#jane: locked out
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@drfcstrs
"Hi. I'm locked out of my apartment," Jessica explained, striding inside and setting her bag down. "And I don't feel like breaking the door down right this second. Then I have to fix the damn thing again." She glanced at the babies in the corner and held up a hand. "Sorry, I suck at watching my language. How are the little beasts?" she asked, smirking fondly at the twins.
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✧ ' 📸 i hope you get to spend lots of time with your loved ones @elwitas ︵ -o-)
#♡ new years wishes : the event#trying out a new style idk if i like this or not#aesthetic#kpop#moodboard#cute moodboard#messy moodboard#aesthetic moodboard#fresh moodboard#kpop moodboard#jennie#kim jennie#jennie ruby jane#loc creds f-eori#jennie blackpink#blackpink jennie#jennie moodboard#jennie lock screens#jennie layouts#jennie twitter layouts#jennie gifs#jennie icons#aesthetic mb#blackpink#blackpink moodboard#blackpink icons#blackpink lockscreens#blackpink gifs#blackpink layouts#blackpink twitter layouts
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can i pwease get jane comforting cathy 🥺🥺
i think late night chats when you can't sleep / get too absorbed in work can be very soothing for the soul
#in part this is because i wanted to give jane a chance to rest between all the asks#also but i think they would be friends. glasses chill parallel play sorta thingy at night. jane's mug says royalTEA btw bc puns#remembering how a lot of cathy angst while i was active in fandom media involved workaholic Writing#and a restless fear of having to research and document in case they all got rewritten out of history again#hence also the not sleeping and cathy parr hours thing. ah. i'm having cathy parr hours now. but regardless.#hope all of you are having time to rest. take break between locking in and getting things done. i hope the stress dissipates.#this is as much for me as anyone reading; i suppose. take care of yourselves
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When I'm closing out at work and I've had a shitty day I blast MCR on the radio speakers. The louder it is the worse of a day I had 🙂
#jane journals#not self ship#vent#negative#BUDDY IT WAS PRETTY FUCKIN LOUD TONIGHT#zombie by the cranberries came on and i tried to sing it as loud as i could to relieve some tension ajfkgkg#but mannnn tonight suuuucked 😭#ok the way closing works ofc is we're slower in the late afternoon so i have time to get a head start on cleaning and stuff#but a BUNCH of old people came in and ordered a bunch of shit and we had steady people from that point on#not to mention some regulars coming in 10 MINUTES BEFORE CLOSING#i was SO BEHIND on the cleaning and i didn't lock those doors till 8!! im supposed to/usually leave at 7:20-7:30#i guess half an hour doesnt seem like a lot but god it fucking felt like it#especially cause its ALL cleaning. sweeping and mopping and dishes and trash bags and vacuuming and then counting out the drawer 😮💨😮💨#honestly........sportacus helped me thru it 👉👈 again#its no wonder his actor was a motivational speaker ajfjgkg it was effective#and now im omw home!!#gonna have chicken and salad for dindin#and watch some lazytown ☺️☺️
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tma pokemon au where tim’s brother was killed by a mr. mime; send post
#the magnus archives#tma#tim stoker#danny stoker#jane prentiss would be one of those bitches who hangs out by the tall grass with her 6 wurmples btw#you know. the ones that say some shit like ‘we have locked eyes so now i must show you the power of my wurmples. bug types are cool!’#before immediately forcing you into a battle
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Jane Eyre 1997 is actually an absurdist workplace comedy of which the director was completely self aware
#definitely. the movie ive seen#dont ask how long this took i dont want to talk about it#basically i have this disease where i can lock into exactly one thing a day#and instead of like homework or doing something even remotely productive i cranked out this future 1 noter god bless#I have more unfortunately#1997 Bertha my beloved I am giving u a 4loko original recipe and a loaded gun#ur scampering too chaotic. ur rack too juicy….they’ll kill you#je#jane eyre
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Me when I want to write a story with my own characters and plotline but I know for a fact it's like a patchwork of eight different series' put together to make a homosexual mess
#It's got a priest#With a shotgun#And a demon in his basement#His name is John Stagson#And a woman studying demonology#She's a philosophy major#She's got a witch in her apartment#Her name is Jane Dearton#And they meet up for coffee because their house pets know each other#And then there's this other guy#He's a detective#His mother had connections to 'the other side'#And he's just tryna help them out man#And the demon's jealous#And the witch is suspicious#And there's a door that needs to be locked before it's opened#Like damn bro#Where your shoes at#What#OC#OC art#OCs#My OCs#My OC art#Original character
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beard could probably be hit by a car and ted would be like :/ dang.......that sucks.................rip <3
#IM KIDDING IM KIDDING PLEASE#sometimes it's so funny to think abt the disconnect in their relationship from what is shown in canon#ted worries for beard!!!!!!!!! but his worry/care is commonly off screen. like with prison + giving him advice#and there's like three scenes where he's visibly worried for beard but other than that it's not like his biggest concern#beard is out here willing to commit arson and beat up his own friends and headbutt people for ted lmao#ted after hearing beard's girlfriend locked him out of his own home and left drugs out and that she'd break his phone#and that she shredded his passport and actively telling higgins NOT to say anything about jane.......#LMAO
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It’s so interesting to me that the big, like, ~reveal~ of both Jane Eyre and The Tenant of Wildfell Hall concern one of the main love interests already being - surprise! - married, but they are such VASTLY different circumstances with totally different connotations and consequences. Just Bronte girlie thoughts.
#and i don't think it boils down to the gender of the married party being different#because on the surface helen and rochester's initial story beats are actually fairly similar#they marry someone based on a lack of information and youthful idiocy then come to realize their mistake later on in the marriage#and like the ~issue~ resides in their partner. namely not being who they thought they were#now this is where it starts to diverge with questionable handling of mental health and an eye raising dash of racism in rochester's case#whereas helen's husband is just a moron#then she leaves whereas rochester just. locks his wife in the attic etc etc#and it's interesting because helen leaving mirrors jane's leaving rochester but for like the complete opposite reason#jane leaves rochester despite wanting to be with him because it's the ~christian~ thing to do#whereas helen leaves her husband despite her marriage vows to save her son from growing up to be an asshole like his father#all this to say perhaps the bronte sisters laid out the following suggestion:#in an unhappy marriage a woman can only run the fuck away whereas the man can lock his wife in the attic#gender imbalances smh#anyways#jane eyre#the tenant of wildfell hall#anne bronte#charlotte bronte#the brontes
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drarreckyninja’s top 50 ships of Nov 2022 [15. Perryshmirtz]; [14. Chane]; [13. Jaun]; [12. Shelnard; [11. Lockbell]; [10. Megarta]; [9. Stobotnik]; [8. Monick]
Perry the Platypus x Heinz Doofenshmirtz [Phineas and Ferb]
Kimball Cho x Patrick Jane [The Mentalist]
Jared Kalu x Shaun Murphy [The Good Doctor]
Sheldon Cooper x Leonard Hofstadter [The Big Bang Theory]
Locke Holmes x Marcus Bell [Elementary]
Meg Thrombey x Marta Cabrera [Knives Out]
Aban Stone x Ivo Robotnik [Sonic the Hedgehog]
Monroe x Nick Burkhardt [Grimm]
art found on Pinterest, unknown artist
art by Julia Aratoli (Pinterest)
EAD: Perry’s apparently 4 through most of the series, but that’s 4 in platypus years, which equals about 19 in human years. And there’s an episode where Doof’s age is stated as being 47. So, 47-19=28 years between them.
