#jeremy holm

[moviesandmania]

BLACK MOLD (2023) Reviews of deadly spores horror soon on Tubi!

Black Mold is a 2023 American horror film about an auspicious photographer as she explores a decrepit, abandoned facility and faces off against her traumatic past. Written and directed by John Pata (Dead Weight; short: Pity; editor of The Stylist). Produced by Jill Gevargizian, Brett Hays, Sarah Sharp, Jennifer Shelby, Robert Patrick Stern and Tony Wash. Executive produced by Kyle Clark, Kevin…

[moviemosaics]

Brooklyn 45

directed by Ted Geoghegan, 2023

[darkmovies]

The Tank (2023) Date de sortie : 21/04/2023 Réalisateur : Scott Walker Scénario : Scott Walker Avec : Anne Ramsay, Ron E. Rains, Jeremy Holm

[cut-me-and-call-me-yours]

THE RANGER (2018)

Where has this movie been all my life? This little flick is a total underrated gem in regard to campy slashers. The very idea of a deranged forest ranger hunting down punks because they violated the park code is outright ridiculous and, in my opinion, reason enough to check this movie out. The ranger' very animated actions paired with his cheesy 1 liners about garbage in the forest keep the film light and bordering on horror comedy. The wardrobe in this film also was incredible, showcasing different styles of punk clothing in a very authentic way, with most of it looking homade and / or DIYed. A lot of the scenes in this film were shot beautifully with help from the gorgeous scenery. However, campy, this all sounds like there are still some very powerful and unsettling scenes from this film. I was especially disturbed by the ranger crawling around naked except for a wolf pelt and howling like a predator. Absolutely unhinged behavior, and I have to hand it to the actors' performance because that scene has not left my head since I watched it. I also liked seeing Chelsea go from an annoying wannable punk to a strong woman capable of saving herself and reclaiming her life. I didn't need the "wolf recognizing wolf"symbolic scene, but other than that, this film is definitely worth your time.

[movienized-com]

Black Mold (2023)

Black Mold (2023) #JohnPata #AgnesAlbright #AndrewBailes #JeremyHolm #CaitoAase #MaisieMerlock Mehr auf:

Jahr: 2023 Genre: Drama / Horror / Thriller Regie: John Pata Hauptrollen: Agnes Albright, Andrew Bailes, Jeremy Holm, Caito Aase, Maisie Merlock, Jessica Ambuehl, Cate Rio, Leslie Lux, Shannon McInnis … Filmbeschreibung: Die Fotografin Brooke (Agnes Albright) und ihr Kumpel Tanner (Andrew Bailes) schleichen sich um ihrer Kunst und des Adrenalins willen in verlassene, nicht zugängliche…

[exquisiteterrormagazine]

Herd

Herd implores us to ask the most important question at the heart of every great zombie fable: who are the real monsters?

When Jamie and Alex go on a camping trip in the American backwoods, they think they’ll return home with their marriage saved and the tragedy that haunts them in the rear-view mirror. What they don’t realise is that a virus is sweeping across the state, turning people into ulcerated zombies. When Alex gets injured, they’re forced to make a choice: face the dead, or trust the gun-toting,…

[juihwhite]

Your 221B Husbands on a leisurely afternoon reading each other some POEtry.

A beautiful Monday everyone! Today I give you another sketch of our two favourite roommates. This time i’ve planned to digitalise the sketch and make a painting of it. We will see when I finish it.

