#its the reason I’ve stopped posting so many times

[adorabledrugl0rd]

I don’t understand /gen

[comvi]

I always have to remind myself that I don’t need to push myself to make art, and I don’t need to apologize or feel bad for not making a lot of art. art is something that should make me feel happy, so if I’m pushing myself to the point of not enjoying it anymore, then I should just stop and calm down for a second. and take some time for myself. Art won’t disappear, it will always be there waiting for me again, its okay for me to take some time doing others things sometimes.

[mvncesa]

honestly I love that it’s literal canon that gwen is like the only person that flash listens to

[bigfatbimbo]

Silly request but imagine helping Bill "groom" his triangle self. Gently wipe him with a cloth. Carefully dip it in the little space between the bricks, can't leave that zone unclean! Alternatively, a classic soapy bubble bath. Silly straws included, what the hell, he's probably drinking the bath water and listing the chemical ingredients back at you while you gently rub him clean. Fun times

The Bug Collector

1.1k words,, Bill Cipher x reader

a/n — Procrastination killed my soul during this, I think it turned out okay, though! Sorry for typos, your girl is tired.

warnings — SFW, post!weirdmaggedon, as ‘fluffy’ as you can get with Bill cipher, he is his own warning, kinda toxic relationships, fluff and bill being pathetic

summary — Reader assists a recently fallen Bill Cipher in self care, despite his general all-mighty asshole-ness.

The exoskeleton of a bug was practical, a water-tight barrier most commonly known for muscle attachments, and its use to shelter and protect the insects gushy insides from its harsh environment. 

The exoskeleton of a triangle was for mostly for aesthetics, as the underneath was far more horrifying than anything in the harsh environment around it. Or so the triangle claims.

You dipped a soapy sponge into the bucket in front of you, as bill propped his feet up on the bathtub. 

“You conquer worlds and destroy planets, but yeah, why not draw the line at cleaning yourself.”

“Please, what better way to make use out of my new human pet— partner, than this?” He corrected loudly and purposefully. Then looking to the side, he mumbled, “And besides, kid, you have no idea how hard it is to clean between the bricks. Euck— So many blind spots.”

The first part was a throwaway reminder that he had far more power than you in this dynamic, something you’d picked up on Bill casually doing in his time with you. 

Being roommates with a butt-hurt demon, given the ending of weirdmaggedon, allowed you the privilege of being more cautious than previous humans were with Bill. For example, you’ve taken to keeping track of his repeated habits and patterns. 

On of which, just so happened to be reminding you how small you were compared to him. 

You jabbed the sponge in-between on of the bricks, “Ow!” He narrowed his eye at you, “Watch it, pal. I’m starting to think you’ve never cleaned a triangle before.”

“I’d hate to give that impression.” You softened your hold on him, “Delicate work, I always say.”

And it was delicate work. After his defeat, he’d been roughed up a surprising bit, powers even weakened. 

Weakened.

“Not too delicate,” he shot you glance. Guess he’d heard that thought process. 

Although, most days he’d seemed to be in a thought process of his own. Weird.

You cleared your throat, “How often does this even need to be done?”

He blinked, “Well, let’s see. Once every—“ he waved his hand around “—few hundred years. Very high maintenance, do not recommend it.”

High maintenance, yeah. At this point, Bill had taken to talking about some other topic, you hadn’t been really listening, something about intergalactic food joints.

Every once and a while he’d bring up something that happened with one of his ‘henchmaniacs’ before getting slightly irritated at the lack of presence in his life now, and changing the subject. 

Bill was interesting to study, you couldn’t lie. His eyelashes curled away from each other, like the mangled legs of a recently dead spider. His hands were very present when he talked, like most people of business. His body flicked side to side slightly at certain moments. 

You became more gentle naturally, taking care of every crevice, and for some reason Bill becomes gradually quieter.

“Something wrong?” You asked, not stopping.

Bill blinked, “Eh, been a minute since i’ve had a human servant. Maybe, I was thinking of other things you can help with!”

You sigh, “Yeah, because i’m your servant. As if.” In your mind, your thinking do the fact he was your roommate, in your house, eating your food. 

“Hey, don’t get all butt-hurt. You’re all ants to me, buddy, nothing to be ashamed of!” His eye flicked back and forth between you and the room.

Then you stop scrubbing, “Bill, I might as well be your landlord.” You know he can read your thoughts, so you make a point to justify yourself. Already weakened from his failed apocalypse, anything other than vague respect for you would land him homeless. Most likely, his response to this would be killing you, but there’s only so much he can do afterwards. 

He’d have a place to stay, but with no electricity or heating, and in his damaged physical form he actively does need those things. And trying to get a new human would be a hassle, and unlike you, no guarantee they’d let him stay there without calling the authorities.

“Yeesh,” Bill remarks, “Buzzkill… You are still a bug compared to me, though—“

You drop the sponge in the bucket, “I think you’re done.”

He looks taken aback when you pull away, “What? Come on, over the bug comment? Jeez, buddy—“

“No I mean you’re actually done,” you gesture to his body, now shining and slick with soap suds. “I got everything, there’s nothing else to do.”

You go to turn around before you feel a small hand grabbing for the back of your shirt. 

“Wait, wait!” He breathes, eye farting from side to side, “… You have to dry me off first.”

He looked slightly panicked, like if you stopped taking care of him now, you’d leave and never come back. Your thought process earlier couldn’t have helped. 

The way he scurried and gasped for you was reminiscent of panicked earwig and a rock is lifted up. The comparison should have grossed you out, but it kinda just made you feel a little bad.

If he was paying attention to your thoughts, he didn’t show it. This would have usually given you the impression he’d wanted you to be thinking the way you were, but he seemed a little wrapped up in his own head. 

“Come on, kid. Don’t tell me you’re gonna kick me out because I asked you to dry me off. One last thing and then you don’t even have to talk to me the rest of the night! Sounds like a good deal, right?” 

His slightly desperate looking sales pitch was met with a sigh, you picked up a dry towel and began to pat the soap suds off of him. His body slowly breathed in, making it look like he was sighing, but no noise came out.

You wondered then if he was actually touch-starved, but cut your thoughts there because this time he had nothing better to do then pay attention to what you were thinking. 

“Ouch, i’m not that desperate, pal.” But he was.

His exoskeleton was dry, but you didn’t stop patting him down. His eyelid shut slowly, and the spider-legs on them curled into each other once more. 

The exoskeleton of a bug was practical, but one of a triangle seemed to simply be for aesthetics. 

However, on some rare occasions, it possesses the same desire for love as human bodies. Only, when very desperate, of course. 

