#its an important part of any boy group imo

[faunandfloraas]

Skz is severely lacking a mullet right now

[jack-kellys]

west end question: i obviously love my brooklyn girls and would die for them all, but is it bad that it’s taken away the sprace dynamic for me? like i’m still 100% on board with a nowhere near canon ship and it shouldn’t affect me they’ve decided to have spot be a girl, but it lowkey has? and i feel kinda guilty about it? idk i love my proshot boys. but i am 100% here for all the uk newsies cast they are amazing and so talented and it’s definitely my favourite production by far!! idk if i’m making sense

ok part of me feels a litle baited actually because like. i feel like... im vocal abt mlm musical sprace not being a big vibe for me in the first place. so im a funny person to ask if you were looking for relief lmao. anyway here's my thesis below.

wait also if ur a white newsie fan a read-thru+rb of this would be much appreciated thank youuu (also yall have been eating up my character analyses anyway sooooo!)

TL;DR THESIS: if you're feeling genuinely let down that your ship did not see the light of day and a black girlsie spot conlon got to instead, then yes, you should reevaluate that.

followers, if you've been with me long enough, you know that i have quite strong opinions about how this show gets treated when it comes to interpretations and fandom/fanon. mostly, this is because i literally work in theater, and it's extremely backwards in my brain personally when shows get treated more like a movie or tv show than a performance piece.

im also one of the only ppl in this fandom that ever seems to dare speak on race (not the damn character smh). and anon, buddy, kiddo, this does have to do with race, gender, and sexuality.

firstly, what i think needs to be understood about newsies, is that it is theater, which means it is meant to be mutable. there is no one way. there should never be one way. it does not exist. secondly, theater does not exist in a fandom vacuum. its live every night, conceptually. theater is a live performance art.

interpretations change- it's the nature of theater. so i think asks like these really do illuminate the difference between fans of the show's content or fans of... i guess the show's culture's content.

this is a culture content ask.

one thing i really, truly, deeply need you all to understand: from an objective, script- and staging-based perspective, proshot sprace does not exist. they do not speak. they barely see each other. race does not even volunteer to go to brooklyn. the ship originates from the 1992 movie, where they do actually interact, which is why the ship has prevailed through the 90s to today. they're from the movie, not the musical.

of course, this doesn't bash the ship- it has history, and naturally fans want to create new history when they get a new source material (the musical). it's true for like every newsie ship lowkey (but also not lowkey because all the manhattan newsies do interact and sprace literally does not but thats a different post!!), which is something i do admire about the fandom- we do a lot of our own legwork here, we invent relationships and backgrounds from one-liners that could be given to tbh any frickin newsie. i respect the 30 years we have invented ships.

however.

when a huge, publicized, consistently sold out production comes along with spot conlon as not only a woman, but a woman of color (specifically black rn!) as the leader of the most feared group on stage, there becomes something much more important than a "sprace dynamic", which does not canonically exist in the musical anyway bro. you can't miss something that isn't there imo. often the story and casting within a story comes first, and goddamn if this isn't one of those times. lillie-pearl's spot brings bravado, swagger, confidence, and intimidation that is literally....fine maybe i'm being personal but it is slash gen incredible to see in technically a period piece! a black woman in leadership with that kind of assuredness! in such a popular musical! how is that not– automatically surpassing an often obsessed-over (yes i am. hinting at something here, straight girl fans) mlm ship?

and while i'm on the topic of the over-obsessiveness of mlm musical sprace, let me talk about uksies sprace. because what's also wack abt this ask is that sprace is not a hopeless case in this production- it literally has about as much 'evidence' as the proshot imo!!!!!

i got to hop over to 2nd row brooklyn seating for act 2 so i saw once and for all really close up, right. there's a moment when race is upstage letting the newsies in/down from the stairs. spot comes down and she does, in fact, share a look with him. race gives spot a nod and she keeps moving.

and like im gonna see the show again (every day i am counting my mf blessings fr), so if i'm wrong or they don't do it every time i'll correct myself, but that's what i saw with my own dang eyes on saturday. they do acknowledge each other in uksies.

and since they do, i really like. i have to ask. what is bothersome/unpopular abt uksies sprace, other than oh idk.... its not white/white mlm with a twink/manly bf trope? why can't race still love who spot is as a character, this strong and fearless ruler of brooklyn, in uksies? because tbh josh's racer...nahhhh because. this is such a side note now but they'd be so good together oh jesus am i gonna ship uk sprace. and it's not like they're 'taking away' from a queer ship because a) you can headcanon spot as a queer girl and race being trans is consistently popular and b) newsies has ten billion gayass ships bro we've been eatin for literal decades.

anon, i'm sure you didn't mean harm by this ask. i'm sure, honestly, that a lot of fans are feeling the same way as you and weren't quite sure how to put it in words. but, i'm also not surprised you sent an ask like this on anonymous specifically.

should you feel guilty about it? i don't think guilt is the right word. but i believe you should think more about how newsies is not.....static. it does not exist in one form, and it never will. if you're feeling genuinely let down that your ship did not see the light of day and a black girlsie spot conlon got to instead, then yes, you should reevaluate that. in theater, you should always question why something impacted you the way it did- a major point of theater is to discuss and think about it when you leave! i know this because ive spent three years literally studying it, to back up my thesis credentials.

thank you for reading this, newsies fandom. i do honestly say all this with love, and i hope it made u think !! ♥️

[chromegnomes]

I'm gonna delete this post later, but thought I'd put out a general Last Call in case any of my followers/mutuals wanted to join the beta reader group for my WIP series The Skeleton King over in the Wyngspan Labs discord.

Here's a temporary link to the PDF of the teaser I sent the existing group; it's about 6500 words long, and is a pretty good sample of what the rest will be like.

If you're interested, I'll put the Q&A I wrote for the beta readers below a Read More here, so you can know what you'd be getting into:

WHAT IS SKELETON KING?

Skeleton King is a novel* that I (Ross) have been writing on and off for over 10 years now, which began as a comedy serial I was writing for my college's writing club. This current iteration is the 4th draft.

*As of this draft, Skeleton King is no longer one novel, but a series of 5 short novels/novellas, each of which is stylized as an "Act" of a 5-act Shakespearean tragedy. This 5-act structure was present in the 2020 draft, but I hadn't yet accepted that it should probably be split into separate volumes.

CAN I READ THE PREVIOUS DRAFTS?

I'll probably post snippets from the 2020 draft when they become relevant, or if it would be funny to do so. The others will be buried with me.

WHAT IS A "SUB-ACT"?

Skeleton King riffs on story structure pretty explicitly throughout. Each book in the series is an "Act," but each book also has a traditional Act structure within it; most have 3 acts, one has 2, and one has 5. I'm not sure what to call these colloquially, because "chapter" feels insufficient but "act" is confusing. IMO it's easier to understand within the books themselves, because they're labeled like "Act I-1, Act I-2, Act I-3; Act II-1," etc

SO WHAT'S THIS BOOK ABOUT ANYWAY?

Coming up with a good elevator pitch for this book is literally the hardest part, and I'll be seeking guidance on that. On the surface, it's a coming-of-age road trip dramedy about four very strange high school boys, set in 2010, that gradually becomes a supernatural action-comedy; under the hood, it's an unhinged post-post-ironic Story About Stories that is trying to do way too much at once, but that information overload is, itself, one of the most important themes.

WHAT ARE THE MAIN INFLUENCES?

I think listing some of the books that have left the biggest impact on SK's style/tone will be helpful for giving people a yardstick to judge if it's accomplishing its goals. This list is incomplete, and in no particular order:

• The Hitchhiker’s Guide to the Galaxy by Douglas Adams • Jonathan Strange and Mr. Norrell by Susanna Clarke • House of Leaves by Mark Z Danielewski • A Series of Unfortunate Events by Lemony Snicket • Moby-Dick by Herman Melville • Alias Grace by Margaret Atwood • Good Omens by Neil Gaiman & Terry Pratchett • A whole lot of books by Ursula K LeGuin • A whole lot of books by Kurt Vonnegut

If you put all of those books in a blender and then reassembled them into a love/hate letter addressed to the ghosts of Joseph Campbell and Carl Jung, you would get Skeleton King.

WHAT ARE YOU HOPING TO GET OUT OF THIS?

• Motivation to finally finish the series, because I work best when I have an audience • Knowledge of what's working and what isn't, so please be honest about how you react to things, good or bad • A first pass at sensitivity reading. Due to its setting, race, class, and queerness come up a decent amount in these books; I am trying to be thoughtful in how I address these subjects, but if I overstep, I'd much rather be cautioned/corrected by readers I trust before the wider internet gets their hands on it. • The ego boost of watching a scene/joke land as I intended it to • The all-important unspoken corrective of watching a scene/joke I thought would hit flop instead

IS THIS "ROSCOE WATSON" GUY SUPPOSED TO BE YOU?

Roscoe is neither a self-insert nor not a self-insert, but a secret third thing. It's complicated, keep reading.

The most I'll say is that a lot of his interests and mannerisms are based on a teenage me, but his life and upbringing are very different from mine.

THIS IS A HOMESTUCK THING, ISN'T IT?

I only read Homestuck very recently, and did so because people who read earlier drafts of Skeleton King kept pointing out the existing similarities to me. I would like to think that Skeleton King is less obnoxious than Homestuck, but both are definitely engaged in a similar kind of metatextual ADHD maximalism.

DO YOU ACTUALLY LIKE ON THE ROAD?

No.

[maggiecheungs]

Is the shipper worth watching? I've seen you praise it quite a lot and wanted to know your take on it

hi nonny! many apologies for the late response xx

my general feelings about the shipper can be summarised as: aaaaaaaggghhhh the shipper was such a good show i’m so mad it had so many problematic elements that (understandably) keep people away from it. also, it absolutely fascinates me from a storytelling point of view (my original answer to this turned into a a several-thousand-word essay about why the shipper is actually a piece of metafictional genius, but that took me so far from what you're asking that i started again 😅).

so anyway, here's a list of things I like about the shipper, with a big disclaimer that 1) it's been over a year since i watched it so i might have forgotten some things and b) it isn't going to be everyone's cup of tea (and that's okay!). i'll just summarise the stuff i liked, since you can find enough negative reviews of the shipper in other places if you want to, and i'll try to keep this spoiler free in case you decide to watch <3

THINGS I LIKED ABOUT THE SHIPPER:

1) Four (4) of the seven main characters are female, which is UNHEARD of for a gmmtv show (particularly one with bl themes lmao). imo, the female characters (particularly the human ones) are all really well developed and I would die for all of them.

2) The cast is incredible. It used mostly newer and less experienced young actors (with the exception of Ohm, Jennie and First) and it really allowed them to showcase their skills. Also it gave some of the younger gmmtv actresses a chance to have roles that weren't just sidepieces or jealous girlfriends

3) The characters: I love all the characters so much. The shipper is essentially a character-driven show, and they're all fleshed out so well. They initially appear to be fairly stereotypical figures (the smart and hardworking one, his popular jock love interest, the bl fangirls, the evil jealous girlfriend) but they are SO MUCH MORE than that. In fact, that's the whole point of the show--picking apart these narrative archetypes and humanising these characters. Plus, all the characters are genuinely so precious and by the end I was ready to die for pretty much all of them <33

4) The plot and pacing is really good. There were plot twists every other episode, I could never predict what was coming next, and that ending threw me completely. it also straddled the line between multiple genres--fantasy, slice-of-life, romance, mystery, comedy--in a way that felt incredibly fun and fresh.

5) It's funny! In a way that is so delightful and refreshing. It's so fantastically self-aware, and it pokes fun at itself wonderfully--but it's always such gentle humour. It's never cruel or at the expense of any of the characters.

6) The ships! All of the character dynamics are fantastic, all the actors and characters had amazing chemistry, and none of us had any idea who was going to be endgame till the end. (Again, the narrative is very self-aware in this respect.)

7) The relationships (non-romantic): the shipper spends just as much time on friendships and familial relationships as it does on ships. i really liked the way friendship was explored as an important but complicated and difficult part of adolescent identity

8) Its handling of heavier topics, like death, grief, and the complete emotional wreckage of adolescence. It does largely maintain a lighthearted tone throughout, but possibly for that reason I found the times when it did to be startlingly touching and profound.

Some extra thoughts:

- Don't go into it thinking it's a bl. It's not a bl; it contains mlm characters and relationships but it is not primarily a boys' love romance. That's not the story it's trying to tell and if you judge it by those standards then the narrative beats come out looking all wrong. It's a series about a group of teenagers struggling to figure out who they are when their identities are overshadowed by the expectations and narratives projected onto them. Queer romance and identity is a big part of that, but it's not the only thing the series focuses on.

