#just because a person doesn't change doesn't mean they don't love you

[kousanosgf]

men, minors dni

councilor!sevika x assistant!reader headcanons

＊*•̩̩͙✩•̩̩͙*˚ getting together　˚*•̩̩͙✩•̩̩͙*˚＊

i have too many thoughts about miss councilor sevika (⁠•⁠‿⁠•⁠)

◗ 　they get on each other's nervs at first. sevika is still too new for her position and the need to prove herself to the most of the council drives her insane, cause those fucks are hella dense. so she's constantly on the edge, trying to wiggle between mentally fighting for her people on the meetings and actually taking part in rebuilding of zaun. and sometimes (or a lot of times) sevika sees reader as just another nuisances and a person who's ready to judge her just because she's not from piltover

◗ 　reader on the other hand just can't comprehend sevika's nature. she was raised and worked for years in a more "higher context culture" if you can call it so, so she's shoked how straight to the point sevika is, often taking it as nothing but rudeness. reader also can't say much to sevika, since she can't make herself speak up, taught to be respecrful and obedient to her supiriors, leaving a lot of space to passive aggression

◗ 　 they're taking all the first places in the misunderstanding and miscommunication competition

◗ 　sevika hates how reader is set on the formal speech with her. "stop calling me councilor" "that's who you are" "yeah but you don't have to say it in every sentence, you sound like some wind-up toy" "okay, ma'am, I'll take you wish into account".

◗ 　she realises that reader calling her "ma'am" is worse but not for the same reasons

◗ 　 their relationship is very much about learning and understanding each other and those around you. mostly for reader, cause she was brought up with a mindset of zaunites being someone lesser. and even though she follows etiquette, trying to be polite and serve as a perfect assistant, cause her whole life she dreamed of working with someone who changes other people's lifes, or even being that person, she can be judgmental towards sevika, refusing to see her point of view properly

◗ 　 eventually they get closer and more comfortable with each other, which means reader drops her nice formal persona with her passive aggressiveness, and they actually menage to solve more problems while arguing and letting the steam out than just walking around on eggshells for days

◗ 　 that's when sevika starts fall for reader. it's like reader's mask slipped and she can finally see a real person and not a workaholic machine. she loves how both sassy and caring reader can be. their fights now end in laughter and omg they also can say sorry to each other

◗ 　 sevika insists on brining reader to any important event, where plus one is required. because reader helps her monitor her actions and gives helpful insides of other participants of course, not because she just wants to spend time with her, definitely not

◗ 　and reader is oblivious™. she's so happy, she finally doesn't hate her work and her and sevika can even be called friends, she doesn't notice any move sevika makes, simply thinking it's nothing but platonic gestures

◗ 　 eventually she snaps. "are you straight?" "what?" "i asked around, and people said you're into women. did they lie?" "n-no" "then what?" "what what?" "if it's just me you don't like you could've said so"

◗ 　 reader is of course shocked. she has to take couple of days off, embarrassed with how blind she was and to think the situation through

◗ 　 next time they meet reader refuses sevika, saying it's not right to have a romantic involvement with any colleague, especially not with your boss. sevika understands and agrees

◗ 　 well actually she doesn't. a compliment here, a touch there. sevika does nothing too provocative so reader can't say she's acting improper. but she's just playing a long game

◗ 　 and yes, it works. months of teasing ruins poor reader's morals. flustered and very much horny she tugs sevika into a kiss on just a normal tuesday in councilor's office

◗ they may or may not have sex right there they definitely do

—————————————————————————

kay, a bit messy. definitely gonna do part two or a full drubble with them later

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[just-a-ghost00]

Santa tell me ~

Today, we're asking Santa about this person's true feelings for you. Do they really care about you? Are they confused? Are they just not feeling it? Let Santa spill the tea for you. Of course, this reading is inspired by Ariana Grande's song, which you can happily listen to while reading your group's content.

Group 1

5 of swords, 4 of pentacles, 9 of cups, 8 of cups, The Tower, 2 of cups, back of the deck Strength

I get a very conflicting energy from this spread. One thing that came to my mind was that this person was not prepared for you to come into their life. And even though a part of them feels like you're a wish come true for them and they definitely feel the connection between you, a part of them can't help but to fear what it means and the implications of it. This person is torn between their heart and their mind. They feel strongly attached to you, in ways that they didn't anticipate. It's like they became attached too quickly and a part of them is like "woah hold on a second, this doesn't feel right". They kinda find it suspicious for some reason that they like you. A part of them doesn't want to admit they do. A part of them wishes they could move on from this connection and close the door, even though it felt magical and just so right. Despite their inner confusion, they feel very protective of you. And I feel like they're grateful that they met you. A part of them holds on to the hope that things could get better in the future but at the same time they doubt it. I also get the feeling that you came in this person's life at a time where they were feeling confused about their own life and kinda closed off. But you opened their eyes about a lot of things and gave them hope. This person was about to give up on a dream of theirs but you prevented them from doing so. This is a very specific message, I feel. You showed this person that life was worth fighting for and for that reason they will forever be grateful and hold you in high regards. You've completely changed this person's perspective and you definitely shocked them in more ways than you could imagine, which may be why they are a little scared of the connection. What they feel is potentially stronger than what they're used to. Maybe this person hadn't been in a relationship for a while and forgot what it was like to be loved. To be honest I feel like there's more to this than what we're shown here and I feel like pulling a couple more cards to get more information. You got the page of pentacles, 6 of wands, Magician and Queen of wands.

They feel happy that they met you because their life took a turn after meeting you. You contributed to this person's happiness and well being, as well as success to some extent. They feel like they owe you a lot. They're also curious and tempted to dive deeper into the connection. They definetely feel physically attracted to you. I feel like this person's feelings for you are quite recent. They developped over time. This person may have not considered you as a potential partner in the past. You may have fell for this person first but they fell harder, I'm getting. I get this feeling of "I did not realize how much importance you had for me until I lost you". For some of you, I'm getting that you cut ties with this person or made a move that really opened their eyes about how you felt about them but most importantly about how they felt towards you. They took you for granted. I feel like, more than how they feel towards you, we're being shown how they feel thanks to you. It's like this person is focused on their own self and not really on you at the moment. They like how you make them feel more than they like you. And I feel like part of this is because this person didn't like themselves much in the past. They are learning to love themselves more thanks to you. So to some degree they feel some kind of affection towards you because of that but I don't feel like this goes any deeper.

Oracle cards | Speak truth, The Outlaw, The Wildling, back of the deck Fate

This person may contact you in the near future to reveal to you certain information that seems to be meaningful to your connection. For some, they may be trying to understand why you cut ties with them or why you said the things you told them. I'm also getting a message of them wanting to travel to gain clarity. Maybe this person is going to tell you that they would like to take their distances as well. But with the Wildling and Fate card I got a feeling like this person had an epiphany about your connection and is wanting to fight for it. Maybe they understand that part of your fate is to separate ways for a time so that you can both better assess what you want out of this connection. Again I got that feeling of curiousity and protectiveness we spoke about earlier. They feel intrigued but also challenged. Being with you, I feel, asks of them a lot of courage and stepping out of their comfort zone which they are not comfortable with at the moment. With all those swords, it gives me that kind of "up in the air" feeling. Kinda like static electricity. There's a tension between you that has not been resolved. It gives me unfinished business vibes. Like maybe you didn't really get the chance to get this relationship going so you both feel puzzled and at a loss as to what this means for you. Really, a lot of confusion surrounding this person's energy.

Group 2

The Lovers rx, Chariot, King of pentacles, 4 of pentacles, Queen of cups, The Empress, back of the deck Judgement

As soon as I started to get the first cards, I heard very clearly "I made a choice. I don't mean to disrespect you but I love myself more.". The cards tell me that, as much as this person likes you, they decided to move on from the connection. This asked a lot of thinking but most importantly a lot of courage. It was not an easy decision to make. This person felt like their stability was being put at risk in your presence and they valued it too much to let it be threatened by something or someone else. This spread really gives me a "I chose myself over you" vibe. I also got the message that this person chose their career over you. I heard "now I see clearly". It's not that they didn't love you. The feelings were there. But they were not as strong as this person's love for themselves or commitment to their job. I feel like this person got really sad making this choice because they appreciate you a lot and you mattered a lot to them. And they don't want to hurt you. I really get a feeling of this person wanting to protect you at all costs but also being in a difficult position because they don't feel safe in this connection. They give me this message of "I need to protect myself and that includes taking my distances from you". This person wants me to tell you that they truly respect you and that they were genuine every time they interacted with you. They want me to assure you that it was never their intention to play with you or manipulate you. They want you to know that them not choosing you shouldn't make you doubt yourself and your beauty. I'm getting the message of "I don't want you to blame yourself for what happens". They don't want you to think that you're not loveable or worthy of a connection because they honestly think that you are beautiful and adorable. I don't know why but the imagery of the 4 of pentacles gave me the impression of someone saying "you'll always be dear to my heart".

Oracle cards | Strength, Movement, Paradox, back of the deck withdraw

It took a lot of time before this person came to the conclusion that they should move on from your connection. Part of this decision could have been influenced by their family or their ancestry. But it could also have been triggered by a significant change in their life. Specifically, I am picking up on someone's career evolving and needing more effort and attention. Like maybe they got a promotion or they were asked to move to a bigger company or to go abroad. And these circumstances were just not compatible with being in a relationship with you. And to this person it was hard because a part of them knows that you are connected and that your meeting happened for a reason. So they were thinking like "why did I meet this person only to have to turn my back on them?". It didn't make sense to them at first but now they know that they have to focus on themselves and retreat their energy, no matter how painful that may be. A part of them hopes that you can understand this decision and that you won't hold grudges against them. Also I feel like a part of them hopes that in the future their circumstances will change and allow them to come back to you, but that possibility is too unsure and they feel like they cannot bet on that.

