#john spiker

[ohshootradio]

How Much Do You Love Me? - Vulfmon (feat. Jacob Jeffries)

[catachan-jungle-fighter]

Mad Wolves: Testing Spiker

John stepped forward, a monstrous amalgamation of metal and fiber wrapped around his torso to spread the weight across his whole body, the man stomping his feet and digging his boots into the dirt as he lifts the main body of the 'Spiker' to ready it for the first test fire that didn't require a Servitor.

He counted down under his breath as he slowly squeezed the trigger mechanism, the kick as the weapon fires sending him skidding backwards, a cough escaping John as he says with pain in his voice "Medicae to Testing Range... Medicae to Testing Range... I'm pretty sure that just broke something..." as he collapses to the ground, Tivius and Rivius quickly rushing over and stripping the harness from his body to reveal dark purple bruises and spots where the harness had cut through his skin that had already sealed up on their own.

-

Meanwhile the Target:

The once struggling Heretic was torn nearly in two by the metallic spike that had been launched with force to tear through the Heretic and the Rockcrete pillar they had been tied to with barely any slowdown.

[randomitemdrop]

Item: Garlic Sauce Spiker, a large syringe that allows the user to inject Papa John’s garlic sauce into pizza crusts and other foods. Magically refills every noon.

[speedsterredhead]

If Dick & Wally had a kid?

If Wally & Roy had a kid?

If Dick & Roy had a kid?

If Jason & Wally had a kid?

Name: Bartholomew John "Barry" West

Gender: Male

General Appearance: spiker hair like Wally'd except for black, and green eyes with light freckles, generally has Dick's more slender figure as opposed to Wally's more broad shoulders.

Personality: He is loud and outgoing like his parents, is a bit flirtatious like Wally in his younger years, he has Dick's more suave ways of handling potential partners as he gets older

Special Talents: He is a gifted acrobat and good at science, he also inherited Wally's super speed.

Who they like better: Wally

Who they take after more: Dick

Personal Head canon: Barry learned to play the fiddle well.

Face Claim: Yuichiro Kyakuya from Seraph of the End

(DickxWally I)

(DickxWally II, Wally tends to have twins lmao)

Name: Alfred West

Gender: Male

General Appearance: Wally's Red hair, Dick's blue eyes, Wally's more broad physic.

Personality: More introverted and quiet than most of his family, he prefers to sit to the side and not be the center of attention.

Special Talents: He draws and paints very well, much like his twin brother

Who they like better: Dick

Who they take after more: Wally

Personal Head canon: He does game design in his free time

Face Claim: Dan JB from Basquash!

(Wally&Roy I)

Name: Irene West

Gender: Female

General Appearance: Their shared red hair, freckles, broad shouldered like her dads, their shared green eyes

Personality: Can't sit still, easily excitable and distractable, loves to have a lot of fun

Special Talents: Speedster like Wally, gifted at science

Who they like better: Wally

Who they take after more: Wally

Personal Head canon: She learns all about the native life and animals of north America to surprise Roy and make Wally super proud.

Face Claim: Takiko Souma from Tokyo Ravens

(Wally&Roy II)

Name: Diana West

Gender: Female

General Appearance: same as Irene

Personality: Calm and collected like Roy, has an explosive temper if pushed to far, strong and proud to be herself

Special Talents: Archery and a speedster like Wally

Who they like better: Roy

Who they take after more: Roy

Personal Head canon: Diana loves horse riding much like her namesake and is a gifted equestrian.

Face Claim: Takiko Souma from Tokyo Ravens

(DickxRoy)

Name: Janet Grayson

Gender: Female

General Appearance: Red hair, Dick's Blue eyes, broad shouldered like Roy

Personality: Down to earth, a bit quiet, protective, and determined

Special Talents: Acrobatics and Archery

Who they like better: Roy

Who they take after more: Dick

Personal Head canon: Janet becomes the second female Robin in universe

Face Claim: Meg from Burst Angel

(JasonxWally I)

Name: Andrew West

Gender: Male

General Appearance: Jason's black hair, Wally's green eyes, broad shouldered like his dads

Personality: quick tongued and determined, he is very rough like his father in Jason.

Special Talents: Speedster like Wally, is great with fire arms and close combat

Who they like better: Wally

Who they take after more: Jason

Personal Head canon: Andrew is dedicated to literature and graduating college in honor of Jason, who never got the chance.

Face Claim: Geppei Okaki from Magical Meow Meow Taruto

(JasonxWally II)

Name: Harper West

Gender: Female

General Appearance: Red hair, broad shouldered like her dads, blue hair, has a widow's peak

Personality: Calm, compassionate, scholarly

Special Talents: science and speedster like Wally

Who they like better: Jason

Who they take after more: Wally

Personal Head canon: Harper can play the harp.

