#joni mitchell archives

[mclennonlgbt]

Posłuchaj albumu Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

Big day for annoying people <3

[sunforgrace]

but now it’s just another show, and you leave ‘em laughing when you go

both sides now - joni mitchell

[bobdylan-n-jonimitchell]

Joni Mitchell with her most recent “Archives” series release, “The Asylum Years (1976–1980)” 2024.

[krispyweiss]

Song Review: Joni Mitchell - “Traveling (Hejira) [Demo]”

“All right, that felt great,” Joni Mitchell said after laying down a demo of the song that would become “Hejira.”

It sounded even better than great and the recording - now dubbed “Traveling (Hejira) [Demo]” - is the rare demonstration that may someday turn out to be the song’s definitive rendition.

With fully formed melody and lyrics delivered solo and acoustic, the nascent “Hejira” is brighter than the final iteration that titled Mitchell’s 1976 LP. And Mitchell renders it as if she’s aiming for a take - it sparkles flawlessly to the point one has to wonder if she and her in-studio collaborators forgot about it until they started to put together the forthcoming (Oct. 4) Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980).

At this point, it doesn’t really matter. What does matter is that this long-vaulted gem - which follows Mitchell’s Dec. 4, 1975, performance of “Coyote” - is finally out.

It was worth the wait.

Grade card: Joni Mitchell - “Traveling (Hejira) [Demo]” - A+

9/10/24

[heartsaglowinthedarkness]

Joni Mitchell recording in early years, before Song To A Seagull

[rodeoromeo]

[jt1674]

[pcnmagazine]

Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

Out October 4, 2024 On 6CD / Digital & 4LP Highlights Version Traces An Important Transformational Season Of Her Creative Evolution From 1976-1980 Continues GRAMMY-Winning, Multi-Volume Journey Through Joni’s Previously Unmined Archives  Features Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, and 36-Page Book with New Photos & An Extensive Conversation Between Joni…

[classicaxe]

Hey, Have you entered this giveaway to win Joni Mitchell's 'Archives, Vol. 3: The Asylum Years (1972-1975)' 4LP Box Set from Goldmine yet? If you refer friends you get more chances to win! https://wn.nr/rjgXFPn

[cataldodarker]

DISCOVER SATURDAY 2021 (1/2)

was it not

Artisti: Marian Hill

Data di rilascio: 18-03-2020

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Athena

Artista: Sudan Archives

Data di rilascio: 01-11-2019

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Blue

Artista: Joni Mitchell

Data di rilascio: 22-06-1971

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Cigarettes After Sex

Artisti: Cigarettes After Sex

Data di rilascio: 09-06-2017

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MENTALITÀ

Artista: DOLA

Data di rilascio: 05-04-2019

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R.Y.C

Artista: Mura Masa

Data di rilascio: 17-01-2020

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From The Outside

Artisti: Hey Violet

Data di rilascio: 16-06-2017

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Watch The Throne

Artisti: Kanye West & JAY-Z

Data di rilascio: 08-08-2011

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Moth

Artisti: Chairlift

Data di rilascio: 22-01-2016

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She's So Unusual

Artista: Cyndi Lauper

Data di rilascio: 14-10-1983

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[shadowland]

neil young & joni mitchell

Neil Young debut solo album (1969) artwork cover Roland Diehl / Neil Young Watercolour Portrait by Joni Mitchell, 1969 / Neil Young: The Rolling Stone Interview – Rolling Stone by Cameron Crowe, Aug 1975 / Joni Mitchell and Neil Young at the airport, 1969 / Sugar Mountain - Neil Young / Reckless Daughter: A Portrait of Joni Mitchell by David Yaffe / The Circle Game - Joni Mitchell / Neil Young excerpt from Waging Heavy Peace (2012), photo by Rich Zimmermann, 1973 @meadow-dusk / Joni Mitchell with Neil Young & The Santa Monica Flyers, August 26, 1973 / Review: Neil Young’s ‘Archives II’ Is a Stunning Look Back at His Peak – Rolling Stone, Nov 2020 / Neil Young excerpt from Waging Heavy Peace (2012) / Warner Records’ launch party for Neil Young’s “Tonight’s the Night” ca. June 1975 / Neil being soft with Joni at The Last Waltz following “Furry Sings the Blues” @meadow-dusk /Joni Mitchell and Neil Young, The Last Waltz, Winterland Ballroom, San Francisco, California, November 25, 1976./ The Making of The Last Waltz, the Band’s Concert-Film Masterpiece | Vanity Fair /The Last Waltz "Helpless" @joelmccrea / Joni quote / Credit on Hejira album (1976) / Neil Young photo in Rolling Stone, Dec 2021 / Joni Mitchell photo by Anton Corbijn, Chalk Mark in A Rainstorm album (1988) / 'I Stand With Neil Young!' Joni Mitchell, Jan 2022 / Neil Young Interview: Crazy Horse ‘Barn,’ Archives, ‘Harvest’ – Rolling Stone, Dec 2021 / Neil Young and Joni Mitchell at the Grammys, Feb 2012

[thislovintime]

At the Billy Cowsill Benefit Concert, El Rey Theatre, Los Angeles on September 13, 2004; photo by Jim Steinfeldt/Michael Ochs Archives/Getty Images.