Group 3

4 of cups, The Star, The Sun, 10 of swords, Hierophant, 3 of wands, back of the deck 5 of wands

This person is a bit guarded around you but the truth is they like you more than they let on. Part of the reason why they are guarded is because they're a bit emotionally unavailable, still affected by past experience. But this person is really intrigued by you. Usually, in the 4 of cups cards, the character depicted is not paying attention to the cup that's offered. But here, the character is curiously looking at it and completely ignoring the other 3 cups. So this tells me that even if other people may be interested in your person, they only have eyes for you. They feel like you complement them well. They're also physically attracted to you. They feel competitive around you, like they have to prove themselves at all costs. This person feels hopeful when it comes to you. Even though they're scared and still hurt, they envision a bright future with you and they are genuinely considering you as a potential partner. They want to get closer to you, get to know you on a personal level. Right now they may be keeping things very light and try to appear as disinterested but certain actions may betray them. This may be someone that you interact with on social media a lot. They think that you're attractive and a lot of people may be interested in you. Which adds to their competitive spirit. Also part of the reason why they're drawn to you is because of how different you are. You and this person may come from different cultures or social backgrounds. They feel connected to you to some extent and though they envision you as a potential partner they may actually be afraid of commitment. So this person may be a bit wishy washy at times. They're making a lot of plans in their head and trying to imagine how they can navigate their way to you. They're slowly tapping into their feelings for you and trying to understand them.

Oracle cards | The Explorer, Nature, Get Creative, back of the deck Patience

I get the message that you inspire this person a lot. Their feelings for you allows them to create various things. Especially if they are an artist or enjoy art as their hobby, you may be this person's muse. When they go on walks, this person thinks about you a lot. I get the message that they only truly allow themselves to think of you and daydream about you when they're alone. This is when they can fully explore the depths of the connection and try to figure out what it means to them. When this person is alone, they're having a lot of fantasies of you. This is when they feel the most connected to you, because they don't let their ego stand in the way in such moments. I feel like this person is truly being themselves only when no one's around. In public, they may try to act tough and pretend that they don't like you. This may be a defense mechanism. This may be very specific but I get the message that this person may have been bullied in the past because of what and who they loved. This is a trauma that this person has to heal. With the patience card, I get the feeling that it will take time for them to fully come to terms with how they feel towards you and where they want things to go exactly. Because I feel like for now, this person doesn't really dare to dream of a future with you, even if they strongly feel pulled towards you. This may be because of societal expectations or pressure being put on their shoulders by their loved ones.

[alexanderwales]

One of the things they went over when I took linguistics was the "euphemism treadmill", the tendency of initially-clinical or neutral words to undergo pejoration to the point that someone felt the need to replace the pejorated word with one that was clinical or neutral. And then of course the process of pejoration would start again.

The best example of this were words related to what we now call intellectual disability. In the past, "idiot", "simpleton", "moron", "feeble-minded", and "imbecile" were all relatively clinical terms. (This is one of those things that's often repeated, but if you go looking at newspapers from the 1920s, you do kind of wonder whether the negative connotations were just completely acceptable then, especially when they're talking about the successes of sterilizing the feeble-minded.)

The reason that pejoration happens is that while the word changes, the societal attitude toward the underlying thing most often does not, and so if they change the word and declare that this new word is totally neutral, then society's negative view is just going to keep making those words take on bad connotations. This will happen even with the most anodyne descriptions, like "mentally handicapped", which Google will inform you with a little warning is offensive and dated.

The linguistics class I took in the early 2000s spent a little time on the word "retarded", which by then was well on its way to complete pejoration (federal law was changed in 2010, from "mental retardation" to "intellectual disability"), but had not reached the point when it was "the r-slur". If I recall correctly, this was when "mentally handicapped" was still relatively in vogue, and sitting in that classroom I had thought that "retard" was going to go the way of "moron", a word that was used exclusively in a disparaging way. I thought it would be about as acceptable as calling someone an imbecile, I guess, which is impolite but which doesn't rise to the level of "slur".

But no, I was wrong. The euphemism treadmill will probably continue because we have not done anything about the underlying condition (that people with intellectual disabilities are less valued and looked down on), but "retard" has now become a slur, even if every other fucking word for low intelligence is still in common use as a disparagement.

It's wild how much you can see people dancing around this. I said above that Google gives an "offensive and outdated" tag to the term "mentally handicapped", but they also give that to "retarded". However, if you go to "imbecile" they don't give that tag. To save you the trouble of looking it up:

noun: imbecile; plural noun: imbeciles

a stupid person.

archaic a person of low intelligence.

Ah, lovely. So it's okay, because it just means "a stupid person", it used to mean "a person of low intelligence", but it doesn't mean that any more, so ... not offensive, I guess?

Except hold on, what does "stupid" mean again?

adjective: stupid; comparative adjective: stupider; superlative adjective: stupidest

having or showing a great lack of intelligence or common sense.

Oh, okay, I see. So in the archaic sense "imbecile" meant a person of low intelligence, but now it means a person who has a lack of intelligence. Totally different, very understandable. Nevermind that "imbecile" was pejorated in the same way that "retard" was, and that using a negative word to refer to someone who is lacking intelligence is basically the same thing.

I think if you want to fight against the pejorative use of the word "retard", you should probably be fighting against a lot more words, and you should definitely be fighting against the societal view that people with lower intelligence are lesser. You can fight the language issue all you want, but it's just going to lead to more cycles of pejoration. There's no way that switching over to saying "person with a learning disability" (as it seems the UK bureaucrats now favor) is going to somehow end it.

Personally, I'm the kind of person who just goes with the flow. I think people with intellectual disabilities are just as much people as anyone else, deserving of care and compassion, but I also value intelligence at least as much as my surrounding society does, and while I do make attempts to temper my language, saying that an idea is stupid rather than casting contempt on a person who is stupid, that's a mighty fine line to tow, and ... people just don't care. If I call a politician a moron, no one will bat an eye. I will refrain from saying the r-word, because people get mad at you when you do that. I think if I got hit in the head tomorrow and became intellectually disabled, I would be more or less happy with this.

I don't have a strong principled stance, more a stance of "come on, what are we doing here". Euphemism treadmill goes brrrr, language gonna language, I just wish the whole linguistic and social process didn't feel like some out of control machine that wasn't actually doing anything for anyone, and that people would pay more attention to the underlying mechanisms for how/why pejoration actually works. Changing the word is not going to usher in an era of understanding and equality, we've proven that, haven't we?

[b0njourbeach]

NRC LGBTQIA+ HCs

Those are only my thoughts and you can agree with them but you don't have to. We are all different and have our own visions. I'm quite willing to discuss or explain my visions - If you're being polite enough, I've got no time for drama. I will use He/Him for everyone - no matter what I have as a HC - because of the canon and it might be confusing for others (I, for one, often have to take a "Wait, why she?"-moment until I realize it's a HC.)

Riddle Rosehearts

He waits for the "right woman" that would "please his mothers wish". After meeting the students in NRC, especially Cater, he is curious and questioning his previous thought about being Cis/Het. Might find interest in all pronouns. I could also see him having to be more feminine because his mother wanted a girl (which could imply him having trouble with gender as a whole).

Ace Trappola

I think it's canon that he's not too fond of romantic love, so I do believe he'd be most comfortable seeing himslf as aromantic. As for the rest: He's your average cis male teenager who makes too many dick jokes for his lack of experience (but would consider himself as allosexual). Will throw hands and sees it as an insult if you call him a girl tho.

Deuce Spade

Like Mother, like son - Both Spades are bisexual in my eyes. Deuce used to be homophobic in his delinquent times but changed for the better (and realized that he disliked the idea of gay people because they "always look so happy"). Had multiple "What if"s regarding his gender (Including asking Mama Spade to treat him like her daughter for a bit, so Deuce could get a feeling for it) but it felt too weird, so he still identifies himself with his assigned gender (male) at birth - But doesn't mind it if people use they/them for him. Would be your average nervous Teenager when it comes to showing affection in any way and will blush brightly at the topic of naughty stuff.

Trey Clover

Didn't give it much thought ("If I like a person, I like them" type of mindset but had no particular romantic feelings before) before entering NRC - Where he had his first guy crush which rocked his world a little. Constantly questioning "Am I gay, bi or pan?", but his first and only crush doesn't really help and is actually the reason for his questioning in the first place. Hasn't come out at all and doesn't plan on it because he grew up that the genders of people in a relationship doesn't matter and his parents would support him as long as he's happy. "I was born as a guy, so I'm a guy, I guess. I don't really care if you use she/her for me. It'll be just a bit confusing for me at first" type of guy. After one of the night talks with Cater, he got curious about poly-relationships.

Cater Diamond

Many thoughts on his guy, many possibilities but this one story I have planned made me like the idea of trans-male Cater a lot (Mainly He/Him but doesn't mind They/Them). Funnily enough, I can also see Cater as genderfluid slaying person - That's what I mean when I say there's a lot of potential. Has too many trust and commitment issues to think of any type of relationship but he's still a bisexual king. If I had to describe a bisexual, it would be him. Wouldn't say no to a potential poly-relationship but is also intimidated by the idea because of his mental issues. Sees a lot of benefits in poly-relationships. I wouldn't be surprised if he had hooked up with someone before. Despite it all, he flirts as if his life depends on it (Which is, at least in jp, somewhat canon).

Leona Kingscholar

"I'm a guy" ahh male (in an unbothered way, not the toxic way. He's surprised if someone asks for his pronouns but respects the person just a tiny bit more for caring enough to ask in the first place). While I do believe it is hard for him to actually love someone to begin with, I'm convinced of Omniromantic and -sexual Leona.

Ruggie Bucchi

"My gender is whatever gets the job done." Based on irl hyenas, it isn't impossible for Ruggie to not be AMAB (The genitalia of a female hyena are very similar to those of a male. It led on multiple occasions to zoos attempting to breed two male hyenas). So if a job requires him to dress in drag and dance the hoola, Ruggie will do so. In theory bisexual but is too busy for actual relationships. Would absolutely come up with the wildest neopronuns to piss off Karens though.