3 years. Easy. Jane’s born in 1969, and Cho’s born in 1972.
Jared was born in '89, and Shaun was born in '92: 3 years.
Both born in 1980, there’s only a 3-month age gap.
In a 2013 episode, Marcus’ brother Andre appears. Andre is stated to be both 28 and “three years older”. Locke, on the other hand, is shown to specifically be born in 1973, which would make him 40 in the same episode. 28-3=25; 40-25=15 years difference between them.
Meg is 28, in her final year of college, and Marta is either 29 or 30. A 1-2 year difference.
Stone is still pretty young, and he’s about 30 in the first film, whereas Robotnik is implied to be about 50�� so a 20-year age gap.
Silas Weir Mitchell claims his role as Monroe is depicted as age 37-39 in series 01. Nick, on the other hand, has a clear birthyear in 1982 making him 29 in series 01: a 7-9 year difference.
Incorrect Quotes:
Heinz: Hey Perry, listen, corporate makes us do this every year, but this is just a little manager evaluation form. You just fill it out, let them know how I'm doing, you know?
Perry: Alright! Uh, "Is your manager manipulative?"
Heinz: I'd say "No" to that if I were you.
Jane: It's not our fault!
Cho: Yeah, but... Come on, the least we can do it talk to them.
Jane: No, the least we could do is nothing!
Shaun: Silence is golden.
Jared: Duct tape is silver.
Sheldon: You have any sunscreen?
Leonard: You can't get a sunburn from a bonfire—
Sheldon: It's for my marshmallow
Marcus: You’re alive.
Locke: No need to sound so disappointed.
Marta: Remember what I told you.
Meg: Don’t be a cunt.
Stone: Where are you going?
Robotnik: Hell, eventually.
Monroe: You look mentally ill.
Nick: I am. Let’s go.
Subship(s): Phinerb [Phineas x Ferb]; Vanella [Vanessa x Isabella]; Lisburn [Teresa x Walter], Kimmer [Kim x Summer]; Howraj [Howard x Raj]
#top 50 ships#my ships#countdown#nov 2022#belated#incorrect quotes#how the hell did it get so late#phineas and ferb#the mentalist#the good doctor#the big bang theory#elementary cbs#knives out#sonic the hedgehog#grimm fox#perry x doof#cho x jane#jared x shaun#sheldon x leonard#locke x marcus#meg x marta#stone x robotnik#monroe x nick#perryshmirtz#chane#jaun#shelnard#lockbell#megarta#stobotnik
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i need more of this.
top 10 anime crossovers
#check this out#marble hornets#creepypasta#jay merrick#nina the killer#jessica locke#jane the killer#brian thomas#ben drowned#alex kralie#eyeless jack
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1850s Tumblr Dashboard Simulator
👸🏻 girlbossladyjane Follow
It really makes me sick to see people giving money to penny weeklies when Franklin's expedition STILL has not been found 😭 There are good men out there trapped in unimaginable temperatures and literally all that's needed is a little more funding for another rescue mission yet all you guys seem to care about are your vulgar little stories...
🧔🏻♂️ queerqueg Follow
the franklin expedition is dead as hell
👸🏻 girlbossladyjane Follow
Disgraceful thing to say but I'd expect nothing more from a M*lville fan
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👨🏻❤️💋👨🏻 hartgrindisreal
Sorry for posting so much about Tom Gradgrind/James Harthouse from Hard Times lately. It turns out that I was getting arsenic poisoning from my wallpaper? Anyway I took a seaside stroll and I'm normal now. Check your walls y'all
#whyyy did i assume they were committing unlawful actions together like where did i even get that from lol #hard times isn't even that good by dickens standards tbh
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🎨 asherbrowndurand
Just painted this
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ss-arctic-girlie-deactivated18540927
RIP Napoleon... you may have been unable to conquer Alexander's Russia but you sure as hell conquered Alexander's bed
🖼️ preraphaelitebro Follow
HERITAGE POST
📝 shakespearesforehead Follow
How does this have less than 100k notes you could literally not avoid this post back in the 20s lol
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🌄 loyalromantic Follow
poets just aren't dying young in mysterious water-related incidents like they used to :/
#as useless and degenerative as i find 'the living poets' and i'm glad we're finally moving on from them #i have to agree with op in this respect
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🎀 thefopdiaries Follow
I finally got a daguerreotype of myself ^_^ Porcelain urn for scaling
📜 bartlebi-thescrivener
i think i hauve consumption
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🐋 whaler4life
They found oil in the ground??? WTF. THIS IS LITERALLY THE WORSTTTT. FUCK MY LIFE FOR REAL THIS TIME
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🌿 naturesnaturalist Follow
I swear this website has 0 reading comprehension skills. Darwin NEVER claimed we "evolved" from apes like if one of you guys actually bothered to open his new book you'll see all his arguments are backed up by evidence. He actually makes a lot of sense
#sure there's nuance like i don't fully agree with all of it #but his general theory of natural selection seems pretty sound imo
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🤵🏻♂️ byronicherotournament Follow
🙈 butchbronte Follow
Of course these are the finalists lmao this website is so predictable. Anyway vote Heathcliff if you dont i'm going to assume you're a phrenologist
📖 sapphichelenburns Follow
It's not problematic to acknowledge the fact that Heathcliff was a brute like he literally killed dogs in case you forgot. #rochestersweep
🙈 butchbronte Follow
I love the implication here that Rochester never did anything cruel either. He literally locked his wife in the attic and lied to Jane about it 😭 like that was a pretty significant thing that happened
📖 sapphichelenburns Follow
And? God forbid women do anything
#why'd you have to pit two bad bitches against each other #anyway i'm not attracted to men but still went with rochester #bc in terms of living quarters thornfield hall > wuthering heights easily
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👨🏻❤️💋👨🏻 hartgrindisreal
Not the Russian tsar dying immediately after hartgrind became canon
#i know dickens hasn't technically confirmed it yet but like. SOMETHING was strongly implied ok #see: my previous post #dickensposting
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👨🏻❤️💋👨🏻 hartgrindisreal
LORD HELP ME. THE BODY LANGUAGE. THE WAY THEY'RE LOOKING AT EACH OTHER. AHHHHHH
#this installment!!! im-- #dickensposting #i can't fucking cope #dickens wants to KILL us he wants us DEAD....
