#its funny because they usually camp pretty far apart in the beginning
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tiny-chubby-bird · 1 year ago
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did they start a book club or what
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iloveschiaparelli · 7 months ago
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currently writing my longpost about Kingdom of the Planet of the Apes but OMG i just have to speak out
It's SO FUNNY to me that fandom's response to Noamae is either to ship it wholeheartedly or declare it Zoophilia
Mainly because the whole premise behind Planet of the Apes is the idea that through a series of events, Apes became like humans and humans became like Apes. So essentially, the positions of "human" and "animal" are reversed. Zoophilia is wrong because animals aren't on the same level of intelligence, communication, and sentience as humans and so can't really consent.
Since all of this is fiction we also have to look at how society reacts to shipping between races equally genetically distinct, but mentally and soully on the same level. Personally I think D&D is a great example since it's hard to get away from and half the players on this site are deviants. There are humanoid and nonhumanoid races but no one really seems to have a problem with shipping any combination together? On the other hand apes and humans are remarkably similar, so much to the point that the evolutionary consensus is that we have common ancestors and even evolved from apes. I don't believe in (macro)evolution but if I did I would say that apes and humans are really... hardly genetically distinct at all, compared to humans vs other species.
So far the zoophilia camp is claiming that it's zoophilia because (as far as I've seen) Noa is an animal and Mae is a human. So Mae would be committing zoophilia.
But like... there's two routes you can take here on this ship.
If it's zoophilia, in the context of the universe of Planet of the Apes, Mae is the animal in this situation, because the majority of humans have become "animals" whereas pretty much all apes on earth are in the "human" position. Mae is the exception. To put it into perspective for you, if James Franco's character started a relationship with Caesar in the first trilogy film, then Caesar would be the animal in the zoophilic relationship. It's the same situation just the roles are reversed.
If it's not zoophilia, it's because zoophilia is determined by intellectual status, not by difference in species. Which is consistent with how this site usually treats relationships between nonhuman+nonanimal race combos. Therefore, since Mae and Noa are on the same level as far as intelligence, communication, and sentience go, it's not zoophilia because neither of them are animals.
Personally I think it's weird regardless to have in a mainstream film, especially since the lines blur so much in this series as to where humanity stops and animal begins. Even if you have a religious belief that sets humans apart from animals regardless of intelligence, I think it's pretty clear that that isn't the direction that the movie is coming from.
But like, honestly as far as logic goes it's the zoophilia camp who are committing logical fallacies?? Unless you also think a relationship between an Aarakocra or Tabaxi and a Human would be zoophilia as well. I think it's actually a pretty nuanced situation whether it's acceptable to ship Noa and Mae and it can't be easily shoved into the zoophilia category due to the nature of the story and the questions it intentionally presents.
If you're uncomfortable with the ship, you have every right to be! I definitely am and probably will not be interacting with most Noamae ship content lol. But I don't think there's an objective answer as to whether there's a moral problem with it, nor do I think the zoophilia camp is being consistent in their beliefs unless they're also applying this logic to shipping inter-racially in other fiction content where they have comparable intelligences.
by the way no i am not a proshipper <3 i just think this particular question is tied to the questions inherently presented by the media through its existence.
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fatiguing-thoughts · 4 years ago
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“Natural” - Chapter 13 - Embry Call x Reader
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Movie Night
Waking up in the morning with Embry in my bed was a level of comfort and serenity that I don’t think I could ever describe. I look over at his peaceful form, the sun shining in through the fold in the curtain. 
I watch as his chest rises up and down, his slow, peaceful breathing accompanied by a very light snore. His black hair falling over his face that’s nuzzled deep into my pillow. His warm, russet skin shining in the sun beams. His warmth radiating against my colder skin. 
“Good morning.” His raspy voice mumbles against the pillow. 
“Good morning, Em.” I whisper. 
“What’re you looking at, beautiful?” He smirks.
“Just you.” I blush.
I don’t honestly believe that this is something I’ll ever get used to. Embry, and everything about him, felt like an absolute blessing. It felt surreal, really. 
“Awe, bean. You’re cute when you blush.” 
“Stop.” I whine, slightly giggling. 
“No, I like it. It’s cute.” He sits up, wrapping his arms around me. 
“I mean, thank you.” I look down at my hands. 
“So, I was thinking.” Embry begins.
“That’s a first.” I tease, poking his nose.
“Hah hah, very funny. Anyway, what if we went camping? Now that I won’t have to be here for patrol tonight or tomorrow. We can leave today and spend a night out, and come home for tomorrow. Then you can see your friend and Leah.” His vibrant smile beaming brighter than the sunlight. 
“I would love that. We can start packing now.” I shriek, having a difficult time to contain my excitement. 
“Of course.” He smiles, leaving a kiss on my lips. 
I practically spring up from my bed and begin packing my backpack full of any clothes I would need for tonight and tomorrow. I put on a pair of jeans and throw on a t-shirt. 
“Someone’s excited.” Embry chuckles. 
“We’ve always talked about camping together, and now we can.” I turn around, smiling. 
“I know, I’m so excited to go with you.” He smiles, pulling me close to him. 
His hands grab my hips, driving me nuts as usual. I trace my fingers up his biceps until my arms wrap around his neck, pulling myself up to kiss his soft lips once again. His hands tighten their grip on my hips as he deepens the kiss.
“We have to finish packing.” He pulls away breathlessly. 
“That we do.” I shake my head. 
“We can continue that later tonight.” He gives me a cheeky smirk. 
I nod as my cheeks are deepening to another shade of red. 
I grab some blankets, pillows, and search for sleeping bags in the closet downstairs. 
We pack some food for the small trip before heading over to Embry’s house to pick up his tent and clothes for him to wear. 
I look around for Tiffany while we were here, alas she had to have been working. 
“Have you talked to her the last few days or have you been completely MIA?” I ask as he packs a backpack for himself.
“She thought I was camping with everyone. We’re in contact.” He looks back at me. 
“Good. I don’t want her to worry herself to death.” I smile at him. 
“Me neither.” He sighs. 
We make our way back to my car and he leads the way to a site of his choice. 
“I’ll give it to you, Em. You know these woods better than anyone else.” I chuckle.
“I know, I’m basically a map now.” He laughs, pointing in the direction to turn. 
I follow his navigation and after an hour or so of driving, we eventually make it to a trail leading to a clearing, thankfully a bathroom within walking distance. 
We grab all of our stuff and begin our journey to the clearing. Embry and I set up the tent relatively quickly.
“I’m hungry.” Embry whines.
“You’re always hungry.” I giggle. 
“Yeah, and?” He laughs. 
“So let’s eat.” I smile, reaching into the food we packed. 
I felt my phone vibrate in my back pocket. I pull it out to see a text from Alyssa. 
“Hey (Y/N), are you free tomorrow?” - Alyssa
“Yes I am. Do you wanna come over for a pizza and movie night?” - me
“Sure, sounds good. Should I bring anything?” - Alyssa
“Nope. I can invite my friends, too. If you’d like. :)” - me
“That sounds fun.” - Alyssa
“Okay, come for like 6.” 
“Sounds like a plan.” 
I place the phone back in my pocket after sending her my address and take a sip of water. 
“We should invite everyone over tomorrow at seven. I told Alyssa there would be a pizza and movie night at my house, but she’s coming at six.” 
“Sounds fun, I’ll send a text in the group chat.” He says, pulling his phone out.
“Great.” I smile. 
We finished eating and cleaned everything up. 
“Can we go on a hike?” I ask.
“Of course, beautiful.” His large hand reaches out for mine, pulling me off the stump I sat on.
I follow Embry’s lead the whole walk, which took about an hour or so. We played a lot of iSpy on the way, though.
A chipmunk, the recycling bin, the bag of cheetos someone left on the floor (which I picked up and threw out), the trees, my backpack, and the dog poop someone didn’t pick up like they were supposed to. Those were the answers to the iSpy game we had. 
“Okay, we’re here.” Embry smiles. 
“Wow, it’s beautiful.” I admire the view.
We were in a canyon of sorts, admiring some of the beauty that the Olympic National Forest has to offer. I look down, noticing the drop off, my heartbeat beginning to race.
“I won’t let you fall, bean.” His arm wrapping around my waist. 
“Thank you.” I continue to look around.
Embry always washed my fears away easily. Being with Embry made me feel invincible. I felt all my worries melt away.
I look over at him, smiling at the beautiful boy. 
We sat there for a few hours, enjoying each other’s company as well as the view before heading back to the campsite. 
It was beginning to get dark and I heard Embry’s stomach grumbling. 
“I can start the fire and then we can eat.” I smile at him. 
“Sounds good to me, bean.” I felt warm, soft lips press to my temple. 
The light from the fire created cast orange all around it, the crackling soothing my ears. The smell bringing me a new sense of peace. 
Embry and I ate dinner and roasted s’mores. I sat basically velcroed to his side, just how I like. 
“Look at the stars.” He points up to the sky. 
“Wow.” I breathe out. 
“Come on, let’s stargaze.” He grabs my hand, leading me over to the picnic table at our site. 
We lay on it, both of us laying our heads on his arms. 
“I like that one.” I point up to the sky.
“Which one? There’s like forty in that direction.” He chuckles.
“That one, Em.” I point again. 
“Ahhh, nice. It’s pretty.” He agrees. 
“You don’t even know which one I’m talking about.” I giggle.
“I don’t have to. I know it’s beautiful, they all are. Just like you.” He presses a kiss to my cheek. 
I turn over to him and press my lips to his. His hands once again find my hips, pulling me into his side. 
“Maybe we should go into the tent.” I raise an eyebrow.
“I think we should.” His smirk sends chills up my spine. 
And so we did, we took it to the tent. 
Soon after, we fell asleep holding each other. 
In the morning, the smell of the trees pleasantly invaded their way into my senses. The heat from the sun invading through the polyester walls. 
“Good morning.” Embry’s raspy morning voice once again sending chills up my spine.
“Morning, Em.” I smile at him. 
“Let’s eat.” He smiles, springing himself up from the sleeping bag. 
“You got it.” I smile, following suit. 
I caught Embry staring at me, once again. Not something out of the ordinary, though I always wondered why.
“What’s wrong, do I have something on my face?” I ask.
“No, it’s just you. You’re so beautiful.” A blush finds its way to his cheeks, following an uncontrollable grin.
“Awe, Em.” I coo, walking myself over and sitting in his lap.
“I just feel so lucky.” He breathes into my neck.
“Me too. Like the luckiest girl in the world.” I smile, pressing a kiss to his warm cheek. 
Sitting in Embry’s presence felt better than merely being near anyone else. It was as if sitting in silence with Embry could beat any conversation with anyone else. I guess that’s a soulmate, though. 
“What time is it?” I ask him. 
“A little past noon.” He shrugs. 
“Okay. So who’s coming tonight?” 
“Well, Seth and Leah for sure. Jacob can’t because he’s basically broken in half for a bit longer. Quil said he would. Overall, the rest of them said they’re busy with their friends or families. Well, Jared said he’s too busy ‘doing hot girl shit,’ whatever that means.” 
“Alright. Good for Jared, I think that’s a tik tok thing. But Seth, Leah, Quil, Alyssa, and us sounds like a good group.” I chuckle. 
“It definitely is.” He laughs, pulling me closer to his chest. 
“Well, we should probably head home soon. By the time we got back it’s gonna be after three. And then cleaning all this crap up.” I sigh.
“We can do this again, whenever you want to.” He smiles at me.
“I would like that.” I press a kiss to his forehead. 
His warm chest felt like home, and maybe that’s why I always felt like Forks was my home. It was my ticket to Embry my whole life. 
We pack up the site and make our hike back down the trail to my car. The drive back once again blasting our shared playlist, revisiting all the feelings we held secret for years. 
Embry insisted we stop at his house first since his mother was at work. My heart ached for both him and his mother. Secrets like this are good for neither of them, I couldn’t imagine the pain it brought to them. 
The drive to my house was quick, and unpacking all of our stuff didn’t take too long. 
I check the time and see it to be after 3:30. 
“Well, what can we do now?” I look over to Embry. 
“Well, we could get stuff ready. Or we can make out.” He wiggles his eyebrows at me.
“I mean, one of those is far more tempting than the other.” I smirk, walking closer to him. 
Next thing I knew, we were on my couch, his warm body pressed against mine. His soft lips pressing onto mine with slight aggression. Embry drove me nuts, there was no denying that. 
Some time later, we pulled apart breathlessly. 
“Maybe I should get the living room ready.” I smile at him.
“I think so.” He kisses my forehead. 
I grab pillows and blankets, creating a comfortable area on the floor for whoever decides to take that instead of the couches. Also blankets for Alyssa and I, as most people who don’t run 108.9 like when they watch movies. I grab snacks and drinks from the latest grocery shopping trip and bring them into the living room, leaving them on the coffee table. 
“Alyssa should be getting here soon.” I say happily.  
“You excited to see her?” Embry asks me with a kind smile.
“Very. That was one of my only actual friends in Forks.” I return his smile back to him.
“That’s exciting. And now she gets to meet all your La Push friends.” 
“She does. And it will be great to finally have some merger there.” 
We sat back on the couch, chatting about more things to do on the next camping trip as we were much less limited than others in terms of safety and location. Discussing a group trip with our friends. 
Our conversation was interrupted by a knock on my front door. 
“Alyssa!” I swing the door open, smiling. 
“(Y/N)!” She laughs. 
“Come in, let’s catch up.” I pull her in for a hug.
“Yes please.” She giggles. 
“Nobody else is gonna be here for an hour, I left that for us to talk about life.” I chuckle. 
“Sounds like a plan.” 
“I’ll go take a nap, let you guys have your girl talk.” Embry says, kissing my forehead before waving and jogging upstairs to my room. 
“So… how is life? How is everything?” I ask.
“Well, my girlfriend and I broke up about a year ago. She cheated on me. So that wasn’t fun, but other than that I’m doing great. I got the program I wanted to a few months ago, I’m gonna become a teacher.” She smiled. 
“That’s incredible! Congrats. On the school thing. But as for Chelsea? Seriously? You guys were together from like freshman year of high school. What a witch.” I look at her with comforting eyes.
“Yeah, right? She’s not worth being sad about anymore, though. I’m ready to have fun again, I’ve been okay for a while. I go to school in the fall and I’ll be dorming. I’m quite excited. What’re you doing for school?” She smiles at me. 
“Well, I got into the program I want, too. I’m going to be going online, though. But I’m studying economics, I think I want to go to law school.” I smile.
“That’s great! Congratulations.” She beams. 
“Right. Wait, where are you going to school?” 
“University of Washington. I’m excited.” 
“No shot, me too.” I smile. 
“No way, you’ll have to come hang out at my dorm sometimes. You’re gonna need to make friends.” She encourages me. 
“That sounds like fun.” 
