#its only directed at the people it applies to

[crtter]

It’s the same thing with 18th century hair. Like, was it kind of weird that everyone was walking around with grey hair? Yes. But it’s literally one of the most characteristic aspects about the time period! It wasn’t just about fashion: it was about hygiene. Applying pomade and powder to your wig (or directly onto your own hair, as the century progressed) kept it clean. It worked in a similar way as dry shampoo: it stopped the scalp from getting greasy and added a barrier between the hair and things that would make it dirty. Also, it made it shinier AND added more volume to it. Which they were all about.

So NO, Marie Antoinette (2022), this is NOT how people did their hair for their wedding day! Or to be in public at all! Wearing your hair without product on it would only go back in vogue AS A DIRECT RESULT of those two getting murked! And they don’t look particularly beheaded to me here!

Anyway. My point is. Why even set shows in time periods where people looked tacky if you can’t handle people looking tacky? It doesn’t even matter why they did it, but how people did their hair IS a defining characteristic of any given time period. You don’t even have to go that far back. A show set in the 1980s is immediately recognizable as such by a modern viewer by their hairstyles. Hell, you’d be able to recognize that a show is set as early as ten years ago if you saw a lot of girls with side parted, flat ironed hair and guys wearing snapbacks! Those are all small details, but they’re significant. When you take those kinds of significant details away, you strip away a period piece of its identity.

I haven’t watched this one either but it seems like a pretty bad offender when it comes to “making people marketably fashionable by modern standards”. It’s so bland, it doesn’t even look like period fiction at this point. Like, there aren’t even many indications this isn’t set in the modern day even clothing-wise? It could be a picture of some random actors taken at the Met Gala for all I know. A screenshot from Riverdale. Whatever.

Speaking of, may I gripe about something of zero actual consequence that annoys me? Why are the people who make historical movies set in the 17th / 18th century so afraid of putting the characters in wigs or powdering their hair? Like, they’ll get the clothes right in every other aspect but when comes to the hair they’re like “well giving them long hair should be enough, right? ^_^?” No it’s not! You give them the show poodle shit they had going on right now or god help me

[latetaektalk]

hi! i’m the one who asked about the time and i’m really sorry that you felt rushed because of my question. i have a very limited data (we currently don’t have wifi) as i was at school earlier so i tried to ask (bs i got too excited) since i’m trying to limit my data consumption. i realize now that i was selfish on that part and it was very inconsiderate of me, i deeply apologize that you felt rushed because of that. please take your time, i’m really really sorry :(

hey youre all good!! i know it wasnt ill-intentioned at all and im not mad or anything 💕its just a little exhausting because actually youre not the only one whos been asking.

i have several asks in my inbox from today either telling me its saturday or asking me where the chapter is and when i will be posting. i know all of these asks were sent to me because people are excited and i so so so appreciate it and im incredibly thankful (please dont think otherwise), but its also just the truth that these kinds of asks stress me out

ive also had several asks from a couple days ago that i straight up deleted asking me why i need to post teasers and why i cant just drop it now. and again, i know people are excited for the chapter (so am i for you guys to read it!!) but i post teasers and set the release date for a reason!! i genuinely see no point in telling me to do it differently. i like the posting system i have right now and honestly i dont think ill ever do it any other way

[angorwhosebabyisthis]

every time i see someone claim the ancients were a magical indigenous utopia to aspire to (with 'a few little problems'), and any criticism of them as a society is apologia for native genocide, i clutch my head in agony. never change, twitter

[ilikekidsshows]

I see what you're getting at, like, everything is nuanced, let's not generalize everyone who uses a specific approach to discussing stories, and so on, but, while I can't be sure of the anon's intentions, my intention with the post was to specifically talk about the refusal to engage with what is going on in the story, what has always been going on, and shutting down emotional reactions to it because they aren't analytical enough.

"Dismissing these kinds of fandom reactions only when they veer into the negative direction showcases the real motivation of the “it’s all just the writing” crowd. I need to dissociate from the show’s story in order to discuss why Marinette is still so beloved by the fandom, because I just can’t feel that way about her anymore. Similarly, the people dissociating from the story in order to explain why fans are disappointed and outraged by the story, can’t see anything worth getting upset about in the show."

I am talking about people who completely disengage from the idea that the show and its protagonist could be in the wrong. Of course there are people who still enjoy the show while feeling it needs some changes in its very makeup. But there are also people who refuse to see the problems as anything other "temporary bad writing", who think we just have to watch longer and the show will be good again.

I'm a writer myself. I have a master's degree in English literature. I know how to engage with writing in an analytical way, and have, in fact, done so over several of the things I also complain about. However, I'm also a member of the audience, and I watch and read stories to experience feelings. If a story fails to invoke specific feelings in me, it's failed as a story, same thing if I'd eaten food I didn't enjoy. I don't need to say "use this specific amount of these seasonings" to get that across, I can just say "there was too much ginger". Like, yeah, the former is more useful to the cook, but I'm not saying this stuff to the cook/writers, or even to the fans who say stuff like "Marinette is just a victim of bad writing and not wanting to see her own screen is wrong because of that". I'm saying this to the people reading my blog, who are also annoyed at seeing this stuff and want to vent.

Simply put, I am done with constantly excusing this show. New followers who are here only for my salt phase don't know this, but I used to defend this show so hard before the retool. I granted Marinette's character so much grace and good faith because I could see what the show was going for, only for the writers to increase those aspects of Marinette's character that I had to excuse in order to enjoy her on screen. This hasn't happened with any other character to this degree, except Chloé, who I was never that attached to, so I don't think it's hypocritical when I claim Marinette specifically has been made unenjoyable as a character, because I can't even watch past episodes with her, without seeing those character flaws that would later be glorified after the retool, because, as I said in the beginning, Marinette's character hasn't changed, the narrative around her character has.

Sure, I could write a hundred essays on how I think Miraculous' story could be more engaging, how it could more easily invoke the feelings I don't feel while watching it. But, at this point, what is the point? I don't feel like jumping through Marinette-shielding hoops again in order to engage in discussions with the fandom proper. I'm done with that. I feel like it doesn't matter how kindly or analytically anyone picks apart this show, because nothing is going to change. It's so hard to care about that kind of stuff anymore. I'm just tired, disappointed and angry and I'm dealing with it by ranting angrily. I'm pretty sure the same applies to my anons. There's a reason I call this blog a support group. It's tongue-in-cheek, but accurate. We're all just trying to cope in our own ways.

I get that alot of people go with the approach of "every Miraculous character is deeply screwed by the writers, so it's a writing problem" but at this point this feels like deflecting from the real problem

No shit stories and their characters are written by writers, but so many blogs I see now that go with that approach imo keep on dismissing the point of the problems people are pissed about because "well the characters aren't real, so I'm superior for saying it's the writers fault"

Guys, we KNOW they are fictional characters, you're not unique. But what is happening is that I get less and less out of the analysis posts from these blogs because they're beating around the damn bush especially when it comes to Marinette.

Yes, every character is screwed by the writing but Marinette has been retooled into the self-serving center of the universe who gets by though damn technicalities. This writing pattern is 2 disastrous seasons in, SHE IS THE PROBLEM.

You can try and sugarcoat that however you like by saying that Marinette is a fictional character so its the writers fault, but that doesn't change that Marinette's CHARACTER & WRITING is still the source of all the problems and that stories are being told to get emotional reactions. That's the entire purpose of a story.

No, I don't think people are doing it right by approaching all of Miraculous on a mere meta level. That's not how a story is supposed to be read. The meta level is an additional one on top of the emotional one, not the "rational way" to consume media.

And imo the analysis blogs I see around so much deliver less and less analysis posts I can do anything with. They are so caught up in explaining that the characters aren't to blame but the writers that they sideline why people are feeling the way they do.

There is this persistent dissonance in their posts about how apparently no amount of bad writing can change a character when that's just... objectively incorrect. Marinette for example is SUPPOSED to be compassionate and a thoughtful hero and partner/ leader to Cat Noir. Marinette in Canon though by this point is straight up NOT anymore.

But in their posts it's basically said that if people say that, then that makes them irrational because on a meta level the execution and effect of the writing is apparently irrelevant. Distant meta is king and the only rational way to engage with this story.

And I just don't see the point in that.

The outcome and the emotional effect of the writing is what actually matters. Not the intention behind it (no wonder people are using that excuse to defend Marinette's character. It's another variant of "but she MEANT well"). If Marinette is by now a toxic and even abusive partner and leader to be suck with, then that's the fucking damage the writing did. And said damage is DONE. That's her character NOW. Talk about the theory behind it however you like, the character CONCEPT is not Canon compliant anymore, and nothing is gonna change that besides facing the deeply rooted damage that has been done, analysing those on an EMOTIONAL level so you can then course correct the CANON character through the necessary development into becoming what the character was initially supposed to be.

