#joss lake

[transbookoftheday]

Do you take requests? If so, do you have any scifi or paranormal books with a transmasculine main character and a mlm romance? Thank you!

I haven't read many books in those genres yet, but here are some suggestions:

Science Fiction:

Paranormal:

Book Titles:

Future Feeling by Joss Lake

World Running Down by Al Hess

Cemetery Boys by Aiden Thomas

Deadendia: The Watcher’s Test by Hamish Steele

Blackwater by Jeannette Arroyo and Ren Graham

Dear Mothman by Robin Gow

[yourdailyqueer]

Joss Lake

Gender: Transgender man

Sexuality: N/A

DOB: N/A

Ethnicity: White - American

Occupation: Writer

[darkmasterkattsvault]

a rose out of ice frozen ground

aka the lakes AU no one asked for

Age: Sam is 34 ; Ruby is 18 Canon status: divergent

Reign isn’t destroyed but fuses with Sam once again but with Sam fully in control of Reign. For about a year, everything goes well, until a particularly stressful series of months lead to Sam losing control. Reign takes hold and while nothing particularly bad happens to anyone, word gets out about who Sam is in relation to Reign. The media has a field day and a half with it, and before long, Sam is forced to go on the run.

So, she does just that. She drops her day job, pulls Ruby out of school, and eventually they end up in a secluded town. It’s definitely the kind of place that is full of artists and no one looks too hard at you if you don’t look “normal.” Sam finds out it’s a safe haven of sorts for aliens who can’t entirely fit in.

For a number of years, no one really hears from her. Christmas and birthday gifts are exchanged in person because Sam comes to them, but she never stays long and she never says where she goes back to. She also makes a point of never being followed. They know she’s doing okay, that she’s surviving, but no one really knows what she’s doing with herself.

Then, one day, five years after Reign’s defeat, Sam returns to National City, for an art gallery opening. Her gallery opening.

[auras-moonstone]

can i ask for shy!camp counselor ethan? like he’s great with kids but he’s very reserved around the rest of the crew. and reader is kind of extroverted. basically simp!!!! ethan

want to know you better — ethan landry

word count: 1,183

pairing: camp counselor!ethan landry x camp counselor!fem!reader

summary: after y/n defended ethan to their crew, she finally makes a conversation with him.

author’s note: this one is a bit short bc i’ve been super busy with college😫 on the bright side, part two of “august” is almost finished, so that’ll be my next post! 🫶🏻

Y/N COULDN’T RECALL ONE MOMENT IN WHICH ETHAN HAD WILLINGLY TALKED TO HER, OR ANYONE ELSE ON THE CREW FOR THE MATTER. She was very curious about him, the kids loved him and he seemed so sweet, but he always stayed silent during meetings and when the staff gathered around to eat.

“He doesn’t make conversation with us but he’s perfectly happy around kids. That’s a red flag” Vince, a staff member said while looking at Ethan, who was making the kids play by the lake.

“I wouldn’t say red flag, it’s straight up creepy” Joss replied with a laugh.

“Stop it” Y/N glared at them. “He’s not creepy, he’s just shy. Besides, I don’t blame him. You guys can be real mean sometimes.”

“Aw, does Y/N have a little crush?” Diana teased her.

“Really, Y/N? On Ethan? He’s not your type at all” Nate said.

“And how the fuck do you know if he’s my type or not?” Nate raised his hands in surrender “Whatever, I don’t have a crush on him, I’m just not a dick like you guys.”

“Come on, Y/N/N. You have to admit he’s weird” Diana scrunched her nose.

“He’s not. He doesn’t talk, so what? Have you tried to make a conversation with him?” she asked them, and they stayed silent. “Exactly my point. We haven’t been the most welcoming people.”

“I just get a weird vibe from him” Vince said, shrugging.

“Yeah, he’s giving psychopath” Nate agreed, making the rest of them laugh.

Y/N rolled her eyes “And you’re giving world’s biggest assholes” she stood up and made her way towards Ethan and the kids, ignoring how they called her name.

When the kids caught sight of her, they started jumping in excitement. “Y/N! Please help us, Ethan is being boring!”

Y/N gasped dramatically “Oh, how dare he! What do you need?”

“We want to play with the water guns” one of the kids said.

The older girl crossed her arms in front of her chest “How do you know about the water guns? They were supposed to be a secret until tomorrow. Have you been spying on our meetings?”

“No! Ethan let it slip” they replied, making the camp counselor glare at them, and muttered ‘Traitors’.

Y/N laughed and Ethan swooned. She was just so pretty, and her laugh was angelic “Wow, you snitched on him so fast, you don’t deserve Ethan’s kindness.”

“Boo, we thought you would be on our side, Y/N/N!”

“Fine, I don’t want to lose my spot as your favorite counselor, so let’s bring the water guns” she said, making the kids scream in excitement.

“We are not supposed to” Ethan said in a low tone.

Y/N stared at him, the sound of his voice surprised her. It was deep and calm, and nice to hear “Don’t worry, we can change the day of the activity. It’ll be fun. Besides, you can get your revenge on them for handing you in.” she smiled playfully.

Ethan’s smile was unlike anything Y/N had ever seen. His pearly white teeth were hypnotic and he had the most beautiful boyish laugh Y/N had ever heard. Now she really wished she’d talked to him sooner, she would have had that sight for longer.

The two counselors walked towards the supply closet to grab the water guns, fully aware of the rest of the crew’s eyes on them. She sent a dirty glare on their way.

“I’m sorry, Ethan.” Y/N said. Ethan looked at her expecting her to go on “For not talking to you earlier this summer. I know you’re too shy to make conversation, so I should’ve been the one to start it.”

Ethan shook his head “It’s okay.”

“It’s not” she quickly replied. “Even if we’re here for the job, it doesn’t mean we shouldn’t have fun. And you don’t deserve to spend your summer alone.”

“Thank you” Ethan smiled softly, his cheeks turning red. “I’m not sure the rest of the crew likes you talking to me.”

“I don’t care what those idiots have to say about me.” Y/N shrugged.

“Thank you for defending me earlier, by the way” he finally said. Y/N widened her eyes. “Yes, I heard. They aren’t exactly low talkers.”

“I’m sorry you had to hear that. It was awful, what they were saying.”

“A wise woman once said, I don’t care what those idiots have to say about me” Ethan said, in a weird period-drama kind of voice.

Y/N bursted out laughing and Ethan’s heart started racing “Those are some wise words indeed.”

