#just FUCKING tell us WHICH ONES ARE GAY

[edwinisms]

I know how it sounds at first, but I really gotta feel bad for the boys that sacrificed edwin; I mean even the term “sacrificed edwin” paints them in a more sinister light than they really deserve– considering that wasn’t really, actually their intention.

they were bullies, they were homophobic (and/or were self loathing gay boys themselves taking it out on edwin, or were equally likely peer pressured into acting a certain way), they planned something stupid and mean to do to an innocent, anxious boy with the goal of scaring the shit out of him, all because he was effeminate and an easy target. but they didn’t know or expect any of the ritual stuff to be real. they were all laughing and joking during the ritual because it was just that to them– a joke. a cruel joke, but a joke.

teenagers can be mean and stupid and they usually regret it as adults and grow out of it / grow from it. they were stifled the chance to grow out of it, at least while alive. none of those boys deserved to be instakilled and sent to hell; they’re really not that much less deserving than edwin himself. they were all just kids, after all.

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[coridallasmultipass]

[ Nikke spoilers for mid September 2024 update mini story / my comments on it. ]

Closeted trans dudes dressing up at the family function like:

It's such a familiar scene, for family to see you dressing up out of obligation and then being like, 'Oh, NOW you're so beautiful, you should do this more often.' And internally, your body is screaming that it feels so wrong, why did you perform your perceived gender for this event! Or like, for me personally too, the whole missing the vibe of the event and dressing up way more than anyone else, and then feeling so out of place. I've joked before about Red Hood having older brother vibes, maybe she has trans vibes for me too now, lol.

Also, strange that Liliweiss is saying 'for the future' to Red Hood. Who, y'know, is basically terminally ill (corrupted). Red Hood doesn't 'have' a future, she just has the present and past. At this point in this mini-story thing (I'm assuming it takes place around the time of the Red Ash event), is Liliweiss aware of the plans to integrate Red Hood into Rapi, and therefore 'have' a future? Or am I just reading into this way too much? Lol. Just sounded like a really weird and inconsiderate thing to say to her.

-

That aside, why the fuck did y'all vote the dress over the other two Red Hood skins?! I'm so disappointed, the other two were way cooler and not out of character:

((I mean, I guess it's technically in-character since it's canon now, and has to do with 'old music' but c'mon, man...))

Image description below cut:

First image: Red Hood from Nikke: Goddess of Victory is in a strappy and revealing dress. It's the same colour as her hair. She's embarrassed and standing next to a gramophone, while holding a champagne glass. She is also wearing fingerless half-palm leather gloves. Text: Red Hood: Oh jeez, I can't do this! I just can't!

Next two images: Text: Dialogue:

Commander: You did well in that outfit.

Red Hood: Anything was better than staying at that party, even fighting raptures. I've never been so glad to have a bunch of them show up.

Rapunzel: Your dress is all dirty, though. And the hem is all torn...

Red Hood: Who cares? It's not like I'm going to be wearing this ever again.

Liliweiss: Why not? I thought you'd be keeping it for the future.

Red Hood: No thanks. Not a chance.

Snow White: That's too bad. At least I finally got to see you all dressed up. Can I at least take a picture for posterity?

Red Hood: Absolutely not. I don't want to leave any evidence of this humiliating sight.

Last three images are the Red Hood skins/appearances that we voted on. First image is the feminine dress with the gramophone mentioned before, which won the poll. Second image is Red Hood on a motorcycle with a leather jacket, crop top, mini shorts, and thigh highs. Third image is Red Hood standing next to a wolf, and she is wearing form-fitted high-rise pants, a strappy harness bra-top and collar, and a cropped blazer.

[purpldawne]

actually wait that poll unlocked a fuckin memory and i feel like talking about it so‼️

( not tmi or anything but in case this gets long or you don't wanna read it im putting a page break here LMAO )

ok so on my 18th birthday, my grandparents REALLY wanted to go to dinner to celebrate. i didnt really wanna, but i got to dress up so i said fuck it. this was around when debates over trans women in sports were first brought to the mainstream ( as far i know ) right. so we're sitting there in the restaurant, im eating my cake, and my grandfather starts going off about how they're letting men compete against women and how unfair it is and shit. WHILE WE'RE CELEBRATING MY BIRTHDAY. IN FRONT OF ME. THEIR GNC GRANDCHILD. WHO REFERS TO HIMSELF WITH MASCULINE TERMS EVERY TIME YOU SEE HIM. LOUDLY. it's been two years and i STILL can't believe the audacity. like YOU invited ME out to dinner and start talking that shit?? if they weren't family and we weren't in public i would have told em to shut the fuck up

[syekick-powers]

honestly. being real. ive looked into a lot of various indie ttrpgs that haven't spoken to me, and i end up just coming back to D&D over and over. and i think i finally fully understand why that is.