- Not going to go into this too much, but to me, the shipper is an absolutely fascinating exercise in storytelling and narrative, and it only really works if you don’t take it at face value. it's a lot deeper than it seems at first--it's super self-aware and uses its premise to really interrogate lots of harmful bl tropes, and the whole POINT of the series is that appearances lie. All the time. And this is a lesson taught not only to the characters, but to the audience as well. I also find it interesting how the show itself almost never explcitly condemns any of the characters or their actions. The characters do! The audience does! But the show itself deliberately maintains a sort of moral neutrality, and a very purposeful compassion towards all its characters, that is absolutely fascinating, and i'm not sure i've ever seen it anyway else in quite the same way. And i think it's brilliant because it means you can't be a passive audience. The show does things that force the viewer to undertake the same journey that Pan (the main character) does: to decide where they place the line between fiction and reality, what they are okay with. There are bits that are supposed to make you uncomfortable, or go 'wtf'. But depiction isn't necessarily glorification, and it's up to the viewer to decide how to interpret what they see

So, would I recommend the shipper? My answer is: yes, but if you start it and really don't vibe with it, or if you come across bits that make you legitimately uncomfortable, then it might just not be for you and that's okay!

[potteresque-ire]

hello, ily metas! thank you for taking the time for them. i hope you dont mind an ask with two follow up questions to your metas i'm curious about: 1) has mxtx rly been sentenced? i have seen others also share this news but other fans have quickly dismissed and gotten pissed at these reports for being fake news that are bad for mxtx, and as fearmongering. 2) for those who want to support yizhan but not the ccp, do you have advice how to navigate fan support and interaction with their media?

Hello! I apologise for the late reply!  You’ve brought up some interesting points, so please forgive me for responding with an essay.

First, about MXTX — This is a follow-up to this post.

Unfortunately, this is all we got—all everyone has got about MXTX’s current situation: on 2020/11/10, she was sentenced in Hangzhou Shang Cheng District’s People’s Court (杭州市上城區人民法院). No details were given on her verdict, due to “人民法院認為不宜在互聯網公布的其它情形”  (“The People’s Court decided it inappropriate to announce further details on the internet”). Here’s a link with the screenshot that showed all the information released about the case that day.

There are enough copies of similar screenshots to this one online, with the differences dependent on where the publisher pulled the information from the same website: 中國裁判文書網, an online archive of verdicts run by China Supreme People’s Court. There’re few reasons, therefore, to believe the information on the screenshot was fake. The link I used was Sina’s Financial News, which I believe is trustworthy enough for China’s standard.

It is also important to note, of course, that two scenarios may still render this screenshot irrelevant. 1) The verdict, which was not mentioned in the screenshot, was “not guilty” and 2) the name listed in the case, 袁依楣, was not MXTX at all.

Few have seemed to suspect 2) to be a possibility. Her real name might have been prior knowledge among some fans, or the combination of her surname and city of residence. 1) has been the where the concern / debate is.

I included China’s rate of conviction in the original post for this reason: acquittal is exceedingly rare (<0.1%) for the arrested in China. This short article discussed some reasons.

So, is it possible that MXTX is now a free woman? Yes. Is it likely? Not at all.

Still, since the probability that MXTX is imprisoned isn’t 100%, is spreading this news smearing her name? Fear-mongering?

I can only answer for myself, Anon, but my answer is no for both questions, which is why I’ve felt comfortable posting about her case. MXTX’s alleged “crimes” are things we already knew she did, or common practices among Chinese IP writers. We know she penned MDZS and other BL works; we know MDZS, in particular, has an 18+ element. She was said to have sold merch based on her works, but that wasn’t unusual at all for writers in Jinjiang, where she published her writing. Even those who don’t like her have seemed to agree that it was her writing that got her into trouble, not some other crimes she could’ve committed.

IMO, a guilty verdict doesn’t tell us as much about her as it does about the judicial system, the business practices of her country. It’s worth re-mentioning that media giants such as Tencent are closely tied to the government; Tencent’s WeChat, for example, is part of China’s Great Firewall and is used for surveillance, for censorship and removal of political dissidents. What MXTX’s case hints at is this: the government has (very likely) convicted her, while its close allies are continuing to use her works—works that got her into legal trouble in the first place—to make money. Some fans of MXTX have questioned if the courts have censored the details of the case to save the embarrassment of the rich and powerful, calling what has happened to MXTX 人血饅頭 (“human blood steamed buns”), an idiom used to describe the act of profiting out of someone elses’ life.

As for fear-mongering, here are my thoughts ~ it would’ve been fear-mongering if the public has access to the facts, and not years after they happen. Specifically, it would’ve been fear-mongering to leak the rumours of MXTX’s sentencing, when the judicial system is transparent and the case details will soon be published for all to see. Why? Because “fear” comes from the unknown, and “-monger” is the unnecessary promotion, stirring-up of this fear.

To promote, stir up anything, one needs a reference level. The reference level in this scenario is this: what is the level of fear if the facts about MXTX’s (and other BL writers’) situation are known? Of course, this knowledge doesn’t make MXTX’s experience any easier or more just; it doesn’t cause her less fear. However, she isn’t the target audience of this likely-to-be-true rumour. The target audience is the public and in particular, those who consume and/or generate BL material online.

What is the level of fear among this population if the facts about MXTX’s (and other BL writers’) situation are known? It’s the (relative) comfort in knowing the government’s stance on what they do: how the administration feels about BL, 18+ BL, and their distribution methods. The comfort comes from having the right information to decide how to act accordingly. For example, if I’m a BL writer based in China and I know the court has found MXTX guilty of bypassing publishing houses but not of writing M/M romance, then I’ll know to not produce paper versions of my writing, but I can keep writing.

This reference level of fear is unavailable here, however, since the government has decided to withhold all details about the case. Without this reference level, fear-mongering becomes a ... difficult to define concept.

Are these likely-to-be-true rumours agents of fear, or are they hints on how to survive in a country that lacks transparency?

Continuing with the example of I being a Chinese BL writer, since I cannot expect to hear more facts about MXTX, this rumour is all I’ve got in choosing what to do with my hobby, in deciding whether it is safe to continue. As I’m aware that a rumour isn’t a fact, I first research on the rumour’s likelihood of truth (similar to what I’ve done for MXTX’s case), and cross my fingers that I don’t get it wrong.

By doing so, I’m turning these rumours into my survival guide.

Is it risky? Yes. Is it exhausting? Absolutely. But this is the way of life for people who live under secretive, authoritarian governments—the authoritarian element making it impossible to demand more facts. It may take people outside such regimes some time to get used to—to the lifestyle, and to the idea that, in a place where news is often synonymous with propaganda, rumours are breadcrumbs of truth that should be sieved through with equal care as one would sieve through the news. Heeding, considering the probable truth of what the authority has deemed to be fear-mongering rumours can be a matter of literal life and death. 

Take...COVID. (I apologize for bringing up this unpleasant topic!)

I shall link to an article about the early spread of COVID in Wuhan here and ask: were Dr. Li Wenliang and the seven other doctors fear-mongering? Wuhanese chose to believe in the government, but at what cost to them? What would the world be like today if they took the early COVID rumours as true and masked up like Hong Kongers—Hong Kongers who weren’t any smarter or better, but had simply learned their painful lessons from the 2003 SARS epidemic? 

(Why hadn’t the Wuhanese learned? Because the government has long changed the narrative of SARS, taught their people that the illness originated in Hong Kong.) 

(How can one learn from past mistakes if one pretends those mistakes never existed?)

You must be wondering, Anon, why I’m talking about COVID when your next question is about YiZhan. The death of Dr Li Wenliang on February 7th, 2020, sparked a demand for freedom of speech rarely seen in internet-age China. Its fury, its ferocity forced the government to change its stance on Dr Li, again an unusual move. Since January 2020, Weibo had been censoring COVID news and opinion pieces that shedded a negative light to the central government; after the death of Dr Li, the censorship apparatus stepped up, making way for the propaganda machine to kick in later and change the narrative of the pandemic.

Here are some questions without definite answers, but may be food for thought for YiZhan fans:

1) While the Chinese government’s censorship apparatus (including Weibo) might have silenced the voices of dissent, of mourning on the surface, was it more likely to pacify, or fuel the anger of netizens, many of whom had lost loved ones, many of whom were still under quarantine?

2) Less than three weeks after the death of Dr Li, a group of fans demanded even *more* censorship from the government—the closing of an internet website that had been seen as a relatively free space to express oneself. How would these netizens react, even though they knew little about these fans or their idol?  

(It was, in the context of the massive silencing of COVID discussions in China, that I learned about the ban of AO3. There had been rumours that the government would censor more websites on 2020/03/01. When I read about AO3′s ban on 2/27, my thoughts were 1) Hmm. This came two days early. 2) AO3? Really?)

(I wouldn’t watch The Untamed or know who Gg was until several months later.)

Now, Anon, this is a good time to get to your CCP (Chinese Communist Party) question.

The very short answer is no. There’s no way to support YiZhan without, to a certain level, supporting the CCP. As mentioned above, the media companies are all part of China’s surveillance system. Weibo is where freedom of speech is curbed. Our two boys have been part of the propaganda machine; the BBC article linked above had a tiny picture of Gg on it, as he was a performer in the Hero in Harm’s Way (最美逆行者), a “real-life based” drama on COVID. DD just did a show glorying the Chinese police force (and here’s a video of the same force welding doors to lock in COVID-stricken residents).

Nonetheless, here’s my first advice: please do not beat yourself up for supporting YiZhan!

Gg and Dd are people who live within the system, inside the Great Firewall. They understand the world the way their government has taught them to—not only in school, but also in the news and media. Like most youths in every country, they’re patriotic—and to expect them to be otherwise, especially because of information they don’t have, is both unrealistic and unfair. Even if they do know about certain things impermissible within the Firewall, in China (as in many Communists countries), openly expressing / performing one’s proper political leanings (ie. loyalty towards CCP) is among the most important pre-requisites for any job. This has been especially true for c-ent in recent years .

They, like most of their countrymen, are doing what they have to do.

In this case, it comes to us, our decisions on how to interact with their works. How should we deal with them, their propaganda elements?

The answer, of course, varies from person to person. Personally, I’ve chosen the approaches of “immunisation” and “restriction”. By “immunisation”, I mean learning about as much historical and sociopolitical facts from non-CCP sponsored sources; this is understandably difficult for someone who doesn’t already have some familiarity with the culture and politics of the region, and/or cannot read the language. 

Restriction means limiting my consumption of media produced by China. I avoid shows (dramas, documentaries, variety etc) featuring topics that are likely to contain heavy propaganda, such as the military, the police, Hong Kong/Macao/Taiwan, and of course, anything pertaining to the CCP, from its rise to its governance of the country.

In general, I’m wary of all information presented about the post-monarchy years (post 1911), even though CCP wouldn’t begin its reign until after WWII (1949). Why so early? 1) Because CCP was formed in 1921 and so its glorification requires a change of narrative since then; 2) because the Nationalist Party (Kuomintang, KMT), which governed China between 1912 and 1949 (the so-called Republican Era 民國), would end up exiling to and setting up a new government in Taiwan.

How much propaganda should one expect in shows depicting the country post-1911? The current TV and webdrama directives (previously discussed in this post) offer some hints. Here are my translations of the relevant items:

D7) Dramas about the Republican era: Glorification of the Republican Era, the Beiyang Government, and Warlord Era requires strict control.

D10) Crime drama: crime drama is the focus of content auditing. The Ministry of Public Security (Pie note: in charge of law enforcement, ie, police) will be involved in the audit. The process of crime solving cannot be exposed; criminal psychology and motivations can however be depicted in detail. Undercover police cannot use drugs or kill, or damage the image of the police force. Criminals must be punished by law.

D12) Dramas featuring realistic topics: realistic topics must adhere to the correct world view, philosophy of life and moral values. They cannot place too strong an emphasis on social conflicts, must showcase the beautiful lives of the commoners. Regular folks should display larger-than-life sentiments and aspirations; they can pursue wealth, but must use proper means to do so; they cannot damage the public image of specific employment types, groups and social organisations. Do not preach negative or decadent world view, philosophy of life and moral values. Do not exaggerate, amplify social issues; do not over showcase, display the darker sides of society; do not preach affluence, avoid things that have no basis in real life.

D16) Dramas featuring the Revolution (Pie note: CCP’s coming to power): 2019 is the publicity period of the 70th Anniversary of the People’s Republic of China. Although the “Three Importances” (important revolution, important people, important events) are still encouraged, the  National Radio and Television Administration requires all departments, at all levels, to strengthen the control of content and the overall management of the industry, and focus on the auditing of content pertaining to the Sino-Japanese war and espionage dramas.

These directives (as those translated in the other post) are as vague as they are restrictive, and to err on the side of caution, production companies tend to “overachieve” to avoid going against headwinds at the censorship board. This means their products have a tendency to malign the Republican Era (D7). It means they will likely twist history in trying to depict the CCP as faultless heroes (D16). It means they'll probably present a utopian-like society and call it reality-based (D12), a society in which the good guys share the same values as the CCP and always win (D10).