Face Claim: Mirori Saeki

[jtargaryen18]

It's Golden Globes Time! Pt 3

Who else you got? https://goldenglobes.com/nominations/2024

Best Original Score, Motion Picture 

Ludwig Göransson — “Oppenheimer” Jerskin Fendrix — “Poor Things” Robbie Robertson — “Killers of the Flower Moon” Mica Levi — “The Zone of Interest” Daniel Pemberton — “Spider-Man: Across the Spider-Verse” Joe Hisaishi — “The Boy and the Heron”

My Choice:

Best Picture, Non-English Language 

“Anatomy of a Fall” (Neon) — France “Fallen Leaves” (Mubi) — Finland “Io Capitano” (01 Distribution) — Italy “Past Lives” (A24) — United States “Society of the Snow” (Netflix) — Spain “The Zone of Interest” (A24) — United Kingdom

My Choice:

Best Original Song, Motion Picture 

“Barbie” — “What Was I Made For?” by Billie Eilish and Finneas “Barbie” — “Dance the Night” by Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt “She Came to Me” — “Addicted to Romance” by Bruce Springsteen and Patti Scialfa “The Super Mario Bros. Movie” — “Peaches” by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker “Barbie” — “I’m Just Ken” by Mark Ronson, Andrew Wyatt “Rustin” — “Road to Freedom” by Lenny Kravitz

My Choice:

“Barbie” — “What Was I Made For?” by Billie Eilish and Finneas

Best Motion Picture, Animated 

“The Boy and the Heron” (GKids) “Elemental” (Disney) “Spider-Man: Across the Spider-Verse” (Sony Pictures) “The Super Mario Bros. Movie” (Universal Pictures) “Suzume” (Toho Co.) “Wish” (Disney)

My Choice:

Cinematic and Box Office Achievement

“Barbie” (Warner Bros.) “Guardians of the Galaxy Vol. 3” (Disney) “John Wick: Chapter 4” (Lionsgate Films) “Mission: Impossible — Dead Reckoning Part One” (Paramount Pictures) “Oppenheimer” (Universal Pictures) “Spider-Man: Across the Spider-Verse” (Sony Pictures) “The Super Mario Bros. Movie” (Universal Pictures) “Taylor Swift: The Eras Tour” (AMC Theatres)

My Choice:

[children-of-epiales]

Ship Songs

Tagged by @shegetsburned & @poisonedtruth!

Néouen

Trampoline- SHAED

I've been havin' dreams Jumpin' on a trampoline Flippin' in the air I never land, just float there As I'm lookin' up (as I'm lookin' up) Suddenly, the sky erupts (sky erupts) Flames alight the trees Spread to fallin' leaves Now they're right upon me

Wait, if I'm on fire How am I so deep in love? When I dream of dying I never feel so loved

Fairytale- Gainsworth & Louis Leibfried

I know that you're going Wish I knew where to I'd follow right behind you I'd follow in your footsteps Your shadow over me Like a curtain dressed in navy blue

Oh, when I crumble to dust on the ground And life makes us stumble and turn life around I wish I had a way to tell you But time only tells the true fairytales

Blue Skies- Lenka, Damian Taylor, & John Spiker

I know that something good is waiting just around the corners There's a new day dawning There's a new life for us Got to keep or holding or for just a little long, I knowThat it's gonna be blue skies For you and I We'll step out of the shadows And walk into the light Yeah, it's gonna be blue skies For you and I But my heart beats slow as the storm comes on up high And the clouds roll by

Silhouettes- Of Monsters and Men

Cause when I sing, you shout I breath out loud You bleed, we crawl like animals But when it's over, I'm still awake A thousand silhouettes dancing on my chest No matter where I sleep, you are haunting me But I'm already there I'm already thereWherever there is you I will be there too But I'm already there I'm already there Wherever there is you I will be there too

No Light, No Light- Florence + the Machine

You are the night-time fear You are the morning when it's clear When it's over you're the start You're my head, you're my heart No light, no light in your bright blue eyes I never knew daylight could be so violent A revelation in the light of day You can't choose what stays and what fades away And I'd do anything to make you stay No light, no light (no light) Tell me what you want me to say

Tagging: @scentedcandleibex

[johnerigo-blog]

STONE HORSES (Hard Rock - USA 🇺🇸 - Features members of Charm City Devils) - Release "Free" (Remix) new single & Official video #stonehorses #hardrock