Jack Howl

He definitely questioned himself as a young pup, especially after meeting Vil because he thought he might have a crush on him but he was proven wrong later on. Definitely one of the few straight guys in NRC. The more genderqueer people he meets, the more worried he gets about peoples pronouns because he used to be the type to look at a person and guess based on whatever vibes they give off. Now he doesn't know which pronouns to use, so he often uses they/them unless told otherwise (Has a non-verbal pact with Deuce to let each other know what kind of pronouns people have - if the other person knows).

Azul Ashengrotto

I'm making this based on irl male octopi and their nature of dying after having sex for the first and only time: So with that in mind, I do believe that Azul wouldn't want to be sexually active at all (That and his insecuities aboout his body would probably stop him too). I definitely picture him as a helpless romantic once he does fall for a person, though (demiromantic maybe?). Definitely ne for the males, both his gender and his potential partner. He has absolutely questioned his gender and maybe even secretly owns a floor-length dress he wears in his room when his mind wanders off to question potential genders again.

Jade Leech

I will never not talk about AroAce Jade. I could write an essay about AroAce Jade but I won't. Just yes. Could potentially be bi-gender though. Likes to mess with people "You think I'm a guy? Is this not a little too narrow minded? ... What? Oh no, I'm not a woman."

Floyd Leech

Raging homosexual. His type? "If he can rock my bottom, I'm vibing", but his potential boyfriend needs to be able to keep up with his nature. Only his boyfriend sees a rare soft and sweet side from time to time, trust. (I've seen people have the HC of Floyd being a She/Her lesbian and I personally can only see it if we're talking about genderbend Floyd but I'm not here to comment on other people's HCs. I just wanted to mention my sight on genderbend Floyd too). Is a He/Him guy but wore dresses and skirts before but only very wide ones or the type that have a deep cut in it - For free legs (It's canon that he doesn't like tight clothes, so I'm working this into the HC.)

Kalim Al-Asim

"I'm a guy but I can be your big sister too, if you want to haha!" Would absolutely dress feminine if he feels like it. Likes to dance in very fancy and wide dresses and skirts because they look pretty when you do a twirl. Also very pansexual, just wants to love.

Jamil Viper

Is used to dress up feminine because Najma makes him wear her clothes sometimes, so she can see if it looks any good. Much like Ruggie, doesn't care about gender as long as it gets the job done and has been often enough addressed as a girl (Especially if the person saw Jamil only from behind) to stop caring about pronouns. Has many reasons not to want to be in a relationship but swings both ways in theory.

Vil Schoenheit

Gender? "Yes." Did you expect anything less than all genders for THE Vil Schoenheit? Come on now. Extremely demisexual and -romantic. Clothes have no gender (his canon statement, Book 5), so he has worn all types of clothes with confidence and comfort.

Rook Hunt

Lithromantic (Basically: Attraction exists until the target of your affection likes you back). Gender doesn't matter for a partner or Rook, but "it/its" pronouns are extremely interesting to the Hunter.

Epel Felmier

Homophobic, both internal and external. "I'm a man!" but in the toxic way. I see trans-male Epel HCs (and justify his dislike of "girly" things with that) a lot and I really like them as well but the idea of this toxic cis-het white guy Epel is much more entertaining to me - Let this guy be annoying for the sake of being annoying, not everything needs an emotional reason :> He's a little fruit tho even if he denies it (I mean, he's in Pomefiore for a reason /hj).

Idia Shroud

"I don't do love, I don't do sex, I don't do gender. Do not perceive me." Tbh I dont have any particular HCs for Idia, I just go with whatever I see in media, if it works out with my interpretation of Idia ofc. I don't believe that Idia would be quick to love though (especially after Eliza).

Ortho Shroud

Again, I don't have many HCs on my own but I've seen both trans-male and trans-female Ortho HCs and I like 'em both.

Malleus Draconia

Knows he needs to bring up an heir eventually but hasn't found the right person yet. Isn't exactly sure about his own sexuality but is certain he'll know once he finds "the right person". Is a little confused by "new" genders, so he just settles with the classic He/Him for himself - Tries his best to respect Neopronouns and trans folk. Will ask a lot of questions if you come out to him as anything that is not your assigned gender - Both out of curiosity and because he doesn't want to mess up. Has been raised to be supportive through Lilia.

Lilia Vanrouge

Man, Woman, prefer not to say, Other, Croissant - It's all Lilias. You're a Non-Binary person? Lilia absorbs whatever your assigned gender at birth was. You're trans? Lilia will trade your assigned gender with whatever you identify as. It's also pretty much canon that he's bisexual, so there's that - I'm pretty sure he hesitates about relationships due to his previous experiences with Meleanor and Raverne. Has definitely made out with Baul when they were younger.

Silver

When you ask Silver what he likes, he'll tell you about his sword (the object, not a naughty reference to his genitalia). If you'll correct yourself and mean as in a person, he'll tell you that he doesn't care what the gender of his opponent in a battle is - He just hopes they'll good enough to help him learn how to improve his skills. In short: His duties and interests matter to Silver much more than something like love or sexual intercourse. (Same applies if you ask about his own gender: "I'm.. a guy? But I don't see where this matters right now.")

Sebek Zigvolt

Used to be a raging homophobe until Lilia sat him down and had a looong talk with him. "I'm not queer", proceeds to explain how overrated the concept of love is and how his duties should never be interrupted by something as trivial as romantic relationships (He doesn't get that this mindset has a lot of AroAce weight in it - which means he's queer). He's overall a little confused, but he's got the spirit. Will correct people very loudly if they misgender his friends or close ones. Will also regularly ask Lilia in the morning what kind of pronoun-day is (Lilia has considered to wear different colored bracelets, so Sebek doesn't have to ask every morning.)

[bunnys-kisses]

https://www.tumblr.com/bunnys-kisses/768349619894861824/im-holding-your-hand-when-im-saying-this-as-a?source=share

people started asking crane (Max’s friend) on stream if Lestappen (Charles and max) is real. I think he was like “I shouldn’t be furthering/entertaining this” (I forgot what he said word for word). People took it as something to be excited about, that the drivers are aware of the ships and all, but idk. I think fandoms are getting too bold for my liking. I have no problem with shipping, but this parasocial behaviour is out of hand. I saw this when 1D was still a group (with Harry x Louis shippers harassing Louis to the point where he got so upset when the ship was referenced in the popular show Euphoria), I’ve seen it with Kpop in which idols have stopped hanging out publicly because fandoms get out of hand (a girl in the group Aespa had a boyfriend earlier this year and fans got very upset because they shipped her and another member and they broke up. A few years ago, 2 members of two different kpop groups (SNSD and EXO) dated and the girl got harassed at the airport even). And now this.

Fandoms get so parasocial so quickly, it’s insane. It’s not new behaviour, but it’s strange.

exactly, this isn't new behavior. but i feel like it's become more emboldened with how much more "online" both fans and companies/groups are.

more under the cut, because this is a long one....

i also think it ties into this notion that i've been seeing online about how fans have this feeling to be "right" both with rpf and fiction as well. that their theories, opinions and whatever else is "correct". i've seen this with like pieces of media like steven universe and even star wars. like fandom isn't fun anymore, it has become this weird one up over each other. i honestly don't know when this changed, my guess is around the pandemic when it seemed like people were more logged into the internet. but, i could be wildly off with that. (if you have an idea, i'd love to know). it just feels stupid in so many ways how fandoms are structured. even if you're not the "best" artist or writer, people can't have FUN in fandom - of course that doesn't mean it has to be absolved criticism. you can have fun and still call out hate within spaces. the issue with formula one (along with k-pop like you mentioned, anon), is that these aren't characters. this isn't arguing in the tags over is finnpoe or reylo is more valid or legitimate within the narrative. these are REAL people, with REAL friends, families and partners.

it's this weird push to have someone's theory - and while i have a soft spot for lestappen, it is at the end of the day nothing more than fan theory - be confirmed. also personally, if hattie (oscar's sister) or crane (max's friend) "outed" them, i would be horribly fucking offended on oscar/max's behalf. to have someone you TRUST just out you like that. it's sick. maybe it's because i worked in queer spaces from high school all the way through uni, and the number one rule no matter WHAT, is you never out someone. even if the question is harmless and the person asking has no ill intention. you never out another person, because it's not YOUR coming out. so the fact that fans are near begging these people to OUT their loved ones, is not only a level of delusion that i can't ever comprehend. but, also it could honestly, ruin that interpersonal relationship.

so like even if a driver is queer, whoever it may be. could be a driver from the 90s, could be a driver today, it could be a driver in five years, i don't want someone else in their life outing them. because that's THEIR story. and fans need to realize that. bothering crane or hattie or alexandra (i've seen that too) - isn't helping anyone and it makes you look unhinged and weirdly alienates not only the driver but their loved ones. YES, they knew it exists, it is EVERYWHERE. but shoving it in their faces doesn't help. and you're never going to get the confirmation because there is a high chance that their not even queer to begin with. and if they are, NOT OUR CONCERN

i don't have a problem writing or consuming rpf, it is not a crime nor do i think it should be stopped. like HAVE FUN. but you have to realize that it's not like debating star wars or marvel or whatever other piece of fictional media. formula one is REAL, they are not actors. they are athletes, and unless you want all rpf to be shut down some how. i suggest the likes of some of ya'll need to understand that there are different boundaries. and respect them.

i know they're all millionaires, but they still breathe and bleed as a friend of mine once said. it's fun to put them in little scenarios in fanworks, but just keep it out of their direct attention. there are unspoken boundaries, that some of ya'll need have said to you apparently.

asking oscar issac if he THINKS that finnpoe is real is VERY different than asking someone's sister if she thinks her REAL LIFE BROTHER is fucking his REAL LIFE TEAMMATE. - people's relationships have turned to ash over insistent rpf in their faces all the time.

my advice at the end of the day is: have fun, don't write or draw it because you want confirmation that it's a real relationship. write or draw it because you're having fun. fandom is about making friends and shipping in whatever context is about finding a slice of community on the vast internet, not cracking the code of if it is a real relationship. - bunny.