Q: “After playing huge stadiums and arenas, what’s it like to play coffee shops?” Peter Tork: “Oh it’s just the same. Or I should say, the trade-off is a fair trade-off. There’s something lost and something gained, as Joni Mitchell said, in living every day. The intimacy makes up for the noise. It’s a little difficult for me to play for one person, for some reason, but a couple of dozen people in a room and I’m a happy camper.” - The News and Observer, September 13, 2004

[bobdylan-n-jonimitchell]

Joni Mitchell, Providence, Rhode Island, February 1976 © Joel Bernstein.

[krispyweiss]

Album Review: Joni Mitchell - The Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

Deciding too much is better than not enough, Joni Mitchell took the former tack on Vol. 4 of her ongoing Archives series.

Covering the 1976-1980 period spanning Mitchell’s Asylum Records releases Hejira, Don Juan’s Reckless Daughter, Mingus and Shadows and Light, this seven-hour, six-disc box set bogs down with some poorly recorded solo performances culled from Bob Dylan’s Rolling Thunder Revue (“Jericho,” “Edith and the Kingpin”) and the 1979 Coalition Rally Against Nuclear Power (“Big Yellow Taxi”) alongside some awkward full-band arrangements (“Don’t Interrupt the Sorrow”) of brilliant numbers. These moments are historically significant to be sure; however, do not merit repeated spins.

Fortunately, such examples are scattered throughout what is otherwise gold as Mitchell, under the influence of Charles Mingus and others, dived deeply into her jazz phase and shared studios and stages with the likes of Herbie Hancock, Wayne Shorter, Don Alias, Pat Metheny and Jaco Pastorious. Alias, Metheny and Pastorious are each featured on live solo pieces, with Pastorious’ “Third Stone from the Sun” from Aug. 25, 1979, being particularly stunning in its virtuosity and musicality.

Mitchell still had some folkie in her during this period, though, as she revisits such earlier compositions as “For Free” and “A Case of You,” among many others on concert recordings spanning the Asylum Years. But when she pairs the soundalike “Coyote” and “Don Juan’s Reckless Daughter,” Mitchell suggests she really did her most-enthralling work as a jazzer.

For those who don’t have what amounts to nearly a full workday to devote to Vol. 4, Sound Bites recommends diving into discs 3, 4 and 5 first to experience the glory of Mitchell’s respective Hejira demos and Don Juan’s and Mingus sessions. Each disc also includes on-stage and in-studio recordings; branch out from here.

Grade card: Joni Mitchell - The Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) - B+

12/4/24

[chlobliviate]

Chapter 7!!

I'm just sorry.

This was hard to write bc I love Tonks.

Christmas 2023.

If you listen to Both Sides Now by Joni Mitchell while you read this, you're braver than I am.

[rockongolddustw]

Tedromeda

In the Black Prophecy

Headcanons:

Academic rivals; forced together through mutual acquaintances and projects

He fell first and hardest and the seduction was sloooooow, giving her time to come to terms with her attraction to a Muggleborn. Ted was an old-school romantic, and Andromeda was thoroughly disarmed, having no frames of reference for a loving relationship.

The rise of Voldemort added urgently and pressure to their growing relationship. It helped Andromeda see just how toxic her family’s views were. Once she understood how kind and good Ted was, it opened up her world to another way of thinking.

They bonded over books and music, with Andromeda blown away when she was introduced to Bob Dylan. She became a lifelong fan of folk music, with a love of Joni Mitchell, Joan Baez and Marianne Faithful

Ted was infinitely patient with Andromeda as she discovered the Muggle world, helping her with the practicality and difficulties she faced.

Despite the challenges they faced, and the pain of the broken bonds with her sisters, Andromeda would never regret her choice.

‘…Fate had other plans. Andromeda was stopped as she bumped into the tall, solid form of Ted Tonks outside the Great Hall entrance. She wasn’t about to be distracted. She gave a deep sigh and tried to move to get past him. It did not work. Something held her back; it appeared she was being rooted to the spot by an unseen force.

‘Ah,’ Ted said gently, pointing his finger to the ceiling, where a vine of mistletoe was creeping towards them.

Andromeda watched, mesmerised, as it made its slow descent towards them. She huffed gently. ‘So some parts of Yule are still worth keeping, are they?’

Ted shrugged, his cheeks reddening. ‘I’m not sure this was Dumbledore, to be honest. I think it might be a Prewitt job…’

‘Oh, Merlin,’ Andromeda breathed out heavily, beginning to panic. She knew what this meant. They wouldn’t be released until they kissed. And she was who she was, and he was, well…

‘Don’t panic, lass,’ Ted said considerately, his brown eyes softening. ‘I’ve no intention of forcing myself on you.’

He took her hand then, his grip gentle yet firm, the warmth of his palm seeping into her skin. Her whole body froze in response. Touch was such a rare event for Andromeda that the feeling was almost completely alien, and she gasped at the intensity of it. Warmth spread through her as he gently stroked the inside of her wrist, leaving a trail of fire in his wake. He slowly raised her hand, meeting her eyes as they looked up to him, startled.

‘This is how those Gentlemen in your House do it, isn’t it?’ he whispered. She noticed the crinkle of his crow's feet and the sparkle in his rich brown eyes, speckled with honey.

Carefully, reverently, and tenderly, he kissed the back of her hand, not breaking eye contact as his soft lips met her skin.

Andromeda could hardly breathe.

The lifting of the bond broke their spell. In a fleeting moment, both of them felt the change in the atmosphere, the pressure around them easing, and they were able to move once again.

Andromeda took her chance. She ran.’