STONE HORSES (Hard Rock – USA 🇺🇸 – Features members of Charm City Devils) – Release “Free” (Remix) new single & Official video #stonehorses #hardrock From the band: STONE HORSES’ newest single mixed by SLASH mixer, John Spiker, STREAMING NOW! The OFFICIAL Music Video Debuts THIS Friday 7.19.24 on VEVO and YouTube!  Did we mentions SHOWS?   Hometown show in Towson (Baltimore) Aug 24th Tickets…

[americanahighways]

Video Premiere: Red Wanting Blue "Light It Up"

Video Premiere: Red Wanting Blue "Light It Up" @redwantingblue @scottrwb @americanahighways #americanahighways #americanamusic #lightitup #newmusic2024

Red Wanting Blue – “Light It Up” Americana Highways presents this lyric video premiere of Red Wanting Blue’s song “Light It Up” from their forthcoming album, which is due to be released on June 7. The album was produced by Red Wanting Blue, mixed by John Spiker, and mastered by Greg Calbi and Steve Fallone of Sterling Sound. Musicians on “Light It Up” are Scott Terry on vocals; Eric Hall on…

[roman-alfonso-godoy-videla]

Tenacious D es una banda de Hard rock estadounidense conformada por los actores Jack Black y Kyle Gass. El grupo, en sus presentaciones en vivo y en grabaciones de estudio, suele usar músicos de apoyo como John Konesky, John Spiker, Brooks Wackerman, en ocasiones aclamados músicos de otras agrupaciones como Dave Grohl.

[michaelcosio]

AK vs M16 Which would I choose??

Sep 13, 2023

Comparing two iconic platforms! How they handle and what's probably the better all-around choice! The AK is specifically a Chinese Type 56 Spiker, and John's M16A1 is wearing a carbine-length upper and short stock when we do this video.

from Hickok45

[indielightuk]

Album Review: Tenacious D – Self-titled Album

Tenacious D are an American comedy rock duo from Los Angeles, California, made up of Actors Jack Black on Lead Vocals/Rhythm Guitar and Kyle Gass on Lead Guitar/Backing Vocals. While Black and Gass represent the core members of the group, and have remained unchanged since the duo formed in 1994, they have occasionally been joined by other guests, and upon occasion have fleshed themselves out with session musicians for live performances and recording sessions, with John Konesky, John Spiker and Scott Seiver being examples. Prior to the release of their debut album which we will be discussing today, Tenacious D starred in a TV series on HBO which ran from 1997 until 2000, with a total of six episodes. The television show was created by Jack Black and Kyle Gass, alongside the talents of David Cross and Bob Odenkirk. It featured the fictional exploits of the real life comedy duo. I strongly suggest you watch it. Perhaps I’m a philistine, but I don’t really recall hearing about Tenacious D here in the UK until the release of their 2006 ‘cult classic’ movie Tenacious D in The Pick of Destiny (for which they also released an album of the same name). While the movie failed to make back the budget which was spent producing it, I honestly really enjoyed it, and while I’m starting with their first album, their album ‘The Pick of Destiny’ still stacks up among my personal favourites, especially from the early to mid 2000s.

I don’t want to spend too much time on the intro, partly because you all know who Tenacious D are and this album review is unlikely to tread any significant new ground, but I wanted to do it because this platform is mine to share, promote and otherwise discuss topics I enjoy so I figured why not. But yeah, today, check out my thoughts on Tenacious D’s self titled debut album which was released on September 25th 2001.

click here to read more

[sinceileftyoublog]

Ghost Liotta Interview: Soft Synths, Hard Decisions

BY JORDAN MAINZER

It takes quite the level of trust for musicians to hand over their art to someone and give them free reign, usually the type of relationship a band might have with a longtime producer. For Ghost Liotta, it happened with first-time collaborators. Using vintage modular synths, live drums, and steel guitar, the trio of drummer James McAlister (The National, Sufjan Stevens), multi-instrumentalist Christopher Wray (Butch Walker), and multi-instrumentalist Zac Rae (Death Cab for Cutie), recorded material at Rae’s studio a few years back after each person was finished with a tour. Before finishing the material, a fire permanently closed Rae’s studio. A few years later, rediscovered, instead of looking back themselves, the band handed the hard drives over to producer John Spiker (Tenacious D) to see what he could come up with. The results weren’t what the band could have imagined at any point in the creation of the songs; yet, they were perfect. From dark, industrial, beat-centric tracks (“when we sleep”, “nonlinear b”) to ambient atmospheric drones (“back to dust”, “life cycle”), their self-titled debut album, released in August, flows seamlessly, never trying too hard, yet always surprising you.