We catch up some more before I notice the time. I decided to call to order the pizza at 6:45, that way it would come shortly after people got here. I ordered five pies.
“Five pies? How many of your other friends are coming?” She asks. 
“Uhh, I think there’s gonna be like six of us all together.” I shrug.
“Don’t you think that five pies is a lot?” She asks me, raising her eyebrow. 
“Definitely not with them. There is no end to their hunger.” I laugh. 
“If you say so.” She laughs, doubting my words. 
“You’ll see.” I chimed. 
I tell her that I should go wake Embry up and begin my walk up the stairs.
I open my door and she his silhouette laying in the bed. The darkness of my room made it impossible to make much else out.
“Embry, wake up.” I say walking over to my bed.
“Already?” He laughs.
“Yeah, already.” I chuckle, placing a hand on his shoulder to wake him up.
“Alright, only for you.” He sits up, pressing a kiss to my forehead.
“Thanks. Let’s get downstairs.” I mumble, thankfully the darkness hid the reddening of my cheeks at his softspoken words.
“Good morning, Alyssa.” Embry yawns from the stairway. 
“Good morning?” She laughs at his goofiness. 
A knock at the door interrupts us. I walk over to see Quil, Seth, and Leah. 
“Hey!” I smile. 
“Hey, (Y/N)!” Seth beams with his contagious smile.
“What’s up, dork?” Quil laughs.
“Hey, (Y/N).” Leah says softly, smiling at me. 
“Come on in, the pizza should be here soon.” 
“Thank god, I’m starving.” Quil huffs. 
“I just watched you eat two big macs an hour ago.” Leah looks at him.
“Okay, and?” He laughs.
“Alright everyone, this is my friend Alyssa. Alyssa this is Quil, Seth, and Leah.” I smile, pointing to everyone down the line.
“Hello.” She smiles, waving at everyone. Looking at them as I point.
Though her face stopped at one. 
I look and follow her gaze, noticing it stopped at the last face. Leah’s.
Leah had a dazed look on her face, mouth slightly agape. 
My eyes widen, looking at Embry’s face that mimicked my shock. In fact, so did Quil’s and Seth’s. 
“Hey.” Alyssa exhales. 
“Hi.” Leah mumbled, her face quickly turning to one of confusion. 
“Oh, this took a turn.” Quil mumbled, in which Seth quickly swatted him with his arm. 
I gave Quil a glare, letting him know that now was not a time for jokes. 
“Alright, so let’s pick a movie. What movie?” I ask everyone, trying to break the silence. 
“Let’s watch The Cat in The Hat.” Quil chuckles. 
“It’s a true cinematic masterpiece.” Embry agrees. 
“What is wrong with you?” I laugh. 
“I mean, it is really funny. We used to talk about it in class all the time.” Alyssa laughs.
“You’re right. Is everyone good with watching that? I think we all need a good laugh.” I smile. 
“Yeah. That works.” Leah mumbles.
“Sure. I’m down to watch anything.” Seth smiles. 
“Great.” I turn the TV on and begin playing the movie. 
Leah takes a spot on the floor by herself, in front of Quil and Seth that took the couch next to the one that Embry and I sat on. Alyssa found herself a spot on the other side of me. 
About fifteen minutes into this nonsense, I hear knocking at the door once again.
“Do you want me to pause it, babe?” Embry asks.
“Please don’t.” I smile and walk to the door to get the pizza. 
“Your loss.” Quil huffs, laughing at the movie. 
I roll my eyes as I get the pizza from the door. 
“Let me help you.” I hear Leah say behind me, grabbing the pizza from me so I can pay the delivery guy.
“Thanks, Leah. You can keep the change.” I smile at him. 
“You got it. Where’s your bathroom? Also can I borrow a warmer shirt? I’m cold.” She asks, putting the pizza down next to the snacks on the coffee table. 
I look at her confused, as she knows where the bathroom is down here, also because this girl would never be cold. It’s then that I noticed the look in her eyes. She didn’t have to use the bathroom and she wasn’t cold. She needed to talk and she needed to talk now. 
“You can use the one upstairs, there’s one next to my room. I’ll show you where it is and I’ll get you a sweater.” I nod. 
“I’m kinda cold, too. Can I also have a sweater?” Seth asks, noticing the discomfort in his sister.
Quil and Embry look at Seth with a dumbfounded look, though I wave them off. 
“Uh, yeah. Come follow, too.” I manage to say. 
All three of us walk up the stairs and into my room.
“Are you okay?” I ask Leah, shutting my door. 
“I don’t know, I’m so confused.” She says softly, 
“I understand. That was a lot.” I lay a comforting hand on her shoulder.
Seth walks over and places another comforting hand on Leah’s other arm. 
“I just… Everything I saw felt so right. I just, I don’t know her. I didn’t think I would imprint on a woman. It’s not even that I’m mad about it, I always felt attracted to some women, I just never actually dated any. I just assumed I either wouldn’t imprint or I would imprint on a man, because none of the guys ever imprinted on another guy, even in the stories. But what do I make of it?” She asks me in a panic, speaking a million miles a minute. 
“I know, I know. Of course it feels right, it’s supposed to. But just remember, it doesn’t have to be romantic if you don’t want it to be.” I remind her. 
“It was in what I saw. I saw us together, I saw us happily holding hands. I saw us kissing. I saw us cuddling by a fire. I saw it all.” She looks at me with concerned eyes. 
“Leah, it’s okay. It’s all okay. That’s beautiful, if it’s what you want.” I say.
“Leah, if you’re afraid about imprinting on another woman, don’t worry about that. I don’t care. Mom doesn’t care. Nobody here would care. We love you for you and we want you to be happy.” Seth rubs her back comfortingly. 
“You mean that?” Her lip starts to quiver. 
“Of course. You’re my sister, you’re my best friend.” Seth pulls her into a hug. 
“Leah, I’m here for you every step of the way. We all are. I think that you should be her friend, see how that goes. If it develops further, then it does. If not, don’t stress. You’d then have another best friend.” I smile at her. 
“Thank you.” She smiles, nodding her head and hugging me. 
“Who knows, Leah? Take things as they come. We’ll be here every step of the way, okay?” 
“Okay.” She nods.
“Bring it in.” Seth grabs us both and pulls us into a huge hug. 
The crushing weight of his arms was one that felt really nice. I felt all the love in this hug. We stay like this for a few moments before I break the silence. 
“Let’s go get some pizza before Quil and Embry eat it all. Or torture Alyssa.” I laugh. 
“You’re right. We’ve been up here a little long.” Leah smiles softly.
“They better have saved us some pizza.” Seth huffs. 
“I’m sure they did. They might’ve killed two pies already, though.” I chuckle walking out of my room and down the stairs, Seth and Leah trailing close behind. 
“Welcome back, you missed a lot.” Quil chuckles. 
“Shut up. There better be pizza left.” I glare at him and Embry.
“There is, there is.” Embry defends, placing his hands up in surrender, chewing on his pizza.
“Good, I’m starving.” Seth says, grabbing two slices from the box. 
Leah and I both grab a slice before sitting back in our spots. 
“Where’s your sweater, Seth?” Quil teases. 
“They didn’t fit him.” I look at Quil with hard eyes.
“Yeah, it was a shame.” Seth laughs on the couch. 
The rest of the movie was filled with laughter. I sat in Embry’s lap, appreciating the warmth he brought me. 
“Next movie?” Embry asks. 
“We can watch Jackass.” Quil suggests. 
“Oh yeah, because you guys just need ideas. You, Paul, and Jared will be tearing up the town by tomorrow morning if we watch that.” I laugh.
“You got me there.” Quil laughs. 
“Great, it’s settled. We’re watching Mean Girls.” I announce.
“Oh god.” Quil whines. 
“It’s a great movie, you’re gonna love it at the end of the night. You’ll be quoting it, guaranteed.” I tell him.
“It is a great movie.” Alyssa agrees. 
So we watch it, and halfway through the movie I notice that nobody is more invested than Quil, Embry, and Seth. Causing the girls and I to laugh at them. 
After the movie ended, we all began to get up and stretch.
“Thank you for having me, (Y/N). I think I’m gonna get going now, though. I have work in the morning but I had fun, we should all hang out again some time. It was great to meet you all.” She smiles, hugging me goodbye. 
“Yeah, of course, we should hang out again soon. I’ll walk you to the door.” I smile, leading Alyssa to the door and watching her get into her car, noticing Leah do just the same. 
“Thank you!” She calls out as she gets into her car. 
I waved goodbye before shutting the door as she drove off. 
“Well, we should all probably get going soon.” Leah trails off. 
“Alright, I’ll see you guys soon.” I smile before I pull her into a really tight hug.
“Thank you.” She whispers in my ear before pulling away.
“Bye, (Y/N). Thanks for having us. I had fun.” He smiles before they take off.
“I mean, I should probably leave, too. I know you guys value your alone time, now.” Quil wiggles his eyebrows. 
“Shut up, dick.” Embry pulls him into a headlock, giving him a noogie. 
“That’s a weird way to say thank you for helping you not be a father at 18, but okay.” He laughs, wrestling Embry back. 
“Thanks, Quil. I thank you for your help. But Embry did say he would do this.” I giggle. 
“Fine, go get your own condoms from now on. I’m not taking them from Paul for you anymore!” He laughs as they roll around. 
“You stole them from Paul?” I laugh from the couch.
“Yeah, I hold you two with a very high value.” Quil tells me. 
“I see. Enough to risk a beating from Paul.” I laugh.
They both eventually tire themselves out and joining me on the couch.
“You guys done, yet?” I ask. 
“Yeah, I just had to kick his ass.” Embry kisses my temple. 
“Still a weird way to thank me.” Quil laughs.
I can’t help but laugh at my two goofy ass best friends.
“I should go, and you should go home for once before your mom has a heart attack.” Quil says, looking at Embry. 
“You’re right.” He sighs, standing up.
“You should, she probably misses you.” I encourage him.
“I know. I love you, bean. I’ll see you tomorrow.” He presses a kiss to my forehead. 
“Sounds good.” I smile, hugging him.
“Embry, you don’t talk to me like that. I’m hurt.” Quil places a hand over his chest, faking a pained face. 
“Oh shut it.” Embry shoves him, laughing. 
“Goodnight, guys. I’ll see you tomorrow.” 
I watch as they walk over to the treeline, knowing exactly how they were getting to their homes. 
I go up into my room and lay in bed, reliving the last few days of my life. 
How fuckin nuts that just two days ago I was face to face with vampires that wanted to kill me.
And tonight I watched The Cat in The Hat. 
Man, life’s pretty weird. 
I pick up my phone and sent a text to Embry.
I love you.
I put the phone on my nightstand, and drifted off.
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bryonysimcox · 5 years ago
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A Return to Valencia: Week 18, Spain
A new chapter of our journey begins as this week we made our way south to Valencia. Continued lockdown has stirred up a sense of loneliness, but a change of scene and gradual de-escalation is lifting our spirits.
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This week we left Catalonia. When the ‘Estado de Alarma’ was first announced, we were mid-way through filming a number of projects in Valencia. You may recall we ended up stranded in a marina car park, and the confines of living in a car park in a van drove us to seek refuge up north. But we’d always felt that we had unfinished business with Valencia - George and I had grown to love the city, and were fired up about the documentary we were making there. So we said that as and when we could, we would return.
Ten weeks later (!!) and we decided it was time to take the plunge and drive down south again. And so, with the generous offer of a friend’s apartment to stay at in the Valencian village of Corbera, we headed down along Spain’s eastern coast.
Driving south was somewhat risky given that crossing regional borders is still closely monitored.
Although armed with all the correct documentation, as we drove further south I was definitely nervous about crossing the border. There aren’t usually official checks between regions in Spain, but I didn’t know what to expect given the current pandemic. Despite the nerves, it was lovely to be in the van once again and have the partial sense of travelling and moving forwards. The sense that we aren’t going anywhere or progressing has been one of the biggest challenges recently, so as we trundled along the (relatively quiet) motorway I got a little hit of that travelling feeling.
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(images, left to right) Leaving the vineyards of Palamos, George prepping for the long drive south, and golden hour on the road.
As I followed the blue dot tracing our movement on Google Maps, I could see that we were approaching the border between the two regions: Catalonia and the Comunitat Valenciana. We mounted the crest of the hill, and then spotted a cluster of police cars with police officers stopping and checking vehicles! This got my heart racing, and I could already feel the apprehension of having to explain our movement, not least in a different language. We had proof that we had work in Valencia, our official documents and friends’ phone numbers should they need them, but just the sight of armed officers made me quiver. Guns really are something us Brits forget about.
And yet, as we slowed to a crawl and almost rolled the window down, making clear eye contact with the officers, it became clear that they were only interested in checking traffic in the opposite direction! And so just like that, we continued straight ahead towards Valencia.
That evening was our first night camping in the van in months. And it was delightful!
I’d found a spot to stay that was as secluded as I could find, as I knew that things like camping were still technically not permitted. As with most spots I find on the Park4Night app, I know very little about where we’re headed until we actually arrive. Which made it all the more of a pleasant surprise when we turned off the motorway onto twisting roads, climbing up amid orange groves and little cottages. The evening light made it all the more magical, and it really was a reminder of the kind of moments we were chasing when we first set out to travel in a van.
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(images) Our secluded camping spot, where we spent the first night in the van in almost three months.
Relatively hidden from view, we parked up next to the Embalse de Sichar, an enormous reservoir which apparently serves to produce electricity, and also as irrigation for the agriculture in the region. As we pulled up next to the water, I knew I had no more than five minutes before the light completely left and we’d be shrouded in darkness - far away from any town or artificial light. So after a hot and sticky 5 hour drive, I didn’t think twice about plunging into the water.
A 10pm skinny dip felt like the perfect symbol of a new chapter after months of lockdown.
It’s not often that you get to park up in the middle of nowhere right next to a picturesque reservoir. So the next morning, after a somewhat restless night filled with the paranoia of police or park rangers, I actually had another two swims! George thinks it’s hilarious how much I love swimming in nature, and insists that if I was an animal I’d be a labrador. I’ll take that!
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(image) Another wild swim in the bag at the Embalse de Sichar.
In order to get the keys to the apartment we’d be staying in, we made our way into the city of Valencia itself, to pick up our friend whose place it is. It was lovely to see him again, and it really made me realise how little I’ve seen of anyone other than George. I’ve been craving social interaction for sure, but having a tiny taste of it once again almost brought about more melancholy than there was before. 
When we arrived with Ramon into the village of Corbera, about 30 minutes outside of the city, it was a welcome sight. Not only was this little town a change of scene, but there were more people out and about than we’d seen before. The Comunitat Valenciana has been hit a little less by coronavirus than Catalonia, so de-escalation had progressed here a bit more, and there were even bars and cafes open.
The sight of things like bars and cafes open once again, places which previously seemed mundane and everyday, has been transformational. It has reaffirmed my need for human interaction, and how much I enjoy not only socialising, but seeing other humans socialise too.
