#its also an important decision in the long term

[redwoodrecords]

Oh Looordddd....whelp, now i see who's behind the card declination. And due to the amount of embarrassment I felt, as just the reader, I've chosen not to feel bad. I will not forgive that man. nope, nada.

Like who even does that and NOT tell the person? How do you just not inform them that you've been digging in their money. You literally left MC there; not a heads up before the trip, not even a heads up at drop off...just- left. them. there to just find out in what could be the most humiliating way possible for many people.

Had he said something beforehand to MC, id feel bad and understand. But he literally just...

Deep breaths it's just a story, it's just a story, it's just a story...

Lol oh yeah, this is the same person from that last ask about being embarrassed for MC. I think I subconsciously turned on anon for that one though

i think a lot of people chose not to forgive him which is very interesting to me? i truly understand it though because if i was mc i would have gotten a lift back to my hometown and demanded my dad give me a full explanation as to why and how it all happened. like no way in hell am i dealing with this alone when i didn’t even do anything wrong 😭

[utilitycaster]

I really like Taliesin elaborating on the inspiration from the 90s LA punk scene, in which he said a lot of the people he knew were just people looking for hope in a world that has been incredibly unfair to them. It's a very empathetic view towards people who, as he said, often are dealing with injustice and disadvantages.

He also mentions that many of these punks were dealing with drug and alcohol problems (and while he did not want that to be central to Ashton's character and wanted to focus instead on chronic pain for a number of reasons, including personal, Ashton definitely relies on alcohol for palliative reasons). More generally, we see Ashton look for hope and answers in a lot of places that end up being extremely incorrect. The most obvious one is with the shard of Rau'shan, which, after multiple people advised them against taking it with very clear warnings, they decided to still attempt to absorb, with nearly-fatal results; but there were flashes of this with their earlier cynicism towards Eshteross vs. a much more begrudging acceptance of the transactional worldview of Ratanish or Jiana Hexum.

Ashton often places his own pain in a position of honor, and in doing so can discount that of other people. He's been remarkably unlucky, to be clear; I think that's part of it. We as the audience know that their statement that no one in that room has felt helpless in their lives is demonstrably false about pretty much all of Vox Machina and their allies, as well as the Bright Queen. He says Keyleth maybe does know, not realizing that of Keyleth and Vex, one has been a homeless runaway rather like himself, and it's not the one he's saying knows helplessness. In a way, to hold on to that hope, they find themselves telling themselves a lot of lies because otherwise they have to face the truth that their suffering did not make them more qualified or better; it was just unfair and it might still keep happening. He blames the gods because then at least there's a reason and not just absolutely random chance that he was born to a self-important cultist, happened to survive a long-shot ill-advised ritual and wake up in the desert of another continent, happened to be the one thrown out the window of Hexum Manor, and happened to be saved with a Potion of Possibility. To be clear, they've since made a name for themself on their own merits, but a lot of who they are, both in terms of the traumatic and difficult elements and in terms of what now makes them special was dumb luck, good or bad.

For Ashton, for those LA punks Taliesin knew, for the Vanguard and for Ludinus and for countless people in Exandria and in our actual world, a lot of grasping for hope becomes grasping for a meaning for pain and suffering. I'd argue that this is a pretty major theme Taliesin explores with all his characters. However, just because the pain is real doesn't mean the conclusions one comes to as a result of it are inviolate and above reproach. It is possible to have extremely valid pain and trauma and to be incredibly wrong about its source or what it means, or to deal with it in ways that will either make it worse or that will inflict pain, even inadvertently, on others. And I think the theme of the campaign is very much that; what happens when someone either chooses to or must let the decisions they made to deal with a moment - or a life - of pain be writ large on both themselves and the world?

[fuckyeahgoodomens]

The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. 

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists’ leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤

[lua-magic]

Ninth Lord and from where you will get your Luck.

Ninth house is of religion, father, morality, ritousnes, higher learning, long travels and also of Luck

Planets in ninth house and third house are extremely important for manifestation of your desires, when you allign your energy with the planets sitting in ninth and third House, you will get desires easily in your life.

Ninth house is of also of "Blessings " so if your ninth lord is afflicted, that is with rahu, ketu or with sixth, eighth and twelfth house Lord or your ninth house has malefics, or sixth, eighth, twelfth lord then only BLESSINGS of people can change your luck.

Ninth house wherever sits, you will experience luck in that area, if you work on your ninth lord.

Ninth lord in first house 🏠

It is good, because the person would be religious and lucky for himself, whatever person does, ninth lord will help him.

Person is not only lucky for himself, but also for the people around him/her .

More the person becomes religious, and develops morality and ritousnes and values in his life more Ninth Lord would favour him/her

Ninth lord in second house 🏠

You are lucky when it comes to family and money matters, more you become spiritual with regards to Money more luck will favour you.

Second house is also of words and food habits, keep your words soft and food habits simple in life .

Ninth lord in third house 🏠

Your skills will help you to manifest your desires, more you work on your skills and communication more Lucky you get in your life

Your siblings are also Lucky for you.

Third house is of short travels and ninth lord is your religious activities, more you travel to holy places or go to pilgrimages your ninth lord will improve.

Ninth lord in fourth House 🏠.

Your mother is really lucky for you, and you are lucky in terms of home, property and comfort.

Maintain good relationship with your mother and practice positive thinking and gratitude helps you to be lucky in life

Ninth lord in fifth house 🏠

Ninth house is of higher learning and fifth house is of knowledge, you get lucky when you learn more in your life.

Your children are lucky for you.

Ninth lord in sixth house 🏠 house.

Sixth house is of debt and diseases, this combination could create fight with your father or give disease or debts to your father.

More you involve yourself in social services and volunteering activities, your luck will improve.

You are lucky when it comes to do job, and go in service sector.

Ninth lord in seventh house 🏠

Your partner is lucky for you, don't disrespect your partner, otherwise you will become more unlucky in life .

Ninth lord sitting here, will help you in your business and partnerships

Ninth lord in eighth house 🏠

Eighth house is of in Laws, so your in-laws are lucky for you, you need to respect your in-laws, your in-laws could be religious and connected to their roots.

This combination gives problems with father, and causes separation from father.

Ninth lord when goes in eighth house, you need to get connected to eight house related activities like Astrology, surgeon, CA, Tax etc that would enhance your luck.

Eighth house is of secrecy, so maintain secrecy when comes to sharing your personal life and sexual activities and desires.

Have guiding figure or teacher in your life, that would help you and show you the right path, as making right decisions becomes difficult for you, because luck doesn't favour the native, so move ahead in life only with proper and right guidence .

Ninth lord in ninth House 🏡

Great, as ninth lord is sitting in its own house, so father, guru or teacher are really lucky for you.

Native would be religious, moral and have high values in his life and a great teacher and counselor.

More you become religious more luck will favour you.

Ninth lord in tenth house 🏠

Tenth house is of karma, so Ninth Lord sitting here will help you in all your duties and Karma.

It is good, because whichever job or service you do, you will get promotion easily.

Your bosses are lucky for you.

Ninth lord in eleventh house 🏠

Ninth lord sitting here, will fulfill all your wishes when it comes to material wealth.

Your elder siblings are lucky for you.

"Ask and you shall receive "

More you become social especially with spiritual people, more Lucky you get in Life.

Ninth lord in twelfth house 🏠

Twelfth house is of let go, ninth lord sitting here gives you separation from your father.

