#jetrel

[spockvarietyhour]

Admiral Alidar Jarok:

K'mtar/Alexander Rozhenko:

Dr. Mora Pol:

Ma'Bor Jetrel:

[sshbpodcast]

Character Spotlight: Neelix

By Ames

At some point, the Star Trek fan base decided the worst main character of the franchise is Neelix – he’s obnoxious, his jokes don’t land, he’s dating a two-year-old, he looks like that. But if you actually, I dunno, watch the show, your hosts here at A Star to Steer Her By found that Neelix might be one of the most complex, consistent, and realistic characters on the show. Even Caitlin, who started our Voyager watchthrough disliking him, ended it bathed in the Talaxian love.

So get off the hate train and give the guy the open mind he deserves. He’s only trying to help the friends he met in the Delta Quadrant while battling some of the harshest mental demons the show has given to a character. Not to mention that Ethan Phillips gets to show his dramatic range show by show, comic relief one day, and emotionally destroyed the next. Check out both sides of the Neelix character below – the good and the bad – listen to our debate on this week’s podcast episode (stroll over to 51:16), and make your own decision! We’ll see you in the mess hall!

[Images © CBS/Paramount]

Best moments

Now I am become death, destroyer of Talaxians The first season of Voyager is already digging deep into Neelix’s tragic backstory when “Jetrel” reveals that his whole family was taken out by the titular character’s metreon cascade. The whole episode is Neelix facing the man who killed so many Talaxians, and also facing his own deep guilt. When he forgives the dying Jetrel, he’s really forgiving himself and finally moving on.

There’s nothing like a family reunion We’ll have more to say about “Parturition” in our next section, but we start to see Neelix the caregiver in his interactions with the newly hatched dino puppet. Not only do we see an end to the entirely stupid love triangle between Neelix, Kes, and Tom, but we glimpse how much Neelix puts other people before himself when he pushes to save the baby monster thing.

I’m going to have plenty of material for tomorrow’s Briefing With Neelix Neelix’s nosiness, while frequently one of his more annoying traits, ends up paying off in “Investigations” when he uncovers the mole who’s been making contact with Seska and those wily Kazons. Not only does Neelix put himself at risk by going undercover, but he also ends up murdering that saboteur Jonas by throwing him into a plasma fire like a badass!

The 299th Rule of Acquisition: Whenever you exploit someone, it never hurts to thank them Ethan Phillips sure knows how to play a Ferengi, having portrayed Farek in “Ménage à Troi.” But Neelix himself also plays a damn good Ferengi, totally pulling off the Grand Proxy / Holy Pilgrim in “False Profits.” He initially fools Arridor and Kol with his quick thinking and improv, and when the game is rumbled, succeeds in protecting the Takarians from their Ferengi ploy.

What’s this week’s legend, Olmec? While overall we found “Sacred Ground” to be an unfocused and confounding mess, Neelix is still strong in it nonetheless! He does everything in his power to support the effort to get Kes out of her supernatural coma. Most importantly, he figures out the loophole via an old anecdote about an ancient king requesting an audience with the spirits, which Janeway pounces on.

I’m tired of being the target of all your hostility Sure, most of the time, you can view Neelix’s interactions with Tuvok as insufferable and tone deaf (much like I frequently find Archer’s constant needling of T’Pol in Enterprise), but it comes from a place of love and respect. It takes Tuvok several seasons to reciprocate this and it all starts in “Rise” when Neelix finally stands up for himself to the tactless Vulcan.

Intergalactic House of Pancakes As the Voyager’s morale officer, Neelix commonly goes out of his way to support his fellow crew members. It’s something a ship’s counselor should be doing, but we don’t have one of those. So Neelix takes it upon himself to offer comfort food (like blood pie in “Day of Honor” and banana pancakes in “Extreme Risk”), a shoulder to cry on, or his body in the form of a punching bag.

Flotter and the Crashed Shuttlepod We get more of caregiver Neelix in his relationship with Naomi Wildman throughout the show. As the girl’s godfather, he’s the only one who can get her to bed at night, with stories of the Great Forest in “Mortal Coil.” But he truly shines in “Once Upon a Time” when his impulse is to protect her from the possibility her mother could die, but it ends with both he and Naomi growing when he learns that being honest with her will help them better survive trauma together.

