#its a shame because I HAVE SO MANY FANTASTIC SONGS FOR HIM

[g0nta-g0kuhara]

Nothing hits better than a really good Korekiyo playlist. Fucked up fast paced folk music is everything to me

[gatalentan]

had a nap. am not hungover despite the tequila. final eurovision thoughts roundup in order before i shift back into abbott mode:

juries need to be reworked. its been known for many years at this stage and we can no longer pretend 5 people is a representative sample worth the same weight as the thousands per country who vote. if you tried to use 5 people as a representative sample in any other scenario you'd get laughed out of the room. they aren't eurovision experts, they're not like the panel at a gymnastics competition or something, they're just complete music industry randoms. when the two boards are this disprate it is stark evidence that the juries do not represent the music taste of the country and are given too much weight compared to the thousands of votes. it's like we watched two completely different shows. they're out of touch, corruptable, and value "art value" (ballads) over what the viewing public actually values (being entertained on the entertainment show). it does not prevent bloc/diaspora voting because the juries do that just as much if not more, as we saw last year with the jury corruption scandal. it's just last year they got caught. this may be the straw that broke the camels back with the juries and i hope it is.

käärijä would not have won with the old combined system because despite getting more 12s in the public than loreen, he received so many low jury scores whereas loreen conversely received many 10s from the public. he would have won if we only had the public vote, and with a historic 2nd highest score ever tied with Sobral. it's unmistakably the juries that are the issue.

i'm happy loreen won, that's my girl, but i would have been just as happy for käärijä to win, too. i would have prefered käärijä to have won than this outcome, however, because her win is now tainted forever and will not be seen as legitimate by such a large swathe of eurofans. the amount of vitriol i'm seeing towards her, as if she manufactured this outcome, is making me so angry. as if she's the first winner to ever return, as if there isn't decades of precedent for it. her returning isn't new or special, and she was chosen by the voting public of her country in one of the most rigorous pre-esc contests, melodifestivalen. she wasn't chosen by internal selection for gimmick reasons, like the uk sending a tiktok celebrity to chase clout. so the way the historic first ever double win for a queer woman of colour has been fucked up in such a way due to a broken system is just. not the tea. i really hope she has a good support system around her in the next few weeks because she's going to end up wrongly having to shoulder so much of the blame.

show thoughts:

overall line-up fantastic, so strong I couldn't predict the bottom. a very deserved no-nil year. the fact this line-up was down to public voting rather than jury interference does not escape my notice, either.

flag parade was a really fun time and loved seeing the old guard. a shame ruslana couldnt be there but loved seeing her in the interval vt. loved seeing tina karol also, underrated by everyone except us diehard fags lol.

show was way too uk centric. despite kalush performing the intro video was all about us and our shit celebrities. sam ryder should not have gotten a solo performance and the interval should not have been about liverpudlian acts. even julia's participation was diminished from what we saw in the semis - they should have had her in the green room instead of alesha or hannah if they were going to bring in graham as a 4th. the uk did not win in 2022 and that wasn't highlighted. it was very disrespectful to ukraine's win.

the interval was a poor attempt to piggyback off of Switch Song which i dont think will ever be topped, tbqh. I am, however, so happy Dadi Freyr finally got to perform at a final after two runs that were out of his hands. It was very funny having him perform Atomic Kitten, of all things, however, lmao.

hannah was a phenomenal host in general, one of the best there's been in modern day. similar to nikkie tutorials being a great host, there's a skill to seeming relaxed and open to improvisation that most hosts do not have. comparing her to alesha dixon was night and day. it was comfortable to watch hannah because she was just inviting the audience to have fun with her. graham has this same skill because he does it on his show. other countries should take note of this and choose hosts that aren't just people who can read an autocue but instead people who are light on their feet.

hannah and graham were a fantastic duo in the jury votes, it was the first time in memory where i've enjoyed watching the hosts kiki during it instead of me going wandering around getting drinks or eating. except for hatari they didn't seem stressed about time constraints or miffed about spokespeople going over the way most hosts are and it made for a much more comfortable experience because they were just vibing. it was nice. it was like having friends in the room pulling faces.

the jury rep who said "this was an exciting night for the girls and the gays" absolutely fucking sent me to pluto.

overall i enjoyed the show, one of the most enjoyable there's been, but yeesh. the way this esc may end up being a turning point year is so fucking unfortunate.

[dany36]

woohoo!!! finally completed my replay of dawn of the new world!! 😌❤️ it had been over a decade since i last played this game, so my memory was a bit fuzzy on certain story aspects and i wanted to refresh it. plus, after i finished the original symphonia for like the nth time, i was aching for more of its world and its characters. yeah this game is far from perfect and is definitely not the sequel a lot of us were expecting, but still, it has its good moments. more long rambling junk thoughts below (lmao this turned out longer than expected but i just have so many feelings about the symphonia series so i have to spew them out somewhere)!

so let's start with the good things!

