#jack white lyrics meanings
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sunny-knight · 9 hours ago
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What Kind Of Monster Was He?
A @forgettable-au fan (colored) animatic
MINOR BLOOD WARNING!
*Was he the kind to do too much, or not enough?
…OK, SO WHAT HAD HAPPENED WAS-
I had planned to finish this into a full fledged animation, but a lot of the parts I did end up finishing just didnt live up to what I imagined…I waited for more motivation to happen, but it just didnt so HERES THE COLORED ANIMATIC CAUSE IM REALLLY HAPPY WITH WHAT I HAVE and ive sat on posting this for like a 2 weeks 😭 which is an eternity in my time
Im gonna post the unfinished “finished” part on my side account @o-sunny-day though! and probably have people yell at me cause it actually isnt that bad AND IT TOTALLY ISNT I just… art. You get it. ENOUGH YAPPING! ITS TIME TO YAP!
except not yet, MORE BACKGROUND INFO HUCDHUC- but its background info on explaining the lore…
The explaining is much less expansive than in Dear My Dear just because I didnt work on it long enough to think every bit of it through. This is just a clean, nicer looking, and colored version of the very first storyboard.
I usually think about and put more effort into the little stuff while making the FINISHED bits since ive had so much more time to think about that in all the preppin n sketching.
BUT I liked the explaining format I did for Dear My Dear so im sticking with it!
The main idea for this was to do a study of Wingdings’ character from what we’ve been given, mainly focusing in on the expectations he puts on himself because holy shit the lyrics for this works so stupidly well it makes me mad LOOK AT THIS???
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its ridiculous. i love it. I didnt know Jack Stauber helped write Forgettable AU???? woww!!! ANYWHO thats the gist of it, not much context is needed past that. Onto the sillies!!!! (per usual excuse the shitty quality of the pngs idk why Tumblr does that-)
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Did you know love? Will you rest in peace?
Wingdings and Sans holding hands as kids, before turning to a casket like appearance for adult WD. The flowers hes holding are pretty important too, Marigolds to represent grief, Lilys, new life, and Forget Me Nots for this lovely little line I found when looking up good flowers to use-
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“a promise to always remember” ….stop that.
That actually also has a double meaning in this case too. 1, ofc the forgetting of Wingdings. But ALSO Wingdings forgetting something himself. Forgetting who he is. Almost like a Zuko ATLA situation.
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Did you have a family?
Who knows where theyre parents are, but this is HAPPY TIME and we’re gonna assume they were so awesome and very kind but had to leave or went to a farm in the sky for whatever reason.
The colors here I had a lot of fun with. Their parents had warm colors but the boys have cold, still with warm accents. Its said they more or less raised each other being very independent as shown in the second part with them running out the door by themselves.
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How was the view from the shelf? Did you ever believe in yourself?
Before, we started with the beginnings. The good things, the only thing Wingdings cares to even recall. Now we’re seeing his life really start to turn upside down- making first contact with The Player :D
He’s hesitant to reach out, but is intrigued, before getting a rushing revelation of his reality and how it isnt “real”
Rather than feeling crushing existential dread, he more feels pressured to be BETTER, to figure a solution, to do something. Thats what white represents here
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WHAT KIND OF MILK WERE YOU?
We then switch to more examples of how Wingdings is taking this pressure (not well) The soft tones of yellow that were shown before, turn to way brighter, intensifying that feeling that he should be fine, he should be happy, drowning in success of being the Royal Scientist.
But he just desperately wants to just go back to a time of nice coldness.
The warm vs cold tones in this I had so much fun with, coldness is supposed to represent hostility usually, while warm is nice and happy. (same with Black and white. Scary, relieving,) But these points often contradict each other, its hard to tell what you’re feeling vs what you’re supposed to be feeling. Just like Wingdings!
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WHAT KIND OF LIFE DID YOU LIVE THROUGH?
The white lab coats, the expectations, theyre on all of them. But Wingdings has essentially become his expectations.
He questions what life he wants to live, one being himself and alone (speaking in wingdings) or not himself and with company (speaking in a “normal” font) Still, he frames it in past tense as he believes theres no going back now, based on what he knows.
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“One of the last happy moments they had together” stop that. (i cant find a link to when that was said but I know it was once, about them taking a photo together….)
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DID YOUR LIFE RUN RICH WITH CALCIUM?
Calcium….bonesss :3 Hehehehdhehfhehehheheheh still dont know why he has holes in his hands so we’re movin on
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DID THEY LAUGH AT YOU OR DID YOU LAUGH AT THEM?
Compared to the childhood Wingdings remembered, heres the sadder, bleaker, more realistic version. He always thought they were laughing at him but… maybe they werent.
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DAIRY BELOVED. YOUR DAYS ARE GONE,
It doesnt matter now though. Because in the NOW, Wingdings has become consumed by his expectations of himself, seeing this has the “only option” to do the only thing that he feels will give his life meaning and purpose, establishing connection with THE PLAYER
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But the grocery list goes on…
And yet life continues on without him, and his room is transformed into a more livable space now that someone is…living in it. Always hurts so much making the differences between Wingdings and Papyrus’ room. It feels like making something out of the man Wingdings COULD HAVE been. Because honestly thats just what Papyrus is,
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Thank you to my bestie @fruitytrip for helping me with all of my art in general but especially the storyboarding on this :3 <3
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thegreatimpersonator · 9 months ago
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since y'all seemed to want this.... here's the live notes i took while listening to each song for the first time (bold are thoughts i had during later listens)
fortnight: 
‘i was a functioning alcohol till nobody noticed my new aesthetic’ what the fuck does that even mean…
love the fact she gave post the female collab treatment. don’t wanna hear what he has to say. 
they’re voices sound actually good together? 
some pockets of the melody are catchy
okay i don’t hate this 
ttpd:
her red flags are on fire in this song lol
this seems very half-cooked
also jacks weird mixing continues to plague us all
CHARLIE PUTH???? WHAT THE FUCK WHY HE HERE
tattooed golden retriever??? ……no way
my boy breaks all his favorite toys:
i blinked and it’s half over
this also is like… half cooked and didn’t need to be released tbh
i love the way she sings the second verse tho
down and:
the production does not match the vibe
did tpain produce this
i’m… kinda bored lol
like i have nothing to say this also didn’t need to be released tbh 
this grew on me a lot actually
so long london 
the production is so futuristic? 
oh im obsessed with how she sounds on this one
her talk-singing in the verses is great
honest lyrics without any clunky unnecessary metaphors! a win!!
the fast-paced verses with th slow chorus is really really cool
a favorite so far
daddy i love him
i can barely hear her? the bad mixing continues 
‘growing up precociously sometimes means not growing up at all’ oh yeah WE KNOW
is this…… is this about her dating matty and loving how people hate him… no fucking way she’s this stupid
SHE IS BEING THIS STUPID
‘it’s white noise’ yeah yeah that’s exactly how id describe him  
.... anyway y'all remember when fans really believed the little mermaid theory and this song was supposed to be about how 'joe stole her voice' lmaooo
we will pretend this one doesn't exist!
fresh out the slammer
are we getting another ‘i didn’t cheat technically’ song lol
what is this weird tempo change….
okay kinda catchy
it’s sounds exactly like you are in love at the end….. jack is really out of tricks
florida
‘my friends all smell like weed or little babies’ what the fuck is she even talking about anymore 
i’m sorry but i’m laughing at the phrase ‘fuck me up florida’
again the production sounds so detached from the vocals 
i honestly still have no idea how i feel about this one
guilt as sin
an real instrument?? wow crazy 
okay she’s kinda cute? catchy and fun, love the melody
i love when she goes up at the end of the vocal 
okay…. i don’t mind this one she’s catchy, a little too long and drawn out but cute
who’s afraid of little old me?
what is this production? it’s way too soft to be as threatening as they’re trying for 
why did jack push her vocals back so far when she’s supposed to scream…. that’s ruins the whole thing…. she’s supposed to be screaming and threatening….. not quiet and far away…. hello
this song is trying very hard to be threatening but it’s not... vigilante shit 2.0
‘you wouldn’t last an hour in the asylum they raised me’…………… upper middle-class pennsylvania? 
‘i’m drunk on my own tears isn’t that what they all say, that’ll  sue you if you step on my lawn’ okay bar?
the bridge was good but that’s about it.
i can fix him 
…………… not another matty song oh god
‘i can handle a dangerous man’…… im too stunned to speak this is so embarrassing 
wow taylor really is that girl who like ‘women supporting women’ and then dates/defends a racist bf…. a walking example of white feminism
intersectional feminism found dead.... twice....
loml
okay this is really nice? 