“Can we play now or are you going to keep flirting?” the annoyed voice of a little girl said.

The two blushing messes holding the water guns shifted uncomfortably. They didn’t notice until the moment it was addressed, but they were flirting. And it felt good.

“Okay” Y/N said once everyone had their guns. “Let’s divide into groups.”

The kids exchanged smiles, and the counselors started to worry. Ethan looked at Y/N “They had schemed against us.”

“Kids…?”

“Attack!”

Before they knew it, the two authority figures were completely drenched. Y/N quickly grabbed Ethan’s hands and they started to run, the kids following their trails.

“Stop it, you monsters! You betrayed me!” Y/N yelled as she ran.

“You switched to Ethan’s side! Now you pay the consequences” they yelled back.

“Maybe… maybe we should stop” Ethan tried to catch his breath. “They’ll run out of water eventually. And I can’t breathe anymore.”

“Okay” Y/N agreed. “We surrender.”

The kids circled them once again, and they splashed them with water until their guns emptied. “Little devils” Ethan muttered as they fled the scene.

“That was fun, though” Y/N laughed.

The boy nodded “Your hair is sticking on your cheeks” Ethan laughed, putting her hair strands behind her ear. His deep brown eyes met hers and Ethan’s breath hitched. “You…” he shook his head and blushed “Never mind.”

“That’s the worst thing you can say to an over thinker. Now you have to spill it or I won’t be able to sleep until I know what you were going to say” Y/N told him, trying to ignore that she could still feel his touch on her skin.

“I don’t want to make you uncomfortable.” he sighed.

“Oh, shit. Do I have something in my face, in my teeth? Fuck, just te-” she asked embarrassed.

“I wanted to say you are beautiful.” he cut her off, not being able to meet her eyes. He glanced at his hands nervously.

Y/N took the chance to study his face. His puppy eyes were her favorite thing about him, she decided. But he also had beautiful long eyelashes, an adorable nose, and rosy cheeks to die for. His skin looked soft, and she couldn’t help but touch it. Y/N’s fingers grazed his jaw, making him look at her.

“And you’re gorgeous” Y/N said softly. “And I love how the kids seem to love you. You’re funny, and sweet and I want to know you better, if you want to.”

“I would really like that.” he nodded, smiling from ear to ear.

[finalgirlminamurray]

“meta horror” is another subgenre that’s kind of a hard sell for me. not that i don’t like any films that could be described that way but it’s hard to do well, i think, and if your audience is people with extensive knowledge of horror then it’s going to be especially hard to do it in a way that satisfies them. (it’s me i’m that audience.)

i thought maybe sometime soon i should watch the cabin in the woods again. i’ve only seen it once now, when i was first getting into horror movies, and since then after getting much deeper into the genre and greatly expanding my knowledge of it i probably would like it a lot less. part of that is due to the culture having soured a lot on joss whedon in the years since it came out, for good reason. part of it is due to my realization that a lot of the time when a “meta” horror movie posits certain tropes as universal or at least extremely common in the genre it’s…really not accurate.

a lot of meta horror stories are parodying or referencing slashers because that’s probably the subgenre with the most clearly established tropes and cliches and formulas, but they’ll also expand into “scary movies” in general with classic jokes about characters making “dumb” decisions and the like. the go-to slasher trope is “if you have sex you die” which i’ll agree is largely accurate but it often gets paired with “if you don’t have sex you live” and things like the killer specifically targeting people who have sex, which seems to happen way more often in parodies and meta slashers than in straight examples of the form. but then these parodies sometimes seem to inform people’s wider perception of the genre, even when film series get to the point where they’re parodying themselves. (see: jason goes to hell and jason x both specifically referencing “premarital sex” as something people do at camp crystal lake, and then stuff like that “it’s cool we’re married” meme that are based on a premise of the series following a “rule” it does not have.)

cabin in the woods doesn’t really go too far with the sex = death thing but it does assert that all or at least most popular horror films have a set of archetypes that the main victim characters always fit which is definitely not true in my experience. maybe i don’t watch enough lowbrow dumb slashers but i feel like there just aren’t a lot where you can easily sort the characters into “the scholar” “the athlete” “the fool”. there is usually at least one comic relief jokester guy and you can definitely do something with the way female characters are sorted into the virgin/whore dichotomy but most of the time there’s not really a Jock and a Nerd. it seems more based on teen movie archetypes than horror tropes and you’d have a hard time sorting most slasher movie casts into these (especially if there aren’t exactly 5 main characters, although that is a common number.) might be a consequence of them trying to reference horror movies in general and not a specific subgenre because while horror is a genre, different types of horror have different rules.

(another problem i have is that the film’s subversion of those character archetypes doesn’t really go farther than “the ‘jock’ is actually smart, the ‘nerd’ is actually a jock, the ‘fool’ is actually aware of what’s going on, the ‘whore’ is actually a Good Girl and the ‘virgin’ is actually a Bad Girl.” i do like the conceit that the designated ‘whore’ is just the girl who would have more opportunity to have sex on the trip since she’s going with her boyfriend, while the designated ‘virgin’ is just the one we don’t actually see having sex, but the film doesn’t really have time to explore that further. someone on tvtropes pointed that out. there Is interesting commentary here, it just also goes for broad strokes at other times.)

whedon has said that this film is a “loving hate letter” to the horror genre, or what popular horror films were like at the time, and i can see that - this movie came out at a time when american horror was kind of stagnating, but i also think the remake era was on its last legs at this point and we were just poised on the cusp of a new era of profitable genre trends when the conjuring got big. sources list cabin in the woods’ release date as alternately 2010, 2011, and 2012, which was kind of a transitional period for horror movies. makes sense that you might think horror was just cliches and unoriginal content at that point, but there’s good films in every era if you know where to look.

i definitely get the positioning of the elder gods they’re being sacrificed to as representative of how people just want the same familiar stuff over and over instead of anything new or different, but it makes more sense to have them represent the studios and producers who decide what’s profitable and what isn’t, and therefore what is and isn’t allowed to get made, based on which things have already made money, right? maybe i’m too generous to blame “audiences” for the executives with the real decision-making power who are terrified of “risk” (i.e, the possibility that something might not make them a shitload of money.) and yet everyone seems to talk about the elder gods as representing Us, the Viewers. there is a literal executive committee watching over everything, but they don’t have any control over what happens, and often talk about things they wish they could see but probably won’t because the trends go towards what’s reliable, so that probably makes them the audience…

which is reinforced by the scene of them all watching the designated final girl fighting for her life on a giant screen and cheering and celebrating while she struggles. and that opens a whole other issue with a lot of meta horror in that it tries to “implicate the viewers” and question why they enjoy watching people suffer and die but here’s the thing. there’s a very easy answer to that question and it is “because it’s not real”. again there’s interesting things you can do with the concept of implicating the audience but it is awfully hard to pull off successfully for that reason. if you try to go in on in-universe characters treating the horror as entertainment, then at some point you’re not commenting on horror fiction but true crime and that’s something else entirely. like how the scream sequels have an in-universe series of slasher films based directly on the events of the actual movies, which does stretch the suspension of disbelief a bit when they’re treated just like any other fictional horror movies.