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[portalhan]

⠀ꔫ˚　༝　◌ ⌒⌒ three strikes !

↳ jeongin swears on his life that he's seen something odd between you and felix... exactly three times, in fact, but he needs more concrete proof...

PAIRING: felix lee x gn!reader

FORMAT: one shot

GENRE: college au, friends to lovers, fluff, jeongin third wheeling...

WARNINGS: brief mentions of food and being sick (just the flu bug nothing huge)

WORD COUNT: 2.8k

FAE'S NOTES: this is just a little bit half-assed... idk if i have much faith in this and i believe i can do better than this but i'm gonna post it anyway for you guys! please let me know if you have any feedback, my writing muscles have basically atrophied and i need to find my rhythm again TT

jeongin doesn't usually second-guess his closest friends like this, but something has changed. he knows you and felix well enough to know at least that.

you have always been hard to read. you're an independent, reliable sort of person, not outwardly emotional nor needlessly arrogant either—you tend to show your love for your friends through small, quiet gestures. felix, on the other hand, is someone who wears his heart on his sleeve—almost to a fault. always baking extra brownies to gift people, always going the extra mile, always looking on the bright side, even in the darkest of situations. he is as fragile as he is affectionate.

yes, affectionate. that's the word he's been looking for to describe the changes in your friendship with felix. you've been more affectionate. jeongin has always chalked it up to felix's own proclivities rubbing off on you given the sheer amount of time you spend together, but now... he's not so sure it's that simple. there have been three strikes jeongin has kept score of so far.

STRIKE #1

jeongin remembers it was a tuesday, because that's the only day of the week where all three of you shared classes. you would always sit in a row near the back of the class. he has made it a point to memorise both yours and felix's timetables this semester—as do the both of you with him—so he knows you don't usually have prior arrangements before coming to campus. you've always had a tradition of meeting in the lobby before walking to class together as a result.

so, when his phone pings with a message from you saying 'sorry innie, we're gonna be a bit late! pls go to class first, just save us seats', he is immediately struck with confusion. what did you mean, "we"? felix, uncharacteristically, hasn't said a word and it's already 5 minutes shy from when class starts. he always arrives at least 10 minutes before. how strange, jeongin thinks to himself as he trudges up the stairs to class, incredibly unfamiliar with the circumstance of having to do so on his own for the first time. he just brushes the nagging suspicion off, telling himself it was probably because of some public transport situation that's delayed you both—not something entirely uncommon.

it's about 15 minutes into the class before he sees you. the second he spots felix and you stumbling through the doors, profusely apologising to the professor for your tardiness, though, is when the same sensation of suspicion comes back. as you and felix shuffle to make their way to the seats jeongin saved for you, he can't help but notice your attire. you're wearing an oversized black shirt with some graphic of an anime printed on. jeongin's eyes squint as he stares at it, assuming it must have been a new purchase of yours. but he swears he's seen it before.

when you and felix take your seats and the professors picks up where she left off, felix turns to jeongin and apologises for being late. "we're really sorry jeongin, we owe you one," he quips, before he fishes his laptop out of his bag. the younger boy just shrugs it off as no big deal. plus, he had something else on his mind to worry about than harp on the two of you being late to class.

the dots quickly connect a few moments later in jeongin's head. felix has a shirt just like the one you're wearing. he swears he's seen him wearing it before, just last week when the three of you had gone out for dinner. it's been a shirt of his for years now, so worn down by so many uses that it has bleach stains on the sleeves, despite how much care felix puts into his clothing.

jeongin leans back in his chair and slowly, subtly pushes it back. he steals a glance at your side profile, thankfully without either you or felix noticing. there they were: bleach stains on the sleeves. upon further inspection, the shirt you were wearing looks way too worn out to be a new shirt—he concludes it must be felix's. but why would you wear felix's dank shirt to begin with? it would be weird to ask if that's his shirt you were wearing, so he decides to keep his silence for now.

STRIKE #2

this time, it was jeongin's turn to be late. the three of you had planned a picnic to celebrate the end of the gruelling semester—an idea felix suggested. he wanted it to be a potluck, so the each of you planned to bring something of your own making along.

jeongin wanted to go all out with his: he wanted to bake cupcakes, something felix had recently taught him how to. he wanted to show you his latest endeavours, baked fresh, but he didn't expect it to go sideways so last minute. he ended up showing up almost half an hour late, hair sticking to his forehead from all the sweat and cupcake frosting smeared all over the tupperware he placed them in out of haste.

when he finally spots the two of you amid the grass field at the park, he notices something... odd. he stops in his tracks to catch his breath and squints his eyes to get a better look. if he didn't know any better, he'd have thought you two were... holding hands? the sun was glaring directly in his face, obscuring his vision, so jeongin couldn't be 100% sure. but what he does know is that your figures were so close to each other they were practically shoulder-to-shoulder. this isn't exactly beyond felix, who is notorious for his habits of physical affection. but it is most certainly out of character for you, as someone who prefers to keep most people at an arm's length.

jeongin shrugs it off. he guesses felix nor he would be considered "most people". perhaps it was a trick of the light. he also doesn't have good enough reason to find it entirely strange—perhaps felix had gotten through to you in that regard. he had bigger things to worry about: your dinner getting cold.

STRIKE #3

the legitimacy of the third time is still up for debate, jeongin surmises. this time it wasn't your behaviour around each other, instead more so about how felix in particular reacted.

this happened over summer break. he remembers the sun being more unrelenting than ever—40 degrees celsius to be exact, he saw on the news—so you three had just decided to hang out in your bedroom, where the air conditioning is the coolest and crispiest (according to you). jeongin vividly recalls you lying on your stomach atop your bed, while the two boys were sprawled on the floor. that is, the carpet that laid over the spot where they would usually sprawl on the floor.

it was one of those 'parallel play' days, as you liked to call them. not necessarily doing things together, but doing separate things in the presence of each other, you said one time. felix was busy on his switch playing some pokemon game, you were scrolling on your phone and jeongin was just seconds away from drifting off to sleep on felix's lap.

it's been silent for, what, almost two hours now? but you end up breaking it first. "woah," you suddenly exclaimed, brows furrowing as you read something on your screen. "do you guys remember seungmin? from calculus?"

jeongin does not move an inch aside from nodding his head, and felix just lets out a little "yeah?" though his eyes were never once peeled from the console screen.

"i think he just asked me out," you tell them, bewildered.

this, of course, elicits reactions of surprise from jeongin and felix. the former lifts himself and sits up to ask details, while the other just turns the switch off—did he even save his progress on the game?—and sits there in silence as he silently watches you and jeongin discuss your classmate's... proposition. jeongin makes a playful jab at how you could have given him the wrong idea by flirting with him, which you immediately shut down. "i've never done anything suggestive to him, i swear!" you exclaimed in full defense.

seungmin has only ever made conversation with you once or twice in class, jeongin recalls. you also never really put in the effort to get to know your other classmates if jeongin and felix were in the same classes. jeongin makes a passing comment about how seungmin could pass as your type (if you squint hard enough), but it falls on deaf ears when you and felix meet each other's gazes.

"you're gonna tell him no, right?" felix suddenly chimes in after moments of prolonged silence, raspy voice cracking just a little. jeongin snaps his head to turn and look at his friend, head tilted and brow lifted. you give felix a look jeongin cannot quite describe, and chuckle with a soft smile as you nod. "of course i'm gonna say no," you assure him. he lets out a very heavy sigh of relief, but none of this goes unnoticed by jeongin.

this is very weird, jeongin remembers thinking. you have always been receptive to potential love interests, even if they weren't necessarily people you'd normally be into. so why are you so sure now that you'd reject seungmin without even giving him a chance?

on that note, what's it to felix who asks you out? why does he have a say? plus, he could've sworn he detected some semblance of... jealousy in his question. but he supposes that could be normal considering all three of you are so used to spending time with each other. jeongin does admit to himself that he'd feel lonely if you were to be whisked away by some stranger out of nowhere. it wouldn't be the same.

jeongin has theories, maybe even concepts of a theory, but no concrete enough proof for confrontation—so far. it looks like he has to wait till he does before he can address the massive elephant in the room.

FINAL STRIKE

it finally happens when he decides to stop by your apartment with take-out. you had told your friends about falling sick the night before—alas, you have caught the flu bug. they were just textbook symptoms like a low-grade fever, sore throat and a runny nose, nothing to worry about in particular, you told them. but jeongin just so happens to pass by your neighbourhood on his usual route home from work, so he decides to drop in with some chicken soup for you as a small surprise. you had already been texting the group chat the entire day about how exhausted you were to make yourself a half-decent dinner, so jeongin thought this would be a nice way to take care of his friend.

he knocks on your door multiple times to no response. maybe you're sleeping? he looks around the potted plants sitting outside your door and lifts the snake plant up, grabbing the rusted spare key tucked away from prying eyes just underneath. he quickly and quietly unlocks the front door and lets himself in. i'll just go in, check on y/n and put this soup on the table, he tells himself as he enters. maybe text you to let you know he got you dinner.

that is, until a warm aroma of what he believes to be fresh bolognese wafts to where he is at the front door. he hears the distant clanging of pots and pans coming from the kitchen, and—strangest of all—he hears... conversation? he can definitely hear you talking and even giggling, but he can't quite make out who the other person was. he's about 99% sure there was someone else in here, but could it be just a phone call? he sneaks down the hallway to the kitchen, the noises getting clearer as he inches closer. when he sticks his head out from a blind corner to peek into the kitchen, he sees it: felix plating a fresh bowl of spaghetti while you're sitting on the dining table engaged in idle chatter. a lump catches in his throat—what is felix doing here? and most importantly, why didn't he know of this? he felt momentarily betrayed.

jeongin just stands there in silence, unsure of how to confront you, while you and felix continue chatting. it's only when felix sets down two plates of pasta and goes in to plant a peck on your cheek does jeongin yelp in shock, which frightens all three of you.

felix squints his eyes, which widen in utter disbelief when he recognises the familiar facade lurking by the corridor. "jeong...in?" he asks, voice trembling a little from disbelief. when he says jeongin's name, you shoot him a similar look, but this one is more panicked and afraid. jeongin awkwardly steps out within view, but he puts a hand up to cover his mouth to prevent himself from screaming. he raises the other arm to point an accusatory finger at the both of you. you swear you just heard felix gulp next to you.