When is a Vulcan no longer a Vulcan? We loved the vulnerable, un-Vulcan Tuvok in “Riddles” and we love Neelix in this episode even more. Once again, he shows what a great caregiver he is by selflessly caring for others. It’s even more personal because the Tuvok-Neelix relationship has built over the show, so Neelix’s support of his friend really pulls at your heartstrings, especially with the heart-wrenching ending.

See anyone you know? Neelix gets two different farewell scenes with Kes in Voyager. The first is a touching goodbye in “The Gift” when they know Kes is transcending to a new type of Ocampan. The second might be the only good moment from the deeply problematic “Fury” in which a tormented Kes is rampaging around the ship but Neelix treats her with the affection and empathy he always has.

She’s a fine specimen of Klingon womanhood I ran out of room in the EMH post to include how uncomfortable I felt when he insists Harry Kim bang Officer Ch’Rega in “Prophecy” even though it’s clear Kim doesn’t consent. But you know who’s down to clown with a Klingon mistress? Neelix! He successfully gets the tall drink of bloodwine off of Harry’s ass and onto his own. Everyone wins! Qapla’!

Coming full circle Neelix’s character gets the perfect ending in “Homestead.” See above how we started the series with Neelix feeling guilty that he wasn’t there during the Talaxian-Haakonian war and accepting that he’ll never go home again. And here we see him off after he’s saved a lost Talaxian colony and gets to rejoin his people. It’s the most complete character arc of the show.

—

Worst moments

Always let your scavenger be your guide This isn’t all to say Neelix is a perfect angel. We first meet him when he’s scavenging around in “Caretaker,” and the very first thing he does is trick the Voyager into helping him free Kes from the Kazons who have captured her. Which is admirable, mind you, but he goes about it through deception and cunning. Not the best impression to make for the first time we encounter him.

Your ceiling is hideous This is one of those moments that isn’t entirely Neelix’s fault, but is definitely bad for him. What’s a better way to respond to having your lungs stolen from you as his were in “Phage”? I’m not sure, but it’s probably not constantly whining, wallowing in self pity, and accusing Kes of having an affair with Tom. Not a good look, though I certainly can’t say I’d handle it much better.

You don’t know where I was the night Rinax was destroyed As we said above, Neelix’s backstory that comes out in “Jetrel” really deepens his character. It’s also where we learn that he dodged the draft during the Talaxian-Haakonian war. I can’t judge him for hiding from a war he doesn’t believe in, but I sure can judge him for lying for many years that he was actually in the defense forces because he was ashamed for being a coward.

Get the cheese to sickbay This one’s just silly. What a strange development that it turns out the reason the ship is malfunctioning all over the place in “Learning Curve” is because the brill cheese Neelix whipped up to attempt to make macaroni and cheese. The schplict that Neelix brings on board infects the bio-neural circuitry of the ship, and it feels like a joke more than anything else.

Order the diapers. We’re about to become parents. Let’s put aside the “Kes is only two years old!” argument that we’ve had on the podcast myriad times, and instead have the “Neelix is a possessive and selfish partner” argument that’s actually warranted. In “Elogium,” when Kes is going through a traumatic life stage that forces her to decide if she’s ready to have children, Neelix somehow makes it all about him, which is gross.

How do you know where everyone’s quarters are? Speaking of Neelix being a bad boyfriend, he continues to be a controlling, jealous piece of shit in “Twisted.” Not only does he whine when Tom gives Kes a birthday present, but he also accuses her of being the town pump because her eidetic memory makes her remember where everyone’s quarters are. And then he vanishes randomly and we never get an apology!

Food fight! Most of these bad Neelix moments are clumped in the first couple of seasons, and that’s because it’s here at “Parturition” that the writers realized they needed to stop leaning on the jealous boyfriend trope and fix the Neelix-Paris relationship. It really was that bad. They were such children, starting a food fight over Kes and acting like animals during mating season.

