#ive been thinking abt this for so long

[chanssimping]

ok imagine kakaobi but its an AU where they're both highschool teachers and Kakashi is like a perfectly straight man but he's one of those teachers where all his students are js like "there's no way he has a wife and kids bru" meanwhile Obito is a NEW teacher at the school and nevertheless he seems a lot closer to Kakashi than all the other teachers for some reason and thats when all the students start deviously plotting and investing in these two like "thats suspicious.."

PLEASE let me know if i should drop it... I have the draft and all the chapters planned out on a doc... Is this ao3 worthy?

[thebabygronckle]

LOOKING FOR A FIC

it was a batfamily fic

i think the one im thinking of was a oneshot in a book of oneshots??

but this SPECIFIC one shot was entirely in kon's (superboy) perspective at titans tower and red hood breaks in and red robin is running from him

kon thinks jason is having another psychotic break or something just to find out that the batkids are playing some fucked up version of tag?

and after tim goes to get his target jason whirls on kon and goes "whats this about you having a crush on tim"

[hinamie]

I'll give them shelter like you've done for me

[puppyeared]

basement guys

[fycoren]

wuh oh-

[maomango-doodle]

Getting to know people

Based on @acetrigunweek day 3's quote

[musubiki]

.🖤🔄🤍.

[kenchann]

cant wait for book 7 igni interaction lmao and also everyone getting outfits/cosplay

[opens-up-4-nobody]

Suspirium - Thom York

[majimaisms]

hes being very normal about saejima being in prison

[marybatson]

the only reason I hc billy as an emancipated minor is literally just so that mary can still live with the bromfields and freddy can be fostered by the vasquez family. so rosa and nora have no actual relation to each other or have the rights to tell billy what to do but theyll pick him up for school and have extra bedding and a toothbrush saved for sleepovers and knuckle down his head (rosa) and fix his collar (nora) and. will pick up a household object and swing harder than any mlb player could trying to protect him faster than he can blink

[b4kuch1n]

THEE audiodrama disguised as podcast

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[oceanwithouthermoon]

i think the chapter (250) where kusuo tries to change his timeline so that he doesnt have to tell akechi about his powers and ends up accidentally entering a timeline where hes fucking happy and allowed himself to make genuine connections with his friends is by far the most depressing chapter in the entire manga

he had very limited time before he had to deal with akechi, but i just imagine him sitting curled up at his desk for minutes longer than he shouldve, just staring at nothing because where did he go wrong? how is it possible that there are timelines where he doesnt hate himself? is he jealous of that other him or does he resent him because he knows hes undeserving of the connections the other him apparently allowed himself? both?

i need to know what his relationship with his family is like in that timeline... did something change with them too? or everyone treats him the same but in that timeline he has an actual support system to deal with it? or things are different because he actually stands up for himself and can communicate his needs to his family? FUCKKK.

im not entirely sure of the canonicity of the popularity poll contest chapter (73) but it probably caused a similar mental break, but not nearly as significant because it was WAY before he started truly accepting any love from his friends and family... but yk, it just says a lot about him that ONE traumatic experience changed his entire viewpoint on life but it wasn't anything that happened to HIM, like his brother trying to kill him or his friend betraying him or any of his other near death experiences, NO, it was seeing a dog die. THATS what made him decide to better himself and be kind. so yeah, this chapter prob didnt fuck him up TOO bad but he definitely thought back to it during the akechi chapter...

[sluckythewizard]

FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!