A few months ago, I spoke to the band over Skype from their respective homes and studios in California. (They’d been able to see each other during the pandemic for a photo shoot but were otherwise busy doing sessions for other projects, so the interview was as much of a catchup session for them as it was an introduction to myself.) Read on as they talk about how they made the record, its aesthetic, whether they’ll follow the same creative process in the future, and how in the hell they came up with the band name.

Since I Left You: Why did you decide to make this record self-titled?

Zac Rae: It was a long discussion about the titling of this record and the names of the songs. Everything at one point was untitled because they existed as numbers on a hard drive, like “Untitled No. 6″ and “Untitled No. 9.” We initially kept that as an artistic choice--it wasn’t linear. It was like, “3, 2, 7, 9″ in the sequence we’d come up with. We realized it would be confusing for the whole world, so we titled everything but left the album title as the project.

Christopher Wray: The way we made the album, Zac, myself, and James were in Zac’s studio. We basically told the engineer to hit record and we’d start making music. Those jams would sometimes go for 20 minutes and sometimes an hour and 20 minutes. We’d pretty much stop at some point and go into the control room and drop markers on ideas we thought were cool. After doing that for three days, the whole saga of the studio burning and the hard drives, we gave the files to Spiker as a form of torture and he just started sending back these amazing arrangements. We just couldn’t believe it. We had all the raw material Spiker coalesced into an album.

SILY: The album definitely has a cohesiveness to it you don’t often get with raw improvisation.

ZR: That was a choice. There were times where we debated whether to leave something as a rolling, 10-minute amorphous thing or put it into a form that somebody listening cold can hear the development of the idea. We chose to make it a little more focused.

SILY: With the sequencing of the tracks, did you want to present them as mini suites? Or were you trying to change things up from track to track?

James McAlister: I don’t know that there was a super conscious thing, that we were making a record and had to have 10 songs that were three minutes long each. The way the songs were created was super unstructured. We let those dictate what each thing was. It wasn’t some endgame where we had to make a certain number of songs out of the material. What’s on the record is the best of what we pulled from those sessions, so there wasn’t forethought on the form of anything. That was the fun of it: Taking those moments and letting them be.

CW: That’s very much the spirit of the album too. James, I don’t know if you remember this, but going way back, I guess 6-7 years ago, the impetus for me reaching out to Zac before Zac and I had ever met was a project like this, if not this project. Zac’s been in the scene for a long time, and we have a lot of mutual friends and worked with the same people. I love what he does in the studio. I remember asking James since you were buds before, “Can you introduce me to Zac Rae? I want to do something that’s just for us, not for a particular artist or project.” We got breakfast at Kitchen 24 in Hollywood, and that was the early bird of this project.

JM: The way it came together is one decision leading to another, which is my favorite way to make everything. We even talked about having vocalists to collaborate, and the more we got down the road, we just liked what it was. We didn’t know what to call it, and that’s a good sign: When you make something you like and you’re happy at the end of it. I feel like I was constantly surprised by how great every decision came out, like, “Oh, wow, this is better than I thought, even.” All four of us make a lot of music, so it’s refreshing to be pleasantly surprised by something you do. We can go into work mode, get it done and get it right, but this felt more special than your average thing.

SILY: Would you say the record has a distinct mood?

JM: I think that’s what its strongest trait is.

ZR: When we were putting together the final sequencing and edits, we were all in a space thinking whether you could put it on with headphones and listen to it all the way through, or by yourself or in your car or biking in the wilderness or in an airplane. It sustains the space really well for the length of the record. We thought consciously about that and made some final decisions based on, “This piece doesn’t really fit in this flow,” and making one body.

SILY: When I first read that the album would have so many different types of synths, live drums, and steel guitar, I expected to be able to hear those instruments more. “I Am Thoughts” was a track where I could consciously hear drums, but otherwise, it was a pretty consistent aesthetic.

CW: The most conscious aspect of that was having the room in the recordings itself; in a genre that’s more traditionally direct, we wanted to be able to hear the room, hear amps. To me, I think that’s what gives the album its depth and uniqueness. Hearing chairs squeak. I can’t remember the name of the track, but one of the first ones we kind of organized into a vibe, the Overstayer on it was interacting with a really weird way where the reverb coming out of my amp was in another room. The overhead mics from the drum kit were catching the reverbs of my amp that were in another room which was creating this weird vibe. Very room-centric.

ZR: Things like James hitting the pad, generating an electronic sound, but you’re hearing the sound of the stick on the rudder, so it’s thudding and being sort of distorted, not like an electronic snare or a drum but somewhere between the two. I’m really proud of how that landed in the vinyl version.

JM: There’s nothing worse than, “Here’s an electronic beat we’re gonna record a drum kit over!” If I hear that one more time I’m gonna hang it up. [laughs] We got into this weird sort of in between space that’s hard to do based on the situation we have.