speaking of scream, the reason it works so well is because it’s primarily a good slasher first and foremost. the meta references are part of the appeal but the film would probably work just as well without them. but because it was the first good slasher film we’d gotten in a while it spawned a wave of imitators that often get called “meta slashers” even though they’re really not particularly meta, they just have other things in common with scream like their casts full of popular teen tv actors. and kevin williamson, or a passable imitation of his writing style. (i do love scream 1 and 2 but the first movie gets credited with “revitalizing the horror genre” when really it just made studios realize that horror films could be profitable as long as they were like scream. there were plenty of great 90s horror films pre-scream that just weren’t as commercially successful.)

anyway. this post was just supposed to be about meta horror in general but it turned into me musing about cabin in the woods. i really should revisit it with both a critical eye and the intent to be fair to it instead of basing my criticisms off of my own memory of watching it once. it got a ton of praise when it first came out but now i feel like most people are cooler towards it. some parts definitely hold up (the sequence when they release all the monsters in the facility is a modern classic for a reason, the office workers’ banter is fun, the cast is good all around, and there’s some legit horror in the cosmic sense of being told that your friends were murdered for a “reason” and now you have to either kill yourself or your last surviving friend to “save the world”, what are you going to do? who do you believe in that situation?) ultimately i feel like it’s a reflection of a specific moment in time for horror and movies in general, which isn’t necessarily good or bad.

i’ll see if my assessment of “meta horror for people who don’t watch a lot of horror” is accurate. (as for meta horror for people who Do watch a lot of horror? it’s more slasher-specific but; behind the mask: the rise of leslie vernon. obviously.)

[bitterkarella]

JK Rowling: hello children Rowling: i want you to sssay hello to Rowling: graham lineham Lineham: [wearing foil hat] free masons run the country Rowling: he'sss got sssome great ideasss you should hear

Poe: joanne you don't need to bring him here Poe: like, you really don't Rowling: he hass thingsss to sssay and you're ALL going to hear them Poe: this is really kind of off topic for us here Rowling: EVERYONE will hear them

Rowling: ssssee, yearsss ago i disssmisssed graham lineham'ssss babble as the bad opticsss ravingsss of a lunatic Rowling: but now that the overton window hass sshifted Rowling: i'm proud to sssay thessse bad opticsss ravingsss are quite good actually!

Rowling: go ahead, graham, tell them what you told me Lineham: trans people produce no great films, no music, no art Lineham: they're incapable of doing this basic human thing because they're subhuman Lineham: untermensch, if you will Rowling: isssn't he great?

Lineham: trans books are always universally panned because of their incoherence Billy Martin: Hailey Piper: Eve Harms: Gretchen Felker-Martin: Joe Koch: M. Lopes da Silva: Arden Powell: Lor Gislason: Julya Oui: LC von Hessen: GE Woods: Michelle Belanger: Rain Corbyn: SA Chant:

FT Catulla: Viktor Athelstan: Meagan Hotz: Ziggy Schutz: Rose Sable: WN Derring-Judith: Charles Maria Tor: Devaki Devay: Dayna Ingram: Ori Jay: Ai Burton: Gabriel Valentine: Cosmin-Mihai Birsan: Jei D Marcade: Rhiannon Rasmussen: Max Turner: Taylor J Pitts: Vincent Endwell:

Bri Crozier: Theo Hendrie: Derek des Anges: Briar Ripley Page: Winter Holmes: gaast: Maya Deane: Charles-Elizabeth Boyles: Layne van Rensburg: Amanda M Blake: May Leitz: Alison Rumfitt: Rivers Solomon: Lillian Boyd: Torrey Peters: Taliesin Neith: Daniel M. Lavery: Joss Lake: Aubrey Wood: Jonah Wu:

Daphne du Maurier: Patricia Highsmith: Franz Kafka: Kafka: wait Kafka: why did the camera pan to me

Barker: oh you know why haha Poe: clive Kafka: why Kafka: [hugging blåhaj] i don't know what you mean

[too-antigonish]

The Classical Music of Ride, Part I: Mozart’s Requiem

You can’t trust anything or anyone in Ride. People aren’t who they seem to be. Every action, every event is just a cover for something else.

Is Morse one of the idle rich? An Oxford drop-out? A taxi-driver's son from Lincolnshire? A man who’s just finished a prison sentence? A policeman?

Long post....

Is Bixby the filthy rich head of a gambling empire? Is he just a front for Harry Rose’s criminal empire? Is he Charlie Greel looking to win back Cathy or Joss Bixby looking to seduce Kay? Is he even himself or is he his hidden, evil twin Conrad?

Are the denizens of Lake Silence really Morse’s friends—sheltering him after the storm of Blenheim Vale and prison? Or are they a bunch of dysfunctional philanderers and addicts? Even worse, are they suspects? Criminals?

Using Mozart’s Requiem in this episode must have absolutely delighted the music staff because while a great part of its fame and mystique rests on the sheer accumulation of stories and legends that have grown up around it, almost none of those tales can be proven—and all of them have been challenged at some point. You really don't know what's real and what's not—right down to the music itself.

Was the anonymous “stranger cloaked in gray” who gave him the commission the only sponsor Mozart ever saw? Or did he  at some point become aware  that the Count, Franz von Walsegg, was paying for the work? Some people today are shocked to hear that Walsegg planned to pass off the Requiem as his own work—as a tribute composed in memory of his dead wife—but that was a fairly common practice for the aristocracy of the time. It was considered slightly shady, but the proper thing to do was to just politely nod and go along with it.

Did Mozart, his mind disturbed by illness in his final days, truly come to believe that he had been poisoned and that he was writing the requiem mass for his own funeral? Or was that tantalizingly dramatic detail added by his widow Constanze to drive up sales of the score after the his death? The couple was catastrophically bad at managing money and when her husband died, the widowed Constanze was left with massive debts and two small children. She needed to maximize any possible source of revenue. 