Yes, my “restriction” means I skipped Hero in Harm’s Way. It means I’ve never listened to Gg’s version of 我和我的祖國 despite my absolute adoration of his voice. It means I just missed Dd’s performance in the law enforcement celebration event. It means I don’t plan on watching Being A Hero and Ace Troops.

So here’s where I’ve drawn the line, Anon, but it doesn’t mean that’s what anyone should do. Only you alone can decide where your own comfort zone is. I write these metas in the hopes that it can offer a … gateway for those who’d like to understand, with a more telescopic lens, Gg and Dd’s country—a country that holds a particularly strong hold over its citizens’ fate including, yes, their romantic fate. It’s not my wish to impose my opinions on anyone.

If I have other hopes… It’s this. Please, as long as it’s safe for you to talk, do not self-censor—especially about facts, especially on sites like Tumblr or Twitter that have long been banned by the Chinese government. I don’t mean one should go about and confront those who insist on a different version of reality. To undo opinions rooted in years of education, IMO, the process has to be voluntary, and the information is already at the fingertips of those who’re surfing these sites and wish to learn more. More importantly, open discussions of these topics may be risky for those who still have close ties to China, and keeping them safe should always be the top priority. 

What I mean is simply this ~ please do not feel obliged to agree with every perspective presented in YiZhan’s work just because you support the leads. Please do not feel you must remain silent about the CCP—its good, bad and ugly—just because your favourite stars happen to come from the country it’s ruling. And please remember: “Chinese”, as a term, has always included people who live outside CCP’s control, many of whom still fully embrace the culture, traditions and values of Historical China, a 5000-years long string of dynasties with shifting borders, ethnic makeup and customs. The Untamed is a mainland Chinese production, yes, but its genre, its manner of presenting certain traditions, wouldn’t have been developed, or flourished, without the diaspora. The CCP has only been the ruling party of one country, the People’s Republic of China, for 71 years, and as a party with foreign (soviet) roots and a record of destroying the pillar of the country’s tradition, Confucianism, it doesn’t own a monopolistic say on how every Chinese should think and act—no matter how much it insists it does—or how everyone should think and speak about China and its people.

It isn’t qualified.

[mazojo]

Winter 2021 Anime Opinions

As always its that time of the year I pretend to be an anime connoisseur and leave my review on this seasons anime so take it with a grain of salt asdfgh from the one I enjoyed the least to the most.

Wave!!: Surfing Yappe!! (TV)

You are seeing currently the only probably best thing about Wave asdfghj Tanaka bby I am SO sorry you got stuck here,,,,, Its bad because I had so many expectations for Wave but it just...... isn’t very good? The characters feel 2 dimensional, animation is veeeery average and the plot is all over the place? Dont even get me started on the Shou situation plot device that they just brushed over and went on with and,,,,,big sigh

Urasekai Picnic

To be honest is not very fair to compare this one to the rest as ive only watched the first 2 eps but ill catch up eventually asdfghj its not bad just that the plot didnt capture me as much as I hoped but the two main characters cutiess the plot just confuses me asdfgh but I don't have much to say about it

Yakusoku no Neverland 2nd Season

So uh anyways Chile I don't wanna talk about it the only reason this is not dead last is because RayEmma cute moments but yeah don't watch this clown show go read the manga for self care ✨

Jaku-Chara Tomozaki-kun

The only reason this is here is because she. The main girl I cant remember the name of sucks and main dude is very normal asdfgh the plot is basically “Want people to like you? change everything about yourself and become a normie robot!!!” ASDFGHJ Like its so over the top and cringe at times it becomes very confusing but hey I am not caught up either so I may change opinions (x doubt tho)

2.43: Seiin Koukou Danshi Volley-bu

From this point onwards I basically like everything. 2.43 Started suuuuper strong for me, definitely thought it would be one of my favs this season but as the eps went by I just.... kinda lost interest asdfgh? Like its not bad, but its a sort of mix between Stars Align and Haikyuu where I would have loved a more character based story with dark subplots like Stars Align but got the parts I always criticize about Haikyuu were there was a point I didn't really knew any of the characters? ASDFGH like the enemy team is super cool and Love their designs but if you ask me to tell you anything about them I already forgot rip. Its still cute and the animation is cool but yeah it kind of disappointed me in the end a bit ;w;

Shingeki no Kyojin: The Final Season

AOT Is so sexci because it keeps on hurting me and I come back every-time for it ASDFGHJ Not much to say that hasn't been said, characters are super interesting, plot is a bit confusing at times for me to follow but amazing and I just :))) could go on about certain characters :))))) but I wont :))))

Wonder Egg Priority

Wonder egg priority is very talked about right now so I wont get too much into it other than definitely give it a watch if you like the more philosophical and “makes you reflect on your life choices” sort of anime ASDFGHJ the visuals are stunning and the characters very well build, although I am very confused at times I am still enjoying it tons ^^ Trigger warning however for some heavy topics I recommend checking the warnings before watching it <3

Kemono Jihen

I LOVE THEM OKaY? asdfghjk Kemono Jihen gives me the found family topes and I eat them all right up, I love the characters , their designs, the plot, everything. To be fair tho, I did enjoy the manga more than the anime but maybe its a pacing thing? idk but I definitely recommend 100% taking on the manga and maybe after watch the anime but I am enjoying it tons!!

Kai Byoui Ramune

This one may come as a surprise lol?? Like I haven't seen a single soul talk about Ramune but like??? I am actually enjoying it a lot?? and look forward every week for the ep? asdfghj Like yes I will be the first to admit the animation isn't really the beeeeest out there but the plot is funny while also being serious, the characters are quirky and interesting to keep the flow going and I am liking the undertone heavy messages? the soundtrack also slaps imo and yeah I would definitely say to watch the first ep and if you like that sort of dynamic take it up on the rest!

I★Chu: Halfway Through the Idol

Okay I will be the first one to admit this is just me being trash for the idol shows but like?? its my list so I get to decide which found family I am screaming about next ASDFGHJ. As an avid A3 stan this gave me serious vibes of my boys (plus they were made form the same company so like not very surprised there loll) and like I think the characters are cute with adorable relationships and cute songs and its just a lighthearted show I sit down every Wednesday and smile through the 25 minutes so yes I Chu deserves a high spot and yes I recommend it even if it has like a 6.3 on myanimelist sksksks

Dr. Stone: Stone Wars

Look at Gen!!!! enough reasons to watch dr stone!!!! ASDFGH but in all seriousness I....... love them okAy? The plot is amazing and the characters are super entertaining (hiiii Ukyo Gen Senku and Chrome muak) and although it may seem a bit slower paced than first season the arc is gonna get better and better and the finale is gonna be great if they stick to the manga. Only sad that I dont get to see my pirate fuckboy but we better be getting a third season

Bungou Stray Dogs Wan!

when I say this is the happiness of all my Tuesdays I ain’t even exaggerating ASDFGHJ Does this have an important plot? no. Is it transcending to animation? not really. Is it BSD content I've been starving for? absolutely!!! Tbh I see my favorite anime characters in chibi version and I go feral, go watch BSD pogg!!

Horimiya

Me?? searching for that one gif of the side ship scene am obsessed over?? more likely than you think ASDFGH Horimiya holds a special place in my heart because it was the first manga I ever read and the nostalgia is stroNG,,,,,, The plot isn't anything really transcending but the way the characters are captured the feelings just,,,,,, stan!! Also Yuki x Tooru supremacy !

Skate-Leading☆Stars

Okaaaaay this is also me being a bitch for sports anime but like, again, are we surprised?? ASDFGHJ It may be my love for Hayato speaking but ive absolutely loves Skate Leading Stars, I love the group, the main characters, the ships, the routines and its so pretty and they are in love and like the competition and asdfgh its gOoD OKaY??? Watch it if anything for Hayato 👉🏻 👈🏻 My bastard bitch I love the gremlin.

Beastars 2nd Season

I think we are all sleeping on Beastars brushing it off as a furry show. I don’t speak enough about it and I am not one to go about poetic cinemaness on main but beastars is a very poetic cinema show and yall sleeping on it. Coming from someone who was uncomfortable at first with the whole animal relationships part at first, just know beastars is so much more than that, it has a complicated plot with critics about the society within the show with amazing characters, great soundtrack and animation plus banger plot. Pina, Jack, Juno and Legoshi best characters and every week I look forward for the next eps so I hope yall go give it some love.

SK8 The Infinity

If it wasnt clear from my spam every Saturday that I am absolutely in love with this show I dont know what to tell you ASDFGHJ. Sk8 has an amazing range of characters I find fascinating, specially Reki, very much so everything Reki asdfgh but yeah!! Its super entertaining with an interesting plot and its definetely becoming one of my favorite animes because the amount of times ive rewatched the episodes to cope is kind of embarrassing lmaooo, definetely give it a try although I understand its not for everyone but like,,,,, do it for Reki? 🤧👉🏻👈🏻

[watermelinoe]

This is kind of a weird route to terfdom but one of the things that really got me questioning the libfem blogs i followed was the strange insistence that because a thing was common in one group or they had first heard of it coming from that group, that it coming from anywhere else too was clearly copying or appropriation. Like braided bread was Jewish and Jewish only, hairsticks were asian and asain only, square peices of fabric tied at the waist for skirts were african and african only, dual dutch braids are black american and black american only. It's not that I don't think cultural appropriation is a thing but humans have been coming up with the same basic ideas for fucking ever, all over the globe, because they are simple and sensible approaches to problems. Once i started to question their weird insistance on being right about that stuff in the face of overwhelming evidence otherwise, i began to question trans politics too and look at evidence provided by radfems and spiraled from there. This ridiculous idea that humans of different cultures couldn't possibly have similar solutions to things is really similar to the idea that a western woman has nothing in common with an eastern woman and there is no universal female experiences. They seem to determined to seperate us.

sorry it took me so long to get to this, i wanted to be able to give a really well thought-out answer bc... there's a lot of nuance to this discussion imo!

my problem with the average "cultural appropriation" argument is that more often than not it's the laziest possible interpretation, usually online, usually by some white kid trying to look woke. just a little bit ago kids on tiktok were demanding these like, eastern europeans i think (don't quote me) apologize for appropriation for wearing their own traditional dress bc it "looked mexican." or however long ago when nicki minaj was in the hot seat for wearing a "native american" headdress.... that was actually caribbean.

because you're exactly right, a lot of humans were coming up with the same shit all over the world at different times.

but my other issue is this idea that all of these cultures evolved in an isolated vacuum and were never influenced by any other people groups. that's hilarious to me, personally, but also a little disturbing when i start to get major "Cultural Purity" vibes from otherwise well-meaning people who think we should all just keep to our Own Cultures :)

university is where i mainly observed this weird dissonance where i'm being bombarded with evidence of cultural amalgamation every day in my art history lectures, while in my small discussion sections i'm asked to apply cultural relativity to, say, the practice of fgm in west africa. i wrote an entirely neutral paper on its cultural significance, as if those girls (and boys as well in that case) aren't also people like me. that's just the way "they" do things. it forces you to dehumanize people from other cultures, honestly.

and this isn't to say that the dynamics of cultural interactions don't matter. there's a very good, historical reason why white americans do not and should not ever have ownership over black american culture. to me, for the most part, there's a visible difference in how braids are used in black hairstyles versus the traditional white european hairstyles. but not always. it's not really about the hair itself, but the double standard applied to black people whose hairstyles are called "unprofessional," "inappropriate," while on white people they're cool and subversive. the real harm of cultural appropriation isn't really the decontextualization of a specific culture, but that it obscures discrimination. yes, both white people and black people wear braids, but as white people we're not discriminated against when we do.

at the same time, i love to see evidence of human interaction. oppressive cultural dynamics happen on a very wide scale that can be summed up in your history textbook from a third-person perspective. on an individual level, of course discrimination still exists, but there's no real malicious significance to seeing someone do or make something and thinking "i like that, i want to join." one of my favorite things i encountered studying art history was seeing the way cultural artistic styles combined, yes, sometimes as a result of an overarching subjugating political takeover. and like, i hate to say it, but sometimes that didn't really change someone's daily life. people are very resistant to change on an individual level. look at how many people were converted to a new religion by just adding a new god to their own beliefs.

mudéjar architecture came about because of the islamic empire's conquest of spain over a thousand years ago. and check out this greco-roman influenced gandhara bodhisattva from almost 2000 years ago. cultural exchange!

