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anominous-user · 8 months ago

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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spotaus · 2 months ago

Text

New Age AU (Cross' Spy Adventures)

Hi guys! I'm back! This one has been eating at me so forgive me if it's a bit rougher than the others, but I hope you still enjoy! (And if plot details don't seem to line up? Remember Cross has no clue what's going on yet :] )

Context: Cross has been asked by Dream to do recover information on his brother's next plans of attack. He's not a very good spy.

(Hi to @ancha-aus @papiliovolens and @mutzelputz !!!)

Stars this place was big.

He'd almost forgotten what it felt like to be on a castle grounds after so many years roughing it with Ink. Inns and taverns and tents. He wasn't sure how much he enjoyed being back in the throes of the rich and powerful's estates.

The cart-ride with the other new recruits had been pleasant enough, they were all decently friendly guys. A few were putting on that tough-guy facade, but none of them could've been older than 25. Fresh off the press, practically. Perfect soldiers to be brainwashed.

Cross had laughed and joked with them about what life in the castle might be like. How different it would be from the old daily grind. How maybe they'd pick up a hot partner in town on their patrols. How they hoped they'd eat like kings.

Though, Cross noticed that each of them got cagey when word of the King resurfaced. One birdish-monster mourned that she couldn't have served the last King, Nim, before she passed on to join the gods. Another spoke of the honor it would bring for him to serve the blood of Nim.

They seemed averse to even acknowledging King Nightmare's existence. Aside from his connection to Nim.

Now, the chatter was all silent, and Cross was among the many new soldiers who were ogling the castle as they passed around its outer wall and entered through a side gate.

It was, admittedly, impressive.

His own home kingdom had less of a castle, more of a monolith. It had been dense, and tall, and impossibly smooth. His father couldn't stand imperfection.

This castle was almost the exact opposite of what Cross had always known. The walls imperfect and overlapping, rather than brick it looked like it had burst straight up from the ground. Bumpy and imperfect and natural, and yet beautiful and structurally stable. He didn't linger on it, but he wanted to so badly.

Instead, he drew his attention ahead. To where a man stood, his armor decorated in the marks which indicated him as a reporting officer.

This man, a human with a crooked nose and a thick, black, beard held up a hand, and the driver of the cart tugged at his reigns, the horses pulling to a slow stop.

One by one, once given the signal, the soldiers filed out. Stating their rank, their camp of origin, and their name.

Cross was middle of the pack, and saluted the human as Dream had taught him and as everyone had done before him.

"1st Year Guard, Pierson Camp, Z." He reported.

He was not proud of his code-name. It physically hurt to say it with a straight face, but when he'd been talking about needing a new code name, Ink had excitedly suggested it.

Z, he'd said, Like 'X' but not! And Cross hadn't been able to shut the idea down when Dream had giggled and tapped his cheekbone, the spot just under his eyelight that held is scar.

Dream had called it fitting, and it'd been settled in a heartbeat.

Cross managed to say it aloud without any hint of suspicion and was waved off to join his fellow recruits.

They lined up haphazardly, but didn't dare to do more than grin and snicker between eachother at. Well. Anything, it seemed. They were taking this very casually compared to what Cross had been expecting.

Though, the moment the captain was done looking to the cart for any stragglers, he turned. The soldiers all went still and aligned themselves.

Cross wondered how they survived training if they goofed off like that so readily.

He watched as the cart which had brought them circled away, and he listened carefully as the man introduced himself.

"I am Captain Rogers. Your platoon will report to me for any and all management. I control your training schedules, your mealtimes, and your work hours." He called out to them, right there on the lawn "you are here today to serve the blood of the gods, and by Nim's watch you will not slack on your oath. No matter how much you loathe it here. Understood?"

Such a bold declaration of... unrest.

The soldiers, one by one, gave affirmative nods and salutes, Cross making sure he wasn't the first. He didn't want to seem too eager.

The captain led them about.

He asked for them to stay in formation, and Cross ended up towards the middle of the pack yet again, just close enough to hear the explanations of their duties, places on the grounds they were allowed to go, and what their daily routine was meant to be like.

Near the stables, they paused briefly, and the Captain was taking an extra long time explaining that the horses in the stables were not to be ridden without explicate orders from him or another commanding officer.

Cross couldn't help but notice the guys ahead of him whispering about something, and Cross followed their miniscule gestures off to the left.

A black cat, wirey and short-hair. It was standing in the shadow of a fence, and he didn't think he would've spotted it if it weren't for its big, green eyes. They were like little saucers in its head.

It was staring straight at him. Tail flicking. One ear twitched.

Cross tried to ignore it, but when he'd glance back, it was still there.

Until, suddenly, it wasn't.

By the time they moved on, it was nowhere in sight.

His old home hadn't had many animals, especially not roaming cats. He wondered if it was a 'barn cat'. Blue had explained the concept to him once.

Regardless, that thing was freaky.

Finally, after what felt like hours of walking, the Captain announced that their last stop of the night would be to their quarters.