Her story certainly captured the public imagination. Pushkin took that little tidbit about writing his own funeral mass and wrote a very short but thought-provoking  play in which he cast Mozart’s contemporary Salieri as the envious poisoner and Mozart himself as a childish, spoiled, and petty genius. Peter Shaffer later adapted Pushkin’s work into the play, and later film, Amadeus. A surprising number of people today believe Amadeus to be not the work of imaginative fiction that it is, but rather a completely factual story of Mozart’s life and death.

Mozart worked on the Requiem up to the day he died at the age of only 35. It was the last piece he worked on. Most scholars believe the manuscript we have contains not only the last music he ever composed but possibly the last words he ever wrote.

As far as authorship is concerned, we know for certain that Mozart himself completed “in skeleton” the Introit, the Kyrie, and almost all of the Sequentia (Dies irae, Tuba mirum, Rex tremendae, Recordare, Confutatis). The last portion of the Sequentia, the Lacrimosa, was completed was the up through the first 8 bars.

The last words that he actually wrote were "Quam olim da capo” — which instructed the musicians to repeat the "Quam olim" fugue of the Domine Jesu from the beginning. In yet another mysterious twist to the story of the Requiem, these actual last words were stolen—quite literally by tearing them from the manuscript—while the score was displayed at the 1958 World’s Fair in Brussels. They are still missing.

We are certain about the authorship of parts because we have the autograph manuscripts—the music in Mozart’s very own hand. The big question, however, has always been, how much the the rest of the Requiem can we consider his? The parts that were completed “in skeleton” basically had all of the “important” notes in place. Things missing include details like doubled parts that could fairly easily be extrapolated from what he had written. 

In order for Constanze to receive her money from Walsegg, however, she needed to make it appear that Mozart had completed the work entirely or almost entirely himself before his death. Not only would this ensure full payment from Walsegg, it would also promote sales of the score to the public later. A work written by Mozart alone would far out-sell a work written by Mozart and “Mr. Competent-But-Lesser-Known-Composer.”

Today we know that at least two of Mozart’s students were involved in finishing the piece, with the majority of the work being done by Franz Süssmayr. What we don’t know, however, is how much of the completed work is purely theirs and how much came from Mozart’s notes and verbal instructions.

Some versions of the story indicate that Mozart gave detailed deathbed instructions and left many “little scraps” of paper with details of how to complete the composition. Other versions claim that this talk of “little scraps” is simply more of Constanze’s effort to maximize Mozart’s contributions and minimize those of others.

Regardless, we know that the completed Requiem was eventually sent (with Mozart’s counterfeited signature!) to Count Walsegg and dated 1792—which is rather odd in retrospect given that it was well-known that Mozart had died on 5 December 1791. It's always been yet another mystery.

The two excerpts used in Ride are the Lacrimosa, during the opening titles and establishing scenes, and the Confutatis, which Morse is listening to on his record player as he splits wood outside the lakeside dacha.

The Latin text of the first reads:

Lacrimosa dies illa, Qua resurget ex favílla Iudicandus homo reus: Huic ergo parce, Deus:

The equivalent translation (i.e. not the one used at mass, but a more literal translation) is: 

Tearful [will be] that day, on which from the glowing embers will arise the guilty man who is to be judged: Then spare him, O God.

So Ride starts with tears and guilt.

I’ve always found it interesting that this text doesn’t even try to claim innocence, instead it very clearly asks that the guilty be shown mercy. 

The Latin text of the second reads:

Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis.

The equivalent translation is: 

Once the cursed have been silenced, sentenced to acrid flames, Call me, with the blessed.

This text always strikes me as coming almost from a child’s point of view. Basically one interpretation is, “Come and get me once you’ve taken care of all the bad guys.” I'll leave you to draw your own conclusions as to how that might apply to Morse post-Blenheim Vale and prison.

Next week: The Classical Music of Ride, Part II: Rigoletto or “Why keeping a person’s entire existence a secret leads to Bad Things.”

Special Bonus Section!!!

Parts of Mozart’s Requiem used in Endeavour: 

Dies irae: completed by Mozart in skeleton* S4E4: Harvest (~2 min) (~3 min)

Rex tremendae: completed by Mozart in skeleton* S9E3: Exeunt(~1 h 11 min)(~1 h 11 min)

Confutatis: completed by Mozart in skeleton* S3E1: Ride (~5 min)

Lacrimosa: completed by Mozart in skeleton* through measure no. 8 S2E3: Sway (~0 min)(~1 hr 24 min); S3:E1 Ride (~1 min)

Lux aeterna: Not in Mozart’s MS; however Süssmayr reuses the Requiem aeternam written by Mozart almost note-for-note with just the different text S9E3: Exeunt (~31 min)

*skeleton: means full vocal and continuo parts, notes for prominent orchestral parts and musical bridges

[queerliblib]

Hello! I just finished The Mimicking of Known Successes (& the sequel) and I loved it so much. I want to read something like that -- interesting adult scifi -- but with gay men. I've already read everything Everina Maxwell and Natasha Pulley have written. Thoughts?

hello! Hmm okay let’s see… in our Genre Fiction room we’ve got a ‘Queers in Space’ list. from that you might enjoy,

A Fractured Infinity by Nathan Tavares

Future Feeling by Joss Lake

then there’s also

Flux by Jinwoo Chung

Elegy for the Undead by Matthew Vesely

Edge of Nowhere by Felicia Davin

[respectthepetty]

GMMTV 2024 Part 1 - Hot Tops

I did this last year, so I guess I'll do it this year too even though I'm salty like the Great Lakes in Utah about not getting JoongDunk, release dates for the remaining 2023 shows, nor Midnight Museum 2. Even though I have questions like if High School Fremeny is gonna be queer and why GMMTV is determined to make Earth seem old (Ossan's Love, really?!), there was a lot that I liked about this lineup like . . .