"emperor qianlong watching the peacock in its pride" from 1760 qing dynasty china, influenced by the italian painter castiglione.

there's a lot more universality to our different cultures than a lot of people would like to acknowledge, i think. it dehumanizes someone to categorize them as Foreign, to label their culture as entirely separate and untouchable, and it feels to me very much like people think culture is something that can become contaminated by the wrong people interacting. and i do think heritage is incredibly important, i do think cultural appropriation hurts people from oppressed social groups. but i also think cultural exchange is very natural and important.

the refusal to see nuance (not to mention the blatant inaccuracies i mentioned at the start that happen all the time) is definitely a big part of what drove me away from liberal spaces, and i do think there are people who have a specific agenda of dividing western white women from other women around the world. specifically to keep us from empathizing with each other and finding common ground. i just think it discourages the genuine instinctive desire to explore something new and compare it to what's familiar to you.

[sugar-petals]

Bts voice analysis anon here! I just wanted to thank you for taking the time to respond ❤ it made complete sense why yoongi is the deepest I kinda feel bad for him everytime he wants to sounds cheerful or speak in a way so people can hear him he strains his voice

lot to talk about, i’d like to expand on this. especially what his voice being the deepest means for bts’ songs. plus, where his undiscovered vocal talents are, and in what manner his voice will not strain.

that he’s very introverted contributes to what you say, but yoongi is certainly the odd one out voice-wise, such low baritones hardly sound upbeat. similar to how taehyung being the odd one out in the vocal line whose head voices are literal superpowers. i really respect him for singing with jin and jimin who can climb one octave higher than him, up to C#5! and with jk who has the best technique and breaks into the 6th octave if he goes on like that.

it’s very much like yoongi who probably has to mix their tracks back and forth to fit his parts with hobi (who is a tenor as a rapper! — very uncommon) and namjoon who raps in several modes. very low, very high, very impactfully. he’s the most full-bodied baritone in the group even if he’s only the third-deepest. the tone is just so rich. both hoseok and RM are extreme vocal chameleons on top of that. in speaking and in their music you can hear the difference to yoongi all the time. they don’t suddenly drop in pitch and they’re vocal acrobats.

hobi in particular, this guy can do anything. the sheer agility my god, he connects his registers. he can go up and down, impersonate and do a million effects, adlibs, you know the drill. it’s him who actually owns the “cheerful/loud and clear” brand you mention. which is good if not fantastic for yoongi’s production endeavours, the group mood, and how bts cannot be ignored — but tough for yoongi’s voice and comparison thinking, and when he tries to make a point in interviews. maybe it’s not bad that bts have to slow down sometimes to let yoongi speak, but his tone is drowned out (not intentionally of course) in other occasions and he wakes up hoarse often as we saw. which might sound hot, but it’s not good for him as you say.

to be clear. i wouldn’t chalk down his more monotonous and silent tone as a weakness, it’s just outside of bts’ other vocal variety. he makes up for it with speed and good lungs anyway. we just have to listen more closely to him in talks/episodes/conferences but i think he shouldn’t worry about it either or try to sound more enthusiastic, the fans love his soothing speech for its pure sake. he does change it regardless to be more poignant and blend in. it has pros and cons but it wears him out.

yoongi’s voice is under that strain not just in conversation but also in the studio if he wants to bring connection to the rap line parts instead of having 3 songs in 1. which usually ends up happening anyway. that’s also why the cyphers (!) switch genres mid-song so often: their voices are all strong in different registers! yoongi the lowest, joon midrange, and hoseok up high. 

that’s why cypher pt2 is a HUGE stunt and production masterpiece: hoseok’s part is tuned differently, then other instrumentals start with namjoon. and you can literally hear, okay alright a deep voice is coming! from there it just gets deeper and deeper until yoongi is just rapping over a bass guitar (every baritone’s best friend lmao!). god, please give yoongi a big bassline for his every part. “ugh” is the exact opposite: yoongi has to start too high and namjoon also has problems with the key, only hoseok can fully take off after 1:50 with perfect vocal stability. guess which song is autotuned: it’s not cypher pt2! a 3 in 1 song fuels the rapline in a way where they are most comfortable. it’s crazy how far apart they are among each other vocally and it has to be considered.

it’s a dilemma but also why bts’ rap line can tackle any song with at least one member suiting it. they complement each other, every register (except the rare whistle register, aka what mariah/ariana do) is covered. i think that contributed to bts’ fame, it’s so important. however usually, the song caters to hoseok since tenors are preferred in kpop music, or it caters to RM as he’s the central songwriting entity even if mind you, he always thinks about all the members and works closely with yoongi.

but even with joon’s support, it doesn’t work if yoongi is caught in his wish to be a tenor. we’ve seen how much the guy talks about wanting his range to become wider and how he even tried singing quite high for his standards on d-2. he goes as far as collabing only with sopranos to help him achieve that pitch. yoongi is invested to pretty much change his entire vocal type 🙁because the environment simps for high notes so bad (which is fair, falsetto is related to releasing certain happy hormones and highlights parts in songs, but still).

... he actually can’t, unless he wants to damage his throat. that’s the last thing we want. a listener can get the serotonin from a very deep voice equally if they got good taste.

thing is. you cannot morph yourself into a different vocal type and shift your range to the opposite of your comfort zone unless you’re whitney houston. even one in a million tenors like baekhyun can’t make themselves a baritone. his lowest notes are less clear no matter how hard he practices, even if his chest voice is almost operatic and his technique excels. meanwhile, chanyeol (who’s a lyric baritone and exo’s deepest voice) effortlessly hits them without (!!) that kind of decade-long training. have baekhyun or jimin been called bad singers for not being able to cover the other end of the spectrum? nope. so: why would yoongi be a bad vocalist who needs autotune. with lessons, oh man, he could do a lot and many things he dreams of. he has a very unique timbre and enough musical knowledge to do so.

so, we see the magic of your natural supported range. it’s simply given to you. imagine that: if you know you’re not a tenor, you could sort of outsing jungkook — obviously not by technique, but projection— as long as the song is tailored to you and the notes are low enough. yep, jk’s lower register is not extremely forward. each note is perfectly sung because he’s jk, but his power vocals are settled much higher. joon/tae/yoongi would sound much fuller with huge oomph in those lines. that’s where yoongi would be much more clear-sounding to us. a lot of baritone rappers in kpop would be damn good singers. 

that’s why it’s good how a lot of rappers produce solos on their own so they can try it out. 

you just have to respect that your range usually (not always) goes in one direction. once yoongi rightfully decides to abandon his high note fantasy and goes lower just for fun, we are not safe anymore lmao! exception for range: female singers have an advantage there. trained mezzo-sopranos have great access to the head voice and lower registers since they’re in the perfect middle of the scale. but the guys, forget it, even the baritenors. yoongi’s fullest voice will always be coming from a chesty depth and we love him for it. guy just needs to realize.

that’s why his real challenge is rather somehow tweaking the rap parts so his voice finds good resonance like in “혼술” or even “ddaeng”. where his voice is strong, relaxed, and full and flowing. ddaeng — “boy with luv”, too— is ironically in a very high pitch and again caters to hobi’s tone the most, but: yoongi just scales down to his own octave and it still fits, so — great key choice and musicality! and adaptation. it’s not easy to do. you can tell he plays piano.

he either becomes less easy on the ear or has to autotune himself entirely if he works against his voice. or: goes on a track way outside his supported range (dynamite, WOW). it’s a shame. “daechwita” and “agust d” are such a case: both go into the head voice where your resonance should show the most aka the chorus. there are aggressive belts/snarls/shouts that make more sense for higher, trained voices. yoongi is most famous for raps that are literally designed to fuck up his vocal cords 😷that he’s so skilled as a rapper prevents him from that to a degree, but it’s still not healthy. he adapts a lot to bts’ overall delivery but he doesn’t have to, in fact: he could go in the other direction and it would work even better.

the reason for the title track issue: they are the most energetic. in k-pop, energetic means amping up the pitch. and that’s probably a logical choice and a natural human association. if you make a baritone kpop track with a lot of energy, it probably becomes pretty creepy, uneasy, film noir. but i think that’s exactly yoongi’s thing: to unsettle and critique and rage. i think it could work out. lil nas x is a baritone pulling it off. he achieves energetic title tracks, he honors his vocal type well imo. his live singing is cool af, i need this so hard in the rap landscape. so, it’s not impossible to do.

the trick is probably setting everything to minor key. surprise... yoongi’s challenging title tracks are all in major key. boy with luv: minor key, interesting. the former are extremely difficult for him to do so hats off. “shadow” is more suitable for his baritone as is “burn it”. it needs a very heavy, dark track. which is why it’s good that yoongi has that kind of public image. a baritone’s best genre is not super light and whimsical. that’s why all of our baritone faves are not main vocalists but main rappers. kai, taehyung, jaehyun: low voices in vocal lines are soldiers.

---

now a note on yoongi’s best method of singing since it reflects his voice type and brings out the fullness of it. as in, how does it crack and strain less? guess why “사람” is yoongi’s favorite d-2 song to sing. it’s ALL his comfortable range and the singing — very beautifully done —  is in mixed register (= head + chest)! which imo might be his secret weapon. it allows him to do what he longs to do successfuly without going extremely high. bingo.

because: even with baritones, the golden middle is still important. they’re not as deep as a bass, after all. that’s why their voices are so honey-laced in the mixed range and it sounds amazing. heaven, their timbre sounds so seductive. so, it’s wonderful when they find their middle and dare to sing. 

i wish yoongi gets/makes more tracks aimed at just that. in “outro tear” he has to go both too low and too high so it takes a lot of production effort to patch it together. the rapline is doing god’s work to make all their voices sound cohesive without being trained singers. it’s always a trade-off and risk, an immense balance act. “paldogangsan” is hard on yoongi’s voice but works as a whole plus it caters to namjoon to carry the song’s message. the cyphers are chopped up and not chart-friendly but each member is in their comfort zone. 

PS: i said bts’ rap line covers all registers except one. i think that jin is the one to complete bts’ entire spectrum coming from the vocal line. i’m no whistle note expert but dionysus went pretty high up there, i think he might be able to do it. it’s very impressive, even jungkook and jimin probably don’t have access to that register. so, another point for bts being a very ‘complete’ group.

[yourclownpal]

A comprehensive list of all my Ghost au's

this post will be talking about all of the ghost au's ive created or co-created including talking about ghost au's from old fandom's that i am no longer in. if you want to ask about any of my au's my ask box and dm's are always open this includes the hermitcraft au but keep it to a minimum please also if any of the creator's of the characters have said that they arent comfortable with what im making ( with proof ofc) i will edit or delete what is needed to fit in the boundaries also another thing this is a long post if you just want the art go under the cut! this post will discuss how each au works and basic plot stuff about them the fandoms in this post are hermitcraft, epithet erased, and dsmp okay first things first-

my hermitcraft au (what a pity)-

On my old tumblr account I made a few posts about it along with a fanfic which never got finished due to me not wanting to interact with the fandom any more due to personal reasons and also I'm not very good at writing imo but I think I'm ready to talk about it again. Just keep in mind i will most likely not talk about this fandom ever again at least not on here again for personal preference : -) it was about season 6 Grian since he was who i was hyperfixating on at the time, being haunted by the ghosts of Sam and Taurtis, both of them from the old roleplay series' Yandere High School, and Tokyo Soul, and taurtis from Grians old-ish smp Evo. Since I never finished the fanfiction nobody but me and close friends ever got to hear the full story i had planned but now you will i guess. It was mainly just grian stressing about Sam and Taurtis being ghosts and him worrying about being crazy, though he would still join the hippies during the area 77 war he would be significantly more stressed especially when finding out that Sam and Taurtis have been possessing his body during the night, he’s more worried about Sam though because of his track record back in the other servers( yhs and ts) it was going to be that Sam (although death isn't permanent) would go on a killing spree in Grians body which would cause the area 77 guys to put him in the facility to see what's going on with him, and it didn't get further then that. My favorite part of this au much like all of my au’s were the design elements i had for it which i'll have under the cut with the other designs. Now for a rundown of how the ghost physics work in this world, in typical ghost fashion Sam and Taurtis were not able to touch or move anything, but they were able to interact with Grian, him being the only person who could see/hear/or touch them. Their only super natural abilities is being able to possess Grian.