The following days have been a process of acclimatisation. Whilst new surrounds bring variety and hope, they can also bring about a sense of unease, as you adjust to your new home. That feeling has been even more strange because in some ways, the two of us are used to the varied setting of life on the road, but usually with the constant element of living in a van. Now we’re in an apartment, which is a kind of funny mix between temporary and permanent (longer than a holiday, shorter than an official house move). Add to that the fact that we never want to wear the generosity of others thin, and in an ideal world we’d be completely self-sustaining, driving and living in the van (and probably half-way to Asia by now!).
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(images, left to right) The van interior with the sofa rotated as a passenger seat, George driving from Valencia to Corbera and my growing collection of books in the van.
Of course, it’s not just George and I who are facing change. Everyone’s plans have changed - from school exams to university graduations, from weddings to funerals and everything in between. Even though the scientists and the climate activists told us that something was going to come along and turn our current way of living on its head, we still couldn’t have imagined what was in store for us and the intensity of its impact.
As well as the terrifying health implications of this pandemic, one of the biggest impacts that most of us who remain healthy have experienced is the social one. And whilst in the early weeks, there was a sense that we were all ‘taking one for the team’ by not seeing family and friends, I have sensed a shift in mood this last week as loneliness and isolation really takes its toll. 
I’ve felt acutely aware of how isolated George and I are, and in talking to others can sense that they are struggling with this too.
There are statistics and theories out there about the different stages of how we collectively deal with challenges like the Covid-19 pandemic and associated lockdown measures. And I’m no expert on the matter, but I’m pretty certain we’re in the “okay this has gotten really rotten now and I just want to hug my friends and go to a cafe and have a beer together and not have to obsessively wash my hands” stage.
Perhaps one of the roughest things about an invisible enemy like this virus is the fact that we as humans can’t fight it in the way we’d like, with a grandiose battle, a clear winner and loser, and a huge victory party. Instead, we face the dreary comedown of ‘de-escalation’, where every social interaction becomes a calculation of risk and everyday experiences are characterised by obsessive sanitation, endless disposable plastic items and the creeping sense of surveillance.
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(images) A camera roll filled with selfies is a reminder of my isolation and a documentation of life in Corbera.
One of the ways I’m attempting to tackle this social isolation is to avoid judgement at all costs. It feels like the media wants to pit us against one another, to get us to judge the people who have ‘carelessly’ broken lockdown, the people who are ‘crazy’ for still respecting physical distancing, the people who refuse to send their kids back to school or the people who are desperate for some children to return. I genuinely think (contrary to what the media would have us believe) that most of us are just trying to survive, trying to keep our heads above the water and make conscious decisions with that in mind. Sure, I’m not condoning everyone’s behaviour, but believing that the majority of folk are just people like me, facing this peculiar situation, helps me feel less isolated.
All that said, I’ve heard that people in England are taking much more disregard for the rules. Perhaps my judgement on the matter is skewed because Spain seems to have found the right balance.
Despite the loneliness, we are flooded with things to be grateful for. In fact, that sometimes makes me feel guilty for feeling negative at all! But I try to lean into both emotions: the gratitude and the sadness.
Probably the biggest thing to be grateful for right now is where we’re staying.
I wake up to the sound of chatter at the cafe beneath the flat (only serving people outdoors, with tables set apart from one another but still bustling with life) and spend the sunny days working with the windows flung open and light streaming in. On balmy evenings I walk to the shop to pick up a beer or two and pass the friendly neighbourhood feline corner where at least two or three cats always seem to be lounging around. We’ve found a 5K running route too, which takes us up towards the hills of Les Fontanelles and comes down winding through orange groves with views of the paella rice paddies.
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(images, left to right) The cafe downstairs which brings life to the town, sunset over the rooftops and a bunch of old guys having breakfast together, an image which has really stuck with me.
It’s a pretty idyllic place really, and a blessing that we have Broaden to work on as well. I’m building up our portfolio of graphic design and motion graphic work so that we can get more paid work that can be done remotely, whilst finalising a documentary about Portland Cementworks that we began over twelve months ago.
But I’m still conscious that work is a way to escape from this current reality, which although set in the gorgeous town of Corbera, is spent far far away from those that I love. What I would give to be in this same spot with my parents, my university friends, or all the folk we left behind in Australia!
Life in lockdown has certainly cast a new light on the price paid for travelling, and I think these coming weeks will be filled with contemplation as I readjust to this new chapter. Right now, it’s hard to stay fired up about hitting the road again, when that would mean travelling further and further away from the ones we love. But as with the challenges we’ve already faced, I’ll try and lean into it, ready for the lessons I could learn.
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1358456 · 6 years ago
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Review Response, May 19 - 25, 2019
Another week!
Heart #001
1) I love moon's character she seems so shy but will probably kill you if angry it's great!
I wouldn’t say that she’s shy, but more like... well, not overly social? And yes, if she’s mad... hehehe...
Heart #003
1) I had so many things going through my mind while reading is. The first thing was how I compared it with my writing. I can’t help but do that.
I love the way you describe things here and especially how you write Platinum. Go platinum go!
Pearl’s mental anguish is so amusing and this is a good way to use very detailed descriptions. Since Pearl is the one who hyper focuses on Platinum it gives the reader a great image of what Pearl sees, feels and how he views her.
Great reaction from our boy and from our ignorant Platinum. Hahaha Even if she catches him blushing. Shel thinks he caught a cold or something. XD
Wait so he and Dia are competing for Platinum’s affection?! I don’t want their amazing brotherly friendship to get ruined though.
I bet if they ask Platinum who of the two she prefers she will answer both of them are equally important to her.
Nicely done Nicole. If the King was every interested in the work of us mongrels he would agree.
Hehe. I sometimes do that too. Hehe...
I love my Platinum! I pay extra attention and put in extra effort in what she says and what she does. Ehe...
Oh, Pearl. He suffered SO badly in this chapter... But at least he had a very good time, even if he was teased so badly.
Poor oblivious Platinum... so smart, yet so inexperienced and clueless... It’s so cute, though. Max level friend-zoner, this one. “Oh? You appear to be flustered. Is something wrong?” Ah...
People wanted Diamond vs. Pearl. Then people kind of... vanished, so I don’t know what the readers want anymore.
If they ask her that question, she will pick both because she doesn’t understand what that question means. “You two are both my irreplaceable friends!” Double friend zone!
... All... hail... the glorious golden boy...
Heart #004
1) Pearl that's... very devious. But also very clever. But still very devious... Is this gonna be what's gonna tear Diamond and Pearl apart? Because I don't think my poor "heart" (heh) could take that...
Junior Quartet interactions are as cute as ever~ I remember some of this from your short story on tumblr. Poor Y, though I must admit it's pretty satisfying to see White get her revenge, given that she's usually the butt of the joke. Also Platinum dancing at the beginning was too cute...
Now, I wonder, will Diamond have the courage to initiate a conversation about romance with her, or will Platinum need a push from her friends to help figure it out...?
Diamond won’t be happy to see Pearl appearing in the villa all of a sudden. He will see that as sabotage. And poor Platinum will notice the tension, but not understand why.
Hehe. This was mostly in Short Story - The Feast. ... Or should I say, most of that is in this chapter. Hehe. Good old victim White. This time, she gets her revenge!
Diamond probably won’t be initiating such conversation. He seems more like the type to slowly ease his way into her heart, by simply being with her and making her happy. Pearl, on the other hand...
Legacy #002
1) Now that I finally have a day of free time, I'm back to reading this! And... I think this is my favourite chapter so far. I'm a huge sucker for fun interactions and stories involving camping together for some reason.
I really like how Red and Blue actually feel like seniors to their juniors in your stories. A lot of the other fics I've read have them act like they're the same age as the rest of the dexholders (how do you do, fellow kids?) which is just weird and kinda uncomfortable when you consider that they're like 30 in canon now. But in this, they both feel older and more responsible while still retaining their fun personalities and interactions with the others.
More foreshadowing(?) with Y's Zwelious... hmm. I loved the scene between her and Black (a rare duo!), and the rising conflict with her and Blue. Given how torn up Blue is about her feelings for Red, I can't imagine it'll be long until Platinum notices as well, given how smart she is. It makes a lot of sense that Blue would be unwilling to talk about her problems with anybody, given her life of solidarity. She's so used to being on her own that opening up must feel impossible for her, and I hope she gets the chance to learn that everybody needs support from time to time in the future.
... This review is kind of all over the place. I really, really enjoyed this chapter, is what I'm getting at.
It’s always fun to write about friendly camping that does not have any tragedy happening. Pure fun stuff!
Red and Blue are... I think I said 25 in Legacy. I crunched up the age gap between Emerald and the Sinnoh cast, so that puts Platinum at 18? But yeah, they should be behaving much more older than the juniors. Mental maturity and all that. They will have their old traits, but mellowed down a bit. So Red won’t be stupidly reckless, and be much more considerate towards the juniors.
More foreshadowing with Y’s potentially uber-aggressive Dragons. Yep. And Y hanging out with Black is definitely a new one, with more interaction options available. I should explore more of them. And oh, Blue... But this is the time for her to receive the warmth and care that she always longed for! Isn’t that sweeeet?? Hehe...
I really enjoy your reviews, Egg! Same for MelBar’s Destiny reviews, though those haven’t continued yet :( I look forward to seeing more!
Legacy #003
1) It's kind of funny seeing Platinum giving romance advice to Blue, given her own naivety towards Diamond's (and now Pearl's) feeling towards her. Still, it's really good advice, but I can't help but worry that this confession might not go exactly as planned... "Sorry Blue, I don't like you in that way."
I think I said this last chapter but damn the junior trio interactions are cute. I love the fact that they're clearly quite close, yet both Y and White are slightly terrified of Platinum when she's angry (cold Platinum is just the best~). Also White and Y's tendency to bug each other is super cute.
And Platinum appears to be the one in danger. I'm excited. But also nervous. Excited because this means cool action scenes are coming up (flash freeze 'em), but nervous because... Platinum's probably going to suffer quite a bit. The pain of being the author's favourite... And Moon's a target too, huh? Wonder how she'll fair. And if Sun will get every bone in his body broken as collateral damage.
This is an interesting set up. Will the villains use Moon's loyalty to Platinum against her in some way? Will Rotomdex manage to escape just by annoying the crap out of the villains? And I have a feeling that the Sinnoh trio isn't going to get to meet up...
Ah, this review is far too long and ramble-y. I think I also said this last chapter but Legacy is quickly becoming my favourite story of yours. Keep it up!
Yes, of all the people, it’s Platinum to do it. How ironic, isn’t it? Heh. Well, I think she’d be more oblivious about those in love with her, but she’d know how to offer advice to others? It’s... a bit weird, yeah. But still very sweet of her, isn’t it? ... Oh, if the confession fails... oh dear...
Hehe. Love the Junior Trio/Quartet! ... Soon going to be not called “Junior” Trio/Quartet, but hey. White and Y are definitely close to Platinum, but will still get intimidated when she’s angry. Because never anger the ice queen! Hehe. “She’ll turn you into a popsicle if you anger her!” But while White and Y are afraid of Platinum, they are not afraid of each other, and will try to one-up one another and sh*ttalk when possible. Heh. Like true buddies!
Oh, be on the lookout for real cool action scenes with Platinum in the future. Ah... yes. The balance of screentime vs. well-being. Favorites get more screentime and thus suffer more for it! :( And yes, Moon is also a target. But will Sun also suffer? ... Well, it’s Sun. He’ll suffer no matter what he’s doing.
Freaking Rotom Dex and its incessant rambling... At least the villains will have a way of muting that damn thing.
Ehehe... thanks! I look forward to seeing more from you!
Legacy #007
1) Dang. That research team was brutal. I wonder if they're the same people who kidnapped Platinum and Y earlier. More plot is revealed as they took the Rotom pokedex so I wonder what they need with it. Also, I wonder how on Earth that Sun, Moon, and Lillie will survive a burning building and already having their bodies be on fire. If they survive, they can sure take a beating. Then again, as I've seen in all your stories, ALL of the dex holders can take a massive beating and still live.
Hey, you’re back! I think you missed out on Heart so I thought... hm.
Nah, they’re not the same people who kidnapped Platinum and Y. Different teams! Behold the manpower of Team ... well... let’s leave that blank for now. Team Blank!
The Rotom Dex was taken to study the Rotom-to-device interface. It was stated in an earlier chapter. Now, what do they need this for? ... I think it’s possible to piece it together from the loose hints provided, but... let’s also leave that blank for now.
Oh, the boy that was burned was not Sun. Local boy with a box of malasada. Sun is not local to Alola, and doesn’t look like a local, thanks to skin color. Now then. Who would have a box of malasada of all things? Hehe...
And I have said at one point that in order to survive a beating that bad, you’d have to be in the top 5 of my Preference List. Moon is in the top 5. Lillie is not. And the “local boy” is also not. So... ... And I also said that Moon will be set on fire, which burns off her existing attire, thus she gets a new one to match the attire overhaul I gave her. So... the “prophecy” has come true!
Destiny #001
1) So, I started with Destiny like you suggested. And so far, it's been great! And ho boi, there are 45 chapters, but honestly with your work, the more the better. It seems like you put a lot of time and effort into this story, and for that alone I applaud you. Again, grammar is on point, and it is easy to understand what Blue is going through. When one looks, one realizes that all aspects of Blue's life right now is completely shitty. From the berries to the loneliness. You did really excellently with handling that in my opinion. It was just so that one really understood what was happening, but it wasn't forced onto the reader either. Well, I guess in some ways it was, but not in bad ways. It was in a good way, trust me. Onto the plot itself! I must say I am very curious about this newcomer. Peter was his name? Quite plain compared to the rest of the names in the series (tho then again you have names like Daisy and Bill so I guess that's not true). Could he be faking his persona? A plain name, a pleasing personality, randomly saves Blue, and has strong shiny pokémon? I'm not sure whether to trust this guy or not. But I'll set aside my suspicions for once and trust him for now. For now. In any case, I'm really hoping that the other dexholders reach out to Blue, I mean really hoping. I've started praying even. I mean, this poor girl is so lonely and she has such a good heart. In any case, it was a hoy to read and review your pieces! And I greatly appreciate you taking the time and effort (kek I already said that earlier) to write this. Thank youuuuuuuuu!
Hehehe. You certainly have a lot of Destiny chapters to read! I look forward to seeing your reviews! ... Do continue them, please?? :)
Yes, Blue starts off on a very, very low point in her life. Now it’s up to the other Dex Holders to try to lead her to a brighter life!
Ah, “Peter”... a name created from the real life friend who was the inspiration of that character. His ID at the time had “PT” in it, and the first name that came to mind with both “p” and “t” in it was “Peter”, so... there it is. Heh. And I like the simple normal sounding names. Not like... “Officer Bobemon” from the Battle Subway, I think? ... Sheesh. And strong shiny stuff. RNG! RNG!