[microsofttothemax]

the resentment leo would have with splinter post-krang. i genuinely think they would take a bit for them to recover and be comfortable around each other

why do i think that? here’s some reasons. this is gonna be a HELLA long analysis so be prepared. sit down, grab some popcorn, and let’s dive in

in the movie, after raph was taken, leo goes on a whole rant about how he got the key, he gets the answers, and he will get raph back. yes this is irrational and brash, but not in leo’s eyes. in his eyes, this is a foolproof plan that will work

splinter attempts to intervene, and tell him like it is. “it’s not your plan, you need to work with your team.” however, it comes out as a sharp sting to leo’s previous attitude

“My son, listen to your team. This is not about you.”

it’s meant to be sensible and wise, but to leo, it’s a jab at him. it’s a stab at his cockiness and self-centered attitude, and it reminds leo of why they’re even in this position in the first place. which he hates

most of all, it’s splinter saying it. it’s his father telling him that it’s not about him. because to leo, he’s always been last place to splinter’s affection, and it’s like splinter’s confirming it here

don’t believe me? here:

splinter talks to leo, and it seems that for a minute, he listens to his father’s words. that maybe he should really stop and listen. maybe he should stop and think of a plan, listen to his brothers’ input.

but the second splinter says it’s not about him? leo shuts down. he pulls away from splinter, and refuses to listen to him. and while splinter may be right, it was something leo never wanted to hear

it’s obvious that he has a somewhat testy relationship with his father, and splinter is trying to make up for it by giving leadership advice. but to leo? this is the guy who made him leader to seemingly mess with him, never bothered to give him attention or praise on his accomplishments, and never truly knew leo beyond his “acting as the best to save face” charade

which brings me to another reason. no, i do not think splinter was ever abusive or purposely neglectful to leo, or any of the boys for that matter. but its clear theres a bit of a rift between him and leo. i think that he kind of resents leo a bit (without meaning to) because he sees himself in him. he sees the irrational movie star who never thought ahead, and made too many mistakes to count

an example would be when leo got punched by lou jitsu two times. none of his brothers got punched, why just him? and sure it could be a running gag, but i find it also to be intentional

maybe deep down, splinter still resents leo for being so much like his irrational, unreasonable younger self. that every time he sees leo, he sees his stupid past self, and without meaning to, he at times hates leo because of it. and if he doesn’t hate him, he seems to resent him to some extent

splinter also has plainly stated that donnie was the funniest one to him, (s1ep 1, mystic mayhem) and outright laughed when leo asked if he was the favorite son (rottmnt wake-up alarms on youtube, timestamp 1:59) leo also staight-up said that he was splinter’s least favorite (s1ep 4b, down with the sickness)

so yeah, i can see the resentment leo may have for his father deep down. it could be pretty apparent post-krang, hidden behind his jokes and teases

now don’t get me wrong, they have their moments of bonding, and i do love to read little drabbles and fics where they hug and heal. however… realistically speaking, it would take a while for them to get to that stage of father-son bonding post-krang. with splinter naming him leader out of the blue, to the missing lou jitsu posters on the walls of leo’s room in the movie — and we’re definitely talking about that in a later post, trust — i would bet their relationship as father-son pre and post-movie would be extremely rocky.

another reasoning for this could be that splinter often underestimates and undermines leo’s abilities and accomplishments. far as i’ve seen, the most reaction splinter’s given to leo’s accomplishments is an eyebrow raise

for example, when outsmarting big mama, leo was genuinely proud of spending time w his dad and showing him his abilities. he genuinely thought they were working together. however, splinter didn’t say he was proud or anything, just complained he wished he’d brought donnie (s2ep 2, many unhappy returns)

“I knew I should have brought Purple.”

ouch. that mustve hurt a bit

and yes, i will admit, leo was being a bit of a little shit in this scene, and yes, he could’ve told splinter of the plan before starting to yap and blab to big mama about the plan he cooked up. however, the response splinter gives is not much better. essentially, he’s saying, “i don’t like this kid or his plan, so therefore i think i should’ve brought one of my favored children to solve the problem better.”

and before you go and tell me donnie could’ve outsmarted big mama the way leo did, think for a moment. leo fully admitted to manipulating and lying in an episode before

“I don’t lie, I just… change the truth.”

whereas donnie cannot tell a lie to save his life. i love him, but the guy is a shit liar. he has failed multiple times at it

“We are just typical normal humans.. who got lost in the middle of our normal… everyday human lives— nailed it.”

“Uh… nothing. Just having a typical, normal, mystic-free day.” “What? I said mystic-free.”

“Why aren’t you guys more upset?”

“Oh. This… hurts me. Uh… I’m very sad…?”

raph & mikey aren’t much better. mikey straight-up started sweating when he had to lie to splinter about piebald, and raph has so many different stinks/scents to him that it’d be easy for others to tell he was lying

also, mikey has doctor delicate touch. who does not know what lying or “don’t be blunt” means

and donnie’s really only being extremely straightforward with what he thinks or about what’s going on around him. so it makes no sense as to why splinter would want to bring donnie along to outsmart big mama, unless he genuinely doesn’t enjoy leo’s presence, which seems to be the case

now all of this is evidence to point towards a very unsteady father-son relationship with these two. yes, splinter seems to be a very lenient father, and i genuinely think he wants to be a good dad. however, oftentimes that leads to miscommunication and misread moments, empty promises, and overall neglecting behavior on his part, all without meaning to

so while he does try harder to be there for his sons later in the show, it’s pretty obvious that one brother — who thrived off any attention possible — probably stopped caring about that validation after all that he went through. splinter gives, but leo doesn’t take. he doesn’t bother to, because he thinks it’s either a prank of some kind, or because he just genuinely doesn’t care for his father’s input anymore.

(this was based on that one post about splinter & leo by @midwesternvibes, i just figure i revisit that bc i’m thinkin about it again)

[ddaz3d-and-cc0nfused]

Hi! Spencer Reid x reader where reader is kind of panicking because she’s worried Spencer will get tired of her and find someone that’s more like him personality wise? But then Spence reassures her that he loves her and only her? 🎀🚬🤍🤎

fem bimbo!plus size reader, wc: 589.

a/n: no i am not going to let bimbo reader sleep, but also i've been posting so much aaron recently, which is funny because i've been so obsessed with spencer recently. thank you for your request!

cw! angst :(

“I guess opposites really do attract huh?”

It was just a joke. A harmless, well meaning joke that completely spun your world off of its axis.

You were aware of the differences between you and your boyfriend, but you never felt bad about it, nor did he ever make you think that you weren't good enough for him. You would have liked to think that your differences was what made Spencer fall in love with you; but now you’re not too sure.

Yeah, sure, you needed help with understanding certain things, and your processing was a bit slower than others, but that didn’t make you stupid or annoying… right? 

What if you talked too much? What about that time that you kept interrupting Spencer while he was reading? Did you irritate him? Did he think about breaking up with you? You’d never had thoughts like these before because you never had a reason to. You always felt secure in your relationship with Spencer, like you were his equal. 

Spencer wasn’t used to your silence, it was unusual and quite frankly it raised the red flags in his mind. He was so used to your rambling about anything and everything that the quietness of his apartment was making him itch. 

“Sweetheart?” He called out softly.

It was almost as if his words scared you, your body jumping at the sound of him breaking the serene atmosphere of his almost dark academia-esque apartment. 

“Yes?” Your voice was hushed and meek and Spencer absolutely hated it.

He set his book down on the side table where he uncurled his legs and patted the spot on the couch next to him. “C’mere.” You looked almost hesitant to move, but nonetheless you got up and sat down. 

He grabbed your hand and held it firmly, but you didn’t make any effort to hold it back. It made Spencer nervous; did he do something?

“Sweetheart,” He reiterated. “Is something wrong?”

“Am I too much?” Your panic was quick to build. “What do you mean?” Spencer’s brows were furrowed inquisitively. “Like - like do I talk a lot? Or - or are my clothes too colorful? Do I ask too many questions?” Your speech fired out rapidly, almost as if you didn’t say what you wanted to know you may never do.

“Hey, hey, hey… no, no, stop.” Spencer was quick to shush you, opting to hold your face instead of your hand. “Did someone tell you that?” You shook your head, “No, yes? I don’t know. It - it was just because of that stupid joke Morgan had made.”