"i..." jeongin sputters. "i knew it! i knew something was going on between you two idiots!"

the verbalisation of his revelation is what completely opens the floodgates, causing the entire place to erupt in complete and utter chaos. jeongin paces back and forth with the chicken soup still dangling from his fingers as he rants about how he's caught you doing "weird stuff" a couple of times but couldn't have known, about how he's been feeling a little left out recently, how you have been looking at felix funny sometimes. meanwhile, felix just begins to talk over him with near-equal (if not more) amounts of sheer panic and distress, reaching out to him to get him to calm down while explaining that this wasn't how they had intended for him to find out.

you, crippled by the shock from jeongin's unexpected appearance, just sit there, unable to do much of anything what with your flu, just silently watching felix and jeongin form a panic attack circle jerk in your own house.

"enough!" jeongin raises his voice, which immediately shuts felix up. jeong has never raised his voice. you shoot felix a nervous look.

"i thought we were best friends," jeongin utters, the slightest hint of melancholy lacing his voice. he looks offended. you've never seen him look this offended, not even when he was accused of academic misconduct that one time. "i'm happy for you, ecstatic even! i swear i am, but really? why would you keep this for me for so long?"

you decide you should talk to him—felix is very clearly out of his depth when it comes to handling intense situations like this and he's only making jeongin feel worse with all the jabbering. you stand up from your seat on the table and walk over to him, taking your hands in his.

"i'm sorry, jeongin. we... we weren't entirely sure of how we were gonna do this," you tell him, almost in a whisper.

felix scratches the back of his neck, avoiding any and all eye contact with either of you. "we wanted to keep it quiet," he admits. "at first, at least."

you nod in agreement, and turn back to look at jeongin. "you were going to be the first person we would break the news to. not even our own parents, i swear," you divulge, while you spot felix in the corner of your eye making a silent crossed hearts gesture to double down on his sincerity. jeongin's once-tense features start to ease up a bit, but not entirely. "you are our best friend. we never want you to feel like this. we're sorry," you assure him, before pulling him into a bear hug. you feel felix join from behind you to make it a group hug.

"i don't care what you guys have going on, but don't keep any more secrets from me. got it?" your friend huffs after you all pull back, feigning some sort of authority. felix chuckles at how ridiculous he sounds—being the youngest of the three, the tone just sounds alien when it comes from him. "we would never," felix tells him, reaching out to give jeongin a firm pat on the back. "i think y/n might like you more than me anyway, they're always going, 'we should call jeongin! we should send him a photo! we should—"

your palm slaps against the lower half of your boyfriend's face in protest. "we might be dating but you're on thin ice," you glare at him, before he raises both hands to surrender.

jeongin jovially chimes in to break the tension: "can i just say, i've always felt like you'd get along. aren't you glad i introduced you to each other? you wouldn't be a thing if it weren't for me, ya know." felix and you just huff in response—he can have this.

[arrowheadedbitch]

Overview of the things I've decided are canon for my son of zeus au so far (hopefully I don't forget any):

The gods are dicks. They arent *always* dicks, but I don't want to sugarcoat them from their original myths, they do bad shit and often

Denki is favored by Apollo, Dionysus, and Hermes the most, Persephone also likes him pretty well

Zeus is Zeus, meaning who knows when he'll decide he loves his son or hates his son or just genuinely doesn't care, he's such a little hypocrite bitch ain't he

Quirks are the exact same as they are in canon, the presence of the Greek gods didn't affect that at all, the gods have nothing to do with quirks and while they still are probably banging like rabbits they aren't really that active in Japan so no, no one else at UA is a demigod

Zeus slept with Kaminari's mom because he was intrigued by a mortal with a power in his domain (electricity) that didn't come from him

Since Kaminari's powers come from both his quirk and his dad, there's some complexities to them

Kamimari was born with lightning powers but they worked differently before his quirk actually manifested (I'm toying with the idea that his quirk manifested while being smiled by Zeus with lightning? I haven't decided if I like that or not yet)

Kaminari doesn't want other people knowing he's a demigod for classic hero story reasons but also because 1. Greek gods being real is a secret and he ain't about to be the one that spilled it 2. It'd be really complicated and annoying to explain and let's be real, at least one person would come out of that thinking he went crazy

Athena doesn't like him because, well, dunceface, duh. She does appreciate his strategic abilities though

Ares also doesn't like him because he doesn't like killing people, Ares and Athena hate that they dislike the same kid so much that they'd consider changing their tune about him on just that alone

In junior high he went on a big quest, I haven't decided on any details of it, but it involved a lot of fighting way to strong people while way too young as most quests do, this is also how he got into Apollo, Hermes, Dio, and Persephone's (and by extention Hades since he loves Persephone enough to deal with anyone she likes) good graces, the quest was likely given by Zeus and likely involved Hera trying to kill him

He's not really surrounded by people in the ancient greek community, it's not like he has a camp half blood and even if he did he'd skip it to go to UA training anyway, but he is pretty well known in those circles post big quest

I'm toying with the idea that he failed his first quest and thus had to go on a redemption quest

Kaminari doesn't like being serious, but despite what his classmates and teachers think, he CAN do serious, how else would he be such a big shot in the Greek community?

Imma be real, there was probably some kind of war that Kaminari had to lead an army in or something. I'm sorry, child soldier stories just have so many layers to dissect it's not my fault that they're compelling in a way

My point is, serious Kaminari is like war general levels serious, but not even LOA attacks are bad enough to bring out serious kaminari, are you kidding, did you gloss over the part about god war? He's having a little trouble taking literally any threat at UA seriously and he'll have trouble taking almost every threat as a pro hero seriously, it's not his fault junior high set the bar way too high on what situations are serious!

One of Kaminari's demigod powers, as the son of Zeus, is that he can't take fall damage. No matter how high up he falls from, he will never ever get worse than a few scrapes

Pissing him off really badly makes the sky get stormy, I'm talking immediate clear skies to nothing but gray clouds moving in and you can't even SEE the sky anymore, also possibly rain, he doesn't do it often but he can and he'd probably be able to control it if he were to practice his demigod powers along with his quirk but we all know he ain't gonna do that any time soon

He can sword fight, he hopes this never comes up

He has to keep reminding Dionysus about the legal drinking age, Dionysus thinks it's stupid and therefore never listens, they have argued about it multiple times

Apollo and Kaminari play chess together on occasion

Hermes at one point gave Kami a special knife when he decided he liked him enough to give him a gift, it's a magic thief's blade which is just a dagger that cannot be found on his person no matter what you do. Pat him down? You won't feel it. Scan him? It didn't show. Metal detector? It didn't beep at all. But he can pull it out whenever. He won't but he does *have* it just in case. I'm also deciding if making it not be able to leave him would be too much. I don't want it to feel like a riptide ripoff, I'm thinking maybe it sprouts wings and flies to him?

Yes, I've just decided, the Thief's Knife will fly to him if left behind and can squeeze into any crack no matter how small to get to him

I'm shinkami trash so you KNOW shinkami is about to be canon in this au

In either 2A or 3A, Kaminari tells Shinsou his secret about the gods being real and him being Zeus' son, he spends a great amount of time explaining all the details to Shin and answering his questions, it's a lot

What can I say? Shinsou is gus confidant, he was gonna have to tell him at some point 🤷🏻‍♀️💅

He doesnt tell anyone else, but obv they've got to eventually find out somehow, what you think I'd just let it be lame?? Even after they find out, he won't tell them anything he doesn't have to, waits until it comes up to explain things, it's just too complicated he doesn't want to go through all that AGAIN and with twenty people this time

Oh and before you ask, I'm gonna say no on the flying thing. I know it could be a power of a Zeus kid, I know it could be cool, but no. No he cannot fly.

I can't think of anything else right now but I can't wait to wake up in a cold sweat tonight and realise what i forgot

Also, I'm gonna go ahead and tag @iys-cloud since I know iys really likes this au :]

[strawberry-shortcakey]

I just said she doesn't have sympathy for Caitlyn she has love for vi? Also jinxs development did happen mainly on screen? You literally see the life coming back to her ON SCREEN?

Why does she care about her sister? Did we watch the same show dead ass. That's a wild ass question. Because they're sisters? Because you can say one thing but doesn't mean you have to mean it? She says she doesn't care and that vi doesn't matter to her yet everyone knows its bs you mentioned show don't tell and this is an example of it you can fucking see that she cares her words don't dictate anything? 😭

Omfg. She has a personality shes mute she doesn't verbally express it which seems to be why you don't see that considering that you base a lot of statements off of things characters say. But isha is not jinxs turning point silcos death is we see jinx lose almost all of her fight sure she fights vi but its a suicide mission she doesn't plan any further than that and when isha jumps in saves her she realizes that someone in this fucked up place cares that she has a chance obviously that doesn't kick in immediately but you can see that eventually it does. Isha cares about jinx deeply she sees her as a mother while jinx sees her as a chance to be a sister again. Isha helps jinx understand vi more understand that feeling tied to being an older sister to having someone look up to you so much. Isha also is important symbolically. She's mute she doesn't speak when jinx has spent so so so long haunted by voices Isha is her peace.

Can I also say jinx has always at the end of the day been powder nobody has made her that or taken that from her that's her core being her arc is her rediscovering that realizing she can be powder and jinx at the same point which is part of that behavior change as well she stopped compartmentalizing herself.