SILY: What’s the story behind the band name?

CW: I was on a session for another artist, and we were on break, and I was on a couch and two different conversations were happening at one time, and in one conversation, somebody said “ghost” and in the other conversation somebody said “liotta” and all my brain heard was that phrase. I thought, “That sounds like our band.”

SILY: I assume somebody was talking about Ray Liotta?

CW: I’m not sure. I don’t know how else that word gets thrown out.

JM: This whole thing is a sublet nod to Ray Liotta. I’m still hoping we can get successful enough that he can be in a video for us.

ZR: Ray Liotta as a ghost in space.

CW: In between his Chantix commercials. [laughs]

JM: We could figure out some kind of narrative where this is actually Ray Liotta’s band. All instruments by Ray Liotta. If you’re curious, confirmed: Ray Liotta did all of this.

SILY: Why are all the titles lowercase?

CW: Thank you! They are. On Spotify, when I uploaded tracks, it [wasn’t working.] When I emailed them, because I’ve seen other artists do that, I tried to get some sort of permission to do all lowercase. But I can’t figure out for the life of me how to do that on the streaming platforms, and I was sent a “No.”

I don’t know if it’s a visual thing, but artistically, it’s what felt right to all of us.

JM: I was pushing for everything being untitled, so I had to settle for lowercase letters.

SILY: What’s the story behind the album art?

CW: We were looking at different artists and options, and an artist in Southern California...we saw this beautiful painting that he did, it looked like the world our album lived in. We reached out, he was super cool and said, “Go for it.”

SILY: What else is next for you?

ZR: We’re excited about making this music. It’s been three years since we created this. We’re excited about repeating this process and seeing what new influences we’re bringing to the table. I think later this year we’ll do that.

SILY: Do you think you’ll follow the same process, where Christopher, James, and Zac will make and give it to John to arrange?

John Spiker: I think that remains to be seen. In one sense, there was something beautiful that I knew nothing when I stepped into this stuff. When I first heard the music, I had no memories of the session or what I was searching for. It was this void where I could needle drop around it and let fate lead the way. It was a positive for my workflow. I don’t think it was the key to why it worked, but it was interesting and a first for me. This fresh exciting thing for me to jump into and discover moments in a different way rather than sitting into the control room listening to the guys playing. I think if I had that in my mind, I might want to think of it more structured of the way it was created. Since I didn’t have that, it was, “It could be anything.”

CW: If you’re okay with it, Spiker, it would be cool to recreate that and keep you in the dark! I would be stoked if we sent you an hour of music and nothing we recorded made the cut.

JS: This is like working backwards. This is usually year 10, album 5 for a band where it’s like, “No, you don’t need to come. Don’t come, actually, we’d rather you not be there.”

CW: The one thing I want to make sure we do even if the concept changes is being in the same room while we’re making it. James and Zac are not interested in making music in a silo. We all do that on other things. The magic that happens is being in the room vibing off of each other and making decisions. We didn’t use a single soft synth on the album. It’s all hardware. Because of that, we’re making decisions that are internal. You can’t go in and change a preset and dial something back. I like the permanence of making those decisions together in the moment.

SILY: Was that experience on the flipside for the three of you also unique where you made it and sent it off and had no idea how it would come back?

CW: Yeah, and it was due to complete trust. Spiker has been one of my best buds for a long time. I met him before I moved to L.A. He was the only person in the world I would have trusted to send all this stuff and say, “Do what you want with this.” We just said, “Do your thing.” If we had given it to anybody else, I don’t know if the passion would have been there. Anybody else would have required some direction or some kind of an idea of what they should be doing. Spiker just dove in and made shit happen.

ZR: Other projects in my life I have such a high degree of control over. It’s my band, I’m mixing it and controlling it and have control over every stage of the process. It’s so gratifying for Spiker to come in and handle that side of it and to be surprised almost like somebody was doing a remix of your record. It was really lovely for me to have that weight removed.

[aslongasimhereyoureinvincible]

what your favourite Haikyuu!! ship says about you:

as inspired by Eldena Doubleca5st’s hilarious video series, go check them out!

Kagehina: rivals to lovers you ask, why not rivals AND lovers?

Daisuga: your ideal ship dynamic is team mom / team dad 

Asanoya: your ideal ship dynamic is best summarised by the ‘excuse me he asked for no pickles’ meme

Tsukkiyama: you love snarky assholes with a soft spot for One Specific Person

Ennotana: you just want good things for Ennoshita, and really, who wouldn't?