I greatly look forward to seeing your Destiny progress~! :)
SR #020
1) You should make an alternative ending to sr #20 where they don’t succeed in tricking blue
What was SR #020... oh, Mass Revenge? Ah, that secret camera trick/prank thingy. But where they don’t succeed? Aww. Where’s the fun in that? Hehe...
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beautifulramblingbrains · 7 years ago
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Bound By Honour - Chapter 3
Pairing: Eric/OC *Sarah* Fandom: Divergent/Insurgent Rating: M -
Eric has the best hand in all the factions, but can’t seem to get to grips with his life as a parent to two grown Dauntless members. The honour is passed to Sarah as she battles with the woes of an unruly daughter and a wayward son. Balanced with a intricate web of personal struggles and outsiders, can they stop their family from falling apart?
A/N: Here to bring your daily portion of drama.
Tags: @singingpeople @equalstrashflavoredtrash @pathybo@beltz2016 @ariwolff14 @lostinthebeans @kiiiimberlyriiiicker1995@jojuarez26 @tigpooh67 @mom2reesie @lilu46 @murmelinchen
The factionless camp is a plot just outside of Amity. It’s pretty large, spread with brick houses from old buildings as far as the eye could see. It had its own guarded entrance, the dauntless camps made from dark green tarpaulin tents starting from either side of it and running parallel to a flimsy wire fencing. Jack remembers the debate on whether they needed to be fenced in anymore. It seemed as though anyone could scale it if they tried; even a small child, and the factionless plowed the fields of Amity freely during the day anyway.
The reason why Eric hadn’t authorized to lower the fences, is because he thought that if the did, it would give the Factionless ideas on becoming a whole independent unit - and he didn’t want that, not from people who he saw as wastes of space. He said ‘oppression with a society like theirs was vital’, and stuck by it. Though, he could agree that their help in Amity made the seasonal weather changes and the forever increasing requests on produce far easier to maintain and reach each year.
“Assholes and elbows, everybody out!” A senior officer commands at the back of the truck once they come to a stop. It’s every man for himself, everybody rushing to grab their equipment and exit without being the last.
Jack is marched with the other new faces to a freshly bleached-smelling tent with cots of beds lined symmetrically either side. Men and women shared; not that that was unusual. Everything is basic, everything is bland, and it is cold. Jack breathes in deeply, trying to forget the ebbings of homesickness already cursing him, and locates a bed.
“Consider yourselves lucky with having the rest of the day off. We rise at zero-six-hundred hours!”
Next to each bed, they are given a small line of drawers for their things and a dim lamp which was already on for their arrival. Jack decides it’s best to settle himself in, make it as comfortable as possible, put his clothes away at the very least. Dumping his rucksack on the bed, he begins unfastening the straps.
“You’re the Coulter’s boy.” An unfamiliar voice has Jack peer up to a guy probably younger than him. He appears to be claiming the cot directly next to his, but facing him from across his bed, nonchalantly copying with unpacking.
“It that obvious?”
The guy studies him closer. “Your shoulder-width sure says so.”
Jack smiles to himself. If only he knew though how much he loathed his father’s influence over him. “You already know who I am then, is there any point in introducing myself?”
“No, Jack,” the guy jokes. “The names Ryan but I go by Chip too.” Jack’s frown is so unique to his father and it urges Chip to continue. “Chipped my bottom tooth when I hit the net the moment I jumped into Dauntless. It’s quite a funny story actually. As I landed, my first flew up weirdly into my mouth with the momentum and tapped my bottom tooth. Usually it’s the top, but no, nothing is ever normal for me.”
“I can relate to that,” Jack mentions.
“I called out something like ‘I chipped my tooth!’ and they wrote down Chip. Voila.”
“They didn’t let me choose a new name. It was already Jack the moment I jumped.” And if he had his second chance, he’d call himself Ardvard to really piss his dad off. He keeps himself concentrated on folding his clothes and putting them in the drawers so he couldn’t show his frustration.
“You also didn’t choose to be here, did you?”
Jack doesn’t like the fact his emotions must be so readable, narrowing his eyes at this chatterbox next to him.
“Fine, I’ll keep my mouth shut.” Chip puts his hands up in apology. “I won’t talk anymore and let you fester.”
At the bottom of Jack’s rucksack, he pulls out his headphones at long last, placing them over his ears and playing music while falling back on top of the sheets, covering his eyes with his forearm.
Chip merely scoffs and shakes his head. If he wanted to sulk for his entire time here, it’s going to be a really long month for him.
Sundays are usually Eric’s day off. He’d maybe go to the gym for a little longer than usual, eat with his family at lunchtime, cut his hair, watch Sarah in the shower, maybe toss himself off afterward with plans to screw her later. But no. It’s different today, and for the first time, he doesn’t know whether he should continue on with the usual by the way Sarah blanks him 
He doesn’t like it.
He watches her flit through the kitchen, cleaning each surface twice; even after she touched or moved anything. He even watches her fill the washing machine with annoyance while his coffee grows cold on the table in front of him.
Eventually, April brings the distraction he needs. In baggy sweats, she places herself next to him with some terribly pale face. He pushes his cold coffee towards her. “Heat it for me,” he commands. She does groan in agitation but does it none the less, only to slouch back next to him straight after.
“Mom, I need something to eat.” April uses her whiny, soppy voice full with hopefulness.
Sarah barely looks at her. “Do it yourself.”
Eric and April share a glance. He then lifts his chin, taking a breath before speaking. “I think the kitchen is clean, sweetheart.”
“It won’t clean itself. And April, before you go anywhere, you will tidy your room.” Sarah still doesn’t acknowledge them when she passes, disappearing into Jack’s vacant bedroom.
“Don’t tell me she’s sulking over Jack actually doing something with his life,” April whispers, beginning to lean forward tiredly on her forearms. Eric whacks her to make her sit up straight.
“You were drinking last night?” he asks.
“Of course.” She yawns and it pisses him off. “It was Saturday night.”
“Cut your shitty attitude, go shower, and then go to the gym. You’ve missed breakfast which is your own damn fault.” He sips the coffee quickly. “And that means now, blondie.”
Whether his daughter sensed the tense atmosphere or not, he’s more than happy she doesn’t serve him backchat. He couldn’t deal with her mouth and a wife that has legit gone crazy, and by the sounds of it - throwing the vacuum against any solid surface she could possibly find.
April doesn’t shower, leaving the apartment exaggeratingly yawning no more than five minutes later with her hair in a bun and a large sweatshirt, casually mumbling, “Chow for now.”
Still festering in domestic annoyance, he notices the cable of the vacuum is plugged in the hall, so he casually strolls over and kicks it out, ceasing the endless white noise. As Sarah appears, he smiles viciously. “It’s me.” She doesn’t share his enthusiasm and as she turns he grabs her arm. “What are you doing, Sarah? You’re stressing over nothing.”
“I’m keeping myself busy.” Her cheeks are flushed pink, hair stuck to her forehead. It’s in her eyes though that he can see everything that she’s not saying. She actually looks kind of repulsed by him - that’s not entirely unusual...
“You want to-”
“Haven’t you got somewhere to be?” Sarah’s so blunt it takes him by surprise. She plugs the vacuum back in and he pulls it out like a spoilt child.
“You don’t want me here, fine. I get it. Be angry at me all you like but it’s not going to change anything. Fucking deal with it.” She ignores him, the worst thing she could possibly do. “I’ll go fucking somewhere else!” He flings his hands up exaggeratedly in the air while storming to the bedroom to grab his jacket and collect his phone. He’s still putting it on when he reappears, just as, she again, plugs the vacuum in and disappears into Jack’s room.
That’s when he loses it.
This was always a problem. He was two sides of a coin; one shiny, one in absolute filth that no amount of soaking could clean. He never thought about what he did before he did it, and could never confess the guilt he would feel afterward.
Eric yanks on the stretched cord that lead into the room, not realizing his strength as the vacuum comes crashing out of it, and Sarah lands on all fours in the doorway.
She was fucking holding it.
“Sarah, shit I-” He steps closer as she rolls back onto her ass and leans against the inside wall.
“Get out.” It’s whispered so low he doesn’t know whether he thought it instead. She wipes at her face, still not able to look at him. “Get out, Eric.” The calmness of her voice is more threatening and telling than her words.
He wanted to stay and argue. He wanted to try and get through to her that this wasn’t anything to be worried over. He wanted to say he was sorry and imagined them forgiving each other and moving on. Instead, he does nothing and leaves his little wife be, along with a small fearful voice nagging in one ear that perhaps this was beginning to spiral out of control - out of his control. And he had no idea what he could do about it.
Wedged into a communal shower, the water running black beneath their feet, Jack still finds himself chuckling from time to time. The steam creates a mist high above their heads, voices echoing. He couldn’t have found better people to be with if he tried. Their team effortlessly formed a unique friendship in just one day alone 
“It’s supposed to be the introductory day, instead my ass has been flogged worse than my initiation. In fact, worse than anything I’ve done yet.” Chip scrubs at the thick lines of dirt under his chin with a bar of soap. “I can take beatings, yelling, gun practice for hours on end, but those fields are something else. Those Amity’s must be ripped.”
Jack lets the water pour over his head for a long while as Chip continues rattling on next to him. His eyes slide to the right feeling eyes on him. He’s being watched unsubtly by a girl maybe a year younger, freely letting him see everything; the way her hair drenched over her shoulders and leading to her breasts, the toned abdomen glistening under the water. She smiles at him once he realizes he is staring a little too long and he forcibly smiles back before turning his head to the wall in front of him.
“You have interest…” Chip whispers suggestively.
Jack merely rubs a hand through his short hair, clearing any shampoo left. “Nah…” he drawls. “I need to focus.”
“She really likes you.” Chip is making this conversation too obvious by continuously glancing over to her as he turns under the water. “Jennifer or Jenny, I think she goes by.”
“She could be called ketchup for all I care.”
“You got a girl back home?”
Jack shuts off the shower, grabbing his towel hanging next to him and wrapping it around his waist. “No,” he snaps a little harshly. “I wasn’t sent here to pick up girls.”
His friend shrugs. “May as well have some fun while you’re here though, right? Maybe you should-”
“Maybe you should keep your mouth shut.” Snatching up the bottles of his shampoo from home, he looks Chip right in the eye. “Concentrate on your own business, not mine.”
Again, his friend finds himself holding his hands up. “Jeez, okay…” And Chip watches Jack leave. “Chill…” He shrugs to the girl who disappointedly looks away.
Sarah’s too busy in her preparation for her second meeting with Erudite; papers fanned around her in the boardroom, to notice Blake Hammond watching her from the open doorway. 
There’s a bit of a ruckus from the other meeting rooms and offices; people skimming past, so she doesn’t have the sense to look. But he does. He watches her bite the end of her pen, then down to a flattering pair of heels, letting his eyes run up her patterned stockings to the hemline of the classical A-cut dress she wears that had risen up ever so slightly.
“Knock knock.”
Sarah jumps, her head jerking over towards him. “Oh, Mr Hammond!”
As she stands to shake his hand, he smiles pleasantly at her, closing the door behind him. “Please, call me Blake.”
“Betty was supposed to fetch me when you had arrived. I’m sorry…” she trails off as he rushes to pull out the chair for her to sit back down, grabbing the seat closest to her for himself.
“I hope you don’t mind, but I told her not to bother. Seemed a little too formal.” He remembers the folders in his hand and places them in front of him. “The plans have been drawn.”
“That’s brilliant.”
“It took a while as something far more important came to my attention. Regardless, I tried to get them drawn up as soon as I possibly could because of the issues we had in the last meeting; a lack of information, and I didn’t want it to appear any less important or as if I am wasting your time.”
Sarah shakes her head. “I wouldn’t worry.”
“Good. Well, I’ll dive right in. Of course, I am here for the preparation of the expansion, but also-”
“It still hasn’t been decided if this is actually going to go ahead yet,” she reminds him. The last thing she wanted was him to ride too high on his horse.
She expects some sort of subtle tantrum, but instead, he graces her with one of his unique smiles and unnerving her to no end with a confident stare. “That’s a given.” His words are too smooth, too low. She eventually has to clear her throat and focuses on the papers in front of her. “What I was going to say, is that there is a more damning problem I’ve stumbled across. It’s not the most pleasant of subjects, but I think you will agree that is indeed the most urgent.” Blake pulls out a small-scale map and passes it to her.
It’s a complete maze of runways and the layout of the factions. It’s hard to distinguish exactly what he is referring to. She hates to admit it. “What am I looking for? You can’t expect me to see what you see by handing me an unnoted map, Mr Hammond.” Sarah lays it flat to allow him to clue her in.
A smirk plays on his lips that she doesn’t see as he leans closer. “Our three factions; Erudite, Dauntless, and Candor have the same waste system under the cities grounds. Abnegation’s is veered off on a single system on a much smaller scale, and Amity runs with the land in the opposite direction.”
“...Okay.”
“The system has sat underneath us for countless years, adapted to our city.” With his two index fingers, he positions off a section on the map. “The problem is here. This is the evacuation.”
“That’s beyond the wall.”
“Yes. It’s collapsed,” Blake states clearly. “We need to close it off and redirect it… here,” he points it out. “Before we have a sanitary crisis.”
Sarah now believes she is not fit to deal with Erudite and wishes Eric took this damn project on. “This is a state of affairs that needs to be considered by all the factions. This isn’t an individual problem we can head all the decisions for.” It’s the best response she can come up with under the pressure.
“Your husband, Mrs Coulter, is certainly one person who can head this movement, or at the very least brandish it vital. I mentioned this in a briefing, and it’s actually humorous if I think about it, but the people of Erudite are calling for me to front the repairs and take over some of the cities responsibilities.” He leans back in his chair and puts a hand to his chest. “I don’t want to encroach on your husband's domain. Believe me, I really really don’t. I’m new to this game and my persistence was fighting for what my faction wanted. But this is beyond what we want. This affects multiple factions. I’m just the nose who stumbled upon it.”
Sarah swallows dryly. “So, what do you want me to do about it?” With such a harsh question, she still manages to make it sound pleasant. “Surely if it was that important you would insist on meeting with Eric?”
“I just assumed Erudite business is run through you now. You were both adamant.” Blake is leaning so far back in his chair with a look of expectancy; as if she was about to suggest something completely miraculous. Sarah only feels like she is floundering.
“I will speak with Eric. I’ll make it a priority.” Even she doesn’t recognize her own voice, and with his twitching lips, he also knows that she is at a loss.
“Photos!” Blake suddenly remembers. “I took the opportunity to gain photographic evidence so there is no delay - unlike the last problem we had. A lady like yourself shouldn’t have to venture to the source of the sewers, ma’am.”