Okay! Time for my Epithet Erased au!: Unlike what a pity this one doesn't have a name or a fanfic to go with it as said before i'm not exactly a writer but i have talked about it a bit before on this account along with posting the designs and general concept but i'll go more in depth here! As said in my original post this au was a co-creation with my best friend and sibling @brocolibean so go check bun out ^^ Unlike ‘What a Pity’ it was more lighthearted and comedy centric because it dealt with a bit more and also the original show is a comedy. This au didn't include the character’s epithets so they are all humans. This will also include talking about house each ghost died so if your uncomfortable hearing about that you might want to skip the ghosts portion Just like the original post I'll separate the story summary into 3 parts with intervals in between to talk about the ghosts. First we have the Banzai boys part of the story. Giovanni, Spike, Dark Star, Crusher, Flame Thrower, Car Crash, and Ben all decide to move into a house together so they could all easily split the rent since its close to their collage, the house, which they get for cheap, is aa very old house with sketchy history. But it's a huge house for cheap so they don't complain they encounter the ghosts very early on living in the house and they swear to figure out how they died so they can get their memory back! The ghosts, Molly, Sylvie, Trixie, and Pheonica have no memory! All they know is that there are ghosts! They are connected to the property of this house but if you where to get something- like perhaps a stone from the property the ghost is still technically attached to it therefore the ghost can go with you anywhere Speaking of- -Phoenicia Fleecity is one of the last ghosts to show herself, her body is found in the overgrown garden flowers growing over her skeleton, she is from the victorian era making her the oldest out of the ghosts though he death is the most mysterious -Molly Blindeff is the first ghost the group meets her decomposed body is found buried in the floorboards of the living room, found when gio decided that the house needed renovation and taking matters into his own hands, she died via blunt force trauma i will not be going into detail here because i'm still thinking of doing something with this au she died in the early 2000’s -Sylvester Ashling is the second ghost to show himself though he didn't want to, his body was found in the bottom of the pond in the backyard of the house in the garden. His body while it was decomposing and falling apart was still intact, bloated from drowning. Again i wont go into detail but this wasn't an accident time of death is unknown -Trixie Roughhouse is the third person to show themselves to the Banzai Blasters she is found in the bushes in the backyard her face disfigured from some sort of explosion unlike the others it seems like it was purely an accident, like sylvie their time of death is unknown Mera Salamin is the collages part time librarian nicknamed “the library witch” she started seeing her ghost after obtaining a neck bow with a blue pendant from a pawnshop she got it cause it was pretty and didn't expect a himbo to come along with it -Indus Tarbella is a ghost who is attached to the pendant and bow Mera wear it used to be his own until he was decapitated wearing it through he was properly buried he has no troublesome memories about what happened even after seeing his body he’s just happy to be with Mera Percival King is a security guard at the college and one of the best at that, she wields a story she got from a pawn shop as its her preferred weapon she takes her job very seriously -Ramsey and Zora both died by the same sword while fighting neither remember who wielded the sword, even after death they hate each other and hate being bound together even more Everyone ends up meeting and finding out they all have ghost hijinks ensue. The way ghosts work in this world is a bit strange I'll admit but it's one of my favorites. The ghosts can interact with the human world(menma style) but

they can only talk to the others who can see them (the Banzai Blasters, mera and percy) and the ghosts can interact with each other ghosts in this au attach themselves to an item or property that has someway to do with their death, the kids in the property, Indus it's the bow, and the sword duo is well, the sword Percy carries. As alluded to from before Gio and the rest of the boys end up carrying a bit of the property with them in the form of friendship bracelets four for each of them which makes 28 different bracelets so the kids can decide who to follow around for the day.i talked about how percy and Mera’s items work enough but i would like to mention that Indus does most of the heavy lifting around the library but becaus enoone else can see indus they assume she’s magical, the glowing pendant doesn't help.

The last two au’s i want to talk about are both dream smp au’s

though i've never talked about them online until now, again thanks to @brocolibean for letting me brain vomit my way through these au’s and helping me out with things i love them please check him out I'll be honest i'm so scared of this fandom so i'm afraid to talk about my au’s please be nice to me Also this is all roleplay and fiction!<3 The first one i'll talking about is the dsmp ghost hunters au Sam runs a company where groups of people hunt ghosts for money! Those groups being Phil, Technoblade, Wilbur,Tommy, Tubbo, and Ranboo Dream, George, Sapnap, Quackity, Karl Bad, ant, Skeppy, and Puffy There’s most likely more but there the only people i can think of at this moment The only canonical ghost being Schlatt This au doesn't have a proper story perse it's more about gags and stuff about the different character fighting over ghosts for money but the story stuff i do have- Sbi family dynamic is real here you can rejoice, Phil adopts Tubbo after his dad (Schlatt) kicks the bucket and fucking dies , Tubbo befriend’s Ranboo some mysterious teen who just desperately needs a job so he- and the rest of the Minecraft family help him get one- though they find out Ranboo isnt as human as he was made out to be and he finds out he’s this worlds version of angels called ender’s and he’s there to protect Tubbo and Tommy which explains why the more violent ghosts start being less violent at the arrival of Ranboo joining their team. Bad isn't human either being a demon his entire group know’s plus quackity. Quackity found out but squirting him with holy water through a water gun but don't worry he promised not to tell anyone; -) Bad and Ranboo know about each other because they see each other as their true forms The minecraft fam found out about Schlatt being a ghost through Tommy- despite Tubbo telling him not to- telling them from calling up and paying for them to investigate their own house saying “technically i didn't tell them” they ended up not getting rid of Schlatt though I'm not going to talk about how the ghosts here work because it's not super important to the plot

The second au is another ghost au where the main characters are ghosts themselves,

like the others its mainly lighthearted and comedic with dark attributes The plot surrounds the sbi family moving into a new house and Tommy finding out it's being haunted by two ghost’s. Those ghosts being Tubbo and Ranboo This au isn't fully figured out but I know that he found out he was haunted by sending a selfie to someone(possibly Drista and Purpled? Since there are only other minors who were part of the dsmp lore? But ultimately idk) and them being like “yo i didn't know you had friends” and him being like “?????” Tubbo died from a boiler exploding and Ranboo died from drowning (which are apparently my two favorite deaths) this also doesn't have an official story? It was just an excuse to make ghost designs with a bit of a story without the commitment As said before it's a sbi au but also a Dadschlatt au cuz I like Dadschlatt au’s. The main story bits i have are background stuff for Tubbo and Ranboo which ill elaborate now The house was originally meant to be just a summer home because it had a large lake in the backyard Ranboo’s family would go there often but that doesn't mean his family liked him very much because of his heterochromia, Vitiligo, and his height his family thought he was strayed from god and drowned him Tubbo died during sleep while Schlatt wasn't home either out drinking or just at work he came home to the house being partially blown up and his son nowhere to be seen he calls Puffy out of fear and she calls the cops. He moves away and most likely starts drinking a bit more. The house gets rebuilt and now the sbi live there hijinks ensue! The ghosts in this au work in a simpler manor only Tommy can see them unless a photo is taken but even then they are blurred, they can float and go through walls and their ability to touch things is limited Ranboo’s memory is worse then Tubbo’s but Tubbo’s isn’t much better.

below the cut will be designs and stuff be safe pal's- there will be minor/cartoony blood-

rip me exposing my old art on this account also i'm ripping these from my fucking amino account that i don't use but still have the password too

gonna do the original what a pity drawins first them ill show a more recent rendition because i hate the old drawings

these are the old drawins i hate them

then,,, i just drew them,,,,, fuck these guys/j

thses are the old sprite edits of these four! trixies design is the only one that really changed

the ded;-; i couldnt fit him on the page

there he is! ft indus and very much alive mera(who i cant figure out how to FUCKING DRAW-)

gay's get wilbur'd/j

they lookin for ghosts

the whole fmaily is here but its quality is shit

these bitches dead! good for them,,, good for them,,,,,,/j/rp

[absentmoon]

hey bug!! i hope you dont mind me terrorizing your inbox with anime idols again :) i'm reworking my insert and wanted to!! talk about him a little if you don't mind!!

my previous idea had him as primarily a solo unit, with him teaming up with madara as a unit together sometimes!! in the !! era, units are like. super mega important to be part of, best there are lots of events (like the ss finals) that require a unit of two or more!! madara is the only character in a solo unit (called MaM) and so he's theoretically the only one not allowed to partake in the finals. anyways, in reading some of the stories i realized as fun as madara is, he's also the kind of person who'd be really exhausting to deal with a lot???? plus even if that weren't the case, considering his other line of work he'd definitely turn smile down if he asked to work with him.

so my current idea is to stick him in undead because they are my favorite unit and i would like to cuddle with all of them. smile's aesthetic is way too cutesy for undead but that can be his charm point :) they have this whole!!! demons of the night bad boy vibe but they are all so kind & caring & loyal.... rei is described as a "demon with more human kindness than anyone you'll meet" or something along those lines and like. yeah. yeah he is. during the ! era he does a lot to help trickstar with their rebellion and ALSO hes just a rlly good senior (most notably towards the twins but really just in general). also rei has a coffin he keeps in the band room and he just sleeps in it. not related to his kindness but it is one of my favorite rei things. kaoru has this whole playboy thing going on and he acts like he doesn't want any meaningful relationships with anyone other than a hot girl, but he really does care about his friends so bad!!! i dont have a solid example but i believe there's a story where he offers his home to kanata which is so sweet to me. koga is very vulgar and quick to violence but he ALSO cares for his friends so bad he's so loyal. there is many a joke about the wolf being a lapdog and similar and like. yeah he's a huge puppy. i love him. and adonis is so super protective!! hes canonically INSANELY strong and so he gets nervous around small or delicate things bc he doesn't want to hurt or break anything... grr wait i like totally devolved into undead lovemailing BUT. i love them a lot and they started as a sort of "we're just here for the convenience" kind of unit, but they grow to be SO IMPORTANT to eachother and i love groups that are like that. i think the main thing abt undead is that they come off as either untouchable or scary on the surface but in reality theyre so caring and so i think my insert would fit in pretty well with them :)

here's undead so you kinda have a visual!! from left to right is adonis, rei, kaoru, and koga :) sorry this ended up so long again!! >.<

THIS IS SO COOOL i love ur idoltalking alwayssss u have so much knowledge its so RAD..love the idea of this really dark aesthetic contrasting with smile's cutesy one that works rlly nicely imo :3c theres so so much detaiiil in this franchise like??? its so awesome i love hearing about all the intricacies and chara dynamics.. also wolf being a puppy is so good HFGFGDD thank you sm for sharing always :DD!!

[lesbiancarat]

PREACH IT!! SAY IT LOUDER FOR TH3 PEOPLE IN THE BACK!! *stands up and claps*

Just your comment, please I want to tattoo that entire response on my forehead so people could understand some stuff fjshdhsh. I very much agree with everything you have said, like I do think the bighit deal was more so with the help of say with western connections (which again does NOT mean pledis could have done this without bighit. They clearly could but I saw a theory on a YouTube comment where someone said they focused on the core fanbase aka in Korea which is their main market and it paid off imo) from helping with buisness side of things like we do have merch to buy directly (which I have my opinion on some merch ideas like why the fudge is bighit selling us water!? Bro you thought that worked with bts doesn't mean it will with seventeen) which wasn't common in the past or being able to film concerts with ease during the pandemic. Bighit clearly acknowledges that seventeen is a monster group in their own right I mean as you said, they break records and are 2nd behind bighits own group. They are EXTEMELY big in Japan. They are their own song makers, bang pd confirmed this when pleids was first announced in a press video so the fact people brush all of their achievements and statements because why, their streaming numbers are low?

And oohh such an interesting point as well! Very much i think the current mindset of kpop fans (or at least some) is that streaming is what equals success which to some degree, yes but as you said, many ignore the casual side of listening. People that find the song due to it being viral for whatever reason, a fancam getting popular like in the cass of hani from exid or whatever reason. Dwc is a great example and I saw those comments under their recent performance of that song and it makes me proud that the boys have a song like that. That it has its own "fanbase" quote on quote with how well loved that song simply is and well known. You don't have to have fans doing crazy streaming to be considered "popular", I mean I could give more examples but I don't wanna make this too long nor cause unwanted fandrama lol. Those casual listeners are extremely important and powerful I mean brave girls is a great recent example of that I think! It very much does seem like that when looking at the views, its mainly the core fanbase which isn't bad nor should we feel bad for not having crazy numbers. They seem more organic if that makes sense? Plus I agree, we can stream and can explain how it works, clearing up confusion about it like no emojis don't take down views and yes youtube does take away views but that is due to it making sure it isn't bots only viewing the video. Explaining that streaming should be done with a chill mindset and its ok if you don't stream. But hey, maybe we're too weird of fans to think like this fjajdjajs.