the original symphonia cast (bare with me here). this is probably like 90% of the reason why i wanted to replay this game cus my god do i love these characters so damn much. the first time colette appeared i screamed of joy and even more so when i heard her use the iconic angel feathers in an in-game cutscene. i've said it before but if we were only able to get one VA from the original main cast (yes i know kratos is back too but he's not part of the main party), i'm glad it was colette. i know i said earlier this year that colette wasn't in my top 5 fave tales of characters, but you know what? past dany is a FOOL because with my replay of symphonia 1 and now with this, has shown me that colette is a magnificent character and must be loved and protected at all costs!!! like her accepting right away in front of marta what she did that caused the destruction of palmacosta without any excuses whatsoever? HURT my heart to the core the pure look of sadness she had but also was interesting to get a glimpse of all the accusations colette (and maybe the rest of the party?) have had to deal with, and seeing how she chooses to deal with them is like DAMN...that's *my* chosen!

other than colette, i must state the obvious that it was great having sheena aka my fave from symphonia 1 in the party for the longest out of the og cast, and getting a taste of her fulfilling her duties as chief of mizuho was refreshing from her other duty of babysitting marta and emil. also i have to give credit to her VA, she really did a decent job at channeling some of that energy that made jennifer hale's performance so iconic in my mind. i didn't care much for regal in symphonia 1 but also his new VA (which I much prefer to the original...sorry!) and having him around for much longer in this game to act as a father figure to emil made me like him even more. it's a shame that we got presea so late into the game but her story is so tragic so it was nice seeing her thriving making charms and whatnot for regal's company. overall whenever someone from the og cast would make an appearance it would warm my heart cus i mean what else can i say!!! that game and its characters were my childhood!

the music. again i know i've ranted about this before in my other tales of posts but i've yet to play another tales of game that has music as good as the symphonia titles. symphonia 1 has such fantastic music, and hearing some of it remastered was just a pleasure to hear. like...water symphony aka the luin theme? ugh that song just pierces through my heart...i think i might even like it better than the original! others songs that i didn't give much thought in the original but shone this time around for me were "in a shadowy woods" (god it's so damn haunting!) and underground passage (this version is so much more intense!). of course it also has some good original songs like "with courage" (what a fantastic battle theme!) and the "wilderness of sadness". OH AND WHO CAN FORGET the *beautiful* orchestrated english opening from the wii?? hearing it along with the opening scenes still gives me chills to this day!! ANYWAY THE POINT IS that symphonia 1 has a fantastic ost and this game did a great job honoring it.

the new main characters. emil was whiny and too much of a coward at the beginning, but seeing him grow throughout the course of the journey and accepting his role in the fate of the world was very luke fon fabre of him and a joy to watch. same with marta, she was overly clingy and just kept pushing emil to be more like she kept imagining him to be, but seeing her grow to love emil just for who he was and like...not gonna lie, the girl was NOT afraid to speak her heart out and that is SO refreshing to see. like she knew she loved emil and would not hesitate to say it to him (which was kind of eugh at the beginning but as both emil and marta grow together, it's just right!!), unlike a lot of other female love protagonists who don't say anything until the end of the game and are all =uwu= about it. but here the long-awaited kiss between the two is done before you even go into the final level of the game, and it's like THANK YOU for not making me wait until the ending rolls around!! i actually really like this main couple pairing and thought the story did a great job at making you root for them. might even be one of my favorites out of the games i've played. just two kids in love!

the voice acting. laura bailey as marta was perfect and just made me glad that we got voiced skits for this game because wow, the og casting might have been subpar but with her and johnny yong bosch's performances...oof, just beyond fantastic. especially jyb, he literally had to do three different voices for emil and the way he handled it would just continuously blow my mind every time there was a switch between the three. i also really liked alice's VA but i mean i liked alice's character overall :) (was heartbroken you have to kill her at the end though...especially considering her background!) anyway i could have played this in japanese but laura bailey + heather hogan are worth it to play the english version instead :)

the ending. and everything leading up to it, actually. like, aqua defending richter with her literal life out of the love she had for him. emil pretending to be ratatosk so no one would find out his plan. being given the choice to defeat both marta/lloyd. marta figuring out emil's plan. and just...i forgot how nicely it explains into phantasia's setting about there not being a need for mana any longer and how it would take...1000 years for the laws of the world to be rewritten. also seeing the og cast say goodbye to emil....ahhhhh my fucking heart! like PRESEA...CARVING A WOODEN BEAR FOR EMIL TO REMEMBER HE'S NOT ALONE...*that's* the presea i love!! and of course, marta and emil getting the happy ending (and NOT ambiguous like ABYSS'S!!!) that they deserve!!! love truly does win!!!! :) none of this bittersweet ending stuff like berseria or zesteria where it would have been like oh no emil will never leave the ginnungagap and will never get to live his life as a human being with the person he loves. and then they both get the perfect partner title?? shionne and alphen could never.