Kiyotana: either you just want good things for Tanaka OR you’re a firm supporter of Men! 👏 Getting! 👏 Pegged! 👏

Kiyoyachi: you’re not mad, per se, about kiyotana being canon, you just think kiyoyachi had way more chemistry 

Kinonari: you love characters who are in desperate need of more screentime 

Kinonoya: the Inarizaki match means everything to you

Tsukihina: you love opposites attract with a side of heavy symbolism 

Tananoya: your ideal date involves kissing the homies goodnight 

Yamayachi: nothing says ‘date night’ like you both having an anxiety attack over ordering take-out

Daiyui: you are heterosexual 

Hinayachi: Y’know what? Yachi was right, that scene where she and Hinata ran to the train station together was like a shoujo manga

Ukatake: I’m not sure if you wanna fuck dads, but you definitely wanna fuck positive male role models 

Kuroken: either you really like the ‘shy nerd’ / ‘cocky (but secretly also nerdy) jock’ dynamic OR you read the manga and chapter 318 made you fucking lose it 

Kuroyaku: you’re a firm believer in the inherent eroticism of mutually dunking on each other   

Kuroyakukai: you just really like Kai 

Yakulev: your ideal ship dynamic is morosexual / moron 

Shibalev:  you watched the Tokyo No Jin stageplay 

Shibainu: either you’re just here for the pun OR you’re a firm believer in the inherent eroticism of warming the bench 

Toraken: so to the top episode 17 huh? 

Fukutora: you just want good things for Fukunaga, and really, who wouldn’t?  

Iwaoi: either you fucking love angst OR you are deeply disappointed by the general lack of male tsunderes 

Matsuhana: your ideal date involves getting stick bugged, after-which hilarity ensues

Kyouhaba: your ideal date involves being kabedon-ed 

Kiniwa: your ideal date involves your senpai noticing you 

Kinkuni: you firmly believe that nothing brings people closer than mutual hatred for some asshole from middle school

Kyouiwa: this is just the same joke as Kiniwa except you also like bara 

Matsuhanaiwaoi: you think seijoh should’ve gone to nationals 

Ushioi: two options, either you still think “you should’ve come to Shiratorizawa jokes’ are peak comedy in 2020 (they’re really not) OR you love enemies to lovers

Ushiten: your ideal date involves a romantic candle-lit dinner in Paris, after which you are interviewed for a documentary together 

Tensemi: you were the weird emo kid in middle school

Semishira: snarky bickering married couples are your jam

Ushihira: you think the whole ‘ushiwaka and benkei’ thing is way too overlooked 

Ushigoshi: you love one sided rivalries that are met with obliviousness 

Shiragoshi: either you think Shirabu clowning on Goshiki is actually a display of affection OR you just have a thing for straight bangs 

Bokuaka: you are a proud morosexual, you are attracted to dumbasses and dumbasses exclusively

Bokukuro: this is just the same joke as tananoya but you like city boys 

Daikuro: you stay up way to late reading single dad au fics 

Bokudaikuro: thick!  👏 thighs!  👏 save!  👏 lives! 

Kuroshou: your ideal ship dynamic is snarky exes 

Daimika: you love that one John Mulaney bit that’s like ‘my wife is a bitch and I like her so much’ 

Sakukomo: /gestures at chapter 394/ I’m sorry for your loss lmao

Sakuatsu you love projecting your insecurities onto fictional characters so you can receive some form of positive affirmation by consuming content about them being loved unconditionally  

Ushisaku: your ideal date involves sharing cleaning tips and being blunt 

Atsukita: you want senpai to notice you but like,, you’re also a brat 

Kitaran: nothing brings two guys together like dealing with the twins’ bullshit

Osasuna: nothing brings two guys together like clowning on Atsumu 

Hiruhoshi: your ideal date involves asking your partner to hold your beer 

Hoshihina: ‘Short Kings Anthem’ by Tiny Meat Gang and blackbear is your personal hype song 

Atsuoi: your ideal ship dynamic is best summed up by that one text post that’s like: ‘you should be addicted to shutting the fuck up’ ‘you wanna fuck me so bad it makes you look stupid’ 

Akiten: you shipped akiteru and the og  little giant before it was cool  Akisae: you like hot blonds and Men! 👏 Getting! 👏 Pegged! Saeten: rekindled high school crushes? don’t mind if you do  Akisaeten: They all have two hands  ¯\_(ツ)_/¯ 

Atsuhina: you’re a firm believer in the inherent erotcism of stealing somebody else’s man 

Osahina: you think the setter / spiker ship dynamic is really over done  Oihina: brazil fling canon no one can change your mind 

Oisuga: what can you say? you like pretty boys 

Oikage: two options, either your ideal ship dynamic is ‘Love Like You’ by Rebecca Sugar OR you’re just here for some doujinshis 

Ushihina: you like the appeal of osahina buy you just don’t think their rivalry is that well established 

Kurotsukki: you’re a bit too into that whole ‘if he teases you it’s because he likes you’ dynamic 

Terushou: you are firmly situated in rare-pair hell 

Saemiwa: you think Miwa should’ve attended one of Karasuno’s games Miwalisa: your ideal ship dynamic is service provider / client 

Kanotana: you just want good things for Kanoka, and really? who wouldn’t? 