D&D is very heavy on rules for what can happen in combat, but fairly light on rules for when it comes to story structure and roleplay. as a result, roleplay scenes feel a bit more natural and flowing, with the only mechanical aspect being the occasional skill check for like, intimidation / deception / persuasion / etc. but then, unlike the roleplay, the things that can be achieved in combat are pretty strictly regulated. this is fun for how i like to roleplay, as someone who used to do a lot of freeform RP--the problem with freeform RP style combat sometimes is that if you're RPing combat with someone who gets really wound up about making their characters always win, it can be really fucking hard to counteract the shit they have their characters pull out of their back pocket. having a VERY clearly defined and strict set of rules for specifically combat makes it so that when combat DOES happen, people can't just Say Shit about what they have their characters do--they have a limited character framework to work in and a limited set of tools that they can work with, and enjoyable combats come from using those tools in that framework creatively, effectively, and excitingly. this makes combat feel like it has genuine stakes, and when done right can be very intense and exciting. and then when you do actual like, character interaction and story building? there's just not a lot of strictly defined rules for what can and can't be done in those realms, both for a player and the DM. there aren't any constraints on the structure of the narrative that the DM presents, which means it's fairly easy to rip out the pre-packaged D&D lore, re-fluff a few things that heavily reference that lore, and just homebrew your own story structure and lore and world and characters and pantheons and the like.

my problem with a lot of indie TTRPGs is that a lot of them are married to either a very specific story structure that the system mandates that you follow, or a very specific pre-made world that the system is mechanically built to form around, and that level of pre-determination doesn't interest me either as a player OR as a GM. like these are fundamental rules in these systems that would gut it if you tore them out and replaced them with something else, which means that if you tried to go against those premade structures/settings, you would basically have to homebrew the entire goddamn thing from scratch anyway. D&D's relative rules-heaviness of combat and rules-lightness of roleplay makes it easier for D&D to provide me the kinds of stories that i actually want to participate in, even if people insist it's not as "flexible" as many people think it is. like. yes. don't run a regency romance game in D&D, obviously. but if ur running a high fantasy type of game focused on adventuring, D&D can be adapted pretty well to a homebrew setting and world with minimal effort.

and tbh, i really think that's why it has the cultural dominance that it does, and why i personally keep engaging with it as a ttrpg even as people yell from all sides to play something else. "just do freeform RP!" ive done freeform RP. it's good for character building and dialogue and intrigue and sex but it fucking sucks when characters have to fight. i fucking hate it when im trying to RP fighting in freeform RP and whatever person im fighting against just keeps fucking kicking my ass no matter what i have my character do because my RP partner is so invested in forcing me to lose or give up that they just pull whatever the hell they can think of out of their back pocket to beat my character into submission. at least with an incredibly well-defined set of rules for how combat works, your opponents are also working in a limited framework with limited tools, so even if they do fucking kick your ass, it doesn't feel completely stupid and arbitrary, and since opponents' attacks are governed by dice rolls almost as much as players' attacks are, the amount of arbitrariness in the combat is not wholly stacked against you unless you're fighting against something that's WAY out of your party's league--and even then, those creatures and people are still going to be bound by their dice rolls as much as you are, they might just have better bonuses and/or fewer penalties to make things a bit more favorable for them. that horrifying fucking monster you're fighting may have an insane bonus to attack, but it could still roll a critical fail when it tries to attack you, just as much as you might roll a critical fail to attack it in turn. everyone operates under the same rules and will have similar limitations placed on them by those rules, and participants have much less leeway to make their characters' combat prowess be whatever the hell they want whenever anything even mildly threatening happens.

[monoxidecahedron]

hello dear followers would you mind coming out of the woodwork today to give me advice on packing for boarding school

[astranauticus]

btw now that ive gotten set me free out of my system womxnly by jolin tsai has become my new cpop translation white whale like not because the song itself is that impossible to translate but because i cannot think of any way for me to make a post about that song without getting completely sidetracked into a deranged rant about chinese pop culture's unceasing efforts to try and act as if that song's message about overcoming adversity and discrimination can be applicable to everyone and that it is not, in fact, explicitly a song about homophobic/transphobic violence

[bylertruther]

i fucking . LOVE byIer AUs so much every time i see a new one in the ao3 tag i go running n sprinting to gobble it all up i want to read every headcanon for every AU ever no matter how niche it may be i want to read every AU ficlet i want to consume every AU moodboard ever I Want Each And Every AU Please Put Those Boys In A Situation And Give It To Me Right NOWWWWWWWWW 🥺🤲

[yther]

welp. confirmed: family members visibly distraught with casual segway into talking health care options and gender affirming care in general sense

ayo fam stalking this tumblr maybe? because I never in my life have worn the type of pink floral clothes I am suddenly gifted along with dropping comments that Women do this while Men go fishing on vacation etc.

[oneknightlight]

You know how do teachers get away with so much like. Blatant bullying? I was just thinking about my middle school experience and realizing that if another student would’ve behaved towards me as the teachers did, they would’ve been called to the principals office and punished.