alright, now for the things i didn't like about the game :)

the original symphonia cast. like...i swear it was either a high or a low for me with this. seeing colette literally do anything? "omg i love this game so much it's not as bad as people say it is!". having them run a character joke to the ground (raine's ruin mode, zelos's constant pervertedness, sheena falling into pits, colette's klutziness, regal's shackles, presea and paw pads)? lloyd shunning his friends and unwilling to explain just A BIT of what he was doing (no, the reason he gives sucks and that's not lloyd)? "god this game sucks why did the writers do this why am i even still playing this". also what the hell was up with presea's obsession with paw pads this time around?? i THINK i remember a symphonia 1 skit about this but it's like..that's all she would talk about during a lot of her dotnw skits, cutscenes, and even one of her battle quotes is about it? also isn't presea supposed to be like 14 years old (appearance-wise) now? why is she still dressed like she's 10? SAME THING WITH REGAL and his jail clothes like JUST....why. ALSO couldn't they have at least re-drawn the og cast's skit drawings so they wouldn't have to come up with a dumb reason why regal still wears his jail clothes?? also my god why does lloyd's in-game model look so BAD...they mostly did a decent job with the rest (not a fond of raine's either) but lloyd's just looks terrible and i couldn't take him seriously. like...lol i could rant more about this but just a lot of things about the way the og cast was handled seemed to be out of pure laziness and actually keeps me from enjoying this game to its fullest.

the pacing. honestly sometimes the pacing of the game just felt so wack, especially when you're just trying to track down lloyd. at the beginning it really does feel like you're just jumping from town to town just so the game gets its nostalgia points in. the whole bit in izoold and the gels was a snoozefest, same thing with the remoras in that one place near palmacosta. and then you suddenly get spit back out near iselia?? oh look it's the hometown of the chosen and just lakjdflasjfladsf i know the game is short compared to other tales games (i beat it at 30 hours when usually tales games take me 50+ hours) but i just felt like the first 4? 5? chapters or so (and there's only 8...) are just all over the place and rather...uninteresting. it's not until you stop following lloyd that things start to get a bit less dull, which is when i finally started enjoying the game and its characters.

and speaking of lloyd... i know i mentioned it above but my god was this part of the story awful and deserves its own call-out. props to zelos for quickly figuring out that there was a lloyd impostor because SHEESH they really butchered his character up to make it seem like he was truly evil and thus create some more conflict on top of the vanguard stuff. like oh look, lloyd, the fallen hero, who refuses to speak to his friends and is drawing his sword at them!!! that first skit you get of him where the og cast is trying to talk to him and he's just like "i've got nothing to say". worst lloyd. like just. get out of here.

alright i think i'll stop here cus it looks like my main problems with the game are the pacing and the way they handled certain aspects of the og cast inclusion. because i mean, the original story itself (ratatosk, the centurions, why the vanguard rose) is actually not that bad and is actually pretty interesting, but if you've played symphonia 1, it's hard to enjoy this game to its fullest. i didn't mention the monster system because i mean, yeah it's kinda of weird but it's not so terrible that i actively wasn't enjoying the game because of it. so I MEAN, definitely not the best tales game out there, but it's certainly not that bad if you just focus on the new cast and story. :)

but well, enough with the symphonia gameplays (that is, until the symphonia remaster comes out lol) cus up next in the list isssss FINALLY tales of xillia!!! beyond EXCITED to start playing it, so we'll see how that journey goes! :)

[psychelis-new]

so sorry this is late but thank you so much for the reading! i love your work and i feel so special that you made time to answer mine <3

i dont believe in soulmates in the fantastical way thats usually portrayed with some type of physical thing connecting them, like an invisible string or a tattoo that glows when ur close to them, but i do like to think that everyone has a person or even multiple ppl that they were destined to meet for some reason, and i do think this is my person for me. but i had never thought ab how no matter what u call it, the result is the same, and i dont know if you’re a taylor swift fan but its giving Call It What You Want :p

all parts of your reading resonated with me, omg we literally just had a conversation this past weekend where he wanted me to tell him these 2 secrets i have (not huge ones, just things im embarrassed ab) and i refused to tell. he told me i shouldnt feel embarrassed ab them and logically i know he wont shame me for it, but it still doesnt get rid of the feelings of embarrassment i have when i eventually will tell him. i know he loves me now, but it definitely was not always this clear. for a long time i struggled with knowing how he felt ab me, and he said it himself he was bad at liking people. we’ve really grown together over the past year and im happy to know that he finds this relationship secure. i hope one day i will be able to overcome my issues with sometimes blocking him out and closing up bc i really want to be the best i can be with him.

thank you again for the insight, wish u the best, ~🩵🌿

Hey! Thanks for the feedback, despite you wrote it on Anon I still kinda can recall your reading from your inputs^^. I admit I almost laughed at the glowing tattoo but you know, everyone can see that special connection with someone the way they rather. Idk if it's fantastical or not to imagine having an invisible red string (Taylor Swift^^ I'm not a huge fan of her, but yep, I know a few of her songs) that connects you to a special someone but... yeah, just don't let your adult rational mind entirely blind and block your inner child ig. If someone believes in that, then it's cool to me. As if you want to see the connection or call it in a different way. Y'all are equally valid. Everyone can see things they own way, there's no wrong or right, as I told you. This is the beauty of being so many and so different. And of having so different experiences and level/types of connections with our specific person/people. There can totally be some soulmates having moles/scares in the same place to me, why not :D

Anyway, I hope you can try and see what is blocking you from a different pov, so to become more vulnerable in the relationship and really let them in and take the whole thing to a different level. I know it's very hard to bring down our walls (they're so protecting and safe), but it's always worth it. Just remember to take your time, and follow your guts so that when you feel it's time to tell your secrets, you will have no regrets of sort.