Nishiyaku: this is just the same joke as hoshihina except you prefer liberos  Those two scorekeepers from episode 1: you found out way too late that shipping things for shits and giggs is the gateway drug to shipping things for realises 

[hai-nakyuu]

haikyuu characters and which disney princess they think you are

PRETTY SETTERS

kageyama: rapunzel

kenma: pocahontas

sugawara: ariel

oikawa: tiana

atsumu: princess leia

kenji: snow white

akaashi: belle

ukai: mulan

PRETTY MIDDLE BLOCKERS

kuroo: pocahontas

tsukishima: tiana

hinata: jasmine

suna: aurora

tendou: belle

lev: snow white

matsukawa: mulan

PRETTY WING SPIKERS

sakusa: giselle

asahi: merida

iwaizumi: cinderella

ushijima: ariel

bokuto: jasmine

tanaka: rapunzel (you have lots of hair, he has no hair. you complete each other :D)

daichi: pocahontas (if this man aint a john smith i dont know what is)

osamu: tiana

THE PRETTY LIBEROS

nishinoya: princess leia (i mean she is a princess)

yaku: tiana

motoya: jasmine

[catachan-jungle-fighter]

John's List of Edible and Not Edible

Edible: Everything except for...

Not Edible: Necrons, Astartes, Meli, and Spikers from Catachan.

[brookee-bee]

Karasuno High as Aesthetics and Playlists

3rd Year, Wing Spiker, Captain : Daichi Sawamura # 1

Earth tones, Dark Academia, Leather bound notebooks, wicker furniture, beige and dark green t-shirts, dark colored sweaters and hoodies, fitted brown pants and leather belts, black details, a few dark leafy house plants, simple meals of rice, avocado, clean sneakers, gym bag in the back of his car, protein powder on the counter, coffee mugs and matcha tea, encouragement and validation one-on-one, probably posts gym thirst traps on his story

Harder Than You Think - Public Enemy

Winner’s Circle - Anderson.Paak

Fell in Love With a Girl - The White Stripes

No Church in the Wild - Jay Z

Chelsea Dagger - The Fratellis

3rd Year, Setter : Koshi Sugawara # 2

Sky tones, light blue and bright white clouds, organized stationary and notepads, laying in the sun on a hammock, underneath a seashell, a warm cup of tea, making video compilations of memories, thrift stores, would do the dishes/laundry for you if you’re feeling stressed 

Shampoo Bottles - Peach Pit

Close to You- Day Glow

Loving You is a Mountain - Isaia Huron

Honey - Kehlani

At My Worst - Pink Sweat$

3rd Year, Ace : Asahi Azumane # 3

Beige and white, oat milk lattes, long flowing wheat grass, a hike through the mountains, weekend camping trips, ambitious baking, large bulky hands and calloused fingers, doodling through class, wants to be the little spoon sometimes, enjoys when you do face masks together at night

Fire Escape - Foster the People

The Bakery - Arctic Monkeys

Ain’t No Rest For the Wicked - Cage the Elephant

She Moves In Her Own Way - the Kooks

Ivy - Taylor Swift

2nd Year, Libero : Yu Nishinoya # 4

E-boy, short sleeve printed shirts and acid washed jeans, striped long sleeve shirts, hot orange flames, throws shit off bridges, likes to piss people off, loves spicy ramen, tattoos, embraces rejection, chipped painted finger nails, would record both of you doing internet challenges, his email notifications are in the thousands, sporadic texting 

Evil Fantasy - Freddie Dredd 

Wet Dreamz - J. Cole

Power Tools - Jack Harlow

REEL IT IN - Amine

Best Friend - Saweetie, Doja Cat

2nd Year, Wing Spiker : Ryunosuke Tanaka # 5

Skater, collection of worn beanies, silver chains and rings, tattoos scattered up the arm, overcast skies, dirty puddles in the city, thick well made army jacket, in class even though others are talking the teacher yells at him, accidentally punches the wall, sends horny memes from Twitter, really good listener, somebody you’d like to get drunk or high with

