#john avery lomax

[1962dude420-blog]

Today we remember the passing of John Avery Lomax I who died January 26, 1948 in Greenville, Mississippi

John Avery Lomax I was an American teacher, a pioneering musicologist, and a folklorist who did much for the preservation of American folk music. He was the father of Alan Lomax (also a distinguished collector of folk music) and Bess Lomax Hawes.

The Lomax family originally came from England with William Lomax, who settled in Rockingham County in what was then "the colony of North Carolina." John Lomax was born in Goodman in Holmes County in central Mississippi, to James Avery Lomax and the former Susan Frances Cooper. In December 1869, the Lomax family traveled by ox cart from Mississippi to Texas. John Lomax grew up in central Texas, just north of Meridian in rural Bosque County. His father raised horses and cattle and grew cotton and corn on the 183 acres (0.74 km2) of bottomland that he had purchased near the Bosque River. He was exposed to cowboy songs as a child. At around nine he befriended Nat Blythe, a former slave hired as a farmhand by James Lomax. The friendship, he wrote later, "perhaps gave my life its bent." Lomax, whose own schooling was sporadic because of the heavy farmwork he was forced to do, taught Blythe to read and write, and Blythe taught Lomax songs including "Big Yam Potatoes on a Sandy Land" and dance steps such as "Juba". When Blythe was 21 years old, he took his savings and left. Lomax never saw him again and heard rumors that he had been murdered. For years afterward, he always looked for Nat when he traveled around the South

Through a grant from the American Council of Learned Societies, Lomax was able to set out in June 1933 on the first recording expedition under the Library's auspices, with Alan Lomax (then eighteen years old) in tow. As now, a disproportionate percentage of African American males were held as prisoners. Robert Winslow Gordon, Lomax's predecessor at the Library of Congress, had written (in an article in the New York Times, c. 1926) that, "Nearly every type of song is to be found in our prisons and penitentiaries" Folklorists Howard Odum and Guy Johnson also had observed that, "If one wishes to obtain anything like an accurate picture of the workaday Negro he will surely find his best setting in the chain gang, prison, or in the situation of the ever-fleeing fugitive." But what these folklorists had merely recommended John and Alan Lomax were able to put into practice. In their successful grant application they wrote, following Odum, Johnson and Gordon's hint, that prisoners, "Thrown on their own resources for entertainment ... still sing, especially the long-term prisoners who have been confined for years and who have not yet been influenced by jazz and the radio, the distinctive old-time Negro melodies." They toured Texas prison farms recording work songs, reels, ballads, and blues from prisoners such as James "Iron Head" Baker, Mose "Clear Rock" Platt, and Lightnin' Washington. By no means were all of those whom the Lomaxes recorded imprisoned, however: in other communities, they recorded K.C. Gallaway and Henry Truvillion.

In July 1933, they acquired a state-of-the-art, 315 pounds (143 kg) phonograph uncoated-aluminum disk recorder. Installing it in the trunk of his Ford sedan, Lomax soon used it to record, at the Louisiana State Penitentiary at Angola, a twelve-string guitar player by the name of Huddie Ledbetter, better known as "Lead Belly," whom they considered one of their most significant finds. During the next year and a half, father and son continued to make disc recordings of musicians throughout the South.

John A. Lomax's contribution to the documentation of American folk traditions extended beyond the Library of Congress Music Division through his involvement with two agencies of the Works Progress Administration. In 1936, he was assigned to serve as an advisor on folklore collecting for both the Historical Records Survey and the Federal Writers' Project. Lomax's biographer, Nolan Porterfield, notes that the outlines of the famed WPA State Guides resulting from this work resemble Lomax and Benedict's earlier Book of Texas.

Upon Lomax's departure this work was continued by Benjamin A. Botkin, who succeeded Lomax as the Project's folklore editor in 1938, and at the Library in 1939, resulting in the invaluable compendium of authentic slave narratives: Lay My Burden Down: A Folk History of Slavery, edited by B. A. Botkin (Chicago: University of Chicago Press, 1945).

John A. Lomax served as president of the Texas Folklore Society for the years 1940–41, and 1941–42. In 1947 his autobiography Adventures of a Ballad Hunter (New York: Macmillan) was published and was awarded the Carr P. Collins prize as the best book of the year by the Texas Institute of Letters. The book was immediately optioned to be made into a Hollywood movie starring Bing Crosby as Lomax and Josh White as Lead Belly, but the project was never realized.

In 1932, Lomax met his friend, Henry Zweifel, a rancher and businessman then from Cleburne in Johnson County, while both were volunteers for Orville Bullington's Republican gubernatorial race against the Democrat Miriam Ferguson. Lomax's old enemy, James Ferguson, was virtually running his wife's comeback attempt at the governorship.

Lomax died of a stroke at the age of eighty in January 1948. On June 15 of that year, Lead Belly gave a concert at the University of Texas, performing children's songs such as "Skip to My Lou" and spirituals (performed with his wife Martha) that he had first sung years before for the late collector.

In 2010, John A. Lomax was inducted into the Western Music Hall of Fame for his contributions to the field of cowboy music.

[woodsonresearchcenter]

Joseph Lomax's Life

A few years ago we received the Joseph Franklin Lomax materials from his brother John Lomax III. The collection is not completely ready for patrons, but in honor of Pride Month, we wanted to highlight it.

On February 19, 1949, Joseph Lomax was born into a family that loved and preserved music. His grandfather John A. Lomax and uncle Alan were famed song collectors. His father John, Jr. managed Lightnin' Hopkins, helped found the Houston Folklore Society, and recorded three albums and performed often.

Clifton Chenier, ca. 1980, photographer: Joseph Lomax

Joseph Lomax like his family never turned away from music. He documented Zydeco in the article "Zydeco-Must Live On!" from the book collection What's Going On? (In Modern Texas Folklore). He assisted the Houston Folklore Society. He co-owned Wings Press, which published the very collectible For the Sake of the Song song book by Townes Van Zandt. He began performing folk songs in the early 1980s, one of his last projects came at the Texas Tall Tellin' and Music Festival in May 1986 with frequent accompanist, Hally Wood.

Unknown, photographer: Joseph Lomax

Lomax also took photographs, lots of photographs. They detail his life in Montrose and his friends, parties at his home, photo shoots of Hally Wood and Frank Davis, nature, architecture, and his love of neon art. His collection contains many photographs of him though it's unclear if he took them.

Joseph Lomax, 1970s

In the 1970s as detailed in his journal in the collection, he began to struggle with his identity. He would later come out to his friends and family. One letter in the collection from his uncle Alan Lomax is an apology for his initial reticence to accept his nephew's sexuality.

In 1986, Joseph Lomax was diagnosed with Kaposi sarcoma and later HIV. From a set of pages dated September 16, 1986, he writes about waiting for his official diagnosis, and what comes next in his life. He struggles with giving up and assigning everything to karma and his life force being ready to leave this realm or the inverse of his karma wanting to fight. Drawing upon his work as a massage therapist, he wonders if there are alternative remedies outside the traditional medical establishment. While it's unclear what all he explored, there are photographs of him in the collection receiving acupuncture.

Sadly, Joseph Lomax passed on January 9, 1988, one of the many victims of the AIDS crisis. His memory is preserved in his collection, but also the AIDS Quilt.  His panel sparkles like his collection does.

Screenshot of Lomax's panel from the AIDS Memorial Quilt website

If you'd like to hear more about Joseph from his brother John Lomax III, you can check out this link.