He could practically feel the relief rolling off of the guys next to him, and it took am effort to let his shoulders sag even an inch in imitation. The guy next to him looked like he might fall over, and Cross shared none of that exhaustion.

They would start their assignments bright and early in the morning, each of them would have a more experienced guard join them as a guiding measure before they were left to the duties themselves.

A much kinder grace period than Cross had been expecting, honestly.

The Captain escorted them down the halls, long and twisting. Each one held soldiers out of uniform, turning in for the night, going through their routines. As well as some moving out for the night shift. They ignored the rookies as they kept to their own business.

The Captain swung a door open, only to immediately block the soldiers in front from entering the space of relaxation beyond.

"Ah, Ccino, I was worried we'd missed you." The Captain spoke up.

"Soldiers, back up. Stand at attention." Came an order next.

Cross was faster than the others in recognizing the order, but forced himself to wait until the others stumbled into him to start moving. He wasn't sure why they were getting into this stance, but he knew better than to start asking questions.

They all stood in the hall, and Cross caught a few snickers from nearby lounging guards as the rookies stood there.

"The King called upon me, so I wasn't able to meet you where we had planned," a softer, calm, voice rang, "I figured I would run into you here before you turned in for your first night."

The Captain stood before them, and beside him, exiting the barracks, was a monster.

Cross tried not to stare, but he couldn't deny that this was odd. He'd never known a captain to bend to anyone but a higher up. But...

This skeleton was dressed in a servant's uniform. Granted, it was made of a thick, soft-looking brown and tan fabric, with an apron with more embroidery than he thought he'd ever seen in his life, but it was nothing too out of place.

Surely it wasn't a Knight. No, he'd been told they wore masks. He could tell this skeleton was not a Knight. He could see the full skull, soft and gentle, calm eyelights, and a body Cross swore had never seen a single battle.

No. Cross, stop that.

He didn't tear his eyes away, but he forced himself to look back to the skeleton's shoulder. No eye-contact, but still facing him. Good.

"Soldiers, This is our Head of House, Ccino." The Captain gestured to the skeleton at his side.

The soldiers all remained silent, and the captain nodded.

"If Ccino ever gives you any sort of order, you listen." The Captain's voice was harsh with this, the same way he'd spoken about the horses, and the kitchen, and the private training rooms they'd passed. "No questions, no hesitation, no disobeying. You understand?"

The squint of the Captain's eyes were more than enough for Cross to know better than to ask. Something like this was unfamiliar, for sure, but he knew when a soldier was saying something he truly believed in. Lived by. For better or worse.

None of the other recruits seemed to speak up. Cross certainly didn't. He tried not to let his nerves show as this skeleton, Ccino, let's his soft white eyelights skim softly from one soldier to the next. When they came to him, he desperately avoided the gaze, practically staring a hole into the soft fur scarf wrapped around his neck, hiding his spine from view.

"It's a pleasure to meet all of you," That calm voice again, "As you heard, my name is Ccino. I manage the Castle, it's grounds, and the people who stay within our walls. This includes all if you, as of tonight."

He seemed rather put-together. Pleasant. Cross didn't feel any unease. He was positive, now, that this was not a Knight. Yet, he couldn't figure out why such a monster would be held in such high regard, unless, of course...

"As you heard, our King trusts my decisions regarding these matters, which is why he asks you listen to my requests. However, I don't abuse this privilege, and it shouldn't dissuade you from coming to me if you have any problems." Ccino pulled his arms to cross infront of him, and once again looked over the recruits. "You may be our guard, but that does not mean you shouldn't recieve help as well. If you cannot find me, ask another servant and they will get word to me."

Ccino seemed... kind. That had to be it.

The sparkle of admiration in the captain's eyes. The way some of the soldiers watched. Maybe Ccino was the golden light in this dark place? Though, that didn't seem quite right.

"Stick to your duties, remain diligent, and you will be cared for here." He said softly. "Now, stand down and go rest. Your training tomorrow will be thorough, and you will need the extra sleep."

Oh.

Cross recognized the order, and his body moved a bit before his mind could catch up. He relaxed, as much as he naturally could, and took a step. Toward the barracks. Then paused and glanced like a deer in the headlights to the Captain and the Head of House.

Ccino just smiled, and the Captain seemed stoic.

"Seems Z gets first dibs on the cots!" The Captain announced, and with his approval, humor seeping into his tone a bit, and laughter echoing from the older guard who'd been observing?

Cross made the quick duck into the room and grabbed for the first cot he saw. Bottom bunk, closest to the door, the easiest way he'd be able to leave the long room of bunk beds.

The others hurried in after him, some laughing, others cursing jokingly at Cross having noticed the test first.

The test.

Of course it'd been a test. A test to see if they'd recognize Ccino as an authority figure. A test to see if they took the warning seriously. Cross just listened to the superior officer. And... put himself in the limelight of excelling new recruits.

If there was one good thing, though it was mortifying, the others didn't seem to notice what it was. They were too busy teasing Cross for the grape blush that enveloped his face the moment he sat to think it over. The others assumed he'd just slipped up. Listened to the prettiest person in the room.

