#john bridgens/henry peglar
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thiswasinevitableid · 5 months ago
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Aim True (Bridglar)
The runner-up of the "country loves songs" prompt poll was: Trick Shot
Virginia City gets cheesier every year. John is just glad the worst of the Nevada heat hasn’t made an early appearance; last year, it reached triple digits in spite of it being only May. 
“Mr. Bridgens!” Three of his students wave to him from in front of the “Olde West Shooting Gallery.”
Why they’re attempting a middle English spelling in a state that never saw a British colony is beyond him, but he waves back as he crosses the road to join them. 
Ostensibly, this field trip is to cap off the senior year with a celebration of Nevada history. John doubts more than a handful of students see it as anything other than a chance to spend the day browsing souvenir shops, daring each other to go into the plethora of haunted hotels, and gorging on ice cream and caramel apples. But they look forward to it, and he does like seeing the young minds he’s shepherded through AP or standard English have a day to just be young and carefree. 
Principal Franklin sets only three mandatory events for the day: getting to the bus on time, getting back on the bus on time to depart, and seeing the live “Wild West” show.
The trio of students tells him all about the Silver Queen as they find seats in the open-air theater. John ends up between Franklin and James Fitzjames, the drama teacher. He wishes he’d taken a cue from VP Crozier and brought a large hat; the sun is baking his scalp, and the flies keep buzzing past his ears. 
“Ladies and gentlemen, cowpokes of all ages, prepare for the wildest show this side of the Rockies!”
The crowd cheers with mild enthusiasm; it’s only the 11am show, after all. No one has had time to imbibe from the saloons lining the street. Not that John would anyway; he’d sooner die than be a derelict chaperone. 
A stetson-bearing figure bursts through the central curtains and the staff, and a few of the seniors, hoot and clap. Thomas Blanky, former and much beloved shop teacher, gives an exaggerated bow before launching into the same speech he gives every year.
“Howdy folks! We’re just plum tickled you could join us all on this fine, Friday mornin’. We got a real fine show for you today full of sharp shootin, trick ropin’, and the prettiest face in the west” he winks, “the rest of my troop ain’t bad either.”
Bad accent aside, John enjoys seeing his old colleague acting the ham. Blanky runs through a handful of mildly impressive trick shots, including popping balloons taped to the hats of his fellow performers. 
Next is a comedy act involving a literal dog and pony (and a cockatoo), the handler going by Irving insisting that the routine is wholesome while his co-presenter and the exotic bird do everything they can to undermine this assertion. 
The third act earns an incredibly loud cheer from James and Francis, as well as from the rather odd duo behind them of Goodsir (biology) and Collins (P.E). Lady Silence, as Blanky calls her, steps onto stage, and John is tickled to see she’s sporting period-accurate Shoshone clothing. Her act consists of more elaborate trick shots, all of which she does without uttering even a peep of fear while permitting a tarantula, then a scorpion, then a rattlesnake (“really a gopher snake” Francis mutters, only to be elbowed by James) to climb on her arms and hands.
When Lady Silence is done, she’s followed off stage by the loudest cheers so far, including a “Brava” from Goodsir. 
Act number four sets John's heart beating quicker; knife throwing has always struck him as one of the more dangerous endeavors one could pursue. It doesn’t help that Mr. Irving is back, looking a bit too convincingly terrified as one Mr. Hickey outlines his silhouette with knives. When both men exit in one piece, he relaxes and listens to Blanky introduce the final act. 
“And now, to close out our show, the amazing, whip-smart, hawk-eyed, Harry Peglar!”
John’s heart speeds up again. 
The man smiling out at the crowd with quiet showmanship and earnest excitement has the most handsome face he’s ever had the pleasure to see. 
Harry tips his hat and proceeds to shoot smaller and smaller targets from the air. The coin shot is so impressive that he even hands it to Crozier to inspect before and after the shot. As he straightens and tucks the coin into his pocket, his eyes fall onto John
“For this next trick, I need a charming assistant. How about you, sir?” 
John blushes, his instinct to demur, but both Franklin and James urge him forward, and so he allows Harry to pull him up onto the stage. Some of his students cheer, and he can tell without looking that many phones are pointed his way. 
“What’s your name, sir?”
God, does the man have to address him that way? He can only pass so much pink off as 
sunburn. 
“John.”
“Tell me, John, do you smoke?”
“No.”
“Good man.” Harry claps him once, friendly, on the shoulder, “you do, however, know what one of these are?” He produces a cigarette from his pocket. 
