#joshua collection

[pealooza]

???? ? stuff

[temporarylikeapumpkin]

my favourite gifs of 2024

[aviewtoakillmp3]

they could never make me hate you guys….

[hammerheadmarc]

JOSHUA TREE ‘23

read hammerhead.blog

[starexaccidia]

More art....hahahaha....IVE BEEN ON A ROLL!!! THESE LITTLE STICK PEOPLE CONSUME MY EVERY WAKING THOUGHT!

NEW OC!!! I made him for a stupid roleplay and now I really love him and he's great and the light of my life I love you Josh you're so bad at your job but you mean everything to me

I also drew Terrance in ACT prep class while listening to ride the cyclone...so...yeah....

I don't know why I thought of him but it happened!!!

[fancypantsrecords]

Various Artists - Omega Strikers (Original Game Soundtrack) | Materia Collective | 2024 | "Core" Black-In-Yellow Translucent

[elirium]

tini tiny little one

[dalkyeom]

curly hair shua curly hair shua curly hair shua

[moonilit]

Tiny Jote doodles, you can tell me 6 yo Jote ‘nursed’ a comatose Joshua all you want SE that what SHE thought she was doing because she was a kid

[populousgraph]

Bwah... I'm so eepy

I don't have art at the moment, but I do have these thingies I did with my friend @lo0cifer

Basically, we picked a question and have our oc's answer in character.

[mafaldaknows]

Instagram: lenebladbjerg

🏜🌵✨👌👀💚☺️

[gutsofgold]

WitW musical content you may not have seen!!

— Stoat and Lesser

— Two traumatised looking rabbit butlers

Source for both: @mikeeeee7 (Michael Larcombe) on Instagram

[contentabnormal]

Lara Parker as Madelaine Perkins in Kolchak: The Night Stalker episode "The Trevi Collection"

Watercolors on Paper, 8.5" x 11", 2024

By Josh Ryals

[melonmortis]

I haven’t drawn anything really that serious in a while so I’ve been trying to force myself to remember how to do so :]

[portrait-paintings]

Miss Nelly O'Brien

Artist: Joshua Reynolds (English 1723 - 1792)\

Date: c. 1762–1764

Medium: Oil on canvas

Collection: The Wallace Collection, London

Description

Nelly O’Brien (d. 1768) was a well-known beauty and courtesan, who sat for Reynolds on a number of occasions between 1760 and 1767. The present picture is similar to a work in the Hunterian Art Gallery; both almost certainly date to 1762–4.

O’Brien is portrayed in fashionable contemporary dress, holding a Maltese lapdog. By c.1763, she was the mistress of Frederick St John, 2nd Viscount Bolingbroke (1732–1787). However, there is no evidence to suggest that the portrait was commissioned. Rather, it is thought that Reynolds painted it without a particular buyer in mind, as a means of demonstrating his skills. The portrait is notable for its interplay of light and shadow, particularly in the upper part of the sitter’s body, where the wide brim of the bonnet casts a shadow over her face and bosom. Reynolds rendered with great subtlety the different tones, colours and fabrics of eighteenth-century costume, particularly in the skirt area, where a transparent layer of lace is convincingly and effectively portrayed overlying the quilted material underneath.

The sitter’s forward-facing pose, in which she directly engages with the viewer, is bold and suggestive. It is thought that Thomas Lawrence may have been inspired by the composition, when developing his similarly-arresting portrait of the Countess of Blessington, a painting now also in the Wallace Collection (P558). Certainly, Reynolds’s portrait was well-known throughout the 18th and 19th centuries, having been engraved on multiple occasions.

The portrait was acquired by the 2nd Marquess of Hertford in 1810.

[elirium]

for @little-big-batbag

bonus:

sorry, i just cannot stop myself from drawing cute things