and I guess thats what I get for treating artists’ output as a monolith and for comparing them😅. This ask is getting very very long and I’m late for class so I won’t continue but I did have some idea about where Xiumin’s recent comeback fits into this roster of artists but I’ll save that for another day lol. As always thanks for your input and I hope this makes at least some sense to you!
i stopped photo editing to answer this lmao bc i think this a very interesting question/thought experiment etc etc
firstly, most people will make the taemin comparison for male soloist because he is significantly more well known as a soloist, and part of that is that he's famous for being a soloist; an extension of which is the disparity between his solo work and his group work. now there are two points i want to fork off into from here:
-> the first is that it's a flawed comparison to place yunho, taemin, and kai on a spectrum because they're not derivatives of each other in the way that a spectrum would imply; what they all are is derivatives of rain. every dance-based male soloist is, via some lineage, a descendant of rain, whether it's through the skills line (taemin) or the 'masculinity' line (yunho) or a mix (kai). baekhyun doesn't factor in here because he's almost purely rnb based and therefore a kangta derivative.
-> the second is that it is valid for people to be making that comparison to taemin because most younger idols are going to be using him as reference, and because a lot of these younger idols are following his method of creating a separate solo persona from their group. yunho does not have that distinction. he is quite literally the face of tvxq, and therefore inextricably bound to the group's identity because there are literally only two of them. if they were, for example, still a five member group, he might have had more a chance to diversify himself a bit, but that's a bygone point because we don't live in that world. the reason tvxq made it through the split and maintained being an extremely successful group is very likely because of yunho's singlehanded determination. obviously changmin does care about the group, but as we've seen with his solo work, he's much more of a musical chameleon; he's more focused on dabbling in widely different genres that interest him. yunho's solo music however, is pretty consistent in sound and also not all that surprising of a leap from who he is in tvxq. so by that observation, i would say there isn't actually a difference between uknow yunho and uknow the soloist. his artistic identity is tvxq, in a way that he can't separate, unlike how taemin can separate from shinee. and following that point through, no younger soloist can really be compared to him because his history and group image are so integral to what he does. that's why there's like a negative number of young idols that every attempt to cover a yunho song, bc the vibes of something like follow or thank u would OBLITERATE anyone under the age of 30.
if you were to look at just aesthetics and music styles, sure on the surface there are some younger idols that unintentionally skew more towards some of the stuff that yunho has done, but in the end that's because they're all under the rain umbrella.
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The concept of Bakugo wearing his mask as a headband is just too much for me.
He just got home from a hell of a shift. Civilians acting crazy, villains showing up in the least expected moments. It was insane.
He's been out for a twelve hour shift. It's almost eight o'clock when he hits home, throwing his giant boots to the side of the door and slipping off the gauntlets of his arms.
You are in one of his shirts, the length of it passing through your legs and stopping right in your mid thighs. The comparison between the lack of clothing in your body and the enormous amount of gear in his body is kinda funny.
He's observing you dancing and swaying your hips at the rhythm of your favorite song while you ignore completely he is home.
The only piece of clothing that is disturbing Bakugo is his mask. The black piece of fabric completely clouding his gaze that's directed to you.
He grabs the mask and pushes it to the line of his hair, taming all his rebellious locks back.
You take a peak on your peripherals and see him standing there like he's just watching the most beautiful piece of art. You. You can't help but smile at him. He's the same thing to you. He's devastated, looking tired with dirt stains on his skin, but the image of him leaning on the lintel of your kitchen door with his mask on his hair wearing a lazy smirk just by looking at you, make all the butterflies in your belly erupt in a wild tornado.
"Hey, hot stuff." You bat your eyes at him flirting, and he hides a subtle laugh while he walks towards you.
"C'mere shithead." He grabs you gently by your head and embraces you against his chest. The familiarity of his smell makes its way inside your system, slapping your senses awake that he's definitely once again, home.
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