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⭐️ newamerican
Hi guys sorry I haven't been posting lately it's been so difficult getting to California 💀 I'm finally here now though just need to find a pickaxe and soon I'll be digging! :-) wish me luck lol
#gold #gold rush #gold rush grind #california #adventure
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i have had... such a wretched day today, that it's... sort of comical.
#ic#i lost my keys. tipped over a display at work and rolled my ankle.#i ordered lunch and got the wrong food. by the time i realized the restaurant was closed. my phone died.#there's guys in the back repainting some of the wall. they dropped a bucket on me. i couldn't run home and change.#because i couldn't find my keys.#forgot about my keys and got on the bus home. it was the wrong bus. backtracked. got on the right bus.#remembered i'm locked out. took a different bus to jane's. tried to anyway. the bus was late. and then the route was cancelled.#jane came and got me. i'm using her pajamas while my clothes wash. my landlord is out of town for the weekend. i'm going to call a locksmit#i guess.
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10 Ways to Add Sizzle to Your Boring Writing
Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:
1. Use Vivid Descriptions
Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.
In Detail:
Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."
Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."
Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."
2. Show, Don't Tell
"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.
In Detail:
Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."
Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"
Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."
3. Create Relatable Characters
Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.
In Detail:
Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.
Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.
Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.
4. Add Dialogue
Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.
In Detail:
Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.
Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.
Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.
5. Use Strong Verbs
Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.
In Detail:
Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."
Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."
Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."
6. Vary Sentence Structure
Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.
In Detail:
Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."
Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."
Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.
7. Introduce Conflict
Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.
In Detail:
Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.
External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.
Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.
8. Use Metaphors and Similes
Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.
In Detail:
Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."
Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."
Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.
9. Create Suspense
Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.
In Detail:
Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.
Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.
Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.
10. Edit Ruthlessly
Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.
In Detail:
Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."
Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.
Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.
#writeblr#writing#creative writing#thewriteadviceforwriters#writing tips#writers block#on writing#writers and poets#how to write#novel writing#writing blog#writing advice#writer#authoradvice#author#book writing#women writers#fiction#authors on tumblr#novelist#writer stuff#female writers#fiction writing#fantasy novel#novel
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coyote head and the body of a man — (e)
ghost/fem reader There's a killer on the loose. But your logging town is small and quaint and doesn't even appear on maps, so you know you're safe. That all changes when a gruff, big, taciturn man shows up at your workplace one day. Or; Simon is a fugitive serial killer, and you're the housekeeping girl that caught his eye.
cw for explicit content, graphic violence, possessive behaviour, size difference, cunnilingus, stalking
pinterest board | ao3 | for @spidehpig <3
Sometimes, you believe you were born in the centre of a dying star.
Born on the crest of death and fated for a bleak life. Dead, before you even had a chance.
The universe sweeps before you. Infinite. Expansive. Hungry. You float at the mouth of the galaxy and it swallows you whole, but doesn’t seem to like the taste of you—too bland, too trite—so it spits you back out and sends you tailspinning.
You land with a lack of courtesy. Tossed between trees and dropped in a basin. You find yourself in nowhere, Oregon. In a town flecked by a lake inlet and a clement fjord, where the moose population outnumbers the people population. It has a maritime allure but strangely enough, isn’t commercial enough to be a tourist hub. It’s too hidden in the thicket. Too deep in a borehole.
Every day here is the same. It's an abyss that yawns before you with no end in sight, lacking undue entertainment and vividness and excitement. There’s no light pollution so far off the beaten track, so oftentimes, you’ll wish upon shooting stars for someone to come for your deliverance.
There’s a reason they say be careful what you wish for.
The day isn’t even halfway over and your bone tips already ache with hard work.
It isn’t to say your workplace is busy. In fact, it’s the exact opposite. A cut-rate motel with more vacancies than residents found far-removed from the highway, taking only cash, no card, which is good for deterring paper trails and welcoming the transient but is bad for providing records when the police come knocking.
You’ll get the occasional trucker, the sparse backpacker. In any case, folks stay here when they don’t want to be bothered. They’ll drive past the splintery welcome sign and stop at the diner for earthy, full-bodied coffee and a slice of famous rhubarb pie. They’ll recuperate in the motel and leave before sunrise, and you’ll be there to clean up what they leave behind, scrubbing the memory out of the fibreglass bathtub for whoever’s next.
It’s a place where time fleets away. Hallucinatory. Where people pay their due and you hang your head because after all, you’re nothing more than the housekeeping girl. Cottony pinafore and a black dress. Mary Jane flats. Fingers desquamating from years of bleach and vinegar stuck in your nail beds. You get handed dog-eared tips and in return, you don’t ask questions. But maybe you should have.
You’re sliding the window cleaner back into its compartment on the cleaning cart just as your boss scales the veranda. He’s grinning and sporting sweat stains across his armpits. A patchy beard. A loose tie.
Your nerves lock up tight when he grasps your shoulders. His razorous fingers and the pinchbeck of his wedding band saws under your skin. The dregs of his afternoon drinking knocks into you, and you try not to let your body betray you. Despite that, your eyes water and your nose crinkles. You white-knuckle your dress and almost pop the fabric of your pinafore.
“How’s my favourite employee?” he grins. “Is she workin’ hard?”
There’s an irreverent innuendo somewhere in his smile. You ignore it and opt for a stale smile.
“I’m working,” you eke out. “I've got to restock the bathroom, then I’m done.”
“That’s good, peach. Real good,” he watches you collect toiletry essentials, then tacks on, “there’s a man in the lobby.”
You falter. The travel-sized shampoo bottle almost slips between your forefinger and thumb.
“An outsider.”
It’s an observation, not a question. If the man in the lobby were a local, Phillip would have given you a name because in this town, everybody knows everybody. The fact that a name was bereft tells you your new guest came from elsewhere. Maybe he’s cutting through the main road on his way to Yachats for your town’s cascade mountains and bigleaf maple, or for the diner’s famous rhubarb pie. In any case, he's in need of a rest stop.
“Mh. I’m gonna check him in. Just wanted to let you know I’m givin’ him this room, so try to hurry it up, okay peach?”
You blink slowly. This motel holds twelve rooms—there’s never been a need for any more—and currently, nine of those are occupied. That leaves three. There’s no reason for your boss to put up the new guest in Room 11, especially when you’re still cleaning it.
Phillip reads the question in the bend of your eyebrow. He smiles knowingly and pats your head. “He requested a room on the higher level. Room 9’s aircon is busted and Room 6 shares a wall with the Pettie’s. They’re loud.”