Call me a dick, but just saying "the characters aren't real" is not a productive way of going about this dumpster fire anymore.

---

Another thing to take into account about the “it’s just bad writing” approach is that, like, it’s not like the way Marinette herself is being written has changed that much. What changed is how the narrative and other characters react to her and her behavior. Marinette has always been self-important, self-serving and self-obsessed, but these used to be treated as character flaws, signs of her immaturity and naivete she’d need to grow out of. Now we’re being told she’s flawless, actually, and has never done anything wrong ever and none of her mistakes were her fault. 

Like, I’ve recently been familiarizing myself more with the “my dear diary” teen drama genre, and it really is more of a dramedy genre if anything. Most of these series will have a self-important, self-serving and self-obsessed protagonist and the entire narrative is filtered through their self-centered world-view, because we’re basically reading their diary where they vent about things that annoy or excite them. Now comes the kicker: the “comedy” of the dramedy comes from how comically over the top these protagonists are when they clearly and obviously misrepresent their lives and themselves to the audience. Miraculous is leaning very heavily into this downright selfish protagonist archetype, but actually wants you to agree with the protagonist when you can see, with your own eyes, because this is a different medium, that the world isn’t nearly as unfair to our protagonist as she claims.

Here’s another kicker: if you aren’t laughing at the joke or projecting yourself onto the protagonist, you’re most likely gonna hate the protagonist of most “my dear diary” books. They tend to be the most opinion-splitting characters in their own fandoms, with readers either loving them or outright despising them.

Dismissing these kinds of fandom reactions only when they veer into the negative direction showcases the real motivation of the “it’s all just the writing” crowd. I need to dissociate from the show’s story in order to discuss why Marinette is still so beloved by the fandom, because I just can’t feel that way about her anymore. Similarly, the people dissociating from the story in order to explain why fans are disappointed and outraged by the story, can’t see anything worth getting upset about in the show. They think it’s all okay. They’re not approaching the show purely logically, they are still emotionally invested, they still like the show. Of course the seemingly logical approach to fandom unrest seems to just be defending Marinette and the show, because it is.

It’s basically a way to retreat from the criticism. Like, the accusations of Marinette being a stalker used to be easily sidelined with “it’s just a joke you don’t like” until they made it a sign of canonical mental instability. It was a way to say: "this is a silly thing to be upset about". Now we’re sidelining the abuse apologia with “it’s just bad writing, that’s not what Marinette’s character is”. What these people are actually saying is: “she’s made up, so my made up version of Marinette in my head didn’t do that.” Like, when you have to deny canon exists, your analysis isn’t analysis anymore; it’s headcanons at the very least, completely made up at most.

[dxxtruction]

///

[cosmik-homo]

Lying in bed crying about Alfred's fucked up identity situation

[profictionprince]

While I don't think that anyone needs to have like... a Deep Reason™ for liking the content they like, it's especially funny to me when I'm accused of being a predator or whatever in response to that one post because I'm one of those people who like, projects myself in the "victim" role (for lack of a better way to put it) if I'm reading fucked up smut or whatever because I'm one of those people who internalized and sexualized fucked up things that have actually happened to me.

[harmoonix]

🦇Fangtastic🦇

Astro Short Observations for the 13th of October 💜🦇

🦇 Air Dominants tend to have slender bodies, especially Aqua and Gemini Placements, tall, slim, big eyes/lips etc

🦇 Aries and Sagittarius Placements love debating things. They will either start a war of opinions or will do it for entertainment

🦇 You can feel closer to the people who have the same sign as your moon or if they have their sun sign the same as your moon

🦇 It is hard to resist men with big VENUSIAN energy because they will charm you from the first moments

🦇 People with Sun or Moon in the 8th house can also indicate parents coming from wealthy backgrounds since 8th house is about inheritance

🦇 Uranus or Jupiter aspecting the ascendant can indicate the native lots to be entertained, their vibes is pure happiness

🦇 A harsh, aspected moon or mars can play a big role with your anger feelings. You can also get frustrated more easily

🦇 Being Saturn Dominant is literally the definition of 'Don't worry, this will hurt only a couple of years'

🦇 6th house ruler in the 9th house can indicate travelling to countries/place which have a big impact on you. Especially on your good will

🦇 Lilith or Saturn in water signs are more prone to have issues involving their moods/happiness/feelings. Because just like water, everything flows in a certain direction

🦇 Pluto in your chart and its aspects can talk about the way you experienced your traumas/the way your traumas exist

🦇 Mercury x Sun aspects play a big role in your self -expression and how you express them, but also your Sun Sign and Mercury Sign combo

🦇 4th house ruler in the 11th house can indicate you find your comfort around your friends/among other people or even in the online world

🦇 10th house ruler in the 8th house can have their secrets made up publicly, be careful what you share

🦇 Venus aspecting the South Node can indicate you couldn't find love in a past life. Can go both ways as: loving yourself and loving others

🦇 Having a 1st house empty in a chart is not talked enough. These natives can lack the sense of their identity or personality and often don't know how to express them

🦇 Having an empty 4th house is also another one because talks about detachment from your home or family also generational issues

🦇 Pluto x Mercury aspects can be prone to lying or hiding things. Can apply to all aspects

🦇 Saturn in the 12th house can be beneficial for your spiritual growth but can make you so drained of your own life

🦇 Pluto x Ascendant aspects natives have a strong inner power, the Phoenix is a true symbol of their life

🦇 Asc/Rising at critical degrees like 0°, 6°, 14°, 15° 16°, 18°, 29° have a hard time to see the reason they exist. They can question life multiple times

🦇 Chiron x Venus aspects can sometimes hurt people or they can be the hurt ones romantically without knowing that

🦇 The Draconic chart is such an underatted chart, not so many talk about it but its actually the chart of your higherself

🦇 Jupiter Dominants/Neptune Dominants can be starseed natives with the mission of helping others on their spiritual path

🦇 Moon in the 10th or in Capricorn have to change their feelings based on their environment or the authority figures in their life

🦇 Jupiter in the 12th house can indicate finding luck most times when you're low in life. Your spirit guides guide you

🦇 Venus x Ascendant aspects have a long life journey with the themes of self-love. Even if you like it or not. Self-love is so important

Happy sunday🍂🦇

By Harmoonix 🦇🦇

[astrobydalia]

September Observations

This post has a TW I do not allow the repost on any others platform

© astrobydalia

Something I forgot to mention in this post about 8th house synastry!! I've noticed for some reason this overlay tends to manifest more positively when the house person already has 8th house placements in their natal chart (not a guarantee tho). I feel like its because this makes the house person be more naturally in their power and the planet person no longer feels like they can have control over the house person. In these cases instead of envy the planet person feels admiration and "positive" obsession over the house person like "Im obsessed with you, queen!🥰​😍​🤩​" kinda vibe

If Libra Moons didn’t have the ability to detach fast they could easily pass as water moons 100%. They are such hopeless romantics and love having someone to love be that friends or partners. And yes they can be codependent but only to an extent imo. I’ve seen Libra Moons actually detach surprisingly fast specially if they feel like you don’t match their energy

Im sorry but Libra Suns are not people you can count on imo. They have this very elitist/opportunistic mindset when it comes to people. They treat people based on some kind of unspoken social hierarchy they have in their minds like how successful or intelligent or interesting you appear to be for example. They'll be loyal for as long as they see benefit from associating themselves with you, otherwise they'll be distant, elusive and flighty af. Socially they appear to be super chill but they aren’t like at all, they’re very passive-aggressive and extremely judgmental of others

If you have Venusian MC/10th house (Libra or Taurus MC/10th or Venus in the 10th house), I've noticed people care what you think of them and really feel the need to make a good impression on you, specially the sex you're attracted to romantically. This placement makes people feel like your love and affection is a privilege to have, that’s why a lot of trophy wives have venusian 10th house/MC

Jupiterians (Pisces/Sagittarius but specially Sagittarius placements) are just the best people to be around tbh. Even when they have other toxic placements/energies in their charts, I’ve noticed they are ultimately all about the ✨vibes✨. They detach from negativity quite fast and avoid getting too deep into drama and controversy cause really all they want is to chill and have fun. The “no worries, bro” kinda people. The negative side of this tho is they tend to turn a blind eye when they get called out on their own issues and/or have a tendency to be dismissive when it’s time to take things seriously

^^^You’d say Venusians relate to this peaceful description too but tbh I didn’t include them cause Venusians tend to have a lot of repressed shit and are secretly all about drama (but watching it go down from afar tho)