Once again, Cross wondered how they'd made it through training. Though, it was good they just thought he was a stupid lover boy. Better than them realizing he was following orders on instinct.

It'd been a hard sell, getting to sleep, but he'd managed somehow.

The morning was much easier than the night prior. He woke up before the sun, before a lot of the others even showed signs of stirring. It was good he got up so early, sneaking off probably wouldn't be much of an issue.

Tomorrow, then. He'd do his sneaking tomorrow, after he got a lay of the land today. From what they'd been told, he'd be supervised today. Everyone would. It was different from what the Prince had told him, but it didn't matter. Policies could change, and Cross knew better than to disobey new policies.

The castle inside felt like a maze yesterday, he'd hopefully have routes inside, so he'd be able to memorize at least a few escapes. Orient himself. Worst case he could break a window.

He didn't want to leave any trace, though. The best scenario, as Dream had explained it, was that he'd get in, get the information, and get out. A week, maybe a week and a half tops. Cross wanted to spend as little time here as possible. He didn't want to fall into whatever mind-control he'd been warned of. He didn't want to run into the Knights. He certainly didn't want to see Dream's twin.

Though, he was curious. What he looked like. If he could see the sibling resemblance between the Prince and his supposedly brainwashed ruler of a sibling. It was honestly none of his business. If the King never saw his face, that would be all the better. He shouldn't know Cross was ever here at all.

The thoughts swirled in hid head as he stared at the bottom of the cot above his. Wood slats, the whole thing was sturdy wood, with decent mattresses and blankets and pillows resting on its support. It didn't creak at all, which was good. And surprising. Everything in the castle seemed so nice.

Mm, must've been a thing for the people here. Serve the 'gods' and live in luxury. It certainly seemed that was how the Prince's camp had run as well.

Cross couldn't be sure how long he was awake, examining the room and sitting still, but the sun managed to rise into the sky by the time he'd heard the slamming knock on the door to the barracks.

It was easy for him. When the Captain swung the door wide open and announced, in a hardy shout, that they were to be in the hall in 5? Cross rolled out of bed the moment the door closed again.

It pained him to move so slowly. He couldn't be the first one out again. Couldn't be the first one dressed. He didn't know why it took so long for the others to change to their uniforms and rub the sleep from their eyes. Monsters and humans alike! They hustled, some of them, and Cross was grateful a cat monster seemed to gather herself more readily than the others. An orange striped cat, her nose and the tip of her tail a stark white. Cross only noticed her when she rushed for the door, and he let himself trail her a moment later.

Thinking back, she'd been at the back of the group yesterday, joking with some of the others. Cross wondered what the energy change was all about.

He didn't get time to worry about it, though. The hall outside the barracks was busier than it had been last night, and Cross found himself facing, not only the Captain, but also several guards. They each seemed to be in full uniform, different than Cross' or the cat's which marked them as trainees. They seemed stoic before their captain, and Cross almost felt a moment if relief. Maybe this was a decent show of artillery?

No, wait, strong soldiers would be bad for the Prince. He'd have to get through these guys.

He shook away the thought, listening in as he stood awkwardly in the hall, another recruit lumbering out to stand where he'd joined the cat already.

The Captain looked them over, before nodding.

"Harper, you're with Jenna." The Captain ordered, pointing from the cat before gesturing towards one of the guard directly behind him.

Cross tried not to let his eyelights give away his observance as the guard stepped around her captain. She seemed to be a bunny monster, lots of fur and long, floppy ears tied behind her head. She, Jenna, saluted the cat, Harper, and Harper saluted in return.

"Listen to what your mentor tells you, got it?" The Captain asked, and Cross saw a few others exiting as he said this.

Those who started moving down the hall, and the Capatin looked to Cross. It was a kick glance, one look-over, before he turned and looked over his shoulder.

"Z, you're with Shep." And a gesture guided Cross towards whoever his mentor for the day would be.

From nearly the back of the crowd, snaked a dog monster. Black and white, short-trimmed fur. His eyes were brown and intense, and after a moment Cross realized this guard was shorter than him. He didn't like that when Shep saluted, he had to peer down to salute back.

He hardly even registered that they were already moving off, not unlike the two before them had done, until he'd taken a few steps to follow this small royal guard.

"So, you're Z?" Shep asked him as they stopped a few halls away. This one was largely barren aside from a few servants. Along each wall hung a huge tapestry, woven out of heavy threads and hung by a long piece of metal along the top edge.

"Yes, sir." Cross responded shortly. Not giving himself a moment to stammer.

Shep looked at his quizzically, before he leaned forward and sniffed. Actually just sniffed at Cross. It was still a few inches away, they didn't make contact, but suddenly he worried he was stinky. He's bathed before hopping on the cart, and he hadn't been exercising much, surely-

"Ah, you're not from this Kingdom! Not originally, at least." Shep said then, leaning away just as quickly as he'd gotten close.