I WAS ACTUALLY ENJOYING THE SONG WHY DID SHE RUIN IT BY SAYING ‘MR STEAL YOUR GIRL’ 💀
if we ignore that one line we're good this is good. im refusing to let that line ruin such a good song
i can do it with a broken heart
‘bitch smile’ why are there so many cringey lyrics on this album lol
what is this song omg why do i kind of like it 
taylor please learn depressed isn’t a synonym for sad 
they recycled the mastermind production 
wait till taylor finds out most of the entire world is sad while they're doing their job and has to pretend they're not
smallest man who ever lived 
oh i think i like this?
‘you said normal girls were boring’ GIRL AND YOU DIDNT IMMEDIATELY GET UP AND LEAVE??? EWWWW??? she's not beating the pick-me allegations
'i just wanna know if rusting my sparking summer was the goal' okay love that line
i like this a lot
the alchemy
no….. no way this is real
i cannot
THE SPORTS METAPHORS WE JOKED SHED DO THAT AND SHE ACTUALLY DID IT OH NO 
touchdown ✅ teams ✅ benches ✅ winning streak ✅ the league ✅
she’s doing…… the worst thing ever this is so laughable 
the corny lyrics are on overload 
‘this time it’s heroine with an e’ didn’t she write folklore? i can’t remember 
that literally was an snl parody of a taylor song
clara bow
love how the guitar sounds… bet money this is an aaron track 
a stevie nicks reference!! a win!!!
i like this one a lot no cringey lyrics yet
nope never mind she name-dropped herself don’t like that
overall really liked it tho
the black dog
i think i like it?? this is kind of what i expected the album to be
okay for once the weird production choices kind of pay off
imgonnagetyouback
kinda catchy? 
she loves a fancy car getting wrecked line
the pre-choruses are the best part 
this would’ve been better without the jack of it all bc he loves a song that doesnt build to anything
this just comes down to personal preference: i don’t like her lighter vocals with jack’s heavy production (ie most of lover lol)
the albatross
a real instrument!!! production that matches taylor’s voice and is well mixed!!! aaron’s arrived!! 
i think it’s solid, has good writing and she sounds great. that's about it.
chloe or sam or…
took me a solid minute to have any semblance of a fuck to know what was going on but okay
okay i love this one
wayyyy more emotive than like… most of the original album
a lot of the 2nd version (or whatever this is lol) are way more emotive, maybe because her voice isnt drenched in reverb so we can actually hear her voice emote better
how did it end
this sounds like an old school adele song? 
i love this one too…. 
her being upset people wanna know what happened but then also feeding it while promoting the album oop 
i love the story of this one it's so refreshing
so high school
THE PRODUCTION is so good ugh aaron never fails 
the man here is a walking red flag girl and the lyrics are ~not it~ but the production is too pretty to hate it
fuck these lyrics are so bad lol
maybe if i disassociate hard enough i can ignore the lyrics and just listen to the production and vibe
give me a karaoke version of this song and we'd be so back
i hate it here
i mentioned disassociation and she made a whole song about it!!!! this one’s mine!!!! 
‘without all the racists’ GIRL HUH
WHAT WAS THE REASON
also... girl don’t act like we don’t know you’re fine with that lololololol
if i had a dime for every time i was liking a song to then have it slapped away because of a bad, out-of-pocket lyric…… 
thank you aimee
this isn’t grabbing my attention 
oh the bridge is interesting 
it’s meh 
i will never be thanking the people that bullied me thanks tho
i look in peoples windows 
what do you mean aaron didn’t produce this??? it’s well-made and has instruments? 
i love this one, again a really interesting and unique concept that's very refreshing to hear at this point when a lot of the songs feel repetitive
the prophecy
aaron guitar!!!! 
she’s nice i like her 
i've really grown to love how she sings this one, the melodies are cool.. however i feel like we've heard the same melody.. like on this exact album... where she upturns at the end of every line...
cassandra 
this seems very…. familiar… idk i feel like we’ve covered this (i mean there are 31 songs we’ve already covered everything lol)
this is such an aaron song, that's a classic 'the national' piano
i like her voice in this one tho, sounds good
peter
oh love i love this
now this? THIS feels the most like a taylor swift song
once again she’s at her best with a simple instrument and emotive simple lyrics
the piano reminds me of champagne problems
the bolter 
i like this! the chorus is so cute
oh i like that ending line a lot!
she’s cute, a little long and drawn out but cute
robin
i haven’t seen anyone talk about this one
welp…. i literally have no feelings toward this one but sounds pretty! 
the manuscript
oh this is soooooooo powerful 
i love this concept 
her ending the album on another introspective album that sums everything up a la dear reader yep yep!!
if you actually read of this ily 💗
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onepieceisreeeeaaalll · 29 days ago
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The Straw Hats As My Spotify Wrapped
Look, this post is very self-indulgent and chronically online. I understand it's probably just for me, and I'm okay with that. I've watched a lot of One Piece this year and have made it all the way from Fishman Island to where I'm snuggly in Act 2 of Wano. I'll provide my rationale, but I just wanted to share the random songs from my wrapped that remind me of the Straw Hats and a couple bonus people! I'll also throw in a specific lyric to show what I mean.
THIS BEING SAID: I think everyone should do this. All the people I follow and all mutuals. I would LOVE to see everyone's wrapped songs and pair it with their fave characters.
LUFFY Meet Me At Our Spot - THE ANXIETY, WILLOW
Okay, I labored over this one. There are a few songs that give me Luffy vibes for different reasons, but this one kind of just fits in the sense where I just...feel like it's the best vibe? It's about youth and forgetting about your worries by spending time with the person you care about. Luffy is that person for so many people and his crew means everything to him. It's like an escape, kind of like freedom. Idk. I also thought about Doombop by the Toxhards for him.
Meet me at our spot Got something I wanna show you Meet me at our spot They can't find us there
ZORO Heavy Is The Crown - Linkin Park
I know people have their opinions about this song's placement in LOL and the new Linkin Park singer, but I think this song is just kind of awesome for a war chant. I feel like you could make an AMV of any Zoro fight to this song and it would elevate it.
You can't win if your white flag's out when the war begins Aimin' so high but swingin' so low Tryin' to catch fire but feelin' so cold
NAMI not yours, never was - Cherub Tree 
Please, please listen to riot grrrl music. Nami is a badass and this just feels like the perfect woman empowerment song for her.
Let's smoke the parliaments and burn them all to ashes You think you're gonna stop me? Come on dude As if you own me? Seriously?
USOPP Talk Too Much - Renee Rapp 
This is for a few reasons, the obvious one being that Usopp is a talker. Through-and-through. But it's the anxiety that makes him talk so much, which Renee Rapp talks about in this song. It's definitely more of a love song, but still. I think it applies.
I'm takin' everything I see as a sign and I know it's crazy But what if it's right
SANJI Home - Cavetown
OKAY OKAY so I know people have their opinions on Cavetown but everyone is going to have to pry this song out of my cold dead hands. When I watched Whole Cake earlier this year, my love for Sanji just grew exponentially. He's been through so much but he's still just such a beacon of light. He's kind, he's caring, even after all of the pain he's been put through. I feel like this song just kind of encapsulates that part of him that still feels vulnerable from the trauma.
Get a load of this train wreck His hair's a mess and he doesn't know who he is yet But little do we know, the stars Welcome him with open arms
CHOPPER HOT TO GO - Chapelle Roan 
This is mostly just because I saw an animation somebody did of Chopper doing the dance and I LOVED it. I always think of him and his cute little arms.
H-O-T-T-O-G-O Snap and clap and touch your toes Raise your hands, now body roll Dance it out, you're hot to go
ROBIN Mic Check - Sophie Hunter 
Confession: this was my number one most played song this year, I've had a rough year lol. Why I chose it for Robin is kind of self-explanatory. She has been through so much and her 'I want to live' moment is very obviously iconic and impactful to the story and her character. What I like about this song is it's kind of like an acceptance of those negative, self-harming thoughts and behaviors that permeate all of us. It's kind of like a 'fuck it, we ball.'
Mic check Think I got a jacked up preset Been feeling myself start to regress All I want to be is decent Yeah I need a pick-me-up
FRANKY Na Na Na - My Chemical Romance
This man has built and rebuilt himself. His transformation from Cutty Flam to Franky is such an important shift for his character. I just feel like this song is kind of like an anthem to that, though it's more about when he became a punk in Water7. It's his own 'fuck it, we ball.' It's high-energy and I think really fits him.
(Na, na-na-na, na-na-na) Let's blow an artery (Na, na-na-na, na-na-na) Eat plastic surgery (Na, na-na-na, na-na-na) Keep your apology Give us more detonation
BROOK DEBT COLLECTOR - Jhariah
This is purely because of vibes. The song is kind of like a dark fantasy which I think suits Brook really well. Plus it's got a cool kind of jazzy funk to it that I think the Soul King would heavily fuck with.