I’ve noticed water mercury tend to be more diplomatic and charming with their words, the way they speak about things tends to be more soothing yet nebulous/confusing/cryptic. However earth mercuries are more direct and critical which makes them more prone to openly talking shit LMAO

There's a lot of posts victimizing and romanticizing Lilith in the 1st house/conjunct the ASC but I've seen this placement a lot in bullies and genuinely fraudulent people?? I've seen Lilith energy is commonly prominent in the charts of criminals too. Like​ idk why people act like the hate Lilith gets is ALWAYS unjustified 💀 They can truly be really dark and shady individuals that’s literally what Lilith signifies (this does not apply to everyone of courseeeeee)

Furthermore, I'm sorry to say this but prominent Lilith natives have a habit of living too much in the victim mindset and constantly make everyone else the problem as a way to justify their shitty behaviors

What I’ve noticed with Lilith natives who are not sketchy people (so just normal decent individuals) is that they have huge self-destructive and self-derogatory tendencies. They tend to become very cynical of the world, lose hope in their own value and humiliate themselves behaving in ways that are rebellious to them but make other people think the native has no self-respect

Libra/7th house Lilith tend to assume the worst in others. Envy placement. They struggle finding genuine and healthy relationships

I've noticed MC ruler in the 12th house is common in the charts of sex workers since 12th house is related to bed pleasures, secret affairs, etc

The sign that actually behaves like a child irl is Gemini. That’s why I've noticed Gemini placements always want to be the 'cool and fun parent' just like Phil Dunphy

TW: mentions of c**** abuse and s******.

I've noticed Cancer energy (Leo too but mostly cancer) is very common in the charts of p*dos, gr**mers and s*xual predators. No placement will determine someone being this way!!!

Chiron in the 1st house/conjunct the ASC/Harshly aspecting chart ruler is common in the charts of people who have or have tried to commit s******

End of TW

An underrated god complex indicator is Sun-Mercury conjunction. I can't stress enough how much these people's ego revolve around their intellect. Their entire personality to them is being the smartest person in the room

When it comes to pride and ego (Sun) fixed and mutable suns are the most likely to have a superiority complex

Mutable Suns take the most pride on their own knowledge and judgment, deeply believe they know better or have most if not all the answers. They have a tendency to often dismiss, correct or contradict others

Fixed Suns take pride in their own ‘essence’ if that make sense. They LOVE the idea of being special and irreplaceable. Feeling like there’s something intrinsically unique about them

Cardinal Suns are okay tbh. They can have other negatives but when it comes to ego theirs is usually pretty balanced I noticed. They usually take pride in their ability to level-up and improve themselves which often makes them rather competitive or in extreme cases have this heavily predatory mindset when it comes to what they want

This will not be accurate for everyone of course but when it comes to future children if you have Water/Earth moon you are most likely to have girls whereas if you have Air/Fire moon you're more most likely to have boys

Air Venus people are the most open-minded when it comes to taste in general. I've noticed they're the type to enjoy almost every music and movie genre, they can appreciate different aesthetics.... They're also the most likely to date outside their race I've seen cause they can really find beauty in all sort of features as long as it looks overall good/attractive to them. It's not that they don't have preferences, but they're type be open to being impressed and mentally stimulated

EARTH and Fire Venus people are the most selective when it comes to their taste. They know exactly what they want and like. In the case of earth Venus this can be to the point of strong reluctance to try new things. Fire Venus appear open minded cause they have this attitude of trying everything once but the usually have a very hard-set type of things they will actually commit to

Water Venus people aren't that open about their tastes. They hide or repress them cause they really tend to be into obscure or hidden stuff. If you ask them what they like, they'll give you an evasive and generic answer, specially if it's in the context of small talk

I've noticed Capricorn and Scorpio Moons have an innate understanding of the uglier sides of human nature which is what makes them pretty cynical (scorpio) and pessimistic (cap). They are hyper-aware of how most people can be bought and corrupted. This makes them AMAZING business people tho.

Aries ASC natives embody the active, wild and spontaneous stereotype more than the other aries placements. They come across as pretty chill at first but there's actually very little they won't dare to do, they love adventures

I've noticed Venusians can do really good in anything related to sales or business counseling, because they are good at estimating and promoting the value of things

I know we relate Neptune to otherworldly and glamorous vibe but all the people that I've met who made me go "wow, girl, you don't feel real" were people who had air signs in their big 3. They’re not real people, they’re concepts, I swear that’s the vibe they give me💀💀

Also, air signs in the big 3 is an underrated fame/success indicator imo. Nowadays networking is everything in order to succeed and these natives naturally attract popularity and connections SO easily. They effortlessly use their charm and likeness to gain opportunities

I once saw an observation that said Gemini risings give off dumb blonde energy and Im here to confirm it’s true, specially when Mercury is also in an air sign. This happens cause they're up in their minds all the time but this makes them appear VERY disconnected from their environment so they really just be looking like this 24/7 😀​😃​😄​😁​😆​🙂​ and that's why they come across as empty-headed. They also often have this manic pixie dream girl energy which results in people not taking them seriously. This is enhanced when you see that they have a tendency to get talkative about superficial or random topics but their more intelligent or deep thoughts they keep to themselves for some reason.

Taurus Moons actually are actually very very very strategic??? Other earth moons look messy af beside them. They're so grounded that they know exactly what they want, how they wanna get it and they are so sure of themselves they have no issue taking their sweet ass time with it. Every single step they take is so intentional and "organized" if that makes sense, but they pull it off as natural and spontaneous??

Also this is an obvious thing to say but Taurus Moons are so emotionally stable. They work extremely well under pressure, will literally be the calm person admist a chaos or extreme situation. I've seen Cap/Virgo moons getting triggered many times but Taurus moons???? I've known some of them for years and I've never seen them triggered EVER no matter happened which as a water moon that's fucking insane to me 😭​💀​💀​ Like sure depending on their personality they can be more or less expressive of their feelings but its always on their own terms, they don't let other people or situations just get reactions out of them if that makes sense

I've noticed Mercury in the 4th house creates a divided and scattered family. Just like Mercury in the 10th house indicates traveling for work, Mercury in the 4th indicates traveling because of your family. The people I've seen with this placement have all of their family members scattered around the world living completely different lives

Sun-Neptune harsh aspects are very impressionable people and very easily influenced

Also, a lot of people point out Sun-Pluto aspects have like a hidden dark/toxic side to their personality but I've seen it's actually Sun-Neptune that match this description

Libra placements can potentially be very disciplined and do well in demanding and/or serious occupations like corporate, military or athletes since Saturn is exalted in Libra.

Venus in the 1st house can tend to only value the superficially good things in them (lovable, likabale, beautiful, etc) and are more concerned with the image they present rather than building a real personality deep down. This make them ignore or downplay their flaws thus not reacting well to criticism and/or when someone does not like them.

All the men that I’ve met who were actually providers and had this involved father and husband vibes always had VIRGO, taurus and cancer placements

Men with capricorn placements aren’t providers, they’re just controlling af😭😭 They will also be emotionally distant and manipulative af too if they do not have other energies in the chart to balance it out

Honestly water suns (sun in a water house natives too) fascinate me. They just go around life casually hiding who they really are like they don’t have the most intricate personality deep down. All of them have mysterious and intriguing vibes it's not just scorpio!!!

5th house placements (including vertex) will stay behaving like teenagers regardless of their age. The song "forever young" by alphaville really describes them

Neptune in the 1st house/asc are prone to attracting lots and lots of creepy individuals because they have this aura where people project all sorts of delulu and twisted shit on them. Mentally and/or emotionally unwell people feel very attached to these natives unfortunately

Leo MC/10th house really does indicate a career where you're some kind of performer. That’s why many celebrities (specially ACTORS and singers) are Scorpio risings. This can also apply to careers like politics, public speaker, standup comedian, etc. All of these involve some level of fame ofc

Cancer MC/10th house indicates being some kind of creator (cancer=birthing something new, bringing something to life). This a lot of times relate to some art form of course but it can be other things for example a friend of mine has this placement and she works in science and she told me she works in a lab with substances and materials she created herself (idk how it works but you get the idea)

Pisces Suns have a major in gaslighting from the university of never taking responsibility. This can be the case for any unevolved pisces placement but I’ve noticed the lying to your face and twisting reality is much more blatant in Pisces Suns for some reason. They make arguments in such a way that you can tell something of what they’re saying is off but you can’t exactly prove them wrong either so 🤷🏽‍♀️💀

Mercurial placements (Gemini/Virgo) and Venus in the 3rd house may really love wearing rings or lots of bracelets, big watches, etc. Accessories that bring attention to the hands essentially

Libra placentas may or may not want to be "liked" but Libra Moon is a placement I've seen is genuinely liked by everyone. They have this calming and loving energy to them. Celebrities with this placement are generally unproblematic (Anne Hathaway, Emma Stone) or if they are problematic they can easily recover from backlash (Ariana Grande, Leo DiCaprio)

© astrobydalia

[cavegirlpoems]

So many TTRPG people, like yourself, seem to exist in a world where players don't actually enjoy the campaigns they're in, and don't actually like playing with the people they play with, and your whole approach to game mechanics seems like it's about trying to bribe these people to continue playing at a given table.

i have no idea where you get this idea from, I play a bunch of different games - including freeform text rp, fest larps, parlour larps, regular tabletop campaigns, longform play-by-post games and narrative wargames - and I have a lot of fun doing it. I wouldn't be a game designer if I didn't actually enjoy games. The thing is, if you study game design and ttrpg theory seriously, you think about the intent behind design decisions. Game design doesn't just happen by accident, the designer put a given rule in for a reason. So, you ask yourself why the designer made the game the way it did, and what they were trying to achieve.