I agree more should've been on screen however she got the most on screen development out of everyone and you honestly should work on some media literacy 🫶

arcane pretending like jinx would’ve given a fuck about caitlyn’s mother is the funniest thing so far in the season. there’s an entire scene in s1 dedicated to vi realising her sister is a stone cold murderer + she HATES caitlyn

[rei-ismyname]

Uncanny X-Men #6 From The Ashes

We're starting to see Raid on Graymalkin come together with each team having a member in custody, but first we get to know these kids a little better. Spoilers, naturally.

Yeah they're a mystery to us too.

Calico/Becca has been in pretty serious denial about being a mutant and is easily the least worldly of the four. Context clues told us she grew up wealthy, sheltered, and that her mother did a number on her. It's good to make that explicit but I think something is lost by doing it in third person flashback. This is information she doesn't know and considering what happens next it'd be more effective to have her tell her own story. The flashbacks feel jarring to me too, knocking me out of the present. Her having Ember kick Logan was pretty funny though.

And she's cured! 🙄

Calico has a breakthrough after a minute talking to Gambit, completely accepting her mutanthood. I think this would be the place to hear her speak - just a little back and forth instead of Gambit getting through instantly. She basically drops out of the story at this point, repeating that she's a mutant to anyone who'll listen. Yeah, she's been going on about goblins and her mother the entire time, and she was clearly in denial, but the sudden acceptance feels unearned.

We're not done with Harvey X, it seems. He's died at least once on page and said his powers would move on when he did. Does that mean he's not dead or was he just wrong? The thing with fakeouts is that the more you do it the less readers trust what you tell them. Logan brings up the old guy whose death bed he visited in issue #1 and shares the story behind the Tequila. He asks them to drink it with him and Rogue realises he's heartbroken. This feels unearned too, frankly. We'd never seen this army buddy before and while it's sad, there's so much trauma in all these people's very recent history. Krakoa, The School, Chuck, a genocidal war, Beast, hundreds of thousands of slaughtered mutants. The narrative doesn't really need new trauma when so much is already set up.

It sucks to lose an old friend, but the reader doesn't know the guy at all so it comes out of nowhere. A lot of page space was dedicated to the Sarah Gaunt/Chuck relationship and both aren't present in the story right now. Imagine if that space was spent on, say, Sarah/Logan instead. Very little needs to be changed and being blinded/nearly killed by his now monstrous ex would be a payoff that was setup.

I have complex PTSD myself and I would love to see it handled well in this book, but it's off to a weird start that centres Rogue more than Logan. He's in the middle of sharing his trauma and reaching out when she does this. It's really fucking odd, and I have an uncomfortable feeling it's not meant to be. I'll reserve judgement and see how this plays out.

Is the spit take because of what she said or because she's acting strange? You all have PTSD

Uhhm, what? Is this meant to be Harvey X's influence on Rogue? Her narration seems to suggest that, though she's still using her accent. I don't know, but it feels off. It's great to see the letters PTSD in an X-Men comic, because no shit Logan has PTSD. However, once you pathologise it instead of just referring to trauma, you need to pay that off. I'll believe that when I see it. Also, she just cut him off and told him. Logan says she's not qualified to diagnose that and he's right.

The kids are off to school! I think this is an interesting way to keep the education element of X-Men books separate from the mutant part, and naturally the kids run into bullies straight away. We're shown the other kids listening to Jitter though her confidence is attacked by jerks making fun of her stutter. Ransom has her back but Deathdream is really committed to the bit. This scene shows us what class dynamics are at play too. Showing and not telling might seem like faint praise, but I appreciate it when it's done elegantly. It's something this title has struggled with and I'm happy to see Simone lifting her game with the kids. That said, the bullies are extremely generic. Total cutouts that could be from 1950 or 2024. That's probably intentional but high school drama is a trope that's been beaten to death. If you're going to do it you want to do it well.

More bullying happens and Deathdream seems to take Ransom's words to heart, scaring the bullies with Eldritch horrors. Deathdream really doesn't seem bothered he's about to catch hands, but Ransom rolls his sleeves up and lays them out. I think the Olympics business was overegging the pudding, we can tell from his stance and form that he's trained in boxing. Or maybe this could have come up when they fought the X-Men. Everyone would notice an Olympics hopeful boxer. It could have been in Rogue's narration and wouldn't need to be vocalised as the skill is being used. Chekhov's Skill - it's narratively satisfying.

Unfortunately, while this is going down five heavily armoured dudes corner Calico and tase TF out of her. They call it in to Graymalkin and the Raid is set up. I wonder how they got into the school or knew they were here at all. Cerebro explains the latter. Why are they so obsessed with these kids anyway? Dr Ellis was concerned for their lives 2 issues ago and now she's encouraging brutality. Whatever, big ding for the Uncanny team's record of caring for children.

Kurt and Jubilee head to the store to do shopping and Kurt BAMFs away to save a little girl from being hit by a bus. For once he gets some gratitude, though while he's doing this Jubes is being cornered by Siryn, Blob and maybe Wild Child in full Hound mode. She gets snatched up too and Kurt returns to blood and mess everywhere. He calls Rogue and she tells him to get back quickly. The ending leads straight into 2 issues of Raid on Graymalkin (with 2 over in X-Men) and both teams have their motivation. I'm not looking forward to the contrived conflict but maybe we'll get some answers. We saw Siryn and Blob being tortured in earlier issues, but I'm surprised they're here unsupervised. Perhaps those collars are responsible.

Pound for pound I'd say this is the best issue of Uncanny yet. It had some super odd moments but most of them were relics of the first arc. I do wish we got more time to know all the characters, especially the Outliers, before moving into a mini crossover but this is what we have. Still skippable but seems to be getting better. I'm interested to see how the PTSD thing plays out though my expectations are low. I know that sounds quite negative for what was an improvement, but the first arc left a bad taste in my mouth and trust is earned. Also there's NINE main characters which is really not especially sustainable in a book like this. There's just not enough space, and you end up in situations like heading into an event without a solid grasp of where most of the cast is at.

Don't stand behind a horse, Logan. Lucky you have a healing factor.

[sassydefendorflower]

not me getting irrationally frustrated with this eternal pissing contest between Brotherhood and '03 that somehow still seems to happen even though both shows can legally drink alcohol in Germany by now.

(i wanted to say "can drive a car" but, no, I refuse to use a silly little US-centric comparison for this)

They both have pros and cons. They both have strengths and weaknesses. They are not interchangeable and, to be honest, they are such deeply different stories it feels like an insult to constantly compare them to each other.

OF COURSE you're going to hate Brotherhood, if you expect it to be simply a "remastered" of '03 - '03 is a TRAGEDY and it sets itself up as a tragedy from the very first episode on! I mean, ALPHONSE ELRIC IS OUR NARRATOR! Is there anything more ominous than that? Edward Elric is inherently tragic in '03. Even when he's being silly, everything he does is tinged in grey sadness and a heavy cloud of "doomed" hanging over his head.

If you know this character - if you LOVE this character - of course Brotherhood is gonna disappoint the fuck out of you. Because Brotherhood is the OPPOSITE of a tragedy. It is a story about hope. About if enough people believe in the good of humanity, maybe we can actually change the course of history and create something hopeful.

If the story of '03 is "the path to hell is paved in good intentions" then Brotherhood is all about breaking the cycle of violence.

Neither of these concepts is inherently better or worse than the other. But you cannot compare them. Not really.

You cannot look at a tragedy and go "why is nobody laughing? why are they dying? why are they losing hope?" when all of these things are written into the foundation of the story itself.

AND

just as importantly. You cannot look at a story about hope and go "but why aren't the consequences more dire? why are two opposing forces fighting alongside each other? why are we having a laugh if the world is ending?" - when the answer to that question is: to create a better world you first have to dream of one.

You cannot expect Brotherhood to deal with the Ishvalen genocide to the degree of gruesomeness that '03 does (or with the degree of justified rage by Scar) if Brotherhood is fundamentally a story about breaking the circle of violence even when it fucking sucks. I am not saying Brotherhood couldn't have handled it better in parts (never adapted manga chapters, my beloved) but it just fundamentally isn't a story about a justified Ishvalen survivor trying to enact large scale revenge on the Amestrian military - that's '03.

And if you're looking for a darker look at militarism and imperialism (that doesn't try to offer you a idealistic hopeful ending) there is an entire 51 episode show about that! But don't go and complain when that show dares to end in tragedy. Don't complain if there isn't a happy ending, or if all your heroes end up deeply tragically sad and alone.

You can't compare apple and oranges, and you can't really compare Brotherhood and '03 - so any attempt at calling on better than the other kind of falls short.

"'03 is better!" - yeah, a better tragedy. A more realistic look at Ishval. A darker tale about personal responsibility and consequences. And the homunculi are just a touch more fucked up.

"Brotherhood is better!" - It certainly has more in-depth world building! And a very well-rounded ending. It certainly is a better story about hope. About coming together.

But they're not the same story. So, really, they shouldn't be treated as such.

[neoameba]

"You're not right! I'm right! And I'm Uzumaki Naru-" "Shut up, dummy."

Kids!Uzumaki Naruto w/a Male!reader

Summary: "These kids... [Name] wasn't like that, his friendship with Naruto changed him. Or maybe he was always a bit mischievous and Naruto just let it out. Anyway, it's good to see them together again... I think." - Kakashi Hatake

It's just that they understand each other very well. It's not that Naruto doesn't have friends, he has a lot. But none of them understand him as well as [Name]. The boy was always with him, even when he discovered that Naruto had the nine tails beast inside him. But beyond that, they shared the same single neuron that they both had. They had the same sense of humor and made the same jokes, they even looked like the same person.

It was part of everyday life to see [Name] and Naruto Uzumaki around Konoha, whether on the rooftops playing and eating, or on the streets, playing pranks on people and sometimes, making a mess of everything around. No one was surprised by this anymore, but that doesn't mean people don't run away when they see this duo.

So Naruto and [Name]'s happiness was noticeable when they found out that they were on the same team. Well, a team should only have 3 kids, but honestly, it's better to have two chaotic kids in the same place than one on each team.