“That’s very considerate of you.” As she studies the photos of what looks the mouth of a cave crumbling on one side, she feels his stare.
“Myriad…” he suddenly mumbles causing Sarah to slowly peer up at him.
“Excuse me?”
“I’m going to name the expansion and new parts of the buildings Myriad. I may even name the entire project that. Has a better ring to it, wouldn’t you say?” he asks. She is at a loss for words. He chuckles before adding, “...Almost like the shade of your eyes, what a coincidence. All the myriad shades of blue.” She can’t help but blush, her cheeks tinging noticeably pink. “I’m sorry if I have embarrassed you. I just found it quite fitting. Screams Erudite, don’t you think?”
“Shall we concentrate on the blueprints for the expansion?” Sarah rushes.
“Certainly.” Blake flicks through his papers. “And shall we name the sewer problem Roses?” he mumbles with his eyes still downturned to the sheets in front of him. “I have never been taken with the smell of them.”
“That’s a matter of perception.”
While she is blunt; her tone anything other than amused, he seems to be. “You’re very much right.”
“This guard malarky is a piece of piss,” Chip comments while they watch the buzz of factionless life from inside the pathetic excuse of a fence. “Do you ever think, when the factions were being made, Amity was truly the leftovers; you know, like factionless, so they made another faction to accommodate. 
Chip still peers off into the distance as Jack snaps his head over to him. “You know what, you think too much, that’s your problem.”
“But who really decided that? ...This is the factions, we shall name them this and stuff them with people with these traits.”
Jack kicks a stone out in front of him. “I… mate, I really don’t care. What’s done is done.”
“What do you care about?”
Now that is a tricky question. All of Jack’s thoughts had been on showing he was just as capable as Eric thought. That he could survive without being close to home. And that he was eager to follow his father up the ladder to leadership like he always wanted.
That was a farce. Really in his mind, he’d gone along with it because after initiation and the build-up, life wasn’t so planned out and simple as he thought. He wasn’t satisfied. He didn’t like the idea of leaving home at first but came to see it as a chance to find himself.
However, he still felt lost. “Surviving the month,” seems to be the only logical reasoning he had at the moment. Steeling his jaw, he keeps his sight out in front of him.
“What’s it like being a Coulter kid?” Chip continues regardless of his friend's hostile appearance.
“Privileged.”
“And your mom’s a Stiff. That’s unusual-”
“Don’t talk about my mom.” He’d heard it all before; all the provoking insults, all the slurs against her, and it was partly why he said privileged; intentionally mocking himself over something that had been said before. They couldn’t be any more wrong. “I’m out of here,” he says suddenly, sauntering off towards the main gateway.
Chip looks to and fro between their small chosen group, signaling for them to stay there as he races to catch up. “That’s against protocol! Jack, stop!”
“Stay here then. I’m still patrolling. I’m just doing it over there, through the woods.” He smirks so much like his father over his shoulder. “Taking in the scenery.” He thinks for a moment before adding, “Need a piss too.” As long as Mark or their intakes instructor didn’t see them, no one would bat an eyelid. They were too busy splintering the groups on different activities to pay much attention anyway.
While Jack walks calmly, Chip keeps throwing a look back to the camp, stumbling to keep up and steadying the gun hanging from his shoulder. “I swear, I will point fingers if they find out. I’m not lying, so don’t expect me to.”
“Whatever.” Jack shrugs. They reach the tree line and he thunders straight through, finding a spot to unzip his flies. Whilst he’s pissing, Chip is still a nervous wreck.
“What if there are people out here?”
In annoyance, Eric’s son leans an arm against the tree, still occupied. “ We shoot ‘em. I don’t know, depends.”
“On what?”
Jack smiles to himself, zipping his flies and turning to his friend. “If they shoot at us first.” He begins hacking his way through the undergrowth, ascending a natural bank with the sound of Chip clumsily following. Reaching the top, they come to a lazy pace and Chip soon begins to relax, only occasionally mumbling to himself.
Amity had it good, and so did the factionless now. Jack’s mesmerized by the very tops of the trees swaying above him. Through the parting of them, small dashes of light were thrown down, highlighting bright blue and purple wildflowers. Below him, by his feet, moss grew on fallen logs, some type of mushroom clinging to the base of trees. In passing, he dipped his finger in the sap of a tree, memorizing the feel of the bark under his hand, the waxy layer on small leaves or the furs of the stems. Finally, he crouches down to the track of an animal, a content, honeyed smile on his face from the relaxing atmosphere around him. “The animals are still free, even behind the wall,” he murmurs, completely forgetting that Chip is behind him.
“Thanks.” Confused, Jack peers over to his laxed friend still standing, steadying his gun from swinging as he turned. His face must say ‘For what?’ because Chip runs a hand through his sandy blonde hair before continuing. “You made me remember that there is more than just us here.” Jack doesn’t reply, turning back to measure the size of the print to his outstretched hand. “That we’re lucky to be here now. Well, I’m lucky. If you hadn’t of wandered off I’d still be watching a dusty track road and rubbish skimming the floor.” Jack stands up to look for a trail in hopes of finding whatever it was that had passed through there only shortly before they arrived.
“Stop talking. All anybody and everybody does these days is just talk; nonsense, shit, who has more than me, the weather. Be quiet.”
“Be quiet and listen to nature,” Chip suggests with a blissful sigh.
“No, just shut the fuck up. You don’t have to listen or see or feel what is around you. A quiet mind brings it.”
“Is that why you use headphones?” Chip asks.
“Does it matter at all why I really do anything?”
“You are the most wayward person I’ve ever met.”
“And yet, you still talk endlessly to me.”
Chip shrugs this time, peering down to the ground. “I didn’t say it was a bad thing.” Jack’s eyes are a deep ocean when he decides to look back up from the forest floor to him, his expression altogether smothering what really rippled through his vast mind.
“We should head back.” The tall Coulter boy stands to his full height but decides to walk side by side this time then trailing off ahead. They walk wordlessly, Chip having taken some incentive from their conversation. Descending the bank they had traveled across for a change of scenery, the break in the trees is ahead of them that would expose the furthermost corner of the factionless camp.
Jack turns his head to Chip as they walk out into the warm rays of the sun, and briefly smiles.
A few shots ping from the floor and off a nearby tree that startles them both, Chip throwing his hands up to a group of Dauntless they hadn’t noticed. “Friendly!” he shouts at the top of lungs. “Jesus Christ!” he pants, nervous laughter breaking his composure, turning to Jack to comment.
Jack Coulter isn’t looking at anything other than his hand pressed to his right shoulder, bringing it away to look at the crimson spilled between his fingers. “I’m hit. I’m hit. They shot me.” His face blanches and he tips backward, losing his footing at the same time Chip grabs him.
“Man down!” Chip calls out to the Dauntless patrol, pulling the strap of Jack’s gun from him and applying pressure, using most of his weight. “You’re good, man, you’re good.” He pleads with the other patrol to hurry up with a swift glance then back to his fallen friend. “Just a flesh wound…” he comforts him.
Sarah doesn’t know the people Eric is talking to. She allows distance between them while waiting for whatever conversation they are having to end. It’s also not the first time in her life she has peered through the window of the gym and training room. Many years ago, when she was just a girl of eighteen, she remembers coming to find Eric here. It’s a weird sensual feeling; a fleeting moment of familiarity, all that might have lived before deemed itself suddenly brand new. She wanted to believe the fingerprints in the dust of the small lip of seal of the window were hers. It was a strangely comforting idea 
When Eric dismisses the conversation, that’s when she makes her break. It’s a sullen, sweaty smell and lighting, various grunts from around the room that she ignores. Eric sees her coming, opting to drop the weights into their holder after only seconds of using them and shows his broad back and admirable lines that she knew of that still managed to pang the small muscles in her stomach.
He’s somewhat breathless when he turns and puts balled fists onto his hip, his vest considerably loose around his neck and a stain of sweat looping down his chest. “Wife,” he addresses her, but it’s not exactly kind.
“There’s… some things we need to talk about. I was hoping to catch you in your office but…” Her brows furrow, glancing at anything but him and crushing the folders to her chest. “...you weren’t there, so I thought you’d be here. So now I’m here.”
“Well, that ain’t obvious,” he snorts to himself.
“It’s something very important. Erudite want some answers-”
“Fuck Erudite. I’m not in the mood to talk right now.” He casually bats the air, opting to sort through the weights and lifts one in practice. “I’m done with work today. I actually thought you may just want to speak to me in general because you’ve barely uttered a word for a day or so. That was a stupid fucking idea obviously.”
“I’m trying-”
“It seems I’m always fucking trying but it’s like hitting a steel gray wall.”
Sarah sighs through her nose. “Please don’t talk over me.”
“Well, I’m getting bored of it. I’m bored of this - shitty tip-toeing.” He scoffs to himself. “In fact, I can’t even tip-toe, my shoulders are too bogged down with other people’s shit and attitudes, along with your…” He flicks a hand up and down her. “Personal issues, or whatever the fuck this is. A day is enough. This is enough.”
“This is enough?”
“Yeah,” he calls out over his shoulder. “It is.” But he’s beginning to sound less confident, trying fruitlessly to distract himself with a plain stand of weights.
Sarah drops the folder from Erudite to the floor. “Then I have had enough of this.” As she turns he’s quick to close the distance and grabs her arm, dragging her back as she fights feebly, her heels scuffing the floor.
“Don’t walk away from me.”
“Then don’t expect me to deal with things the way you do. This may not be a big deal for you, but you could respect me enough, at least, to comprehend exactly how I’m feeling.” She shrugs his hand off of her in a final act of defiance. But before she can fathom what he’s doing, he bends down and scoops up her foot, removing her heel and forcing her to cling onto him with her balance off. “Eric! What!”
“I don’t like these.” He inspects the shoe, then flippantly lobs it over his shoulder. 
Sarah purses her lips, poking at his piercings above his brow while kicking off the other shoe to regain her balance. “I don’t like that!”
Eric pulls her hair out. “I don’t like that fucking bun, never have, and you still wear it more often than not.” He smirks incredibly close to her face, probably intending to intimidate her.
“Your hair looks stupid longer. Cut it,” she pants with the command, blowing hair from her face.
“The thing you do with your eyebrow is condescending,” he mentions and she has no idea what he’s talking about. What thing?
“Oh, you’re a fine one to talk! Your nostrils flaring are.... are.” Her nose scrunches up and she continuously stutters.
“Sarah syndrome strikes again,” he claims. “But while we’re being utterly honest…” his voice drops low and he leans more into her space. “I have to admit, I like it when you do that.”
“Don’t patronize me! Don’t glide your way out of this with your scrambled words…” She looks to his arms. “...and body. That’s not how these things work.”
“How do these things work? What fucking things?” Only minutely he glances behind her, then licks his lips. “...You, er, you checking me out?” Sarah glances behind her to a group of people leaving, and then at the clock above the door. The large room has grown vacant, probably completely aware of Eric and his wife bickering and opting to leave.
“No, Eric.” She waggles a finger, backing up, still barefoot and hair loose. She knew what he was doing; he was twisting this conversation, distracting her. “Don’t!” Sarah hits a stand of exercise equipment behind her. Scrabbling around it, she makes it only to the nearest pillar that ran parallel throughout the large room.
She would gasp if she had time. His hands clamp onto her upper arms, spinning her, pushing her hard enough against the pillar to keep her pinned, but not enough to hurt. “I saw your email about whether I’d spoken to Jack. I have.” He eases up a little, his words softer than before and eyes searching; a sense of normality settling as they stared at each other. “You could’ve asked me that yourself.”
“But we had a fight…” She says delicately, tilting her head in a way Eric loved. A fleeting image of a time when Sarah was younger ignites his blood.
“I don’t know whether this is obvious to you by now or not, but I fight with everybody.” He twirls a strand of her hair around his larger fingers, stroking the side of her cheek, then neck and shoulder, brushing down her cleavage for a moment. “You trust me, don’t you? You trust me to look out for our son and do what’s best? Let me take some pressure away from you.”
Sarah tries to look away but can’t help fluttering back up to him. “That’s the thing, Erudite-”
“Fuck Erudite for tonight. Tell me first thing tomorrow. Just tell me what I want to hear now.”
She rubs her lips together before answering, “Okay, I trust you.” And his smile is radiant. But as she leans towards him, her head cradled sweetly against his chest with strong arms binding around her, that radiant smile drops.
Maybe he should have mentioned that it wasn’t really Jack who he spoke to, but Mark. That there had been an incident where Jack was shot from friendly fire and their son was extremely lucky that the bullet went straight through, missing his vitals, and currently residing in Amity’s infirmary.
Instead, Eric stares out from over the top of her head with a dead expression, knowing that he lied so dishonourably, and says nothing.
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hansolmates · 7 years ago
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170827 DIAMOND EDGE NYC: VVIP/HI-TOUCH & vernon moment!
disc. THIS IS A LONG AND COMPREHENSIVE post about my experience and mostly this is for me so i can look back at it in an hour and cry and i’ll probably add onto this later. im really really thankful that i had an amazing experience and i will love svt forever nd ever
During the day:
I woke up around 4am and arrived around 7.30 and they lined us up. My group of three vvip friends were around the 50s so we had a good line spot. The one thing I must say was that it was extra frustrating that the people who camped out (which is not allowed!) Were given PRIORITY tickets and cut the line! I can't even begin to explain how frustrated I was that they got special treatment for something they weren't supposed to do. We sorta just chilled around until 11 o’clock, we danced a little nd watched the carat ice cream truck go by!
But anyway there was nothing we could do and they sent vvip into the venue around 12 by then there were so many people and we stayed upstairs of the venue because having 3k people around one street was way too crowded. At first I didn't know what was going on but they were apparently preparing us for hi touch. We all lined up on the balcony and it was kinda sorta balls sweat hot. WE WERE BLASTIN MUSIC AND DANCING I WAS SCREAMING SO HARD lemme tell u less than 200 people on the rooftop that’s a party and then the staffer (who i will affectionately call J because she was amazing) was like “lol svt is doing soundcheck they can hear u downstairs and they think y’all are funny” and it was only 200 of us singing and stuff so they recorded us cheering for them and sent it back to svt. At the time she was filming i just came out of the bathroom and she filmed me and kris looking like absolute idiots dancing for svt by the bathroom LOL Afterwards mmt and svt sent us more water and snacks and soda because we couldn’t leave the venue to get food THEY'RE SO SWEET THE STAFF TREATED US SO NICELY!! J and mmt handled our fangifts with care and put them in sturdy boxes and made sure that we were hydrated and energized before we went back inside
HI TOUCH
OK THE HI TOUCH WAS A LITERAL BLUR they sent us to some stairs and was telling us the rules then all of a sudden we rounded the corner!! No warning!!! AND SEVENTEEN WAS THERE GIVING THE HI TOUCH!! The order thanks to haru peeps are as follows: minghao, vern, hosh, jun, jeonghan, woozi, seungkwan, dino, wonwoo, dk, scoups, josh mingyu. I wasn’t prepared for vern to go first nd I have an audio of me freaking out and going “oh shiiiii” when Vern was right next to me oh mah gah. I tried to pull it off and say “bro” and I did but Vernon kept staring at me until he got to kristine lol im so sorry vern!! But he’s even more gorgeous in person, his eyes are beautiful and his jawline can cut a bitch and he was wearing his cute red flannel that he always has on!! His head is big and his smile takes up his entire face and he’s just one big puppy you want to cuddle and im infinitely thankful for the eye contact!! Minghao is so hot oh my god he looks so confident and chill and he was givin those “yeaah babe” vibes. Their hands feel like lily petals. Boonseoksoon and cheol were very heartwarming, i squeezed all their hands until i was rushed off but i stopped to tell josh that he had pretty eyes and ended it off with mingyu and we jogged to our spot at vvip.