Cross blinked, and he was sure his skull didn't hide his shock as well as he'd hoped. "I can smell the pollen on you, newbie. We don't have those kinda plants in this kingdom." He explained, and Cross internally cursed himself. Would he have to run? Would he have to-

"You know, I'm not from this kingdom either, I was born to the west." Shep admitted then, easily, using a paw to gesture loosely at the space between them, "I bet we'll get along just fine, newbie. C'mon. I'll show you around your route."

Cross didn't even get a spare second to defend himself, or puzzle at why a foreign monster would choose to come here. Shep was already on his way, back turned and hurrying down the hall at a brisk pace.

"As far as I know You're gonna be taking over my old route, inner portion of the castle." Cross listened, but orders were his second nature. As they walked, he eyed the tapestries hung along the wall. Long and intense, and yet, there was a moment where Cross could see the colors were more faded and worn.

"You'll mostly just be patrolling, watching out for anything out of the ordinary, waiting to see if you're needed for any specific duties." The images showed monsters, humans, monsters again. Depictions of complex circles and red splashes dripping from weapons and hands. And he noticed a trend, eventually. These must've been the previous rulers. The past Kings.

"Your patrols will be alone, the rooms in the hall aren't too important, and it's mostly servants that pass through that way." Cross almost lost his rhythm as they drew to the end of the tapestry, though the hall kept moving. There on the tapestry was a depiction of two little skeletons, one which seemed strikingly similar to Prince Dream, even in his adulthood. Beyond, the tapestry simply stopped. It was odd that King Nightmare hadn't bothered to get it finished with his own visage. Maybe his puppetmaster was waiting to put himself there instead?

"Still important, anyways. The servants halls are the easiest ways in and out of the castle, so we can't slack off." They turned a corner, and Cross pried his eyes away from the tapestry and back before him.

They passed a few more halls, before Shep stopped dead in his tracks, and Cross reacted quickly, spotting the way he peaked around the next corner.

Across the way, Cross spotted that they'd run into another pair who had also stopped. Only when Shep saluted did Cross think to follow his lead.

From the hall he couldn't see, emerged a figure.

Cross kept his eyelights to the ground, but the steps, the shoes, the heavy cape, and especially the dark and slimey tendrils which snaked along in his wake? That was the King. The one Dream had been so particular about not running into at all.

Two sets of feet followed him. Closely. He didn't have to look up to recognize that they must've been Knights. The easy weight of their steps, how close they stuck behind the king, the weight of the one's magic? Surely. He didn't risk a glance until after Shep lifted his head again. Cross only caught a glimpse of a tiger mask turning another corner before the three figures were gone.

In the tense silence, Cross swore he could hear his soul beating. He wasn't sure if it was fear, or indignance, or something else, but he knew being so close to the King had not made him feel good. Dream had been right, something about that guy was wrong.

Shep glanced around, and his ear twitched, watching down the hall where they'd left to.

The group across from them was already moving, towards the hall Cross had just cone from.

"You know, you kids are lucky Newbie." Shep voiced then, eying up the human rookie who was passing by. "When I first joined the guard, the King cut my tail off to prove my loyalty."

He said it so easily that Cross was speechless. What did he mean? Was. His tail was docked, but...

"What?!" The panicked whisper came from the passing humans who had obviously been eavesdropping. He expressed the concern coating Cross's soul and freezing him in place.

"Yep. I heard he used it as a cat toy for the strays." Shep confirmed loosely.

"Shep." Came the snap of his name from the other trained guard, though they didn't move to deny his claim.

Cross hadn't heard anything about that from Dream. Of course, he also hadn't heard about this introduction process either. He was flying blindly here, and suddenly he feared for his limbs.

Shep simply shrugged and kept moving forward. Cross wanted, badly, to excuse himself right this moment and go back and claim he couldn't do it. But he was here now, and he had a Prince to help. And a whole lot of people relying on him to prevent more tragedies.

The training wasn't hard. Shep stood with him, made small-talk, told him all the tricks to ensure he knew when someone would switch off with him, and then they had lunch.

He hated to admit it, but the food was delicious. He hadn't had something so filling in... maybe ever. He couldn't put his finger on it, not quite, but for monster food, it felt solid. Warmer. He felt less hungry after, and a part of him wondered if that was how they did it. The mind control. Was it the food?

But, no, surely not. He was still set on his mission when he went right back to his rounds. The food was just... strangely good.

The rest of the rounds were easy. Simple. And there was at least an hour after where Shep willingly guided him through the rest of the building. At least, anywhere he could.

Cross noticed, once, that Shep broke a rule. He ducked into the kitchen. Returned to a surprised Cross with two pieces of bread and handed one to Cross before tearing into his own. Apparently, from what Shep said, the main kitchen wasn't off-limits. Not really. Just the private one.

He didn't ask about the difference, he wouldn't need to know, after all. He doubted plans of attack were stached in the cupboards of a pantry.