[cultfaction]

HERD trailer released

Framework Productions is thrilled to share the first trailer for action horror HERD. Officially Selected for this years FrightFest, the film will celebrate its World Premiere on August 26th at the iconic horror festival. Directed by Steven Pierce, the film stars Corbin Bernsen (Major League, Kiss Kiss, Bang Bang, LA Law), Timothy V. Murphy (Snowpiercer, National Treasure: Book of Secrets), Ellen…

[kimgmac63]

[foolishxprincipalitee]

world’s only consulting drama queen

Jeremy Brett x Tchaikovsky

[fearsmagazine]

BROOKLYN 45 - Review

DISTRIBUTOR: SHUDDER

SYNOPSIS: Friday, December 27, 1945. Lieutenant Colonel Clive “Hock” Hockstatter has summoned four fellow veterans of WWII to his Brooklyn brownstone. Best friends since childhood, they’ve reunited to support their troubled host after the Tnanksgiving suicide of his wife. His invitation for cocktails turns into an impromptu séance when he admits to his friends that he’s begun exploring the occult. As they gather around the parlor table the metaphoric ghosts of their past become all-too-literal. Trapped in their host’s lounge, they find themselves put to one final test, with their only route to freedom potentially more bloodshed.

REVIEW: Ted Geoghegan BROOKLYN 45 is a rare gem that flawlessly embraces the history of the genre and the period to create a cinematic experience that is and deserves the title of “classic masterpiece.”

This award worthy screenplay is a masterpiece in character development, story arc, and suspense. I have to say that I felt like I knew these characters. Growing up, my maternal grandmother was one of 12 children. Her house featured a basement that had been finished in the late 40’s. Every holiday or family celebration we gathered in that basement, with a bar and fake fireplace. Many of my great uncles served in WWII, and through marriage it was like a mini United Nations. Geoghegan’s characters and dialogue brought to life those memories of those gatherings. As he lays the foundations of these characters and their relationships, he begins to weave in the supernatural elements and the drama/horror driving the tale. His writing is reminiscent of a classic noir film with ascents of an Agatha Christie novel and a dash of an old time radio drama style. In the hopes of finding answers, the character of Hock unleashes a hungry ghost that he fashions after those evil spiritual presences we’ve come to expect from Japanese mythology. Geoghegan also addresses questions of morality and ethics, and introduces a gay character that is thoughtfully entwined into the plot. The closing moments felt anticlimactic, but given the epic emotional journey it provides a soft landing.

Geoghegan has an amazing production team. From the production design, art direction and the costumes, the film captures the time period and brings the characters to life. There is attention to detail, from the button light switch to the design of the radio that brought back memories and felt authentic. The visual effects nicely accentuate the production designs and the practical effects demonstrate the filmmaker’s passion for the genre. I loved the effect used when the spirit emerges from the mirror. It had a classic ectoplasm look that felt a bit “Ghostbusters” and a bit Disney. Geoghegan’s opening and closing credits design pays homage to the films of the 1940’s and are a nice touch.

BROOKLYN 45 features an astonishing ensemble cast. I can recall seeing them in other films, but Geoghegan obtains performances that transcend anything they’ve done before. They take these characters to another level and you forget you are watching actors creating a role. Additionally, they bring to these performances a tone that feels like performances from that period, the 40’s. I am hard pressed to single out one actor, but I am unable to recall a performance where Larry Fessenden has delivered such an extraordinary, memorable, impassioned performance. You feel the character’s pain and need to take a breath when he is done. Regardless, these are powerful and passionate performances with the intensity of a stage production worthy of a standing ovation and multiple curtain calls.

Enhancing the performances and visuals is an amazing score by Blitz//Berlin. If you’re not familiar with them you should be. They are a trio of Canadian composers that create experimental music, and compose original scores for film, television, and movie trailers. They enhanced films such as “Psycho Goreman,” “The Void” and “Extraterrestrial.” For BROOKLYN 45 they provide small movements that underscore the emotional and supernatural moments. It never overshadows key performances, giving them center stage.

Ted Geoghegan’s BROOKLYN 45 is like finding a gem in a vintage store. His talented writing is brought to life by a sensational cast and his remarkable eye for detail. He combines his knowledge and love for the genre into a riveting tale that addresses timeless issues. He recreates out-standing, genuine characters that older viewers will feel they recognize. A unique and impressive tale that deals with the horrors of war, it should haunt viewers’ memories and be recognized come award season. BROOKLYN 45 is one of the exceptional films of 2023.