A significant tool for game design is considering the feedback the game provides; what behaviours that ruleset rewards and what it discourages. (You can apply this analysis to other games, too, like video games). When I'm talking about a bribe, it's in that context; how does the game reward you for doing things, and what things does it reward. (For example, 'scrabble' rewards you for playing words with weird letters in them by making those letters worth more points.)

The thing is, ultimately, every game relies on a simple proposition; that if you volunterily use its rules, you will have fun. You don't need to follow the rules, and you can have fun without them, but the idea is that using the rules will let you have more fun, or a different type of fun, than if you didn't. (For example, throwing a ball around is a bit fun, but if everybody agrees to follow the rules of basketball, you get a different experience that a lot of people prefer). So, the only bribe you're making on the interpersonal, out-out-of-game level (unless something weird is going on) is "if we play this game it will be fun". When I talk about bribes and incentives, it's *inside* the game, after we've all agreed to the game's proposition of "if you use the rules, you will have fun".

Now, what counts as an incentive varies by game. Some, like Warhammer 40k, are challenge-based, and have ways to keep score of success and victory; here, things that signify overcoming the challenge are your incentives; how you get a high score, how you win, etc. Others, like most ttrpgs, are creative-based. What constitutes an incentive within the game's structure is less precisely defined. By and large, though, these incentives tend to be things like increased agency within the game fiction, space for creative expression, and experiencing and learning about more of the game fiction. (In this structure, 'being more mechanically powerful' can be thought of as a way of granting a player more agency, because their actions are more likely to succeed and result in the outcomes that they want. If the mechanical growth is lateral as well as vertical, then how to get more powerful is - itself - a venue for creative expression in what to prioritise, which is also a reward).

In the same way that you have the adage that 'restrictions breed creativity', the same goes for Fun. Limiting your scope from anything-goes freeform by voluntarily agreeing to use a set of game rules can produce similar results. Voluntarily limiting your agency in the fiction according to a set of game rules produces a friction that players of roleplaying games find enjoyable to push against. In this context, a reward structure within a game serves the useful purpose of signposting which direction you should push to get the fun kind of friction. A game which limits your options, and then gives you more options when you engage with certain behaviours, is telling you that those are the intended behaviours. Likewise, a game that limits your options even further when you do something is encouraging you not to do that. This is because game designs are not neutral and universal, they exist to create specific experiences. A game that rewards you by giving you more space for creative expression when you get in a fight - and gives you less space for creative expression when you avoid violence - is one that wants you to engage in violence, because it's designed to be a game where you have fun by fighting. This isn't bribing the players to sit down at the table and play the game; that has already happened outside the context of the game. They have already agreed to the game's offer of 'if you use these rules, you will have fun'. Rather, this bribing is within the game-space, the games mechanics encouraging the players to engage with it as intended, in the way that will be most fun. IE: these incentive structures are a tool the game uses to achieve the promise it makes; they guide the players towards the fun that they volunteered to have. Hope that makes sense. * * * Now, your initial ask is a weird take that's entirely unrelated to anything I've posted, and - particularly from an anon account- oddly antagonistic. I don't know if you're genuinely confused about game design, or arguing in bad faith. Either way, this probably doesn't merit the small essay I've produced, but have one anyway, it's always fun to clarify my ideas in written form.

[cooliofango]

SEBASTIAN SOLACE FLUFF you walk into his shop looking like death, at first he acts snarky as usual, but he feels bad. you were never flashing him with flash beacons or pissing him off. he gives you a med kit for free, and lets you stay to rest. he lets you sleep cradled against his tail, and doesnt want to admit it but he enjoys it.

Not So Expendable

Pairing: Sebastian Solace x GN!Reader

Word Count: 1.2k

Synopsis: Reader has had a bad run and needs to catch a break.

A/N: NERVOUS!!! 😂 I want this to be a good start to the Pressure fandom so I hope I did well! Thank you for requesting to help me get started! (And so quickly too!) I hope I’ve portrayed Sebastian well! If anyone who reads this has any positive constructive criticism feel free to share!

TW: Mention of injury, slightly graphic but nothing incredibly gory!

The familiar sound of someone pulling themselves through the vents pulled Sebastian’s attention towards it, the soft light blue glow of his three eyes settling on the rather ragged figure of the expendable making their runs for today. They breathed heavily through parted lips, a bloodied hand returning to their side to return to applying pressure to the deep red soaked material of their suit-- the right side, he noted.

“Oh my!” A baiting tone left his lips, sharp, pearly white teeth visible as he smirked down at them. “Aren’t you a sight to see?” A deep chuckle filled the air that quickly began to fill with the thick smell of iron. He’s seen wounds similar to the ones this expendable had on numerous occasions. This early in the run, they usually stem from a very specific monster here in the Hadal Blacksite. “I thought you would be smart enough to avoid such simple trickery. They’re only Good People, after all.” The emphasis on the monster’s name was spoken condescendingly, humming in amusement at his own play of words.

There was no response from the expendable. Their hand only pressed more firmly on their wound, limping towards him without so much as a glance in his direction. They only seemed focused on the items draped along the length of his tail. Sebastian frowned in slight annoyance, an emotion that showed vibrantly in his tone, “Fine, fine! Straight to business are we? And here I thought we had something special.”

That line was said tauntingly, though his frown softened. The expendable before him was definitely different from the others he has come across- special is quite the stretch, though, no? The first time you came with a group was a memory that stood out to him in that moment of reminiscence. A large and rowdy group of eight came in to purchase what they wished, with a rather infuriating kid thinking it was a good idea to use the flash beacon right there in the room with him. The sudden bright light stung his eyes harshly. He was about to lash out at the kid, a hand raised to rub the stinging sensation away. But a certain expendable’s voice beat him to it.

“Come on! Is that really necessary? You’re wasting the uses on it anyways!”

While it wasn’t necessarily a direct defense for him, there have been many other occasions where you would put your little group in line whenever you went out as a team. Likewise, you would remain courteous when interacting with him when you would make runs alone as well- no matter how much he would try to tease and annoy you.

A slight tug against his tail brought him back to reality, watching as your face went from relief as you placed a hand on the medkit settled dead center of all of the wares he had up for offer, to a heavy sense of worry as your hand moved to grab the price tag set above it. “Something not to your liking?” Though his tone still held a bit of mockery, it waned into something a little softer.

The expendable quickly shrugged off their bag, struggling for a moment to pull the zipper open with their free hand before digging through its contents frantically. Their face grew paler as an empty flashlight and old keycards toppled out the sides of the open bag. A few files were tossed onto the ground, as well as a couple of DNA samples- but they weren’t even half of what the medkit cost.

Sebastian cringed at the sight, an unpleasant feeling bubbling in the pit of his stomach. Sympathy? His jaw locked in place at the thought. No way. Sympathy for an expendable who will only be sent back once again when they’re on the brink of death, only to be healed to be good as new for the sole purpose of doing all again until the people of UrbanShade were satisfied? Absolutely not, was what he decided. It was nothing more than a slightly sick sense of pity.

The expendable in question dropped onto the ground, seemingly too weak to keep themselves up anymore. Their chest rose and fell with each heavy and shaken breath they took, leaning against an empty spot on his tail.

God, they looked pathetic..

Sebastian scoffed irritably, that same awful feeling that started within the pit of his stomach now crawling up his spine. They looked pathetic. He ripped the medkit off of its hook, tossing it in the expendable’s direction. It clattered loudly when the plastic box made contact with the stone floors, only stopping when it had hit the expendable’s leg and bounced off of it, landing it a few inches away from them.