And just as swiftly as it had begun, it ended. Shep said he'd be around the training grounds tomorrow if Cross needed him, and released him to dinner. After Dinner, Cross went back to the barracks.

Many of the rookies were talking all about their routes, others complaining that they had gotten cleaning duties for being the last out of the barracks that morning. They'd start training tomorrow. Cross tried not to contribute much, but he liked listening in. Understanding more about the place. The people.

It sounded like the King had crossed quite a few of their paths as well, and they didn't seem happy about it. Discussing in hushed tones how weird the King was compared to the last. Dark, secretive, hardly even a ruler. Cruel. He heard the human from before shamelessly telling Shep's tail misfortune to the gathered group, who all seemed to be riled up by it, exchanging other horrible speculations.

He needed to get this information. He just... he couldn't do anything until the others were asleep. So. Morning it would be.

Cross was a coward.

He knew as much, deep down somewhere, but as he woke up early again, he thought through his plan. He didn't know where he'd find any of this information he needed, he didn't know anything beyond his own route. He didn't even know what he'd be finding. He'd know when he found it, he was sure, but the last thing he wanted to do was get caught

He should've excused himself during dinner to go search around, or chosen a buddy to go wandering with. Shep had told him some things, he knew the room where the Knights trained was the indoor room, and he knew some areas no one went to. He knew the hall where the Knights and King stayed, Cross found it interesting they all stayed nearby, and he'd promised himself he'd avoid the space like the plague. He knew so much, and so little, all at once.

And he waited, thinking, so long that he... he just got up as the others did. Moved to his station to rotate shifts with the night guards. He just... did his duties again.

Well, they weren't his duties. He had no obligation to be here, not really. But the Prince had told him a week. A week and a half. That would make the most sense for an in and out. So, he wanted to respect that. And he had orders now to act out. Surely if he slacked off it'd be noticed, right? Yeah. He'd just slip away before dinner and say he went to train a bit more. Peak into some doorways. No biggy. Surely.

He worried about what he'd do to pick up a slack he hadn't even lost, all day. All through his rounds. If he showed it, his replacement at his last post said nothing, and waved him off.

Cross wanted so desperately to go searching. But. Before he could pass by the hall which would lead to the mess hall for the servants and guard? He glimpsed them from down the adjoining hall.

Two of the Knights.

One with a hood obscuring his face, casting a heavy shadow over everything, his eyelights a dull white. Though he didn't see a mask at first glance, Cross had to make some assumptions based on the one beside him that they were both Knights.

The other had on leather training armor, and a tiger's mask, red ribbons hanging from it, swaying with weight. He could see the skeleton's grin peaking from beneath the mask, and noticed how the tiger draped an arm over the other and laughed.

Cross didn't even give them a second to notice him, swiftly stepping out of the corridor and towards the dining halls after all. He didn't want to get in the way. He didn't want to be on their radar.

He needed to know when they trained. When they'd all be occupied so he wouldn't have to worry about them catching him off-guard.

Off guard. Ink would be having a hayday with that one if he'd made that joke back at camp.

Cross just kept moving forward, ducking into the dining space before the Knights even reached that hall.

Three days. It took him 6 whole days to learn more. To learn where the information might be. To learn where the Knights usually were at any given time. To learn how to navigate the place better. To not worry about getting caught.

He'd gone back to Shep one day, to test if he'd be told to go off the dinner or if he'd be sought out. He was not, so he had his proof that no one cared so long as he was doing his rounds.

He'd sat and talked. Asked about the Knights. (Shep had little to say that Cross didn't already know). Asked about training. (Shep said he was always out here now, running routines.) Asked about the king.

And Shep was interested about him asking on the King. Cross almost fumbled, but said he'd heard a lot of rumors. Shep had been here a while. What was true?

And Shep told him stories. In a low voice. Of the King breaking spines, of throwing objects with his tendrils, of sentencing folks to death over minor transgressions. Of his ruthless rule and cruel first. How he brought in servants and guards by force. Ripping them from their homes. How the king would declare traitors and have them hung.

Eventually, Cross asked him to stop. He'd heard enough.

Some of those things he'd heard from Dream, or the folks back at that encampment. Others were new. Insider information. Things he'd never dreamed of.

It was informational, and Cross decided that he'd keep learning more, until he was sure he had the perfect moment to strike.

He wasn't the smartest, okay?

Cross had done his rounds, and the moment he was done, he scurried off towards his destination.

He paid no mind to servants or guards, and used a servant's hall to arrive in the location he needed. The hall where the King's Study was located.

Yesterday he'd investigated the war room. Entering and closing the doors behind him, the room had been a mess of papers and figures and notes. The maps of each neighboring kingdom alone were strewn on walls, like the ravings of a mad-man. None of them had plans of attack, though. The light from his eyelights had been enough to illuminate each one as he approached. Every single one was a new defensive plan. Ways to deploy troops if they were attacked. Not one seemed unprovoked which was... strange.

Cross was almost unable to find any sign of the King's next route of action for his destructive feats, so he was resigned to search the study tomorrow. His only solace was that exiting the War Room had only been met with a servant a ways down the hall, and a cat pacing by, paying him no mind.