You need to let go, in order to get lucky in life, you can't have attachments with your desires.

To get lucky you need to.

Let go your attachments.

Do charity, as twelfth house is of charity as well

Settle in foreign land

Become spiritual.

When your ninth house has Rahu, then you might love to know about other religions as well.

When ninth house has ketu, then your first child would be male child, and it is good for leaning astrology and occult.

Whatever you do, remember best remedy of ninth house is your own Karma, you are responsible for your own luck.

[literaryvein-reblogs]

Writing Notes: Love

TRIANGULAR THEORY OF LOVE

This theory holds that love can be understood in terms of three components that together can be viewed as forming the vertices of a triangle. The triangle is used as a metaphor, rather than as a strict geometric model.

These 3 components are intimacy, passion, and decision/commitment. Each component manifests a different aspect of love:

Intimacy - feelings of closeness, connectedness, and bondedness in loving relationships. It thus includes within its purview those feelings that give rise, essentially, to the experience of warmth in a loving relationship. 

Passion - the drives that lead to romance, physical attraction, sexual consummation, and related phenomena in loving relationships. This component includes within its purview those sources of motivational and other forms of arousal that lead to the experience of passion in a loving relationship. 

Decision/commitment - refers, in the short-term, to the decision that one loves a certain other, and in the long-term, to one's commitment to maintain that love. These two aspects of the decision/commitment component do not necessarily go together, in that one can decide to love someone without being committed to the love in the long-term, or one can be committed to a relationship without acknowledging that one loves the other person in the relationship. 

The three components of love interact with each other. 

Example: Greater intimacy may lead to greater passion or commitment, just as greater commitment may lead to greater intimacy, or with lesser likelihood, greater passion. 

In general, then, the components are separable, but interactive with each other.  Although all three components are important parts of loving relationships, their importance may differ from one relationship to another, or over time within a given relationship.  Indeed, different kinds of love can be generated by limiting cases of different combinations of the components.

The 3 components of love generate 8 possible kinds of love when considered in combination. It is important to realize that these kinds of love are, in fact, limiting cases: No relationship is likely to be a pure case of any of them.

Nonlove - refers simply to the absence of all three components of love. 

Liking - results when one experiences only the intimacy component of love in the absence of the passion and decision/commitment components. 

Infatuated love - results from the experiencing of the passion component in the absence of the other components of love. 

Empty love - emanates from the decision that one loves another and is committed to that love in the absence of both the intimacy and passion components of love. 

Romantic love - derives from a combination of the intimacy and passion components. 

Companionate love - derives from a combination of the intimacy and decision/commitment components of love. 

Fatuous love - results from the combination of the passion and decision/commitment components in the absence of the intimacy component. 

Consummate or complete love - results from the full combination of all 3 components. 

The geometry of the "love triangle" depends upon two factors:  amount of love and balance of love. 

Differences in amounts of love are represented by differing areas of the love triangle: 

The greater the amount of love, the greater the area of the triangle. 

Differences in balances of the three kinds of love are represented by differing shapes of triangles. 

Example: Balanced love (roughly equal amounts of each component) is represented by an equilateral triangle.  

Love does not involve only a single triangle. 

Rather, it involves a great number of triangles, only some of which are of major theoretical and practical interest. 

Example: it is possible to contrast real versus ideal triangles.  One has not only a triangle representing his or her love for the other, but also a triangle representing an ideal other for that relationship.

It is important to distinguish between triangles of feelings and triangles of action.

THEORY OF LOVE AS A STORY

Love triangles emanate from stories. Almost all of us are exposed to large numbers of diverse stories that convey different conceptions of how love can be understood.

Although the number of possible stories is probably infinite, certain genres of stories seem to keep emerging again and again in pilot analyses done of literature, film, and people’s oral descriptions of relationships.

Stories found to be particularly useful in conceptualizing people's notions of love are:

Addiction. Strong anxious attachment; clinging behavior; anxiety at thought of losing partner.

Art. Love of partner for physical attractiveness; importance to person of partner's always looking good.

Business. Relationships as business propositions; money is power; partners in close relationships as business partners.

Collection. Partner viewed as "fitting in" to some overall scheme; partner viewed in a detached way.

Cookbook. Doing things a certain way (recipe) results in a relationship being more likely to work out; departure from recipe for success leads to increased likelihood of failure.

Fantasy. Often expects to be saved by a knight in shining armor or to marry a princess and live happily ever after.

Game. Love as a game or sport.

Gardening. Relationships need to be continually nurtured and tended to.

Government. (a) Autocratic. One partner dominates or even controls other. (b) Democratic. Two partners equally share power.

History. Events of relationship form an indelible record; keep a lot of records—mental or physical.

Horror. Relationships become interesting when you terrorize or are terrorized by your partner.

House and Home. Relationships have their core in the home, through its development and maintenance.

Humor. Love is strange and funny.

Mystery. Love is a mystery and you shouldn't let too much of yourself be known.

Police. You've got to keep close tabs on your partner to make sure he/she toes the line, or you need to be under surveillance to make sure you behave.

Pornography. Love is dirty, and to love is to degrade or be degraded.

Recovery. Survivor mentality; view that after past trauma, person can get through practically anything.

Religion. Either views love as a religion, or love as a set of feelings and activities dictated by religion.

Sacrifice. To love is to give of oneself or for someone to give of him or herself to you.

Science. Love can be understood, analyzed, and dissected, just like any other natural phenomenon.

Science Fiction. Feeling that partner is like an alien—incomprehensible and very strange.

Sewing. Love is whatever you make it.

Theater. Love is scripted, with predictable acts, scenes, and lines.

Travel. Love is a journey.

War. Love is a series of battles in a devastating but continuing war.

Student-teacher. Love is a relationship between a student and a teacher.

Sources: 1 2 3 ⚜ More: Writing Notes & References Writing Notes: Hate

[enchanted-moura]

Pick a Dior Serum - How to find more inner peace?

Pile 1 - Plump Filler

Despair, poverty, sadness and hardship may have been something you've been experiencing for some time. You are only going to get out of this situation. The answer to a healing and slowly rebuilding is to tap into your magical side! Stop thinking that this reality is the only or even the one that has all the power, it is not. Sometimes our blockages and pain and come from such a deep internal place that all we can do is go to the root. Before you start casting spells of curiosity and enchantment, research spiritual work for healing, rebuilding self & coming out of dark situations. Painful situations and thoughts have to be replaced with beautiful and abundant ones. Have a look through this page for plenty of ways to add abundance to your life��️

Pile 2 - Glow Booster

You may have many fake friends and sneaky allies who may be disrupting your dazzling gorgeous lucky and abundant energy. You are my unique pile, intriguing, and alluring and that draws both beneficial and toxic people like moths to a flame. You have to be cautious of who you keep around you and why. What do you let influence you? What do you let have the final say in your life? Why are randoms more important to you than you? Check out my salt cleansing bath to get rid of all that energetic heaviness off your aura once you commit to getting rid of the junk! You can do this cleansing shower or bath surrounded by candles and listening to serene music, letting the stress wash away 🛁🎶

Pile 3 - Matte Maximizer

You are a sensual being! You are in a position where you are highly desired, coveted and wanted. You just have to believe it and start each and everyday with the notion that you are the most beautiful being ever! You shine the brightest,your vibrant energy is infectious and makes everyone around you feel like they're part of your fabulous, glittering world. So be sure to let yourself shine and paint the world with your unique glitz and glam! 💖