Honestly, this guilt/embarassment you feel may originate from your inner fear of being judged: remember if this happens, it's never your fault. Others judge you because they very likely lack that thing or have it too and were told is bad, but it's easier to point things out on others than taking time to look inside and understand reasons and all. And... ofc not everyone will judge you negatively, not everyone will give you a different worth for a couple of specific things you feel guilty for (for any reason: maybe again you were judged or feared to be judged by others and left alone and... yeah, the self-preservation is still strong inside of us but we're no more living in Prehistory, people don't get eaten by lions even if by any chance they are left alone from their "groups"). Your worth is still the same and it's the one you give yourself for all you've done and all you are and potentially will be. We all have things we don't like about ourselves, but they don't have to be demonized, they can also turn into our strong points the moment we leran how to value them or give them their real worth (for us, not anyone else nor society... society is just f- up). If your guts tell you you can trust him, then trust him, don't block yourself. You won't be hurt. And if by any chance you'll get hurt (even not by him but others), you will survive. Always. Your heart is stronger than you think. Everyone's heart is stronger than we think: it can always love and let love in again. The problem is "only" in the mind (our amygdala) and the way it wants to protect us from every little negative/painful thing that we have learned first hand or through other experiences [especially emotional pain, and in a minor way, physical pain too: think about how you may walk a bit more carefully especially in the days right after you hit your foot against a night table -physical pain usually leaves a slightly less strong wound inside that may get healed faster, unless you broke a bone or sth: that may last longer and grow into a habit...but we're not here for that so I'll shut up] ;)

Best of lucks btw, take care<3

[insanely-lovely-and-random]

So this is my rant about Shallow Hal, I recently rewatched it because the song "Love Grows" is on the radio again (which also yay) and I've always loved the movie and I didn't even realise people found the movie problematic.

Ya know what I get that people find issues with things that came out years ago and some are valid but when people try to tell me I'm literally wrong for liking something, THAT I have a problem with.

Fats suits and fat jokes are a problem and the early 2000s were full of those jokes but honestly I have a much greater issue when I see them in current media than old because yeah they probably should know better now but I don't really want to talk about its problems I want to say why I love it.

The fact that Jack Black was a leading man on a romcom is fantastic, he's a very attractive man but lets not lie hes not Hollywood's version of one and I LOVE that they made a movie like that. I also like the fact that he starts off like the name says shallow, he's a dick at first and he goes through actual growth which is honestly amazing because usually when the main characters not conventionally attractive they make the character too nice and honestly boring this movie feels honest with his flaws.

Yes Gwyneth Paltrow is wearing a fatsuit and most of the movie she's just herself but this was 2001 how many movies since have actually had an overweight woman as the love interest? I mean actually overweight and not Renee Zellweger in Bridget Jones? Cause I could count em on one hand.

The fact that it ended the way it did I honestly think it was ahead of it's time. This and Shrek came out the same year and both have very touching endings with Shrek loving Fiona even with her being an Ogre and in this movie he comes to love Rosemary for the person she is and appearances really don't matter to him anymore. He loves an overweight woman and neither of them change to become more attractive by societies standards , that's fricking cool as hell!!! I don't know how many other movies I know that do that even today and let me say the fact that HE IS A MAN.

Before anyone gets angry at me what I mean is just think about how many movies have a woman loving a man who starts as a monster or scarred or considered ugly by the movies world. There's hundreds, recently we had Shape of Water where as nice twist yes the man remains a fish man and she loves him anyways. But movies where the man loves a woman who's considered unattractive? Far fewer and of those movies 9 outta 10 the womans just tall, clumsy, not a size 6 or something else completely ridiculous. She's almost never scarred or a frightening creature or genuinely over weight.

Beauty and the Beast has always confused me because the Beast is bad and can't see past an outer appearance but the solution isn't to have him fall for a woman with an ugly outer appearance it's to give him one and have a woman have to fall for him despite it.... but why?? Why should a woman have to learn to love him when it should clearly be him who has to learn that, I never got it but Shallow Hal did. Shallow Hal a movie from over two decades ago did that. It had a man learn that he is cruel, obnoxious and shallow and only by growing as person and saying a big old Fuck you to society's standards could he become incredibly happy with the woman he loves. Because Hal isn't the only bad guy in the movie, the whole world is. As shown by how embarrassed his friend is when he finds out Hals with Rosemary, so self concious just because of what other people would think?!

Hal changed by the end of the movie but people haven't changed a goddamn bit and that's sad. People seem to fat shame and look down on others more than ever and yes it has problems and it's just a goofy romcom from two decades ago but I swear to God I was genuinely changed by seeing it when I was 10. I felt empathy and shame for how I'd looked at other people who were bigger than me and it was thanks to this movie and so I still love it. Peace out ✌✌

[nautiscarader]

2020 in animation - recap

So, 2020. 

Yeah, I have to say I’m not entirely satisfied. Would not recommend, 1 star. 

But I would be willing to bump it to 1.5, if only because of one factor: the animation. 

Because I have to say, this was the best animated end of the world so far! And if there was something that kept our spirits up, it was the cartoon industry!

Just like last year, I should preface this by saying that this is highly subjective selection. Even when one is confined to their Hobbit holes for better part of the year because of *waves hands* everything around, 

day still only has 24 hours, so I have missed a few shows. (I should also apologise for omitting a few major ones last year, like Milo Murphy’s Law S2, Ducktales, or She-Ra. This is why I started keeping a track this year). I’m sure I will catch up with those I missed this year some time in the future, but for now, let’s see what this year has gifted us with.

