#jimmypage

[stellastarr7]

[steadydizzydreamer]

Love his hips

@anyataylordelrey

[another-little-hippie]

ALL YOU JIMBERT SHIPPERS NEED TO STFU WE HAVE LITERAL EVIDENCE THAT JIMMY WOULD NEVER!? OKAY!? 😡😡

no homo bro

[starstruckfangirlsposts]

[thespringtimeofmylovin]

The Rain song + Robert as a knight 🍄💦

📰 The Song Remains the Same is a concert film that was released in 1976. The concert part was filmed during Led Zeppelin’s performances between july 27th to 29th 1973 at the Madison Square Garde, NY. However, many problems were encountered during the process : Jimmy and John Paul Jones' outfits changes between the different nights ; the cameras during the shows that would run out of film reels leading to some parts of the shows being missing ; while some other footages were just unusable. Thus to complete the film, the band had to re-shoot some of the live performances at Shepperton Studios in the UK (where they had to mimick their own live improvisations) and also added some fantasy sequences where each members would express their personnal creative universe and interests.

💚 Here I made an edit using bits of robert's fantasy sequence where he's a knight exploring a sort of arthurian/tolkien like universe full of castles, damsels, swords and ...mushrooms. I also included some random illustrational videos along with it. Hope you guys will enjoy and also welcome to the new ones ! 👋

[Disclaimer : No copyright infringment intended. We do not own this video. They belong to the rightful owners. For rock'n'roll purpuse only.]

[only-jimmy-sweetness]

From Worldofzeppelin on IG

[lordjimmypage]

How The West Was Won✨✨

[kicksaddictny]

Gibson Unveils Jimmy Page 1964 SJ-200 and Collector’s Edition, Now Available Worldwide

Gibson is proud to introduce the Jimmy Page 1964 SJ-200 and the limited Collector’s Edition, a tribute to the legendary guitarist's acoustic guitar that powered some of the most iconic performances in rock history. Jimmy Page used a mid-60s Gibson SJ-200™ for tracks on Led Zeppelin’s debut album and famously during his solo performance on the Julie Felix Show in 1970.

Crafted in collaboration with Jimmy Page himself, this recreation captures every detail, from the guitar's unique sound to its vintage look, with a stunning Cherry Tea sunburst finish. Made with AAA flamed maple for the back and sides, and AAA Sitka spruce for the top, the Super Jumbo body is slightly deeper at the neck joint, producing a distinctive sound. The 3-piece flamed maple neck features a comfortable Round profile, a bound rosewood fretboard with 20 frets, and exquisite mother-of-pearl Graduated Crown inlays.

True to the original, the 60s-style solid rosewood Moustache™ bridge is adorned with mother-of-pearl inlays and features a gold Tune-O-Matic™ bridge with nylon saddles, contributing to the guitar’s unique tonal qualities. Completing the vintage aesthetic are Kluson® Waffleback® tuners with Keystone buttons, and each guitar’s soundhole label is personally hand-signed by Jimmy Page.

Meticulously aged by Gibson Custom’s Murphy Lab, this guitar reflects the original’s wear, meeting Page’s exacting standards. Limited to just 100 pieces, the Jimmy Page 1964 SJ-200 includes a Custom Shop hardshell case with the iconic Zoso logo, a Zoso Certificate of Authenticity booklet, an extra Tune-O-Matic bridge with gold-plated brass saddles, and a vintage-style Gibson "The Garden" strap. This extraordinary collector's piece is a fitting tribute to one of rock’s greatest legends and his enduring musical legacy.

Key Features:

AAA flamed maple back and sides, AAA Sitka spruce top

Flamed maple 3-piece neck with a rosewood fretboard

Custom Murphy Lab aging

Gold Tune-O-Matic™ bridge with nylon saddles (extra bridge with brass saddles included)

Hand-signed soundhole label by Jimmy Page

Limited to 100 pieces

This exceptional guitar is now available worldwide through Gibson.com.

[stellastarr7]

[themightyarmsofatlas]

[everythingkashmir]

Led’s Lense

The Other Kashmir

A Valley’s Physical Graffiti

By Faisul Yaseen

In the Himalayas, where the murmurs of the Jhelum weave through the lush valley, Kashmir has been a muse of poets and painters. Its name invokes both enchantment and anguish, a duality reflected in Led Zeppelin’s iconic song, Kashmir. Written by Jimmy Page and Robert Plant with contributions from John Bonham over a period of 3 years with lyrics dating to 1973, the song featured on their sixth studio album Physical Graffiti in 1975. This timeless ode transcends physical geography, yet its mystical allure inadvertently mirrors the very soul of Kashmir.

It would seem rather bold, and even a little farcical, to compare Led Zeppelin’s ‘Kashmir’ with Kashmir valley. Yet tracing how the song born in the deserts of Morocco finds an uncanny kinship with a paradise mired in its own metaphoric deserts spurns curiosity.