Pile 4 - Lift Sculptor

You may be at a crossroads in your love life juggling options, choices and love styles and preferences. This may be causing unnecessary stress so its time to make a decision. Love and Lust and Desire are all related so if you do not want something bad enough, you simply do not desire it and you cannot force chemistry, desire or even love. Tap into your inner Erotic Goddess and ask her what she desires from her relationships right now. Did she want to explore rotation dating? She looking for a sugar daddy? She wants to commit to a long term relationship? Is she ready for Marriage. Let go of the moralistic judgement and just feel. reflect, dream big, and sprinkle a little more clear love in your life. 🌌💖

Pile 5 - Redness Soother

My money pile, my investor barbies and future millionaires are listening to this. In the same way other piles may stress about friends and love, I feel that your financial life is causing a headache and great distress. You're glamorous af, your ideal closets are stocked with the latest bikinis, lace tops, chic skirts and couture, you desire for your home to have floating crystal chandeliers & fluffy plush carpets. You can have it all but you have to be cautious of your spending habits as well as certain career choices. Are you in the most optimal field for your financial well-being but also mental health? Are you happy in your line of work? Do you have any concrete tangible plans for your prosperity or just pipe dreams. Journal about this and see what you feel 💎👠

More pick a cards available on patreon - https://www.patreon.com/missCordoba 💗

[prettyrealm]

a message from the universe 🌌

pick a card #2: sometimes we can all use a bit of direction! here’s what the universe wants you to shift your focus to and what you should work on to improve your overall quality of life 🌼

how to participate:

🌤️ ask yourself "what should I focus on?" “what should I put more energy into?”

🌷pick the spring sanrio plush that you feel most drawn to.

clear your mind & take as long as you need to choose. keep in mind that you may feel drawn to & choose more than one. you also may not feel drawn to any of them, so don't force it! please consider your headspace before participating as these readings will be honest. the piles are in order from left to right.

🌸 pile 1

there’s something you’re in denial about and the universe wants you to know it’s best you summon the courage to come to terms with it. it’s time you try to acknowledge these issues now to overcome them and not carry this weight with you. be honest about yourself, your intentions and others. I feel this may have to do with someone trying to take something away from you that’s rightly yours, or the give-and-take dynamic of this situation is denying you of achieving your goals. there is no balance - you may be giving more to this person or project than you receive and your resentment is growing. you may even find yourself giving without true genuine compassion, now carrying a “you owe me.” mindset that only stresses you out. facing the reality of this situation, acknowledging it and making a change will bring very good things to you, and very soon at that. you may have gone through a time of hardship, but things are settling and the universe wants you to know that big and positive changes can and will come into your life be it you follow direction. release your fears. you are ready.

💐 pile 2

the universe wants you to know bright new prospects have opened up! you have and will be making immense progress towards your goals - big strides. you may have felt super optimistic lately and this isn’t for no reason, things will be looking up for you. you have nothing to fear. it is time for you to put trust in the universe and in yourself, something amazing is in store for you and you may even feel like a miracle is unfolding before your very eyes. the only downfall is a bit of conflict may appear before you get here - strife and conflict - prepare for battle, but no worries, you will come out on top. this competition will bring out your passion and show your commitment and may even cause others to admire you more for it. don’t be petty, fight fairly and stay honest. seek true understanding. this small hiccup aside, your desires are manifesting, and your new life is on its way.

(note: if you’re someone who has been trying for a child I can assure you it’s coming soon!)

☁️ pile 3

the universe wants you to look forward to new friends, a new environment and seeking knowledge. important things will be happening soon and you may need to prepare for a change in your relationships. you are being told you need to rid yourself of problems and memories you dwell on from the recent past and practice forgiveness. focus on the changes you and others are making to usher in and happily welcome this new change of scenery. moving past the trails you’ve faced will only strengthen your connection and appreciation for your family members. the universe also wants you to practice and strengthen your powers of reason, stop letting emotion cloud your judgement and make your decisions for you. come to solutions without blaming people, playing the victim or projecting. you’re being given the power to think more clearly and objectively at this time to make the changes to your life that you need, so use it. should you listen to the universe, a weight will be lifted from your shoulders and a sense of freedom will wash over you.

🐣 pile 4

the universe wants you to know your problems are or will be resolved! expect an end or at least an extended break from whatever adversaries you’ve been facing recently. the waters are nice and clear from here on out so feel safe jumping on any opportunity that arises - and they will. whatever your desires may be, the door to obtaining them will be opening up soon. it appears many doors have actually opened for you in the past, but you never took the chance. it’s likely you didn’t realize these opportunities were MEANT for you, but it’s time you stop taking them for granted and start receiving. all the universe asks is that you stop taking things for granted and appreciate what you have. count your blessings, maybe even start a gratitude journal. pay attention to the way you move and your influence on others, be kinder, more responsible and more sweet to those who aid you every day. do not bite the hand that feeds you, and opportunities and gifts will begin to shower you.

🦋 pile 5

the universe is asking you to look to an older male figure in your life. he’s looking out for you and he has the skills and connections that you need at this time. he will be very responsive if you ask for help and expect nothing in return, genuinely wanting the best for you. he is very well-educated and will help push you along on your path, but also provide you with valuable information that will greatest help you in the future. do not take his help for granted and make sure to show your appreciation along the way, this will strengthen the connection and only help you in the long term. you are being asked to relax and relinquish your burdens, accept this assistance and allow the weight to be lifted from your shoulders. you may be extremely stressed recently and these are all things that will help you relieve that stress, but also push you closer to your desires. spend this time day dreaming about, fantasizing about and visualizing what you want for your future.

🐝 pile 6

the universe wants to let you know that you’re on your way to perfecting your craft and rewards will so be yours as a result of your proficiency and hard work! I do see you need to work on getting more information before you make any big decisions. research throughly, consult with others, get a lot of data even if that means as far as going to seminars or watching online lectures. this aside, success and glory is on the horizon! life might feel pretty good right now, but there’s even more joy and happiness in store for you. the universe wants you to step out of your comfort zone, push the limits and stop playing it safe - you’ve been restricted for too long. do not fall victim to close minded thinking, moving off of assumptions and negative history. try to think from a new perspective and don’t get stuck in a loop of bad thought patterns. free yourself.

[theladybrownstarot]

MONTHLY-READING

2024 MAY 2024

Pick a card reading ~

❀ Here's my masterlist for more !

❀ Make sure you like/follow/reblogg for more pacs like these!

Pile 1. Pile 2. Pile 3.

𐙚 Pile 1 .

Namaste pile 1 ! Let's get with your reading :-

☪︎ The first half of your pile no.1 is all about connecting with your intuition or the very deeper side yourself . Now , from what I sense , a secret is being revealed which could be of any kind also this month your intuition will be the protector and solution to all your queries and problems so stop taking tension and control your emotions because most of you will have mood swings .

☪︎ The second phase of your will be about collaboration , adjustments and being introduced to things or people in general , You are making better decisions and choices for yourself which will make your work easy . If you had financial trouble or issues/any important talk with second or third party can be seen here taking a good turn .

☪︎ The last phase of your month is about releasing of any strong patterns in your life or anything in general which is getting released slowly slowly , you are seem to be patient this month regrading things as it feels like you are shifting your energies or anything in general with patience for long term . Its more like preparing yourself for something . Be cautious of your money usage and job.