“Yes.” He smiles, “I said I don’t, not that I never.”
Audible shock from some of the students earns a laugh from the crowd. 
“Are you willing to hold this in your mouth for me? It won’t be there very long.”
John obligingly parts his lips only to realize, belatedly, that Harry meant for him to take it from his fingers. Without missing a beat, the trick shooter places it against his lower lip with a grin. 
“Now, John, I have another question. Do you know what this is?”
He holds a bullwhip up to the crowd to “oohs” and “ahhs.” John, slightly distracted wondering where the man had been hiding the implement, nods. He’s fairly certain James is cheering extra-excitedly; he did make John watch all four Indiana Jones films. 
“Here’s what I’m going to do, John. I’m going to light that cigarette for you. And before you even have a chance to inhale, I’m going to put it out from all the way over there.” He gestures eight feet to his right.
Harry looks over his shoulder, still audible to the crowd but with clear sincerity, “Do I have your permission, John?”
He nods again, trying not to imagine all the other things he’d grant Harry permission to do if he gave him that same look once more. 
“Wonderful! Let’s have some cheers for my brave volunteer!”
He uses the cacophony to huddle in close to John, who steadies the unlit cigarette steady with his fingers so the younger man can click a tarnished Zippo beneath it. Then, in a blink, he’s out of reach, unfurling the whip and testing it, bantering with the crowd but keeping his focus clearly on John. 
“Ready, John?”
Not knowing what else to do and feeling too tense to nod, he offers a thumbs up. 
“Hold still now, I’ll have that out for you in three, two, one.”
Crack
His ears ring, though the claps from the crown and the lack of any blood on his face tell him Harry managed his trick beautifully. He holds up the remainder of the cigarette, increasing the cheers. 
“Well done, John!” Harry practically bounds up to him, “let’s give him one more round of applause, folks!”
John means to leave the stage to the performers once more, but before he can, Harry grabs his hand and brings him down into a bow along with him.
—----------------------------------------------------------------------------
There’s an hour left to go on the field trip, and John is an extremely icy cold brew that Fitzjames treated him to. Most of the students are staying close to main street, finishing up their last purchases and taking endless pictures of each other.
“They were a fun crowd.”
He turns to find Harry leaning against a streetlight, still in his cowboy costume, ten times more handsome than anyone who ever played the role on screen “school groups can be hit or miss.”
“I’m glad as well; an excellent show deserves an appreciative audience.”
“Easy to put on a good show when you’ve got good help. I, um” he reaches into his pocket, “I have to go get ready for the show at two, but I meant to give you this before you hopped off stage. I always like to give it to my volunteer for that trick. This time I was a little flustered and forgot.”
Harry holds out the coin from his sharpshooting trick, dropping it into John’s palm. 
“Oh, I-” He’s not sure if he means to protest, or say thank you, but Harry cuts him off by closing his palm for him, keeping his own hand around it.
“Something to remember me by.”
A flash of a smile, followed by someone shouting his name from across the way, and then he’s gone. John stands, watching him walk toward the theater, and savoring the ghost of those fingers around his own. 
—----------------------------------------------------------------------------------
Late June finds him back in a much hotter Virginia City, the sun refusing to drop behind the mountains quickly enough to provide a much needed respite from the glare. He hadn’t expected to visit again so soon, but Silna and Goodsir invited him to meet them for dinner; the Delta Saloon has begun serving a special, twice-monthly menu of period accurate fare and he’s very excited to see if it’s any good. 
Arriving early–there’s been bad traffic the last two days so he erred on the side of caution–leaves him ample time to ponder the historical artifacts tucked away in the corners of the saloon. He’s reading the plaque on the “suicide table” when a figure steps beside him. 
“Anticlimactic, I always thought.” 
Harry smiles when John looks his way, the undercurrent noticeably changing from friendliness to hope when John smiles back. He’s dressed in modern clothing; a black tank top, tan shorts, and ankle hiking boots (much better protection against the dust, pebbles, and sunburn than the sandals of most of the visitors). 
“The story” Harry continues, “that it’s named that when what happened is one or two people might have killed themselves because of losing money at it, not because someone used it in one, or died right on the wood. Besides, if that’s the bar for calling something a suicide table, I’d bet half the slot machines from here to Vegas need the same plaque.”
“Agreed. Though I do enjoy the thought of preserving some piece of the past, even if it’s to make salacious signs about it.”