Concert Experience
I must say that i’m wholly impressed and happy that vvip did not push (it totally would’ve been fckin embarassing bc svt is really close to the stage so yes if they pushed it would’ve been awful) and i’m really sorry to hear that the rest of vip/p1/p2 had a really hard time trying to see BUT IT’S OKAY SVT IS NEVER COMING TO T5 EVER AGAIN. So im infinitely thankful that i was really really close to the stage and got to see the boys. BUT OKAY THE ONE THING THAT PISSED ME OFF? ??? CAMERAS. CAMERAS EVERYWHERE! I wouldn’t have cared if you were upstairs or in the back, but WE WERE LITERALLY FIVE FEET FROM THEM AND THESE PEOPLE ARE 6 FEET TALL and cameras were blocking my view because they were filming the whole damn concert. LIKE IT’S RUDE? GO TO THE BACK? DID YOU LITERALLY PAY TO SEE THRU A COMPUTER I DO THAT EVERY DAY!!! I ended up seeing the concert to its fullest so it’s fine BUT STILL SVT DOESN’T WANNA SING TO  BUNCH OF CAMERAS ESP TO THE PEOPLE IN THE FRONT? PEOPLE ARE PAID TO FILM THEM, THERE ARE FANSITES EVERYWHERE!! Enjoy the fleeting time you have with them!
But in the end it was more opportunity for me to soak up all the fanservice because *twiddles fingers* mwhahaahahahha there was enough room for me to dance for hoshi and going svt and i made eye contact with him, wonwoo during the dancing as well, mingyu, jeong *dies* it was too much 
Vernon (extended fanservice + rapping together!)
VERNON GETS A WHOLE DANG SECTION OKAY!!!! BECAUSE HE!! WAS NOT OKAY!!11! Kristine and i have been strategically preparing for MONTHS watching countless performances to stay in the corner where vern/jun would be performing on the most, turns out to be the right side so im two people away from the stage so i had a really good view of vernon’s beauty. I thought it was just me being biased but out of all the members Vernon’s stage presence is IMPECCABLE!! He doesn’t quote-unquote try to captivate you, he just naturally attracts people because his aura is so so so palpable. He was made to be on that stage!!!
Fanservice w/vern!
*sweats* after the whole hi touch fiasco i was convinced vern wouldn’t want to look at me but i held up my “vernon u lit” poster (dw i didn’t raise it high to block ppl) AND IT WORKED!!! My main highlight with him together was during check in (skip to 5:00) and since there was a lot of room I WAS GOING OFF dancing with him and rapping mingyu’s part along with him and shit i thought we had such a “feelin it” moment it was so surreal we were both in the song getting super super hype and the music was just immersed around us and i felt like the whole room melted apart and it was just the two of us sdlfjds;fjk;dsf im so gross my heart is warm my eyes are watery as i type this!! i miss him so much
anyway every performance after that, especially rock/if i and the ending ment i felt his stare and y’know that feeling when you pass someone attractive in the mall and you have that five-minute crush on them… i hope vern had that five minute crush on me because man i almost felt a way that boo or someone might feel when vern has that stare on you. He’s infinitely sweet and thankful at the ending ment when he thanked us for giving him new memories for his hometown i almost cried but he was lookin in my direction so i swallowed my feels
Final Details
Dino is the best. Performer. Like hosh performs really well when he dances! But shiii boy dino is on ALL THE DAMN TIME. i was told to be forewarned when u see dino AND Y’ALL WERE RIGHT
Lots of dk/minghao stans!!!! DK’S EYES ARE SO TWINKLY I UNDERSTAND WHY U LOVE HIM SO MUCH! A vvip had their gift as sunflowers with dk’s face on it IT’S SO FITTING
Performance unit IS WILD i used to think performance unit was just bc they did a lot of the choreo BUT NO. THEIR PERFORMANCE IS ALL THE WAY UP THERE you could feel every inch of their body carefully calculated and perfected even with OMG and highlight ND I WAS NEVER PREPARED FOR “MY I” WHY WASN’T THERE ARE TRANSITION FROM CRAZY LOVE TO THEN HOW DARE U
I used to go to concerts and from far away watch them spray water in the pit and u wish u were those people during healing cheol sprayed water and i felt CHRISTENED but all of a sudden ALL OF SEVENTEEN SPRAYED US IT WAS WET AND I FELT REBORN
At the ending ment hoshi screamed “I LOVE NEW JERSS----I LOVE NEW YORKKKK” lol my jersey self giggled
wonwoo/jun/scoups/jeonghan were definitely the most tired. Jun and Wonwoo were spacing out like crazy and coups literally ate his mic. Jeonghan was in another world most of the time, especially during the ballads he looked out to the crowd making exhausted eye contact. It looked like he was trying really hard to sing. Jeonghan and seungkwan had very visible cystic/stress acne, even through their makeup
*sigh* i guess i can’t avoid talking about the jeonghan situation amirite. From where i was everyone was v confused, sevnteen included. It lasted probably total of 10 seconds and we moved on. It was bad. We know it was very bad. Although Jeonghan seemed lowkey amused afterward THAT ISN’T THE POINT the concert was 99.9% perfect and i hope everyone remembers that and doesnt antagonize american carats (as american fans usually are for all the baddies)
All and all i feel honored that i was able to spend a comfortable night with svt, i know a lot of people aren’t able to say the same esp the people in the back. Its still replaying in my head and im infinitely thankful to stan such a wonderful group of boys and im glad to be a part of their tour
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adambstingus · 6 years ago
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5 Directors That Should’ve Stopped After One Movie
Some filmmakers are like marathon winners; they stay consistently strong and fast for an inconceivable amount of time, and when they finish, you are left inspired by their existence. And some directors have careers like my performance in my second grade’s three-legged race. I fell at the start, busted my nose open, and writhed on the ground for a while as my partner walked away from me. The following five directors did similar things in their own metaphorical three-legged races. What began as a burst of glorious potential devolved into something hideous and often embarrassing.
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Zack Snyder With Dawn Of The Dead
Zack Snyder has always been the Mountain Dew Code Red to Christopher Nolan’s iced coffee. They both direct grand adventure movies, but while Nolan’s philosophy is that of the kid in the back of the freshman year writing class with the scarf, Snyder’s is frat bro existentialism. Snyder is pretty great at examining the darkness that lurks in the hearts of men, but only when those men are grunting at each other, “HOLD ME BACK BEFORE I LAY THIS MOTHERFUCKER OUT, DUDE”-style. In any other case, it’s a toss-up. For example, in Watchmen, he totally got the plight of radioactive superman Dr. Manhattan. But the only female on the team, Silk Spectre, was shot like she was in an impromptu Axe Body Spray commercial.
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5 Superhero Movies That Are Only Worth It For One Scene
The only movie that Snyder has done that’s consistent throughout is his first, the 2004 Dawn Of The Dead remake. If you haven’t seen it, it’s about a bunch of people being eaten by zombies at the mall. It’s also fantastic in a way that few remakes actually are, mainly because it does not seek to replicate or expand upon the original. A lot of times in horror remakes, directors try to cram in “answers” to questions that they think viewers have, which totally robs the movies of their potency. We’re scared of the things we don’t know. When we say “Oh, man. He uses a chainsaw? What the hell?” we don’t want the director to respond with, “Well, he got his chainsaw from the old slaughterhouse he used to work at.” There’s nothing terrifying about learning where Freddy Krueger shops for his sweaters.
Instead of that route, Snyder actually chops off any of the rough edges of the source material. The original ends with a bunch of bikers attacking the mall that the heroes are in, which leads to a lot of cool gore effects, but bites the face off of the movie’s sense of pacing. It robs us of the intimate climax that Dawn Of The Dead could’ve built to. Snyder’s version doesn’t have that problem, as it’s a horror/action film from the very beginning. Sure, it’s not as satirical as the original, but it doesn’t need to be. Snyder is not interested in creating a horror film that’s also an allegory. The zombies don’t have to represent anything. They can get by when they’re just being spooky zombies. Constantly reminding me that “The real villain … is man” is the best way to get me to hate both zombies and English teachers.
Sadly, Zack Snyder’s next project would be 300, which had cool action scenes but was the movie equivalent of a guy whispering motivational quotes to himself in the mirror at the gym. And since then, all of his films have either been bloated epics or that thing about warrior owls. It’s a shame. Because when Snyder makes films that aren’t really about anything other than what’s on screen, he shines.
4
Terrence Malick With Badlands
Terrence Malick is the #1 “Well, I appreciate his work” director in the world. “Well, I appreciate his work” directors are a rare breed, as they’re usually either obsessively loved or “appreciated.” And by “appreciated,” I mean “I know a lot of time probably went into putting all of those pretty colors on screen, so I can’t hate this one too much.” I truly appreciate Terrence Malick, even though his films feel like staring matches with an old computer’s screen saver.
His first film, though, is a refreshing take on a genre that needs all of the fresh takes that it can get. Badlands is a serial killer movie, and the biggest problem with the serial killer subgenre is that very rarely do such films actually make us disgusted with a serial killer. Instead, we marvel as the killer says awesome quips and performs super sweet serial killer melee moves. Silence Of The Lambs is a great movie, but it’s hard to feel bad about a guy who eats other guys when he’s Jason Bourne-ing his way out of police custody. Yeah, the hero should be the person who hasn’t wantonly killed multiple innocent people, but I saw the killer do a double backflip off the diving board once, so my vote is set.
Badlands makes serial killing look really awful. Like, “Dude in front of you doesn’t know how to work the self-checkout lane” awful. It’s the story of a 15-year-old girl who becomes enamored of a 25-year-old man, and then gets swept up in a life of theft, violence, and cross-country travel when he decides to start murdering South Dakota. So we see the killer through her eyes, and as her opinion of him grows sour, any chance that we have of admiring Martin Sheen’s sweet bangs slowly evaporates too. Sheen is a shitty dude in this one. Like, “Friend who doesn’t put your Blu-ray back in its case and instead just lays it bottom-side-down on the floor” shitty.
3
Roland Emmerich With Universal Soldier
From the mid ’90s to the present, Roland Emmerich has been a constant source of the loud and mediocre (Independence Day, White House Down, Stargate), the loud and dull (Godzilla, The Day After Tomorrow, 2012), and the loud and very, very historically inaccurate (The Patriot, 10,000 BC, Anonymous, Stonewall). He is the “Hold my beer” to Michael Bay, and no matter what trends are popular in Hollywood or how financially successful his previous film was, we can always count on Emmerich to deliver something that somehow damages the intellectual standard of the explosion.
Emmerich started as a filmmaker in Germany, and most of the films that he made there are either impossible to find in America or were released years later and just on video. His first American film to receive a theatrical release was Universal Soldier, which features Dolph Lundgren and Jean-Claude Van Damme as soldiers who get resurrected to become … universal soldiers? I’m not sure what the “universal” thing means, but I guess it’s because, now that they’ve been brought back to life, they’re not limited by the earthly definition of “kicking ass.” They can now kick all the ass in the universe. Side note: This theory is remarkably unconfirmed.
For Emmerich, Universal Soldier is amazingly subtle. And that’s not just because Van Damme is given the emotional range of a yam in this film. It’s mostly a big chase movie, and not just the typical Emmerich “Leave nothing in this major American metropolis un-fireballed” fare. Van Damme and his reporter girlfriend stop in a town, Lundgren catches up to them and shouts, Van Damme escapes, and Lundgren responds with more heavily accented shouting. Compared to Emmerich’s other stuff, Universal Soldier is Driving Miss Daisy.
I don’t know if “limiting the scale” is the key to fixing Emmerich, as he doesn’t have much luck in crafting personal tales. So maybe the key is Dolph Lundgren. Maybe Emmerich made a movie that was one big combustion, but Lundgren absorbed it all, and then released that energy by yelling. I’m no professor, but I think the science works out.
2
Seth MacFarlane With Ted
Seth MacFarlane is a comedy titan. Not satisfied with ruling Fox’s TV animation division, he’s also branched out into movies. And he’s made three so far: Ted, A Million Ways To Die In The West, and Ted 2. Guess how many of those were pretty solid? A hint is hidden in the title of this column.
Ted, the story of Mark Wahlberg and a talking stuffed bear, has some heart in it. There are plenty of movies about dude friends who have problems with each other whenever one of them gets in a serious relationship. They want to drink beer and fart out their dicks, but SHE likes organizing the apartment! Whatever will they do? Ted is still crass, but in centering the conflict around Wahlberg not wanting to abandon a literal stuffed bear, it truly nails home how infantile the whole “bros before respectable type-A females” struggle is. You can still have a fun life and chill with your bear, even if you’re married. And those who don’t understand that are the true dick-farters.
After Ted, MacFarlane made A Million Ways To Die In The West, which most closely resembles those Leslie Nielsen jokes-every-ten-seconds comedies, with the problem being that MacFarlane doesn’t have the warm presence of Nielsen. Nielsen was the comedy genre’s beloved uncle, while as an actor, MacFarlane is still its odd half-cousin. Ted 2 is about teddy bear rights, which expands a few jokes into a two-hour movie. It never ends up being as funny or likable as Ted, and feels like it was made not because MacFarlane wanted to make it, but because a Hollywood executive decided that Ted 2 was their only means of finally getting a third Jacuzzi installed.
1
Eli Roth With Cabin Fever
I’m always hesitant whenever a horror director says they’re making a homage to a certain era of horror films. This is usually because they let the homage aspects outweigh the actually-being-a-good-movie aspects. “But it’s a homage to ’80s slasher films! It’s not supposed to be a masterpiece!” Yeah, but it’s supposed to be competent and somewhat exciting, instead of a 90-minute declaration that you’ve seen Sleepaway Camp multiple times.