And right from the start, January opens the race with very interesting propositions. We were still riding on an incredibly high wave from last year, with Infinity Train season 2.

This one focused on Tulip’s mirror, and pushed the season towards a much darker and complex story, diving deep into one’s personal journey and identity. There were tears, math, deer, and cops being murdered. Brutally. 

t was followed by two newcomers: The Owl House and first season of Kipo and The Age of the Wonderbeast. Both of them would dominate first half of the year, with The Owl House’s traditional, week-to-week airings, and Kipo's seasons appearing in  June and October.

The Owl House, a strong contender in "What will be the Next Gravity Falls?" contest, invited us to a world full of magic, mystery, elongated owl demons and some dark secrets. It has also created a milestone for Disney, introducing an LGBT couple with characters of bisexual Luz Noceda and lesbian Amity Blight. Their Grom dance has risen to the top of my animates scenes, polling very closely to the unforgettable Kataango.

On the other hand, Kipo has taken us to the post-apocalyptic world filled with mutant animals, revealing that despite the end of the world, our old vices and animosities have survived in underground burrows, and we have infected the overworld of giant doggos and suit-wearing frogs with them. 

Kipo did not pull any punches regarding commentary about our society, at the same time giving us hope in the form of the main protagonist, who was able to spread friendship and understanding amongst the mutes, as well as the humans that had to survive. And in the world that we have found ourselves in, it was a pretty darn good lesson.

February would bring end to two seasons of airing cartoons, Big Hero Six season 2 and Miraculous season 3, as well as another newcomer that won the hearts of fans: Glitch Techs, with its "second" season arriving in August. And while in my opinion he show wasn't as good as the other two new titles, I am clearly in minority, as the show about Ghostbuters-like team of game console technicians gained huge popularity... though not enough to keep the show afloat. As of writing this, it is currently in limbo, which is a shame, as the second set of 10 episodes finally added some much needed ongoing story.  

in March, another show from last year ended - Steven Universe Future. As we have expected, it tackled slightly more mature themes, showing how much Steven needed that therapy we have wished him, telling an important tale of finding one's worth and one's self. its ending might not have been as explosive as those of the original show, or the movie, but it left Steven’s story as open as an open road, and deep in our hearts, we all knew it would look like this.   

March was also the time when majority of western world caught the coronavirus, and that caused quite a turmoil with the movie and animation industry. One of the first victim of changed schedule was Disney's Onward, which was released on-line on Disney+ quickly after its theatrical release.

I have mixed feelings towards “Onward”. For such interesting promise, I think it made a few questionable and down right boring turns, though the unorthodox message at the end of it was its strongest point, and it was one I haven’t seen in a while, so it was worth watching just for that.  

April was relatively quiet (aside from more end of the world stuff); brought us third season of Ducktales that spread throughout the year, while May gave us final, fifth season of She-Ra and the Princesses of Power. 

To my eternal shame, I missed on this show when it premiered, and due to the lockdown, I binge-watched the previous four right in time for powerful and explosive season 5. And even though Catra and Adora finally gave us exactly what we needed, some fans felt slightly unsatisfied, calling for a movie, like the Steven Universe one to be made. And I’d be all for it, the rest of universe needs saving from the Horde! Also, cats in space - hilarious. 

May also revealed a new player on the streaming field: HBO Max, who surprised us with new Looney Tunes Cartoons, much more in the spirit of the legendary originals than the often-criticised Looney Tunes Show from 2011-2014. And in my opinion, it did; one could feel the same fluidity in animation, dedication to slapstick, and synchronisation with music than in the very first cartoons with Bugs and Daffy.

HBO Max would, however, return in June with first of series of Adventure Time original movies called "Distant Lands". The first centred around BMO, with second one - Obsidian giving us a glimpse into Bonnibel and Marceline's lives.

Distant Lands allowed people to revisit the odd, odd world of Ooo and learn about its colourful inhabitants, taking turns to seeing their past and the future, an, as usual, showing us that post-apocalyptic world can teach us valuable and meaningful lessons.   

Just in time for full lockdown in our burrows, aforementioned Kipo season 2 premiered in June, together with another cartoon movie, this time featuring We Bare Bears. While their movie wasn't anything to write songs about, it was exactly like the show, providing some wholesome content right when we needed it.

And just in case you needed more wholesome adventures, Craig of the Creek's second season ended, and its third season began, reminding us of HOW COOL LIFE WAS WHEN OUTERNET WASN’T SCARY AND WE COULD STILL WALK OUTSIDE FOR FUN AND NOT TO HUNT TOILET PAPER.

Just like last year, July was not dogs' days, but frogs'. Amphibia season 2 started raining on our heads, but unlike last year, its schedule wasn't a daily one, spreading the episodes throughout the Summer and early Autumn, with its second part arriving in February of 2021. There were more roadtrips, more mysteries and MORE MARCY.

August was equally strong: aforementioned Glitch Techs "season 2" premiered, offering better and more plot-heavy episodes than the first ten episodes. Unfortunately, the show's future is unclear; the uneven divide of plot between the seasons probably contributed to the show not being renewed. 10 new episodes apparently are written, but await in sleep mode, until Nickelodeon remembers about it.