You sigh. “Ah.”
“Sorry peach,” he smiles like he’s apologetic, but you don’t think that’s the case. “Just get it done, alright? And add some extra coffee packets."
You furrow your lips. Displeasure flutters over you but you wash it away with a smile, refusing to irk him. You nod and pivot, bones bending against your skin for an escape as his hand whispers against your bum in an encouraging caress.
Anger simmers in your marrow. Phillip simply chuckles, disparaging.
“That’s a sweet peach.”
His voice gets muted by the tinny, rattling radiator as you make it to the bathroom. You stock it up dutifully—perhaps taking extra long to ensure he's not waiting outside for you—and spritz air freshener around the room when you finish. It’s a flaky, expired bottle of Platinum Ice which barely masks the town’s deep-seated smell of old-growth forest, petrichor and woody debris. You hope the new guest doesn’t have a sharp nose.
You make sure to stuff the coffee station with extra packets before stepping out of the room. Off the mysteriously stained carpet, onto the veranda. You putter around with your large keyring, thumbing through the nickel-brass since you also have a key to the elementary school, post office, and city hall (aptly titled shitty hall by locals, since this town isn’t much of a city and the building’s roof is held together by nothing but rusty rivets and tassels of sprig collected in the corners). You’ve got so many keys because again, everybody knows everybody, and it isn’t rare to see the housekeeping girl at the motor lodge supplementing her income as a part-time teaching aid.
Finally, you find the master key. You lock the room and roll the cleaning cart into the utility room before locking that too. Your wrist drags across your forehead, wiping away sweat, and you tug on your dress because perspiration has pasted it onto the pert curve of your breasts, the squish of your thighs. You furtively glance down your bodice and watch how the sweat pocks your skin, knotting your nipples against your cheap bra. Lament catches you in regards to your shower after work—it’s going to be freezing since the heating system here is so fickle—and in the paroxysm of your grief, the sound of heavy breathing eludes you.
You don’t hear his footsteps. He’s an ambush predator. Stalking and shadowing in the tall grass, waiting for the moment your hackles melt to bite into your neck like an unripe stone fruit. You don’t see him, but you feel him. His breath tickling down your neck. The erogenous zone behind your ear.
A gasp parts your lips and you whip around, coming face-to-face with a paunchy chest plated by moth-eaten flannel. You heft your head up, exercising the hinge in your neck. Paling at the sight that greets you.
He has a Cabela’s cap on. It’s pulled over his eyes, but a few blonde curls peek out from under the crown of his hat. He has a damaged, blistered face. A cauliflower ear. Nicks on his cheeks that distend from his skin and have turned pallid with time, rippling like seafoam petticoats on waves as he flickers his jaw. He wears jeans and mud-clogged boots and holds a duffel bag.
His gaze unties you. You slowly find words, fitting them in an orderly queue in your mind as you avert your gaze and stare at the floor. Squirming. Preening. Sweltering.
“Welcome to Sockeye Inn, mister…”
Silence. He lets your words awkwardly trail off. Doesn’t do anything to belay the discomfort in your belly. The man simply stares at you with brown eyes.
Humiliation crawls up your spine and settles on your cheeks. It burns through your skin, withering you away, to which you fidget with your fingers and baldly nod towards the door.
“Your room is ready,” you murmur. “Enjoy your stay, sir. Uh– if you need anything just give us a shout. Phone’s on the bedside table.”
Foolishly, you wait for a response again. Nothing. He towers over you, owlishly blinking, one slower than the other because he seems to have a lazy eye. You clench your skirt and softly shoulder past him, heading for the stairs as you hear him putter with the keyhole.
You’ve halfway scaled it when a rasp distorted by what seems to be years of cigarettes stops you dead in your tracks.
“Bring me a BLT and root beer.”
You burn up at the muscle in his voice. The drag. Just as you’re about to reply, his room door slams shut and rocks across the veranda.
Your dress is stickier than it was before. Perhaps an ice cold shower isn’t so bad after all.
The end of your shift slowly arrogates.
After delivering food to Simon Riley—you glinted at the logbook while waiting for his order, reading his name—you left his room as soon as possible. You set the food down and found yourself plugging your nose. The Platinum Ice you sprayed before didn’t accost you— instead, it was pomade. Lucky Strike cigarettes. Decaying heartwood. Bleach.
You pointedly breathed through your mouth. It didn’t actually help though, since you could taste it then. The ethanol in the air drizzled over your pockmarked tongue and glided down your throat. Collected in your stomach.
You almost retched it back up at the sight of him.
Through the foggy shower wall, the colour of his hazy contour was striking. It seemed to be a tight fit for him, hemming in his lumberjack build. The shampoo bottle looked like a damn accessory in his large hands and his chased shoulder blades pressed soap against the glass pane, sudsy.
Your curiosity pulled your gaze lower. Down to the heavy mass between his thighs, thick and fat. Bulbous.
His spine suddenly went erect, straightening like a chary animal. As if by the agitated pappus of his skin, his chin lifted in your direction, and that’s when the earth collapsed under your feet and you beetled for the door.
You distract yourself in the kitchen. Emptying the dishwasher. Taking the garbage to the bear-proof receptacles. Putting the oven on steam clean. Kate, the kitchen supervisor, stares at you oddly under her hairnet but she isn’t going to reject a set of helping hands.
You scrub at a pan hoping it will erase the image burned into your mind. Hoping that the steel wool will have the same effect on your temporal lobe as it does on the pan. You don’t realize your hands are chafing and the pan is flaking, not until Kate is passionately complaining beside you, her spit dashing onto the side of your face.
“—fuckin’ freeloaders. They drain our taxes but can’t even do their damn jobs. Wait until one of their family gets butchered, you’ll see, that’s when they’ll start taking this seriously.”
She waves a newspaper in your face. The paper stack fans in front of you, blowing you with cool air. You’re just barely able to read the big, blocky headline.
Connection Made Between Ventura, Gilroy and Eugene Serial Killer — Aptly Coined the Ghost.
“Eugene!” Kate slaps the newspaper, frazzled. “Not even three hours from us!”
You scarcely listen to her, her voice ripening into white noise as you scrutinize the police sketch on the newspaper’s margin. The offender is drawn with an overripe balaclava and probing eyes. Dark brown, as if his corneal opacity has laid claim before death. His eyelids have no tension, but a furl of crow's feet gather at the corners. It’s uncanny. Eerie. And even though he’s pressed on paper, you can’t help the unease welling inside you.
A part of you waits for the other shoe to drop. For him to manifest and crawl out of the paper, dripping ink and viscous tar, ruining your Mary Jane flats and the floor you’d just mopped.