CAST: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe, and Lucy Carapetyan. CREW: Director/Screenplay - Ted Geoghegan; Producers - Seth Caplan, Michael Paszt, Pasha Patriki & Sarah Sharp; Cinematographer - Robert Patrick Stern; Score - Blitz//Berlin; Editor - Lisa Hendricks; Production Designer - Sarah Sharp; Costume Designer - Sarah Albrecht; Special Makeup Effects - Brian Zurek; VFX Supervisor - Nicholas Ashe Bateman OFFICIAL: N.A. FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/ebXA9vTbCKc RELEASE DATE: Streaming on Shudder June 9th, 2023

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[moviesandmania]

BLACK MOLD (2023) Reviews of urban explorer horror plus trailer

Black Mold is a 2023 American horror film about an auspicious photographer as she explores a decrepit, abandoned facility and faces off against her traumatic past. Written and directed by John Pata (Dead Weight; short: Pity; editor of The Stylist). Produced by Jill Gevargizian, Brett Hays, Sarah Sharp, Jennifer Shelby, Robert Patrick Stern and Tony Wash. Executive produced by Kyle Clark, Kevin…

[sandwormb]

[darkmovies]

Brooklyn 45 (2023) Date de sortie : Prochainement Réalisateur : Ted Geoghegan Scénario : Ted Geoghegan Avec : Anne Ramsay, Ron E. Rains, Jeremy Holm

[nothingofpracticalgardening]

I think a lot about how all versions of Watson don’t see themselves as anything special, meanwhile all versions Sherlock Holmes are looking at them like “This is the most wonderful human being who ever lived and the only person I want to spend all my time with for the rest of my life.”

[hotvintagepoll]

Propaganda

Jeremy Brett (My Fair Lady)—"...he was beautiful. A strange adjective to use in describing a man. I use it not to suggest effeminacy or a kind of male prettiness, but in the same way I would use it to describe a throughbred stallion, Michelangelo's David or Gershwin's Rhapsody in Blue. There was with Jeremy Huggins [Brett's non- stage name] a perfection and sublime symmetry in his features that was beautiful." [quote from "Bending the Willow" by David Stuart Davies]

Gene Kelly (Singin’ in the Rain, An American in Paris, The Pirate)—It’s hard to know where to start with Gene Kelly because he did so, so much, of such a high quality, from the ballet scenes in “An American in Paris” to the classy suave movie star act of “Singin’ in the Rain” to the incredibly camp, sexy “The Pirate”. He just never stopped finding cool ways to do things and he’s just brilliant to watch, especially when he’s dancing, but even when he’s doing drama or being silly! He’s one of those guys who could genuinely do it all and just radiates charisma through the screen, literally an #icon in every sense of the word.

This is round 4 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.

[additional propaganda submitted under the cut.]

Jeremy Brett propaganda:

"according to critic Kenneth Tynan a 'too beautiful' Hamlet."

“Please take my humble offering of propaganda for bisexual icon ✨️Jeremy Brett✨️ and his early career!"

"he’s such a himbo sunshine boy in my fair lady"

“not technically propaganda because it won’t let me save the images but just found out my bi king jeremy brett played patroclus https://www.jeremy-brett.fr/crbst_183.html and also apparently dorian gray in the 60s and basil hallward in the 70s?? range.”

"...as a dashing D'Artagnan in The Three Musketeers (1966/67) (Duelling is no problem! XD)”

“dropping to sleep - Jeremy is far too handsome to play d'art and also too tall, lol”

Gene Kelly propaganda:

"he was genuinely kind and supportive to judy garland when she was going through a rough time. she was having heavy trauma/addiction responses in 'Summer Stock' which led to her being late all the time and being too scared to come on set, and he actually faked twisting his ankle to distract everyone from her and give her some time off! so yeah, maybe he was a hardass, but when his friend needed him he was 100% there for her, and I think that's worth noting."