#1 - ON SALE Peaceful Property

I don't know if this show is a BL or not or what its name is, but I don't care. I'm gonna watch the hell out of it regardless. After enjoying New in The Warp Effect act wild, then Tay in Midnight Museum (thug tears!) be unhinged, I'm excited to see them play to those strengths in the Thai edition of one of my favorite shows, Los Espookys, because we have the rich kid who needs the help of the poor ghost hunters. It looks like a funny (and heartwarming) take on los espookys, so I'll be scared, but it has color coding which makes it a HOT TOP for me. - For the Heart

#2 - Wandee Goodday

Great was queer in Manner of Death. It was canon to me, so I followed him to Catch Me Baby where he clearly wasn't queer, but NetJames as the support were, so it was a win. So I'll be damn sure to follow this fine man on this wild adventure with Inn where he is playing an actual queer. Like he knows "he is queer and is already having casual sex with a guy" queer. It also features THOR, DRAKE and POND, while being directed by GOLF with the possibility of color coding, so who am I to argue with perfection. - For the Kinks

#3 - My Golden Blood

I don't like vampires, but I love camp, and nothing gets campier than this pilot trailer even if was unintentional. I laughed so many times during it that I'm going to treat this as a comedy whether it is or not. It had Neo and Mond while also saving some space for potential "older" vampires to show up (Papang anyone?). Fluke Gawin continues to take one for the team, yet stays winning, so thank this babygirl for his service, while Joss serves body. Amen. - For the Laughs

#4 - The Trainee

Everyone looks miserable in corporate America Thailand, which is realistic because it is soul-sucking and never-ending, but OffGun are getting to play adults AGAIN, and like I wrote last year - They are Kelly Clarkson. Even at their worst, they are better than every one else, performance-wise, and they have View, Piploy, and Sea with his beautiful side profile as supports. Because it is an office BL, I'm already rooting for it, and it features Gun crying which is only rivaled by Khaotung tearing up, meaning it's marvelous. - For the Adults

#5 - Kidnap

Both Ohms are in it with Title and a newbie, but I'm only showing up 42% for them and 58% for PAPANG! That's it! That's the reason. - For the PAPANG!

Honorable Mention - Pluto

It's really shitty of me to put a picture of the bully, played by THOR (again!), as the image for this when it is a GL, but the entire reason it isn't even ranked is because . . .

WHAT WAS IT ABOUT?!

There are twins? One gets in a car accident with her husband right after the wedding or on the way to the wedding? The other twins takes her place to figure out what happened? But falls back in love with her bestie? Or were they already in love? Or did the chick actually love the other twin? Make it make sense, Mary! All I truly understood was Thor & Baseball Bat. Everything else was confetti. - For the ???

Everything Else

As usual, I'm showing up for everything queer, so even if I'm not looking forward to them I'll watch them.

But Ossans' Love . . . really, GMMTV? *eye roll for making me sit through it again in another language*

[transbookoftheday]

Future Feeling by Joss Lake

An embittered dog walker obsessed with a social media influencer inadvertently puts a curse on a young man—and must adventure into mysterious dimension in order to save him—in this wildly inventive, delightfully subversive, genre-nonconforming debut novel about illusion, magic, technology, kinship, and the emergent future.

The year is 20__, and Penfield R. Henderson is in a rut. When he's not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he's holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden's social media account and post a picture of Pen's aloe plant, Alice, tied to a curse:

Whosoever beholds the aloe will be pushed into the Shadowlands.

When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants' collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn't just the people who birthed you.

Magnificently imagined, linguistically dazzling, and riotously fun, Future Feeling presents an alternate future in which advanced technology still can't replace human connection but may give the trans community new ways to care for its own.

[transnovelsbracket]

This is the randomly-generated bracket for adult (i.e. non-YA) novels by trans authors! The books are as follows (in order of when I thought of them). Please boost this post! The first round will begin tomorrow, or as soon as I get at least a couple of reblogs on this.

Fierce Femmes and Notorious Liars, Kai Cheng Thom

Little Fish, Casey Plett

Small Beauty, jia qing wilson-yang

She Who Became The Sun, Shelley Parker-Chan

An Unkindness of Ghosts, Rivers Solomon

Future Feeling, Joss Lake

Confessions of the Fox, Jordy Rosenberg

Light From Uncommon Stars, Ryka Aoki

In The Watchful City, S. Qiouyi Lu

Detransition, Baby, Torrey Peters

Nevada, Imogen Binnie

Freshwater, Akwaeke Emezi

Summer Fun, Jeanne Thornton

Paul Takes the Form of a Mortal Girl, Andrea Lawlor

Yemaya's Daughters, Dane Figueroa Edidi

Manhunt, Gretchen Felker-Martin

The Thirty Names of Night, Zeyn Joukhadar

Machineries of Empire series, Yoon Ha Lee

The Tensorate series, Neon Yang

Sea Witch, Never Angeline Nørth

The Subtweet, Vivek Shraya

The Story of Silence, Alex Myers

Wrath Goddess Sing, Maya Deane

Everyone on the Moon is Essential Personnel, Julian K. Jarboe

Upright Women Wanted, Sarah Gailey

Darryl, Jackie Ess

The Four Profound Weaves RB Lemberg

Little Blue Encyclopedia, Hazel Jane Plante

Otros Valles, Jamie Berrout

the earthquake room, Davey Davis

The City in the Middle of the Night, Charlie Jane Anders

Running Down, Al Hess

[contracat25]

Alright as it is Trans Day of Visibility (Hi still not cis, still here etc.) and the final day of the extended Trans Rights Readathon I thought I would post about a few more of my favorite books by trans authors because hopefully everyone will be reading books by trans authors and about trans characters/topics all year round. Because to me this day is about supporting others in the community as much as anything else. The world is pretty on fire right now so if you can support a trans creator, artist, organization or friend today (and beyond) then do it!

So here are a bunch of shorter reads: books, graphic novels, novellas etc. I didn't really notice how many novellas I had been reading recently till making this list, but there is something about a wel- written short book that just really works for me. Also a lot of these just have really creative or lovely concepts and I am a sucker for those. Plus the characters in these are soooo good! Also a lot of these have lovely audiobooks or e-books, hence me not having a physical copy (yet). Many of these have trans characters as well, but not all of them. Though most have some form of queer rep because I don't read much that doesn't. I included muliple by some of the authors, including sequels because... I just really like them and couldn't pick just one. Most of these authors have other books that are also wonderful. And these are just a handful of examples, there are so many fabuluous books by and about people who are trans.

Six Months, Three Days, Five Others by Charlie Jane Anders

Peter Darling by Austin Chant

The Companion by EE Ottoman

The Barrow Will Send What It May by Margaret Killjoy

Taste of Marrow and River of Teeth by Sarah Gailey

Even Though I Knew the End by C. L. Polk

Upright Women Wanted by Sarah Gailey

Nimona by Nate Stevenson

Gender Queer by Mia Kobabe

The Seep by Chana Porter

Future Feelings by Joss Lake

Pet by Akwaeke Amezi

The Deep by Rivers Solomon

The Black Tides of Heaven; The Red Threads of Fortune; The Descent of Monsters; The Ascent to Godhood by Neon Yang

Finna and Defekt by Nino Cipri Coffee Boy and Caroline's Heart by Austin Chant

ID: Slide one has a stack of 10 books on a teal background. Slides two through four have a white background and four book covers and a boarder of books in the trans flag colors.