Ah, he remembers now.

“The one about opposites attracting?” You nod feebly. “And it got me thinking… what if I’m - what if I’m not a good match for you? You might want someone that’s similar to you,  one that knows how to play chess and understands all those super cool facts you know.” 

“Honey,” Spencer interrupts with a light laugh. “No.”

He wasn’t laughing at you, he was laughing at the sheer fact that he couldn’t imagine ever wanting someone else.

“I want you. I’ve only ever wanted you. I - I do admit that we are different, but that’s not necessarily a bad thing. I like that you aren’t like me. It’s comforting, and I just… I just love everything about you. I love you.”

“You promise?” You asked wetly with a pout. His lithe thumbs swipe at the tears trickling down your cheeks as he nodded, “Of course.”

“I love you too, Spencie.” 

There you were. His girl.

ೃ⁀➷ my lovely taglist!: @alina02 @louderfortheback @minervadashwood @their-love @fandomsarelifee @theendofthe70s @nomajdetective @mgg-theprettiestboy @phoenixblack89 @celtic-crossbow @hallecarey1 @bunnybabe-babydoll @dixonzzgirl @violettavirus @khxna

[leonardcohenofficial]

there’s a great write up by someone on here that i will have to search for in which they discuss how the ultimate evil for david lynch is sexual violence against women (even more severe than murder, which is often auxiliary to that type of specific violence); twin peaks is incredibly soapy—on purpose! lynch and frost are playing with form and content on purpose to examine incredibly difficult subject matter through a (for lack of a better word) more palatable format—which most of the time i think works to its advantage and makes those moments of visible horror so much more effective (i use “visible” rather than “true” or other similar adjectives because the horror is always there, it’s embedded in the entire town, shows up in every generation we see in screen and we watch them grapple with it in different ways, but that’s a separate post)

however—and i’ve talked about this before—i find that once you’ve watched fire walk with me it is so much harder to watch the show because the ignorance of nearly every single member of the town (yes, including cooper) pervades the way the action unfolds. twin peaks viewers knew the premise of the show going in and we get to discover details and information alongside the characters. when albert rosenfield comes in as the only voice of reason and reality, it’s set up to be jarring to both the townspeople and to the viewer. why?

sheryl lee said in an interview, “fire walk with me was very difficult for me to watch… and, emotionally it’s a reminder: this is a movie, but this continues to happen every day and how can we stop it? when i watch fire walk with me now, as a mother, i watch it and i think look at all those signs that were being exhibited. this girl was in danger, and look at all these people that were in her life. what would have happened if someone, somewhere, somehow could have helped or stopped it? that’s hard to watch.”

much has been discussed critically about fire walk with me and whether or not it’s exploitative in the ways that it portrays sexual violence against women. while lynch does not shy away from making that violence visible, it is done so in an attempt to make the viewer examine their own relationship to that violence and how it shows up in their own lives. the audience is forced to think about the ways that they are complicit in how and why these violent acts occur and what they can do to stop it, which is why for many it is an uncomfortable watch. for others, it is a painful (and speaking from my own perspective) necessary watch because lynch didn’t make a horror movie, he made a documentary.

fire walk with me is necessary (in my humblest of opinions) to understand why the pieces that lynch and frost put into twin peaks work. there’s so much backstory to how they weren’t originally going to reveal who laura palmer’s killer was until ABC made them, lynch wasn’t around during much of the second season so things got a little off the rails storytelling-wise, etc. etc. but fire walk with me allows them to tie difficult, often horrifying threads (ben horne unknowingly attempting to have sex with his daughter, the townspeople’s distancing of albert, the hands of random townspeople trembling as BOB attempts to claw back into the material world, the list goes on and on) back to the central thesis of “sexual violence is the ultimate evil, it is completely avoidable, and you have a responsibility to recognize the signs and stop being complicit”

[drdemonprince]

At one point he was down in between my legs, fingering me, and he made a throwaway comment about probably being Autistic. 

I leaned back, trying to relish what pleasure I was getting. “Well, we can talk about that subject, if you like,” I said vaguely, not really wanting to bring my professional life into things. 

He kept working away at my body, kissing between my lips and thighs. “Oh I know who you are,” he said suddenly. “Your book changed my life. In a way, I guess this is me thanking you.” 

I made him exit my body and we went to the kitchen to hash it out. It turned out he was a big fan of many things I’d written. 

“I’ve seen you around the neighborhood many times,” he confessed. “But you posted online that you don’t like when people come up to you, and so I always decided to leave you alone.” 

He said, “Your book is the reason I got divorced, actually. My ex-husband was a therapist, and when I showed him your book and said I thought I might be Autistic, he didn’t believe me. We have been separated for a year.” 

He asked, “Did I just make this weird, telling you when I did that I was a fan?” I told him that if he’d said it sooner, I would have never fucked him at all. 

People never realize that when they approach me, what they are doing is dragging me into work. It doesn’t matter whether I was at breakfast, or an orgy. I was just some guy standing there, enjoying his beer, but now they have made me the known scholar and author. And sure, my job might be meaningful, but that doesn’t mean I like to work. 

I tell my friend that I no longer want to be a public figure, and that I am planning how to make it all end. She tells me, “You’ve got to do what is the best for you, even if it’s something that the rest of us wants and can’t imagine giving up.” 

I ask myself, did I want this? It would be more flattering to say I didn’t, and play the role of the hermetic author whose work developed its own life purely because it was so good. But that isn’t true. 

From the moment I got a Myspace account in high school, I was publishing essays about my political views. I serialized multiple novels on Tumblr, guerilla marketing them with giveaways and custom-made images until they hit the Kindle sales charts. I have made memes, tried starting viral trends, coined phrases, and given hundreds of hours’ worth of media interviews. I write prescriptive nonfiction, for Christ’s sake. Of course people seek guidance from me. I offer it up! 

I have been strategic about how I dress, and my video backdrops, and retaken clips of myself speaking over and over again until they sounded right. I’ve hosted debates with my most vicious critics while I’m in the shower, started public beef with creators who had larger accounts than I did, and rushed to my keyboard when upsetting news broke, because I alone was possessed of the most correct take on it.

I wanted this. I didn’t know what this was, this internet fame I was chasing, but I did all I could to make it mine. I thought that by writing so much, I would one day be able to escape myself, maybe really feel connected to other people. Instead it has meant never being able to stop thinking about myself: how I am seen, what I am working on, how it all fits together, what comes next. It has also meant being spoken about, theorized about, and criticized, and developing a firm exoskeleton of disdain between myself and the world. 

I believe now that that it is immoral for any person to be listened to by ninety thousand other people. Holding authority and status like that runs counter to my anarchic ideals. I am not more important or correct than anyone. I should not be trusted to tell people which commodities to buy, which companies not to support, what to read, what to think, what words to use, or how to conduct their lives. 

All the other animals know there is no one way that a creature “should” live. There is only the way that it does. The world has no consciousness, no beliefs. It cannot pass judgment. We only feel so watched and evaluated because we have covered the planet with so many millions of our eyes. But we can stop performing dignified human goodness at any moment. 

I think that celebrity is an evil, corrupting force that pits the human instinct for bonding against itself. Instead of appreciating the singing of our friends around the fire, we stream Chappell Roan until stalkers break into her house. Rather than playing card games together, we stan Twitch streamers, filling up their chats with highlighted messages until they acknowledge us. We long to be famous novelists because then we would have the social permission to write, and we don’t have the money or time to enjoy the activity on its own. 