Tired eyes moved quickly to the box and then to him, leaving only a second to wonder before it was hastily scooped up into their hands. Their hands shook from how weak their body was, and their hands slipped from how bloodied they were- but they managed to open it with an audible pop. The gauze wrap was in their hands in mere minutes, struggling to unzip the scuba suit they wore in order to make their most life threatening wound more accessible.

It was then that Sebastian was able to get a clearer view of the wound you so desperately were trying to keep from draining the expendable completely of their energy. He’s unable to tell if the wound was as deep as it looked, or if the wound was just large, causing the blood loss to make it appear deeper than it really was. It was definitely way worse than the smaller cuts littering their arms- most of which have already healed on their own- as well as the large bruise on the left side of their jaw.

Relief caused Sebastian’s shoulders to relax momentarily, his shoulders dropping with each second he watched the expendable patch themselves up to the best of their abilities. He scoffed at himself upon realization. He shouldn’t be feeling that way towards an expendable. He shouldn’t have helped them to begin with! He keeps telling himself this. And yet, here the both of you are.

The gentle pressure against his tail pulled him from his thoughts once more. The expendable rested against his tail again, eyes fallen shut and breathing more evened out than before. They looked far more relaxed than they were mere moments ago. They appeared almost too relaxed.

“Hey, now! Who said you could get some shut eye?” He initially began to tease, moving his tail to start wrapping around the expendable’s body with the intent on lifting them up to wake them. But he stops himself. His tail is wrapped completely around them, but it hadn’t tightened enough to safely lift them up without the risk of dropping them. The relaxed state, in comparison to moments earlier, eased his nerves. Much to his own dismay. A feeling of defeat washed over him, sighing to himself in slight annoyance as he crossed two of his three arms across his chest.

“Very well..” His voice was soft as to not awaken them, watching over them carefully as the room rumbled with the passing of an Angler just outside the room.

[apas-95]

What criticisms do you have of direct democracy? Assuming it’s communist, as well as having laws about what can and can’t be voted on such as “no killing/disenfranchising the (blank) people” and “no voting for capitalism” (the actual laws would be longer but I don’t want to write a long paragraph about how you’re not allowed to vote for fascism in a fake direct democratic society)

While it's fine in the abstract, in practice it's exceedingly slow and inefficient - being a political representative in a council is a full-time job, and if every single decision made is subject to the popular vote, then both 1) polling itself takes considerably longer; and 2) the necessary amount of education and discussion needed to be carried out prior to a proper vote is much larger: rather than simply summarising the issue and presenting key facts to council members, a massive public education campaign now has to be carried out every time a new, say, regulatory standard for storm drains, is decided upon.

Which leads us into the other main criticism - in practice, people don't *want* to have to deliberate and vote on canal works every day. Either voting is mandatory, in which caee annoyed, disinterested voters are just randomly choosing without much thought; or voting is optional, and the vast majority of people aren't actually being represented in any given issue, because it's solely decided by whichever segment are motivated enough to get a campaign going. Here, delegating the business of understanding and making decisions on random organisational matters *does* genuinely lead to a more representative and democratic outcome.

Fundamentally, what we're talking about is division of labour - a factory is more efficient when each worker doesn't have to make a complete product by themselves. Bureaucratic and administrative work *is* still work, regardless of its political character. Again to bring up division of labour, in industrial society the operation of a single factory relies upon the co-operation of electrical substations next-door, power plants the next town over, logistics offices in the provincial capital, resources developed and extracted on the other side of the country, and the entire nation's collaboration on a unified economic plan; it is something that can only really be directed by a central authority that can collect and collate massive amounts of data to produce new courses of action - to try to operate such a body based entirely on direct democracy is, beyond any other considerations, both impractical and undesirable.

This is not to say there doesn't exist great political drive and passion among the masses, nor that they have no interest in the political process and their representation - but not everyone actually applies to be a council delegate during elections, because most people are fine with the council work itself being handled by a trusted representative.

In practice, the way communists have managed these matters is democratic centralis' - here are a few graphics explaining how representative democracy is carried out on the local level in China, as an example:

[tainbocuailnge]

a lot of arknights gameplay discussion is built on certain assumptions about how people (are supposed to) play arknights, often without being aware that these assumptions are being made, and thus the common gamepress (rip)/reddit assessments of whether an operator is good or bad will be assessing their suitability for a style of play that is not remotely universal, but is still assumed to be universal, because it is the playstyle of the people who are writing these assessments.

this post is not about which playstyle is better, but rather about the way people talk about operator design and viability. if your way of playing arknights aligns with the assumptions that redditors often have about how to play arknights, then their advice is very useful, they are usually correct in their assessment of how suitable an operator is to that particular playstyle. it's also a single player game and how anyone else plays it has no bearing on what I'm doing myself, so in that sense it doesn't really matter to me that redditors talk about arknights in a way that doesn't align with how I play arknights.

I think reddit-style discussion is keeping a lot of players from experimenting and discovering that they actually like a different way of playing arknights more though, because they're caught in the idea that if this is how people talk about arknights, then that must be the right way to play arknights. I also think it causes a lot of players to view a lot of units in a bad light, or rather, they are assessing these operators by metrics that the operator is not trying to meet.

lucilla is often called a bad or poorly designed unit because her debuffs only affect regular enemies instead of the elites that would usually be the main threat. however, the debuffs she applies are very potent when they apply, so when her conditions are met she performs exactly as intended. in gamemodes where regular enemies can grow really bulky like IS or CC or SSS, or maps featuring bulky enemies that nonetheless are not categorised as elites like sarkaz wither aegis, lucilla successfully achieves her intended purpose of outperforming existing hexers in specific scenarios (her fragile can reach the highest value in the game and its only condition is whether the enemy is elite or not) without being a direct upgrade (the rest can actually debuff elites). not many players value what lucilla offers, but if you like engaging with and working around map and operator gimmicks, lucilla is a good operator for you.

wisadel is good at instantly clearing whole sections of the map, which is something many players value, but if you don't /want/ to instantly clear whole sections of the map because you want to actually engage with the map mechanics, she is not a good operator. she performs just as well as lucilla at her intended role, the difference is that wisadel's intended role aligns with the redditor assumption of how to play arknights while lucilla's doesn't. this friction between the assumed way of playing and the way many people actually play was highly visible during the icebreaker games, where a lot of players started bringing aak just to get rid of the other guy's wisadel so that she couldn't blow up the map before they got to actually play it.

"is this operator good" is a question that includes many unspoken metrics, including ones that the person asking might not actually want to judge an operator by. it can be a useful shorthand to speed up discussion of where and how one might want to use an operator, but it is only useful if these unspoken metrics are actually consistent between all participants of the discussion, which in practise is rarely the case. someone who is talking about how one might use lucilla doesn't want to hear that gnosis is better or that it'd be easier to just blow everyone up with wisadel, and someone who is looking for easy to use broadly applicable operators doesn't really want to hear that lucilla is actually really good in specific situations.

the more nicheknights I play and watch, the more I come to doubt how useful it is to talk about operators as being "good" or "bad" to begin with. across all of arknights there is not a single operator that is objectively unuseable. I would also argue that nearly every operator is capable of doing what they're intended to do. every operator has a combination of qualities that is completely unique to them, which means every operator can be in a strategy that relies on that specific operator's qualities to succeed. u-official was specifically designed to be as useless as possible as a joke, and high-level challenge players have still found various uses for a 3dp ranged unit that doesn't attack + doesn't take up deployment slots + can stun enemies + can temporarily make allies stop blocking.

exploiting the unique qualities of operators that are often overlooked for easier to use alternatives is the core principle of nicheknights. the fewer options you have and the more you try to cut down on the amount of operators used, the more each individual operator's unique qualities will shine. just earlier today I saw a clear that used a combination of the aspd debuff inflicted by zaaro and the fact that manual deactivation skills will cancel attack animations to delay mr. nothing's attacks long enough that every attack he does will trigger his stun talent, largely preventing zaaro from doing anything.

arknights also has immense variety in map and enemy design, so use cases for operators often dismissed as too niche to bother actually occur fairly often. every single chapter and story event introduces both new map mechanics and new enemies that make use of those mechanics. often the less straightforward a unit is, the more ways they have of interacting with these mechanics to open up potential new strategies. even without any self-imposed challenges, different gamemodes all have various restrictions and opportunities that make certain operator qualities more or less desirable, and the combination of collectibles and risks you pick in IS or CC can completely change how you approach each map. in RA you can straight up build the map yourself to be as beneficial to your operator of choice as possible.