No bone about it Remember how we gave Chakotay credit for not going out of his way not to desecrate a gravesite in “Emanations”? Apparently Neelix has no such qualms. He’s really gung ho to make some tools out of some humanoid bones he and Hogan find in “Basics.” And sadly for us, it ends up with Hogan getting killed by whatever monster or other left those bones there!

None of us knows what’s coming This episode would have made way more sense if it happened a season earlier. By “Fair Trade,” midway through season three, Neelix should know better that he doesn’t have to prove himself around his found family on the Voyager. But instead, he throws Tom and Chakotay under the bus and threatens his own life so he can get a map and continue to be the quadrant expert.

You sound as though you’re saying goodbye It’s not often that you’ll find one of our moments be a scene that didn’t happen. When Neelix resorts to a certainly suicidal plan to trick the black market dealers in “Fair Trade,” he thinks he’s going to die, but he never has a scene with Kes. I can’t forgive the writers for cutting a scene of him saying goodbye to Kes, who has ONE inconsequential line in the whole episode.

I want to hear about the Great Forest again If we can give Torres shit for how poorly she deals with trauma in “Extreme Risk,” then we can also share the disapproval for Neelix with how abysmally he deals with his mortality in “Mortal Coil,” as he nearly spaces himself. This is another reason why it’s clear the Voyager needs a counselor because even if the crew knew how to ask for help (they don’t), there’s no one to ask.

All we need now is a mark Being such a people person, Neelix also gets himself into trouble by being way too trusting. He easily falls for Dala’s nun story in “Live Fast and Prosper” like an absolute rube. And then when he and Tom are trying to prove they’re not rubes, Neelix picks the EMH to play a shell game against, who is absolutely the wrong mark. What a couple of rubes.

—

We’ve already had two helpings of Leola root and it’s time for dessert. Join us for more character spotlights as we continue through the Voyager manifest next week, and also keep following as we near the end of our Enterprise watch over on SoundCloud or wherever you get your podcasts. You can also join us in the mess hall over on Facebook and Twitter, and give Neelix the credit he deserves!

[raurquiz]

#otd #startrek #voyager #Jetrel #janeway #chakotay #tuvok #kim #paris #belannatorres #kes #emh #neelix #maborjetrel #gauntgary #startrek57 @TrekMovie @TrekCore @StarTrek @StarTrekOnPPlus @TheKateMulgrew

[spacefinch]

Star Trek Voyager episode “Jetrel”

Dr. Jetrel: *explaining why he made a weapon that killed thousands of Talaxians and that he wasn’t the one who fired it, and that he did it for science*

Neelix: Cool motive, still murder.

[aquamonstra]

Voyager season 1 episode 14 "Jetrel" > Oppenheimer

[thresholdbb]

Can’t a man just hate the guy who genocided his people in peace? Jeez

[stitching-in-time]

Voyager rewatch s1 ep14: Jetrel

Another one I remember well, a rare dramatic script for Neelix, it's also his strongest episode, and it's a tour-de-force for both the lead actors.

I know I've come down hard on Neelix in these early episodes, mostly for how he treats Kes, but he treated her well here, and they have some really good dramatic scenes together. Neelix can be an effective character when they give him better writing, and that's certainly the case here. A huge departure from his usual lighthearted storylines, giving such a heavy episode to a character who's usually comic relief actually accentuated the tragedy of it even more. We learn Neelix's tragic backstory when he meets the man responsible for developing the weapon that killed his family in a war, and Ethan Philips and James Sloyan give devastating performances as they spar over the ethics of science and war and grapple with their feelings of grief and guilt. Extra kudos to them for showing that emotion through layers of alien prosthetics.

The Oppenheimer parrallels are obvious, and intentional, and it's interesting to watch an episode like this, that not only includes, but centers, the survivor's perspective, in a time when people who consider themselves leftists cosplay as Oppenheimer to go to see a movie about him that tries to justify the horrors he created, while promoting the US war marchine, on a double bill attached to a movie about Barbie. Back in the day, it seemed like the most radical thing in this story was the humanization of the Oppenheimer figure, but now it feels like the more radical element is Neelix, raging on behalf of the victims, who are now too easily ignored. This episode did a fantastic job of illustrating that there are no winners in war, only victims, who have a long road to recovery and forgiveness, but that those things are still possible. A difficult but worthwhile episode.