Gravedigger Cordial killer Your payment is due, they're looking at you We've done what we can, it's out of our hands Sooner or later, it comes back again
JIMBEI Read My Mind - golda may cover (originally by The Killers)
Ah, the Fishman Island Arc. The things that came out of it about Jimbei's time in the Sun Pirates just made me love him even more. They fought so hard to save people from slavery and the injustices of the World Government, and I feel like the softer vibes of this cover feel like it would suit a flashback or reflection of that time.
The good old days, the honest man The restless heart, the Promised Land A subtle kiss that no one sees A broken wrist and a big trapeze
BONUS: 
ACE Sirens - Bear Ghost
This one took a minute and I debated a few other options. Bear Ghost controversies aside, this song kind of reminded me of a meta-analysis I read about Ace a while back relating to how he perceives himself and his general self-worth. It was a very good read and maybe if I can find it I'll link it here. Anyway, this song is basically like an ongoing panic attack.
Brother, sister, please don't shame me Silence so loud But I promise I'm fine here I'm just getting my fill And if you had just what I need I wouldn't want it now
LAW vampire - Olivia Rodrigo
I slaved over which song from my list would work for Law, and there are so many. This is the least self-indulgent, the rest that remind me of him are purely based off of a stupid oc roleplay that I do not care to elaborate on lol. This song for Law, though - WOW, I just think of the struggle he went through finally taking down Doflamingo. It wasn't planned, it wasn't what his goal was, but it was so important for him to heal those old wounds.
I see the parties and the diamonds sometimes when I close my eyes Six months of torture you sold as some forbidden paradise I loved you truly Gotta laugh at the stupidity
DOFLAMINGO Good To Be King - Journey to Bethlehem
I'm sorry to report that I am a theatre kid. This musical has some bops, and while I'm not particularly religious, I absolutely loved this song. Every time I hear it, I think of Doflamingo and his time in Dressrosa.
Look how the peasants work down to the bone As I sit up high on my velvety throne Pulling the strings on the people below It’s so stinking good to be king
OKAY THAT'S IT! THANKS FOR READING IF YOU DID!
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jmdbjk · 1 year ago
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3D
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I had to let some time pass before I wrote this. The discourse is heated and polarized.
You say: "ABG ... Asian Baby Girl, doesn't mean the same as it used to" ... it might not for you but it is rooted in misogyny and racism. Does that mean the n-word doesn't mean what it used to? Or the word bitch, cunt or whore? It's ok to use those words too when rapping about women? What about fag or fairy? Ok? No. Not okay.
You do you, Boo, but:
"The ongoing oppression of women is enshrined in religious, legal, political, educational, and employment systems and structures. An equivalent level of systemic and structural oppression has not been experienced by the current generation of white men in America. "
You can read the article this excerpt is from here.
My first impression upon listening/watching the first time: I did not like it because of fugly white boy, Jack Harlow. I've never liked him, I've never liked his lyrics or his vibe. He is the type of overdone, asshole misogynistic male bullshit rap that had become unavoidable for a while.
I don't have ANY problem with JK singing about sex, having sex, shooting his jizz to the sky or any of that. BRING. THAT. ON. I don't care if the song is about phone sex or masturbating on camera or whatever.
What I do have a problem with is a white guy saying one girl (the black girl) is boring but two girls (add the white girl) is cool. I have a problem with the concept of having women lined up ready to fuck as some sort of thing to laud. And they are all dressed alike, so that means he doesn't care about them, they're all the same. Just another pussy to fuck. Diversity, yay. Not.
I will listen to the alternate version of the song but I will never listen to or stream the version with the rap.
I love Jungkook. I love that he's exploring his sound. He is creating music that speaks to him RIGHT NOW in his career. Do I like that he's put this song out? No. But that's my own personal opinion.
I can't speak for Jungkook, a 26 year old Korean man. He has his own systemic and structural oppressions to deal with.
I am not going to second guess him. He will see the feedback and take it into consideration, I don't have to guess on that, I know he will. They all see what goes on.
I wanted to give JK the benefit of the doubt with Seven. I don't have a problem with Seven the song, but its the hype surrounding it that is perpetuated by the fandom that he is being pushed in the western market. This song proves it.
All that being said, BTS and each individual member all exist within an industry that is heavily influenced by the western market.
As such, every song each member releases will add to the colors that the team will be able to use when they come back together as a group. No one will be surprised if BTS utilizes a hardcore western rapper in the future now. It is just one more color in the mix.
But as my friend says: "Shoot for another Coldplay....They don't need to be lifting people up. They need to find peers. Which is why I would support a Lady Gaga collab with Tae. Which is why Hobi asked for J Cole. That's a peer, man. I can handle Pharrell with them.
The benchmark for peers, to me, is another artist who has nothing to gain from collab'ing with them. An artist who holds their own, on their own, and collabs to let each participant have fun, shine, and grow a bit. Not some newbie who needs the boost. The only exception to that would be if they worked with one of their juniors at Hybe."
And now I move on from this.
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delilaahh9 · 2 months ago
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The “Hughes” War
October 1st, 2021
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annabellehugh
Go stream “That Way” on all platforms right now and- oh ya my new album “think later” at 6pm EST!
Comments
@quinnhughes - EXCUSE ME?!
→ did i not tell you?
→ @jhughes - YOU DIDNT TELL ANYONE!
→ @annabellehug woops
→ @user27 - she’s so unbothered I love it
@jhughes - I’m so proud of you! Even if you eat all my cereal
@Annabellehug - your a millionaire buy your own goddamn cereal
@zoebormet - AHHHH SHES BACK AT IT
→ @annabellehug 😉💗
@cariganprice - ON REPEAT! IM SO SERIOUS
→ @annabellehug - I LOVE YOU
@lhughes_06 - wow okay
@lhughes_06 -this is insane
Her first single after her first album, that came out in 2020 just after graduating, before her gap year. Most of the songs were about her ex, max and so are some of the songs on her new album, while one of them is about mark.. but so is the single but one just happens to mention something about her relationship with Jack and she wasn’t even sure if she should use it but all her friends who she told about it said she should, so she is going to.
Which she shouldn’t have, or he shouldn’t have had the reaction he did.
6:12 pm
There was a set of knocks on the door of her dorm room, but the certain sequence of knocks only belongs to the knuckles of one person. “Come in mark” she says and puts her phone down. He looked out of breath, afraid almost, Like he was running from something.
“Make what’s-” she stands up keeping pressure off her knee, but she doesn’t need the crutches anymore.
“Is it about me” he whispers and walks closer.
Her eyebrows raise a little bit, in shock on how this conversation could go either way.
“I… um… what” she says quietly, but a little louder then he was before.
“Is it about me” he asks again, she swallows harshly but nods slowly which he then pulls her into a tight hug.
“I’m sorry Belle- I’m so sorry I didnt mean to make you feel like that I like you I like you a lot. So much it almost hurts and makes me afraid of my own feelings” he admits and they both have small, light, tears in their eyes.
“Do you really?” She asks.
He runs his hand up and down her back before pulling back to look at her.
“So much”
They stare at each other for what seems like hours and just as he is about to ask her, a phone rings. It’s Luke, calling mark.
“Whats up” he asks. “Yea I’m with her, okay, bye”
“Wanna for a drive?” He asks and the two head out the door.
Jacks POV
6:15pm
I knew she liked to sing, but how did I not ever realize she liked to write and perform and produce her music, I didn’t even know she could play the guitar. So if I didn’t feel like shit before I do now. As the 9th song plays, my brain freezes.
“Same fears, same dreams, still trying to get my brother to like me”
Does she really think that?
I would call Luke, but the chances of them being together right now are high so Quinn it is.
“What’s up J-“
“Does she hate me or something?!” I exclaim.
“Woah dude- who are you talking about” he asks.
“Annabelle, fuck, have you listened to Calgary”
“No, I’m just leaving the gym, what’s going on”
“The lyric is *Same fears, same dreams, still trying to get my brother to like me.* Does she think I hate her”Tears are threatening from my eyes while my knuckles are turning white against my steering wheel.
“Jack I’m sure it’s not what you think-”
“What else could it be! I’m the only one she argues with- remember my rookie year when we wouldn’t talk for like.. weeks because of how busy we both were but she would always talk to you two”
“And you always talked to us, Jack I don’t know what’s going on with you two but you need to talk it out, when was the last time you spoke to her”
“When I left? I think maybe the night of that game she somehow came too”
“The day after her surgery- Jack that was like 2 weeks ago- okay you need to call her later tonight she’s out right now. Got it?”
“Ok” I take a breath I didn’t realize I was holding, then hung up.