beehunter's high attack speed but low damage made her fairly unremarkable until the game introduced hitcount-based mechanics. corroserum is rarely built because ifrit had been in the game so long already by the time of his release and he's not ifrit, but just the past month there have been two separate maps where a large amount of silenceable enemies approach the blue box in a straight line for him to trivialise. warmy is arguably the most difficult to use unit in global right now because the only way to inflict the burn status that her s2 capitalises on is using her s1, but now there's path of life letting just anyone inflict burn so she's free to use s2 anyway. if the situation where your gimmick unit of choice can shine doesn't exist yet it will be created sooner or later, because these units were created to have their gimmicks exploited.

arknights is a highly varied strategy game that offers many different ways to engage with its mechanics, including some ways to not actually engage with the mechanics and just explode everything instead. the game offers these options so exploding everything isn't the wrong way to play arknights, but the game also offers many other options so it's not the right way to play arknights either, it's just one of the many ways available. an operator that seems way too gimmicky or specialised to see much general use is not poorly designed, they are designed for a particular playstyle that simply differs from the playstyle that is assumed in a lot of operator discussion. units like lucilla or tsukinogi or leto aren't meant for players who ask "when would I ever use this when I have far easier options", they're meant for players who ask "what strategy would allow this combination of qualities to shine".

this is the issue at the root of why a lot of perfectly serviceable operators get stamped as being bad, and also the answer to the question of why arknights would be releasing these bad operators in the first place. crownslayer is a bad unit for the type of player that want to kill everything as fast as possible, but she's great for players who like gimmicks and weird interactions. many recent 5* are bad units for powergamers because they're trying to not to intrude on their existing subclass colleagues by doing something more conditional instead, or they're experiments for new subclasses that don't have an immediate obvious use case. many times throughout the game's history a new operator has been dismissed as bad only to turn out to be very powerful if you play them the way they're designed to, like dorothy, gnosis, ebenholz, and even specter alter.

all of which is to say, operator discussion would be a lot more useful to everyone involved if it talked about what situations would make the best use of the operator's abilities, rather than whether the operator is Good according a metric that is rarely even properly specified.

[wandagcre]

push it for the pleasure | wanda maximoff 🔞

(College!Perv!Bestfriend Wanda Maximoff x Innocent!Fem Reader)

Wanda’s perverted thirst gets the best of her. You were irresistible and simply for her taking. And what does she do? She doesn’t resist. Instead, Wanda feeds the gnawing, filthy, and hungry monster inside of her by having her way with you even while you’re unconscious.

WARNING: heavy dubcon/noncon themes, fingering, perverted actions such as implied stealing undies, staring, touching and taking nonconsensual nudes, daddy kink (W), corruption kink, somnophilia | 18+ men & minors dni. Words: 3.6k Note: part of the perv!wanda series. you can consider it as a backstory that happened before this oneshot ;)

[perv!wanda series] | [masterlist]

Wanda had an affinity for your tedious nature. Whether it comes down to your personal interests or university workload; not solely rooted by your clear determination written in your adorable face that she admires, but rather, how it leaves you exhausted to your very bones. Tired meant the manifestations of neglect — one that left you comfortable on your bed as the aftermath. 

You were so lucky to have her, not only Wanda has slid a bottle of water or a snack on your side, but on a good day with a less constricting schedule of hers, she's got the privilege of pressing firm around the strained muscles of your shoulder — feeling you succumb into the comfort and her ears being rewarded of your soft moans.

 

A purr escaped your mouth. "That feels so good Wands..." Your body slumped in a relaxed state.

Wanda bit her lip at the innocent play of your words. "Anything for you, dorogaya. Do you want me to press harder?"

"Ah... yes, if- if it's alright with you," came a meek response out of your lips. 

Wanda knew the effect of her native language on you. She couldn't help but lightly pinch your burning cheeks.

As Wanda kneaded the kinks out of your tired muscles, she couldn't help but thirst for more. The tendency of her insatiable want when it comes to you only grows impossibly bigger every day. Whether it was her dying need to touch you or your attention fixated on her - Wanda needs it all.

"It would be better if you took off your shirt. It’s more direct and effective," She murmured at the shell of your ear. Excitement coursed through Wanda's body as you squirmed in your seat.

You turn your head to the side in question. "Wouldn't that be too much of your time?"

"Nonsense. I love doing this for you."

Wanda wolfishly grinned as she saw you eventually nod in agreement.

Oh, you were so pliant and ready for her.

Your bestfriend had to stop her scandalous thoughts of wanting to bite and mark your back as you undressed your top in front of her. She admires the view of your back and its dimples, her mouth-watering and well-awareness of how soft they were. Wanda didn't waste any time on touching you — the breathy innocent moans and soft tilts of your head as you succumbed to her touch whenever Wanda hit a satisfying spot made her mind go haywire. Her thumb applying pressure over the bottom of your trapezius; just where your nape rests upon particularly was a sweet spot. 

You looked lost; wrapped in complete bliss. 

"Can I touch you whenever?"

"Like this?" 

"Yes," Wanda doesn't miss a beat. It was risky and ambiguous, and so she adds, "I love your skin and how soft it is under my touch. It’s so… comforting.”

She decides to take more than she should've and ran her hand across the expanse of your back to caress — how you shivered was hard to go amiss for the woman. 

You know nothing can go wrong especially when it's Wanda. She's the best at attending to your needs, a thought that mildly scared you of how attuned she was, but you knew it was always rooted in benevolence and affection.

Therefore, you couldn't help but recall how come this woman stuck out negatively to other people — having alleged issues of her temperament combined with her altruistic nature. They felt nothing more than a made-up childish rumor in the playground to you as to how Wanda easily conversed with you on that first week when you'd approached her brazenly.

Wanda had figured it out not so long ago; how the double-edged sword trait of yours was how you always believed to see the goodness in the people first. It was a debatable display of strength and flaw.

Besides, you liked having her attention for some reason. Wanda's perfect smile was often so reassuring for you, effortlessly putting you at ease.

"Okay, Wands." was your good-humored reply. Your bestfriend couldn't help but press her lips against the top of your head. You smelled wonderful. Wanda really couldn’t get enough of you.

Your unwavering blind faith-filled Wanda with so much pride.

The cherry on top of it all was how Wanda has taken care of your pretty princess parts; one between your legs and the occasional massages on your breasts. 

It was so easy. 

Wanda thrived on seeing your beautiful irises filled with innocence and gleam as you met her mischievous emerald ones. You've given her the opportunity of a lifetime and she intends to relish every given chance that she can get. It took her baby steps to get here – once she figured out where your affection levels lay, she initiated simple touches – whether it was a hug, tugging you close to her proximity, or now her intentions that stood morally corrupt; Wanda will find a way to accidentally brush against your private parts.

While you lay on one of her arms, Wanda gently ran her fingers through your soft cheeks as you faced her. She soaked in the sweet smell of your shampoo and the distinguishable scent of yours that Wanda could not get enough of. You looked angelic and waiting to be cherished. Soon enough, Wanda seeks for another type of comfort; her hands descending underneath your shirt, tiptoeing almost, with an unstoppable grin on her face — two fingers pushing under the band of your bra. 

"Daddy's here. She'll always be here for you. I'm going to take care of you, dorogaya." Wanda whispered voice lilted with pure desire before her naughty hand came to cup one of your breasts. The recessed night glow that came from your dorm’s window was the only source of light, her actions being done in the darkness amplified the thrill in Wanda’s actions.

A suppressed moan came out of her lips. God, you were so fucking full — supple and fitted perfectly to her palm. One squeeze was followed by a dozen more that inevitably led to pinching and enclosed her fingers from your areola to your now perked tip. 

"All for Daddy..." 

Her thumb came to play for more, in circular motions around your nipple. Your breathing pattern was nuanced although still haven't shown clear evidence of you waking up anytime soon. Wanda rolled the sleeves of her sweatshirt, knowing she had a whole night ahead of her.

Eventually, it wasn't enough. She needed more. 

And so Wanda will make sure to get more. 

Careful not to wake you, she pulls out her arm that served as your pillow from earlier. You now lay on your back, still unphased, Wanda raised the hem of your shirt to reveal your indoor bra. Her eyes darkened at how pure and dainty you were presented in front of her, your blemishes and moles make up a beautiful constellation in Wanda's eyes.

Because of this, she's somewhat still in disbelief at your admission that no one has taken you yet.

But fret not, Wanda thought, because she's here and she's certain that you won't need anyone else other than her anytime soon.

"Daddy's going to play with you dorogaya, trust that it will be so much fun."

Wanda carefully rolls and pushes up your bra and now reveals your delectable breasts, cushiony and hanging free. This simply calls for another photoshoot. 

She quickly retrieved the Polaroid camera that was atop your nightstand, just beside her rings. She's always brought it for a good reason.

Wanda had three subjects; one was nature and the other was you and no one else. What can she say? you've got her wrapped on your finger as much as she does over you. Her last subject was more risqué and controversial, it was still you — although it was a special one — meant for Wanda's eyes alone.