𐙚❀˖° Monthly Advice : 333/444 can be a number you may see quite often and date 18th is quite important for you .

A wish you made is coming true but work hard to keep events cool as things may unfold more .

Take some break or take action for same and adjust .

Connect with your emotions more otherwise emotional explosion may happen .

Surrender your things to divine whole heartedly .

❀ Prominent zodicas and houses : Pisces, Capricorn , taurus , Virgo , 4th house , 1st house, 6th house , 5th house , Jupiter and Neptune .

𐙚 Pile 2 .

Namaste pile 2 ! Let's get with your reading :-

☪︎ The first half of the month will be about completion of a cycle happily at last , good moments with family and people . You may get some sort of achievements that you always wanted . It will be calm ,joyful and happy. Some sort pregnancy possible.

☪︎ The second phase about your month is all about taking charge and going ahead with the things fastly but in an aggressive manner which is not good because it is possible that a conflict may emerge out of this or in general so calm your horses .

☪︎ The third phase of the month is all about disbalancing the balanced and then balancing the disbalanced . A lot of fastness in nature will lead to disbalance and instability of things you created all again so be cautious. You need to prioritise things because handing a lot or more than your plate could result in failure .

☪︎ There could be a feminine figure you may be dealing with who has a negative influence on you . You need to focus on your things not people whom you have conflicts with otherwise you will end up regretting .

𐙚❀˖° Monthly Advice : You need to make adjustments and compromises with the things .

please be patient and do not hurry for more till your sown seeds grow.

A balanced communication is required for something important or balance your self talk .

win is coming .

release any negativity if you are holding onto no grudges please .

❀ Prominent zodiacs and houses: libra , aquarius , gemini , cancer , scorpio , pisces , libra , taurus , capricorn , eight house , 7th house , mercury and moon .

𐙚 Pile 3.

Namaste pile 3 ! Let's get with your reading :-

☪︎ Okay , In the first phase of may i see you people chasing after something or running for something that you want more than anything else , you are constant and high with speed for anything you are working for also this may lead you behind some things which may needs your focus . Be focused but be alert too .

☪︎ In the second phase of your month you are letting the guard down , moving in a flow like a river calm and giving attention to all that requires but there's warning do not use any unethical way to get things done , also be cautious as someone may deceive you ; the person appears to be sweet but isn't. Don't self sabotage your feelings too .

☪︎ The last phase will be quite tough as struggles will be their in any form you can expect accordingly to your context . You need to put this thing in your head that don't give up.

𐙚❀˖° Monthly Advice : success is close , just try as you are being tested.

deal with your emotions now and take actions.

make sure you don't blow events out of proportion.

Shift your perception .

shed your old skin

❀ Prominent zodiacs and houses : gemini , libra , aquarius , capricorn , taurus , virgo, scorpio , cancer , leo and aries , 10th house , 11th house , 2nd house and 3rd house .

──⭒─⭑─⭒────⭒─⭑─⭒──

©️ @theladybrownstarot 2023 all rights reserved. Any stealing Or copying of work will be a punishable offence.

[lua-stellar]

What is your Current Career Energy?! ✨ Career Rune Reading

consider tipping me on ko-fi if this reading resonated :)

this reading was done via the elder futhark runes, images included

pile 1

runes drawn: ansuz, dagaz, isa

right now i am getting energy of communication in terms of your career life, you have hope for your career and you are reaching out and getting out there to pursue your career, I'm also getting the vibe you recently finished studying this path or are currently in a highly transitional phase in your career life and beginning to look for work but unfortunately even though you are putting yourself out there and trying to get a job in the career path you want you are not recieving the same enthusiasm,and you are possibly facing challenges finding a job and manifesting your dream career to reality. I see alot of stagnating energy in this reading with isa and i feel as though you are in a period of waiting, of stasis. In a way your career is on hold even though you want to get out there and get noticed. Maybe now is the time to be patient and wait until opportunity strikes, currently it seems your career energy is on hold and will be moving a little slowly.

pile 2

runes drawn: raido, ehwaz, dagaz

right now i see aloot of progression alot of movement in your career life, the energy is action action action. You are making important decisions regarding your career, you are overcoming obstacles, new beginnings and opportunities are just around the corner! You are crossing boundaries in terms of your career and you are in a position where you have a harmonious balance and deep understanding of yourself and what you want in your career life, your roads are open in terms of opportunities, and i see a good omen in this reading that wherever you go in your career, you will be able to pass through any difficulties and challenges easily. Currently you are in a highly transitional period, you will reach a satisfactory and enjoyable career life, whatever you're doing you are definently doing something right so keep it up!

pile 3

runes drawn: uruz, hagalaz, wunjo

you have alot of potential regarding your career, i have the feeling that you are just charging right into it in a way, in terms of your career energy i sense alot of freedom and almost a wild energy to you in how you just go for the things you want, but you are currently facing obstacles regarding your career life. You may be facing challenges constricting that free spirit of yours and blockages regarding your career, but not to worry. Whether its a situation youre facing thats difficult or if you are being blocked career wise and you feel that things are going badly, the obstacles you are currently facing will sort themselves out things will turn out smoothly. Your current challenges are temporary and this stage of hardship will not last forever, you will be rewarded with your hard work soon and you will find joy in your career life and harmony. All of your current troubles will soon be left in the past and everything regarding your career will go smoothly, don't be blinded by bad situations when the light is at the end of the tunnel! And this tunnel is not as long as you may be thinking. Keep going and keep being a free courageous spirit regarding your career and professional life and everything will be fine!

[verdantwyrm]

In Defense of Curly.

I'm going to start off with the biggest thing that this post could ever mention. Obviously this thread is not at all claiming he is innocent, at all, but some of you need to learn what an unkowning bystander is before you all go and jump Curly and make him out to be just as bad as Jimmy, if not worse for his "Inaction" and i'm going to explain in this thread that accounting bystanders to be apart of the crime is not fair, and how the situation with Anya, Jimmy and Curly is actually very realistic on how real life rape situations go, and the spiraling that occours afterwards.

This is going to be a long thread involving the topics of rape and other mental health junk, so strap in!

Anya's rape.

I'm going to immediately preface this section with a very big important thing. I am a victim, so do not think I am talking out of my ass here when I am talking about Anya, kay we cool now? kay.

So, we as the player know what happens. We know that there was a situation between Anya and Jimmy which either lead to rape, or it was enforced upon her, the actual content of the situation we don't know anything about, all we know that it was not consensual. But how it started and the exact details, we know nothing about.

When Anya tells Curly that she is pregnant, she expresses its something bad, but never tells Curly HOW it happened. And Curly's immediete action is to be concerned for her, he is worried for her, and even though he shouldn't, he LETS HER keep the gun as well!

But WE KNOW exactly what happened, as the player, but Curly wasn't told. He was only told that a pregnancy occurred between her and Jimmy, but the actual details of the event- what we know, is not something that Curly knows. We're able to pick up all the signs and see the language and imagery used, but to Curly, it just sounds like they had a hook up and it ended up in a pregnancy.

And that is a totally fair assumption to make, and it is also a completely fair assumption that your best friend wouldn't do such a thing. (I'll touch on this a bit later) So why would his first assumption be rape? Being unhappy about the pregnancy doesn't exactly scream anything in particular, in Curly's mind, she could be unhappy for multiple reasons. That it happened with Jimmy (of all people), that she is stuck on a ship in outer space for what seems like the remainder of her pregnancy, which is an already unsafe environment to be pregnant in and carry a baby to term. So it is a totally understandable and fine thing to not automatically assume rape when there are already plenty of other things at play that could make her and Jimmy unhappy with the outcome.