(Back to 3rd person)
8:28 pm
“Can we talk about what happened earlier” she asks mark as they sit in his car in-front of their building.
“Yea, Uhm, I guess what I was saying is, I do, like you a lot, more then a friend” he admits quietly and she smiles back at him.
“Feelings are mutual, if you couldn’t tell” he chuckles and reaches for her hand, then holds it for a minute.
Meanwhile, Jack was flooding her phone with so many messages along the lines of “I’m mad at you” and “do you hate me”.
“You know you didn’t have to write a song to get me to realize I liked you”
“Yea well clearly I had to write one about Jack being a dick for him to realize he was one”
“Oh Calgary, yes I was waiting for that one. Are you okay?”
“Mhm, I’ll just… call him later I guess. Do you wanna stay with me?” She asks and he nods his head, then the two get out of the car and walk hand in hand to her dorm room.
“Oh I forgot my phone In The car I’ll be up in a second” he says and she heads up while he goes back to car, in the mean time, Anna sits at her desk while she receives a lovely call from Jack.
“Anna what the fuck, do you realize what you did” he says as soon as she answers.
“Did what Jack. Release a song” she sighs.
“No, your stomping on mine. Did you not think that your fans will hate me because of that line”
She didn’t even think about the fan part of it.
“No I didn’t Jack, because I don’t make decisions for myself based of you or fans”
“That’s not what I meant- what I meant was-”
“no I know what you meant Jack, you think everything’s about you and everything is always my fault” she challenges but hangs up. Tossing her phone onto the carpet below her and putting her hands over her face.
“Belle, what happened?” Mark asks as he enters the room, while tears are brimming her eyes.
“Jack called me, he’s so mad I didn’t think he would care” she whispers and stands up, while he pulls her into a hug.
“It’s okay, he’ll come around alright? I’ll get Luke to talk to him”
“Thank you” she sighs and the two lay down on her bed.
“I liked your album, a lot, but I need a name and address of the whoever running for the hills is about because holy, that was rough to listen to”
“his name is max, but he lives in England now” she responds and he huffs, but the two eventually fall asleep.
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pasc4lfuzz · 6 months ago
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Hey people! So during the early hours while I was listening to music I started thinking about which ones reminded me of some Pedro Boys, so this post is basically that.
So if you're interested... hop on!!!
warnings: very small smut (sorry not sorry)
dividers by @saradika-graphics
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PEDRO BOYS AS SONGS 🎧🎵
Joel Miller
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I feel like Joel would be Shades of Cool by Lana Del Rey, just something about this song that screams QZ!Joel Miller and also PostOutbreak!Joel in general.
The guitar solo in the song??? oh man so Joel codded, JUST HEAR ME OUT!
Javier Peña
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I couldn't decide between these two, every time im listening to wicked games i remember of Javi, and Tuyo??? PLEASE THIS IS HIS SONG!!!
"What a wicked game you play, to make me feel this way What a wicked thing to do, to let me dream of you What a wicked thing to say, you never felt this way What a wicked thing to do, to make me dream of you And I don't wanna fall in love (this world is only gonna break your heart)"
You can't tell me that after reading this you didn't thought of Javier Fucking Peña.
Frankie Morales
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judge me but i see Frankie listening to Frank Ocean on off. and Pink + White intertwines themes of nostalgia, the inevitability of change, and the bittersweet nature of life. Also i picture Framkie listening to this remembering abou the happy moments he had with his friends.
Marcus Pike
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COME ON GUYS THIS IS HIS - AND ONLY HIS - SONG, the lyrics, instrumental, the feeling everything is Marcus Pike.
Our beloved hopeless romantic deserve this magestic song! i mean:
'Cause with your hand in my hand And a pocket full of soul I can tell you there's no place we couldn't go Just put your hand on the glass I'll be tryin' to pull you through You just gotta be strong
THIS SCREAMS MARCUS PIKE!!!!
Agent Whiskey
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You say it's big but you take it Ride cowgirl
THIS IS EASILY SOMETHIS JACK WOULD SAY LIKE COME ONNNNNN just imagine the scene, he's laying down on the bed while you are on his laps, both of you bare like the day you were born, his hands gripping your thighs sinking down on his cock throwing your head back murmuring.
"It's so big Jack"
He chuckles grabbing his cowboy hat from the bed headboard and place it in your head.
"You can say it's big but you take it, come on, ride cowgirl"
as he says he grabs your hips circling it while his cock is deep buried inside of you.
DAMN I JUST WROTE A LITTLE SMUT IN THIS, I LOST IT A BIG TIME AGO FOR THIS ONE.
Dieter Bravo
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We all know Dieter is very famous in The Bubble universe and he does every thing he can just because of this, and that is literally what the song says about, it tells you about doing every thing to be popular, and well Dieter already is so he is.... enjoying it(?.
Dieter loves attention, he loves the most part of what he can get about being famous.
Dave York
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If im not into this man than maybe he's haunting me, besides of being misterious and very hot he also have an interesting job that makes him even hotter.
Just listen to the song and i dare you to say that it doesn't remind you of him.
Din Djarin
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I feel like behind that helmet Din jus truly wanna be loved, like he could just forget about all his problems and focus on something else. For this one i don't really have an explanation i just feel it.
Oberyn Martell
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This song is the most pure lust you can ever hear, and everyone knows that Oberyn loves and enjoys sex, and this song.... OH MAN IF YOU REALLY EARNED IT IN HIS EYES YOU WOULD BE PRATICALY DEAD FROMPLEASURE THE MORNING AFTER.
He wouls make you go through - at least - 4 or more orgasms, this man won't settle for little, he wants you screaming his name, clawing at his back, begging for him, and after all of that he would give you a breath taking kiss and help you clean yourself.
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I hope that everyone who got here enjoyed! Feel free to comment your opinion :)
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nightswithkookmin · 1 year ago
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3D SLAYS WITH JACK HARLOW
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I'm not here to tell anyone how to feel but I'm just saying Jackie killed those bars.
I don't want to get into this whole debate over whether or not Jack Harlow's verse was offensive because Jack is for the black girlies and the queers and I'm black and queer. Let's leave it there
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And frankly I was too busy deciphering all the Easter eggs and black and white themes and weirdly familiar lyrics and all the diversity in there to notice anything off with Jack.
He's a white guy in a predominantly black space who is not only aware of this but is also less misogynoire-cist than a lot of these gay hating black rappers out here. I'll take Harlow over any day because I ain't tryna hear another homophobic rapper with internalized racism make caricature of black women and call it music.
Yall hate misogynists, I hate homophobic misogyny targeted at black queer women specifically even more and to me Jack is far from that. So may be there's a conflict of interest here somewhere caused by my intersecting identities.
And as a feminist I have a problem endorsing the slut shaming of men just as much as I disagree with the slut shaming of women.
How are we shaming this man over openly talking bout thoting.
And it's crazy cos we all be put here drooling over BTS openly talking bout wanting to be choked to death by these boys but God forbid a grown man says in his songs he is polyamorous.
Equality of genders means we can not slut shame men from expressing their sexual desires any more than we can slut shame women.
And 2023, monogamy isn't the only valid relationship model. Why does this feel like monogamy is the new heteronormativity?
And it's not as if he's glamorizing cheating on a partner, or drugs or gun violence.
I feel we've been fighting misogyny and objectification of women by men for so long we can't even tell what a healthy expression of male desire looks like.
I think Jack is so real for those lyrics. Some men and even women do like to fantasize about getting with different women. And having female attention really is form of validation for lots of men. For a lot of them it's deeply tied to their self worth.
Women will always be the object of desire for straight men. But that don't mean any time they talk about that subject that they are objectifying women. That's like saying men hurt women for pounding them at night- sex is not inherently oppressive. It's the lack of consent, and the treating women as if all we are good for is sex that makes it oppressive.
As long as he isn't berating women calling us slurs or promoting the objectification of women he and I are good.
From where I sit all I heard was a man discussing and bragging about his insatiable lust- for that I'll recommend he speaks to his therapist. Jesus can't help him.
He has an appetite. We shouldn't slut shame him for that. Misandry is not how we are going to fix misogyny.
If a girl sang the same lyrics we would be tweaking right about now.
Plus these lyrics are even pretty tame in comparison. Lmho. Jack has always been vulgar and explicit. Jack's personality to me is why I like him to be frank. He's pushed for visibility and acceptance of the gay community more than any non queer rapper you can think of.
As far as his talent as a rapper goes- I only care about his songs when he's featuring lil Nas X or Jungkook
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I'm just gonna have to throw him back to yall
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BUT PLEASE LEAVE 3D ALONE.
PLEASE AND THANK YOU.