[fictional-detective-tournament]

List of accepted characters:

This will be updated as I review submissions.

Lord El Melloi II/Waver Velvet from the Fate series

Ranpo Edogawa from Bungo Stray Dogs

Atsushi Nakajima from Bungo Stray Dogs

Osamu Dazai from Bungo Stray Dogs

Doppo Kunikida from Bungo Stray Dogs

Kenji Miyazawa from Bungo Stray Dogs

Junichiro Tanizaki from Bungo Stray Dogs

Kyoka Izumi from Bungo Stray Dogs

Akiko Yosano from Bungo Stray Dogs

Yukito Ayatsuji from Bungo Stray Dogs: Another Story

Ryuu Amakusa from Tantei Gakuen Q

Kyuu Renjo from Tantei Gakuen Q

Megumi Minami from Tantei Gakuen Q

Kintarou Tooyama from Tantei Gakuen Q

Kazuma Narusawa from Tantei Gakuen Q

Lady Love Dies from Paradise Killer

Shinichi Kudo/Conan Edogawa from Detective Conan

Shenanigan Swift from The Swifts: A Dictionary of Scoundrels

Phenomena Swift from The Swifts: A Dictionary of Scoundrels

Erf from The Swifts: A Dictionary of Scoundrels

Tsukauchi Naomasa from Boku no Hero Academia

Carlton Lassiter from Psych

Juliet O'Hara from Psych

Damien Darkblood from Invincible (The TV adaptation)