And plus, when Anya asks what Curly would have done, people seem to be ignoring (or just plain outright not even noticing) the language used. She's asking him what he would have done. The event is already over, it happened, she is asking what he would have done if he had been there, or if he knew earlier; or maybe if he knew at all.

For safety, for whatever reason the cockpit has locks, whatever reason the Meday has a lock, but not any of the bedrooms. Curly acknowledges the absurdity behind the decision, but he doesn't quite understand or grasp why Anya could be asking such a thing beyond simple curiosity because of course someone like Anya would be pointing out something like this, she spends the most time in the med bay, and Curly likewise with the Cockpit.

There are a ton of nuances that go into play when trying to realistically picture what could have or what should have happened on the Tulpar with Jimmy, and I really wish more people were willing to understand that it's not just as black and white, and not people that end up enabling said abusers are not always a willing and knowing crowd. And start maybe thinking about the fact that maybe

Curly really did not know the depth of the situation.

Jimmy's Spiral

The other thing I see tons and tons and tons of people talk about is "why didn't Curly do more about Jimmy!" "Why didn't he see this coming!"

Because, proven by my point of him not noticing Anya's rape, he would not have noticed Jimmy to do such a thing as murder-suicide. They have been friends for a "long time" according to Curly, but what if this was truly the first time he's ever seen Jimmy get this mad? When Anya tells Curly she told Jimmy, his first immediate response is to panic, he knows that Jimmy is an angry man, possibly a violent one as well.

He expected there to be yelling, or worse, physical violence, but Jimmy just.. walked away. And that's what scared him the most, the fact that he didn't react terrified Curly. So he ran to go and check on Jimmy and try to calm him down, which he thought worked, until it didn't. Curly would not have ever expected Jimmy to do this, how could he?This is probably the very first time that he's seen Jimmy spiral so hard, so intensely and in such a short time. He's seen him get mad, get angry, get violent, but those have all been in different situations, which have not as dire consequences as being the co-pilot of a ship with everyone on board. How the hell was he supposed to assume that he would ever do something like this? And that's even further proved by Curly's shock when Jimmy does divert the ship to crash it.

He is in genuine shock that Jimmy would even do this, and it seems like even Jimmy is as well. Despite having made multiple conscious decisions, turning the steering wheel right, getting out of his chair, grabbing the override key, disabling auto pilot and then steering again into the asteroid, he is still in shock that he actually went through with this. He wasn't actually expecting to do it, and then he did, and now he's grasping the consequences of his actions way too late.

And Curly is also just as shocked.

"I didn't- I should have..." is an immediate blame towards himself for not thinking that Jimmy would do something like this, but again, how do you plan for something like this? If Curly knew Jimmy was capable of such collateral destruction, he would not have him as his co-pilot, so it only makes sense that this was the first real and dangerous time he ever saw Jimmy truly spiral into madness. There were all the warning signs, all the red flags, but nothing could have prepared him for this. Why would Curly's first reaction to anything be the worst outcome, you don't do that when you trust someone. And again, this could be seriously the first time he's ever seen Jimmy react like this.

All we know is that Jimmy has had it rough back on earth, that he was jobless for a long time. Nothing else, nothing about him being a criminal, nothing about him being in trouble with the police, just that he has had it hard which can really mean anything.

It was the wrong time, the wrong person, the wrong break with all the wrong tools.

In conclusion, Curly is not entirely innocent. But I think it is extremely fair and very realistic to not automatically assume the worst of someone you thought you could trust. And he genuinely thought he could trust Jimmy, and he reacted pretty realistically and fairly given the circumstances. He absolutely cared about Anya and the rest, and would have done much much more if he had the time or the ability to do so.

Of course he didn't notice the smaller details, he's used to looking at the bigger picture.

[transgenderer]

Would it be ethical to let your children starve to death if you donated all their meals to charity?

Let’s say I have a child that needs surgery, he’s got a disease, he’s gonna die, my insurance company won’t cover it, I’ll need to pay out of pocket, I ask the doctor how much it will be, he says “5k.” What is more moral:

A) spend 5k getting my own child the surgery

B) send 5k to AMF to give anti-malarial nets to Africans

I don’t have another 5k saved up, so it’s one or the other

so, i think these two asks are of a kind, but the latter is neater, so ill answer the latter primarily, with the obvious implications for the former

so, this is a tough question! i think theres a lot of explanations you can come up with, for why your own child is more important. perhaps most significantly, no one else cares about your child, but other people care about as much as you about the statistical african child youre saving. obv problems there, but theres an argument. you could also make all sorts of practical calculations ("calculations") that say the net benefit is higher with your child, whatever, its actually not important

i dont think any of that stuff is the real reason. real reason, is that you care about your child more than you care about the african child, and you want to act in accordance with what you care about. and i dont think thats wrong! or, to the extent that it is "wrong", ethics isn't doing what we want it to. i think ethics, insofar as it is a decision theory, has to include self-interest. that trying to remove self-interest from a decision theory is a...mathematical toy example, and not what ethics is really for or about. so yeah, help your kid! but youre not helping your kid out of altruism, youre helping your kid out of self-interest, and that's fine! the same way its fine to do all the other things out of self-interest.

but there's this other thing, actual altruism, helping people because you think its the right thing to do, even though it will never benefit you outside of warm fuzzies (which, if you were willing to accept delusion, you could get easier), and that thing is valuable, and important, and the human mind must be constantly dragged towards it. but its not the only thing. there are at least two poles in any ethical system i can accept, a pole towards the self and a pole towards the universal Good, and every ethics must be stuck in the tug between them. there might be other poles to. beauty, probably. community, maybe, although i think community is actually just long-term (like, over the course of a life, not long term as in 1000 years) self-interest (which is fine).

[writingquestionsanswered]

i was reading my writing so far and noticed that it's kind of hasty? it feels like the scenes pass too quickly and characters act and make decisions too fast. i'm kind of a pantser and still on my first draft so there's definitely gonna be a lot of revisions but i was wondering if you'd have any advise on how to make the time in my story pass more naturally as opposed to stuff happening kind of rapid-fire. my story is high fantasy if that's relevant. i hope i worded this in a way that is understandable.

(also thanks so much for running this blog, it's very helpful)

Scenes Feel Rushed (Scene Elements/Structure)

The thing about scene pacing is it has nothing to do with time. It isn't about how long it takes the reader to read the scene, the amount of time that elapses in the story during the scene, or how fast/slow these events play out. Here's why:

-- readers read at different speeds -- scenes can occur over a period of minutes or days in your story -- scenes can be fast-paced or slow-paced depending on need

So, if your scenes are feeling rushed, it's not because you need figure out how to make the time pass more naturally. It's because not enough is happening in your scene. In other words, you don't have a good grasp on what scenes are supposed to accomplish and how to structure them.

Scene Elements

Your scene should include the following elements:

1 - A Writer Understood Purpose - First and foremost, as the writer, you should understand the purpose (aka "goal") of the scene in terms of what it accomplishes in the bigger story. Does it advance the plot in some way? Does it develop the protagonist and/or other main characters in a way that is crucial to the plot? Does it develop the setting, back story, or otherwise give the reader information they need in order to understand the story?