Wanda had placed her lips on your buttery soft breasts and wet them as she suctioned, her tongue coming into play to swirl them around. Her open-mouthed sucks and kisses filled your skin with red and purple marks. Wanda almost had a heart attack at the hoarse, high-pitched timber, a little trait of yours that you randomly let out before you sleepily stretched your limbs. 

You were so cute.

"Dorogaya? Dorogaya..." Wanda hummed in a sing-song, checking if you were still unconscious. 

Once sure that you're in deep sleep again, Wanda doesn't waste a moment to point her camera at your goodies — another one of the latest artworks she had done over you.

Soon as Wanda wrapped up and brought your bra and shirt in its unrattled state, here she was — pensive and debating whether she should ruin your pussy next.

Her greed over you took over with ease. Quickly, Wanda gathers her cascading hair in her hand and ties it up. She masterfully tugged down your shorts and as it reached your ankle, threw it away somewhere in your room. You even wore the red socks she gave you years ago! Wanda swooned at the cute sight. She caressed gently the expanse of your smooth legs where childhood scars and a few more moles came into better view. 

You weren't wet just yet, of course. Wanda immediately wanted to change that and feel the heat you've been hiding away from her — to feel you around her fingers. 

"You're so ready for Daddy, dorogaya. You don't know how much I want to eat you right now... to get a taste directly from its source, my tongue against your pretty and puffy pussy," Wanda knew you couldn't hear her, but it doesn't stop the wanton monologues of her feverish desires over you. "You're just for Daddy, aren't you?" She ran her fingers sultrily across your lower tummy, down to your pelvis.

It simply made her journey worthwhile. She somewhat wanted to communicate how fuckable your virgin self was for her. It was no longer the case as crossed this bridge a few months ago, but her filthy soul relished in corrupting you — with Wanda in complete control and taking you.

Luckily for Wanda, you've raised one of your legs — caught in a folded position, enough for her to pry you open. 

Setting your ribbon-designed undies aside, Wanda’s mouth watered at your inner walls coming into view that she could not help herself and immediately inserted two fingers inside of your velvety walls. 

"Fuck, you're so warm for Daddy!" Wanda rasps out, her body burning. As though in a cue in response, you huskily moaned in your sleep as well. "You love this, don't you? This won't take long, don't worry, dorogaya..."

Your bed rocked and creaked slowly, as Wanda fucked you asleep. The wetness came pouring and coated her until she was knuckle-deep in you. She stretched your now sopping hole, and the breathy moans tumbled out of your pretty lips now and then.

How you did not wake up yet was a miraculous thing for her.

Before Wanda gets carried away in roughly fingering you enough to rouse you out of your consciousness, she pumps and curls her fingers inside of you once more before reaching for her camera. She spreads your inner thighs apart — the viscous wetness that she loved to see was there. The repeated clicks reverberated and the white flashes of her camera came in the knowing four walls of your dorm.

She even inspects your wetness, rubbing and playing with them with her pinched forefinger and thumb.

A wicked smile breaks out of her in glee and satisfaction as Wanda admires for a moment the mess she has made; successful once again as she looks at the polaroid photos she recently took of you.

She pressed a soft kiss on your temple. "You did so well for Daddy."

Almost half an hour later, you wake up confused. You were wet — your cheeks burned. This was becoming a frequent occurrence and you were too old to pee in the bed. You're more than sure that your bladder was well-adjusted. But was there anything else that was wrong with you down there? You tightly crossed your legs.

Wanda appeared from your bathroom. Right, she stayed the night. She was beautiful even if the constant turning in bed had ruffled her appearance. Although, there were much more pressing matters — this is nothing but humiliating for you, surely this spot did not go amiss for your best friend...

"What’s the matter?" Wanda approaches your side. 

You were hesitant, quick to try pushing her away. "Don't come close! I'm wet... I don't know how it happened. Goodness, I know for a fact I didn’t pee myself. Or did I?"

"You did not, dorogaya. Dummy, it was my fault." Wanda gave out a hearty chuckle at your immovable confusion. 

"How was it your fault?"

"I spilled my drink on the bed," Wanda played with your hair and you immediately folded. You were so easy to please. "I was just about to wake you so you can change your shorts and underwear."

You let out another relieved sigh. You were happy to know that it wasn’t your bladder acting up.

"Oh, that kinda explains it. But I think it wasn't your drink that caused this the other nights…”

“Other nights?” Wanda echoed in feigned confusion.

“I-I often find myself wet down there," You confided to Wanda who nodded attentively.

Like a lightbulb moment, Wanda seemed to understand. "It's normal. Our vagina does it by nature, as a way of cleaning itself. It's called a discharge, dorogaya."

As you digest Wanda’s words, confidently assuring you, you take one of her hands and lace it with yours — giving it a comforting squeeze.

"I don't know what I would do without you, Wands. All this time I thought something was wrong with me." You nervously chuckled, beyond glad that the case was sorted out.

"That's why I'll always be here for you." Wanda shoots you a pearly smile. She tilted her head, "Now, why don't you change your clothes?" She brought her other hand that carried your clean panties and shorts. 

Though you were grateful, embarrassment filled you again as you took it from Wanda with your head down and moved away from to bed to start changing.

Wanda sat quietly at your bed and peered curiously over your timid movements. Unbeknownst to you, she was waiting for whether you'd instruct her to look away as you strip down your ruined shorts and undies. She orchestrated the whole thing after her secret session with you, after all.

"C-Can you look away for a bit, Wands?" You requested, but your timid voice cracked in the process.

Wanda raised an eyebrow. "We have the same parts, dorogaya. Besides, I also change in front of you – why does it matter?" She counters and you can't rebut anything else because it is the truth. "I won't judge you. I'm just... impatient to cuddle with you again."

There isn't harm in it, you suppose. Wanda has always been there for you and has proven herself worthy of your trust. So, you affectionately smile at Wanda's needy self.

Your whole back view almost faced your bestfriend, much to her delight — only that her jaw slacked as she got a brief glimpse of your bare ass. Wanda was certain that it was buttery soft just as your hypnotizing breasts were. 

You saw the clear, gooey, and viscous substance that left a mark in the center of your underwear. Your face curled up in a slight grimace. Even if you knew better about it now — all thanks to Wanda — it was somehow still icky for you to look at.

Wanda hands the clean replacements and before you can tug up your new shorts, she pulls you in her direction unexpectedly and brash to your liking.

"Wands– what?" Wanda didn't speak, touched you gently as though you were going to break. Her hand remained on your hips. 

"Hush now, dorogaya. I need to check something." Her tone sounded serious so you let her. Although it felt too intimate, blood immediately came rushing to your ears and cheeks. "I think you need to replace some of them..." 

You try to protest out of timidness, "But—"

"Let me inspect you first. Promise I'll be gentle. It won't be weird," Wanda gave you a condescending smile and you easily caved in.

You feel Wanda everywhere in your body. Her touch was electric on your lower back, the other was too close to your private parts — all wandering. Wanda's fingers came to trace underneath the garter of your underwear. From your pelvis to your innermost thighs, you almost closed your legs shut in reflex.

The air felt ambiguously thick.

Her hands continue to roam around the material — excruciatingly, it was underneath your buttcheek and the pubis area especially, where Wanda’s hands gravitate and wander back onto — doing motions as though smoothening it out.

You let out a sharp inhale and your stomach twitches each time in sync.

"This shouldn't be too hard and tight for you. Not only does it leave marks, but it's uncomfortable, isn't it? The material also is too thin. It's bound to tear off soon." Wanda lists out and all you can think is holy shit, she's right. You weren't confident with your picks when you shopped for them, in all honesty.

"Yeah. I wasn't sure what to pick..." You admit with your eyes looking at your sock-covered feet and your hands clasped in shame.

Besides, you somehow keep on misplacing them. You were baffled by now because you were getting understocked with the amount of undies you had. Where have they all gone?

"Tell you what," Wanda calmly calls your attention and tilts your head up with her hand, "I'd take you to shop some and help you throughout the process so I can teach you too. Don't worry, it's all my treat dorogaya."

Your eyes beamed. You need as much help as you can. "You'll do that for me? But... isn't it too much? I can’t ask that of you.”

"I don't mind, it's not like we do it often. I’m personally offering." Wanda shrugged. She had a point. You'll stop her the next time she insists... maybe in return, you'll do something nice for her.

Sneakily, one of her hands that rested on your lower back descended to your ass cheeks and came in contact to slap them. You sharply gasped and flinched upon the sudden contact, giving Wanda an unamused look. You hoped that she wouldn't detect the fluster in your appearance underneath it.