[lyekisses]

trying not to be dramatic but. i kinda want to start drama!

[minakoaiinos]

Animating this season like you can't have the slightest bit of jest and god forbid jesting about yaoi

[homophyte]

paying attention to james somerton for the first time in months why did nobody tell me he made the worlds worst video essay about cabaret

[emmafaeru]

I fucking love monthly nozaki kun because there's an entire side bit in one chapter where character a (mistakenly) thinks character b is trans and it's honest to god played so straight and normally for the bit and is the most normal treatment of transness I've seen in manga. Like, there are entire shelves of mangas whose premise is "what if this guy was in love with his childhood friend who is totally defintely a cis boy but also says he feels like a woman and crosdresses 24/7" that are super horribly transphobic and yet nozaki kun just does a side bit about "wouldn't it be funny if this happened" and it turns out awesome. Outside of that the comedy doesn't hit a lot of the time for me but my sibling in hestia it's willingness to fuck around with gender roles with it's comedy and treat queer people like a normal thing is sooo refreshing.

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

[wheneverfeasible]

It had just been a joke.

He’d been bleeding out, dying, the pain from the demobat bites fading as that unending cold started to seep into his limbs. He was dying and Dustin was crying over him and he didn’t want to say goodbye but what else was there to do?

Pounding footfalls and then Steve and Nancy and Robin were skidding to his side amongst the fallen demobats and Steve was telling him to hang on, to not die, that they were there. Nancy and Robin were tearing garments to wrap around his bites but he didn’t care overly much, figuring it was for nothing. Instead, he was focused on Steve’s hand in his, pleading with him to hold on, and it was clearly just him babbling, but he’d said he’d do anything Eddie wanted if he just hung on.

And really, what better time to come out as gay to your crush than on your deathbed? Or, death-patch-of-dirt anyways.

“Go on a date with me then, Harrington,” he coughed out, choking on blood that splattered on his chin. Sexy.

Steve was noticeably shocked, and confused, but he gamely agreed if Eddie just promised not to die. Eddie blacked out with a grin on his face. He’d thought that was it, thought it was all over, except then he started feeling pain again. Which fucking sucked. Kind of rude to feel pain in death, unless Hawkins had been right and he was in Hell now. Bummer.

But then he heard the beeping, felt the cold air being forced into his nostrils, and he blinked open eyes that felt glued shut. Things were all woozy and fuzzy, but he saw big brown eyes staring at him and a smile he’d never thought he’d see directed at him of all people, and Steve was holding his hand again and that was nice.

Apparently he’d been in a coma for a month. Hilarious.

Steve had told him he’d been begging him to wake back up, they all were, and Eddie was high enough on pain killers to tease, “Didn’t think I’d let you out of our date that easily did you, big boy?”

He’d fallen back asleep almost immediately afterwards, so he didn’t get to see Steve’s reaction to that one, which was probably for the best, all things considered. Except Steve kept coming back, and he kept up the joke about taking Eddie on a date once he was better, even using it as encouragement when Eddie wanted to just give up and die from the pain he was in due to the multiple surgeries he was recovering from and undergoing.

Despite all that, he slowly but surely healed, able to finally move into the small house the government’s hush money had bought for them with Wayne after they also got him cleared of all charges yadda yadda yadda. Pretty sick deal, all things considered. All it took was being framed for multiple murders done by a psychotic supervillain and nearly mauled to death by demon bats. Easy peasy.

When Steve had given him a time and date for their supposed date, Eddie was just happy that the guy was able to joke about it with him instead of freaking out in typical Straight Jock. Steve apparently acknowledged his crush and still wanted to be friends, which was better than he could hope for. Or so he thought.

Because there was Steve, on his front porch, flowers in hand and looking far spiffier than Eddie ever recalled him looking like before. It looked like he’d even gotten a haircut. Good lord.

And it was amusing really, truly it was funny how far Steve was willing to take the joke, but something broke inside Eddie too because he was For Real Super Gay For Steve Harrington, but for Steve it was Just A Joke. And Eddie couldn’t take it anymore.

He snapped, hurt by his feelings not being taken seriously, and ranted about ex-jocks and pretty straight boys who treated being queer like a joke. Though Steve looked shocked at first, he ended up just looking amused by the end, which annoyed Eddie further. He was just about to enter another diatribe when Steve cut him off with a simple sentence that took all the wind out of his sails and left him gaping like a fish.

“Thanks for calling me pretty, but I’m actually bisexual.”

Eddie blinked. Steve smiled. Flowers were pressed into his hand.

“Now, the only joke around here is thinking my date can wear sweatpants to our dinner reservations, so go change into something appropriate, Munson. Honestly.”

As Eddie was ushered to his bedroom to change into something more fitting than stained and holey sweatpants, he tried to figure out where he had, in fact, lost the narrative. Because it had just been a joke.

But somehow he had ended up with a first kiss, a real life boyfriend, and a happily ever after he never would have expected. Go figure.