2 - Clearly Established Setting - Imagine if you went to see a play, but the stage had no backdrop, no scenery, no props. It was just a big empty stage with actors on it. Imagine how much you would lose without understanding where this scene was taking place. It works the same way in fiction, which is why it's important to start a scene by giving the reader some idea of where it's taking place. Using sensory and emotional description, you can give the reader a good image of the scenery and what it means to the POV character/s and the scene that's about to unfold.

3 - Relevant Characters - A scene can't play out without its requisite characters, but "requisite" is the keyword there: only characters who are relevant to the purpose of the scene--as well as "background extras" who are there to fill small-but-necessary roles and lend to an authentic setting... such as the teacher and other students in a classroom scene, or other patrons and servers in a restaurant scene. However, don't include main or secondary characters just to include them. They should be there because they need to be or because it makes sense for them to be there.

4 - Scene Conflict - Just as every story needs a conflict (an over-arching problem that must be resolved), so does every scene. Scene conflict can be internal (within the character's heart and mind) or external (in the character's environment). The purpose of the scene is to either resolve the scene conflict or propel it toward a future scene.

5 - Clarified Motivation and Goal - Because you understand the purpose of the scene (what you're trying to accomplish in the scene as the writer) and because you know the conflict/problem that must be resolved, it's important to clarify your character's scene goal (what they're trying to do in order to resolve the scene's problem, or their attempt to resolve it) and what is motivating them to resolve this conflict. Why is it important to them?

6 - Relative Balance of Exposition, Action, and Dialogue - Most scenes should have a relative balance of exposition (narrator explaining things), action (things happening), and dialogue (characters talking.) However, there are sometimes scenes that will lean toward more exposition, more action, or more dialogue. It just depends on the needs of the scene, but generally-speaking, you want a reasonably good balance. If there's no story-centric reason 90% of the scene needs to be dialogue, you need to make sure you balance things out a little more between dialogue, action, and exposition.

7 - Exploration of Emotion - Even in stories that are fully plot-driven, there needs to be an exploration of the emotions being felt by the characters in the scene, and an attempt by the writer to translate those emotions to the reader. The movie Jurassic Park, for example, was pretty fully plot-driven... it wasn't really about exploring internal conflicts or character arcs... but the emotion felt by the characters at throughout the story went a long way in making the reader feel things alongside them. Who can forget Dr. Grant seeing the dinosaurs for the first time:

Or Lex trembling when she saw the raptor in the visitor's center:

By illustrating character emotion using external cues (body language, facial expressions, gestures) and internal cues (sensations like heart pounding, processing what emotions are being felt and what it means), and by exploring how these emotions relate to the plot (and character arc, if there is one), we can create a much deeper sense of what's happening in the scene and why it matters.

Scene Structure

Scenes, like plot, have their own structure. Just as with plot structure, you can vary your scene's structure according to the needs of your scene, but generally speaking it will look like this:

Beginning - hook and setting establishment

Conflict Development - introduce or reiterate the scene conflict; clarify character motivation, goal, and what's at stake. Introduce the obstacles or challenges that raise the stakes or make it more difficult for the character to achieve their scene goal

Climax - The conflict reaches its peak... the character attempts to resolve the scene conflict for good, or at least temporarily. Or, at the very least, something significant occurs

Resolution/Denouement - The scene conflict is either resolved or it's set aside to be dealt with later. The character reflects on what happened, what it means, and what's next

Transition to Next Scene - We usually want to end a scene with some hint of what the next scene will be to create a smooth transition to the next scene. This could be a statement of time, like, "In another week, Roland would return from Bruges and she could finally talk to him about what was going on." Or, it can be a cliffhanger, like, "But it wasn't Bernard and Cleo who got out of the taxi... it was Roland and Cleo. But Roland was supposed to be two-thousand miles away in Bruges..." Or, it can be an establishment of what comes next. "Whatever Roland was up to, she'd have to wait until tomorrow to snoop around and find out more."

By making sure your scene includes the proper elements and generally follows a basic scene structure, you can ensure that there's enough happening in the scene to keep it from playing out too quickly.

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[celestialtarot11]

Tarot Embodiments 💘🤍🌟

Hi friends! 💗 For those of you learning to read tarot, or wanting to strengthen your understanding of it, here you go! I really hope you enjoy + I appreciate any support given to this blog 🌟🥂 enjoy! I’m wondering if I should make a short on YouTube about how to read tarot! Would ya’ll love that? 🙈💖

💘 Pages- I like to think of Pages as the baby of the court cards. Learning to value its journey, growth, but still nervous about branching out. Seeking information, seeking to grow, gathering ideas, and planning. The planning before the action. Taking mental note. But depending on the Page this channeling of energy can be different!

💗 Page of cups- The sweet, generous, and jovial page. The all encompassing, but still learning to understand how emotions play an important role in situations/connections/oneself. Starting to gain a perspective that invites sympathy, emotion and understanding. Youthful, dreamy and young in their mindset. Also a messenger.

💗 Page of swords- The studier. The one who inspects parts before putting it together. Reading the manual to understand the point of the object at hand. Tinkering with different parts to see what fits, and gathering information over time to reach a conclusion. But does not have enough information to form on at this moment. Associated with spying, stalking, gathering information, and mental stimulation.

🤍 Page of wands- The pursuit of new ideas. The idea comes fast, excitedly, but lacks planning and execution. Putting together different elements to a situation/story/ narrative to create something passionate. Fleeting interest, lacks long term engagement. Ideas can fall apart and come together. Can represent someone who is exploring their passions, dreams and goals, but needs time. Can indicate someone starting a spiritual journey!

🥂 Page of pentacles- Eye on the prize. Determined, skilled, hopes for long term engagement. Still learning the value of a connection/project/friendship. Someone who is learning what their core values are. Someone who is developing slowly, does not make hasty moves. Can be focused to the point they forget anything else.

The Kings 💗🔮

The Kings are the evolved court cards of all. It represents maturity, development, and a state of security!

🦋 King of cups- Someone who is emotionally aware, conscious and stable. Secure emotionally, fulfilled within oneself, feels comfortable surrounding the home. Is able to give and receive comfortably, and is open to their heart space. Someone with dignity, morals, values that encompass emotion too. Shows acknowledgment for feelings, and can have deep conversation. Someone wealthy in terms of emotional knowledge, and spiritual wealth. Their home carries abundance. Humble, generous, loving, sweet, and nurturing.

🌟 King of wands- Someone who is assertive, passionate, driven. Motivated. Excites easily and makes decisions surrounding their passion. Someone who knows what they want and goes after it confidently, and attracts it. Someone who is impressive, but can have a big ego. Someone who is engaged with spirituality, or has a deep connection to spirituality. Someone who carries spiritual knowledge. Funny, energetic, passionate, charismatic, and bold.

🌹 King of Pentacles: Someone grounded, reserved, committed and confident. Self assured, focus is on material wealth, and sustains long term commitments. Someone who is strong headed, firm, and decisive. Considers the long term and future. Someone wealthy materialistically. Someone devoted to their projects, has a high position in their job, and is the head of a family. Someone who thinks of the future carefully and makes adjustments to align with what they see. Gentle, calm, patient, and supportive.