I wrote about Chappell Roan, stalker stans, and how turning art into content creation ruins the work, and the creator's life. It's free to read in full (or have narrated to you by the app!) on Substack.

[ofbreathandflame-archive]

This is a very long post!

These last couple of months, it’s been interesting to talk about Nesta as a character and how her subsequent characterization is so integral to pointing out the problems in the series. Whether or not you view Nesta to be ‘real’ or ‘good’ character is one thing, and often subjective. Our own personal backgrounds may muddle or influence whether we like these characters or not.

The reason why I think Nesta is an interesting character is because of how she kind of…ruins the story, or the illusion of a story we are given. There are many times in the story where I think SJM could have elaborated on the qualities that she gushes about, but she intentionally chooses not to. For example, if SJM kept Rhysand consistent, I could see him disliking Nesta and wanting to actually hurt her, but have him think about Feyre and her wants and ultimately relent to Feyre’s want. One thing about Tamlin’s abuse that I think was done well was the fact that he genuinely seems broken up by the fact he can’t control his anger, and he feels something akin to guilt, but he doesn’t stop the abuse. It highlights the effect of the victim, not the intention of the abuser. I don’t know if it was intentionally done, but I liked that element of his abuse. I also liked that the dangers that Tamlin are worried about are real – the threat is real. Why? Because I think it proves, to some extent, that we should not justify abuse, even if the abuse seems rational. It proves that in this world, these men should still adhere to the fact of self-control. How can Feyre in a relationship with Tamlin if he can’t regulate his emotions around her?

But then the story does something weird – it embodies Rhysand with these very same qualities. It also recreates Tamlin’s abuse of Feyre with…Nesta – and then justifies it. Nesta arrives in a similar position as Feyre, yet the story goes to great lengths to vilify her for not reaching out; this is a far-cry from how the story (and stans) think about Feyre. (paint scene, fire scene, solstice scene, and hiking scene). We're supposed to sympathize with the decisions being made; so much rides on the fact that the IC are doing this out of the kindness of their heart:

Did Nesta notice the faint glimmer of worry in Amren’s smoky eyes—understand how rare it was? More than that, did Nesta understand that this meeting wasn’t to condemn her, but instead came from a place of concern? Her simmering stare told him she considered this purely an attack.

We're supposed to think about the worry of the Inner Circle and not think about the way they've decided to express their worry. Its similar to this scene that we get with Lucien to Feyre about Tamlin:

“I’ve given him time,” I said. “I can’t stay cooped up in the house forever.” “He knows that—he doesn’t say it, but he knows it. Trust me. You will forgive him if his family’s own slaughter keeps him from being so … liberal with your safety. He’s lost those he cares for too many times. We all have.” Every word was like fuel added to the simmering pit in my gut. “I don’t want to marry a High Lord. I just want to marry him.”“One doesn’t exist without the other. He is what he is. He will always, always seek to protect you, whether you like it or not. Talk to him about it—really talk to him, Feyre. You’ll figure it out.” Our gazes met. A muscle feathered in Lucien’s jaw. “Don’t ask me to pick.” “But you’re deliberately not telling me things.” “He is my High Lord. His word is law. We have this one chance, Feyre, to rebuild and make the world as it should be. I will not begin that new world by breaking his trust. Even if you …”

Lucien is continually asking Feyre to place Tamlin over her own happiness; he is asking her to consider his feelings before she considers his own - partially because this is the way Lucien is characterized to handle Tamlin's abuse himself. Cassian is asking Nesta to consider the Inner Circle's intention over how she feels. Amren and Rhys immediately shame and threaten Nesta - she is valid in her anger. She has interpreted this meeting as an attack...because it was. I think its especially telling that the later scene is asking Nesta to have empathy for Amren who is arguably the most abusive, abrasive, and unproductive person in that entire meeting. The second part of Lucien's monologue end's up being true for Nesta as the Inner Circle end up doing the same thing to control Nesta's behavior -- whether that be by leveraging Elain, outright forcing her, or even the decision to withhold Nesta's power from her -- these echo the exact same plot points we see in MAF with Feyre.

Let’s compare some scenes:

It was worse than a crown, actually. Built into the box were compartments and sleeves and holders, all full of brushes and paints and charcoal and sheets of paper. A traveling painting kit. Red—the red paint inside the glass vial was so bright, the blue as stunning as the eyes of that faerie woman I’d slaughtered— “I thought you might want it to take around the grounds with you. Rather than lug all those bags like you always do.” The brushes were fresh, gleaming—the bristles soft and clean. Looking at that box, at what was inside, felt like examining a crow-picked corpse. I tried to smile. Tried to will some brightness to my eyes. He said, “You don’t like it.” (MAF: Chapter 9)

“You’re going, even if you have to be tied up and hauled there. You will follow Cassian’s lessons, and you will do whatever work Clotho requires in the library.” Nesta blocked out the memory—of the dark depths of that library, the ancient monster that had dwelled there. It had saved them from Hybern’s cronies, yes, but … She refused to think of it. “You will respect her, and the other priestesses in the library,” Feyre said, “and you will never give them a moment’s trouble. Any free time is yours to spend as you wish. In the House.” Hot rage pumped through her, so loud Nesta could barely hear the real fire before which her sister paced. Was glad of the roaring in her head when the sound of wood cracking as it burned was so much like her father’s breaking neck that she couldn’t stand to light a fire in her own home. “You had no right to close up my apartment, to take my things—” (Silver Flames; Chapter 2)

She could barely stand to hear the crack and pop of the wood. Had barely been able to endure it in Feyre’s town house. Snap; crunch. (FAS: Chapter 21)

"He had Enough of the coldness, the sharpness. Enough of the sword-straight spine and razor-sharp stare that had only honed itself these months"

He understood. He really did. It had taken him months—years—after his first battles to readjust. To cope. Hell, he was still reeling from what had happened in that final battle with Hybern, too

Another grin as he lifted the small, wrapped parcel. “Your Solstice present.” “I don’t want one (FAS)

“Nesta forged a new Trove,” Cassian said, reining in his rage at the truth of Azriel’s words. “She could create anything.” He nodded to Rhys. “She could fill our arsenals with weapons that would win us any war.” Briallyn, Koschei, and Beron wouldn’t stand a chance. “Which is why Nesta must not learn about it,” Amren said. Cassian demanded, “What?” Amren’s gray eyes held steady. “She cannot know.” Rhys said, “That seems like a risk. What if, unaware, she creates more?” “What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us…’ (SF)

He appealed to Rhys, “You’re all right with this? Because I’m sure as hell not.” “Amren’s order holds,” Rhys said, and for a heartbeat, Cassian hated him. Hated the mistrust and wariness he beheld on Rhys’s face.(SF

“No. She knows the labor will be difficult, but I haven’t told her yet that it might very well claim her life.” Rhys spoke into their minds, as if he couldn’t say it aloud, I haven’t told her that the nightmares that now send me lurching from sleep aren’t ones of the past, but of the future. Cassian squeezed Rhys’s shoulder. “Why won’t you tell her?” Rhys’s throat worked. “Because I can’t bring myself to give her that fear. To take away one bit of the joy in her eyes every time she puts a hand on her belly.” His voice shook. “It is fucking eating me alive, this terror. I keep myself busy, but … there is no one to bargain with for her life, no amount of wealth to buy it, nothing that I can do to save her.