Shawn Spencer from Psych

Nick Valentine from Fallout 4

Will Graham from Hannibal

Goro Akechi from Persona 5

Neal Caffrey from White Collar

Erin Lindsay from Chicago PD

Aniq Adjaye from The Afterparty

Detective Danner from The Afterparty

Hank Voight from Chicago PD

Antonio Dawson from Chicago PD

Bruce Wayne/Batman from DC Comics

Tim Drake from DC Comics

Julia Argent from Carmen Sandiego

Alvin Olinsky from Chicago PD

Chase Devineaux from Carmen Sandiego

Shikanoin Heizou from Genshin Impact

Beverly Katz from Hannibal

Sam Vimes from Discworld

Herlock Sholmes from The Great Ace Attorney Chronicles

Columbo from Columbo

Hercule Poirot from the Hercule Poirot series

Dick Gumshoe from Ace Attorney

Jay Halstead from Chicago PD

Kim Burgess from Chicago PD

Kevin Atwater from Chicago PD

Adam Ruzek from Chicago PD

Jean-Baptiste Adamsberg from the Commissaire Adamsberg series

Sean Roman from Chicago PD

Llewellyn Watts from Murdoch Mysteries

Sheldon Jin from Chicago PD

Parker Pyne from Parker Pyne Investigates

Karen Vick from Psych

Keith Mars from Veronica Mars

Harley Quin from The Mysterious Mr. Quinn

Ariadne Oliver from the works of Agatha Christie

Burton Guster from Psych

James Gordon from DC Comics

Veronica Mars from Veronica Mars

Nancy Drew from Nancy Drew

Henry Spencer from Psych

Vinnie Van Lowe from Veronica Mars

Chloe Decker from Lucifer

Dan Espinoza from Lucifer

Peter Burke from White Collar

Clinton Jones from White Collar

Reese Hughes from White Collar

Verges from Much Ado About Nothing

Auguste Dupin from the Dark Tales series

Blue from Blue’s Clues

Françoise Dupont from Fantômette

Renee Montoya from DC Comics

Kostas Charitos from the Kostas Charitos Series

Gertrude Loveday from the Ryder and Loveday series

Phryne Fisher from Miss Fisher’s Murder Mysteries

Raquel Murillo from Money Heist

Miss Jane Marple from the works of Agatha Christie

Javert from Les Misérables

Inspector Gadget from Inspector Gadget

Patrick Jane from Mentalist

Daisy Day from Anansi Boys

Joss Carter from Person of Interest

Arthur Lester from Malevolent

Sherlock Holmes from Sherlock Holmes

Juno Steel from the Penumbral Podcast

Lilly Rush from Cold Case

Sherlock Holmes from the Beekeeper’s Picnic

Koichi Zenigata from Lupin III

Loki from Mythical Detective Loki Ragnarok

Hildibrand Manderville from Final Fantasy XIV

Shotaro Hidari from Kamen Rider W

Terezi Pyrope from Homestuck

Hershel Layton from the Professor Layton series

Shuichi Saihara from Danganronpa

Miles "Tails" Prower from The Murder of Sonic the Hedgehog

Kyoko Kirigiri from Danganronpa

Adrian Monk from Monk

Nightbeat from Transformers

L from Death Note

Dale Vandermeer from the Rusty Lake series

Yuma Kokohead from Master Detective Archives: Raincode

Vivia Twilight from Master Detective Archives: Raincode

Saguru Hakuba from Magic Kaito

Benoit Blanc from the Knives Out series

Inspector Cabanela from Ghost Trick: Phantom Detective

Phoenix Wright from Ace Attorney

Nagito Komaeda from Danganronpa

Looker from Pokemon

Kaname Date from AI: The Somnium Files

Makoto Naegi from Danganronpa

Heiji Hattori from Detective Conan

Masumi Sera from Detective Conan

Little Red Riding Hood from Once Upon a Crime

Enola Holmes from Enola Holmes

Detective Pikachu from Detective Pikachu

Tom Barnaby from Midsomer Murders

Riz Gukgak from Fantasy High

Seiji Nanatsuki from Special 7: Special Crime Investigation Unit

Shiori Ichinose from Special 7: Special Crime Investigation Unit

Makoto Date from Yakuza

Richard Castle from Castle

Nick Burkhardt from Grimm

Dr Temperance Brennan from Bones

Catherine Chandler from Beauty and the Beast

Sokka from Avatar: the Last Airbender

Yagami Takayuki from Judgement

Workaholic Detective from Process of Elimination

Stone from City of Angels

Angus McDonald from The Adventure Zone

Gina Lestrade from The Great Ace Attorney Chronicles

Bobby Bronson from Roar

Cellbit from QSMP

Hunch Curios from Mentopolis

Hazel Wong from Murder Most Unladylike

Frog Detective from the Frog Detective Series

Victorique de Blois from Gosick

Gabriel Utterson from The Strange Case of Dr. Jekyll and Mr. Hyde

Sherlock Holmes from BBC Sherlock

Jacques Clouseau from Pink Panther

Olivia Dunham from Fringe

Joseph Rouletabille from the Rouletabille series

Daisy Wells from Murder Most Unladylike

Pippa Fitz-Amobi from A Good Girl’s Guide to Murder series

Lisbeth Salander from the Millennium series

Wato Hojo from Process of Elimination

Ideal Detective from Process of Elimination

Renegade Detective from Process of Elimination

Techie Detective from Process of Elimination

Bookworm Detective from Process of Elimination

Posh Detective from Process of Elimination

Doleful Detective from Process of Elimination

Gourmet Detective from Process of Elimination

Rowdy Detective from Process of Elimination

Mystic Detective from Process of Elimination

Downtown Detective from Process of Elimination

Armor Detective from Process of Elimination

Halara Nightmare from Master Detective Archives: Raincode

Mashita Satoru from Spirit Hunter: Death Mark

Dogberry from Much Ado About Nothing

Shi Qiang from The Three Body Problem

Azuma Tsuyuri from Clock Over Orquesta

Cherry Ames from the Cherry Ames series

Leroy "Encyclopedia" Brown from the Encyclopedia Brown series

Lobster Cop from the Frog Detective Series

Sandra the Fairytale Detective from Sandra the Fairytale Detective

Geronimo Stilton from the Geronimo Stilton series

Paul Prospero from The Vanishing of Ethan Carter

Elijah Baley from the Robot series

Dirk Gently from Dirk Gently's Holistic Detective Agency

Suiri from Pop'n Music Lapistoria

Joan Watson from Elementary

Roquier from Puyo Puyo Quest

Holly Short from Artemis Fowl

Jo Martinez from Forever

Alex Parrish from Quantico

Cristóbal Cuevas from Cable Girls

Oskar Rheinhart from Vienna Blood

Emily Prentiss from Criminal Minds

Jane Doe from Blindspot

Dick Grayson from DC Comics

Ziva David from NCIS

Nell Jones from NCIS: Los Angeles

Lou Ransone from 9-1-1

Megan Hunt from Body of Proof

Cal Lightman from Lie to Me

Carrie Wells from Unforgettable

Spy Rise from Skylanders: SWAP Force

Flavia de Luce from the Flavia de Luce series

Camille Bordey from Death in Paradise

Florence Cassel from Death in Paradise

Jessica Jones from Jessica Jones

Charlie Eppes from Numb3rs

Elizabeth Keen from The Blacklist

James Hathaway from Lewis

Vern Loomis from Why Women Kill

Erika Furudo from Umineko

Sissel from Ghost Trick: Phantom Detective

Lafcadio Boone from The Sexy Brutale

Lynne from Ghost Trick: Phantom Detective

Mabel Mora from Only Murders in the Building

Oliver Putnam from Only Murders in the Building

Charles Haden Savage from Only Murders in the Building

Jowd from Ghost Trick: Phantom Detective

Scooby Doo from Scooby Doo

Daphne from Scooby Doo

Fred from Scooby Doo

Velma from Scooby Doo

Shaggy from Scooby Doo

Naoto Shirogane from Persona 4

Fenton Hardy from the Hardy Boys

Ema Skye from Ace Attorney

Natsuko Aki from Re: Cutie Honey

Naomi Misora from Death Note

Sakurako Kujou from Beautiful Bones -Sakurako's Investigation-

MaoMao from the Apothecary Diaries

Vic Sage/The Question from DC Comics

Detective Chimp from DC Comics

Madame Vastra from Doctor Who

Terry from Rune Factory 5

Cecil from Rune Factory 5

Chromedome from Transformers

Xie Lian from Heaven Official’s Blessing

Phosphophyllite from Houseki no Kuni

Sam Spud from Between the Lions

Dana Scully from the X-Files

Fox Mulder from the X-Files

Sherlock Holmes from Elementary

Barbie from the Detective Barbie series

Bill Stork from Hoodwinked

Nicky Flippers from Hoodwinked

Hercule Poirot from Agatha Christie's Great Detectives Poirot and Marple

Ross Sylibus from Armitage III

Kansuke Yamato from Detective Conan

Kirill Vrubel from Double Decker! Doug & Kirill

Data from Star Trek: The Next Generation

Spencer Reed from Criminal Minds

Harrier Du Bois from Disco Elysium

Mário Fofoca from Elas Por Elas

Roxy Hunter from the Roxy Hunter series

Dr. Thomas Silkstone from the Dr. Thomas Silkstone series

Endeavour Morse from the Endeavor series

Vera Stanhope from Vera

Kristin Sims from the Brokenwood Mysteries

Brenda Johnson from The Closer

Rex from Hudson and Rex

Alec Hardy from Broadchurch

Billie Webber from Unit 42

Hannah Zeiler from Murder by the Lake

Sherlock Holmes from Moriarty the Patriot

Helena Wayne from DC Comics

Angel from Angel: The Series and Buffy the Vampire Slayer

Nick Knight from Forever Knight

Navia from Genshin Impact

Luo Wenzhou from Mo Du

Brother Cadfael from the Brother Cadfael Chronicles

Miss Maud Silver from the Miss Silver series

Fei Du from Mo Du

Mitsuko Hoshino from My Dear Detective: Mitsuko's Case Files

Saku Yoshida from My Dear Detective: Mitsuko's Case Files

Jake Peralta from Brooklyn Nine-Nine

Steven Stone from Pokémon

Anthony Lockwood from Lockwood and Co.

Thea Stilton from the Thea Stilton series

Saito Yakumo from Psychic Detective Yakumo

Dipper Pines from Gravity Falls

Pennington from Paper Mario: The Thousand Year Door

Jessica Fletcher from Murder She Wrote

Tetsuo Tsutsumi from Paranormasight: The Seven Mysteries of Honjo

Jun Erio from Paranormasight: The Seven Mysteries of Honjo

Richter Kai from Paranormasight: The Seven Mysteries of Honjo

Abe Lincoln from Who Killed Markiplier?

Steve Carella from the 87th Precinct Series

C. Auguste Dupin from the works of Edgar Allen Poe

Gesicht from Pluto

[ryttu3k]

Trans Rights Readathon book list! I've gone through my ridiculous TBR and pulled out… pretty sure everything that qualifies. I've also included a few recs for books with trans writers, protags/major characters, or both!