HBO MAX picked up Infinity Train for its third season, after being derailed by Cartoon Network. And if you thought that killing a mirror cop was shocking... then this season has pushed the limit of what can be shown in modern children's cartoon to a frightening degree. The schedule was once again, weirder, with first five episodes airing on the day of the premiere, ending with a cliffhanger (literally) that only contributed to the shock factor and made us wait anxiously for its conclusion. It was bold, it was dark, it was memorable. 

And just like Glitch Techs, Infinity Train waits on a side track, unsure if it will be picked up, or will it be abandoned and left as a canvas for graffiti artists.

However, to end the Summer, a truly amazing TV movie has arrived on Disney Plus, where we came back to good, old Danville and could witness Candace against the universe. The new Phineas and Ferb movie brought back the glorious memories of this fantastic show, with the same humour, writing, abundance of catchy songs and a surprisingly deep moral.

In September we have seen the start of Big Hero 6 season 3 and a odd change of format. Instead of standalone 22-minute episodes, the show now consists of two 11-minute segments. In opinion of many, this weakened the stories, forcing them to be more comedy-oriented, and shortening the potential emotional drama. Still, it gave us funny, short stories, but they did clash with the two previous season, not to mention the movie.

However, if that wasn't up to your taste, Ducktales season 3 also started airing, and continued its first part up until December with more action- and plot-driven episodes, including the Darkwing Duck crossover, serving as a pilot of the spin-off. 

Later in December fans have learned that Season 3 will be its last, which broke the hearts of many duck fans; however, it seems that the season has been written as the last one in mind, and the news of the ending was known to the creators, which gives us hope for a kick-ass finale somewhere in 2021.

Miraculous New York, telling arguably one of the most mature storylines, opened the "Heroez" world to some new characters and new opportunities, with two more specials, taking place in Shanghai and Brazil, meant to air somewhere next year. AND I DO HOPE WE WILL SEE MORE LOCAL FOOD VENDOR SUPERHEROES LIKE HOT DOG DAN. 

October was the month of two season 3's: Carmen Sandiego and Kipo. In case of Carmen, as it is usual with Netflix, the "season" was only a half-one, with just a handful standalone episodes, and just a dash of more ongoing plot. 

For Kipo, however, season 3 was the end, and what a glorious one it was. Fans were saddened to learn of it, but Kipo was always imagined as a 3-part story, and it showed. The finale proved more than satisfying ending to the plot, elevating Kipo to one of the smartest cartoon characters we should all try to aspire to.

In November, Distant Lands: Obsidian aired, focusing on everyone’s favourite candy/vampire couple, and the long and complicated love between Bonnibel and Marceline. And as usual, it showed us that relationships are not always as straightforward as we would like them to be, but with enough music and teamwork, no enemy is big enough. 

For the next new show, I’ve waited with the most amount of excitement and anxiety. Because while I was completely fine with other reboots and re-imaginings to take creative takes, new Animaniacs, (airing on Hulu) had to be perfect and had to be the lightning that struck twice. 

And sadly... it wasn’t. It was still good, but some people criticised (incorrectly imho) the amount of political topics, while I mourned almost total cast-ration of additional characters, aside from Pinky and the Brain. This truly weakened the possibilities it could have had. It was still very good, but you can feel that some of the original charm was lost, due to these odd, odd limitations. 

December brought us a new original Apple TV movie, Wolfwalkers. A beautifully animated folk tale of friendship and social divides, and how short-sight can cause the collapse of both arguing sides, reminding me very much of the intelligence and heart of original “How to Train Your Dragon”.  

We’ve had to wait two years for the return of arguably one of the most wholesome shows out there: Hilda. Second season dived into deeper mysteries that permeate the rich and colourful troll-ridden land, we saw the return of some familiar characters, and introduced a whole new storyline, that ended with a surprising cliffhanger. Still as wholesome, but now with a tiny bit of Police incompetence. Also Twig, lots of Twig.   

Just like Onward, Pixar’s highly anticipated Soul aired on Disney+, telling a very mature story about finding one’s purpose in life, what that purpose actually means, and whether it exists at all. Beautifully animated, with fantastic soundtrack, it was a stunning tribute to creativity, and it never dumbed down its profound, open message about following your dream.   

And just if you thought that Soul was going to be 2020′s last note (pun very much intended), right before the year ended, DC Super Hero Girls concluded its first season on a rather anti-climactic two-parter. That being said, the season, running from March of last year, was packed with short, bite-sized, funny stories, taking interesting spins on existing comic book characters. For a comic book noob like me, it was perfectly fine, and I can’t wait for the second season next year. 

And so, we have reached the series finale of humanity. 

2020 ends in just under a day. What will 2021 bring us? I do not know, and if the animated shows of this year have taught me anything, is that the future is an always open book, full of worries and challenges, but also opportunities and possibilities. 

...

And in reality I was too lazy to check any news sites about upcoming projects.