“Did you come all the way back just to read our signs?” Harry says with a hint of cheek. 
“That depends on if there are any you think I’d like.” He turns full-on toward Harry, who aims for a subtle looking him over and fails.
When his phone buzzes, he considers dropping it in the nearest pitcher of water. 
“One moment, I’m meeting Silna and Harry, other Harry, that might be them.” 
H. Goodsir: Running late, courtesy of the majesty of nature.
Attached is a photo of a herd of mustangs, who seem utterly disinterested in moving from both lanes of Highway 50. He shows it to Harry, adding, “That’s not sarcasm; the man is delighted any time he sees the native wildlife. Which doesn’t always end well; we were driving to a conference in Tahoe once and he stopped to look at a large black bear. Still in the car, of course, but poor Mr. Collins was still rather stressed by the proximity.”
Harry laughs, then tilts his head towards the bar, “Sounds like we might have time for a drink?”
“I’d say so.”
John orders a gin and tonic, paying for Harry’s lager with a playful, “they don’t pay teachers that poorly” when the younger man tells him he doesn’t have to. 
“What do you teach? I didn’t get the chance to ask and I’d been wondering.”
“English, two classes of honors and the rest for seniors and a handful of juniors.”
“I hope they get on better with you than I did with mine; we got into an argument over Tess of the D’urbervilles and I’m not sure he ever got over it. The dyslexia didn’t help; he thought I wasn’t applying myself.”
“That’s a shame. There are lots of ways to assist students who struggle with reading, for any reason. And as a teacher, I’d argue it’s part of the job to make sure you do.” He sips his drink, “may I ask what the argument was?”
“I just thought it was worth talking about how Hardy has a lot of opinions on farming and morality for a man who probably never did any farm work. All well and good to talk about the evils of modernization taking us away from nature, but acting like the things that make running a farm ten times easier are evil because they don’t match your imagined idea of the life seemed…shallow. And I thought that might be an interesting angle to look at the book from. Mr. Thompson disagreed.”
“I happen to think it’s an excellent point.”
A shrug and a sweet smile, “Might have just come to me because I grew up on a farm. You grow up shoveling cow shit, you have some thoughts on the pastoral.” He flinches, “pardon my french.”
“Harry, I was in the navy for ten years, I’ve heard profanity that would make the devil faint.”
“That’s why you have tattoos. I noticed them during the show and, um” he takes another sip, licking his lips after in what’s either an automatic motion or a bid to drive John mad with desire, “I’ve been thinking about them ever since.”
He forces himself not to say that if he’s a very good boy, Harry might get to see the rest. This can just be a friendly drink. If Harry wants it to be more that’s for him to decide. John won’t push it. 
“None of your own?”
“Not yet. I want to get a line of poetry but I haven’t decided on which.”
John is very glad for this; if he’d managed to get Harry into bed only to find lines from one of the greats etched into his skin, he might have fainted. 
“Who are the contenders?”
A snicker, “Thomas Hardy, for one. I do love his poems about nature. I like Whitman too, but it’s so hard to choose…”
They spend a good half-hour discussing the merits, and ironies, or tattooing varies stanzas onto oneself. By the time Goodsir taps him on the shoulder, they’re leaning far enough towards each other that his glass nearly hits Harry’s jaw when he jolts in surprise. 
“I was starting to worry you’d be stuck there all night.”
“I’m sure.” Goodsir says with a smile and a glance at Harry that suggests he doesn’t fully believe him, “they eventually realized there were better places to rest their hooves. I got some wonderful pictures though.”
“You’re going to run out of memory at this rate. Again.” Silna keeps her amused look as she adds, “do you want to eat with us, Henry?”
“Oh no, I don’t want to intrude, I was just keeping John occupied while you got here. I ought to be going, it’s not the longest drive back to Dayton but I’ve got a mountain of chores to do. I’ll see you tomorrow, Silna. Nice to see you, Harry, and it was wonderful talking with you John.” He offers a final, parting smile. John watches him go once more, wondering if doing so makes him lecherous, or if he even cares if it does. At the door, Harry pauses, looking back, and his face brightens when he sees John is looking at him. Then he winks and steps into the finally cooling air.
“Your right pocket.” Goodsir murmurs as the waiter leads them to a table.
John ventures a hand into his shorts and finds a slip of saloon napkin next to the coin, the one he’s been carrying like a lucky charm for a month. 