📌 King of swords- Cerebral, a thinker. Skilled in mental processes and is detached from emotion. Considers emotion, but does not make decisions from that place. Represents someone in their head often, and observing reality, can struggle to interact with it. A planner, someone who considers all options, observant and knowledgeable. Someone philosophical, and approaches from a knowledgeable perspective. A walking library. Someone with a lot to say and doesn’t necessarily say it all. Considerate, respectful, cerebral, an analyzer.

The Queens 🦋💘

Same thing as the Kings, they represent the evolved feminine side of us. The energetic feminine.

🌟 Queen of wands- The bad bitch! She knows she’s all that. Confident, secure, passionate, and harbors knowledge. Sexually tapped in, invigorating, yet caring. Someone who takes care of their health, passions and nurtures their dreams confidently. Their confidence comes from within. Is not afraid to be themselves. Magnetic, and attracts abundance from a mile away. Spiritually tapped in and can be well endowed in the spiritual department. Charismatic, spiritual, hilarious, confident, and intelligent.

💖 Queen of cups- The nurturer, has a wide understanding of emotion and how important stability is. Maintains equilibrium, balance, and peace within herself. Is emotionally passionate, guided and self assured. Validation comes from within. Focus is in the home and creating community, and is seen as warm, inviting, caring. Has boundaries and knows when to set limits. Has a deep connection ti the heart, and spirituality. Caring, supportive, nurturing, and expansive.

💘 Queen of swords- An analyzer, and understands the value of emotion in planning. Does not make the same mistake twice. Set boundaries, communicates effectively, direct and open minded. Does not tolerate bullshit, and is knowledgeable. Has higher insight on situations/oneself. Philosophical, and sees things from a different perspective. Can be seen as detached, nonchalant. Does not let emotion get in the way of doing what’s best for them. A thinker, organizer, committed to oneself, and knows her place/ value.

🥂 Queen of pentacles- Committed, generous, humble, and loving. A giver, and knows what she deserves in return. Focused on material abundance, wealth and finances. Blessed financially. Someone who works hard and has dignity. Disciplined, focused, structured. Reserved, honest, and respectful. Committed to their future, and will make any and all adjustments to create their dream life. Knows her value and worth, and will not accept anything less.

Thank ya’ll for reading! It’s appreciated. Any support given is also appreciated 🤗🌟 hope this was informative!

Paid Readings💘🌹

[youryurigoddess]

The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

[creative-type]

The Romanticism of One Piece

I’m always amazed by how Oda has managed to stay thematically consistent for more than two decades while writing a thousand plus chapter epic about silly pirates having fun chasing their dreams. One Piece, at its core, is about the dawn of a romantic adventure, and its been that way since volume one, chapter one.

But romance is one of those terms whose meaning as shifted over the years and is drastically misunderstood. So what is literary romance, and how does One Piece fit within its framework?

Well buckle up, folks. This is gonna be a long one.

Romanticism as a movement started in the late 18th century, and is described by Isaiah Berlin as the “the greatest single shift in the consciousness of the West”. The modern ideas of childhood, imagination,  and sentimentality were born here. It’s a rejection of society’s constraints in favor of impossible yearning for impossible goals. Romantics were restless and passionate, and embraced the magnitude of their feeling over the scientific rigors of the Age of Reason.

Sound familiar?

Romanticism gets its name from the old medieval ballads (themselves written in the Romantic languages) that became popular with the growing movement. The 19th century was a period of incredible change. Industrialization, urbanization, and the development of the middle class were all new. Revolution, both industrial and political, was changing the course of the world forever. The Romantics worshiped heroes of the past (in fact, the term hero worship was coined during this time) and sought a return to nature. William Wordsworth famously lobbied against the building of railways in his beloved Lake District, and much of the art of the time, whether it be painting or poetry, focused heavily on man’s relation with nature

In addition to rebelling against traditional political structures, the Romantics also broke away from the traditional religious teaching, many believing that man found enlightenment not through theology or the bible, but by study and attunement with nature. One of proto-Romantic writer Jean-Jaques Rousseau’s most influential works Emile, or On Education was banned in parts of Europe and even publicly burned due to its ideas on natural religion.

All of this leads to the Romantic pursuit of the sublime. While Enlightenment thinkers would often attempt to remove themselves emotionally from what they were experiencing in order to understand said experience through objective, immutable fact, the Romantics sought emotion, awe, and reverence that transcended rational thought. They celebrated and marveled at the wonders of creation, allowing themselves to be consumed by emotion and experience. These were not stoic people, and its here where One Piece truly begins to shine as a work of Romantic art

The world of One Piece, particularly once the story gets to the Grand Line, is chalk full of impossible wonder and whimsy. Each island visited along the journey is a feast for the eyes, and Oda’s art does each distinct and incredible location every justice. Luffy has no desire to see the boring or everyday, and he has no qualm in expressing his excitement everywhere he goes. Oda has made the conscious decision never to let the reader look into Luffy’s thoughts via thought bubbles, but the audience is still able to connect with him because they are always aware of what he he is feeling. Every smile takes up half his face, every sadness drawn as a sniveling wreck. Logical ideas are routinely rejected in favor of desired experiences, and Luffy himself rejects the opportunity to hear the answer to the series’s biggest questions because to him, the journey is more important.

It’s important that Luffy’s mindset isn’t all that common, even a world as wild and wacky as One Piece. As the Jaya arc proves, Roger’s execution initially inspired a generation of pirates to go out and follow their dreams, but in the twenty years since his death that ideaolgy has crumbled under the weight of a new wave of dreamless pragmaticism, the same way the Romantic movement gave way to the Realists who followed. 

Luffy’s Romantic spirit stands out, even amongst the Straw Hat Pirates. Many of the Straw Hat’s character arcs involve Luffy helping to remove the blocks that prevent them from living out their Romantic ideals. As the series progresses, the crew inches towards embodying that freedom of spirit that Luffy exemplifies. What that looks like for each crewmate is different (Romanticism is highly individualistic, after all) but they’re given the opportunity to live out that ideal because of their association with Luffy.

This theme of freedom of expression and pursuit of dreams follows the Straw Hats wherever they go on both the micro and macro level. The Romantic pursuit of self-determination bleeds over nearly every arc with Luffy at its epicenter, until it comes to a crescendo during the Wano arc, when the true nature of Luffy’s fruit comes to light for the first time.

Luffy is the beating heart of One Piece’s Romanticism. He specifically imbues many of the Romantic ideals of childhood, such as innocence, joy, and being unprejudiced by a corrupting society. He’s uncomplicated yet passionate, without a care in the world for what anyone else thinks about him, and because of that disregard for authority he comes off as equal parts wise and naive.

In Emile, Rousseau lays out his idea of childhood education, which doesn’t include a classroom so much as the child’s interaction with the world, emphasizing the senses and building on the child’s own observations and inferences. The Romantic child was instinctual and in tune with nature, and a character like Luffy growing up on the fringes of society while spending most of his time romping around in the woods would not be out of place (see Mary Robinson’s The Savage of Aveyron, based on the real story of a feral boy that had been found in France).

What makes Luffy different is that he never loses that simplicity of character even as he interacts with an increasingly complex world. Yes, he matures both as a person and a captain, bearing the weight of terrible loss and difficult decisions, but he does it still while maintaining that curious mix of selfish desire to do whatever he wants and selfless sacrifice towards the people he cares about. Luffy doesn’t want to be a hero, but remains uncorrupted by the malevolent social hierarchies that rule One Piece’s world.