Beverly Hills - Weezer

Panic Station - Muse

Somebody Told Me - The Killers

Nice Guys Finish Last - Green Day

acting like that - Yungblud, Machine Gun Kelly

1st Year, Setter : Tobio Kageyama # 9

Alternative, midnight drives through a city, modern art museums, clean white collared shirts, black trench coats, quiet meditation in the morning, worn down combat boots, hates being pranked, tangled headphones, has a lot of pet peeves he complains about, likes to be away from technology to be in the moment, takes note of what song is playing so he can send it to you later

Yeah Right - Joji

Die Alone - FINNEAS 

Show Me How - Men I Trust

Places We Won’t Walk - Bruno Major

Sharing Beds - The Japanese House

1st Year, Middle Blocker, Decoy : Shoyo Hinata

Soft Boy, loves wildflowers, picnic dates, walks through a nature reserve,  collects seashells and rocks for his windowsill, tried to make bread but failed, sends you goodnight/morning texts everyday, bike riding dates, plays with your hair because why else is it there

Feel Special - TWICE

Daydreamer - MYLK

Only a Fool - Galantis

Kill vs Main - Grimes

Treat People with Kindness - Harry Styles

1st Year, Middle Blocker : Kei Tsukishima

Grunge, white collared shirts, simple healthy meals, messy notes with scribbled and poorly drawn diagrams, books with lots of tagged places he wants to remember, existentialism, organized bookshelves with smart decor, CD collection organized by genre, probably a Frank Ocean stan, listens to podcasts about space and quantum physics, is probably a huge star wars fan, planetarium and natural history museum dates, surprises you with overpriced coffee

Love It if We Made It - the 1975

Bonfire - Childish Gambino

Godspeed - Frank Ocean

Kelso - Matty Wood$

STFU! -Rina

1st Year, Pinch Server : Tadashi Yamaguchi

 Light academia, cozy socks, big blankets, lots of plants and a cat around the house, stacks of books on the floor, experiments with makeup and fashion, on weekends will work on a DIY project, needs constant reassurance but hates attention, drinks tea with honey and cream, wants to spend time with you whenever but doesn’t want to be a bother

A Phone Call in Amsterdam - Valley

Moon Song - Phoebe Bridgers 

Tired - bebadoobee

Brazil - Declan McKenna

Tonight (I Wish I was Your Boy) - The 1975

3rd Year, Manager : Kiyoko Shimuzi

Minimalism, oversized hoodies with tights, white sneakers, ripped light wash jeans, probably works at a retail store in the mall, likes to buy name brand clothing, big fan of the olympics, detail oriented, really good at budgeting, fan of stationary, fresh haircuts, would write you notes and surprise you with your favorite meal every now and then

Tomboy - Princess Nokia

Check- Queen Herby

Who’s Gonna Save U Now? - Rina Sawayama

Fuck Me in Shibuya - Ashnikko

Baby Girl - Chloe x Halle

1st Year, Manager : Hitoka Yachi

Pastel, pink clouds, runs a secret stan account, wears lots of trendy and stylish clothing, doodles on napkins, dewy makeup, lots of pink blush, fake lashes, cat eyed liner, makes her lunch aesthetically pleasing, cool edits for her pictures, sends the best memes in the group chat, if it reminds her of you she’ll buy it and surprise you the next day, loves to be matching with you, makes you learn kpop dances with her, has a fuzzy keychain

NASA - Ariana Grande

Ice Cream Cake - Red Velvet

Do Me - Kim Petras

The Boys - Girl’s Generation

FANCY- TWICE

Coach Ukai

Does not know what it means to have an aesthetic, messy hair, cigarettes, canned coffee, white t shirts, baggy sweatpants, cheap meals, likes newspapers but won’t pay for it, probably borrows cash from you a lot but never pays you back, constantly watching sports clips on twitter, likes old cars and guitars, probably used to draw dicks in bathroom stalls, hates the government, has lots of stories from his twenties, makes a great breakfast when he has the time, wants you to get a matching tattoo with him, 

Habit - Still Woozy

Cool With You - Her’s

Lover’s Rock - TV Girl

 Outta My Mind - Monsune

You’re Gonna Live Forever In Me - John Mayer

Coach Takeda

Minimalism, sweaters over collared shirts, clean sneakers, morning meditation and workouts, fresh laundry, loves warm sheets after a wash, bonsai tree, great at making drinks, goes out of his way to make sure you’re heard and respected, knows how to knit and sew, believes in karma, annoyed if you are one your phone when with them

Brandy (You’re a Fine Girl) - Looking Glass

 Come and Get Your Love- Redbone

She’s So High- Tal Bachman

Wonderwall- Oasis

Vienna- Billy Joel

@brookemasterson on spotify if you’d like the playlist ♡