[rottenbrainstuff]

I saw the Green Knight last night! (spoiler-ish discussion towards the end)

What a great big pile of stuff to think about. I haven’t been this surprised by a movie in a long time. It’s a very strange movie in almost every single way, incredibly interesting, and it’s received really glowing critical reviews. I’m torn though. Although it is a striking, strange movie, I feel a lot of the strangeness is style over substance, and amounts to strangeness for the sake of being strange, and I don’t think the movie is able to tie its themes up in the end to make a really emotionally coherent journey. It felt a bit like watching a student film (with a big budget), where it’s this totally fresh, exuberantly experimental thing that is so interesting and different… but needs a bit more polish on the plot to make it an actual story in its own right and not just a stylish experiment. A basic summary: if you want to see something totally different, this movie is for you, just don’t go in expecting an easy, polished Hollywood thriller.

Setting: gorgeous. It’s anachronistic medieval England, and despite the fact that it’s not trying to be historically accurate at all, oddly I feel it captures a better medieval vibe than anything else I’ve seen, period movie or medieval fantasy. At least in terms of the supernatural aspects??? The location: gorgeous. Absolutely gorgeous, haunting shots of trees and forests and countryside. (why are there so many shots that are way too dark though?) Sound design: Amazing. Beautiful. I can’t remember a movie that made as much or as effective use of quiet. The scoring is incredibly strange, a mix of haunting vocals of medieval songs, and spooky thrumming sound design. Quite striking. Quite interesting. (the intertitles are an interesting idea but I think they could be more effectively integrated, especially in a movie with so much visual creativity - thinking of, for instance, the subtitle joke in The Man who Killed Don Quixote)

But let’s emphasize one thing very clearly: this movie is in a surrealist style, and that’s not going to be for everyone, it just isn’t. I think it either “clicks” with you, or it simply doesn’t, and that’s ok. I like surrealism. My brain gets it. It’s a fantastic way to tell a story, and creates ambiguity that means everyone who watches it takes away something different. And here, a surreal approach is SO suitable because it’s based on this very old… story, mythology, fairy tale, whatever you want to call it. These old stories do have a strange, absurd, surreal quality to them. It’s perfectly fine when a modern adaption smooths out the strange corners of a story into something that feels more familiar to a modern audience. But it is DELIGHTFUL to watch a movie instead try to embrace that strangeness. I’ve never seen a movie that felt as much like an old fairy tale as this one does. It’s delightful.

HOWEVER.

As I said I’m not 100% sure it all works in the end. It’s a movie that looks absolutely gorgeous, certainly. It’s a movie that is different in almost every way from every single Hollywood movie I’ve seen in years and years, certainly. But without a stronger focus and ESPECIALLY a much tighter ending, I feel it really loses itself in its own strangeness sometimes, and becomes a series of very cool scenes that are fun to think about… but not really a solid story that people will go away talking about. And that is a huge, huge shame, because there IS a strong story in there that wanted to be told, that could have been told with just a little bit more finesse.

And here’s my last big surprise with this movie (spoiler discussion below):

This movie subverts the plot of the original story in an extremely interesting way, but here’s the dealio: I think this movie relies on the audience being familiar with the original plot. Although I don’t know for sure, I would be willing to bet that a significant portion of the audience will not be. I would say probably even the majority. The only reason I actually know the plot of Sir Gawain and the Green Knight is that it was a story included in a book I bought for my kids a few years ago. So like. First of all, how can you effectively subvert a story, if a portion of the audience doesn’t even know how it differs? Maybe that’s fine in the end. Even if that’s fine though, there’s like. Great! Big! Huge! Plot points!!! that do not get explained or addressed! There will be a lot of people who have no idea that in the original story, the lord Gawain stays with is actually the Green Knight, who has been transformed by magic. His entire stay there is going to have an ENTIRELY different context to someone who has no familiarity with the story. The Lady’s brilliant and disturbing monologue about how she hates green and what the colour represents to her will have an extra layer of significance for a viewer who knows she is talking about her husband, and what that says about their relationship. The belt! The freaking green belt!!! It is extraordinarily surprising that Gawain decides to take it off at the end! If a viewer doesn’t understand exactly what the belt is supposed to do, that it DOES really, literally protect him and he absolutely WOULD survive the axe blow with it, would they understand how significant it is that he decides to take it off?

I think you COULD make a movie that doesn’t require the audience to know the story… I think you COULD make a movie where the two audience groups will have two very different experiences and each experience will be satisfying in its own way… I just think they didn’t pull it off in this case.

So.

I think there’s a really great story hiding in here about what makes an honorable man, what makes a meaningful life, and how a real man may or may not compare to a fairytale hero. I think there is a very very interesting and very different movie here that was really delightful to see, in a time when movie studios are churning out the same slick and safe formulaic crap. I think it has great performances, great production values. I just can’t necessarily say that it is a *good* movie.