On TBR, owned

Aoki, Ryka - Light from Uncommon Stars (SFF, 372 pages)

Lake, Joss - Future Feeling (SFF, 294 pages)

Lemberg, RB - The Unbalancing (fantasy, 244 pages - hard copy)

Polydoros, Aden - The City Beautiful (YA fantasy, 462 pages)

Quills, Coffee - Blasted Research (SF, 288 pages)

Wilkes, Ally - All The White Spaces (horror, 358 pages)

On TBR, not owned

Angus, Callum - A Natural History of Transition (collection, 200 pages)

Candon, Emma Mieko - The Archive Undying (SF, 482 pages)

Dawson, Juno - Her Majesty's Royal Coven (fantasy, 452 pages)

Edgmon, HE - The Witch King (YA fantasy, 432 pages)

Fellman, Isaac - Dead Collections (fantasy romance, 256 pages)

Kelly, Anita - Love and Other Disasters (romance, 371 pages)

Lamb, Sacha - When The Angels Left The Old Country (YA fantasy, 400 pages)

Lukens, FT - In Deeper Waters (YA fantasy, 307 pages)

Mandelo, Lee - Summer Sons (gothic horror, 372 pages)

McLemore, Anna-Marie - Lakelore (YA fantasy, 289 pages)

McQuiston, Casey - One Last Stop (fantasy romance, 422 pages)

Pulley, Natasha - The Mars House (SF, 469 pages)

St Hogan, Carter - One or Several Deserts (collection, 206 pages)

Thomas, Morgan - Manywhere (collection, 209 pages)

Ones I've already read and am nudging others towards

Chambers, Becky - Monk & Robot

Chant, Austin - Peter Darling

Cipri, Nino - Finna; Defekt

Drayden, Nicky - The Prey of Gods

Hess, Al - World Running Down

Künsken, Derek - The House of Styx

Jamnia, Naseem - The Bruising of Qilwa

Jarboe, Julian K - Everyone On The Moon Is Essential Personnel

Lavery, Daniel M - Something That May Shock And Discredit You (part essays, part memoir. Originally published as Daniel Mallory Ortberg)

Lee, Yoon Ha - Phoenix Extravagant

Lemberg, RB - The Four Profound Weaves (one of the only stories I've read with older trans characters)

Kalsulke, Calvin - Several People Are Typing

Maxwell, Everina - Winter's Orbit

Stinzi, John Elizabeth - My Volcano (completely bonkers (complementary))

Sylver, RoAnna - Chameleon Moon series; Stake Sauce series

Tingle, Chuck - Camp Damascus (one of my top three books of last year!)

White, Andrew Joseph - Hell Followed With Us (one of my other top three books of last year!); The Spirit Bares Its Fangs

[thistle-nightshade]

What to Read for the Trans Rights Readathon 2024

NonFiction:

I Hope We Choose Love by Kai Cheng Thom

Ten Steps to Nanette by Hannah Gadsby

Safe and Sound by Mercury Stardust

Spectrums: Autistic Transgender People in Their Own Words (Various)

Fantasy:

The Final Strife by Saara El-Arifi

Cemetery Boys by Aiden Thomas

Lark and Kasim Start a Revolution by Kacen Callendar

Our Bloody Pearl by DN Bryn

Pet by Akwaeke Emezi

Venom & Vow by Elliot McLemore and Anna-Marie McLemore

Sci-Fi:

Mazarin Blues by Al Hess

Winters Orbit by Everina Maxwell

Strictly No Heroics by BL Radley

Horror:

Hell Followed with Us by Andrew Joseph White

Your Body is Not Your Body (Various)

General Fiction:

The Free People's Village by Sim Kern

Future Feeling by Joss Lake

Jonny Appleseed by Joshua Whitehead

The Thirty Names of Night by Zeyn Joukhadar

Romance:

A Taste of Gold and Iron by Alexandra Rowland

The Stars and the Stage by DN Bryn

[bitterkarella]

Midnight Pals: Final Girl

Stephen Graham Jones: Submitted for the approval of the Midnight Society, I call this the tale of the girl who’s obsessed with slashers Jones: there’s this girl who just constantly talks about slashers Barker: oh that sounds really annoying Jones: Barker: like that sounds SO annoying

Jones: so one day she thinks she might be in the middle of her own slasher movie Jones: and she thinks oh shit this rules Jones: people are just gonna get murdered left and right Jones: this fucking rocks

King: so why’s she think she’s in a slasher movie? is there a killer on the loose? Jones: oh it’s cuz this hot virginal girl moves into town King: King: wait so not because anyone gets murdered? Jones: no just cuz this hot girl moves in Jones: i mean that’s usually the first indication that a slasher is around right? King: to be honest, it’s not usually the first thing I’d think of Poe: yeah that could indicate a lot of different things

Jones: so this hot but very pure girl moves into town King: and somehow that makes the slasher-obsessed girl think that she’s in a slasher movie come to life? King: but why would tha- Joss Whedon: [shrieking] SHE’S THE FINAL GIRL!!! Whedon: LET ME TELL THE STORY! Whedon: I KNOW ALL THE TROPES!

Jones: see, this girl knows the rules of a slasher movie Jones: so she knows how to- Joss Whedon: OH! OH!!! Whedon: OH!!!!!! Whedon: PICK ME!! PICK ME!! I have thoughts on this!! Jones: Jones: no Whedon: b-b-b Whedon: [weakly] b-but the tropes Whedon: [weakly] i-i need the tropes to live Whedon: [weakly] p-please Whedon: [weakly] the tropes Whedon: [pathetic cough]

Jones: also in the midst of this a whole herd of elk mysteriously dies Jones: possibly from overexertion during a pick up basketball game King: Poe: Jones: It could happen

Jones: so this girl sees some classmates going to a party Jones: so she puts on her michael myers mask and kind of stalks around in the background Jones: as you do

Jones: there’s a summer camp that was once the site of a slasher-type massacre. It was on the other side of the lake, up the road with the gas station, you know, the one  old man McGee ran? He used to sell sodas in cans, not with the pop tops. With the pull tabs. They don’t make those anymore, you can’t even get them. King: so about that massacre Jones: this is what we call local color

Jones: so i had to take the ferry over to terra nova. so i tied an onion to my belt, as was the style at the time. we didn’t have white onions on account of the war Koontz: [crying] when are we gonna get to the massacre