One of the only really good ’80s homages is Eli Roth’s Cabin Fever, which is sort of styled after The Evil Dead, but mostly does its own thing. Now, Cabin Fever isn’t perfect. Eli Roth’s writing would actually peak with Hostel Part II, which is a statement that no man should be forced to make. But Cabin Fever feels less like a guy trying to remind you of how great 1983 was, and more like a guy who’s trying really, really hard to make a fun, gory horror flick. Plus, it manages to pull off some gross-out moments that are sincerely shocking. Even in the age of things like The Human Centipede trilogy, which is edgy middle-schooler humor brought to life, Cabin Fever can still make you feel weird.
Roth’s next film, Hostel, desperately wanted to be like one of the graphic Asian horror films that Roth is a fan of. The biggest difference is that stuff like Takashi Miike’s Audition and Kim Jee-woon’s I Saw The Devil manage to place interesting stories and dynamic characters around their torture setpieces. Roth’s characters are a couple of dumb guys, which is meant to say something about how young American adults kind of treat other countries like playgrounds that they can fuck in, but it mostly comes off as Roth needing characters who explicitly won’t grow or change, because an arc doesn’t really vibe with a drill to the chest.
Roth would later make The Green Inferno, a movie that I saw on opening day because I can’t be trusted with my own money or schedule, and his next movie is a Death Wish remake. Remember that series, the one about Charles Bronson putting bullets in crime and crime-related activities? I don’t know whose idea it was to give that movie to the guy whose most famous scene involves cutting someone’s Achilles tendons, but I feel like it might have been a bad call.
Daniel has a Twitter. Go to it. Enjoy yourself. Kick your boots off and stay for a while.
Watch Independence Day right here if you’re a true American, and get one of the cool aliens in adorable Funko form and pity Daniel Dockery for hating everything amazing in the world.
If you loved this article and want more content like this, support our site with a visit to our Contribution Page. Or sign up for our Subscription Service for exclusive content, an ad-free experience, and more.
For more, check out 5 Reasons Great Directors Eventually Make a Bad Movie and 5 Famous Filmmakers Whose Dream Projects Were Disasters.
Subscribe to our YouTube channel, and check out 4 Directors Who Do the Same Thing in Every Movie, and watch other videos you won’t see on the site!
Also follow us on Facebook. It’ll be worth it.
Nightmarish villains with superhuman enhancements. An all-seeing social network that tracks your every move. A young woman from the trailer park and her very smelly cat. Futuristic Violence and Fancy Suits, a new novel about futuristic shit, by David Wong.
from All Of Beer http://allofbeer.com/5-directors-that-shouldve-stopped-after-one-movie/ from All of Beer https://allofbeercom.tumblr.com/post/177815193117
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samanthasroberts · 6 years ago
Text
5 Directors That Should’ve Stopped After One Movie
Some filmmakers are like marathon winners; they stay consistently strong and fast for an inconceivable amount of time, and when they finish, you are left inspired by their existence. And some directors have careers like my performance in my second grade’s three-legged race. I fell at the start, busted my nose open, and writhed on the ground for a while as my partner walked away from me. The following five directors did similar things in their own metaphorical three-legged races. What began as a burst of glorious potential devolved into something hideous and often embarrassing.
5
Zack Snyder With Dawn Of The Dead
Zack Snyder has always been the Mountain Dew Code Red to Christopher Nolan’s iced coffee. They both direct grand adventure movies, but while Nolan’s philosophy is that of the kid in the back of the freshman year writing class with the scarf, Snyder’s is frat bro existentialism. Snyder is pretty great at examining the darkness that lurks in the hearts of men, but only when those men are grunting at each other, “HOLD ME BACK BEFORE I LAY THIS MOTHERFUCKER OUT, DUDE”-style. In any other case, it’s a toss-up. For example, in Watchmen, he totally got the plight of radioactive superman Dr. Manhattan. But the only female on the team, Silk Spectre, was shot like she was in an impromptu Axe Body Spray commercial.
Read Next
5 Superhero Movies That Are Only Worth It For One Scene
The only movie that Snyder has done that’s consistent throughout is his first, the 2004 Dawn Of The Dead remake. If you haven’t seen it, it’s about a bunch of people being eaten by zombies at the mall. It’s also fantastic in a way that few remakes actually are, mainly because it does not seek to replicate or expand upon the original. A lot of times in horror remakes, directors try to cram in “answers” to questions that they think viewers have, which totally robs the movies of their potency. We’re scared of the things we don’t know. When we say “Oh, man. He uses a chainsaw? What the hell?” we don’t want the director to respond with, “Well, he got his chainsaw from the old slaughterhouse he used to work at.” There’s nothing terrifying about learning where Freddy Krueger shops for his sweaters.
Instead of that route, Snyder actually chops off any of the rough edges of the source material. The original ends with a bunch of bikers attacking the mall that the heroes are in, which leads to a lot of cool gore effects, but bites the face off of the movie’s sense of pacing. It robs us of the intimate climax that Dawn Of The Dead could’ve built to. Snyder’s version doesn’t have that problem, as it’s a horror/action film from the very beginning. Sure, it’s not as satirical as the original, but it doesn’t need to be. Snyder is not interested in creating a horror film that’s also an allegory. The zombies don’t have to represent anything. They can get by when they’re just being spooky zombies. Constantly reminding me that “The real villain … is man” is the best way to get me to hate both zombies and English teachers.
Sadly, Zack Snyder’s next project would be 300, which had cool action scenes but was the movie equivalent of a guy whispering motivational quotes to himself in the mirror at the gym. And since then, all of his films have either been bloated epics or that thing about warrior owls. It’s a shame. Because when Snyder makes films that aren’t really about anything other than what’s on screen, he shines.
4
Terrence Malick With Badlands
Terrence Malick is the #1 “Well, I appreciate his work” director in the world. “Well, I appreciate his work” directors are a rare breed, as they’re usually either obsessively loved or “appreciated.” And by “appreciated,” I mean “I know a lot of time probably went into putting all of those pretty colors on screen, so I can’t hate this one too much.” I truly appreciate Terrence Malick, even though his films feel like staring matches with an old computer’s screen saver.
His first film, though, is a refreshing take on a genre that needs all of the fresh takes that it can get. Badlands is a serial killer movie, and the biggest problem with the serial killer subgenre is that very rarely do such films actually make us disgusted with a serial killer. Instead, we marvel as the killer says awesome quips and performs super sweet serial killer melee moves. Silence Of The Lambs is a great movie, but it’s hard to feel bad about a guy who eats other guys when he’s Jason Bourne-ing his way out of police custody. Yeah, the hero should be the person who hasn’t wantonly killed multiple innocent people, but I saw the killer do a double backflip off the diving board once, so my vote is set.
Badlands makes serial killing look really awful. Like, “Dude in front of you doesn’t know how to work the self-checkout lane” awful. It’s the story of a 15-year-old girl who becomes enamored of a 25-year-old man, and then gets swept up in a life of theft, violence, and cross-country travel when he decides to start murdering South Dakota. So we see the killer through her eyes, and as her opinion of him grows sour, any chance that we have of admiring Martin Sheen’s sweet bangs slowly evaporates too. Sheen is a shitty dude in this one. Like, “Friend who doesn’t put your Blu-ray back in its case and instead just lays it bottom-side-down on the floor” shitty.
3
Roland Emmerich With Universal Soldier
From the mid ’90s to the present, Roland Emmerich has been a constant source of the loud and mediocre (Independence Day, White House Down, Stargate), the loud and dull (Godzilla, The Day After Tomorrow, 2012), and the loud and very, very historically inaccurate (The Patriot, 10,000 BC, Anonymous, Stonewall). He is the “Hold my beer” to Michael Bay, and no matter what trends are popular in Hollywood or how financially successful his previous film was, we can always count on Emmerich to deliver something that somehow damages the intellectual standard of the explosion.
Emmerich started as a filmmaker in Germany, and most of the films that he made there are either impossible to find in America or were released years later and just on video. His first American film to receive a theatrical release was Universal Soldier, which features Dolph Lundgren and Jean-Claude Van Damme as soldiers who get resurrected to become … universal soldiers? I’m not sure what the “universal” thing means, but I guess it’s because, now that they’ve been brought back to life, they’re not limited by the earthly definition of “kicking ass.” They can now kick all the ass in the universe. Side note: This theory is remarkably unconfirmed.
For Emmerich, Universal Soldier is amazingly subtle. And that’s not just because Van Damme is given the emotional range of a yam in this film. It’s mostly a big chase movie, and not just the typical Emmerich “Leave nothing in this major American metropolis un-fireballed” fare. Van Damme and his reporter girlfriend stop in a town, Lundgren catches up to them and shouts, Van Damme escapes, and Lundgren responds with more heavily accented shouting. Compared to Emmerich’s other stuff, Universal Soldier is Driving Miss Daisy.
I don’t know if “limiting the scale” is the key to fixing Emmerich, as he doesn’t have much luck in crafting personal tales. So maybe the key is Dolph Lundgren. Maybe Emmerich made a movie that was one big combustion, but Lundgren absorbed it all, and then released that energy by yelling. I’m no professor, but I think the science works out.
2
Seth MacFarlane With Ted
Seth MacFarlane is a comedy titan. Not satisfied with ruling Fox’s TV animation division, he’s also branched out into movies. And he’s made three so far: Ted, A Million Ways To Die In The West, and Ted 2. Guess how many of those were pretty solid? A hint is hidden in the title of this column.
Ted, the story of Mark Wahlberg and a talking stuffed bear, has some heart in it. There are plenty of movies about dude friends who have problems with each other whenever one of them gets in a serious relationship. They want to drink beer and fart out their dicks, but SHE likes organizing the apartment! Whatever will they do? Ted is still crass, but in centering the conflict around Wahlberg not wanting to abandon a literal stuffed bear, it truly nails home how infantile the whole “bros before respectable type-A females” struggle is. You can still have a fun life and chill with your bear, even if you’re married. And those who don’t understand that are the true dick-farters.
After Ted, MacFarlane made A Million Ways To Die In The West, which most closely resembles those Leslie Nielsen jokes-every-ten-seconds comedies, with the problem being that MacFarlane doesn’t have the warm presence of Nielsen. Nielsen was the comedy genre’s beloved uncle, while as an actor, MacFarlane is still its odd half-cousin. Ted 2 is about teddy bear rights, which expands a few jokes into a two-hour movie. It never ends up being as funny or likable as Ted, and feels like it was made not because MacFarlane wanted to make it, but because a Hollywood executive decided that Ted 2 was their only means of finally getting a third Jacuzzi installed.
1
Eli Roth With Cabin Fever
I’m always hesitant whenever a horror director says they’re making a homage to a certain era of horror films. This is usually because they let the homage aspects outweigh the actually-being-a-good-movie aspects. “But it’s a homage to ’80s slasher films! It’s not supposed to be a masterpiece!” Yeah, but it’s supposed to be competent and somewhat exciting, instead of a 90-minute declaration that you’ve seen Sleepaway Camp multiple times.
One of the only really good ’80s homages is Eli Roth’s Cabin Fever, which is sort of styled after The Evil Dead, but mostly does its own thing. Now, Cabin Fever isn’t perfect. Eli Roth’s writing would actually peak with Hostel Part II, which is a statement that no man should be forced to make. But Cabin Fever feels less like a guy trying to remind you of how great 1983 was, and more like a guy who’s trying really, really hard to make a fun, gory horror flick. Plus, it manages to pull off some gross-out moments that are sincerely shocking. Even in the age of things like The Human Centipede trilogy, which is edgy middle-schooler humor brought to life, Cabin Fever can still make you feel weird.
Roth’s next film, Hostel, desperately wanted to be like one of the graphic Asian horror films that Roth is a fan of. The biggest difference is that stuff like Takashi Miike’s Audition and Kim Jee-woon’s I Saw The Devil manage to place interesting stories and dynamic characters around their torture setpieces. Roth’s characters are a couple of dumb guys, which is meant to say something about how young American adults kind of treat other countries like playgrounds that they can fuck in, but it mostly comes off as Roth needing characters who explicitly won’t grow or change, because an arc doesn’t really vibe with a drill to the chest.
Roth would later make The Green Inferno, a movie that I saw on opening day because I can’t be trusted with my own money or schedule, and his next movie is a Death Wish remake. Remember that series, the one about Charles Bronson putting bullets in crime and crime-related activities? I don’t know whose idea it was to give that movie to the guy whose most famous scene involves cutting someone’s Achilles tendons, but I feel like it might have been a bad call.
Daniel has a Twitter. Go to it. Enjoy yourself. Kick your boots off and stay for a while.
Watch Independence Day right here if you’re a true American, and get one of the cool aliens in adorable Funko form and pity Daniel Dockery for hating everything amazing in the world.
If you loved this article and want more content like this, support our site with a visit to our Contribution Page. Or sign up for our Subscription Service for exclusive content, an ad-free experience, and more.
For more, check out 5 Reasons Great Directors Eventually Make a Bad Movie and 5 Famous Filmmakers Whose Dream Projects Were Disasters.
Subscribe to our YouTube channel, and check out 4 Directors Who Do the Same Thing in Every Movie, and watch other videos you won’t see on the site!
Also follow us on Facebook. It’ll be worth it.
Nightmarish villains with superhuman enhancements. An all-seeing social network that tracks your every move. A young woman from the trailer park and her very smelly cat. Futuristic Violence and Fancy Suits, a new novel about futuristic shit, by David Wong.
Source: http://allofbeer.com/5-directors-that-shouldve-stopped-after-one-movie/
from All of Beer https://allofbeer.wordpress.com/2018/09/06/5-directors-that-shouldve-stopped-after-one-movie/
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njawaidofficial · 7 years ago
Text
Kacey Musgraves Is The Queer Fan’s Country Music Queen
https://styleveryday.com/2018/03/29/kacey-musgraves-is-the-queer-fans-country-music-queen/
Kacey Musgraves Is The Queer Fan’s Country Music Queen
Kacey Musgraves performs at the Country to Country festival on March 10, 2018, in London.
Burak Cingi / Redferns
Growing up queer in flyover country, much of the world around me felt alien and unsafe. I spent the first two decades of my life in Minnesota, “Land of 10,000 Lakes,” each one teeming with fish I never felt heterosexual enough to catch. During adolescence I mowed farm grass on a John Deere and rode down flat highways on my mom’s Harley Davidson, and one of the first guys I dated took me out for a theoretically romantic evening on the back of an ATV — but I so often felt like I was playing someone else’s role. By the time I was out as queer in high school, I had to spend weekends in rural Wisconsin, just down the road from a dusty speedway. Any time I heard the yeehaw-ed exclamations from one its rousing drag races echo out into the silent countryside, I tensed up.