The cats in this place were many. Cross had never seen so many cats in one place, and when he'd asked at dinner, it seemed that everyone thought they belonged to the Head of House, Ccino.

It would make sense, Cross had seen the embroidery along his apron, plenty of paws and cat-like figures along the hemlines, between the branch and tree motif the entire building seemed set on holding tight to. But, it amazed him that there would be so many, allowed to run free. The King must've been very lenient with his Head of House, to allow so many creatures free-roam.

...then again, the Knights wore masks decorated with Big Cats. Cross had finally caught a glimpse of the Lion, out on the lawn while he was talking to Shep. He carried an Axe twice the size of Cross' torso, and he seemed to wield it with hardly any problem. Cross just hoped the little beasts weren't being sacrificed. He'd heard about the barbaric practices from Ink once when he had his head on straight. He hadn't had the guts to bring it up to the Prince. Or Shep. Fearing the answer.

And so, now, he moved for the study. When he knew no one would be around, when no one would see him or bother him. He could dig through the information, tuck it away in his ribcage, and get out of dodge.

It was mid-day. Apparently the Knights tended to have training about now, and the King always supervised. So the forbidden hall, as the others called it, was dead and silent.

It wasn't hard to determine which door was the study, the door was carved carefully with a beautiful tree, and the handle was a shining gold, as though it got less use than the other rooms. He tested the handle, it moved, and he slipped inside.

Of course it wouldn't be locked. Who would have the guts to go snooping around in the private spaces of murderous tyrant kings? Well. Cross would, but that was besides the point.

The inside was lit by a few stray candles, and Cross tried not to marvel at the luxury of the room. Everything was carved out of dark wood, with golden fabric lacing the cushions of lounge seats and the curtains which covered the windows. It was darker, used, but still gorgeous. The daylight filtered in through an open window, giving it a warm ambience. Cross didn't know how a room used by such an unpleasant man would be so calm and soft.

There was a case along one wall, large and long. Hung inside were masks of all different shapes and styles. Some were decorated with swirls and gems, but most resembled animals. A crane, a swan, a horse, a sheep, a hawk, a wolf, they all stared out at him with blank, empty, sockets. He wondered if these were used or not, but they seemed untouched.

And beside that case, in the far corner, sat a heavy desk, with bookshelves filled to the brim tucked just behind it.

The desk was heavy, and it looked to be covered with papers, letter drafts, just a quick glance over the contents told Cross this was just what he needed.

He stood behind the desk, unable to stop himself from lifting the papers up into his hands. From here he could see the door, as well. He'd know if someone was coming.

The first paper he looked at seemed to be the draft of a letter, addressed to someone by the name of Crop. The handwriting was beautiful, and Cross was lucky Ink knew how to write in so many dialects, or he'd have trouble deciphering exactly what this was saying. The cursive was precise. And... it seemed a half-finished letter asking about plants. The state of a harvest? No, that's strange.

Cross lifted the few pages which had been tucked beneath the first, confused. These ones seemed to be written in a much more unsure writing, but they held what he could only call sketches. Showing clouds and plants and... fields? Cross wasn't familiar with farming, but he could recognize a field anywhere. The paper had a few words underlined and circled, and they seemed to be later additions, added overtop by someone else. The words seemed to be mentioned again in the letter draft? It was completely innocuous. If this was the King's letter, he was just asking about the wellbeing of a farmer's harvest. Asking about improvements.

He moved them hastily into a stack and set them aside, reaching for the next haphazard bundle of paper. That couldn't have been right.

The next piece he scooped up was in that same pretty cursive, but this time it wasn't a letter. Instead it was some sort of list. Locations, some crossed off, and some untouched. Was this what he was searching for? Surely this was it.

He moved to grab the next page that had been beneath it. It held more context, it seemed. Notes scribbled down about how these towns needed changes. Action. Cross looked to the first crossed-off name, one he recognized from one of the woman at Dream's encampment.

The paper read of a faulty justice system, a lawman who needed to be checked up on for counts of bribery and false accusations. She'd said the Knight, the tiger, had arrived and asked for their head of city guard, the one who enforced rules and kept peace in their small village. Two days later he was killed, replaced by someone the King installed, and he started jailing innocent folks.

Cross looked to the next one, a pass where travel had been haunted by the royal guard. He'd been told they'd done it to halt people from mining in the area, a crop of wealth the King wanted to hoard. But this said that it was a mountain pass with frequent and dangerous rocks lines thanks to a sudden increase in storms since his rule. Notes reminding of supplies, and pay, and signs. Signs.

The next was not crossed off. An issue of bandits ransacked the town when people would enter or exit. Notes in messier scrawl seemed to pose solutions. Ideas. One that was circled said 'Send Horror, Autumn'. It was nearing the end of summer now.

This did seem to be the list that Dream had suggested existed, my twin is organized, he'll have a list with extensive notes, but he'd said nothing about the way the list wouldn't actually contain anything incriminating.