Hemlock hits the back of your throat. Lemony, sedgy. Your eyes fixate on the information detailing his crimes. Spines broken and necks snapped with inhumane strength. Pieces of flesh carved with the precision of either a surgeon or a butcher. Rigour mortis locking the victims in a scream, nail beds caked with skin which implies a struggle, but leads nowhere since the Ghost’s DNA hasn’t been found on any database.
(He’s as elusive as his name suggests. Investigators say he could be foreign, or that he has a clean record. The latter seems unlikely for the violent calibre of his crimes.)
There’s also his modus operandi—slicing off his victim’s ring finger, taking it with him. A cruel reward.
“They say he’s taking Route 101,” Kate tacks on. “That he’s a long-hauler. How the hell will they catch a long-hauler?”
You shake your head, shrugging. Your tongue is too heavy and your gums rub against the round of your cheeks when you try speaking. The sentence gets snagged on your molars, and all that comes out are sparse words, lamely falling to the floor with how out of breath you are.
“…They’ll catch him.”
“They better,” she shortly huffs. “I don’t want this town making the paper for all the wrong reasons.”
Death comes to you in a cornfield.
You’re sprinting through the crop, barefoot and scantily clad and pricked by thorns. Your clothing catches on thistle and corn husk, slowing you down, but the quick-footed trampling at your tail keeps your pace steady and stable.
Your lungs burn. Your bones rasp. Your eyes well up with how fast you’re moving, with how your retinas strain to see more in the pitch black than just reflective corn silk and the crescent moon.
The midnight sky is close to swallowing you whole, but at this point that would be an act of mercy. The whistle of his cleaver slicing through the air and the stomp of his boots are promptly catching up, heckling you, barely whispering against the flowy cotton of your dress.
By a cruel twist of fate your foot catches on a tiller and sends you flying. Your nose softens the impact, the crack of cartilage reverberating through your skull, glutinous red spurting down your chin as you try scrambling to your feet.
But true to his name, Ghost, he slips through matter and suddenly, he’s standing in front of you.
Black, sweaty tank top. Freshly sharpened meat cleaver. Stout arms. Predatory eyes. Rotting balaclava—which at this point, you’re starting to believe was grafted onto his face, fitting him like skin.
You raise your hands for mercy.
But you should know dead stars have exhausted all their luminosity—that after death, they hold no power. That space is a graveyard. That’s why the Ghost poises his cleaver behind him. That’s why the last thing you see is his cleaver handle swinging towards you, about to collide with and shatter your cheekbone into a million pieces—
—but daylight strikes you with no clear trajectory.
It’s your alarm that rings, waking you up from a nightmare, telling you to brush your teeth and scrub yourself down and pop your supplements before biking to work. You do so sluggishly, standing under the shower spray as you massage your cheekbone. Burning your toast as you scour the news for developing details on the Ghost case. Ordering a cup of coffee from the local diner and gulping it down behind the motel lest Phillip catches you.
Your nightmare—omen, prophecy, portent of death?—pursues you like the persistent stench of fish on an angler’s hands all morning. You flinch at the slightest noise while scrubbing toilets, you constantly look over your shoulder while sweeping floors.
Malaise builds in your blood vessels like creosote. It doesn’t thin into fluid, flowing in and out of your appendages and around your sex until you situate yourself in front of Room 11. Fluffing up your skirt and puffing out your chest.
You announce your presence and rap the door with your Mary Jane flat because your hands are occupied with new bed sheets. Your knuckles blanch around the linen, quivering, struggling to keep it in your grip. The sheets almost flutter to your feet when a voice penetrates the door, abrasive and husky. Rough. Grating against your spine and shaving down the vertebrae.
“Door’s open.”
You wait a few seconds before contorting yourself against the threshold. You try the handle and lo and behold, it’s unlocked, swinging open when you press your weight onto it.
You step inside and toe off your flats. Next to Simon’s boots, they look fit for a doll, and a dizzy spell ricochets through you at the size difference. At the stark reminder that he’s as big and packed as a thick tree stump.
You walk inside and heed the CRT television playing the news.
It does nothing to soften the scream that rips out of you as you round the corner.
Simon is in bed, pulling on a cigarette. His pudgy tummy and bristly chest are bared, the steel wool of his happy trail disappearing into the bed sheets furled around his hips. The flat sheet is thin enough to outline something stirring. Something thick and pressed against his inner thigh.
He stares at you, eyes of Argus. It’s so intense you’re sure he can sense the slick running down your back. The dew that settles in the gusset of your panties.
You stutter. “I can come back later.”
Simon sits up with a groan. It rattles you. His joints must be fettered with age, or hard work, but in any case your head goes cottony with the picture of him splitting wood and hauling heavy bovine flanks.
You swallow thick as he shakes his head. “It’s no problem, sugar. I’m not even here.”
The pet name makes you squirm. You sure do feel like it—sugar, that is—with the way you could melt on his tongue, wedge yourself between his teeth. Turn syrupy and sappy at the back of his throat.
He takes another drag of his cigarette. You watch raptly as his jaw feathers around it, lips proffering another plume of smoke.
He blinks. “Well?”
You eke out an apology and fiddle with your hands.
“I’ll have to, um, change your bedsheets first.”
Simon shakes his head. He taps the ashy casualties off the tip of his cigarette and you watch as it sinks onto the bed sheet, almost burning through the floral motif. “No need.”
“Well,” you cough, forcing your eyes away from him, “if I don’t, my boss…”
Simon pricks up. The hind of his spine straightens the same way a dog would sit straight and plumb after hearing rustling in a bush. His muscles tighten, thick, and his face twists into a sneer. The bed sheet around him falls and you lock up tight lest it bare his pubic bone.
“Is he a minger?”
“I’m sorry?”
He huffs. “‘s he a bully?”
“Oh, no,” you blandly laugh. “Mister Graves isn’t a bully. He just…”
“Makes you uncomfortable?”
There’s a lapse between acknowledging his question and spitting out an answer that makes you kick yourself. Simon already looks dubious. You hug the sheets closer to your chest and smile, your cheeks feathering like beeswax.
“He’s a kind man.”
“Not wha’ I asked,” he says. The bed creaks as he leans forward, the sheets slipping lower, scarcely covering his sex. “I asked if he does stuff he shouldn’t be doin’.”
Your heartbeat quickens. Briefly, you wonder if he can hear it. He probably can, albeit softly, due to his lumpy cauliflower ear.
“He’s a married man,” you mumble. “He doesn’t touch me if that’s what you mean. Not like that.”
“There’s only one way to touch someone,” Simon grunts. His chest starts churning a little, as if he’s agitated. “Does he put his hands on you?”
Your skin burns, remembering. A phantom scar runs through you, long and creeping, mapping all the places in which Phillip’s pinchbeck wedding ring has burned you. The suture of your spine, the pappy flesh of your neck, the rise of your hips where his palm has melted through your dress and smarted your skin.