Verse 1: Oh, let the sun beat down upon my face

If the sun could speak, it might recount the shadows it has witnessed in Kashmir. Led Zeppelin’s yearning for the sun’s warmth feels alien to a valley where winters are not just meteorological but political, where warmth is siphoned by fear that has reduced its famed sunlight to a pale glow that barely pierces the haze, casting a chilling pall over a land that once basked in idyllic harmony.

Chorus: I am a traveller of time and space

The stories in Kashmir are great works of fiction, sold with the finesse of the best of salesmen. Tourism hoardings show lakes as pristine and houseboats as inviting travellers to rediscover paradise. But the real travellers of time and space in Kashmir are not Instagram influencers but locals wandering in search of existence.

Governance in Kashmir functions on paradoxes - the claustrophobic presence contrary to the wide open landscapes. For every tourist sipping Kehwa on a Shikara, there is a youth piecing together the fragments of his shattered life. The spaces may be the same but the experiences are universes apart.

Bridge: My Shangri-La under the summer moon

Kashmir is Led Zeppelin’s Shangri-La, the mythical utopia nestled in towering peaks. Utopias are subjective, though. One man’s heaven is another man’s hell or purgatory. The beautiful valley becomes cruel irony for its denizens, who usually cannot savour its magnificence because it’s always reminding them of its perils.

All the rhetoric about Kashmir sounds almost hollow. Promises ring as empty as the deserted streets. In this dystopian Shangri-La, progress is measured not by prosperity but by publicity. New malls are inaugurated. Old memories erased.

Verse 2: Oh, father of the four winds, fill my sails

In Kashmir, the winds carry stories instead of sails. The winds carry the whispered prayers of a generation that has known nothing more than nothingness. The winds also carry the spirit of the people. Art adorns the walls. Poetry and music flourish. And, youth navigate censored spaces to tell their stories. Under relentless hopelessness, the spirit does not break.

Coda: When I am on my way, when I see

How many moons away is Kashmir from its road? This is a haunting refrain that never ceases ringing around the region.

When one beholds, Led Zeppelin puts forth a dreamy vision. What do we see when we behold Kashmir? A crown jewel? A problematic periphery? A land to own? People to love? All such answers decide the region’s dismal destinies.

The Unfinished Symphony

Led Zeppelin’s Kashmir ends with a sweeping, open conclusion, just like the region itself: untamed and mysterious. The music reflects the Valley’s breathtaking panorama. However, the underlying tensions and the lived reality of its people is another story. Rober Plant’s vocals and Jimmy Page’s guitar lines echo the paradox of its beauty and hopelessness. Kashmiris are left to wring out their purgatory alone, their voices buried in the cacophony.

Encore

Perhaps Led Zeppelin’s Kashmir should be the anthem adopted for the Valley. It is after all an attention-grabbing song. The majestic orchestration could go with the snowy passes and evocative lyrics could narrate the daily grind of Kashmiri life. If nothing else, it would be a fitting irony for a region where beauty is wrecked.

Led Zeppelin’s Kashmir is a call to rise above the mundane. It is a hymn to transcendence. However, the valley it shares a name with is still waiting for its transcendence. Until that day, Kashmir will remain an unfinished melody, its notes heavy with longing and defiance, resonating against the mountains that keep its secrets and sorrows.

Greater Kashmir

[another-little-hippie]

guysss wanna hear the “joke” my boyfriend made while we were blasted off our balls last night?

Me: *explains how they would edit their footage to make live performances less Jimbertified while watching Seattle 1977*

Him: HA! See how they flipped the camera there, so it looks like Robert wasn’t looking at Jimmy! You know who is doing that?

Me: Who?

Him: THE DEEP STATE!

(i guess this joke is only funny if you are an American. a leftist American who likes to make fun of the crazies.)

[lvyho]

The Yardbirds 🪶

[canadianstud]

LED ZEPPELIN OPENING AND CLOSING ALBUM TRACKS RANKED

[pleasantdiplomatwinnerbagel]

#ledzeppelin #nottingham #1971 #nottinghamboatclub #boatclub #nottinghamuk #nottinghamengland #jimmypage #robertplant #johnpauljones #johnbonham #bestbandever #classicrock #hardrock #rocknroll @ledzeppelinsociety #ledzeppelinsociety #mensgraphictees #rockbandtshirts #graphicrockshirt #unisexclothing #vintage #tolkien #steins #coffeemugs #rockbandtees #cannabismerch #marijuanamerch #officialmerchandise #ledzeppelinarchives #spascoe Setlist: Immigrant Song, Heartbreaker, Since I've Been Loving You, Black Dog, Dazed and Confused, Stairway to Heaven, Going to California, What Is and What Should Never Be, Moby Dick, Whole Lotta Love (medley), Communication Breakdown https://www.instagram.com/p/CqDix_FsoBY/?igshid=NGJjMDIxMWI=

[circusrockmag]

January 12, 1969: Led Zeppelin released their debut record.

Visit👇

🖥️ https://www.circusrockmag.com/dynamic-library 💻

🎪