But for all the ways One Piece is a Romantic story, the philosophy of the series departs in several key places. The Romantics of the late 18th and 19th centuries were reacting to the anxieties brought around by the Industrial Revolution and the subsequent urbanization that came along with it, while One Piece belongs squarely to the post-modern era of the 21st. While both glorify a long-gone past, what that past looks like is very different. One Piece fully embraces technology and progress, as best seen during the conflict between Noland and Calgura in the Skypia flashback. While industrialization is sometimes portrayed negatively (see Wano) it’s just as likely to be seen in a positive light (Water 7), and the mysterious civilization of the Void Century was more technologically advanced than the present day manga, not less.

What’s more important than modernization and technological advance is the ways people use said technology. The beautifully rendered locations along the Straw Hat’s journey are just as likely to be vast stretches of wilderness as bustling metropolises, and that search of wonder and the sublime is equally likely to be found in both.

More importantly, I think, is that the Romantics of old were solitary creatures, brooding and isolated from the people around them. There was a preoccupation of creating art devoid of outside influence. The sublime was a deeply personal experience that by its very nature could not be shared with others. Melancholy, loss, solitude, and death were preoccupations of the Romantic mind, the price of visionary genius being social isolation.

One of the most famous Romantic heroes of the 19th century was Thomas Chatterton, a young genius of a poet who, in the midst of poverty and depression killed himself at the age of 17. He was immortalized in paintings and poems, and his influence can be felt to this day by the persistence of the trope of the suffering artist that he, and countless others, helped codify.

One Piece is the story of a boy who rejects the confines of society in search of his own freedom, but he does not do so alone. Luffy is driven as much by the desire to be with his friends as he is by his desire to find the One Piece. The series agrees that risking death is an acceptable part of chasing ones dream, but rejects the notion that it should be sought out or celebrated. It’s better to live an undignified life in the hope of a better tomorrow than to give into an easy death.

And that’s the fascinating part about how philosophies evolve over time, because as much as One Piece borrows from the Romantic era of the 18 and 19th centuries, it isn’t a Romantic story, just as how no amount of research and copying of style could ever turn a historical novel written today into a product of the era its trying to emulate. Oda has taken an old idea and made it into something new, using that idea as the guide for the entire series. Like sun, guiding to the dawn of a new era.

A Romance dawn, if you will. 

[serpentarius]

been trying to wrap my head around the cancellation of "Our Flag Means Death" and why it hurts so fucking much. lots of folks who are much more eloquent than I have summed it up perfectly, but I still think it’s important I add my voice to the matter. 

It really, really sucks that the hurt is being compounded on us every time another queer/minority-led show gets prematurely cancelled. and for a long while, we also had to deal with the many shows that deliberately queerbaited us, which was a shitty and traumatic experience unto its own. And even though we’ve largely surpassed that early-‘00s-flavoured brand of queerbait now, mainstream queer media is still predominantly white-led. With the cancellation of OFMD, we've lost one of the very few intersectional queer shows in the mainstream. Shouldn’t we be beyond asking for crumbs at this point? Shouldn’t we get unabashedly intersectional shows helmed by and starring queer, BIPOC, and trans folks without them being axed for no rhyme or reason?

It’s exhausting at this point, honestly. OFMD has done so well in terms of viewership and engagement and fan response—almost entirely due to word of mouth and little thanks to the Max marketing team, mind you—and even still the show got cancelled? Can they make it make sense????

For me, the thing most akin to this OFMD situation was when Sense8 got cancelled. And yes, the fandom fought, and we eventually DID get a movie that wrapped things up years later! That gives me hope for OFMD, that maybe another network will pick it up, or maybe they’ll be able to make a movie someday. But what makes me sad about cases like Sense8 is knowing that the creators still had to force the narrative around the amount of time they were given. That the corporate overlords who only care about numbers and profit dictated how much time they had to wrap up their story.

And it fucking kills me that DJ only wanted one more season. One more season to complete the vision.

I'm just so mad that queer people are constantly being jerked around and used for profit and then left high and dry. And then we're given excuses like "oh there's no budget" or "oh there's not enough viewership, that's all it is". like, sure, maybe those are contributing factors, but then I look at all the useless garbage shows that have little viewership and high budgets that keep going forever and then I think "hmmmm, the math ain't mathing." It's fucking transparent; the corporations can spew all they want with their rainbow capitalism and talks about diversity, but the evidence is clear, and they can't convince me homophobia/racism/transphobia/etc. is not a factor in these decisions.

Anyways, back to OFMD. OFMD made me fall in love with fandom again. I drifted away from fandom for a while in my 20s, and while OFMD wasn't the first fandom that drew me back into the madness, it's certainly the largest. The sheer amount of creativity both within the show and outside of it has blown me away; I've read some of the best fics, seen some of the best art, and witnessed some of the most incredible creativity from people in this fandom.

And let's not forget the role of the show's creators and how they've interacted with us fans. They made us feel seen. And made us feel loved and valid, even when we were being weird and loud and horny. It's so fucking rare to see that. But they understood; understood that the show they made was for us, for any of us who've been marginalized or made to feel Othered or different or stuck in life or unsure of our identities. And they gave us so much love for it.

The story... man. The unique combination of quirky humour and bright visuals and dark, introspective moments, the gorgeous costumes and soft, lovely, unabashed queerness, and veteran actors and new actors all getting to shine, brilliant comedic actors getting to show off their dramatic chops and vice versa. For me, seeing Rhys Darby - an actor I've loved for a long time, but who I never thought I'd see in a leading role - getting to be the romantic lead in a queer role? And seeing acclaimed director/producer/screenwriter/actor Taika Waititi play opposite Rhys, as an indigenous Blackbeard? Fucking incredible. OFMD Edward Teach you will always be famous to me.

Anyways... despite my long ramblings here, I still don’t think I've been able to get to the root of WHY exactly this show has inched its way under my skin and stayed with me in the way it has. Maybe I'll spend years trying to understand it. But I DO know that it's in part to do with seeing both older queers AND a diverse range of queerness onscreen, in a way that I've never seen in media before. I DO know that OFMD has forced me to look inwardly, and allowed me to realize some important things about myself. About my own queerness, my own identity, things I'm still figuring out. I've cherished being able to see myself in Stede, in Ed, and each of the crew members. In Roach’s love for cooking, in Oluwande’s ability to mediate; in Jim’s quick temper, in the way Izzy builds walls to guard his heart. In Buttons’ quirkiness, in Wee John’s sass, in Frenchie’s ability to turn pain into humour; in The Swede’s silliness, in Lucius’ bluntness, in Pete’s soft heart beneath the skepticism. Lastly, OFMD has inspired me. To create, to write, to draw, to devour other peoples' works and worlds while I sit in sheer, overflowing joyousness at their talent.

so yeah. the news of this cancellation is upsetting and hurtful and disappointing. And it's making us cry, and it's making us grieve, and may make us hollow and numb at times because we've lost yet another thing we love so deeply before it was meant to go. It's so much more than "just a TV show". It means more to us than any passive mindless idiotic mind-numbing bullshit - because even though there's a time and a place and a purpose for that type of media, it's the thought-provoking work, the work that creators pour their entire hearts and souls into, that hit us deep in our own souls. The work that changes our lives. The work that has the ability to save lives, as I know OFMD has done for so many. 

please know I'm sending immense amounts of love and strength to those of you who are also hurting. we'll get through this, one way or another, and I'll keep up with the hope that we'll get more someday; but in the meantime, I'm holding you tight. ❤️️🫂