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noturvlentine · 2 years ago
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the same damn thing
matty healy x reader based on this request🖤
requests are open still!!! this is my first matty request so to anon i hope it somewhat resembles what you had in mind :)
do not copy my stuff elsewhere but reblogs are appreciated 🖤
Summary- when you decided to take a break from your own music, you focused on helping matty and the boys on their new record and tour, offering your vocals for about you during a few live sets- though tonight, Matty’s lyrics hit differently. You realised that theyre about you-
lots of random doubting and fluff?
Word count 1.3k
༺ ♰ ༻
You were set for the stage any minute now, though it was a matter of how dramatic Matty was setting himself up to be that night. Tonight was your last time lending a hand to The 1975 before you set back on your own tour, for the past two shows, Matty had asked for you perform About You with the band on stage- an offer you couldn’t decline.
You remember London, 02, night two. You were an unannounced guest but honestly didn’t expect as huge of a welcome as you got that night, probably because you were no where near as interesting as Taylor swift from the previous show. You and Matty had always been a thing, platonically and sentimentally since Jack Antonoff introduced you two back ages ago. However, Matty would cowardly disagree.
First, he asked you if you’d like to be on a track for their latest album. He’d asked if you were willing to record your vocals for About You, and he’d ask when you were free.
And secondly, he was still in love with you. Whatever had been brewing inside him for the past- god knows how long had finally eaten him up from the inside and he was done being subtle. He was petrified that this tender desire to be with you would eventually suffocate him- he was done avoiding writing about you. The moment he swore to George about being earnest, he knew it was completely over for him. He’d tried to love you once. Though that was interrupted by a round of horse therapy and two rounds of tours from both parties- he didn’t know if it’ll end the way it always did. And something in side you was clawing at your rib cage too, curling around you heart and spreading infectiously under the radar.
On your second night, in Birmingham you felt the warmth of his stare prying its way into your mind, and down to your heart. You’d spent the entire night and the rest of the next day, until now- trying to tend to the animal of feelings that had scratched its way out from your chest. How long has it been like this? How long had you tamed your love for him and why now?
It all made sense now. The way he’d make up for your lost time together right after coming home from tour, in between shows and whatever he was up to. The desperation in his eyes when he’d ask if you’d come perform for them and this new doomed earnestness he’d adopted for the album. You stared blankly at the lights illuminating the stairs from the hallway to the wings, your earpiece rested around your neck, fidgeting with your hands and picking on the bottom of your top. Why now?
Were all your anonymous love songs secretly for written for Matty? Did your subconsciousness realise what you had going before you ever saw clear enough? Did you mean everything you’d supposedly said about him in your music?-
“Hey! You’re up!”
One of the stage hands had motioned for you towards the wings, that frail white door waiting for you to open it. You couldn’t drop your thoughts about Matty- you were fucked.
Pressured by the song, already crescendoing through the speakers, you made your way through the dark towards the door, opening it quietly as you walked onto the dimly lit stage. You made your way past Jamie and George, picking up a microphone set on a stool next to a pillar- exactly like you did the previous night.
You and I,
Don’t let go-
Were alive,
Don’t let go-
With nothing to do, I could lay and just look in your eyes
Your voice was slightly lower than Polly’s but it made for a good harmony. The Birmingham crowd had lost the moment you’d began those words.
Wait,
Don’t let go-
And pretend,
Don’t let go-
Hold on and hope that we’ll find our way back in the end
You started to think that the song was too optimistic for a man who couldn’t make up his mind sometimes. And indeed Matty had never given up on you since he first realised that he was in love with you- only now were your paths beginning to cross. Making your way down to Matty, sitting on the edge of the top half of the stage looking down at him, you saw that same flare in his eyes that had landed you in an entanglement of intoxicating emotions.
Do you think I have forgotten?
About you?
His eyes were fixated on you, and maybe you liked the way he looked from this angle but whatever it was- it made your heart race exhaustingly, more than any rush of performance adrenaline could ever accomplish.
There was something bout you that now, I cant remember
Its the same damn thing that made my heart surrender
And I miss you on the train, I miss you in the morning
I never know what to think about
I think about you-
And in the moment of that exact brief surrender of a heart- it finally hit you. Matty had written this song for you- unable to decide whether it would be the end of him if you ever picked up on it. He didn’t know how you’d screwed him over with your smile and gentle eyes that rained and flooded his mind all too often. He simply couldn’t deal with it much longer as the house he’d built around his love for you would eventually collapse under his swelling heart. You kept singing on autopilot, your legs now crossed as you sat on the floor still looking at him.
Do you think I have forgotten?
About you?
Dont let go-
About you-
Do you think I have forgotten?
About you?
Dont let go-
Matty could see the shock in your eyes as his inevitable exposure had crossed you. He saw the way you were looking at him even through the strobing lights on stage and the unforgiving roar of crowd. You microphone had now been turned off and switched to earpiece transmission only. It was then out of carnival instinct you picked it up and held it right against your chest-
‘I love you’
You blurted out like a bittersweet whisper which passed straight into Matty’s earpiece. He looked at you equally stunned as if his collection of ‘almost confessions’ were laid out right on your body.
Without even asking he walked the distance towards you, closing the gap between you as he stood before you. His eyes never left yours and during a fleeting moment of confessions, he snaked his hand up around you neck, bringing you down into a kiss. You were now leaning over the side of the stage, and Matty was on the tips of his toes- the rest of the band were still going to your surprise but the rest of the arena had just lost their collective minds. He kissed you. Tender and sweet. It was rotten work to love you but he did it anyway as he stained your heart in return.
Matty pulled away from the kiss, taking both your hands and pulling you down to his level of the stage. His hands were now cupping you face as you stood in front of him, his back still to the audience as John’s sax solo faded into the background.
‘Will you be mine?’ He said, a whisper with the volume of a thousand speakers despite the fact you could barely hear him over the crowd. One nod of the head became two- and soon a million times more as he brought you into a kiss once again.
AN: hope that wasnt a confusing read!! I kinda lost track of where i was going with this one but it made some sort of sense in the end :)
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allmusic · 7 months ago
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AllMusic Staff Pick: The White Stripes The White Stripes
The White Stripes' debut, released 25 years ago today, sounds like arena rock as hand-crafted in the attic. Singer/guitarist Jack White's voice is a singular, evocative combination of punk, metal, blues, and backwoods while his guitar work is grand and banging with just enough lyrical touches of slide and subtle solo work to let you know he means to use the metal-blues riff collisions just so.
- Chris Handyside
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the-fifteen-horsemen · 3 months ago
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dsaf is actually rotting my brain this is becoming a problem
ok so im listening to mumford and sons rn trying to work on homework
AND EVERY FUCKING SONG REMINDS ME OF DSAF
so please take what i relate every song in sigh no more to (spoiler warning. like really big spoiler warning.) oh theres a lot of text here too. read under the cut at your own risk 🤷‍♂️
sigh no more - dsaf 3 good ending, last goodbyes from jack. why does this song make me sad
the cave - also dsaf 3 good route but like the entire thing. ive analyzed the lyrics to this song so much its not even funny "so come out of your cave walking on your hands, and see the world hanging upside down" is literally so davetrap coded to me.
winter winds - FLIPSIDE DAVESPORT!!!!!!! this is self explanatory im pretty sure but uhm. dave dealing with learning to love properly
roll away your stone - dsaf 3 evil route!!! woo. this song to me describes jack's slow acceptance of henry's influence ("and darkness is a harsh term, don't you think? yet it dominates the things i see") and davetrap's trust of jack leading up to his demise ("don't leave me alone at this time, for i'm afraid of what i will discover inside", "and you, you've gone too far this time, you have no reason nor rhyme, with which to take this soul that is so rightfully mine")
white blank page - reality dave's feelings towards jack, the obsession. three cheers for toxic zombie yaoi!! anyways this song is rlly good at portraying that for me. "you desired my attention, but denied my affections, my affections, so tell me now, where was my fault in loving you with my whole heart?" ITS SO DAVE CODED.
i gave you all - henry's major influence of how dave turned out and how davetrap's relationship with legacy reminds him of henry. trust me on this one guys.
little lion man - jack and dave's relationship to me, how jack (imo) will lash out say things he doesn't mean ("i really fucked it up this time, didn't i, my dear?") self explanatory enough.
