#its getting closer

[drconstellation]

Judgement Day

Aziraphale's Edinburgh Journey: Part 4

Aziraphale's trip to Edinburgh - and most of S2 - is filled with hints and references to the Second Coming. Once you are clued into this, they are everywhere, with some clues more obvious than others. Gabriel's statue is one of them, but it has another role as well (and it's not for hiding anything under, sorry.)

We also have a lot of references to the Freemasons in S2, particularly in Edinburgh, but you can see related symbolism elsewhere - they use some of the same symbolism used around Memento mori, and they also believe in working towards upholding values in life to be rewarded in the afterlife. Judgement Day looms large for all, not matter what their belief.

Judgment in the Tarot

Judgement is the penultimate card of the Major Arcana in the Tarot - the final card is The World, where the journey ends and everything comes together in harmony. But first, one must be summoned to their reckoning, and the past weighed up. It marks the completion of a karmic cycle; its time for renewal.

Three naked figures, a man, a woman and a child, rise out of the darkness of the underworld. Their nakedness denotes their spirituality, they have thrown off the clothes and material things of a physical life. An angel in the sky with a trumpet summons them to be reborn.

But which angel is it on the card? The book I'm favoring to do these card interpretations says its Michael. The information I have about cemetery angels (below) would indicate it to be Gabriel, who is sometimes depicted on headstones blowing a horn. Yet other lore says it's Raphael/Israfel that will blow the horn to start the Day of Judgement. And reading further, on some texts it just says it will be an archangel, they don't specify which one.

Cemetery Angels

The statue of Gabriel in the Edinburgh cemetery is an example of a cemetery angel. The type and pose of the angel is supposed to give some indication of the life that was lived. Small cherubs for children, a lily held for purity, a circular wreath for everlasting life, for example.

Gabriel's statue is doing several things at once: its wings are open, indicating its ready to take flight upwards for the resurrection, and its holding a cross. This is because this statue is a replica of one of the angels on the Ponte Sant'Angelo in Rome and they all hold something relating to the Passion. A cross is probably the most recognizable symbol of all, and instantly connected with Jesus. Everything here is pointing us to the Second Coming.

The Missing Cross

But the cross isn't there in every scene. It's been pointed out that its missing when Gabriel shows his statue to Beelzebub in the present.

This only appears to be the case when we view this scene from a distance. When we see the statue from between their shoulders, the cross is still there.

This is an inconsistent message, and casts some doubt on what its trying to tell us. Can Beelzebub see the cross or not? It can't be a demon thing, as Crowley has no problem seeing the cross in 1827. Is it instead a comment about Gabriel and Beelzebub as a pair?

There are a multitude of meanings that could be applied here around that missing cross: is it do with death and resurrection or is to do with having your sins forgiven and achieving eternal life? If its the latter, then the demons have always been excluded from that, right from the start.

Gazing in Parallel

Then there's this parallel in acts of admiration of the statue:

The very first time I watched S2 and I heard Crowley say "he probably comes here to stare at it," I knew yep, he sure does, and so he did.

Parallel pairs like this usually give us a nugget of information about the characters or story, and this one seems to be another thing pointing us to Gabriel being the peacock mentioned in the Job minisode (i.e. "Did you give wings to peacocks, Job...") An old slang definition of a peacock is "a person, especially a man, who is arrogant or likes dressing or behaving in a way that draws attention to themselves" and "a man who is very proud of his appearance and gives a lot of attention to his clothes and the way he dresses."

Let us not forget at this point that Crowley is linked to Gabriel in S2 as both a parallel and foil, and he, too, takes some pride in his appearance. But while Gabriel admires the creation that is himself, Crowley tends more to admire creations that he has had a hand in working on himself.

But there is a curious moment here that links us up with a scene from the beginning of S2, in Before the Beginning. Notice how Aziraphale looks back at Crowley as he he says Gabriel "Probably comes here to stare at it. Marveling at his own beauty."

Aziraphale has the same jealous look on his face as angel!Crowley marvels at the beauty of his newly created nebula and stars.

We have to remember that Before The Beginning was one of the last parts of S2 to be written, even though its at the start, but it includes a repeated parallel to the dates at the statue - angel!Crowley admires his creation, and Aziraphale looks a little jealous that he's not getting that same attention from Crowley.

Demons in the Mist

There is another, larger, parallel sequence that the statue plays a part in as well, and this connects us to S1, and I suspect to S3 as well. This is one of the mobius strip parallels that I sometimes talk about, where the story history repeats itself ad infinitum. Notice the misty nature of the present day scene below; this is an indication we are seeing more than two times and places at once.

It starts here, as we switch suddenly from 1827 back to present, just after Crowley is sucked down into Hell, leaving Aziraphale gazing up at the statue.

The parallel scene to this is the sushi restaurant in S1E1.

In that scene Crowley has been summoned to the cemetery to receive the antichrist and start Armageddon. He was supposed to be on a date with Aziraphale at the sushi restaurant, but Gabriel turns up instead, on the other side of Aziraphale - the same side the statue is on in S2.

Next, there are two demons. The first time, Crowley was summoned to meet with Hastur and Ligur to start Armageddon. Only this time, in S2, its Aziraphale talking to the demons, not Crowley.

We have an indication that the Scottish pair are demon-related with the taller one having a misspelled tattoo on his forehead (and aren't there many stories of badly spelled tattoos?)

I think they also roughly match the height and size of Hastur and Ligur, too. And it's the Ligur-parallel that offers his phone - just like its Ligur that chats to Michael on the back channels that don't exist in S1.