But some few updates! Seventeen is back on Instagram, fully everyone is posting away. Makes me happy hehe m, a bit funny it took so long for them to comeback but am happy nonetheless. The interactions that seungkwan does makes me super soft. Seventeen are also back with doing proper promotions so yay (also pledis is S Wording people over the mingyu issue finally so bless). As for me on the personal side of things. I have OFFICIALLY finished that video game ^_^ it took me a while but I have finished it, my last goodbye was completed and am at ease so to speak? Lowkey am planning on beating all the trophies in the game cx also may I ask about your thoughts on the album? Favorite songs, have you bought the physical cd?

ok finally getting around to this lol!!

and yeah that's absolutely true, pledis focused on kr promotions/fanbase first and foremost (and then expanded to Japan and is now looking toward the US/western promos in general). which i agree was a good thing. i think some companies get too greedy with wanting a group to be ~internationally famous~ that they ignore their Korean fanbase a bit too much and I've seen groups that have failed bc of it, so I'm glad that didn't happen w SVT

and yeah in terms of merch I'm genuinely grateful as an american that for this cb at least there was a US distributor which made things super convenient but wtf is going on w hybes merch those water bottles are not it TT it just sucks to see bc it's clear that at least as far as merch goes hybe doesn't have an interest in like. doing market research to figure out what carats want. which is funny bc they don't even have to start from scratch they could literally just ask pledis?? and tbh what's sad is i don't think hybe is like. purposefully trying to sabotage SVTs merch from my limited perspective i get the feeling they treat all their groups merch like that :( but since us carats have seen in the past what kind of merch we're capable of getting it's disappointing to see such a downgrade. and like tbf pledis's merch decisions were never perfect like that time they tried to sell replicas of the SVT rings and carats were rightfully pissed bc those are something the members earned, not something to be bought. and i also don't think hybe never has or never will make good merch, I'm sure they're fully capable of it. but it just seems obvious that they've put WAY less if any effort into understanding both the market (ie carats) and seventeens brand compared to pledis so like of course most carats aren't gonna like it :/ i really hope they step up their game and do better research or bring ppl onto the team who better understand svt's brand

and yeah i very much agree with everything u said about streaming! tbh i think this mindset isn't as uncommon as you might think, I've actually met a fair number of kpop fans who are critical of streaming culture but as u know there also are a lot of ppl who are really into it and those ppl tend to have the loudest voices. and unfortunately part of streaming culture is that if you question the methods or don't participate you must be a bad fan or secretly an anti or something ridiculous like that. so ppl who aren't into streaming culture end up learning to not be too vocal about it bc of how bad the backlash can be

yes! I'm glad to see insta line (+ now dk!!) active again. i still wonder why pledis made them stop using their ind instas, like I know all the theories people have as to why but honestly none that I've seen seem to fully make sense. it will probably be one of those things where we'll just never know the full story. but i digress!! regardless of the reason I'm just glad to have them back after all this time ^^

congrats on finishing the game! I'm glad it was able to help you work through your grief a bit and that you feel more at ease now ;-; and good luck with the rest of the trophies if you end up trying to get them!

as always I'm answering this a bit late so you may have seen already but i did get the physical album! it was a birthday gift so i only got it the other day, but according to my mom it arrived almost immediately after the album was released so as i said before, I'm very grateful for the US shop this time around ;-; as for the songs usually it's easy for me to pick one or two favorites but this time around it's genuinely a 4-way tie between heavens cloud and all the unit songs TT (i also love anyone and RTL, they're just slightly lower on the list in terms of preference if u get what i mean). i really hope some time in the future we get some kind of performance or special video or something for heavens cloud, since so many carats and the members themselves seem to really love it. i also think it's a song that brings up such beautiful imagery that it would be a shame if it never got any type of visual representation, you know? I'm also really curious to see a performance of wave, since iirc the members said the choreo is a lot more laid back/different from other perf unit choreos?? + that song also evokes such great imagery for me that like... makes feel like it needs some kind of movement so I'm just itching to see a performance. kind of like... even if i didn't know it was a perf unit song i would think it would be great to choreograph to if that makes any sense dhfkf. but yeah overall i think it's just a really solid album, as expected from summerteen ^^

[fandomtrxsh19]

I finished season 6 and here are my thoughts.

New characters wise, there wasn’t many. Selina’s a good addition to the villains. I liked that she’s connected to Bloom. She’s coming and manipulative and pretty complex. Tbh, there wasn’t really much of Nex and Roy, besides kind of fighting over Aisha. But, I do think that these two boys have potential. I liked what we got to see of Thoren. I think his backstory with Sky is pretty cool and his relationship with Daphne is cute. Eldora, I half liked and half kinda disliked her. I really liked her wise, loving, grandma kind of personality. She helped the girls in lots of situations throughout the season that are important. What I didn’t like, is the times where she would try to be funny and act kind of clueless. I guess it wasn’t really what you would think a fairy godmother would act.

The 2 transformations this season are Bloomix and Mythix. I really like the design and the aesthetic of Bloomix. The fantasy, fairy armor type aesthetic is something new and unique. Even though the way of getting it is kinda weird, I still like it. Mythix, on the other hand, I don’t exactly like. The designs are pretty basic and the 3D just looks weird and bad here. Compared to the 3D animation of the movies and some shots in season 5, the 3D animation looks unfinished. The 3D animation in the movies were very detailed and fluid in their own way and the 3D in season 5 looks good in some parts of it. But, for season 6, it looks like not a lot of effort was put into it, imo. Like, in one of the sneak oeaks of the next episode, the 3D animation isn’t even done.

At some points of this season, characters got little things of development Musa and Riven had a calm conversation and broke up. Riven realized that he still needs to find his own inner strength before coming back, so her left. I think that this is the right choice to make on both Musa and Riven’s part. They realize that they still need to work on themselves and still stay as friends. This is something that has happened many times in real life. Stella, I feel like, regressed a little. She was mainly focused on her boutique and acted pretty selfish and childish at some points. BUT, I do think that she gained sone of the development she lost by learning from the whole “Queen for A Day” thing.

Now, Daphne. I actually kinda liked her being “alive” again. She still keeps her mature, nurturing, and caring personality, and added some extra quirkyness and clumsiness to her. Ofc, a major stand out is Liz Gillies’ PHENOMENAL performance. You can tell that she’s putting so much love and of herself into this role and is having a blast.

Again, 👏LIZ👏GILLIES👏IS👏THE👏BEST👏DAPHNE

Overall, this is definitely one of the weaker seasons, for me. Some characters just didn’t seem like themselves at some points( ie Stella) But, I also liked its theme of fairy tales. The concept of the Legendarium is actually pretty cool. Personally, I give this a 6/10. Definitely one of the weaker seasons, but I still enjoyed it. These are all my opinions and if you feel something different, that’s totally valid.

I’ve really enjoyed watching the seasons I haven’t watched and rewatching those I have. With this binge, I now feel more connected to the show and I now realize what makes this show great and different from other shows of it’s time. You learn so many things from this show and these characters that can be truly effective in life. Many of these characters are extremely relatable and interesting, and that’s amazing. With this, I’ve realized why I love this show so much and how much this show about a group of badass fairies means to me. So, yeah. I really enjoyed this and I don’t regret this at all......

If any of you wanted to know my opinions on seasons 7 and 8, I thought both were average, but I still enjoyed them.

[heedra]

hi! sorry if this is a broad question, but i don't know anyone else with rats to ask. i'm thinking of getting rats for the first time and i was wondering if you have any tips or like care guidelines you think are really important. ive been doing some research and ive kept mice before but i really want to make sure i give any rats i might get a good home and some information out there seems either contradictory or just flat out wrong and im terrified to accidentally mistreat them. ty for reading!

Oh geez, that’s a big question! I’m going to start with some of the things I think might be the biggest, most critical and vital differences between keeping mice and keeping rats; if you have more questions after that, feel free to shoot me another ask! 1. Two rats is an absolute minimum, regardless of whether you own males or females. People will tell you that it’s critical to own at least two rats, and they’re technically correct, but imo the ideal minimum is actually three or four. Rats are very social, just like people, and, just like a lot of people, they are happiest when they have a group of people to build relationships with. If a rat living as part of a group isn’t getting along with one of his cagemates, he has others whose attention he can go seek out, unlike with a single pair. Introducing rats can be tricky, though, especially with boys, so if you are trying to combine rats who are strangers into one social group, definitely do your research. This website has a great rundown of some of the different methods used to introduce rats. 2. Rats absolutely cannot live in a glass tank. Even if the tank is just one part of a cage that has a ventilated wire portion up top. Rat’s noses and lungs are very sensitive to urine buildup in a way mice’s aren’t, and glass tanks offer no ventilation. Rats also need a lot of vertical climbing space in a cage, relative to mice; tall, wire cages are must for this, as are a lot of climbing toys and hammocks. 3. Related to the above, rats are very prone to respiratory infections. I mention this because this is probably the most common health problem you will encounter with them, and it’s important to know the signs. A vast majority of pet rats either have or will get mycoplasmosis (a bacterial sinus infection) at some point in their lives, and while it’s usually benign at baseline, this infection flares up in the presence of poor ventilation, excess dust, or stress. If you notice that your rat is whistling or wheezing when they sniff and breathe, or that they are snorting/sneezing a lot, talk to the vet you go to for small animal health about getting them on an antibiotic. Respiratory problems are a part of life for rat ownership, and usually wont affect your animal’s quality of life, but if left untreated can develop into pneumonia. You don’t need to panic if your rat starts sneezing or wheezing; even if you’ve already treated them for those symptoms before; rats with myco often have more than one flareup throughout their life, and sometimes it will go away on its own once a rat gets settled in a clean environment or stops being stressed out, but you do want to get it checked if it persists! 4. Rats cannot eat alfalfa or timothy hay. This is an important one to keep an eye on, as, because almost all other pocket pets can eat these things, a lot of treats that contain timothy hay and alfalfa will be branded as being for all pet rodents, even when they’re not safe for rats. It’s not that these are immediately poisonous to rats, they just can’t digest them, so too much of it will inevitably cause intestinal blocks.

5. Male rats can’t eat citrus. This one is kind of debated, but I think it’s fair to err on the safe side. D-limosine, a chemical found in citrus peels, is considered to be linked to testicular cancer in rats. I’d personally suggest just avoiding citrus entirely with rats. 6. Rats need at LEAST 30 minutes a day of playtime with you, outside of their cage. Ideally, this should be closer to an hour. This is important both so that they can bond with you as their human, and so that they’re getting a source of exercise and mental stimulation that goes beyond what they can find in their cage. Set up a safe play area in your home; an enclosed bedroom, a clean bathroom, or an area fenced off by some kind of plastic barrier work well; make sure the space is free of dangerous things to eat and electrical wires. Furnish it with things the rats can climb on and hide in, leave some treats around for them to find, and make sure you’re present and keeping an eye on them! This is a great time to try and train your rats to do tricks or run obstacle courses, or to play games with them (mine really like to chase strings and tissue paper around).

7. There’s no difference in emotional, exercise, and enrichment needs between male and female rats. There’s a big myth that male rats are lazy and cuddly, while female rats are playful and active. In truth, any rat can be any combination of these things; it all comes down to individual personality. “Lazy Buck Syndrome” (the idea of male rats being couch potatoes) is more often the result of owners not providing enough for male rats to do based on this misconception, creating a self-fulfilling prophecy. The one exception to this is that male rats are more prone to back-leg paralysis in their old age, and may need more ramps and sitting levels as they age. I also want to end this by plugging two rat care channels on youtube: The Rat Guru, and Emiology Both these individuals are far more experienced rat owners than I, and they both have a whole bunch of videos addressing specific rat care topics and common questions. I also love the website ratbehavior.org; it’s got great information on how rats perceive the world, and what rat behavior means, written from a biology and behavioral science perspective.

EDIT: I almost forgot a really critical one! It’s not really a “care tip that differs for mice” since the same is true for them, and I’m pretty confident I’m preaching to the choir here, but, just in case, Please avoid getting rats from the pet store, especially big box places like Petco or Petsmart! These places breed and house rats in inhumane conditions that should not be financially supported, and rats purchased at these places are going to have shorter lifespans and be much harder to socialize to humans. I recommend looking for reputable rat breeders in your area and adopting from them, or looking to your local humane society or small animal rescue for adoptable animals.

[justice4sasuke]

Sorry to be sending you more opinions but there was something you said a little while ago that I just couldn’t get out of my head so here we go; you said, “you don’t have to forgive your abuser, but you can if you want.” And I agree with that sentiment 100%. I’ve been in the position of needing to decide which option to go with in the past, or should I say I haven’t actually decided yet because there can be SO much nuance involved in making that call. Sometimes it’s very simple, sometimes it’s anything but. And there’s no moral right or wrong answer, it’s about picking which option is healthier for you personally. Neither option makes you weak or strong, righteous or in the wrong (1/3)

Now that being said, I am painfully conscious of the fact that the narrative of, “forgiving your abuser makes you a good/kind/better person or whatever,” is pushed the absolute hardest in children’s and YA media, more than any other circle of media. It’s incredible how much and how often this is the only option presented to kids. I see this in shounen manga especially. And there’s a really famous example of an American children’s cartoon that does this which I could name but I won’t. I recognize that shounen does this a lot because WSJ has a sort of on the down low comic’s code thing going on (2/3)

And if Sasuke were real, I’d have no problem with him making the decision to forgive Itachi. And I’m not going to pretend that it doesn’t make sense character or story wise for him to do so. Hell, if I were in his position I might even make the same choice (then again I might not. I can only compare my experiences to his, but I can’t know them). Anyways I get it. But I also know, deep deep down in my traumatized bones, that a major reason why Kishimoto makes this decision FOR Sasuke as a character, is because it’s part of his crusade against the concept of “~hAtReD~” as it presents itself in victims. The only person who gives Sasuke permission to be hurt and angry EVER is Itachi (if I’m remembering the climax of this arc correctly), and I think that’s super important. And it makes perfect sense that Sasuke’s decision in response is to actually forgive him. But I also KNOW that he’s not allowed to choose otherwise. This is a big hand of the author moment imo (2/3) (p.s. you can wait however long you want to respond to this I don’t mind and I don’t want to overwhelm you especially when this could be more relevant later)

I’m always a proponent of recognizing WHY authors make the decisions they do, but I’m not sure it matters much when it comes to Sasuke’s decision to forgive Itachi. 