timshel - THE KENNEDY FAMILY!!! this is so the kenendy siblings to me. theyre all different and yeah they have their fights but they stick together ("and you are not alone in this, as brothers we will stand, and hold your hand") i feel like the first verse is more dee-coded to me- "and death is at your doorstep, and it will steal your innocence"
thistle & weeds - MY FAVORITE!!! anyways uhm. dsaf 3 for SURE. more good route to me. jack sort of being torn between what to choose, the flipside crew advising him what to do ("but plant your hope with good seeds, don't cover yourself with thistle and weeds" (thistle and weeds implying henry here)) etc etc. but also dave in a way?? like how jack could leave him ("alone in the wind and the rain, you left me, it's getting dark, darling, too dark to see, and i'm on my knees, and your faith in shreds, it seems", "i know you have felt much more love than you've shown")
awake my soul - flipside davesport to me. again. im so normal abt them. sort of like jack teaching dave what a healthy relationship is like ig
dust bowl dance - dave. definitely dave. listen to the song and you'll see why tbh.
after the storm - post dsaf 3 good ending!!!! with also hints of thoughts back to the henry fight ("and i took you by the hand and we stood tall and remembered our own land, what we lived for")
woo!!! that was a lot of typing. thank you for taking the time to read this im very normal abt mumford and sons and dsaf
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kimtaegis · 1 year ago
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I'm going to try to explain this as coherently as I can. I want Jungkook to do his thing, but at the same time, it is bothering me so much that his thing seems to be basic, crass songs about sex. Like, brother in Christ, there is a nuanced, fun, genuinely sexy way to do explicit songs that doesn't read thoughtless, fuckboi nonsense. Hello, "My Time," get off the floor, my love?! I hated Seven, but 3D is making me feel like I was harsh on her. At least Latto has flow and brings energy. WHY, for the love of all things holy, did anyone green light Jack Harlow rapping about AGB????!!!! I was LIVID because have we not had enough of white men fetishizing Asian women. And there weren't even any Asian women in the MV!!! And then the optics of the women being lined up beside him one by one. WHO OKAYED THIS???? The members as a group and in their solo work have dabbled with explicit lyrics, sex, etc. But it has never felt like this "fuck it to hell, I wanna be famous and I'll do it in the easiest way possible, lemme talk about champagne confetti." Are you serious??? This man gave us "Still With You." And I do hold Jungkook responsible for a fair amount of it. He's 26 and obviously gets final say on the final product. I get that he wants to be seen as a grown up, but all I'm seeing is the equivalent of the Nickelodeon/ Disney kids going ham to break the image. This ain't it, okay? And if the rumours I'm hearing about his EP are true, it's going to be a hard pass for me. I have never recoiled from a song that came from BTS or a member the way I have with Jungkook's singles so far. I'm aghast at his potential (which he has showcased so much in past) being squandered on this run-of-mill, brainless, nonsense. Sure, he'll get the numbers, it's going straight to radio and this fandom is bleeting in unison like sheep possessed. But he's lost a lot of my respect for him.
you expressed yourself well and I can sympathise with your negative feelings and where they’re coming from… I honestly am just as shocked about harlow’s rap being greenlit both from the team behind but also from jungkook himself. it makes me wonder once again how much he was actually involved in everything simply because I hate the thought of him being aware of the lyrics and letting them through on the nod… you can very much make a light, fun, sexy song without putting problematic phrases and innuendos in it. again, it all comes back to nuance in pretty much all aspects of this whole song discussion. wanting to be seen as mature/ as a grown-up also means taking responsibility for everything that’s put out in your name (with your consent ofc). we could probably talk about this for hours on end though and unfortunately it doesn’t change much cause as you said at the end, there’re enough people who simply do not care about all of this, blindly support their fave artist and want to vibe. I saw that 3D (edit: the version with JH) is currently number three on spotify global right after Seven, so yeah. numbers equal success, success means the support and demand is there, and so the chances are high that he will keep going in this direction, I’m afraid. but let’s wait for his album, he’s been full of surprises, maybe he’ll surprise once more, and this time in a more positive way, again
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dani-dance · 4 months ago
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Assigning Just Dance coaches some of the Dutch songs I want in Just Dance
Wanderlust: Automatisch ("Automatic") by FLEMMING. Just incredibly good vibes, fits with his style.
Sara: Dromendans ("Dream Dance") by Vinzzent. First considered this for Wanderlust but I think Sara would also be great for this one! It's a bit goofy but I think she'd really just shine in this one as like, happy and having such a view of the wonder of the Danceverses
Mihaly: Wit Licht ("White Light") by Jeroen van Koningsbrugge. An epic song that I think fits with Mihaly's connection with the flow. Alternatively, because I could not fully decide: Hou Me Vast ("Hold Me") by MEAU
Brezziana: now the problem here is that there's none in the playlist that really fit the music style she usually gets paired with. However, in terms of message: Hoger Harder Verder ("Higher Faster Further") by 3JS.
Jack: a curveball: Oceaan ("Ocean") by Racoon, or Harder Dan Ik Hebben Kan ("More Than I Can Handle") by BLØF.
Specifically a Jack and Wanderlust duet: Pak Maar M'n Hand ("Just Take My Hand") by Nick & Simon. A good song about not having to do everything yourself and sharing your struggles with others so you can overcome them together, featuring such lyrics as "you can't carry the world on your own" and "it's not a problem if you want to prove yourself time after time, but you can't do it alone". And as a bonus, it's a really nice parallel to their gold move in Majesty. This song is so Wanderrose coded to me I might translate the full lyrics at some point.
Cygnus: Ladada (Mon Dernier Mot) by Claude. Tbh just look up a translation of the song. And it works with his dance style too! Could honestly also be used for Jack, but idk I think I like it better for Cygnus.
Rasputin and the Bride: Mannenharten ("Men's Hearts") by BLØF, Nielson. I think it would be a pretty good song that could take place after Sweet But Pyscho and IAMOM.
The coaches from Wet Tennis and Woof: Sterrenstof ("Stardust") by De Jeugd Van Tegenwoordig. Idk I think they should get to vibe to DJVT songs I think they'd have fun with it
Bittersweet song at the end of the current storymode arc (like, when we stop the main arc with the Just Dancers and maybe get a new cast in the next storymode): Treur Niet (Ode Aan Het Leven) ("Don't Grieve (Ode To Life)") by Diggy Dex, JW Roy. I'm not explaining this any further just. If you know the song you know what I mean by this. If not, go listen to it and/or look up the lyrics.
There are more songs than just these in my playlist so def go check it out! :D Also if your favourite character is in this list go listen to your assigned song right now :)
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cheese-ducks · 5 months ago
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TWRP ORIGINS
Chapter 8: It Is Revealed That He Has No Plan
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(Warnings: descriptions of anxiety)
Sung stood menacingly above his bed like a sleep paralysis demon. He looked slightly uncanny, his face completely visible for the first time since they'd met. His eye sockets were dark voids with a white slit in place of a sclera, his ears were slightly bigger and pointed upwards. Jack quickly acclimated himself with Sung's inhuman features as he noticed similarities between them. Slim figure, messy brown hair, Sung was kind of right about them looking alike. That wasn't important right now but he'd noticed nonetheless.
"What do you mean 'what have I done to you'? You were the one giving me amnesia!" He couldn't believe Sung had the nerve to ask him that. Although, to be fair, it was Sung's first time sharing a vessel too.
"And did you look like that the whole time?" He added.
"Yes, of course I have!" Sung shouted, completely exasperated, like Jack was the first night he experienced possession symptoms. "And what I mean is you somehow made me nervous while we were busking tonight! How? Why?" 
"Dude, I get nervous doing most things." Jack defensively retorted. "I'm just pretty good at hiding it." 
"Doth my nubs bequeath me? You never brought that up when we discussed the game plan!" His audacity stained every word as he pointed at Jack.
"I didn't think it'd be a problem!" 
While trying to recall exactly what was discussed that night, Jack suddenly remembered a crucial detail he hadn't thought about since it happened. 
"And while we're on shit we never brought up on game plan night did you ever actually get my notebook pages back from Stan?" 
"What notebook pages?" Sung asked innocently. 
Jack took a deep breath upon hearing the careless response. Freaking out would not help right now.
"The pages with my song in it! Y'know the one with the stupid title?" Sung still looked clueless.
"The thing you gave to my brother, like the day after you possessed me?" 
Sung made a low humming sound like he was trying to remember it. 
"Strange, it's not coming to me, perhaps you need to be a bit more specific." 
Was he messing with him? He couldn't have forgotten about that so easily, considering how eager he was to show it to Stan in the first place. 
"Maybe it's 'stupid title' will jog my memory. What was it called again?" Sung's eyes darted around the room, trying not to give away his intentions. 
"Dude, you know exactly what I'm talking about. Just tell me what you did with it." 
"Must I repeat myself further? I told you I have no clue! I'm going to need more information than that." His laughter made Jack even more suspicious, but it was equally likely Sung just forgot. After all his memory was naturally garbage. Jack's cheeks turned a slight red as he let out a long sigh, knowing he'd have to play along and utter the embarrassing title. 
"It's the one with the synthesizer bass line, one actual lyric, there's like a million layers to it, there's that break in the middle for a small drum solo..." 