Tl;dr: An absolutely devastating episode with gutwrenching performances. A defining moment for Neelix's character.

[doctahchang]

i love seven but it is also very annoying how media overall is more willing to sympathise with characters who committed countless atrocities and talk at length about their redemption arks particularly in comparison to oppressed characters whose fight against status quo is always being framed as terrorism :-)

[basingstokemercury]

Tuvok... Tuvok is probably the character I have the fewest grievances with, if any at all. That doesn't mean he's my favourite - aside from the awful cultural writing, that would probably be Chakotay at the moment.

Seeing a full Vulcan among the crew means we're looking at what the average Vulcan is like without the extra complications of Spock's life, and the show seems to be doing well at following through on that promise.

A Vulcan security officer is a great concept, well-used. Intelligent, methodical in his problem-solving, and we're getting a good look at the way "logic" still needs a moral code to guide its reasoning - I wouldn't call him morally grey, but the writers are onto a good thing here.

[kazekage-libra]

Oh also, you know how with disney they be trying to do sympathetic villains all the time but like most of the time they don't actually need to be that way or the moral is shallow/not challenging? Star Trek has and could do more that in a very good way. Controversial I know but I do like that in Star Trek Voyager S1 Ep14 that Dr Jetrel did try to do something about what he did to those people. But like, you can't expect to bring people back to life. I didn't like that they had the dr die tbh. It should have ended on a different note in my opinion. He should have watched his attempt fail and Neelix should have been like, "Well all that energy who put into this, now can be put into helping people who are still living and need help." Or something I don't know!

my bad fam. I'm just rambling on a saturday night / sunday morning because I have nothing better to do lol

[fantasy-the-final-frontier]

Holy fuck, just rewatched 1x15 Jetrel and I did NOT remember this at all. Neelix’s people were targeted by weapons analogous to atomic bombs (which killed Neelix’s whole family), surrendered to their enemies, and has had their homeworld occupied for 15 years now. And, in true Star Trek fashion, I’m 99% sure this will never be brought up again.

[sshbpodcast]

Top Five Star Trek VOY Episodes

by Ames

We made it back to the Alpha Quadrant, y’all, and it was a pretty good trip! Overall, we’d say Star Trek: Voyager is a pretty decent contender for one of the best series in the franchise. Sure, we here at A Star to Steer Her By are probably still on Team DS9 for the most part, but our plucky friends lost in the Delta Quadrant are at least giving TOS and TNG a run for their money in terms of overall episode quality, character development, and consistency. Hell, TNG’s first season alone brings its average way down, so it might be a pretty close race!

Considering Voyager usually gets overlooked on a good day and unfairly criticized on a bad day, it’s a damn good show with a lot of stunning episodes that leave the audience invested, affected, and ready for more. And now that we’re out of episodes, we’ve assembled our favorites of the series for you to warp through below, and/or listen to on our finale episode of the podcast (series discussion at 1:29:20) which features even more picks from guest star Liz. Bon voyage, Voyager!

[images © CBS/Paramount]

“False Profits”: Chris We’d be remiss if we didn’t include some of the fluffy comedy shit Chris loves (I’m just as shocked as you are that it’s not Bride of Chaotica!), so here’s a very funny yet very Star Trek example that brings back the two Ferengi all the way from TNG’s “The Price.” It’s a pretty deep cut for a reference, but they certainly run with it in an ultimately satisfying way, complete with putting Ethan Phillips back in Ferengi makeup, as we saw in TNG’s “Ménage à Troi” and will see again in Enterprise’s “Acquisition.”

“Course: Oblivion”: Ames Just for the whiplash of it all, let’s pivot from a fun romp of an episode to a deeply depressing, tragic episode in “Course: Oblivion.” The inevitable demise of all the Silver Blood Duplicates is like watching a slow-motion car crash: you know what’s going to happen is going to be upsetting but you can’t tear your eyes away. And the nihilist cherry on top of this ice cream cone of sadness is that their message never even gets through! It’s so successful at being so bleak!