First I’ll say I find it very hard to parse what Kishimoto actually thinks or feels about anything. This could be because I do not know or speak Japanese or because I don’t seek out content that involves Kishimoto talking about his work. But then again I don’t go looking for author interviews a lot, but I’ve still managed to absorb some information that makes me feel like I know a bit more about the authors. Oda the author of One Piece does multiple Question Corners in each volume of the manga when it comes out that really gives you a feel for who he is as an artist and person and what he thinks. Araki the author of Jojo’s Bizarre Adventure has ever-changing interests and those interests bleed through in his work (a moment where that occurred to me that I found particularly amusing was at the end of one of the part 4 volumes Araki says he got a cat encyclopedia and that or the next volume then has a lot of drawings of cats and explanations about their behavior so you’re like well Araki I can tell). Or even a series I don’t even like because it’s miserable like Attack on Titan I’ve absorbed enough through cultural osmosis to know the author has said enough war crime apologist shit that the fascist wet dream that he portrays is intentional. 

But Kishimoto...I don’t know what he thinks if I’m honest. Does he really resent people with natural talent for things? Does he think everything bad is just hatred and we need to forgive to get over it? Does he think the state is more important than any person or group of people? You could make these assertions based on his writing maybe but Kishimoto’s writing is so flimsy and so many things change throughout the course of Naruto’s story I would just as soon believe every statement he makes about worldview is an accident. In fact Naruto’s blandness and unrelenting stereotypical shounen characteristic of never giving up could lead me to believe there is no heart in his writing whatsoever. Or hell, the end! Where all the main kid characters end up together as much as possible when you follow a two boys one girl rule and are bound by heteronormativity. None of the pairings had an ounce of heart behind them and some of them were fucking /jokes/ (Shikmaru and Temari maybe had a drop of heart to it based on things that happened in part 1 only). I don’t feel I can say Kishimoto’s opinions come through on anything he writes if he’s going to be so careless with what he does. (Yes, I know there is an argument for him being wrung dry by the manga making machine at the end, but that goes along with my point: does Kishimoto intend anything he writes).

All of that up there is leading into a point, but let me get part two out first. I don’t know if I fully agree with your take because forgiving Itachi isn’t what makes Sasuke “good” in the eyes of the narrative. Sasuke forgiving Itachi is important in terms of how we talk about their relationship but in the eyes of the narrative it is a foregone conclusion. There is some anger and resentment still after Sasuke learns the truth about Itachi, but there’s also still a ton of love and hero-worship there. By the time Itachi says “you should choose your own path” and “no matter what you do from now on I’ll always love you”, Sasuke’s forgiveness has already been granted and after that Sasuke’s journey is more about trying to reconcile his world view. And after Sasuke resurrects the hokages and gets the love story of the ages learns about the founding of Konoha, in true Kishimoto fashion, it seems like Sasuke is going to be a “good” guy now only to have him doing things that seem “evil” during the war and then after Kaguya is defeated he lays out his revolution plan which the manga views as “evil”. Kishimoto puts so little emphasis on forgiveness and explicitly keeps Sasuke in the “wrong” until the end of the manga so I don’t think anyone is expected or intended to see forgiveness as the way to be better. I think we kind of reverse engineer the forgiveness topic by bringing up the point of Sasuke possibly not forgiving Itachi when that’s not even a question in the manga. 

This brings us back to Kishimoto’s thoughts and intentions because is the fact that forgiveness or not is not even considered an author conscious decision, that forgiveness is the right choice? Or was forgiveness just the obvious choice because how Sasuke’s character was built out? I don’t think any of us can say because like I said above I think Kishimoto’s actual feelings and goals with his work are hard to pin down. 

Also I know this whole blog is about extrapolating and looking outside the framing, but one of the manga’s biggest faults it how is railroads you into what you’re “supposed” to feel and you only don’t feel that way if you give what you’re reading a second thought. And we’re not being railroaded into “Sasuke forgives Itachi so he’s better now”. We’re railroaded into “Sasuke needs to learn more about ninja world” which railroads into “Sasuke is going to help in the war but uh oh is he still bad guy??”. Like once again forgiveness isn’t even a topic of thought in this manga.

I guess I spent over an hour thinking and writing this to say I think the notion that Sasuke is being made to forgive Itachi is so out of the realm of intention or what the point of Itachi and Sasuke’s relationship is I’m going to Death of the Author it and say I think Sasuke chooses to forgive Itachi and that’s his choice. Thinking about whether Sasuke HAD to forgive Itachi because the author wanted it that way is missing the point. But that’s not to say we can’t discuss the implications of choosing forgiveness towards abusers in media, just that I think that is entirely outside the realm of the author’s thinking (with my above caveat that I have no idea what Kishimoto feels about anything). And I think these conversations aren’t really coming out because of the manga, but because of how we are thinking about the manga which is already outside Kishimoto’s intention. I mean I think Sasuke is right so obviously I’m outside Kishimoto’s intention based on his framing. 

Side note in regards to rules at WSJ I hear about shit people aren’t allowed to do there and no doubt there are rules but I’m very 🤔 about what are they really because Jojo’s Bizarre Adventure got very violent even in its shounen jump days and this isn’t about /abuse/ exactly but One Piece did have a character that couldn’t forgive their oppressors and wasn’t demonized for it and was treated with understanding. So I’m wondering what exactly these rules are supposed to be.

[padawanlost]

People often talk about Anakins failings as a Jedi, so how about somethings he was better than them at. Was there ever things (non-Jedi things) that people appreciated him for? Did his loyalty and emotion ever help someone, or make them feel better? Just, some ways in which Anakin being a bad Jedi, ended up making things better.

You asked me there’s any non-jedi trait Anakin excelled at I’d argue Anakin excelled at the most Jedi trait of all: compassion. Unlike the great Jedi masters of his time, who talked a big game about compassion, Anakin actually cared about the people he met and tried his best to connect and help them. But I’m not going to say much about this, I’ll just show you the receipts.

When Anakin and Obi-wan find a captive woman who has been physically abuse, this is what happens:

He was polite:

Anakin was looking relieved. “Water would be greatly appreciated, thank you. Food, too, but I’ll wait for Obi-Wan to come back before I eat.” She crossed to the small kitchen table, put down the precious holoprojector, then nodded at the commercial-sized conservator her keepers had so kindly given her. “It’s entirely up to you. The water’s in there. Help yourself to as much as you like.” He drank three full bottles, hardly taking a breath. Noticing her surprise, he shrugged. “Sorry. My manners aren’t usually that bad. It’s just—it’s been a long, hard day.” “I can tell,” she said, disposing of the emptied bottles down her makeshift kitchen’s waste chute. “You should sit down. If you don’t mind me saying so, you look tired.” He considered his filthy clothes. “Are you sure? I don’t want to dirty the furniture.” [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

He was supportive and unfailingly kind:

“Oh. That’s right.” There was still dried blood on her fingers, and a dull, throbbing pain in her head. “I’m sorry. I’m not normally this stupid. I just—” And then she felt her face crumple and heard herself sob. Her knees buckled and she began to sink toward the floor. “I’m sorry, I’m sorry,” she choked. “Don’t mind me. I’m fine.”

He caught her before she tumbled completely. Lifted her without effort and carried her to the sofa. Boneless and unprotesting, she let him. Let her face turn to his roughly shirted, dirty chest and howled her rage and shame against him. Dimly, she felt his hand warm and comforting on her back and heard his soft voice saying, over and over, “It’s all right. It’s all right. You’re safe now. It’s all right.” The crazy thing was that she did feel safe. For the first time since those Separatist blaster bolts seared the air and sand of Niriktavi Bay, since she saw her friends and colleagues slaughtered, she felt safe. [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

He helped her with her wounds:

“Don’t apologize,” [Anakin] said gently. “You’ve got a right to be upset. Now, where’s that medkit?”

“In the refresher.” She pointed. “Through there. Top shelf above the sink. But please, don’t bother. It’s nothing. I can—”

Standing, he frowned down at her. “It’s not nothing. Don’t go anywhere. I’ll be right back.” Even if she’d wanted to, she didn’t think she could move. Hope had vanished, leaving despair in its wake. Leaving her empty of everything save pain. Her eyes felt scrubbed raw. “Right,” said Anakin, returning with the medkit. “Here we go. And I’ll say sorry in advance, because I’m probably going to hurt you.”

Again, that extraordinary sense of being small, a child, as he carefully wiped the blood and tears from her face, cleaned the bruised, throbbing cut on her forehead with antiseptic, and lightly pressed a steriseal over it. “You’re very good at this,” she murmured. [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

He was gentle:

Taking them, she looked up at him and shook her head, even though it still ached. “It’s odd. You’re nothing like I expected.”

“Why?” he said, perching on the edge of the nearby chair. “What did you expect?”

“I don’t know,” she said, floundering. “I can’t say I’ve ever given the Jedi much thought. I mean, not as individuals. I never expected to meet one—let alone two. I don’t tend to go places where your skills are needed. But—well—you’re gentle.” That made him smile. [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

She sat down again. “I understand. This is war. You have to look at the big picture. You can’t afford to see the little people.” Scurrying like rodents. Sacrificed for the greater good.

“That’s not true!” Anakin protested. “That’s what the big picture is. Lots and lots and lots of little people. You matter, Bant’ena. The friends you lost on Taratos Four, they matter. We’re fighting this war so no more like them will die.”

He was very sweet. Very young. Full of grand ideals and breathtaking, intuitive compassion. She looked at Master Kenobi. Now, there was a pragmatist, a man possessed of a scientist’s soul. [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

When Anakin runs into a planet where the population has been enslaved:

As for the native Lanteebans, they were easy to pick out. Hunched and nervous, skittishly aware of their armed supervisors, they were the ones lasering and sweeping and riveting and hammering and sweating to upgrade the spaceport to their new masters’ specifications. They wore nothing but overalls and sandals. No protective eye goggles. No steel-capped boots. No sensor-harnesses to protect them from a fall. The indifference to their safety was breathtaking … and at the same time, unsurprising. Their fearful misery muddied the atmosphere. Beside him, Anakin muttered something. Not in Basic. His outrage was palpable, a red shimmer in the Force. Oh no. Not now.

“Anakin …”

“Look at them!” Anakin retorted, low-voiced. “They’ve been turned into slaves!”

“I know. It’s irrelevant. Focus on why we’re here.” [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

He was generous even with his dreams:

When the war was over he’d go back to Tatooine and see. When the war was over he’d buy any child he found enslaved to Watto and find them a home where they might live and love in safety. Belonging to no one but themselves. [Karen Miller. Star Wars: Clone Wars Gambit: Stealth]

When Anakin runs into a group of poor kids playing in the street:

“Just like Mos Espa’s slave quarter,” Anakin said under his breath. “Everybody knows everybody else and nothing much stays secret.” Obi-Wan nudged him with an elbow. Not now. They’d accumulated a gaggle of children, who seemingly had nothing better to do than tag along in the newcomers’ wake, giggling and whispering and kicking a soggily inflated synthafibe ball.

[…]Grinning, without bothering to ask if he might, or if it were wise, or if they had the time to spare, so independent these days, Anakin jogged to join them. After a moment’s amazed hesitation the children welcomed him with squeals of delight, rough-and-tumbled him into their midst and made him one of their own.

Obi-Wan shook his head. “He’s nice,” said the girl with the bracelet and the ragged hair, wandering over to stand beside him. “Don’t be cross with him, Teeb Yavid.”

[…]“But—” Gathering his thoughts, disciplining himself, he watched Anakin scoop up one small excited boy, too young to kick the ball, and zoom him overhead like a fighter chasing a vulture droid. The boy nearly sickened himself with laughing. “Greti, are you saying—”

[…]“So that was merely a cynical exercise in the manipulation of a local populace?”

“Oh, no,” said Anakin, grinning. “It was fun too.”

May the Force give me strength. “And that business with the boy? Because when I said no heavy lifting I—”

Anakin’s amusement vanished. “He wasn’t heavy. These younglings are skin and bone. I look at them and—” He clenched his jaw. [Karen Miller. Star Wars: Clone Wars Gambit: Siege]

And this is just a few examples from ONE book series. The EU (TCW and the movies) are filled with moments of Anakin caring deeply for people he barely knows (TPM, anyone?) as the Jedi stand back and chastise him for caring too much. It’s so unfair that people forget that Anakin wasn’t always cruel and selfish. They forget that for a long time Anakin was of the few Jedi who actually acted on the compassion all Jedi were supposed to possess.