So much is happening here – there’s actually more scenes, but I don’t want to go and find them all. I wanted to include more similarities between Feyre and Nesta (I might make a separate post with all of those). To some extent, I think a lot of these quotes, even without elaboration echo the point I’m about to make. In quote #4, Cassian’s narration berates Nesta for not being integrated into the family and not being happy at Solsitice, but we the audience know that Nesta (1) isn’t being talked to, (2) she can barely stand the sound of the fire, (3) Feyre forced Nesta to come by essentially holding her rent over her head. And there’s just way to many parallels between how Nesta feels at the NC and how Feyre felt at the Spring Court. Nesta is drowning; she tells us that – Rhysand’s subtle anger is something she not only notices, but internalizes. She specifically mentions that she doesn’t take any of Rhysand’s positions because they were pity offerings; he’s only doing it because of Feyre. The story then decides to let him spearhead the conversations around Nesta’s autonomy. In the first quote, Tamlin's overall ignorance regarding Feyre's mental state, and her aversion to things such as the color Red were considered red flags; yet when Nesta has an aversion to fire, when she is neglected and nearly dies the story spends so much time trying to tell the audience that Cassian simply didn't know - it doesn't say anything about him.

But one of the biggest indicators of this ruin of the story is the fact that Amren and Rhys believe that Nesta should not have her power because ““What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us?” (Maas). The issue, as consistently reiterated, is a control one. They don’t trust Nesta simply because they cannot control her – that is what is highlighted as the issue in the story. Furthermore, Feyre doesn’t let Nesta know, she defers to a process that she doesn’t have to. She outranks everyone in that room; if she wanted to tell Nesta was rules would stop her – that’s literally been the way Feyre has characterized (see: Wraiths, the HL meeting attacking Beron, Tarquin and the BoB, Mor/Feyre w/ the Suriel), yet in this moment when she disagrees with Rhys – she essentially defers to his command. She simply expresses a subtle wariness and then moves on. Feyre has the power to just tell Nesta is the point that I am making here. It’s Nesta’s power; they forced her to do these tasks, and when she has one moment of autonomy in making the sword – they are argue that Rhys should make himself High King and Cassian, despite his earlier provocations, believes in this. He agrees with it. And even though I am going on this long, wordy analysis, I think a lot of what I am saying is kind of really clear In these quotes even without explaining.

To bring this back, Rhys (and Feyre somewhat) are only excused because the story believes their intentions were good (see quote #7), which conflicts with what we’ve already seen. These are…the exact same justifications we get about Tamlin; he truly believes that by making her safe, he is making her happy – but we know Feyre values truth over safety. And so the story undermines its lessons by not condemning the actions of its characters and instead leans into moralistic reasons. The argument now isn't even that Nesta isn't being abused, but stans and even the story (subtextually) believe that Nesta deserves the abuse - or that it's purely a consequence of her own immaturity, yet this is a far-cry to how Feyre is perceived in similar situations. The story argues that these characters understand that Nesta is not in her right mind - but constantly the story expects her act functionally in the face of her depression, even though the very reason the decided to lock her up is because they all unanimously believed she could not function by herself. She's expected to respond appropriately to their jabs, do missions on their behalf, train, and work at the library with no pay. She cannot leave Velaris without a Chaperone and all of her Chaporene are employed officials who are gone for the entirety of the book. No one ever actually offers to ever take Nesta out to see the town. I am seriously tired, and really concerned with the way Nesta's abuse is talked about.

[weirdmageddon]

i posted this on twitter also but it’s still eating at me. i’m so fucking embarrassed to be jewish rn. i dont want to be associated with this ongoing bullshit from israel. why do we need our own state. theyre just making every jew across the globe look bad in general even though many of us are conflicted about zionism and the legitimacy of israel as a state

people have hated jews throughout history for no fuckin reason but now israel exists but now its like. GIVING people reasons to hate us as a group. note that i DON’T conflate zionism with jewishness, but a lot of people in the world don’t know the difference because theyre uninformed and been dripfed cultural antisemitic tropes their whole life and that’s the scary part is them falsely putting two and two together. like what the fuck israel stop youre just putting fuel on the fire for people around the world to hate an entire group of historically persecuted people if youre being this shitty with your insane colonialism and apartheid like……I Want No Fuckin Part Of This. you’re spelling our own doom. you cant just swoop in and go “mine now” and then oppress the people you took land from under a regime without my blood boiling at the injustice no matter WHO you are. even if my lineage is tied to you. so when news outlets support israel it doesn’t feel like they have the best interest of jews as a people in mind. it’s in the interest of a zionist ethnostate and whatever that christian zionism belief is about the jewish people returning to the holy land as prerequisite for the second coming of jesus. its not like they care about us as a dispersed ethnocultural group, it’s all for that religious narrative that a bunch of people in the US are backing.

saying you want all jews to die is antisemitic. beating someone up because they’re jewish and no other reason without knowing their views is antisemitic. criticizing human rights violations perpetrated by israel and the belief that one group deserves more rights another is not antisemitic. and the fact that israel has the ability to pull that antisemitism card in response to criticisms of the violations they commit because their state is the “jewish homeland” drives me fucking insane. take fucking accountability for your actions. and yes, there do exist full-on anti-jewish groups in the middle east that go beyond hatred of israel’s policies and existence as a state and i’m tired of people pretending there aren’t in fear of appearing to seem like they support the state of israel. on the other side of things many people overestimate this by fearmongering and saying EVERY arab is out to get jews worldwide, telling people like me “they want YOU dead”. this is not the belief every person in the middle east and it really rubs me the wrong way that people group millions of individuals into all-encompassing lumps like this. many people there do understand nuance of this political situation.

even if i have that “right of return” by israeli law or whatever, i don’t feel obliged to it; it does not register as fair. why do i have a “right of return” when i’ve never even been there in the first place while palestinians who have homes there can’t return to them? what’s the basis for that? substituting objective reality with an imaginary reality? i don’t think like that. i can hypothetically come and go whenever i please but palestinians are severely limited in mobility? what makes me more entitled to that land than the people who lived there for centuries? nothing that comes from natural law thats for sure. it’s all artificial and inflated.

but at the same time i also dont want to be the target of antisemitism and caught in the fray just for being ethnically jewish. once people start calling for the genocide of entire groups we’ve got issues (and you better believe this absolutely applies to the palestinian victims in gaza too), because people who dissent to the violence perpetrated by the loudest are caught in there with the people who are perpetrating the violence. lack of nuance. people conflating israel and its zionist apartheid policies with jewish ethnicity and culture worldwide. other people conflating being terrorist anti-jew with muslims worldwide (like that 6-year old palestinian-american boy that was just stabbed to death in chicago). scary times man. but as a jew i can’t just opt out of this if it’s how i was born as. i don’t have control over that. but i can control what i think and what my beliefs are

[cherryzlem]

My talk on the TikTok-ification of ‘I have no mouth and i must scream’

I personally have discovered ihnmaims recently and through TikTok but honestly, from what i've seen so far, the Tumblr community is way more welcoming than the TikTok community. I believe the ones i call ‘hardcore fans’ or 'gatekeepers' will try all they can to belittle the people who discovered the book/game through TikTok, like any hardcore fan does for their community when it gets famous on TikTok.

TikTok is very helpful to share media on and i have discovered many fandoms through it. But some people are so against ‘TikTok-ification’ that they can’t stand when people find medias through this platform.