He skimmed again, but it seemed like nothing harmful. One lower down even acknowledged a damage caused during some sort of raid and to divert funds to someone. A random shopkeep in an outer city. This didn't add up at all.

He folded the paper silently and stuffed it into his armor, but kept looking. No doubt there would be something else. One of the lower pieces, something hidden away.

But the papers atop the desk seemed just as helpful in nature. Even ones like drafted decrees or laws to impose later were not unreasonable. One even seemed to propose a ban on child labor. What kind of tyrant would pass up a chance for easy workers?

Digging through the drawers revealed nothing more, just an impressive collection of quills, ink, and more books it seemed didn't fit on the shelves behind him. He wouldn't find anything more useful than these documents, he was sure. He... he just hoped the Prince would be able to see whatever evil Cross was obviously missing here. He scooped up another piece, one of the decrees, and then the letter draft to that Crop. Maybe they could speak to him? No, the planning was up to Dream. He was just here to get the information and go.

And now that he had it...

Cross sighed a bit, he couldn't understand why these were the things in here. In this innermost sanctum where only the trusted went. Everyone feared this King so much, Dream claimed he and his master were such a threat. And yet all Cross could find was a record of damages, and a plan to enact damage control. It...

"Having some trouble finding the dirt?"

Cross felt his entire soul freeze up as the voice cut through the silent room. It was quiet, and deep, and a bit gravelly. He didn't recognize it, but that didn't matter, because he knew he had been alone.

Almost all at once, a wave of presence crashed over his awareness. That damp static that had passed by once in the hall. Trailing the King. He didn't have to look up to know it was one of the Knights somewhere before him.

"Our King isn't usually one to make a mess." The voice said again, calmly.

Cross dragged his eyelights up, hands tentatively hovering at his sides. There, sat comfortably on one of the chairs, was the hooded one. Dust, Shep had told him.

Now, despite the shadow cast by his hood, Cross could see the faint details of his panther mask, black and hidden away in the darkness of his cover. He seemed entirely at-ease, not a care in the world, watching Cross. If his soul hadn't been sinking into his gut, Cross would've even thought Dust found the situation humorous.

He steeled himself, watching. Could he try and bluff his way out of this? Somehow? How long had Dust been there? How much had he seen?

"Any chance you'd believe I was looking for a good book?" Cross asked, though the bold humor he'd attempted to channel in the way Ink had done so many times before fell flat. Maybe his growing panic was clouding his mind, or maybe he'd never been much of a comedian.

Dust just stared at him, tilting his head a bit. By the way his eyelights changed shape, Cross imagined his sockets had drooped to give an unamused stare. Not a great sign.

"Are you going to try and run, or can I catch a break today?" Dust just asked across the room.

Mm. Cross didn't have much of a choice here anymore. Dream had told him, drilled it into his skull, not to get caught. Especially not by the Knights. They'd torture him. Kill him. The stories of what they did to traitors... Cross couldn't let this knight get hold of him. Couldn't be trapped. He had to get out of here.

He promised Ink he'd be back.

With that thought, his sword summoned to his hand in a flash. It was big, and bulky, and not the best for an indoor fight, but he'd make due. He just needed to get away from this guy. That was all.

His summons was clearly a declaration of intent, because he heard Dust scoff over the rush of adrenaline running through him and roaring through his ears. All at once, the electric charge in the room seemed to up itself. Bones, blue, cracked downwards from the rafters and planted themselves sturdy before the door and the window. His two possible exits. Dust stood up and stretched his arms before him.

"Alright, let's get this over with." Dust voiced, then.

Cross nearly let his guard down in the first moment. He felt a charge of energy coming from his side, and narrowly vaulted over the desk to avoid the spiked and jagged bones which rose where his feet had just been planted.

Momentum carried him now, and his sword was already poised for attack before his mind quick processed it. He slashed at Dust, growing rapidly closer. Hid swing was met with pure white bones that stopped his swing, just enough for Dust to avoid the hit with a split second to spare.

He was quiet, as they fought. As Cross lunged and spun and threw himself forward with grunts of exertion. It was unsettling, how the only noises were the cracks of his magic ripping into existence or Cross's sword cracking them to pieces like a lumberjack's axe.

He kept his attention on Dust. The magic had a pattern. The room was buzzing ambiently, and right before an attack it was like being too close to a fire. Just briefly. Cross barely managed to avoid spearing his ankle thanks to the crackle. He wished he could be a bit faster, though. Cross couldn't feel where an attack was aiming like he normally could. Dust gave no indications as to where an attack would be channeling either, almost like he wasn't controlling them at all. He didn't like it, it was unpredictable, and was wearing him down fast.

Dust kept dodging his swings, no matter how fast he moved, and eventually Cross stumbled. His shoulder connected with one of the random jutting bones. Dust stepped back just before it pierced upwards, and Cross grunted in distress as it drove him back a step as to not get impaled.

