#jewelry pink

[exforgot]

quick doodle

[cicada-heart]

beaded pink sardine earrings ✨ handmade with vintage and salvaged beads + sequins! these have sold but i have a similar pin and patch in stock currently ❤️

etsy

[heartnosekid]

weirdolini on ig

[https-hikikomori]

(●´^`●) 🌸🌈✨┊͙ ˘͈ᵕ˘͈ .ೃ࿐ ꕥ ˏˋ°•*⁀➷ ☁️🫧💕

[fuckyeahchinesefashion]

Headpieces of chinese chanhua缠花 (silk threadwrapping flower) -Tiara, Flower crown/coronas, Phoenix crown

[abby-30]

lockets 🌷🌸

[ratfest]

the world is full of beauty that can’t be captured in photos or picture books!

[heavenpureheart]

[coquetteangelll]

[topboylikesully]

[tmiegrl]

pink heart lock and key jewelry box ﹒ 𐙚 ˚ ﹒⟢

[heartnosekid]

fairy wings nail art 🧚‍♂️ | aistehaas on ig

[zegalba]

The Viking Age ring with the Arabic inscription

“for Allah” The Birka Ring

Featuring a pink-violet colored stone with an inscription that reads “for Allah” or “to Allah,” the silver ring was found during the 1872-1895 excavations of grave fields at the Viking age trading center of Birka, some 15.5 miles west of Stockholm.

[pinkwishlist]

Dior La D de Dior Précieuse à Secret Rose

[tvlipsandbread]

I have a teeny tiny obsession with lockets

And I own zero

[fashionsfromhistory]

Brooch

Marcus & Co. (New York City, New York)

c.1900

This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.

The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.

The MET (Accession Number: Accession Number: 2016.107)