“Memorial”: Caitlin Let’s kick off a handful of noteworthy episodes that examine how we connect with and remember history, starting with a space genocide that plays out in the memories of anyone who happens along as both a memorial to its people and a not-so-subtle disparagement of Holocaust deniers. The post-traumatic stress disorder that the crew displays is also expertly done, making their reactions to atrocity something personal and all the more intriguing, like “The Inner Light” on a whole ship’s scale.

“Remember”: Caitlin Before getting saddled with Paris, B’Elanna Torres had some really good character work early on, and her living out the moments in the life of an Enaran woman in her dreams gives Roxann Dawson quite a lot to play with. We also did a lot of comparing this episode to the classic “The Inner Light,” and for good reason! Dawson really shines in this role, and we also get a spellbinding portrayal of the really troubling Enaran culture and their genocide of the Regressives.

“Blink of an Eye”: Jake One of the cleverest episodes of Voyager comes in this fast-paced planet that develops quicker than you can ascertain, and thus allows for us to view the full evolution of a culture’s advancements in perfect little vignettes. And it all culminates with a hopeful and touching moment with one of Jake’s favorite characters, Gotana-Retz, finally connecting with the ship that has shaped his planet’s history and saving their asses.

“Distant Origin”: Ames Here’s another episode that’s almost too clever for its own good. The Galileo allegory is so strong and fascinating that we entirely accept that some sapient dinosaurs left earth at some point, which should be so silly as to utterly distract from the episode, but Forra Gegen is just so earnest and his plight to open the eyes of his people to their forgotten history so reasonable that we just go with it! Plus Chakotay is probably the most in character he ever gets to be all series long and it’s great to watch!

“Death Wish”: Chris While Q is at his best when paired with Jean-Luc, and his other appearances in Voyager may stretch credulity a little bit, this episode shows us a side of the Continuum that is refreshing and new. Quinn’s depiction of life as a Q as a prison is rather fascinating, and he expertly plays a compassionate character whom you root for even though you feel conflicted by it because his winning the trial will result in his death. But that’s the kind of moral conflict that Star Trek plays so well!

“Nothing Human”: Caitlin Speaking of moral conflicts, we’ve got another ethical debate on our hands in this allegory to Nazi medical experiments. While everyone here on the podcast was firmly in the camp that it is okay to use medical knowledge obtained through deplorable means, it’s still a fascinating reminder to see the full context of what it means to use data from someone like the Cardassian Josef Mengele. The science fiction lens of this real-world allegory is just what Star Trek is for.

“Relativity”: Ames I have such a soft spot for this episode. I’m a sucker for a really interesting use of time travel in storytelling, and the way this episode is structured: chef’s kiss. The twist that it was a crazed future Braxton the whole time. Yes. The weirdly sexy dynamic between Seven and Ducane. I’m there for it. And the best thing of all is seeing Jeri Ryan in a Starfleet uniform, looking fly as hell! Her character journey is now complete because someone finally dressed her well.

“Eye of the Needle”: Jake Another very soft spot of ours is in this season-one episode featuring another of Jake’s favorite Voyager characters. This is the first time (of many) that the Voyager comes this close to finding a way back home to the Alpha Quadrant only to have those hopes dashed to bits by circumstance. It’s so Voyager-specific a story that it’s actually quite perfect. So many episodes could be TNG in Voyager clothes, but it’s episodes like this one that really gave a particular voice to the show.

“Homestead”: Caitlin The literal journey the Voyager characters go on is a big part of the whole series (even when they dipsy doodle around on sidequests so often), and the most complete and meaningful character journey is Neelix’s. Throughout the show, we’ve seen him grow as he got further and further from his homeworld, became an important fixture on the ship, and developed friendships with the other characters (like Tuvok, as you’ll see in a moment). So the closure his character gets in “Homestead” is too perfect for words.

“Riddles”: Caitlin, Chris The Neelix-Tuvok relationship is on full display here. Where normally they’re paired together for the comedy of an odd-couple dynamic, this episode really shows the love these two have for each other. And Tim Russ acts his butt off as a Tuvok who is struggling to recuperate from a serious injury, trying to find himself again, and being supported by his best friend. It’s so good that it didn’t even make Caitlin’s tops list of that season, but has reemerged in the finals!