Your silence makes Simon grunt.
Panic surges up your throat. You feel the need to defend Phillip, in some approximation of gratitude and fear since you’re on his payroll and you don’t want to reap the consequences should you rat on him and he find out.
“No!” you hurry. “Mister Graves isn’t like that. He’s a good man. Honest.”
Simon’s eyes push against your skin. He scrutinizes you, tests you. Waits to see if you’ll fidget too much and flake away and sink into the carpet.
He growls. “You fancy him, is tha’ it?”
Answering yes is the only way to shake him off your leg. You do so archly, so it seems as though the thought of your boss has you flushing when really it’s Simon. He’s fully upright, and now you can see the girthy base of his cock. Stirring, twitching. You suppress a moan.
“Yeah…” you murmur. You can feel your makeup turning blotchy, running down your cheeks. “It’s just a bit…embarrassing, is all.”
He lapses into it again. Staring at you. Razoring his way into your head and thumbing through your consciousness, searching for an Achilles’ heel. A crack he can break into a hole because he has the size for it—barrel-chested, stupidly thick fingers.
Simon slips out of bed and disturbs the coiled aches of the mattress. He holds a washcloth over his crotch. It’s crusty and keeps shape and covers almost nothing, confirming your inkling.
His bulbous cockhead winks at you from under the hem. It’s heavy. Leaky. Dripping precum that laves down his legs and gets caught in the wiry hair of his thigh.
Anxiety pools in your armpits and around your groin. Or maybe that’s just arousal. Brackish and sticky, rubbing your pussy lips together, hugging your clit.
Simon pulls on his cigarette once more and then folds it into the bedside table. You should scold him. You should tell him that he’ll have to pay for damages even though the wood is already degraded and mouldy. You should scuttle out of the room and call for Phillip, but that would be a crueler fate. Instead you stay fixed to the carpet as Simon steps forward. Cock swinging between his legs, tummy jiggling.
You don’t know whether he’s going to pull you in for a kiss or rip off your dress or—and you’re unsure why you think of this—take you by your skull and smash it against the television stand. He has the muscle to, surely, but somehow you know he won’t. And the thought of that makes your skin hot.
You’re at his mercy.
You gird yourself for his lips or for your dress to be torn off, but your preparations flux away as Simon steps close and crowds you against the television stand. The stench of Lucky Strike cigarettes and gamey meat impair you, as he reaches behind you and increases the television volume. You want to say something but cotton fills your mouth and the news report floods your ears. It’s fragmentary—you can only heed oddments of the news anchor’s latest updates.
The Ghost is still at large. Corpses keep popping up around California and Oregon, each with their ring fingers sliced off. The tipline has been leading investigators nowhere, shepherding them to the end of the earth and over the edge, floating, where they’ll move through molasses and will never be able to catch him.
White male. 6’4”. 196 centimetres. Brown eyes. Heavyset. Likely military background. Likely a surgeon, or a butcher. A dangerous, ruthless individual.
If spotted, do not approach.
Simon’s breath fans against your neck, rousing the bristles of your warm cheeks. He turns off the television and steps back. An ether opens up in the pit of your stomach as your gaze falls on his bulging pelvis, on the purplish veins and webbing muscle, sitting like a tuft under his navel, disappearing behind the washcloth where his cock stirs.
Simon tuts. “World’s goin’ to shite.”
You nod.
“You shouldn’t be out here anyway,” he tacks on. “Should be at home takin’ care of your man’s house. Keepin’ safe.”
You flash your naked ring finger embarrassingly fast. “I-It’s just me…and my cat.”
His eyes darken. His head tilts down at you. He purrs.
“Better get started on mine then,” he breathes. “Put yourself to good use.”
You shyly get to cleaning his room.
You try to ignore his hand disappearing behind the washcloth, pumping his cock. You can’t ignore the silk ruining your panties. Scarcely, you manage to ignore the caution creeping up your back. Your lower instinct that screams at you as you feel his stare tracking you across the room, burning. Smouldering. Warning.
Daylight scissors into you.
It melts the sleep in the corners of your eyes. It clears the haze in your head. It interrupts the sultry dream you were having. Your flesh is still pocked and your clit is still peaked, as you rehash the contents of it.
You can still feel Simon’s weight on top of you, sweat compressioning you, the sheets gathering under your slick back. Your underwear had dangled from one of your ankles, flapping and swaying as Simon pounded into you. Your head bobbed over the lip of the mattress. Your tits bounced, nipples caught between his gnashers. Your slick ran down your cunt and over your asshole, pooling onto the floral bed sheets. You just quit your job. You didn’t care about the sheets. Or the Pettie’s down the veranda. Phillip was on the other side of the door too, and he could hear everything. Your moans. Simon’s balls dragging over your furled hole. His groans—
—And the sudden tearing of cartilage and skin stretching, rubbery, as Simon shifted into something else above you. Something larger. Deadlier. His drool dripped onto your chest, and his cock was suddenly too big for your pussy, popping back out until only his tip managed to squeeze inside your puffy hole. He snarled down at you, but it got covered by a creeping balaclava. You still reached your orgasm, quivering around his cockhead. Watching him go spotty and graphite-like in your vision, as if he were a composite sketch.
You get out of bed and wash the absurd dream away under the shower. The nozzle hits your clit weakly, and you never reach your high. You show up to work pigeon-toed and sweaty. Pent-up. You scrub harder at bathtubs and almost snap at Phillip when he swats your bum. Almost. Simon is watching from the dining hall, and he makes you skittish.
The day rolls by sluggishly. There’s a Do Not Disturb sign dangling from Simon’s door, so you don’t get the chance to see him in his room. You huff and puff at the Pettie’s and give Kate attitude. It’s the peak of afternoon when you’re sent home, shoulders stiff because Phillip squeezed them and tacked on, ”I can always help out if you’re stressed, peach,” before shepherding you out the door.
You bike into town. Indulge in the diner’s famous rhubarb pie because the motel’s cherry pie is nowhere near as good, though you’ll never tell Kate that. You polish off your treat then ride to the beach (which is more of a graveyard for birds and braided, washed ashore sea meadow), and prop your bike against the wooden bollards.
The beach is familiar with you. It sees you when you're overwhelmed by the monotonous colour of your life. You never worry about meddling kids or loud teenagers or anything, because the stench of fish usually keeps them away anyway. It's your own Shangri-La. Your little Eden. Albeit overcast and greyscale, with an ocean spray that gets into your hair and dries out your mouth.
You slip out of your Mary Jane flats and wade through the sand dunes, breathing in salt and sulfur and tasting it on your lips. You maneuver around seawrack and driftwood and eventually find yourself seated behind a tussock of seaoats, watching as the waves lazily beat against the shore.