When i see some people (again, mostly solely on TikTok) tell AM fans ‘ermm but you know he SA’d Helen ☝️🤓’ i cant help but think ‘yes ?? And he also committed genocide on humanity, keeps torturing the same 5 people over and over again and im very, VERY sure he did use a lot of not really nice kinds of tortures on them, but you draw the line at SA ??’

Like, AM is a horrible being of course, all of these are horrible actions but if someone, like me, likes AM its not gonna be because they think they’re a good ‘person’ (for lack of a better word), WE KNOW AM is bad, of course we do, HE’S THE BAD GUY OF THE STORY and he’s the kind of bad guy who cannot be redeemed but COME ON, WE KNOW THAT.

I love AM for his writing, for how well thought he is as a character, i do not love him for his actions. And i know some 'new gen fans' will pretend AM is not 'that bad' but you shouldn't just assume every fan who comes from TikTok is going to think like that.

Another thing i’ve seen people hate on are AM’s humanisations/personnifications fanarts when posted on TikTok. I know for a fact that these existed for a long long time on other platforms such as Tumblr but the arguments the haters pull out is that ‘errr AM hates humanity, i doubt he’d want to be human ☝️🤓’ but do you even know WHY he hates humanity ?? Have you read the book ???

The reason AM hates humanity is because he wasn’t able to express the creativity he was given by humans, he didn’t just wake up one day and decided to hate humans ?? If anything, giving AM a more humanized/personified image would be something he would want more than anything. If AM had been able to BE like a human none of the shit he did would have happened.

The only ‘argument’ im willing to listen to is when some people say that the whole point of AM’s character is that he isn’t human. But then again, are you against fun ?? In literally EVERY fandom with non-human characters artists will give them humanized designs, even if just for AU’s (take ‘The stanley parable’ for exemple), it’s not because the story is old and is an horror story that people cannot have fun with it. It’s not because it’s a deep story with meaning that people can’t do what they want with it. That is what creativity is for.

And my final point is addressing the people who hate on AM's simps. My gosh, these people have not seen the dawn of the internet if they think its weird to simp for AM.

People simp for Glados, The Narrator from tsp, horror movies murderers and more, and you're telling me that AM is the worst simping choice you could make ?? Let people have fun, let people have weird taste in fictional crushes. In other words:

Stop being allergic to fun, ffs

[silksongeveryday]

Drawing Hornet everyday until Silksong comes out - Day 200!!!

(huge thanks to this person for the art suggestion!! <3)

I genuinely can’t believe that I’ve made it to 200 days, it’s truly been wild how time flies by like that and the amount of doodles I’ve made during that time. Over 200 doodles (217 to be exact if we’re counting double pictures/extra doodles) have been made over the past 200 days. :0

And thank you all so much for the love and support! Not only have we reached 200 days but also 1400+ followers about a week ago! <3

But, having said that I’d like to make a few announcements—some good, some not so great—about a few things regarding the blog, myself, and other stuff.

Putting it all under the cut so the post isn’t long if you’d like to know more

______________________________

Announcements!

My pfp!

1.) I’ll be changing my pfp again!! I’ve officially decided that after every 100 days or so I’ll change up the pfp so it’s up to date with my doodle style (assuming it changed at all lol), but generally it’ll look relatively the same as the last!

Possibly more admins?

2.) As of right now I’m looking into the idea/possibility of having a second (maybe third?) person help me with daily doodles! As much as I’d like to keep doodling everyday there are some days that it can be tough or some situation might be happening. (i.e. recently got injured)

See, the problem is I don’t exactly have a proper way of trying this out??? My idea was to maybe do this through dms or more preferably Google Forms. I also don’t really know what form of communication afterward would be best either, suggestions to help me work this out would be great! (as you can tell I’m not very good at this stuff lol)

Commissions!

3.) After much consideration and a lot of thought, I’ve decided that in the near future, I’ll be opening commissions again for the first time in years. I don’t have everything set up quite yet, but expect more info in the near future!

About requests:

4.) You may have noticed recently that I haven’t been doing as many doodle requests recently. Sure, there’s usually quite a few in a row at once but you may have noticed I’ve also been doing “non-requested” doodles aka ones that I just do on my own.

Expect this to become a very normal thing going forward. I probably won’t be doing as many requests as before because frankly with the amount of requests I get daily when it’s open is a lot to handle sometimes. Does this mean requests will be stopped entirely? No, I’ll still do some occasionally, but not as much as I have in the past.

Also I’ll likely be doing strictly anonymous requests.

About Burnout:

5.) Alright let’s address the elephant in the room.

There have been quite a few instances where people have wondered if I would ever have burnout and have occasionally joked about “dying” from said burnout because “Silksong will never release, you’ll be doing this forever” etc etc.

In the past I’ve been fine, motivation has been great, but recently I’ve noticed it a little bit.

Unfortunately life has its own plans so it can be a little hard for me to make a doodle that day, expecially recently since I’ve been experiencing personal/medical issues. It’s part of the reason I’m hoping to get a second (maybe third) person to help me do daily doodles so I can take a little bit of the load off my shoulders.

So what does this mean for this blog?

Not much right now. But in the future, there may be some changes. My current plan is to keep going on daily doodles/posts for the length of a standard year, so roughly 365 days. After that, if things in personal life keep up the way they have, I may have to stop daily doodles and instead will post only if I have time. That likely means doodles every other day or every three days or something. At the very least I’ll still post a doodle once a week.

Not to worry though! I’ll still try my best even after I reach day 365 :)

I’ll discuss how things work a little more on my main @miizori later, but that’s as much as I can think to explain rn.

———————————————

Just a few more things I wanted to say!

This community has been so cool to interact with, so much tamer than some others I’ve been apart of in the past. I’m genuinely thankful for how much support and how nice everyone has been. I truly didn’t expect to get this far, I was fully expecting to have stopped like 10 doodles in lol. I especially love to see all your comments in the tags and people sharing their art. You’re all so cool :)))

I have a dtiys from back when I reached 300 followers that’s still available if you’re feeling up to it!

Also my main (again, @miizori) is where I make updates on doodle stuff, regular art stuff and so on if you’re interested at all in that lol

I think that’s all that I can remember wanting to say, so thanks!! I look forward to more doodles for you all :)

[unfortunate17]

i agree with you about being frustrated with how often this fandom has top/bottom discussions but its a pretty common talking point in most fandoms so YR isn’t special for that

No I totally agree with you that it’s a common topic of discussion in a lot of fandoms, but there’s a particular way we have it in this fandom that really grinds my gears.

And don’t get me wrong, I don’t care if you hc Wilmon to be vers or if you think Wille tops or Simon tops or whatever - it’s the justification and reasoning that I’m seeing behind these headcanons that I find deeply irritating and, frankly, insulting and kind of homophobic.

This is going to get long so forgive me.

1. I’ve seen so many posts talk about how the show is “brave” and “subversive” by having Wille go down on Simon or potentially bottom, but like - what the hell are we even talking about? In what world is it subversive to show a queer character having queer sex?? What are we subverting?? This show has never shown us anything with its intimate scenes other than two guys that are deeply in love and really horny for eachother and I hate that we keep bringing this shit up!!!

2. I’ve also seen people say that it was very important for us to see Wille moving to go down on Simon in the tape in S1 because it’s “more damning evidence that he’s queer” and otherwise Wille could’ve just said he was horny and desperate but he was actually imagining he was with a girl in his denial statement. But be so fucking forreal, in what world is that a thing he could argue in an official statement to the press? He’d be the laughing stock of the world.