Free phone call? Not a problem. It's been pointed out that when Crowley hangs up the phone handset in S1 after calling Aziraphale you can hear a coin falling into the coin return box - apparently there was a thing done in the old days of leaving some change in the coin return for people who didn't have any money and needed to make a call; a kindness for strangers, if you will. So it's not a worry that there is no credit on the phone when Aziraphale needs to make the call.

Lastly, we have some S3 foreshadowing, because this an Aziraphale scene and he connects us with the future. The old phone is looking worn and tatty, with the Union Jack on it, a sign of the Empire that is slowly fading, and is well past its peak. After he hands it back with a blessing, it looks renewed, with the St Andrews Cross of Scotland on it. I might live on the other side of the world from the UK but even I'm aware of the political debate around Scottish independence that has been ongoing for, well, many years now.

I can't help thinking we are going to see a parallel to this scene in S3 as well, with Aziraphale demanding some form communication from Hell or some demons for which he does "ask nicely" about. This is all working towards a change in the way the authoritative structure works for the angels and demons (the death and rebirth theme.)

Masonic Symbols

We are alerted to the presence of the Masons when Aziraphale does his detective cosplay and speaks to the barman in the Resurrectionist pub. If you are quick, you can also notice the square and compass symbol on the windows next to the pub as Aziraphale approaches, although most of us are looking at Jesus on the sign (and a reminder that we are looking out of a deliberate copy of the Eastern Gate of Eden here on the sign, too, into the deserted distance.)

The square and compass are a reminder of balance - the square at the bottom is about honesty and integrity, and the compass at the top represents wisdom and keeping one's desires within reach.

But why are we looking at Masons? I think this is because they represent a similar but different alternative to the Abrahamic religions the Good Omens AU is built around - they believe in a Supreme Being (God) and they believe in upholding certain virtues and doing good deeds in life so that they will be rewarded in the afterlife, and that there is an eternal afterlife; they just don't believe in going about it in the same way the church does.* The Catholic church doesn't allow one to be a Mason and a member of the church at the same time because of this clash in ideologies.

The other thing to note about Masons, is that Masons wear black tie evening dress to their Lodge meetings, like the corpse in the next image below. The barman in the present even says to Aziraphale "It's the first time I've seen one in a fancy grey suit, though." This is a big Clue - but you all missed it, because you latched on to the fancy grey suit part of the sentence that screamed "GABRIEL WAS HERE!!" at you and didn't hear the silent part that the barman was saying - that the other person that was with Gabriel was wearing a black suit.

Hello? Anyone paying attention here? No? Just me shouting into the void...right, well, carry on then.

We see three dead bodies in the Resurrectionists minisode, much like the three bodies on the Tarot card for Judgement. The first is this Mason, clearly identified by the apron he is wearing (the other two bodies are a priest and wee Morag.) The decoration on it would indicate what rank or degree of mastery he held within his lodge. The background was always white, for purity.

Coffins were a reminder that one day every one would die and return to dust. They were also a sign of leaving their previous life behind from before they joined the Masons and taking on their Masonic duties.

Skulls and cross bones were part of Memento mori - reminders that life was short. They also appeared on Mason tracer boards.

The hourglass was a particularly special symbol. While it, too, was a reminder that life was finite, it was also a reminder that life and death was a cycle. By turning the hourglass over, one started the cycle again. This also demonstrated the need at times for one to turn one's thoughts and actions around on their journey through life.

It was also a reminder that time was the great equalizer - it didn't matter your station in life, time always moved forward, and death would come for us all.

Onward to Part 5, dear readers! Time to see if we really know where we're going with all this!

Thanks once again to @vidavalor for pointing out the parallel between the statue of Gabriel and the sushi restaurant in S1, where Crowley is pulled away by Hell both times and Gabriel appears on Aziraphale's right.

@kimberleyjean has also put together a collection of all the infinity loops and mobius strip references in GO here.

*I'm not sure what it was like in other countries, but I know in Australia during the mid 20th century to get anywhere in certain jobs and industries you either had to be a Catholic or a Mason. Without the backing of one of those organizations you wouldn't get far. My grandfather was a Mason, but not religious, and consequently rose quite high in the government dept he worked for - took me a long time to put all those pieces together, because it was never talked about in my family. I just knew he went to Lodge. It was only listening to some podcasts about history that I was able to work it out.

The other posts in this series can be found here:

Part 1: Detective Aziraphale Part 2: Aziraphale-Beelzebub Parallels Part 3: Stocktaking in the Basement Part 5: I Know Where I'm Going

[sunshineandlyrics]

First concert is FITFWT Osaka 🇯🇵 on 17 April 2023 x

[set-ton]

IM LITERALLY IN MY GARDEN RN BECAUSE I KNEW ILL AWAKE ALL MY FAMILY IF I WATCH IT IN MY HOUSSE HAAAAAAA IM SOOOOOO EXITED

[yaoibattlepass]

Nico about kim hongjoong next time i talk to him

[terrifiedtrinket]

hello me uh

irl john egbert(trust)

i sang this exact part of that song so much one time my little sister punched me in the face bc she gof so sick of it

anyways i liove you johndavedaily

day 61

[chiffonfluff]

love when studio trigger does The Thing

[vero-niche]

pspspsps you wanna watch the hungarian animated movie macskafogó (1986) with eng subs so bad

[mmmrat]

This thing has been following me for while now whats it’s problem…

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[lucabyte]

leering

[swiftmitsu]

Part 6

of killer being missing heheh

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[bbbbbbbbatman]

Post-identity reveal galas that Bruce and Clark both attend become a game of cat and mouse as Bruce tries to subtly corner Clark to "accidentally" spill his champagne all over him so they have an excuse to go talk in private about superhero stuff (clark does not find this nearly as funny as bruce does)

[ftalow]

[xxplastic-cubexx]

chair + helmet for funsies

[casualavocados]

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023) behind the scenes

[skunkes]