“Jetrel”: Chris, Jake One more Neelix episode to round out his character, and this is one of the early ones. We’ve already talked about some good allegories on this list for Galileo and Mengele, and appropriately for this moment, we’ve got another great scifi lens to view Robert Oppenheimer (almost said Barbie, but alas). Jetrel is a fascinating character just like Oppie, but Neelix really steals the show with the remorse he feels for draft dodging and then surviving an atrocity that would have killed him. Damn, those are some deep layers for a usually fun character.

“Year of Hell”: Ames, Jake This may be one of the best two-parters in Star Trek, as it never lost momentum and its conclusion was that jaw-dropping kind of satisfying that marks really good writing. Watching the ship and crew getting more and more wounded over the course of the two-parter was excellent to see, and the character Annorax is one of our favorite Voyager villains. And for good reason! Kirkwood Smith infuses that character with such humanity and resolve you almost root for him. Almost.

“Living Witness”: Ames, Chris, Jake Finally, the episode with the most votes from your SSHB hosts is yet another original way of looking at how people represent history, and how so much of it is told through the biased lens of whoever’s in charge. But the best thing about “Living Witness” is how much the actors get to really ham it up by portraying evil versions of their usual characters. It’s like doing a mirror universe episode, but more thought provoking, less contrived, and less doofy.

—

See also: our Bottom Five Star Trek VOY Episodes list. And why not: here’re all the seasonal tops and bottoms from seasons 1, 2, 3, 4, 5, 6, and 7!

Welcome back to Earth! We hope you had as great a time following along with Janeway and crew throughout the series, but we’ve got more Star Trek on the way! Next on the docket is the one you’ve no doubt been waiting for, so make sure you’re following along here as we finally fill out the classic Trek roster with Star Trek: Enterprise in our watchthrough on SoundCloud or wherever you get your podcasts. You can also hail us on Facebook and Twitter, and give one final toast: To the Journey!

[quasi-normalcy]

Star Trek episode titles referencing specific characters or species:

So I've been through the list of every Star Trek episode ever, looking for titles that specifically reference characters or species. I'm talking specific references here, i.e., name drops, rather than just allusions. So, for example, I didn't count "The Squire of Gothos", but I would have counted it if the episode had been called "Trelane"; I counted "I, Borg", but not any of the episodes called things meant to evoke the Borg (e.g., "Collective", "Assimilation", "Drone", etc.).

Anyways, my results are as follows:

Characters:

Of the ST episodes named after specific characters, a plurality (17 out of 56) were named after what I am calling "minor" characters, which I am here defining as those who appear in only 1 episode. These included: "Charlie X," "Miri," and "Elaan of Troyius" (from TOS); "Bem" (from TAS); "11001001" (which is technically the names of the 4 Bynars) and “Aquiel” (from TNG); “Melora” (from DS9); “The Caretaker,” “Jetrel,” “Tuvix,” and “Alice” (from VOY); “Rajiin” (from ENT); “Jinaal” (from DIS); “I, Excretus” and "In the Cradle of Vexilon” (from LWD); and “The Trouble with Edward” and "Ephraim and Dot” (from Short Treks).

Q, of course, led the "major" characters, with 8: "Hide and Q," "Q Who,” “Deja Q,” “Qpid,” and “True Q” (from TNG); “Q-Less” (from DS9); and “The Q and the Grey” and “Q2” (from VOY)

Next was Data, with 4 episodes to his name (“Datalore” "Elementary, Dear Data” “Data’s Day,” and "A Fistful of Datas," all from TNG)

There was a 2-way tie for fourth place between Harry Mudd ("Mudd's Women" and "I, Mudd" from TOS; "Mudd's Passion" from TAS) and Spock ("Spock's Brain" from TOS, the movie Star Trek III: The Search for Spock, and "Spock Amok" from SNW), each having 3 episodes to their name.

