#josefa de óbidos

[beatricecenci]

Josefa de Óbidos (Portuguese, 1630-1684)

O Cordeiro Sacrificial

[attichoney4u]

[gordiicore]

[matildenoiade]

Willem Kalf e Josefa de Óbidos

[lubentina]

Josefa de Óbidos (Portugese, c.1630-1684)

St. Francis and St. Clare of Assisi in adoration of the Infant Christ, 1647, probably after Gerard Seghers

[art1for2the3masses]

Josefa de Óbidos, O Cordeiro Pascal, 1660-70

Easter lamb.

Via Figuration Féminine

[milkywayrollercoaster]

Josefa de Óbidos (1630-1684)

Portuguese painter

photos cjmn

[truhanthings]

San Francisco y Santa Clara adorando al Niño Jesús. Josefa de Óbidos.

[dumbbitchhour]

Josefa de Óbidos, Flowers and Fruits on Stone Steps, mid-17th c. x

[389]

The Sacrificial Lamb by Josefa de Óbidos, 1670

[beatricecenci]

Josefa de Óbidos (Portuguese, 1630-1684)

Lactação de São Bernardo

[feminist-butch-menace]

Women in art - history series (The Baroque times)

Baroque art reflected the social turmoil existing in Europe and the Catholic church's influence, stressing images of intense piety. Artists developed strong styles with dramatic colors, using the effects of light and theatrical physical poses. Baroque art is well-known for the artists who used the techniques of chiaroscuro and tenebrism, creating intense dark spaces punctuated by delicate features.

Artemisia Gentileschi

Was born in Rome, now recognized as the most influential female artist from the Baroque period and one of the most expressive artists of the era. Although few women could become professional artists then, her father recognized her abilities and taught her painter's skills. As her capabilities grew, her father hired the well-known painter Agostino Tassi to further her education. Unfortunately, she was raped by Tassi, who eventually was brought to trial on the charges, an emotionally difficult trial for Gentileschi. During the trial, they used thumbscrews on her to ensure she was telling the truth. After a lengthy trial, Tassi was sentenced to eight months in jail. Many historians believe the rape and trial heavily influenced Gentileschi and how she painted.

Eight months, only 8 fucking months. Maybe a few centuries went by but this shit is still the same. Women weren't seen as humans and people. Unfortunately still aren't. Male rapist get laughable sentences for one of the worst crimes. An also of course he was a close person and a person of authority. No male is fuking safe.

Louise Moillon

Was born in Paris and lived in a neighborhood populated by refugees from the Netherlands. The family brought their interest and concepts of still life painting from the Netherlands, and Moillon developed her style to arrange the objects in her paintings. Moillon became well-known, and the French nobility and King Charles I of England purchased her works. She completed most of the work before she unfortunatelly got married in the 1640s and had children.

Josefa de Óbidos

Was born in Spain and, as a Baroque artist, was considered one of the most prolific. She lived in a convent for a while and was educated by the Augustinian nuns. When Óbidos was thirty-one, she received her parent's support to emancipate herself and to control her life independently. As an independent painter, Óbidos created several altarpieces, portraits of clients, and still life demonstrating her various capabilities as an artist. She was recognized as one of the most accomplished painters of the time, a recognition occurring when men dominated art.

Source: GUSTLIN, Deborah and GUSTLIN, Zoe, 2023. Herstory: Women Artists in History.

[nimiana]

the dark urge and orin the red, cain and abel

@orpheuslament After Abel / Unn Sønju Guantánamo / Laszlo Mathe Cain and Abel / José Saramago Cain tr. Margaret Jull Costa / Agata Kuś Sisters / lamb born with two heads in Hohhot, China / Richard Siken You are Jeff / Josefa de Óbidos The Sacrificial Lamb / Jeanine Brito Tenderness as Inheritance / Carolein Smit / Małgorzata Szumowska The Other Lamb / Leonard Cohen Famous Blue Coat

[girlhaggard]

lamentation, ludovico carracci / röttgen pietà / the making of the perfect martini, guy buffet / kongo power figure / dead christ, annibale carracci / beauty revealed, sarah goodridge / agnus dei, josefa de óbidos / ivan the terrible and his son, ilya repin / what doesn't kill me better run, oh de laval

[lubentina]

Josefa de Óbidos (Portugese, c.1630-1684)

Still life, 17th century, private collection

[art1for2the3masses]

Josefa de Óbidos, St. Theresa, 1672