It's easy for you to lie down and get comfortable among the scent of iodine and the feel of pillowy granules. It's also easy to let your eyes flutter shut, lulled into limbo by the ebbing tide and murmuring waves.
You stir awake with flaccid lungs.
Presentiment hangs in the air, thick, like a blanket of smog. It interrupts your breathing pattern and makes you light-headed. Vertiginous. Makes you see things that aren't there…
…Such as the off-white scleras and twists of dilated blood vessels that stare at you from the foreshore.
They approach you eerily. Two pieces of driftwood floating over the waves, jolting slightly as it hits the sand, splintery and mossy and heavy.
The man feathers toward you from the blue glow of the beach. You squint through the darkness, because maybe it's the sheriff, but you know he walks with a drunken gait and he…strides like a bear on its hind legs.
The way he lurches for you says otherwise. Perhaps he's rather a panther or a coyote, or some crude backyard breed of all three.
A large palm splits itself over your mouth. An arm lays beside you and secretes a musk of sweat and iron. A knee digs into the plush of your cunt, agitating your clit, as a warm breath fans over your pulse point.
"Waited for me, didn't you?" he rasps against your neck.
In your stupor, you brace your hands against his shoulders. A sticky substance coats his skin, too viscous to be sweat.
Nausea knots in your throat. Tremors wash over your body. You dig your nails into his flesh, and when your hands don't fall through it like you hoped, you gravely realize he's made of muscle and skin instead of your drunken, sleep-inspired imagination.
You experience a cruel loss of equilibruim. If you weren't already lying down, you'd collapse to the ground. You go limp in the sand, thawing into his hands which you unwillingly notice are caked with that sticky substance too.
"There's dangerous folk 'round here," he grunts. "What if someone else followed you? A big, bad man?"
A chord of recognition stirs in your brain at his voice. That brash accent.
"Simon…?"
He chuckles. "It's me, sugar."
You squeeze your thighs together but it's abortive. He pries them apart anyway, and cups your pussy through your panties.
He rubs you through the gauze, knuckling your soft lips. Through the darkness you barely see the misshapen silhouette of his mouth. That snarl, curling off him as if he suffers from some chronic wasting disease, slowly atrophying and turning into some vestigal cadaver.
He kisses down your sternum. Grips your hand and forces it over his crotch. Your fingers brush over the solid mass. It's hard due to both stiffened denim and his thickening cock.
"All for you," he mumbles. "Take it out, sugar."
You fumble with the metal teeth of his zipper. You pull him out with both hands and your mouth goes dry. Tongue sticking to the roof of your mouth. Deadly nightshade hitting the back of your throat. Despite you, your thighs squish together, and a rumbling chuckle slips through the seam of his lips.
He's huge. Fat and heavy, so much so you need both fingers to wrap around him.
"Give it a kiss, yeah?" he coos. "Like a sweet girl."
You spread your lips against his cockhead. You pull away and a string of precum chases you, but Simon is pushing your head back down and bucking his bristly pubic bone into to your nose.
"There it is," he grumbles. "Such a big girl, aren't you?"
You look up at him with wide, wet eyes.
The stiffs of hair on his pubic bone tickle your nose. You smell sweat and iron, but you can't tilt your head away, because the stout muscle of his arms keep you in place.
Fighting is futile. His cockhead hits the back of your throat like oleander and he holds your jaw in place, dimpling your cheeks with his rough fingers, letting his balls slap against your chin.
Just as you're getting used to his size, he pulls out, breaking the strands of saliva and precum between you.
"Take off y'panties, sugar."
You pull them off and squirm at the way the gusset clings to your pussy lips a little while longer. Simon takes it against his nose and sniffs it, running his fingers through your pussy, spreading your slick.
You don't get a warning before he's curling one of his fingers into you. Massaging your walls. Scissoring you open. Thumbing your clit.
He adds another and twists them deeper—meaner—into you. He swallows your whimpers but spits them back into your mouth when he empties his saliva down your throat. He keeps stroking the inside of your pussy, your sticky walls, and rubbing your clit.
He squeezes your cheeks together and gives you a big kiss. He coos condescendingly into your lips, and licks away your fresh track of tears. "It's supposed to hurt, baby. Don't be mad, alright? It'll feel good soon."
He gets deeper and deeper. Knuckle-deep, when he curls his fingers inside you. You lock up tight and thrust your hips through the bulk of your orgasm, trembling and quivering around him.
Your lips quiver around a plea when he pulls his fingers out. It's a lapse of judgement on your part—you know it—but you can't help it anymore.
"Please what?" He grins. It's ugly. Like a truss of stitching falling off his face, mangled and chewed up.
"Can you g-go…" you squirm when he rolls his tumb over your clit, agonizingly slow. "Can you go–"
"C'mon baby," he whispers against your lips, "spit it out. Big girls use their words."
"Canyougodownonme?" you gasp and grip onto him, bucking your cunt into his palm.
He chuckles against your mouth. He kisses down your chest. He crinkles his nose against the husk of your pussy. He deeply inhales and vibrates at your scent. He darts his tongue out and flattens it against your dewy folds, licking a stripe up your slit.
You writhe but he holds you in place with those big, thickened hands of his. They're wet but at this point you can't tell if it's your arousal or that mysterious substance on him. You can't even think about it, not with your thoughts melting away, escaping you like the humming waves.
Simon's a bit too aggressive in how he eats you out. It doesn't come from a juvenile attempt influenced by sex-on-screen with undue emphasis, but rather his tongue spelling devotion into the fat of your cunt.
Your fingers flex into his blonde head of hair. It's closely cropped, but you still manage to pull him closer, grinding yourself down on the bumpy bridge his nose. You pull on his hair and he growls and sends a quake up your spine. He wraps his lips around your clit and swirls his tongue further into you, softly suckling your juices out.
The waves fold over each other, beating against the shore. They crest and crash and just as they race up the sand dune, teasing your flexing toes, your second orgasm crashes into you too. You twist and twirl Simon's hair in your grip and almost miss the feel of something cold being slipped onto your finger.
You're shaking, trembling, as you raise your hand. You're hazy and the moonlight is shrouded by clouds. It makes the mystery object look smeared across your vision, blotchy and spotty.
You hold it a little closer to your face, examining the twinkle as Simon massages your thighs to ease the quiver.
You turn your hand over and whisper your thumb over its curve.
You bristle when you realize what it is. It hangs off you a little loosely, burning your knuckle.
A pinchbeck wedding ring.
Stained with red, and still warm from the body it was pulled from.
Bile gathers in your throat and burns your mouth. Tears gather in your eyes. A small gasp parts your lips, billowing out of you like the mushroom-head of a flare just as realization fully commits itself to you.