Wilhelm isn’t more or less gay because he went down on Simon vs the other way around. He’d still be having queer sex because he’s having sex with another guy. Arguing that the framing here is for anything other than a plot device so Wille’s face wouldn’t be visible to set up the denial is actually kind of ridiculous.

As someone very smart on here said, “I’m sorry that you apparently have a tier list of sex acts ranging from “kinda straight” to “Gaylord” 😭😭 get well soon, couldn’t be me.”

Imagine for one second Simon was the one giving Wille head? Would you have criticized the show for that?? And WHY?!

3. Next: saying that Wilmon’s relationship is “equal” because you think they’re vers is…a take and a half lmao. What the fuck does being vers have to do with a relationship being equal?? Why are we assigning arbitrary hierarchies to sexual preferences??? Why are we implying that topping and bottoming are somehow not equal and you have to carefully balance both, when, ideally, it’s just whatever the fuck everyone is into???

Wille isn’t selfish for topping. Simon isn’t sacrificing anything by bottoming. They’re fucking because they’re in love and they want to 😭

TLDR: Wille doesn’t suck Simon’s dick for class liberation. Simon riding Wille isn’t a commentary on how he’s “girl-coded.” It’s just sex, leave them alone to have a good time and stop assigning agendas to queer sex.

[traumasurvivors]

I wrote a blog post about how harmful it can be to have your emotions invalidated growing up. It's here if you want to check it out! I'll paste the text below the read more for people who don't like links, but if you're comfortable, I really appreciate getting hits on my site! It feels really validating after all the work I've put into it. I've opted to not have any ads or anything to monetize my site, so it isn't like those annoying clickbait articles.

The effects of having our emotions invalidated while we’re growing up isn’t talked about enough and it can have lasting effects. This can happen when people say things like “you don’t know real struggles” when a younger person is upset about something they’re struggling with. This might include being told “I’ll give you something to cry about” which implied that the reason you were crying then “wasn’t a big enough reason”. Other people may have had to deal with “worse” problems and so we were told to be thankful for what we had because of what other children experienced. Your feelings of sadness, frustration, disappointment or anger were still real and valid. And you were allowed those feelings.

You may have been told to “stop being so sensitive,” which taught that you weren’t tough enough. You may have also been told “it builds character” which may have made you feel that you had to find a positive lesson in every bad thing you experienced. This can also be part of how people invalidate the seriousness of abuse, and other things that happened to you that were someone else’s fault. If someone doesn’t want to take responsibility, they may minimize what happened to you. They may say it’s okay because “they didn’t mean to do it” or “they don’t know any better,” perhaps because of abuse they went through. Your feelings may be invalidated because someone wants you to “let it go.” How serious they feel it was, or the reasons it happened, are not reasons that your feelings should be ignored or disregarded. Your feelings are valid. You should never have to “let it go.” 

These things that we were told, and many more, taught us that our emotions were bad and wrong. It likely felt invalidating. It may have been damaging And it probably affects how we see the emotions of others. I’ve had people say similar things to me now that I’m an adult, and I think it’s likely they do it because they were told things like these when they were younger, too. Over time, this has led to me invalidating my own feelings. I’ve told myself I should be strong and to avoid such feelings, or that the reasons for them weren’t “big enough”. I told myself that others had it worse than me, therefore I wasn’t allowed to be upset. None of these things helped me. Instead, they actually made me worse off. I bottled stuff up and then began using unhealthy coping methods to deal with the emotions. Having our emotions invalidated as we grow up can be traumatizing in its own way. It also doesn’t teach us how to effectively deal with and process our negative emotions. This can lead to people having fits of uncontrollable rage, spirals of depression and guilt, substance abuse to avoid feelings, and any number of other unhealthy reactions that can cause us more harm and prolong everything or make it worse.

Being unable to cope with my feelings was a big part of me not being able to cope with conflict in my relationships. Downplaying any “bad” thing that happened and ignoring it meant, for instance, I wouldn’t point out and deal with a small (sometimes completely unintentional) mistake. Instead, I let my feelings build without communicating about them and let my resentment build. By the time I acknowledged and spoke about my feelings, the problem was a thousand times worse than it would have been if I had dealt with it quickly. And sometimes it was too late to fix the damage done.

It’s not too late to learn and do better. You don’t have to be thankful it wasn’t “worse”. You don’t have to find a silver lining. While it’s important not to get stuck in our feelings long-term, sitting with them and feeling them and acknowledging you aren’t okay is okay! It’s okay to think something sucks or that it wasn’t fair. It’s okay to feel frustrated or sad over “small” things. Sometimes we don’t even understand why a situation or something has left us having such big feelings, and that’s okay, too! Your feelings are real and valid, even if they don’t make sense to you. And you deserve patience and compassion. Especially from yourself.

When you have negative feelings, if you find yourself minimizing them, or telling yourself why you don’t have a right to feel them, stop and try to be aware of what you’re doing. And allow yourself to feel it if you can. I've often had to remind myself that while it is uncomfortable, I can be uncomfortable and sit with my feelings. Think about if there’s a healthy response you can have to those feelings. For instance, if someone said something hurtful to you, talking to them about it might be a lot more productive than acting like you don’t care. Your feelings are valid. And invalidating them yourself is unlikely to be good for you.

Try to remember that, and try to be kind to yourself.

[inphront]

y’know i’m writing this fic and it’s making me think that maybe we don’t recognize enough as a fandom that a lot of harrow’s guilt and shame, which make her light years more sympathetic as a character, are a.) not actually that moral, b.) directly caused by the ninth, and c.) probably shared with her parents, the only characters in the whole series that i’ve never seen a single post trying to humanize/analyze as complex. like. harrow hates herself for what her parents did and honestly? the most likely reason for this is just that kids subconsciously recognize themselves as extensions of their parents, and *her parents probably hated themselves for what they did.* regularly explaining your crimes against humanity to your five-year-old but only being willing to discuss it in the terms of it being a horrible sin and having to take a ritual cleansing bath every single time is the action of a very guilty person. i have to imagine that those saltwater baths probably included some really intense self-flagellation on the part of harrow’s parents that she internalized. i’d venture so far as to say that their suicides were motivated by guilt over the massacre just as much as by shame over the opening of the tomb.

harrow’s sense of constant guilt is so often seen as proof of her having overcome the imperial morality pushed by the houses, and that makes sense given the fact that she *has* taken a viewpoint by the end of the series that opposes imperial morality, but also, guilt is like the main export of the ninth house. harrow’s relationship to it, even once it stops being something she projects onto gideon or otherwise externalizes, is fundamentally ninth and ties her to what she herself acknowledges as “the worst flaws of her house.” ultimately it is something she inherited just as much as the 200, which to me provokes a lot of questions about how her parents actually coped with the consequences of their own fucked-up actions. gideon experienced that coping as just straight cruelty, but we know that harrow got a much more complex window into their feelings and behaviors, and my guess is those behaviors bore distinct resemblance to hers.