.

.

.

But, it wasn't always like this. Naruto was always a brat, but [Name] was different. He was so quiet and shy. He didn't get bullied like Naruto, but he feared it with all his heart. He didn't make any noise and for a long time people thought he was mute. He was afraid of being judged, of being excluded and so he ended up excluding himself first.

Maybe that's why he got along so well with Naruto. The two were complete opposites at first, and Naruto was like a sun to [Name's] moon. He made the shy boy's personality shine. [Name] knows that this is the main reason why he loves Naruto, his personality is everything to him and his way is honestly amazing.

.

.

.

[Name]'s parents, Kakashi, Sakura, Iruka, and many other people don't know if Naruto and [Name]'s friendship is that good. Well, they have to put up with the two's pranks all the time. And Iruka, Kakashi, and [Name]'s parents can't stand the boys talking about themselves all the time anymore.

"Iruka sensei, today [Name] and I climbed onto the fourth Hokage's head and-" "Naruto, you haven't even touched your ramen... It's already cold."- Iruka, who doesn't even care about the things Naruto and [Name] do anymore, he just wants Naruto to eat soon because he can't stand hearing the boy's stomach growl while he ignores his hunger to talk about his best friend.

...

So just imagine everyone's surprise when...

...

"[Name] San...? Why aren't you talking to Naruto?" Sakura looked genuinely worried. Naruto was standing aloof and clearly refusing to talk to [Name], while the boy looked completely sullen. Even Sasuke noticed this and for the first time in a long time he spoke to Naruto without telling him to stop yelling. Well, he didn't because Naruto simply wasn't yelling, he was just serious and didn't say much. "Hmph, I won't talk about him, not even to him. I don't want to hear anything about him."

Kakashi was close to the two kids, reading a weird book while taking care of them on his day off. Despite being unconcerned, even he looked at Sakura with wide eyes, which were returned by the girl. Looking at Sasuke, he also seemed surprised as he talked to Naruto. Sakura couldn't tell what was going on here, but it was definitely about Naruto and [Name]'s friendship.

.

.

.

The three reunited later. They loved the silence and calm that the fight between Naruto and [Name] had given, but it was much better to see the two boys being friends. Sakura was the first to speak in the circle. "Kakashi sensei, Sasuke kun... I know we were finally at peace now that Naruto and [Name] stopped talking, but they need to be together again." Kakashi agreed, and soon began to think about what could happen between the two boys so that they would no longer talk. The trio was silent for a few seconds, but Sasuke was willing to speak his mind. "I don't think it's anything serious." The pink-haired girl and the team's sensei immediately raised an eyebrow. "... It's like you don't know the two of them. They agree on everything, but when they disagree on something, they always end up arguing."

Kakashi seemed to think again, and came to a slightly different conclusion. "I believe the discussion was more serious this time. They've never gone so long without talking to each other." The trio comes to a conclusion: They fought over something they disagreed on, and now they don't want to talk anymore.

.

.

.

Meanwhile, the two brats returned home, and unfortunately for both of them... They lived in neighboring houses. The whole time, they didn't look at each other and had their arms crossed, trying to avoid simply looking at each other. "You know it's wrong. You live it, so you know better than I do that it's not fair." He needed to speak, he had to win this argument and convince Naruto. "You don't know anything about my life, I like my house and the way it is!"

[Name] wouldn't take that for an answer. Yes, the reason for the argument was more than a bad board game that [Name] liked and wanted to play all the time. The boy saw Naruto's situation, and knew that he deserved something much better than what he was living. But Naruto didn't see it negatively. He always had the bare minimum (and sometimes not even that), so for him, the bare minimum was enough.

They enter their respective houses, still fighting. Naruto throws himself on his bed and stays silent, while [Name] runs to his room and locks himself there, without greeting anyone in his house. The situation was serious.

.

.

.

It was a new day. Kakashi, Sasuke, and Sakura spent the entire night coming up with a plan to bring [Name] and Naruto together again. When Sakura had to leave because of her parents, Kakashi and Sasuke began to put the plan into action. It was simple, because the two boys didn't have enough brains to realize it was a trap. It was simple: lock the two boys in the same room. They wouldn't make enough effort to get out of there just so they wouldn't talk, Kakashi was sure.

The new day arrives, Sasuke went to call Naruto for Kakashi's 'new' training, while Sakura went to take [Name] to show her new move that she learned from Kakashi. The two fell, and when they arrived at the place (which was something like a small house with a lot of junk behind Kakashi's house), were locked together. Naruto and [Name] only heard the door lock close as they turned to face each other. They ran to open the door, but only heard a "I'll only open it when you're friends again."

.

.

.

For a long time, they remained silent. Deep down, they knew that they wanted to resolve things, because they had enough strength and power to break down that door or the fragile roof of that little house. But they didn't do that. Kakashi, Sakura and Sasuke couldn't hear anything coming from the room, and Sakura even considered calling a Hyuuga to use the byakugan and see what was going on in there. Time passed slowly for them.

Meanwhile, Naruto and [Name] finally talked. "...Naruto?" "What is it?!" The boy sighed, and seemed to want to give up on the conversation for a few seconds, but soon continued. "Sorry."

Naruto looked at him for the first time, he seemed surprised. It was the first time [Name] had apologized for something. Normally neither of them did, and they just went back to being friends normally. "You're right, I shouldn't interfere in your life. It's just that I can't find it normal that you have to eat only noodles and milk that are almost always expired. That's not fair, you shouldn't live like this." And for a few seconds, Naruto even looked like he wanted to cry. He missed his best friend. He wastes no time in throwing himself at [Name], nearly making him fall. "... I'm sorry too, okay? You only want the best for me and I treated you with so much contempt..." There, it didn't even sound like Naruto speaking. That came from his soul.

They stay in each other's arms for a while. They were tired of so much arguing and being apart, this distance wasn't good for them. It's not like Naruto will understand what [Name] is thinking right away, and it will take him a while to get used to the idea that he needs to cry out for a better life. He just needs his friend for that. His best friend.

.

.

.

The next day, the two were already doing crazy things around the village, running around Konoha and messing everything up. Kakashi didn't even listen to people's complaints, because in a way, everyone was happy that the two were back together. He remembers when he opened that door because his curiosity piqued him, and saw the two hugging. Of course, they let go of the hug immediately and Naruto almost fell to the floor in embarrassment. At least it's a happy memory for the two of them, without any fighting. Sakura looked irritated with the two, as usual. But Kakashi knew the girl, and knew that she was very happy with the two of them too. Sasuke seemed neutral, but if you have good eyes, you will see a smile.

☆*:.｡..｡.:*☆ ☆*:.｡..｡.:*☆ ☆*:.｡..｡.:☆*:.｡..｡.:*☆ ☆*:.｡..｡.:

It was refreshing to see these kids happy again, and together. Naruto and [Name] are complementary pieces, they can't live without each other.

☆*:.｡..｡.:*☆ ☆*:.｡..｡.:*☆ ☆*:.｡..｡.:☆*:.｡..｡.:*☆ ☆*:.｡..｡.:

Author's notes: It can be read as ftm! Reader, since there are obviously no genitalia being specified. It could be interpreted as a romance between the two, but I didn't want to make it explicit to be more open to interpretation. They would simply give their lives for each other, they are best friends because they complete each other.

[saintsenara]

Do you think there is parallel between Peter and ron.

Fandom does Peter wrong. That is a fact. He is either absent or is present just for comic relief or is pure evil. But all those characterisation are simply cartoonish. As if written by a person who is living in la la land...

Peter, just like Lupin, we only know major things about him. But like not many people see lupin as a gray shade character only a kind fluffy guy, Peter is polarised to the bad one....

Ron similarly is often given the last place if how much of a good friend each person in golden trio was to be questioned. And that is a tragedy in itself because atleast for Ron we have so much material...

Infact for me, Ron will always be a person who has bigger heart than jkr's favorite mary sue-Lily Evans. She did what any good mother should do. But fandom never stops going on and on about it Or even Harry's sacrifice at the end is so much singed about...but then we have Ron, an 11 year kid who for the sake of defeating voldy, told his new Friends to leave him. He sacrificed himself at 11. Everyone was sure that he is risking his life...but no one i see ever gushes about that act of bravery. It is always about one Potter Or the other.

Peter too. I mean he won't have been friends with the other three for 10 years if they just tolerated him and vice versa. But making him evil kr stupid kr dumb Or hideous to look at in his childhood or teen years is like taking all his personality away and giving us just a shell of a person...

He did become animagi at 15 and that is quite a commendable magic. He is cunning to pull up his stunt as a spy....

Like war as sirius describes in gof is so dark and scary. And people forgot that big things make a person change.

Ron on the other hand had done quite a lot in his life time but often he is found to be judged for leaving his friends.

I believe that the only difference between them is that ron recognised his faults and made correction. Meanwhile pettigrew simply kept on walking on the wrong path he chose....