Give me a call
It’s followed by a phone number. Harry didn’t have a chance to write it while they were talking, which means he must have done it the moment he saw John in the bar. 
Silna shakes her head, “I told him I could just give it to you for him.”
“You trick shooters, you do have a flair for the dramatic.” Goodsir pulls out her chair. 
“If we didn't, no one would watch.”
John lets them banter for the moment. After all, he has to attend to the pressing matter of asking if Harry would like to join him for coffee tomorrow.
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clownplushie · 10 days ago
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fellas i don't think we're finding the northwest passage
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midorimoondust · 2 months ago
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From a behind the scenes interview:
“After Bridgens picks up Peglar and carries him to the boat—which is meant to be almost a wedding image, it was about, here the threshold isn’t marriage, the threshold is death, and Bridgens wanted to be the one to carry his lover across the threshold”
I AM GOING TO WALK INTO TRAFFIC
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beaulesbian · 5 months ago
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The Terror + tumblr text posts [1/?]
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evilfaggotyuri · 4 months ago
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More!!! The Terror as Grindr memes i Have saved (if its ooc consider that im just a little feeble dude who is playing with my blocks)
Part 2/?
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astal-art · 11 months ago
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Might throw up
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crustaceousfaggot · 15 days ago
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Relationships in The Terror (2018) I think would have been fun to see explored onscreen if they'd had more than 10 episodes:
Gibson & Jopson (You and the coworker at your customer service job who is objectively annoying but also the only other gay person on staff, so I guess you're friends now)
Bridgens & Goodsir (I know you're not a proper doctor but I see that you are trying and you are full of so so so much love and care and we are the same in that way)
Peglar & Hickey (Hickey sees this friendly doe-eyed gayboy and assumes he'll be an easy mark, Peglar gently informs him that his husband is over on Erebus and he's not interested in mutiny, thank you very much)
Bridgens & Fitzjames (Fun fact: a steward can also be a father figure if your abandonment issues are bad enough!)
Jopson & Little (Joplittle girlies I am trying to understand your culture but this is one of the most Men Standing Beside Each Other ships I have ever seen)
Hickey & Darlington (I just want one scene where it's established that Hickey is kinda shit at his job and his boss hates him)
Fitzjames & Le Vesconte (I know they technically interact but c'mon I need more Dundy in my life)
Gibson & Hodgson (Okay this one I'm actually insane about. Hodgson who likes to think of himself as chill and friendly with the lower ranks vs Billy who wants this guy to shut up so he can do his job. Someone on Discord compared it to when customer service jobs make you wear a name tag - customers try to be friendly and address you by name, but it just feels jarring and a bit violating because of the inherent power differential. And then when their dynamic is swapped, when Billy is the Lieutenant to Hickey's Captain and Hodgson is a decorative piece of meat? Bro. And, like, Hodson ate the flesh of this man who had made his bed and shaved his face for the past 3 years. Did that affect him differently than if it had been a random AB? I'm losing my mind over here.)
Armitage & Tozer (he wants that Marine cock sooooooo bad god bless)
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thatswhatsushesaid · 8 months ago
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i'm not going to make a habit of this but uh
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froggerland · 1 month ago
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These two deserve so much better the more I think about them the sadder I get
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cinematicnomad · 10 months ago
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THE TERROR ▸ 1.09 the c, the c, the open c
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thiswasinevitableid · 3 months ago
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Chapter 8: Full Moon
Truths are revealed on the moor, and changes come to both halls.
Or
The End!
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representative-democracy · 9 months ago
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Oh you think you're special because you have scurvy while on an Arctic exploration mission? Get in line fucko
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+ a dash of JCR
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tarabyte3 · 3 months ago
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(Click the images for better resolution!!)
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I took my own high-res Bridglar screenshots, including some of the little background details I haven't really seen in the tag or featured outside of all the lovely gifs out there (look at John clocking Henry in the middle of the fire and how they moved closer to each other before getting separated 🥺😭), and I figured I would share some of them. Because I know there are plenty of people out there still making collages and whatnot in 2024 and I know how great it is to have screenshots, so feel free to use them all you want! (Plus it's nice to just scroll through a post and 🥹😢 at them when the brainrot strikes)
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theterrorshipspoll · 6 months ago
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mab1905 · 4 months ago
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I could not get this out of my head
song is "i want you to love me" by Fiona Apple
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evilfaggotyuri · 1 month ago
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The Terror as Fredward3948576 tweets 2/?
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