#just a replacement

[lettesuniverse]

kinda feels like I'm only there in people's lives to fill the void when their people is not there...

[apprentice-s]

i am such a staunch black paladin lance believer like its not even funny

[genderkoolaid]

i don't know what autistic person needs to hear this but they are not watching you. the entire world is not constantly waiting for you to do something weird and laugh at you behind your back. you do not need to constantly self-police whenever there's the slightest chance another person might see you. you have a right to be your autistic self in public spaces. stop fighting yourself for their sake.

[muirneach]

fuck it this is about neil now

[zorangezest]

more of this shattered glass au!

here’s the high guard! elita, bee & orion together overpower D pretty easily and start frolicking through the city laying waste to everything, so they side with D to help him make a stand against his ex-gang and….they have a big fight or something??? i dont know!! but it’s cool to draw!!

Orion, bee, and elita still ultimately end up killing alpha trion through the power of friendship, but thats a comic for another time!!

[anxi04]

tim and bruce have an odd relationship to the rest of the family. they don’t act like father and son but it seems like they have a “deeper” bond than the others

bruce seems to take tim’s advice more seriously, bruce actually takes a break if tim tells him, tim still gets benched but not nearly as much as he should, and most confusingly, tim benched bruce once. not alfred benching bruce, TIM.

normally bruce has to be forced to take a break, and normally by alfred, but if tim says “you’re benched for a week” bruce? listens?

they have no idea why. some of them ask dick if he knows since he was there but he’s just as confused

and then despite all that there’s also such a strain between them? it’s really on the line of a professional relationship and almost a care taker. it’s very confusing. and then the times bruce gives tim a present or anything like that and tim stops and stares at him for a second, like he’s dissecting bruce. no one is able to fully figure it. until bruce is de-aged to tim’s robin era.

tim is very adamant about most of them, but especially jason and damian, do not reveal their names to him. for the time being they have a strictly professional relationship with their father who doesn’t know them.

they finally get some of the picture when they see tim start acting as bruce’s caretaker. tim switches between being gentle “hey, you need to sleep” to screaming at bruce. it always works. tim knows exactly which version bruce needs and it scares the team cause that has to require some practice

they’re then also thrown for a loop when they hear bruce call out jason’s name in a shocked voice, which makes sense cause he doesn’t know jason is alive but jason still has his helmet on so what? and then they hear a voice none of them have heard. except dick goes pale and jason’s breath hitches. and suddenly tim is responding to jason’s name and acting weird, almost like what some of dicks stories described jason as. and it’s so fucked up when they’re watching time act like someone else and bruce going along with it

the dynamic they’re getting is also fucked up once again when, during one of bruce’s really bad days, tim straight up acts like bruce’s parent. and bruce reacts well.

they’re all horrified by this. the realization that tim and bruce’s relationship has so many layers and that they do act like father and son sometimes. except bruce isn’t the father and tim isn’t the son

[k9wa]

𑣲 RILE HIM UP ! ft BOOTHILL.

⠀ — your least favourite cyborg is brought back to you a mangled mess.

⠀ OR

⠀ — being boothill’s mechanic when you lowkey can’t stand each other.

⚠︎ sweet sweet tension, a little suggestive towards the end, gn reader (no referring pronouns), can they fuck already, this was ib by his lightcone, wc 1.9k

boothill's eyes flickered to life, emitting a faint glow of red as his systems began to reboot.

a pair of familiar red pupils met yours, two crosshairs fading into sight as boothill regained his sight and— to your dismay— consciousness.

as the cyborg regained his motion he attempted a step forward, only to realise he didn’t have the feet or legs to do so. the only thing keeping him powered on were some metal claws screwed into his back and a few loose cables connecting to your terminals.

“sugar plum,” boothill's scruffy voice cut through the silence. “do y'care to explain where my legs might’a run off to?”

you actually cocked an eyebrow. how the hell were you supposed to know? boothill was brought back to you in a mess of scraps and wiring— the damn hunk of metal was lucky you made him as blast proof as possible and he was left salvageable. 

“care to tell me how the hell you got this roughed up?”

you asked in turn, crouching down to look at the detached and ruined internals of boothill's torso where the stand-in wires were connected. you ran a finger carefully along the edge of his shredded metallic stomach.

“guess i didn't make you as smart as i thought. time for a newer model, maybe?”

boothill's eyes flickered down to his missing lower half, then to your hand that was more or less caressing him. it was amazing how much annoyance they could show in all their artificial glory.

“look who’s talkin.” the cowboy grumbled, pointy fangs poking out in an irritated grin. 

“how ‘bout, ‘gee, boothill! i’m real glad y’ain’t get blown to smithereens beyond repair!’” 

“it would've been less work for me if whoever blew you up finished the job.”

you sighed as you stood up, putting a hand lazily on your hip.