What do you think on this..?

thank you very much for the ask, pal!

i don't think this entirely works. ron gets cast by the fandom as a gluttonous moron who's also a bad friend primarily on account of the films - and as a bad person by people who want to ship hermione with other people but don't have the nerve to do this in a complex or interesting way - but the text never suggests that either harry or hermione think of him as being in last place in the trio.

indeed, when harry does think of himself as better than ron - when ron gets made a prefect over him in order of the phoenix - he feels horrible for his brief flash of jealousy and soon gets over it. on other occasions when he notes something about himself which could be seen as superior to ron - when he notes that ron got no outstandings at owl, for example - harry doesn't actually force a comparison which is designed to position ron below him. they end up doing the same newts, which is what harry - who sees ron as his partner in crime - cares about.

ron is also demonstrably harry's best friend, and harry tends to enable him and automatically side with him in conflict - it's an example of great self-growth that he doesn't cut hermione off in half-blood prince when ron does, since he's perfectly happy to do so in prisoner of azkaban. but he's also demonstrably hermione's best friend too. harry's relationship with her is, as he says, sibling-like, which doesn't just mean that it's not romantic, but that it contains a "you can't choose your family" vibe - he loves her fiercely, but he also finds her exasperating in a way ron doesn't, doesn't make any real effort to learn about her interests or include her in his, and is often quite harsh to her. ron - in contrast - does see his relationship with her as one of active choice.

this is why i never really like the idea that the trio and the marauders are meant to be parallels. on the surface, ron and harry should be the equivalent of james and sirius and hermione should be remus...

but they're not, because the clear dynamic of the marauders in canon is that they were a group centred around james. all three of sirius, remus, and peter clearly understood james as their best friend, and their relationships among themselves primarily depend on their understanding of their and the others' relationship to james. there is - i think - a credible case to be made that, if james was removed from the picture entirely, but not in a way that caused the profound trauma of the canon timeline [if he just moved away with lily, for example], the remaining three would drift apart.

james - of course - only understood sirius as his equal, his brother. peter is obviously someone he considered inferior to the two of them - albeit in a fond way, rather than a cruel one. he clearly thinks of him the way a teenager might think of their pre-teen sibling - someone you love and are happy to include in your social life if they do what you want, someone you also don't want to embarrass you in front of your cool teenage friends by letting them do what they want instead of following your instructions. remus is clearly someone he didn't think of as quite so socially inferior to him, but he also still seems to have understood him as peripheral to his and sirius' rampant codependence.

the trio doesn't have anything like this dynamic. even though harry is narratively unequal to ron and hermione - he is their leader, they are his disciples - the relationships across the three of them [harry's active choice to be friends with ron, harry's feeling that hermione is his sister; ron's active choice to be friends with hermione, his pseudo-familial relationship with harry] are much more equal than those among the marauders.

what i have been convinced by, however, is @whinlatter's belief that the best parallel for peter in the series is ginny:

[cripplecharacters]

Hello. I am writing about a main character who has Down syndrome (12 years old). How does a child like her would react to mother death and moving to an old house? I want to be respectful while writing her.

Hi asker,

So there are a couple different things to think about.

For one, death of a loved one is hard for everyone, and the death of a parent is very difficult for pretty much all children. Change is hard, and this is a very permanent change that can be very traumatic because a person a kid expects to be with for way more time is now gone. The closer the child was to her mother, the harder this is going to be for her.

On change being hard, ID can make it harder for her to adapt to change. "Harder" does not mean "impossible." "Harder" means maybe they have to make a plan to help her transition to her new living space, maybe it needs to be explained to her more often, things like that. Maybe she needs support from lots of visuals, maybe she's asking questions a lot of the time, maybe she has trouble with doing things because of the stress. And this is from just the change of moving – all of this will likely be compounded with the stress of not having her mother. For this, people can try to help her by trying to provide as much of a sense of normalcy and trying to make sure she can have some sort of... it doesn't have to be a routine per se, just trying to make sure that some things don't change.

Abstract concepts are sometimes hard for kids, although less so by age 12 than for younger children. Abstract concepts can also be more difficult for people with intellectual disability (as is likely the case for your character with Down Syndrome). So, how is the death explained to her?

Best practice to explain death to children, including and especially kids with I/DD, is to use concrete and simple language. Euphemisms don't help much, especially for children, because euphemisms have context behind them that a child doesn't have. Euphemisms can also be misunderstood and unclear.

So, if she actually understands what's going on because people are explaining things to her in a way she can understand, ultimately this is going to be much better for her than if she doesn't understand that her mother isn't coming back because people keep being vague and saying things like "she's in a better place" and she keeps hoping to join her mom in this "better" place. Or it might take some time for her to understand the situation, and she might experience delayed grief.

Who is she moving with? Who is going to take care of her — she's a kid, she can't do it all by herself. Does she know them already? Is she just meeting them? If she's never met them before, this will probably be even more stressful to her — basically every single thing in her life is changing. That's huge. That's stressful and can be hard for her to understand why everything is different.

Overall, at the end of the day she's just a person, a child specifically, being put in an incredibly difficult situation. She has emotions like anyone else — there is a misconception that people with Down Syndrome are always happy, and that's just not true. They have

She's in a situation where adults with zero disabilities would probably have a super rough time as well. Add on to that being a kid, and add on to that being intellectually disabled, and it's probably going to be a really stressful situation. So, think about how your character reacts when she's stressed out, and factor in her disability.

Here's some links to grief and I/DD and grief and children. I have read through them, though not all of them at length. They do have information that you can use, whether on how she'd react or how others around her could react, but either way use your own judgement.

Helping People With Intellectual and Developmental Disabilities Process Grief by the Boggs Center on Developmental Disabilities (PDF file)

Responding to Grief Reactions of People with Intellectual and Developmental Disabilities by the Boggs Center on Developmental Disabilities (PDF File)

Bereavement In The Lives Of People With Intellectual Disabilities by the University of Hertfordshire's website on Intellectual Disability and Health

Managing Grief Better: People with Intellectual Disabilities by the University of Hertfordshire's website on Intellectual Disability and Health

Helping People With Intellectual Disabilities Cope With Loss by the Vanderbilt Kennedy Center (PDF File)

Hope this helps,

mod sparrow

[peppermintquartz]

Chimney asks Buck to go with him to pick up a new playset and also to look for a present for Maddie's birthday.

They talk about how big Jee's getting and how excited she is to be a big sister; Buck says Maddie is the best person to teach Jee how to be a big sister. Chimney tells Buck that if it's a boy, they're thinking of giving him Evan as a middle name.

It softens Buck up enough that he has zero suspicions when Chimney takes him to lunch - Chilean cuisine - and then Chimney says, "I know you miss him. He misses you too. But he was right to break up with you at the time."

Buck is not prepared for this and so he's speechless. Chimney is uncharacteristically serious. "He told me what you said that night. Buck, I don't know who you saw when you were dating him. Tommy isn't some gay paragon. He's really not. He was a standoffish, bullying coward. I get why he put on that front, but it doesn't change the fact that he used to be an asshole. And it doesn't change the fact that he got better about being a decent person."

"He said I would break his heart when I just wanted us to be together-"

"-did you love him, Buck? Because everything you said was... It was not about loving him. With all his flaws and weaknesses. It was your idea of him." Chimney takes a sip of his water. "He was right to break up with you, before you were disappointed in who he really was. That would have broken him, and Buck? He was - is - plenty broken already."

Buck is stunned. "I love him. Of course I love him! Every single day since... I haven't stopped thinking about him. I wanna know how he's doing, what he's thinking, I just... I wanna be with him." He covers his mouth and exhales, closing his eyes. "I wanna know him. Broken or whatever. I don't care. I just. I want him. I love him."

"Good," says Chimney. He steals some fish from Buck's plate. "Because I think that, if you woo him, at his pace, he'd be willing to try again. And this time, you listen to him, not to whatever you think he's saying." Chimney makes a face. "And you'll need to kick his ass now and then about being afraid to be happy."

Buck stares at Chimney. "You... You mean..."

"He already loves you. He's just scared," Chimney says, and smiles. "I know what it's like to chase someone who's scared to be happy."

There's just something about Tommy and Chim talking after the break up that itches my brain just right.

Like, Tommy assumes he'll never hear from Howie again. Yeah, he loves talking movies and music and references with him. It's always fun and light and their sense of humours mesh. He's really enjoyed being Howie's friend again. But he's Buck's brother-in-law. He'll maybe call Tommy up when he needs help - another unsanctioned flight to save someone - and then they'll fade back into distant ex-coworkers.

He lost touch with all of the 118 when he left for Harbour - and they have more reason to forget him now. He broke Buck's heart. Tommy supposes it doesn't matter that he was their friend as well, that he's not okay, that he broke his own heart in the process.

But Howie's texting him, and calling him, and actually staying in touch. Tommy doesn't say just how much it means to him. That someone stayed. Someone went after him, in a way. Tommy knows that Howie doesn't care about him the way he does the rest of the 118, that Tommy will always be on the outside, but he'll selfishly take this.

One day, when Chim comes round for drinks and a movie night - some classic 80's one they love to quote - they end up talking in the silence of Tommy's room once the credits stop rolling. Really talking.

And Tommy talks about the way Evan said he admired him. That he was proud of how cool and confident Tommy was. Of how Tommy was comfortable in himself and his journey. Except he isn't. He's not cool, he's not confident, he's not someone to be admired. He's not some paragon of gay rights. Gay pride. Someone who paved the way for those who came after. He's desperately wanting to be that confident and proud and admired person and feeling like he doesn't deserve it at all.

He doesn't deserve to be put on the pedestal Buck put him on.

And Chim talks a little about Tatiana. About stealing other's glory, other's stories, because he didn't have his own. He was never the one who did The Maneuver. He never even got a shot at the pedestal. So he was shrouded in other's glory, wrapped in her praise and excitement for things he didn't do.

It helps to hear it, Tommy thinks.

He tells him a little on how he and Maddie got together. How long it took, the ups and downs. No pressure, just lays it all out on the table. And so Tommy does as well.

Tommy admits that it felt like that if Buck did move in, if they did start the idea of forever together, all it would lead to was Buck realising that Tommy isn't the man he tries to be. Pretends to be. He's a man putting on the act, and as soon as he sees past it he's going to hate him. He's going to take back all love and care he gave Tommy and is going to snap his heart in two in the process.

He brought up marriage after he found out just how badly Tommy's previous engagement went. He asked Tommy to move into his loft when Tommy owns his own home. He can't even say he loves him. He's a man who loves research and he doesn't even know what the kinsey scale is.

Tommy's scared that Buck is going to finally research his sexuality, the queer community, history, and realise that Tommy has no part in that. That Tommy opened the doors, and it's time he stepped away.

No one who sees the real Tommy loves him. No one ever has, and he doubts it's going to start now. So he broke it off first, made it hurt, but on his terms. It's more managble that way.

Tommy bows his head, lump in his throat and eyes going misty. He feel's Howie's hand resting comfortingly on his back.