Anakin Skywalker didn’t become a heroic figure during the war only because he was a good fighter. He was a good person too. A person who cared about people as individuals. And the sad part is that people forget this compassion and caring attitude wasn’t learn from the Jedi, it was learned from Shmi Skywalker. A person that also acted on her words about being kind and generous:

“Helping others isn’t always easy, is it? If people paid us to be good, the galaxy would be overflowing with kindness. But most of the time there isn’t much reward, and sometimes it even costs us dearly to do good things. Yeah. What if it costs so much that it hurts? I think we should do it anyway. Make it a habit, like eating or breathing. Once you do, you’ll hardly even notice the cost.” Star Wars Episode I Adventures: The Ghostling Children by Dave Wolverton

Anakin and Shmi’s generosity, kindness and compassion was real and truly heroic and, imo, it’s the most important trait a Jedi should possess. Ahat’s why I think Anakin had everything he needed to be a great Jedi. He had everything else too: kindness, compassion, fighting skills, etc.  the only ‘trait’ he lacked was the acceptance and support of his superiors.

[shepscapades]

Yogscast Starter Pack/Master Post

Hello!! I’ve had quite a few people express interest in exploring the Yogscast’s content recently! The yogs fandom’s source of content is a little hard to pin down and it’s kind of a lot of information, so I wanted to put together a more thorough compilation of summaries and places to start for anyone who’s not sure or just curious! Below the cut is my Yogscast Start Kit Master PostTM. 

I hope this helps, and don’t hesitate at all if you have any questions :)

Who are the Yogscast?

The Yogscast is a large group of youtubers who have a history of creating largely Minecraft-based content; they create stories, develop characters, and create lore-filled worlds through the many facets of minecraft that’s essentially been modded to hell.

This content isn’t just in one place or with one group of people, but rather a large collection of pairs, individuals, and groups of yogscast (and non-yogscast) members who’ve created a large number of respective series, often featuring a specific modpack, specific characters, a specific storyline, etc.

For example, Simon and Lewis (Honeydew and Xephos are their characters, respectively) are the main two individuals that started the Yogscast youtube channel,  Duncan later joins them, they become the main three yogscast icons, sips and sjin become the secondary two, and it goes on and on as the fanbase and number of creators grew. This means that, collectively, there are a…. STUPID large amount of different minecraft series that can technically be filed under “yogscast minecraft lore/ universe”.

Most of their series are unscripted, but they follow general arcs or set goals (e.g. going to space, building a jaffa cake factory, becoming proficient at a specific mod, etc). This allows hilarity to ensue when everything inevitably doesn’t go anyone’s way lmao

Oh cool, w. where am I supposed to even start, then

Compilations are always a good go-to if you’re interested in getting a feel for personalities, humor, and content style (I recommend looking up Yogscast Ultimate Edition videos!). If you’re just looking for a place to dive in, you’ve got a couple of options! I’ve sorted everything below by creator, as most yogs creators tend to do series within a specific set or group of people.

MAIN CREATORS & THEIR SERIES:

Lewis (Xephos) and Simon (Honeydew): These two are the “main two” figure heads of the yogscast! They started the main Yogscast channel about a decade ago and started their minecraft beginnings with the infamous series “Shadow of Israphel.” Xephos, the Spaceman and the one with the braincell, and Honeydew, the dwarven brawn and charisma of the two, also often team up with Duncan, as the three of them are featured in some of the Yogs’ most well-known minecraft series.

              Shadow of Israphel –  The OG series! Started all the way back when Minecraft was in beta, as soon as multiplayer became available. No mods, eventually scripted when NPCs are introduced. Hilarious interactions between NPCS and our heroes, and the nostalgic series that most every Yogs fan holds close to their heart!

              The Jaffa Factory –  Modpack: “Tekkit.” This was the first big modded minecraft series they did, and the beginning of the trend of hosting huge servers that almost every yog member hosted a different series on. Not scripted. Duncan (Lalna or Lividcoffee) joins them for the first time, and from this point on, they become a trio! unscripted and a mess. Sips and Sjin also eventually join!

              Moonquest –  Modpack: “MoonQuest.” Lewis, Simon, and Duncan attempt reaching the moon! It’s… in more than one way, a tad bit disastrous. This is the era when the Yogs started making songs and animations based off their minecraft series! (Watch this!) unscripted and disastrous.

             Yoglabs – Simon and Lewis. This one was a weekly mod review that developed into some questionable behavior via Lewis (Xephos). Really enjoyable, not chronological (each episode is independent, more or less- you can watch out of order)! It spans most of the entirety of their time on youtube. Various mods, just Simon and Lewis. (Watch this!) Most episodes of this series end up with Simon blowing up Yoglabs tbh

 Duncan (Lividcoffee, or Lalna) and Kim (Nanosounds): Lalna, or lividcoffee, is the well-known mad scientist of the server! His personality tends to change depending on the context and series, but when he’s with kim, he’s a friendly goof! Kim/Nano, his apprentice, starts as a true-to-definition noob at minecraft and eventually becomes a pro with magics and whatever Lalna happens to teach her! These two have their own narrative and call their storyline series “Flux Buddies,” which involves them trying to cure Kim’s infection of a magic substance called “Flux.” Good Duo. Pure. Eventually, drama with clones ensue!

              The Apprentice –  Their first series, in the “Tekkit” Era. It’s worth noting that Duncan has a solo series in the “Tekkit” Era called Duncan’s Laboratory as a precursor to The Apprentice as well. The apprentice is worth checking out just to see what happens to Kim, how she becomes fluxed, and what the aftermath is, but that’s p much it imo. Primarily unscripted, save for when Nano becomes fluxed!

              Flux Buddies –  Flux Buddies is the biggest/longest-running series, with several “seasons”. It begins after the events of The Apprentice, with…

              Flux Buddies –  Panda Labs! Kim explores witchcraft, they explore several different facets of science and magic, and Duncan begins the search on how to unflux kim! It’s kind of his fault, so he feels pretty bad about it,,

              Flux Buddies 2,3, and 4 –  A continuation, with more mods and more hijinks! Becomes more scripted as villain characters Lalnable Hector and Specimen 5 (clones of Lalna and Nano) are introduced!

              Flux Baddies –  A spinoff, featuring Lalnable and Specimen 5 as the main duo! Half scripted; an evil perspective on the Flux Buddies plot! This series is hilarious because half the time Duncan and Kim are trying to get stuff done, and half the time they’re trying (struggling) to stay in character as the mega bad-guys of the series.

Sips and Sjin: Sips and Sjin are the famous, much loved duo of the yogscast! These two are the, er. Magnificent, definitely not gay at all nope,, duo in charge of ‘Sips Co.,’ the Dirt Company! CEO Sips and his lackey Sjin (<also architect and farmer) are an absolute disaster. But like,, in the best way possible. They spend the majority of their time in each series bantering instead of getting anything done, but everyone accepts that its just part of the charm.

              Sipsco. (Sips and Sjin Tekkit) –  Modpack: “Tekkit.” This occurs at the same time as the Jaffa Factory! Sips and Sjin build up their dirt empire whilest also making sure to spy on and keep an eye on those weird Jaffa Factory goons and their girl scout cookies. Unscripted and hilarious! These two eventually go over and join the Jaffa Factory boys (Honeydew, Xeph, and Lalna!)

              (Most of Sips and Sjin’s series follow the same formula: Get started, joke around, never really finish the series. Even still, they’re iconic to watch and enjoyable to listen to C: This goes for):

              Volts –  IMPORTANT NOTE: if you decide not to watch any of sips and sjin, just watch this. somehow this is completely unscripted, but THE BEST

              Sipsco Space Program –  Occurs at the same time as “Moonquest”. These dopes try to get to Mars. Clone hijinks eventually ensue, briefly. Unscripted

              Cheat Police –  A pun on the series “Magic Police” (In which Sjin and Duncan attempt to jail all of the most powerful mages on the server). They try to call out all of the “cheaters” on the server. The dopes fool around in creative mode while trying to call out everyone else who uses creative mode.

 Zoey and Rythian: These two only have one series, but it’s one of the yogscast’s most known! Rythian, the serious, vengeful, loner-type endermage and hater of science, recruits Zoey as his apprentice (goofy, friendly, passive, interested in both science and magic)! These two are complete opposites but a much-loved duo!

              The Blackrock Chronicle –  Three short seasons long, this series follows Rythian as he recruits Zoey (and their sharpshooting, mute dinosaur, Teep,) to get payback and revenge on Sjin and Duncan for nuking and destroying the “old world” (The first tekkit server, unrecorded). He’s also determined to prove to them the superiority of his magic and the flaws of science; conflict arises when Zoey, his mage apprentice, also expresses interest in becoming a scientist. This series’ events are scripted, and includes cameos of many other loveable yogs folks (including Nilesy, Duncan, Ravs, and Zylus n Daltos).

^This one is a must-watch for sure!! A very heart felt and endearing series!

 Strife and Parvis: These two, another well known duo by the fandom, are a fun pair for sure! (They’re my personal favorite, so I’m a tad bit biased,,) William Strife is a no-nonsense, cutthroat business man and CEO of his solutions company, Strife Solutions. Not particularly fond of magic. Alex Parvis, absolutely-all-of-the-nonsense guitarist, chaotic newby who Strife hires? Adopts? Is burdened with? Strife is forced to teach Parv the ways of minecraftia and whatnot, much to Strife’s chagrin. Parv becomes a very chaotic bloodmage.

              Solutions in Chaos –  Their first series, taking place in the Chaosville server. Will, arriving for the first time ever in minecraftia, begins to explore the region before Parvis shows up, exclaiming that lewis sent him to be taught minecraft by strife. Strife now must babysit this child and teach him minecraft. Hilarity and much exasperation ensues.

              Blood and Chaos –  Following Parv’s series with Martyn (Inthelittlewood) ‘Heroes of Mine’ (in which they explore Ars Magica), Parv finds Blood Magic Items and insists that Strife helps him become the most powerful blood mage on the server! Strife does not approve At All n doesn’t really wanna be involved in this whatsoever, but he thinks parv will either destroy himself or destroy the server If someone doesn’t keep an eye on him. So, Mr. Strife must continue to babysit this now dangerous knife-wielding child.

Hat Films: Smith (Alsmiffy), Trott (Trottimus), and Ross (djh3max): These three are a TRIP and have a large fan base of their own. They’re an inseparable gang of swindlers and chaos bringers, and they’re pretty much all sharing the same single braincell. They make everyone else’s business their own business, as their motto is “what’s yours is ours,” and prove themselves to be the havoc-wreaker of whatever server they happen to be on.

              Hat Corp –  This is their first main minecraft series that features them interacting (aka messing) with other people on the server. From “"fairly”” selling land to all of the other groups of people on the server, to starting a dangeorus rivalry with the Flux Buddies, they’re. 100% disaster energy.

Hannah (Lomadia) and Nilesy: Very wholesome good duo! They tend to explore the magic mods, most of the time with Lomadia (powerful witch, owl lady!) teaching Nilesy what’s what. Nilesy is a just a simple cat lad. Likes to sell portable pools, he’s a potion master, he’s a man of the cats.  

              Evicted –  After being evicted from their Tekkit base ‘owl island’ as pirates took over their home, Nilesy and Hannah leave to set up base elsewhere and focus on Witchcraft!

The following series’, Owl Island and Cat Island, are very similar in caliber! Just our wholesome magic animal loving duo doing witch stuff c:

Kirindave, Lyinginbedmon, and Ridgedog: The last extremely notable lore-heavy minecraft characters making appearances on yogscast minecraft servers are regarded as the “demigods” of the yogs minecraft universe. Though they don’t necessarily do a lot of content together, I grouped them together for relevancy sakes. Kirin and Lying, both mod developers and masters at their respective magical crafts, have a bit of a rivalry going on, where as Ridgedog is the kind of “trickster” demigod, doing what he pleases and happily poking fun or messing around with others as he does so. They’re all a lot of fun to listen to and their series are all super interesting, so I’ve listed a few below!

              Ridgedog: Yogscast Complete –  Ridge sets up his base and plays by his own rules to become extremely proficient at a majority of mods in the server. He’s hilarious, plays largely by his own rules, and often does content with BeBopVox, another gaming and songwriting youtuber.

              Kirindave: Chaosville and Minecraft the Hard Way –  Chaosville sees the development of his rivalry with Lying as Kirin masters blood magic and other magics on the server, and Minecraft the Hard Way is the series following that!

              Lyinginbedmon: You can find the opposite perspective of the Chaosville rivalry in Lyings Chaosville S2. As Lying masters witchery, he and Kirin have a dangerous magically fueled ““prank”” war. Lying’s Witch in the Woods follows suit just like Kirin’s Minecraft the Hard Way.