That was apparently his mistake. The moment he wasn't close to Dust, bones seemed to crop up all around him, gutting at different angles, just barely piercing the bone, little cracks forming with the force. Cross could feel each one jab a bit deeper than the last. Each time he reversed to get away from one or break away an incoming volley, another would arrive behind him at a new angle.

He hated that Dust stood back. Watched. The only sign that he had even broken a sweat was a slight heaviness to the up and down of his shoulders, and while Cross hadn't lost much HP yet, he was starting to feel the exhaustion creep closer, and each little wound and crack seemed to be draining him. Was this the strategy? Play with him like a living pin-cushion? Was this it's own sort of-

Cross shifted his stance and unsummoned his weapon as he jumped up and out of the quickly growing ring of spikes. He had to act fast. He had to get out of here.

He grumbled a bit under his breath, he didn't like trying to do this, but...

The moment his feet landed, Cross summoned up his other piece of magic. The part his father had embedded into his soul early on in his life which made him so powerful. He was sure his normally white eyelight changed shape in the split second it happened. Red, bright red.

It only took a moment, a tug at the very being, hidden away in the Knight's chest. For a split second, he could feel the control of foreign magic slip into his own hands.

For a moment, it worked just as he knew it would. His fist trembled under the effort, keeping an eye on Dust as the other seemed to stare at him. The bones he'd summoned all seemed to sink away at once, recalled faster than Cross could've hoped. Dust seemed to feel his magic stop responding to him.

Cross just needed to get the Knight downed. Not dead. He just needed out.

He shifted stiffly. One, concentrated blast of bones at the Knight. He seemed like he didn't want to risk taking any damage. That was all Cross needed then. Some damage. And he'd be free to escape back to the camp. Away from these weird monsters with their weird magic.

He let his palm open, directing the force like he'd done so many times, channeling another monster's magic against them. Controlling it against their will.

The feeling of electricity rose again. It spiked. It. It gathered in his hand, that burning feeling he felt when an attack had been about to hit him.

What?

It was too late to recall the intent once he'd released it. The moment he tried to command the magic, he felt it all roll back over him. Bones meant to be aimed at their owner came jolting straight at his front. And though he stumbled back, he couldn't escape the searing pain of a fire too hot to process escaping his bones and immediately rushing up his arm, into his chest, down to his feet.

He had to imagine, with the loud sound like a cracking whip, that that was what being struck by lightning felt like. Molten metal in your veins.

Cross laid sprawled, dazed, on the floor as his control magic puttered out. It hurt to breathe. To see. To exit. He was half-convinced his arm was completely splintered apart after the pulse of raw magic that had filtered through it, but he didn't bother to look.

His soul begged him to move, to get up and run again, but darkness danced in his vision as he stared up at the ceiling. He failed his mission.

He hated to see as the Knight rounded into view, standing cautiously over where he was laid. Floored by the backfire of his power. If the knight said anything, he couldn't hear over the loud ringing invading his head.

Though, instead of stabbing him through like Cross had expected, the knight seemed to duck down. A cool feeling encased Cross' wrists (so the other hadn't broken apart) and his soul suddenly felt exhausted. He felt exhausted.

No matter how much he wanted to stay awake, to escape, he lost this fight fair and square.

#new age au #Y'ALL my formatting obliterated my italics so I apologize....#some narrative beats will feel weird!!! raugh!!!!#anyways yeag #Cross is a goofy lil guy and he's strong af #but he's also very naive and quick to trust blindly. even when he thinks he's being careful and getting a second opinion #and also he's not quite ready to fight to kill again and so Dust is quick to push him around there at the end <3 #neither are trying to kill eachother (The Knights agreed they'd try and get information. Cross just doesn't want blood on his hands or a #target on his back.)#and Dust is just a lot more exoerienced!#Cross' msgic btw (if it isn't clear) is a weird subversion of the Overwrite power #where Cross can temporarily seize control of a Monster's magic and use it against them as though it's his own (relies on embedded #Determination to 'overwrite' control lol)#unfortunately for Cross? Dust's magic isn't actually originating from his soul. it's *outside #* his soul providing power and energy that his emotions influence as though it's his soul.#so Cross can decide where the magic is concentrated. but not where or who or how it manifests a #d attacks :]#so. Cross basically pulled all of Dust's small concentrated bursts of controlled magic and released them directly into his own face lmao #Dust's magic is truly an enigma <3 #AND I think later on when they work together Cross helps Dust center and aim his magic (because Dust is just used to dealing with its chaoti #c nature rather than actually controlling it. so it's a bonus special combo attack they could do if they needed that specific #style of attack!)#anywho yeah #Shep will be a reoccurring character btw. he and Harper I think!#Harper is a young upstart who actually kinda likes being in the castle (Cats being sacrificed for so long in the kingdom did leave a bad rep #on Cat monsters. so Nightmare being fond of and protecting them makes Harper feel a lot more loyalty than she'd like to admit.)#and Shep. well. let's just say Nightmare hired him on for the guard personally :]#andd yeah!!!#i'm sure I'm missing something but I hope y'all enjoy!!!

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