Bashir was the only other character to have multiple episodes to his name ("Our Man Bashir" and "Doctor Bashir, I Presume?", both from DS9

An additional 20 regular or recurring characters had one episode named after them. These include: Lore ("Datalore"), Sarek ("Sarek"), Troi ("Menage a Troi"), Ro ("Ensign Ro"), Okona ("The Outrageous Okona), Dax ("Dax"), Quark ("The House of Quark"), Shakaar ("Shakaar"), Khan (Star Trek II: The Wrath of Khan), Kahless ("The Sword of Kahless"), Morn ("Who Morns for Morn?"), Dr. Chaotica ("Bride of Chaotica!"), The Doctor ("Tinker, Tenor, Doctor, Spy"), Su'kal ("Su'Kal"), Vox ("Vox"), Boimler ("Much Ado About Boimler"), Kayshon ("Kayshon, His Eyes Open"), Paris ("We'll Always Have Tom Paris"), Badgey ("A Few Badgeys More") and Ascensia ("Ascension" (not quite, but I'm counting it)).

Species

Here, I counted not just the proper names of alien species, but the proper names of their homeworlds/dimensions as well. And here, again, "minor" species who appear in only one episode dominated the category, with 11 out of 44 episode titles: "The Gamesters of Triskelion," "Elaan of Troyius," "The Mark of Gideon," and "The Lights of Zetar" (from TOS); "The Magicks of Megas-tu" and "The Slaver Weapon" (from TAS); “Angel One” and “Galaxy’s Child” (from TNG); “Meridian” (from DS9); “The Swarm” (from VOY); and "An Embarrassment of Dooplers" (from LWD)

Q, which is, after all, the name of a species as well as a character, again leads the "major" entries, with 8 episodes: "Hide and Q," "Q Who,” “Deja Q,” “Qpid,” and “True Q” (from TNG); “Q-Less” (from DS9); and “The Q and the Grey” and “Q2” (from VOY)

Tribbles came next with four episodes to their name: "The Trouble with Tribbles" (TOS), "More Tribbles, More Troubles" (TAS), "Trials and Tribble-ations" (DS9), and “A Tribble Called Quest” (PRO)

The Ferengi (“Ferengi Love Songs” and “The Magnificent Ferengi” from DS9; “Parth Ferengi’s Heart Place” from LWD) and the Prophets ("In the Hands of the Prophets", "Prophet Motive", and "Tears of the Prophets", all from DS9) tie for fourth, with three episode apiece

There's a three-way tie for fifth place between the Vulcans ("The Infinite Vulcan" from TAS and "The Vulcan Hello" from DIS), the Borg ("I, Borg" from TNG and "Let Sleeping Borg Lie" from PRO), and the Andorians/Aenar, whom I am treating as one species ("The Andorian Incident" and "The Aenar", both from ENT), each with two apiece.

The Tholians ("The Tholian Web"), Orions ("The Pirates of Orion"), Cardassians ("Cardassians"), Jem'Hadar ("The Jem'Hadar"), Caretakers ("Caretaker"), Xindi ("The Xindi"), Species 10-C ("Species 10-C"), Mugatos ("Mugato Gumato") and Illyrians ("Ghosts of Illyria") get one episode each, mostly just boring noun titles

A few interesting things are of note here. First of all, outside of the one-off appearances and simple one- or two-word noun titles, the episodes of Star Trek that are named after specific characters or species are overwhelmingly done for comedic purposes (which probably explains why Q, Mudd, the Tribbles, and the Ferengi all tend to put in relatively strong showings). When things are serious, Star Trek across all series overwhelmingly tends to prefer more oblique or poetic titles. Notably, even the more "serious" episodes with Q ("Q Who" being the major exception) tend to forego the standard punny names.

Secondly, with the exceptions of Data and Spock (and to a lesser extent Bashir, Dax, Quark, the Doctor, and Boimler), Star Trek really doesn't like to name episodes after its opening credits regulars. None of the captains, for example, appear on this list: apparently you can name a series after Picard, but if you want to do an episode about him going on vacation, you call it "Captain's Holiday" rather than "Picard's Holiday."