You didn't understand how it was somewhat satisfying for you. It was a mere play, an act that was nothing more but to tease you — but it felt good against your ass.

You whisper-yelled, calling out her outrageous act.

"Wanda!"

She sports a mischievous smile, her perfect teeth biting down her lower lip. Wanda shook her head and finally raised her hands in defeat.

"Come on! I thrive on riling you up. It's essentially my duty. Now come back and get comfy here in bed. You deserve more sleep. I'll take care of these," She points to the clothes you stripped out of. "And no complaints. I don't mind, I've seen all of you now dorogaya."

"You will be the death of me."

"I love you too," She teasingly replied before disappearing into your view and the words of your best friend made your heart jump.

You groaned in the soft pillow in surrender although it was too much for you — you knew that Wanda's intentions were coming from a good place. She's nothing but thoughtful to you. Soon, the harmony of cold and warmth of your sheets and duvet became too comfortable. You have proven Wanda right and easily succumbed to sleep once again.

Meanwhile, Wanda gathers the polaroid photos she took just a few minutes ago. She closes the door and threw your shorts to the hamper. But your pretty and soaked underwear? It's coming with her.

With the still-damp material of your undies, Wanda strips out her bottoms and sat to the closed toilet seat. She places the fabric over her now exposed pussy; not wasting any time rubbing it against her wet cunt, starting slow, and even thrusting it inside to stimulate and tease her filthy fantasies of you even more. 

God, here she was, touching herself at the thought of you and the photos she had taken of your pretty princess parts. 

Wanda took a good look at it; albeit with much effort as her eyes were threatening to shut at the sensation. It was easy to recall her indecent touches — the feeling of your folds ridiculously soft and unearthly, stretching your labia so she can insert her fingers inside of your opening and how it sucked her in slowly — fuck, you were so tight!

These thoughts spurred Wanda to rub herself with harder pressure and dared to tug and play with her clit — all while covered with your soaked undies. It was somewhat rough against the vulnerable lines and ridges of her labia and provided the undeniably irresistible friction that she craved, doing it repeatedly until Wanda stretched herself out.

It was your cum coating her own pulsating and clenching pussy. She can't help but moan at the thought as she touches herself inside these four, cold walls. How Wanda can only wish instead of her fingers, it was your dainty ones. Even better, you're on your knees for her... eyes wide, expectant, and obedient to her orders. You always looked at her in a certain way that made her stomach flip in adoration and glee. In her filthiest imaginations, Wanda is calling the shots, ordering you to go flatten up your tongue like a good girl and to lap her faster—!

Wanda finally cums hard, a guttural low moan tumbling out of her lips. 

Fuck, she got so wet that it seeped out, the woman was sitting in her mess. Gripping and glancing at the jerking-off materials, she couldn't be more proud of herself today. 

Another for her beloved and favorite collection — all thanks to you. 

do not repost/translate on other sites. © wandagcre

[forevergulag]

The proletariat needs the state — this is repeated by all the opportunists, social-chauvinists and Kautskyites, who assure us that this is what Marx taught. But they “forget” to add that, in the first place, according to Marx, the proletariat needs only a state which is withering away, i.e., a state so constituted that it begins to wither away immediately, and cannot but wither away. And, secondly, the working people need a "state, i.e., the proletariat organized as the ruling class". The state is a special organization of force: it is an organization of violence for the suppression of some class. What class must the proletariat suppress? Naturally, only the exploiting class, i.e., the bourgeoisie. The working people need the state only to suppress the resistance of the exploiters, and only the proletariat can direct this suppression, can carry it out. For the proletariat is the only class that is consistently revolutionary, the only class that can unite all the working and exploited people in the struggle against the bourgeoisie, in completely removing it. The exploiting classes need political rule to maintain exploitation, i.e., in the selfish interests of an insignificant minority against the vast majority of all people. The exploited classes need political rule in order to completely abolish all exploitation, i.e., in the interests of the vast majority of the people, and against the insignificant minority consisting of the modern slave-owners — the landowners and capitalists. The petty-bourgeois democrats, those sham socialists who replaced the class struggle by dreams of class harmony, even pictured the socialist transformation in a dreamy fashion — not as the overthrow of the rule of the exploiting class, but as the peaceful submission of the minority to the majority which has become aware of its aims. This petty-bourgeois utopia, which is inseparable from the idea of the state being above classes, led in practice to the betrayal of the interests of the working classes, as was shown, for example, by the history of the French revolutions of 1848 and 1871, and by the experience of “socialist” participation in bourgeois Cabinets in Britain, France, Italy and other countries at the turn of the century. All his life Marx fought against this petty-bourgeois socialism, now revived in Russia by the Socialist-Revolutionary and Menshevik parties. He developed his theory of the class struggle consistently, down to the theory of political power, of the state. The overthrow of bourgeois rule can be accomplished only by the proletariat, the particular class whose economic conditions of existence prepare it for this task and provide it with the possibility and the power to perform it. While the bourgeoisie break up and disintegrate the peasantry and all the petty-bourgeois groups, they weld together, unite and organize the proletariat. Only the proletariat — by virtue of the economic role it plays in large-scale production — is capable of being the leader of all the working and exploited people, whom the bourgeoisie exploit, oppress and crush, often not less but more than they do the proletarians, but who are incapable of waging an independent struggle for their emancipation. The theory of class struggle, applied by Marx to the question of the state and the socialist revolution, leads as a matter of course to the recognition of the political rule of the proletariat, of its dictatorship, i.e., of undivided power directly backed by the armed force of the people. The overthrow of the bourgeoisie can be achieved only by the proletariat becoming the ruling class, capable of crushing the inevitable and desperate resistance of the bourgeoisie, and of organizing all the working and exploited people for the new economic system. The proletariat needs state power, a centralized organization of force, an organization of violence, both to crush the resistance of the exploiters and to lead the enormous mass of the population — the peasants, the petty bourgeoisie, and semi-proletarians — in the work of organizing a socialist economy.

Vladimir Ilyich Lenin, The State And Revolution

[empty-movement]

Welcome to Something Eternal: A Website Forum in 2023 wtf lmao

It's 2023, and a single belligerent rich guy destroyed one of the primary focal points of uh...global communication. Tumblr is, shockingly, kinda thriving despite the abuse it gets from its owners, but that I will call the iconic refusal of Tumblr users to let Tumblr get in the way of their using Tumblr. Reddit killed its API, removing the functionality of mobile apps that made it remotely readable (rip rif.) Discord, our current primary hangout, has made countless strange choices lately that indicate it has reached the summit of its usability and functionality, and can only decline from here as changes get made to prepare for shareholders. (NOTE: WROTE THIS POST BEFORE THEIR MOBILE "REDESIGN" LMAO)

The enshittification is intense, and it's coming from every direction. Social media platforms that felt like permanent institutions are instead slowly going to let fall fallow incredible amounts of history, works of art, thought, and fandoms. It kinda sucks!

A couple years ago, I posted about a new plan with a new domain, to focus on the archiving of media content, as I saw that to be the fatal weakness of the current ways the internet and fandoms work. Much has happened since to convince me to alter the direction of those efforts, though not abandon them entirely.

Long story short? We are launching a fucking website forum. In 2023.

If you remember In the Rose Garden, much about Something Eternal will be familiar. But this has been a year in the making, and in many ways it's far more ambitious than IRG was. We have put money on this. The forum is running on the same software major IT and technology businesses use, because I don't want the software to age out of usability within five years. It has an attached gallery system for me to post content to, including the Chiho Saito art collection. It has a profile post system that everyone already on the forum has decided is kinda like mini Twitter? But it is, fundamentally, a website forum, owned and run and moderated by us. We are not web devs. But we have run a website on pure spite and headbutting code for over twenty years, and we have over a decade of experience maintaining social spaces online, both on the OG forum, and on our Discord. Better skilled people with far more time than we have can and will build incredible alternatives to what is collapsing around us. But they're not in the room right now. We are. And you know what? Maybe it's time to return to a clunkier, slower moving, more conversation focused platform.

You're not joining a social media platform with the full polish of dozens of devs and automated moderation. Things might break, and I might need time to fix them. The emojis and such are still a work in progress. Because e-mails no longer route in reasonable normal ways, the sign-up process instead happens within the software, and has to be approved by mods. Design and structure elements may change. Etc. The point being, that the forum isn't finished, but it is at a place where I feel like I can present it to people, and it's people I need to help direct what functions and things will be in this space. You all will shape its norms, its traditions, its options...choices I could try to make now, but really...they're for us to create as a group! But the important stuff? That's there. Now let's drive this baby off the damn lot already!

Come! Join us!!

PS. As always, TERFs and Nazis need not apply.