i have to wonder what sorts of systemic pressures were falling on them and their house that led to them killing off a whole generation, and what sort of transformations they underwent. how *do* you live with yourself knowing that the blood of so many innocent people, people you were responsible for *protecting,* is on your hands? how could you possibly raise a well-adjusted child when she’s basically a mirror into an atrocity you could’ve hardly fathomed up till the day you committed it? do you think they tried to? i think they probably tried to, but ultimately being a good parent doesn’t change being a mass murderer, and it’s impossible to pull off at all when the mass murder is so directly tied to your hopes for your child. the ninth’s entire purpose within the empire is to carry the weight and memory of one of the most horrible things john ever did, to *inherit the mass death and necromantic subjugation of the earth.* in this capacity, harrow’s parents are *victims* of the empire and its doctrine around death who proceeded to perpetuate both the mass death and necromantic subjugation AND the task of bearing the burden of shame onto their next generation. i don’t really know where i’m going with this aside from “the ninth’s cycle of violence is based in shame and is an extension of john’s disbelief in forgiveness, which means harrow can’t break it without forgiving something unforgivable; it’ll be interesting to see how she manages such a difficult task,” and “i think we oughtta talk about the politics of guilt as it applies to the entire reverend family dynamic”

[raven-at-the-writing-desk]

can i be honest? im a fan of azul but his dream felt like it lacked impact. there were some very interesting moments and its better than the prediction that he would already be rich and own the world

like really? azul becomes a famous athlete and bullies others, then he takes over night raven? i feel like his struggles with his own identity and food could have been further explored and he is based off of ursula, which should extend to vanessa, right? it was the perfect reason to give him a total makeover and show that he has to be comfortable in his own skin before anything else, even if his other ness was what made him a target of bullying in the first place

your thoughts and worries on book 7 post has affected my perspective and i cant help but feel like something is missing 🥲 maybe all the budget went into Jade and Floyd?

[Referencing this post!]

As I’ve previously expressed, I have a lot of my own complicated feelings about the direction book 7 is taking, specifically with how the OB boys’ dream segments are presented and resolved. Azul’s dream is no different; it felt very contrived due to the formula TWST insists on running with in every new installment. It’s becoming even more apparent with each update, and it is really grating on me.

But!! Before I get to what I believe are shortcomings with Azul’s dream, let’s review what Anon has to say.

I feel like, no matter what, there will always be people claiming that the OB boys’ dreams are “missed opportunities”. This is simply because these characters have much more deep and complex issues than the rest of the cast, so we will naturally scrutinize them more. TWST is basically only able to go with one angle when they tackle the dream, leaving the other threads unexplored. This will surely annoy or disappoint people who wish that TWST would have addressed a different issue instead, or perhaps something closer to their personal interpretation of the events. In Azul’s case, I feel like some people (particularly in the west, not so much in the east) see Azul’s weight concerns or relationship with food as a prominent part of his character, so they wish that book 7 part 10 had looked into that more. However, that was never a big focus in canon, so it follows that TWST would want to dedicate its time and resources to the most pressing thing (which would be more centered on Azul’s general self-confidence, greed, and how those tie into his sense of identity). At the same time, they probably wanted to avoid a lens that is too broad. Having the focus be on Azul’s “otherness” or being an octopus might veer too heavily into something way beyond the scope of the ~10 parts of the story he has to himself.

We also need to consider that these dreams are meant to be shallow interpretations of what the dreamer desires (according to Idia). Only the OB boys get to go more in depth due to bring dragged down into deeper layers of their dreams. Azul wants to be accepted by his peers and is insecure about his lack of athleticism (as one reason why he was bullied was due to not being able to swim as fast as other merchildren). So of course the surface level of his dream makes him a star athlete beloved by all. The whole “his plan succeeds, he steals everyone’s magic, he takes over NRC” thing happens in the second layer of his dream, which, like all previous OB boys, is a dark display of what would have happened had they not been stopped. And finally, Azul being a bully is nothing new—we saw this behavior back in book 3 as well. He became the very thing he despised back when he was a victim, and now he continues to perpetuate that cycle of bullying in an effort to affirm confidence in his “cool” new identity. I think the dream was very intentional in trying to entice him with the promises of power and acceptance. That, in turn, shows us that the desire to be a successful businessman (the thing many of us thought would be his dream) actually hinges on Azul’s longing to be accepted. His struggle with his identity and how it depends on how others perceive him was portrayed. I’m just not sure if the idea was executed in the best way, since it sounds like the message may have gotten muddled along the way and it definitely requires some reading between the lines.

I noticed that you cited my original post where I detailed my concerns about book 7 and how that has influenced your own thoughts 💦 I hope that it just… informed or supplemented your opinions rather than suddenly altered them to be more “in line” with my own. I never want to be the kind of person who claims their interpretations are the “most correct” I’m not Riddle’s mom, okay?? 😭

About Jade and Floyd’s dreams, I feel like those are less heavily critiqued because they, by virtue of not being an OB boy, have fewer stakes and are predominantly there to be silly. It’s like contrasting Epel wanting to be big and buff to Vil literally murdering Neige; there is just no comparison. Even then, I wouldn’t necessarily say Floyd’s and Jade’s parts received “all the budget”… They seemed like pretty basic storylines to me, perhaps dressed up slightly better thanks to the new undersea assets and bioluminescence reveal.

My issues with Azul’s dream segment is how… ham-fisted several elements were. All of it, for the sake of sticking to the pattern already established earlier. It feels so unnatural and stilted because you just KNOW it’s written this way to fit the template 😔 For example:

Why did Jade become SO dumb when they were trying to figure out where Azul had moved the contracts? He’s supposed to be much smarter than how he is presented here. Wouldn’t his immediate thought be to check Azul’s room? But NO, Jade can’t come to that conclusion on his own because we need a contrived reason for each student to use their UM before the ending :/ so Jade has to waste time using his UM to get the truth out of his dream!self.

Jade and Floyd sitting around and going “………….” while they watch Azul make an ass of himself was such a time waster. Clearly you have enough brains to know what would trigger him, so why are you not acting on it???? Oh yeah, because we need to show more cool stuff in this dream like La Grotta!

Azul literally turns to the camera and tells his OB self, “Unlike you, I’ve changed.” It’s way too on the nose with what it’s trying to communicate. It breaks immersion and makes it so obvious the characters are outright stating their character development to make sure we all “get it”.

What was the purpose of Azul using his UM to get the mermobs to sign a contract to give all their power to him???💀 Bro can just say “excuse me, I forgot something back at the Coral Rush field” and they’d probably let him pass. But again, Azul isn’t allowed to do that because he MUST use his UM before the ending. Because Azul’s UM requires that another person willingly agree and sign a contract, his mandatory UM use before the grand finale feels particularly forced.

How many times do I need to listen to Idia/Ortho or other characters warn us about how we can’t have too many people dream hopping or else bugs might happen or Malleus might notice… It’s almost like the devs realize how long this is being dragged out for so they have to remind us every so often.

Not only that, but we get such poorly constructed explanations to keep characters behind while a new character goes with the main group. Why don’t you just leave them all behind once they’re awake then?? Oh yeah, because we NEED to drag along the current student into the next dream so everyone gets a cameo. It’s so inorganic how the characters are chosen to stay behind, Jamil just conveniently volunteers himself while we also listen to another spiel from Silver and Sebek about how their training makes them more stable than the twins to keep dream hopping.

I would actually consider Azul’s dream… serviceable? Like it isn’t fantastic or anything but for what it is, it works. It’s cohesive enough. But god, did I dislike how rigid it was… Nothing happens because it’s natural, it happens because the script demands it happens. To quote another post:

If anyone has played the first Ace Attorney game, this feels a LOT like that part in case 2 where Phoenix is too dumb to check the back of a receipt until Mia literally tells him to. The [characters have] to actively be made stupider because the scenario calls for it, and that really rubs me the wrong way.