Finally, it's remarkable what species aren't name-dropped in titles. The Vulcans, the Borg, the Ferengi, the Q, and the Cardassians (namesake of only one rather unimaginatively named episode) are all certainly among the major parts of the setting, but the Federation's oldest enemies--the Romulans and the Klingons--are nowhere to be seen; nor are the Changelings, the Bajorans, the Trill, the Betazoids, or any of however many other species to be featured prominently on their respective series. Star Trek typically seems to favour more oblique or thematic references when it comes to its antagonists (the aforementioned "Drone," "Collective" or "Assimilation" for the Borg; titles like "Heart of Glory," "A Matter of Honour," or "The Way of the Warrior" for the Klingons; titles like "The Neutral Zone," "The Enemy," and various allusions to political tension or spycraft for the Romulans; two separate episodes referencing the colour green for the Orions, and so on); titles that tell you what you can expect from these guys, rather than that they themselves are in it.

[kari-izumi]

Just finished watching Jetrel, which was honestly a great episode (probably one of THE best in season one) and was thinking how cool it would have been if only there was another character in the chain of command besides Janeway that Neelix could have bounced off of that would have understood the trauma of having one's home destroyed, especially if it happened in the recent past--like about two or three years earlier and perhaps was the reason he quit Starfleet to fight for that cause or something.

Really could've been cool if that happened, but guess we'll never know ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

[staringdownabarrel]

hey, where do I start with star trek?

It really depends on whether you want to watch all of it or if you're mostly hoping to do a bare bones viewing of the older shows before you see the shows currently in production. There's a lot of viewing guides out there if you want to do a completionist viewing, so I'm going to answer this with the assumption you want to do the latter.

Before I begin, I'm not really sure if there's such a thing as a non-contentious version of this list, so keep in mind there's going to be different people with different opinions and some are going to take some pretty big issues with this one.

The Original Series: The Cage, Where No Man Has Gone Before, Mudd's Women, Balance of Terror, Arena, The Menagerie Pts. I and II, Errand of Mercy, Amok Time, Mirror Mirror, I Mudd, The Trouble With Tribbles, Journey to Babel, The Enterprise Incident, Spock's Brain

The Animated Series: Honestly, I'm probably going to get some flack for this one, but you can safely skip it entirely

The Next Generation (the best series): Encounter At Farpoint, The Battle, Hide and Q, Datalore, Skin of Evil, Conspiracy, The Neutral Zone, Elementary Dear Data, The Measure of a Man (I have issues with this episode but it is very popular regardless), Q Who, The Emissary, Peak Performance, Who Watches the Watchers, Yesterday's Enterprise, The Offspring, Sins of the Father, Tin Man, Transfigurations, The Best of Both Worlds Pts. I and II, Family, Brothers, Reunion, The Drumhead, The Mind's Eye, Redemption Pts. I and II, Ensign Ro, Reunification Pts. I and II, I Borg, Chain of Command Pts. I and II, Tapestry, Birthright Pts. I and II, Rightful Heir, Descent Pts. I and II, The Pegasus, All Good Things

Deep Space Nine: Honestly, just watch the entire thing. A lot of the episodes, even the earlier ones, end up tying into ongoing arcs in this show. If you want just one episode to sell you on it, go see Duet or the Past Tense two parter.

Voyager: Caretaker, Jetrel, Threshold (c'mon, it's one of the holidays), Death Wish, Tuvix (notoriously one of the most contentious episodes of any Star Trek show ever made), The Q and the Grey, Worst Case Scenario, Scorpion Pts. I and II, The Gift, Year of Hell Pts I and II, Message In A Bottle, The Killing Game Pts. I and II, Living Witness, Drone, Equinox Pts. I and II, Q2, Author Author (aka what TNG's The Measure of a Man could have been like if it was good), Endgame.

Enterprise: Broken Bow, The Andorian Incident, Shadows of P'Jem, Shockwave Pts. I and II, Carbon Creek, Minefield, Cease Fire, The Expanse, all of season three because it's a season long arc and honestly one of the better seasons, Storm Front Pts. I and II, Borderland, Cold Station 12, The Augments, Babel One, United, The Aenar, Affliction, Divergence, In A Mirror Darkly Pts. I and II, Demons, Terra Prime, These Are the Voyages (also a contentious episode)