“how’d it happen?”

boothill bit back another argument with a gruff chuckle.

“some real cutie-pies i was huntin’ down had a lil’ more firepower than i expected. guess they didn’t appreciate me spoilin’ their party.”

boothill visibly cringed as his insult was substituted with some cutesy nickname mid explanation.

“and can you fix my beautiful synesthesia beacon already? this thing is drivin’ me up the wall.”

the request fell on deaf ears as your fingers typed something on your laptop, likely another string of code.

“you’re more concerned about your censor than how long it’s gonna take me to put your legs back on…” you sighed to yourself, still leaned over your workbench, eyes focused on your screen.

“i'm not touching it right now. you’re lucky i’m even letting you stay sentient after this.”

boothill snorted at the remark, brows furrowing in a steady grimace.

“well, ‘scuse me for wantin’ to speak freely–  i’m a grown man!” his pointy teeth shone as they peeked out again in a grin.

“y’know what? just leave yer lil’ tools and all the pieces there— i’ll get my legs back on myself. don’t need no charity work from the likes’a you.” he laughed. “heck, may even give myself a new pecker while i'm at it!”

the mechanic had half a mind to listen, sit back and watch boothill struggle to reassemble himself just to prove a point and simultaneously bask in his embarrassment when the former realised it wasn’t possible.

(not that he would’ve admitted defeat– you would have begrudgingly stepped in and helped before he inevitably messed up his wiring more.)

you stepped back over to boothill, hands moving to hold his cheeks so you could tilt his face side to side to check for any more damage.

“cool it, cowboy.” your eyes squinted in focus as they looked at boothill's, lightly tugging up on his eyelid to check for scratches or cracks.

“i'll get you back up and running, just lose the attitude already.”

boothill's eyes narrowed as he felt your touch on his face. the temperature difference of warm fingers on his cold, mechanical body stirring an oddity where his gut should have been. though he tried to ignore it, the sensation was there, clear as day against all his artificial nerve endings. 

“real easy for you to say,” he huffed, avoiding your eyes as he was examined like a broken toy. “let’s see how peachy you are when yer all strung up and legless, love muffin.”

that censor really was gonna drive him insane.

“just get it over with.'' boothill muttered in annoyance. “and try not t’fuss anythin’ up.”

it took quite some time, as expected, for you to successfully reattach boothill’s legs and fix his mangled midsection. when you were finally finished, you tugged out any leftover wires that connected boothill to your terminals and pushed back in your wheelie chair to beckon the cowboy forward. you pushed your glasses up to your forehead, some hair getting swept out of your eyes with them.

“feel fine?”

boothill rolled his ankles and bent his knees, giving his legs a good stretch to test their mobility.

“mighty fine,” he responded, satisfied to feel they were weighted and moved the same as before. “though i can’t say i’m lovin’ the breeze up my backside.” 

boothill glanced down at himself, steel body completely bare and lacking any of his signature clothing. 

“got my pants lyin’ around anywhere, sugar plum?”

you pointed to another table in the room, where boothills clothes— (or rather the new ones you had to go and get—) were neatly folded, his hat placed on top of them. 

boothill went to get himself dressed, hoisting up his bell bottomed pants and sliding on his jacket. he stole a glance in your direction every so often, resisting the childish urge to roll his eyes at the mere sight of you.

the artificial man hit a small bump in the road as he went to zip his jacket (could you really call it that with how little it covered?) up—  his fingers weren’t responding as well as they should have been. he could open and close his fist, but lacked the precision to pinch and hold the zipper.

“hey, honeybun,'' boothill called over to you with a furrowed brow. “didn’t i tell you not to go fudgin’ anythin’ up?”

you, in all your overtired glory groaned, turning around in your chair and waving boothill back over.

“what are you talking about?” 

“my cute lil’ fingers ain’t workin’ that’s what i’m talkin’ ‘bout!”

boothill's footsteps were clunky and loud as he stomped his way back over to his mechanic.

you reached for his hand, an uncharacteristic gentleness in your touch as you examined five mechanical fingers.

“make a fist,”

boothill obeyed, curling his fingers into his palm.

“open it,”

he obeyed again, letting them open and relax.

“hold up two fingers,”

boothill tried, but his fingers got stuck halfway into the motion, locking at the joints.

“son of a bitch.” you sighed, turning for one of your tools. “sit back down.”

boothill grumbled and went to hoist himself back onto the workbench.

“least one o’us can say it…” 

“do you want me to fix you or not?”

“i'm sittin’ ain’t i??”

you pulled boothill's shirt off his left shoulder and popped open a tiny panel on the curve of his neck, sliding your glasses back on to the bridge of your nose. with a lean forward you began carefully looking at a few thin wires that filled the space.

boothill tapped his fingers against the tabletop while you worked, that same oddity as before settling in his now repaired gut. he rarely got messed up enough for you and him to spend this much time together, or for you to have to really be in such close proximity.

it’s not uncomfortable, but the feeling is by no means familiar. it’s actually a little embarrassing– a galaxy ranger, a space cyborg and expert hunter, feeling almost flustered at some close contact like some kind of shy little girl.