You shiver. Both through realization, and your orgasm. "…What did you do to him?"
"Took care of him," Simon grunts, caressing your hair. "I'm supposed to handle the monsters under your bed, ain't I?"
You spare him a glance. You heed the white of his teeth and a smudge of—you know it's blood—across his cheek. His eyes, hidden in the shadowy canopy. His nose, bent out of shape and speckled with blood.
"You're not going to hurt me."
He brushes your hair back. "No."
You pant into him when he captures you for a kiss. "…Why?"
"I'm supposed to take care of ya," he grunts. "That's what couples do, no?"
He pushes something in your grasp—a folding knife. Your thumb slips over the two initials engraved into the handle—your initials.
"How do y'feel about Kate?" he asks.
Your coworker flashes into your mind. "I like her"
Simon—the Ghost—grunts. "And what about that bloke at the diner? What's his name?"
"I– Franklin?"
"Hn. Does he bother you?"
You thumb through your memory. Perhaps what you say is an embellishment, giddy of what Simon's going for.
"He did steal my bike once…" you mumble.
Simon pricks up. His chest puffs out and squishes against your arm. "He married?"
"Yeah, um," you swallow, "for about ten years."
"You want his pretty ring? Or his wife's?" Simon asks, then kisses you. "Anythin' you want."
Your lips stretch into a smile.
Simon cups your cheek, blood rubbing off on you. For the first time ever, you feel exhilarated at the thought of the future. At the thought of being taken care of. Doted on.
Suddenly the town doesn't feel so cold anymore. It doesn't feel like an invisible barricade is hemming you in. Simon is your ticket out of here, and a ticket to your new life.
You can abandon your pinafore and Mary Jane flats and maybe he'll spoil you with frilly socks and a cute sundress. Maybe he'll fuck you in his truck or in gas station bathrooms as the corpse of a man who wronged you rots in the truckbed. Maybe you'll get caught but at least you'll be together and at least your name will finally be known.
Not as the housekeeper girl, but Mrs Riley.
#simon riley x reader#ghost x reader#ghost/reader#simon riley smut#ghost smut#cod x reader#cod mw2#simon riley#simon ghost riley#cod smut#orion writing
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Could you tell us more about Dan from Levity Rises?
YOU DO NOT UNDERSTAND HOW LONG I'VE BEEN WAITING FOR SOMEONE TO ASK ME AB LEVITY RISES
I recently updated the designs for them so I'll talk ab them all if you don't mind :]c
I'll add the most information on Dan though just for you bbg!
I do plan on making a few screenshot redraws (and potentially an intro animatic because an awesome person actually made a theme for this au)
THE MYSTERY TWINS ⇆ THE ORIGINAL MYSTERY TWINS
Stanley and Stanford Pines take on the roles of Dipper and Mabel! Stan's curious and is the more mystery focussed one whereas Ford is more energetic and active than his base counterpart.
Stanley is an adventurous young boy, looking for the next interesting trip to go on, initially thinking spending the summer at Levity Rises was going to be a waste of time. Though after arriving and finding the scrapbooks alongside the anomalies happening across Levity, he and his brother quickly became obsessed with finding out the secrets of the Rises, as well as who the mysterious Smile Pup(swapped with bill cypher) is.
Ford (often going by 'Six' or 'Sixer) is a happy go lucky and optimistic young child who is alot tougher than his base counterpart was at his age. Since it's typically only just been him and his brother, so he's eager to make the best of his summer by meeting new people, though he hides his polydactyly with gloves he changes frequently.
DIPPER ⇆ STANLEY
Dipper takes the role of Grunkle Stan in this au!
Owner of the mystery shack, Grunkle Mason- or (Big) Dipper to people around Levity Rises- is the resident faux scientist of the town. His personality is more eccentric, tending to get hyper fixated on paranormal paraphernalia, to the point in where he does lock himself away for periods at a time.
Not much is known about his origins, he just kind of always existed on the outsidea of the town, but after opening the shack to the public, people quickly accepted his presence due to his quirky personality.
MANLY DAN ⇆ SOOS
Dan actually takes the role of Soos in this au, being the resident handyman of the mystery shack! Though often the lines blur between his role and Wendy's from the original. Wanted to keep it flexible yk?
Dan's a real dude's bro, pretty dim witted and blunt but often chill and level headed- Unless he's challenged- dude's competitive as hell, it's actually crazy. His mother, dubbed 'womanly wendy', is the toughest lady in town, owning a diner, aptly named 'Wendy's'.
Dan enjoys working at the Shack as it's one of the few places that'll let him freely experiment with his logging with the nearby trees for his own projects and adding fixtures onto the shack, which Dipper is pretty thankful for since he can focus his efforts on other things. It's also because of this reason that Dipper puts up with Dan's outbursts and semi airheaded personality. So it's safe to say, he's there the majority of the time.
Stan admires Danny alot and the events of 'Into the bunker' happens with Dan in place of Wendy. This does mean Stan had a passing crush on Danny during the episode, but even afterwards Stan kind of puts him on a pedestal. Ford enjoys Dan's company often being called 'little man' and playfighting on occasion. The twins act like his little hype men and he enjoys hanging with them.
As for Soos in this au, he initially built the mystery shack and is frequently seen around Levity Rises taking on odd jobs and making people as happy as they can be, though it's implied that he hasn't found his true calling yet.
LAZY SUZAN ⇆ WENDY
Lazy Suzan takes the role of Wendy in this au! Hazy Jane is a part time worker at the mystery shack, and is stan's first crush upon arrival to the Rises. She's a bit of an odd soul with a less than perfect memory, but is incredible at making a homely environment for the shack. Despite that, she can be extremely co-dependent in some situations, especially with her boyfriend. Otherwise she's earnest and does her best at her job. The events of 'Soos and the real girl' occur with Jane instead of Soos (and Rumble instead of GIFanny). Despite wanting to help, Stan is incredibly pouty throughout the episode.
Here's the design line up as well as initial notes I made when redoing them!
Hope this answered your question about Dan :]
RAUGH THANKS SO MUCH FOR ASKING THOUGHHHHHH
(EDIT)
SOMEONE SUGGESTED A BETTER SWAP FOR BILL, I JUST HAD TO ADD IT!
(EDIT EDIT)
I'm fixing wording and stuff so it's easier to read soz :p
#gravity falls#gravity falls au#levity rises#roleswap#role swap au#alternate universe#dipper pines#stanley pines#stanford pines#lazy susan#manly dan#character design#when I made this the first time I didn't know- but tbh I really like the idea of this being a swap of that#I know relativity falls exists#Ily relativity falls#relativity falls#gravity rises#tbh the general idea was to have fionna and cake but gravity falls#character art#doodles#disney#gravity falls fanart#alex hirsch#concept art#the book of bill
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