He'd walked right into it. Sung was eagerly waiting, his hand crudely covering up a sly smile. There was no turning back now.
"It's called 'The No Pants Dance'." 
"Thank you!" Said Sung, grinning with pride as he retrieved the papers from under Jack's bed. "Of course I got it back after I realized you were unhappy with it, but I must admit the shame at such a fun track is uncalled for and confusing to say the least." 
Jack snatched it from Sung's fingerless gloves and safely returned them to one out of a pile of notebooks he had scattered across his desk.
"Getting back on track, maybe if I wasn't blacked out I wouldn't be subconsciously giving you second hand anxiety." 
"And what do you suppose we do about that?" Sung asked, not so subtlety eyeing the stack of notebooks. Jack immediately leaned against the desk, effectively blocking Sung's view and hopefully curtailing his fascination.
"Couldn't we just do what we did today but in reverse? Like, I could be in your head while you have the vessel?" 
Sung was very apprehensive about the suggestion. 
"I'm unsure. Humans are quite fragile and I wouldn't want to inadvertently harm you in any unforseen way."
Even though Sung was just being considerate, he didn't like to be referred to as fragile.
"However, I have underestimated you before. I didn't think you'd be able to handle consciously sharing the vessel today, and you somehow gave me prolonged fear during our performance." Sung was thinking out loud at this point, weighing the options  and evidence. It was looking more possible by the second.
"We might just be able to do that."
At that moment they both realized the game plan wasn't as thorough as it should've been. Due to their general inexperience with each other and their particular situation, they hadn't actually made a full plan. Neither of them knew what to do, so even though it slightly terrified Jack, they were content to throw ideas at the wall and see what stuck. 
.........................................................................
It was hard to describe. He saw everything through Sung's eyes, all three of them. It felt like he was having a really vivid dream. The kind of dream you have no control over, yet you're still aware that it's a dream. It was completely surreal being a passenger in his own body. 
"Where are we headed again?" Jack asked, unsure how he did because he didn't have access to his mouth at the moment. 
"To the High Top Express, my personal spaceship." Was this the same ship that crashed into the woods, or had he gotten another ship here?  He figured it was the crashed ship. If Sung had gotten a functional space ship here, it would have made national news. 
"It's been through hell and back, but it's never been out of commission for long, which is honestly pretty shocking considering that incident on the Communitas." 
Jack shuddered thinking of what he could have possibly meant by that, but the fear was quickly replaced with confusion as to how he shuddered. He saw a light in the distance, growing brighter and brighter as Sung walked through the forest. He recognized it as the ship as they approached it. It was less on fire than it was the last time he saw it. They'd obviously been fixing it since the crash-land. Sung stopped in front of the hatch like door as he grabbed the handle. 
"Are you sure about this, human?" Sung asked cautiously.
"For the millionth time, my name is Jack" he paused before answering the question. Was he? He was never really sure about anything, about his songs, about his nerves, about his life. Strangely, he didn't feel like that right now. There was more than the nerves now. There were exciting possibilities, new adventures to be had, and a familiar core of optimism. For the first time in his life, he was ready. 
"I don't think I've ever been more sure." 
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foxes-that-run · 1 year ago
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Little Freak
Did you dress up for Halloween? Little Freak is a sweet song, Harry is thinking about an ex and looking at the relationship with distance. It has many references to Taylor. It was written when he was in Tokyo Oct-Dec 2018. Taylor had her last Reputation concert 21 November, 2018 in Tokyo.
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Little Freak was written on bad rental gear, he said it went through 19 versions before finally being on Harry's House. Ophelia is possibly written at the same time, it references Tokyo. TBSL is similar, references Taylor in a similar way, but Harry said it was written in Bath later.
To Howard Stern, Harry said if a song didn't make a previous album why would it make this one, however noted 2 songs on Harry's House are older, but they fit sonically on the album. There is another great post here.
Lyrics
Little freak, Jezebel You sit high atop the kitchen counter Stay green a little while You bring blue lights to dreams
Jezabel is possibly a reference to 'Slut!' Taylor also references this line in the opening of the Bejewelled MV "the prince would not have anything to do with that Harlot again."
Harry references kitchens in Haylor songs Sunflower Vol 6 (kiss in the kitchen), Two Ghosts (fridge light washes the room white), here it is a device to remember a calm intimacy with his muse
A Blue film is an adult film, the last line is a wet dream.
Starry haze, crystal ball Somehow, you've become some paranoia A wet dream just dangling But your gift is wasted on me
The starry haze, crystal ball is a reference to the Ready for it...? MV. Which is about Harry, he also referenced it in To be so Lonely. Ready for it also references a sexual dream "In the middle of the night, in my dreams (eh) / You should see the things we do (we do), baby" It was an impressive tour open too.
The paranoia refers to the complicated nature of their relationship (Fine Line, DBATC) he is asked about her a lot and while their songs imply they interact, they are almost never seen together so they may work hard at that.
The wet dream, just dangling, to me means unfinished business with her that he doesn't know how to resolve.
He feels her musical gifts are wasted on him, (they aren't Harry, you're the best muse)
This producer video comments on the use of a Linn drum machine as something Jack Antonoff uses on Taylor Swifts songs. (26:30)
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I was thinkin' about who you are Your delicate point of view, I Was thinkin' about you I'm not worried about where you are Or who you will go home to, I'm Just thinkin' about you
This verse refers to another Haylor Reputation song, Delicate, which also tells of sexual tension. However, here Harry uses the song title to flatter her and adds that he is not feeling possessive, just thinking of her.
Did you dress up for Halloween? I spilt beer on your friend, I'm not sorry A golf swing and a trampoline Maybe we'll do this again
This verse refers to Taylor and has links back to their time dating.
Taylor does dress up for halloween, like this 2014 1989-era Pegacorn. Harry and Taylor were also both in Tokyo a few weeks after Halloween
The spilt beer is often thought to be this photo of him with Karlie Kloss on a fashion persons yacht. It looks like water in front of him but I like to imagine this is it.
Blank Space MV Taylor took a golf club to a classic luxury car. Harry has many nice classic cars. In the Red era when they first dated Taylor had a trampoline on her tennis court and it also featured in the 22 MV.
in the close he asks maybe we'll do this again, I interpret that as maybe be together again one day. Olivia, WITW and Someday maybe have similar messages.
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Tracksuit and a ponytail You hide the body all that yoga gave you Red wine and a ginger ale But you would make fun of me, for sure
Above I have a grab from Miss American, which was filmed during the Rep tour, in most of the back stage, home or recording scenes she is wearing a variation on a tracksuit and ponytail.
Red wine and ginger ale mixed is a seltzer type drink, here it is an 'easter egg' as there are red wine references in a lot of Haylor songs: DBATC (My time, my wine..), Clean (You're still all over me like a wine-stained dress I can't wear anymore), Maroon (The burgundy on my T-shirt when you splashed your wine into me), Olivia (This isn't the stain of a red wine, I'm bleeding love) and Grapejuice ("Give me something old and red")
I disrespected you Jumped in feet first, and I landed too hard A broken ankle, karma rules You never saw my birthmark
In the last verse Harry has started reflecting on how things ended, he acknowledges he disrespected Taylor. This may refer to the time in Now that we don't talk.
Harry broke his foot playing football while on tour in Ireland in October 2015, this is close to the time period in NTWDT, Harry includes a reference to Karma, Taylors maybe album, evential song from that time period.
Harry has a birthmark on his back so many think this means he has and will never turn his back on her. (I have seen another fandom say this means they were not intimate, dude- strangers on the internet can link to it)
to me the birthmark is not literal, I think she never saw his full self because of his age & the band. He spoke to both Howard Stern and Zane Lowe about all of his adult decisions being made as part of a group from 16-20. It was in a context of leaving One Direction. To me this emotional coasting (he says he was 'away' in TBSL) was a factor in the events of NTWDT and Is it over now?
But both of these are true, he won’t turn his back on her and he wasn’t his full self then.
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cartooncreature · 1 year ago
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There are no signs whatsoever that cars exist in the bugbo universe and despite this I’m making car related / driving headcannons cause fuck you. >:D
Bugbo
He is always driving exactly. the speed limit.
Not a digit over or under.
And he never accelerates or breaks, the car just. is. in the state he wants it to be.
Everyone in the car has to be buckled up, sitting straight forward, feet on the floor, or the car isn’t moving.
(Fights have broken out because of this, usually between him and Hoppo)
He says it’s for safety
(knowing him it’s prolly a power trip thing)
There is no music. Dead silence. Even the wind outside seems quieter
And in the off chance there is music, there’s no lyrics and it’s probably some shit like
“Kahoot Question Music 1 Hour Loop”
And it’s so quiet you can’t even recognize what it is.