Country music usually accompanied those races, and it exemplified the parts of Midwestern culture that I had the hardest time connecting with. That music was always part of the soundtrack to my childhood — Faith Hill and Toby Keith on the radio as my mom drove me around, playing during school and sporting events, advertised on the roadside billboards that towered over cornfields. But like those billboards, it felt out of my reach. As a queer kid, it wasn’t for me. In fact, like so much of the culture around me, the genre’s conservative politics and gender norms — which you could hear in songs like Keith’s “Courtesy of the Red, White and Blue”(“‘Cause we’ll put a boot in your ass / It’s the American way”) or Trace Adkins’ “Rough & Ready”(“Gun rack, ball cap, don’t take no crap / Ain’t a pretty boy-toy”) — have made it seem openly hostile.
But Kacey Musgraves, whose new album Golden Hour arrives on March 30, is a horse of a different color. And listening to her music — which is indisputably country, whether country DJs play her singles or not — I feel as if she’s finally inviting me to a party I’ve stood at the margins of for so long. This is truer than ever on Golden Hour, her most fully realized record yet, and easily her most boundary-defying. It proves that Musgraves is here to stay, and that she’s not going to stop being weird and welcoming.
The cover artwork for Golden Hour, Musgraves’ fourth studio album.
MCA Nashville
Musgraves grew up in Texas and launched her career from Nashville in 2013, with her major-label debut Same Trailer Different Park, which won a Grammy for Best Country Album. It also featured the single “Follow Your Arrow,” which made it clear from the beginning that Musgraves wasn’t trying to sneak her embrace of queerness in the back door of subtext; she placed it front and center. That frankness is the leading explanation for why she has never been (and may never be) a darling of country music’s radio gatekeepers. But she is one of the most popular and critically acclaimed country artists in the wider pop music universe right now, and notable for being one of the few who’s vocally supportive of queer people in both her public statements and her music.
Musgraves has never identified as queer herself, but has spoken often about the importance of being an ally. Writing a letter to the LGBT community for Billboard in 2017, Musgraves explained that she “wasn’t always so open-minded,” but after people close to her came out, things shifted: “It started to enrage me that I’d had some previous misunderstanding about a group of people that I now love so much and have so much in common with.”
Last week Musgraves joked on Twitter, “I want a gay, collective ‘you’re doing amazing sweetie’” — and in the lead-up to her new album, she’s already getting it: Fader’s Myles Tanzer reflected on her “vocal queer fanbase” in a glowing profile, and BuzzFeed’s Matt Stopera proclaimed her “the best thing to happen to music since Britney Spears.”
Part of what sets Musgraves apart in the world of country and endears her to queer fans is her playfulness and tongue-in-cheek flamboyance, exemplified in songs like “Biscuits,” a single from her second album Pageant Material (2015), for which she’s dolled up like a beauty queen on the cover. She gleefully sends up visual trademarks of her genre — her hair is huge in the “Biscuits” video, which opens with her in a bonnet, churning butter.
Musgraves plays guitar with a bedazzled band in the music video for “Biscuits” (2015).
Mercury Records / Via youtube.com
But it’s more than camp; after all, queer people are accustomed to engaging in the aesthetic when we do not find ourselves in the explicit. More than anything, it’s Musgraves’s direct approach to celebrating nonconformity — rather than romanticizing tradition.
“Say what you feel / love who you love,” Musgraves sings on the CMA-winning song “Follow Your Arrow,” which she cowrote with queer musicians Brandy Clarke and Shane McAnally. “Kiss lots of boys / or kiss lots of girls, if that’s what you’re into.”
This simultaneously radical and casual embrace of queerness is part of how Musgraves makes the old seem new again. In her music, it’s the values of country that have been given the update, not just the sound. Her themes draw deep from Americana, trailer parks, and small towns — familiar country music imagery — and yet the lyrics take the genre somewhere necessary and new. As the New York Times’ Jon Caramanica wrote in 2016, she is “both the keeper of the genre’s old rules and also its leading internal dissenter.”
Much of mainstream country music signals or valorizes the virtues of rigid gender roles; Brad Paisley’s late-2000s country smash “I’m Still A Guy” is one of the more ridiculous examples — “Yeah, with all of these men lining up to get neutered / It’s hip now to be feminized / But I don’t highlight my hair / I’ve still got a pair / Yeah, honey, I’m still a guy” — but even recent hits like Blake Shelton’s country radio chart-topper “I’ll Name The Dogs” include lines like “you be the pretty and I’ll be the funny.” Musgraves, on the other hand, makes it amply clear she is not here to tell other people how to live their lives.
While she’s more overt than just about anyone who has come before her, Musgraves joins a lineage of country artists who have offered estranged queer people a channel back into the genre. Most have been heterosexual women, whose music is less likely to employ chest-beating masculine tropes — singers like Wynonna Judd, Reba McEntire, Martina McBride, and of course Dolly Parton (whom Musgraves called “a huge icon for me” in a recent GQ interview, noting Parton’s affection for her own drag imitators and her experiments with musical genre crossover).
From left: Kacey Musgraves, Reba McEntire, Jennifer Nettles, and Dolly Parton at the 50th annual CMA Awards, honoring Parton with the Willie Nelson Lifetime Achievement Award, on Nov. 2, 2016, in Nashville.
Taylor Hill / Getty Images
Musgraves’s friend Willie Nelson has also been outspoken, and by releasing a cover of a relatively unknown song called “Cowboys Are Frequently Secretly Fond of Each Other” in 2006, he effectively offered the first explicitly LGBT-affirming song by a major country artist. Some of Musgraves’ peers in the realm of more experimental or pop-friendly contemporary country, like Sturgill Simpson and Maren Morris, have also been vocal about supporting gay rights.
Of course, in addition to allies, there have long been important queer figures in the genre. All the way back in 1973, Patrick Haggerty, a gay man, released Lavender Country, which has since come to be regarded as the first gay country album. It barely sold 1,000 copies at the time, but in 2014 it was reissued, and he continues to tour. In 2010, Chely Wright became one of the first openly LGBT country stars when she came out in an interview with People magazine. And today country is perhaps queerer than it’s ever been, with artists like Trixie Mattel — a popular drag queen, whom Musgraves adores — offering earnest submissions to the genre. Meanwhile, queerly beloved pop stars like Lady Gaga, Kylie Minogue, and Kesha are drawing on the sounds and style of country music, often as a way to reinvent themselves and adopt a more “authentic” approach to their music. Among queer people and many of our favorite musicians, country is hot right now.
Album artwork for Trixie Mattel’s Two Birds (2017).
Trixie Mattel
But up until the past several years, moments that made country fandom feel more accessible to me were few and far between. One of the most memorable was the public political awakening of the Dixie Chicks in 2003. While introducing their song “Travelin’ Soldier” during a concert in London, lead singer Natalie Maines said, “Just so you know, we’re ashamed the president of the United States is from Texas.” The backlash from country radio and fans was instantaneous and intense, inspiring CD-destroying parties and death threats. The week the controversy broke, “Travelin’ Soldier” was the No. 1 song on country radio; two weeks later it had dropped off the chart completely. Despite going on to win numerous Grammys, including Song and Record of the Year, with later releases, the Dixie Chicks haven’t had a top 20 song on country radio since. They paid a huge price, but their willingness to defy country music’s deeply ingrained nationalism and tradition gave me hope that the genre’s norms might someday be more widely subverted.
Their blacklisting still speaks to the reactionary, narrow-minded tendencies that have made so many queer people, people of color, and women feel unwelcome in the world of country. The genre needs explicitly queer-affirming artists because it has been explicitly anti-queer in the recent past, and much of it continues to be anti-queer today. And that’s why Musgraves plays such an unusual and necessary role as an entry point and advocate for the kinds of people who have often felt unwelcome in country fandom, differently from anyone who came before her.
Kacey Musgraves and her nana pose backstage with Joey Taranto (center), star of the Broadway musical Kinky Boots, on Feb. 25, 2018, in New York City.
Bruce Glikas / Bruce Glikas / FilmMagic
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thousandmovieproject · 7 years ago
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I didn’t know what the hell was going on here for like the first twenty minutes because the only version of Midnight Song I could find was a grainy transfer on YouTube, which was cracklesome and nostalgic (pleasant in that sense) but it was also hard to see. Also, worse yet, the subtitles appear to be word-for-word translations from the original. English words formatted in Chinese grammar. So we get sentences like, “We allows the enemy’s account excels fierce beasts of that year,” which goes noplace near even making a little bit of sense, and, “It stops rain now, we can do not beat the umbrella.” So the prospect of following the story and writing an essay was daunting and seemed doomed, like I’d have to rely on Wikipedia for a plot summary again.
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It’s at least as funny as it is disorienting but ultimately a story does begin to take shape. The fractured syntax and nonsequitors pick up a strange rhythm, like a secret language between yourself and the movie, and eventually the dialogue starts to ebb just over the line of coherence.
The story is a spin on Phantom of the Opera. A troupe of actors settle into a dusty old theater to prepare for a major performance. Their perfectionist male lead, whose name I can’t find, struggles through rehearsals, starts working on the apparently-challenging role by himself late at night, whereupon, being overheard by a slouching shadowy figure who sings well and was allegedly once a performer of enormous repute, a tutor comes forth, and counsels the young man, until eventually he achieves perfection and the performance is a great success – and while that’s totally ow I remember the movie playing out, I also feel like I’m missing something. I probably am. But I figure the wonky subtitles gave me at least 70% of the story.
Lon Chaney’s unmasking in Phantom of the Opera
Anyway. Eventually the cloaked figure is unmasked (cued by a wonderfully cheesy crash of thunder and lightening) and we see that he’s disfigured. It’s not the demonic disfigurement of Lon Chaney in the source material. Our guy here is disfigured by acid and his face has the droopy, melted-wax quality that – though fleshier than the outcome of an actual acid attack – pretty well achieves the look. It’s shocking, and upsetting, but not horrifying. And now we get the flashback to how it all happened. This is how Midnight Song surpasses Phantom of the Opera. Because even with the ridiculous subtitles, and the awful picture quality, the scene in which the disfigured anti-hero, following the attack that deforms him (which I think he’s made target of on account of political subversion[?]), removes his bandages and sees his face for the first time is one of the most powerful scenes, some of the most remarkable acting, to grace the List so far. I can confidently recommend Midnight Song on the basis of those two minutes alone.
Is it a good movie aside from that? Yes. But I think it only barely pulls enough weight to warrant its place on the List (though there’s something to be said about the East being under-represented up to now – it also begs the question of whether a feature-length movie should be included on the List only because of a single outstanding scene). It makes for an informative contrast against Phantom of the Opera, which is a weaker movie ine very respect. For all of that earlier movie’s mood and powerful images, and its pleasant abundance of Lon Chaney, the iconography of Phantom resides in one or two images, not the whole movie. I’m strongly of the opinion that most people who say that they really like the movie aren’t actually fans of the film overall but, rather, of its camp, and a couple of well-accomplished scenes. Midnight Song is supplied, twice over, with the heart that was missing from Phantom. Maybe that’s not such a fair comparison to make, because one had the privilege of sound and the other didn’t (although that’s not always a default excuse, the use of sound does give a skilled director an extra tool), but Phantom of the Opera is pretty clearly meant to shock its audience more than move them. That’s the whole premise of its quality: it’s socking. But time has stripped it of shock value. So what’s left?
Also, Phantom of the Opera is just a clusterfuck of a movie. It’s got four directors and no momentum.
Midnight Song gets kinda weird in its second half. The phantom believes that his ex-girlfriend – to whom he long ago faked his death so that she would never have to see his deformity – will be able to finally cope with his passing if she’s visited, and consoled, by his ghost. So he goes to his young protégé and says, basically, “Dess like me, talk like me, and go console her, at midnight, as though you were my wandering spirit.” And it goes on from there.
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A personal weakness when it comes to evaluating a movie is that I’m a sucker for well-crafted mentor/protégé relationships. Whether it’s a father-son or master-pupil thing, there’s something about that dynamic that I find really compelling. We don’t get much of it here, with the phantom coaching the young actor, and even though they’re essentially peers, working in the same field and not so far apart in age, there’s an Old Master quality to the phantom. But eventually the old master proves needy. His air of authority crumbles under that neediness.
This is gonna prompt another tangent, forgive me: there’s an older guy I work with, his name’s Bill, and Bill’s a sweetheart, he’s always bending over backward to help people out and he’s been doing that kind of thing his whole life. What’s his is yours. That kinda guy. The thing is this, though: Bill doesn’t drive, on account of he’s 81 and can’t see so well (actually gets routine injections in his eyeballs), and as a result of this he’s constantly bumming rides from people. Students, mainly. But when a student isn’t around, he comes to me. There was a period where I was taking him home almost every night for several months. And the conversation was always pleasant, and stopping by his house didn’t call for much of a detour from my usual route, but it did mean that I’d get home at 9 p.m. instead of 8:30 – which is kind of a big deal when you’re waking up early (at the time I was both a high school substitute and a tutor at the college, so I’d wake up at 5 a.m. four days of the week). But he was so nice that it felt monstrous to refuse himt he service.
But then he started asking to stop at Walgreens on the way home. And at Starbucks. And at Don Pan (a chain of bakeries down here in Miami). If I told him I didn’t wanna stop, that I had to get home, he’d say, “Well then just drop me off and I’ll walk the rest of the way.”
OK, Bill. Sure. You’re fucking 81 tears old and I’m gonna have you walk two miles in the dark with your arms fulla shit you just bought.
Eventually I boiled the proposition down to a quick phrase. He’d ask for a ride and I’d say sure – “no stops, though.” He’d balk at this sometimes, get condescending; on more than one occasion he stormed outta the room. Eventually he stopped asking.
But Bill came in here this past Saturday, there was a little over an hour left in my shift, and he’d just finished with his classes fr the day and he was ready to go home. He starts drumming his fingers on the counter, making small talk with my colleague, glancing over at me. I’m editing an essay. I know he needs a ride. But I’m doing work so I just keep my eyes on the page. Speak when spoken to.
After a couple minutes he said bye and left. My colleague and I exchanged looks.
“Think he wanted a ride?”
I shrugged, and kept working.
There’s a part of me that self-flagellates whenever I turn Bill down, or dodge his questions or just keep away from him because I don’t even wanna be asked, but there’s another part of me, the busy part, that feels no shame at all. Feels with resolve that if he wants a ride from me he’s gonna choose one destination.
Not sure what the right course of action might be here. Or if there is one. But I’m definitely compelled to give him the ride just outta fondness for the guy, as it doesn’t cost me much more than my time, but I’m impaled on the fence of whether or not it makes me a rotten person to delineate what might be rudely strict parameters on that generosity. If I compare the degree of inconvenience these rides impose upon me to the convenience they provide for Bill, the answer should be obvious: give him the ride! Don’t make this dude take the bus again. Don’t put him in the situation of having to call everybody on his phone to see who’s willing to come by and give him a ride.
But at the same time: fuck. I don’t wanna make all these stops.
Anyway. Midnight Song is good, I can see myself watching it again, but I think I’ll go for the official translation next time.
#108. Midnight Song (1937) I didn’t know what the hell was going on here for like the first twenty minutes because the only version of…
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