“something the matter?”

boothill nearly jumped as you spoke up quietly to check on him, voice quiet and so close to his ear he had to refrain from leaning both closer and away.

“nah, everything’s just dandy.” boothill’s voice followed yours– quieter and a little softer as a result of the closeness.

“you’re sure?” you looked up from the small mess of wires, eyes glancing up at your cyborg over the rim of your glasses. “might as well fix anything else that’s bugging you while i’m here.”

boothill would have swallowed if he had the need to lubricate his throat. he shook his head, turning to look somewhere— anywhere else.

yours lingered on him, albeit briefly, observing the clench of his jaw and the way he tried to shift in his seat without being disruptive to your work. he didn’t see the little smirk tug at your lips as you refocused on the task at hand.

boothill’s cybernetic limbs felt almost human in their sensitivity, sending faux shivers up a spine he didn’t even have. the mechanics fingers running down his forearm are doing him no favours as they move to hold his hand again.

“close your fist…open it…two fingers up…”

each command was obeyed, ten gunmetal fingers finally holding up a little peace sign.

“that should be it, come see me if they start acting up again.”

you stood up, tentatively reaching out to fix boothill’s jacket and begin to zip it for him.

boothill didn’t protest the act, but it was…confusing, to say the least.

“reckon i’ll just start seein’ those auto bots again,” he leaned back on his palms as your fingers fixed his collar, straightening it out.  “much as i love our lil’ visits.”

you only hummed, smoothing out a few wrinkles and neatly tucking his scarf into it’s neckline, as he liked. “you could,” you mused, hooking your finger lightly into his collar and giving a gentle tug forward. “they don’t take as good care of you as i do, though.”

this time boothill caught the little smirk on your lips, clear as day and enough to make him question if short circuiting was possible.

you’re doing it on purpose, he knows. the careful touches to his hands and body against the sensors you put there, quiet voice leaving him with a frisson you made it possible for him to have.

boothill returned the smirk, albeit a little wobbly.

“you tryin’a rile me up, sugar plum?” 

he entertained you with a lean forward, two white crosshairs looking right at you while he considered if a hand on your waist was too forward or the perfect cornering move. 

“just like watching you squirm.”

you were gone as quickly as you’d arrived, finger unhooked and going to pick up his hat.

“but say i was,” you didn’t bother with a glance over as you made sure the brim was straight and unharmed. “i hardly have to try.” 

boothill hopped down from the table, following your path and offering a scruffy chuckle when you reached up to place it on his head.

“yeah? and what makes y’say that?” his hand found a place on his hip.

you didn’t respond— not verbally, anyway. a quick flick of your eyes downwards was all he received. 

so he followed, looking down as well, to the very appendage he had insisted you give him over and over again pushing against his trousers. 

his own dream, now his downfall. 

boothill pushed passed you, pushing his hat further down onto his head while he stomped away. the profanities that left his lips filled the air— or rather their replacements. something something i love you blah blah peach cobbler something cutie-pie or meow!

“remind me t’settle for them lovely auto bots next time!”

he opened the door with a firm kick of his boot, stomping out with a scowl. 

as if he wouldn’t be back. you took better care of him, after all.

⠀ 𑣲 MASTERLIST / GOT A REQUEST ?

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[tiniest-hands-in-all-the-land]

Carry me home

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[hamletthedane]

look, sometimes a relationship can be a high femme mean lesbian, her comphet/beard pansexual boyfriend, and their terrifying domestic terrorist goth girlfriend on the run from the police

[tchaikovsgay]

this might be a controversial opinion but i think we unnecessarily platform terfs way too much. people cant even make a fun harmless trans post without people jumping on to be like "yeah, fuck terfs!" and its like. severely not about that at all

tumblr terfs love attention. they feed off of it, ESPECIALLY negative attention which is what some of yall are constantly giving them. if you dont want them interacting with your blog or w/e, thats fine, of course you dont! but everyone quietly blocking them while focusing on trans positivity would be way more beneficial than making the focus entirely about giving them the attention that theyre frothing at the mouth for

and frankly the focus on terfs takes away from conversations about casual transphobia that exists outside of just radical feminism. not everyone hides their transphobia under the guise of being a super feminist, and saying "fuck terfs" makes people feel like theyre above ever perpetuating transphobia, which is DEFINITELY not true

[egbluh]

holding onto the remains of my innocence.

[dapper-lil-arts]

Unlike Marion, Rarity couldn't play it cool.

[theejael]

am i makin' you feel sick?

—

yeah, okay, the ghoul's kinda cool.