If you try to talk to him he’ll respond in short, almost snippy responses
If you keep trying he’ll eventually just point blank say “You know, it’s not very safe or polite to distract the driver.”
Unless he likes you, somehow, then he might have a short conversation with you.
He does the same when he’s a passenger, but to a lesser degree
He’s usually the one who dictates who drives, and, for some reason, he picks Joe a lot.
(Joe doesn’t mind, he likes driving :>)
Hoppo has accused him of being scared of driving before, which he did not take kindly to.
Gerbo
He tends not to drive since cars don’t fit his… build.
He’s all legs, cars aren’t made that way
But in the case that he does, he’d probably drive really slow, mostly out of caution
He most definitely is scared of driving (but Hoppo isn’t gonna say anything to him)
Which isn’t much of an issue considering they probably have the only car on globe
Like that one Yo Gabba Gabba episode
Music wise, I’m not sure
Everyone infantilizes him so much, it drives me crazy
Y’all aren’t listening to Baby Shark 10hr loop
Maybe once for the hype
BUT THATS IT
He probably would listen to more upbeat music,
I have a very limited taste in music and I don’t think he’d like any of my music (It’s all about drugs and wanting to eat the rich or it’s Jack Stauber)
Actually he’d maybe like some Jack Stauber music! Like maybe Buttercup and songs along those lines! His more happy sounding music?
Idk other people with different/better music taste tell me what you think
He doesn’t mind conversation while he’s driving. In fact, I think he likes it!
He likes the casual small talk type conversations, and if they lead into deeper conversations that’s even better!
He offers to drive anytime, but it’s usually either Bugbo or Joe driving, not that he minds. (Please don’t make him drive)
(He does prefer it when Joe drives, but he’d never say it, especially not to bugbo)
Gradient Joe
He’d probably drive the most
He’s the one most… built? for a car?
He tries to drive the speed limit but he might get distracted and speed up or slow down a little
So like, typical driving? I guess?
His music would likely also be more instrumental, mostly because it is a bit easier to focus
And he’s probably driving everyone around, so he’s gonna need some help focusing
But also when it does have lyrics, y’all can fight me on this but I bet he’d like love songs
Like, this isn’t a “omg he’s a romantic he wants to kiss everyone and marry everyone omgggg” thing, more of a like,
Everything is so- rough? All the time?
I mean, he got shoved face fucking first down a mystery hole that was who knows how deep, then guilted into running for mayor with no prep, and then whitenesses a murder, all in around 48 hours
Everything is so fast paced and bright and so much all the time
And love songs are usually much softer, calmer, sweeter
It’s a little moment of peace, you know? Even if it’s just a little distraction before Bugbo ropes him into another wildly overwhelming adventure
Anyway woah car headcannons hi this is what we’re here for jfc
He kinda prefers it to be a little quieter too
(And I think bugbo might, in one of his brief moments of kindness, remind the others to be quieter so he can focus)
If it’s just him and one other person, he might substitute music for listening to them talk
Even if he can’t respond, he likes to nod along and give other people a little break too. Just let them get things off their chest, yk?
I bet he also likes to drive because it is a little tiny bit of control within this chaos ridden mess of a universe.
Why is this one so long? Where did all the gradient joe angst come from? What the hell?
Hoppo
She doesn’t drive often either
Not because she’s built more bug like and so it’s a little awkward for her, she makes that work.
She doesn’t drive because the others won’t let her.
She is driving at least 15 over the speed limit on a “safe” day
Hits curbs like they spat at her grandma
Probably has at least one leg propped up in the seat at all times
only one hand on the wheel
Music. Is. BLASTING.
Marina, Scene Queen, Mother Mother, Sir Chloe, Girl in Red, Penelope Scott, Hemlock Springs, Mitski, Chrissy Chlapecka, Kiki Rockwell, and the occasional Lemon Demon
She has a playlist called “songs to piss bugbo off”
And she’s just casually chatting with whoever is in the front seat while the car shakes from the bass in these songs
Bugbo doesn’t let her drive because he knows she’s doing her best to piss him off
Joe doesn’t let her drive out of pure fear
Gerbo, ironically, is usually in the front seat because he minds her driving the least
If it was just her and Gerbo or Joe she’d prolly tone it down some, maybe at least turn the music down
But if Bugbo is within five miles, you best believe Pink Rover is gonna be shaking the ground he stands on like an earthquake
She’s pretty much the same as a passenger. If Bugbo is driving she’s being obnoxious and goofy, if it’s anyone else she will tone it down some
If Bugbo’s not around she’ll tone it down a lot, maybe just chatting and laughing
(Let me make it clear, she doesn’t dislike bugbo, in fact quite the opposite. But that’s another headcannon for another day)
Thomas Flyswatter
He has the only other car on globe
(I can’t decide if it’s the helicopter he used and it just doubles as a car or if this bitch just has like a Honda civic parked behind his lair)
Driving wise, he’s similar to Joe
Generally pretty typical, though depending on his mood he might speed quite a bit
He rarely, rarely has anyone else in his car
If you even see his car he trusts you a lot
If he drives you around you might as well be besties
Or he pities you (which if this man is pitying you you’ve gotta get your life in check bestie cause holy shit-)
The music he plays depends on his mood and who he’s with
If hes in a villainy “I’m gonna go do evil things mwah ha ha >:D” he’s listening to Toby Fox (and y’all cannot convince me otherwise)
If he’s in a more relaxed mood he, too, may listen to Jack Stauber (probably different than the songs Gerbo would listen to though, some similarities tho) and Definitely some Will Wood
If you are his absolute bestie, like he trusts you with his life, he may, if you’re lucky, break out the broadway music, but only if you’re very lucky
He may be a little quiet at first, but if whoever he’s driving around starts a conversation with him he’ll talk
And also if he’s not talking he’s subconsciously lip syncing because I’m projecting stfu
He also hits curbs a lot
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dustedmagazine · 2 months ago
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The Hard Quartet — s/t (Matador)
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“Leave yourself behind and go into something where you’re actually listening to others and trying to come up with a solution to whatever kind of esoteric thing you are attempting to do in your life. You know what I mean?” — Emmett Kelly
Dragging on supergroups is practically a spectator sport among critics. So too is the idea that music that sounds like something from an ever-shrinking notion of the past is inherently suspect. The Hard Quartet explodes both canards on their debut recording for Matador. Emmett Kelly (best known for playing in The Cairo Gang), Stephen Malkmus (Pavement, The Jicks), Matt Sweeney (Chavez, Superwolf), and Jim White (Dirty Three), have a combined discography that could practically fill a mack truck with LPs. The performances in the Hard Quartet are reflective of their prior associations, true, but the amalgamation of these creates something fresh and distinctive.
Kelly’s explosive guitar solo kicks off album opener “Chrome Mess,” which is centered around an undulating modal tune that is both played and sung. “Rio’s Song” and “Our Hometown Boy” have group vocals nearly throughout on memorable power pop tunes. “Renegade,” on the other hand, is a visceral alt-rock offering, with a wall of guitars, powerful drumming from White, and exuberant vocals from Malkmus.
“Heel Highway” changes the mood significantly. A Bay area ballad, it recalls both the sixties and nineties. These tropes combine in Malkmus’s rangy lead vocal, dulcet vocal harmonies, arcing guitars and syncopated drumming. “Hey” is one of the album’s standout songs, with Malkmus’s laconic vocals, lead guitar breaks, layered rhythm guitars, and a chorus that draws on the appeal of slacker anthems.
The center of the album sees the band stretch out on “Six Deaf Rats,” with stream of consciousness lyrics in a soaring vocal melody that alternates with equally effulgent guitars. In a marked contrast, “Action for Military Boys” channels rhythmically charged second generation prog, with intricate scales in the guitars and martial drumming. There is an oasis in the middle where White lays out and a vocal bridge ensues. White returns and the music drives towards its former intensity.
“Jacked Existence” is the most delicate song on the recording, with hushed vocals and economical, Latinx-inflected rhythms. “North of the Border” has a loose, jam-inflected arrangement and Malkmus’s most emotive vocal, with backing vocals once again supporting him. The improvisatory nature of many of the band’s arrangements provides imaginative qualities to the music. “Thug Dynasty” has a terrific arrangement, with repeated synth notes added here and there and guitar breaks abounding. Malkmus makes the lyrics about lost time in his role in Pavement. The final track  ambles through the last five minutes of the album, with flurried music for the guitars, White’s inimitable drumming support, and another vocal where Malkmus tests the limits of his voice.
The Hard Quartet is one of my favorite recordings of the year, a strong collection of songs made by established artists who refuse to be hemmed in by anyone’s expectations.
Christian Carey
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