[sugar-petals]

Bts voice analysis anon here! I just wanted to thank you for taking the time to respond ❤ it made complete sense why yoongi is the deepest I kinda feel bad for him everytime he wants to sounds cheerful or speak in a way so people can hear him he strains his voice

lot to talk about, i’d like to expand on this. especially what his voice being the deepest means for bts’ songs. plus, where his undiscovered vocal talents are, and in what manner his voice will not strain.

that he’s very introverted contributes to what you say, but yoongi is certainly the odd one out voice-wise, such low baritones hardly sound upbeat. similar to how taehyung being the odd one out in the vocal line whose head voices are literal superpowers. i really respect him for singing with jin and jimin who can climb one octave higher than him, up to C#5! and with jk who has the best technique and breaks into the 6th octave if he goes on like that.

it’s very much like yoongi who probably has to mix their tracks back and forth to fit his parts with hobi (who is a tenor as a rapper! — very uncommon) and namjoon who raps in several modes. very low, very high, very impactfully. he’s the most full-bodied baritone in the group even if he’s only the third-deepest. the tone is just so rich. both hoseok and RM are extreme vocal chameleons on top of that. in speaking and in their music you can hear the difference to yoongi all the time. they don’t suddenly drop in pitch and they’re vocal acrobats.

hobi in particular, this guy can do anything. the sheer agility my god, he connects his registers. he can go up and down, impersonate and do a million effects, adlibs, you know the drill. it’s him who actually owns the “cheerful/loud and clear” brand you mention. which is good if not fantastic for yoongi’s production endeavours, the group mood, and how bts cannot be ignored — but tough for yoongi’s voice and comparison thinking, and when he tries to make a point in interviews. maybe it’s not bad that bts have to slow down sometimes to let yoongi speak, but his tone is drowned out (not intentionally of course) in other occasions and he wakes up hoarse often as we saw. which might sound hot, but it’s not good for him as you say.

to be clear. i wouldn’t chalk down his more monotonous and silent tone as a weakness, it’s just outside of bts’ other vocal variety. he makes up for it with speed and good lungs anyway. we just have to listen more closely to him in talks/episodes/conferences but i think he shouldn’t worry about it either or try to sound more enthusiastic, the fans love his soothing speech for its pure sake. he does change it regardless to be more poignant and blend in. it has pros and cons but it wears him out.

yoongi’s voice is under that strain not just in conversation but also in the studio if he wants to bring connection to the rap line parts instead of having 3 songs in 1. which usually ends up happening anyway. that’s also why the cyphers (!) switch genres mid-song so often: their voices are all strong in different registers! yoongi the lowest, joon midrange, and hoseok up high. 

that’s why cypher pt2 is a HUGE stunt and production masterpiece: hoseok’s part is tuned differently, then other instrumentals start with namjoon. and you can literally hear, okay alright a deep voice is coming! from there it just gets deeper and deeper until yoongi is just rapping over a bass guitar (every baritone’s best friend lmao!). god, please give yoongi a big bassline for his every part. “ugh” is the exact opposite: yoongi has to start too high and namjoon also has problems with the key, only hoseok can fully take off after 1:50 with perfect vocal stability. guess which song is autotuned: it’s not cypher pt2! a 3 in 1 song fuels the rapline in a way where they are most comfortable. it’s crazy how far apart they are among each other vocally and it has to be considered.

it’s a dilemma but also why bts’ rap line can tackle any song with at least one member suiting it. they complement each other, every register (except the rare whistle register, aka what mariah/ariana do) is covered. i think that contributed to bts’ fame, it’s so important. however usually, the song caters to hoseok since tenors are preferred in kpop music, or it caters to RM as he’s the central songwriting entity even if mind you, he always thinks about all the members and works closely with yoongi.

but even with joon’s support, it doesn’t work if yoongi is caught in his wish to be a tenor. we’ve seen how much the guy talks about wanting his range to become wider and how he even tried singing quite high for his standards on d-2. he goes as far as collabing only with sopranos to help him achieve that pitch. yoongi is invested to pretty much change his entire vocal type 🙁because the environment simps for high notes so bad (which is fair, falsetto is related to releasing certain happy hormones and highlights parts in songs, but still).

... he actually can’t, unless he wants to damage his throat. that’s the last thing we want. a listener can get the serotonin from a very deep voice equally if they got good taste.

thing is. you cannot morph yourself into a different vocal type and shift your range to the opposite of your comfort zone unless you’re whitney houston. even one in a million tenors like baekhyun can’t make themselves a baritone. his lowest notes are less clear no matter how hard he practices, even if his chest voice is almost operatic and his technique excels. meanwhile, chanyeol (who’s a lyric baritone and exo’s deepest voice) effortlessly hits them without (!!) that kind of decade-long training. have baekhyun or jimin been called bad singers for not being able to cover the other end of the spectrum? nope. so: why would yoongi be a bad vocalist who needs autotune. with lessons, oh man, he could do a lot and many things he dreams of. he has a very unique timbre and enough musical knowledge to do so.

so, we see the magic of your natural supported range. it’s simply given to you. imagine that: if you know you’re not a tenor, you could sort of outsing jungkook — obviously not by technique, but projection— as long as the song is tailored to you and the notes are low enough. yep, jk’s lower register is not extremely forward. each note is perfectly sung because he’s jk, but his power vocals are settled much higher. joon/tae/yoongi would sound much fuller with huge oomph in those lines. that’s where yoongi would be much more clear-sounding to us. a lot of baritone rappers in kpop would be damn good singers. 

that’s why it’s good how a lot of rappers produce solos on their own so they can try it out. 

you just have to respect that your range usually (not always) goes in one direction. once yoongi rightfully decides to abandon his high note fantasy and goes lower just for fun, we are not safe anymore lmao! exception for range: female singers have an advantage there. trained mezzo-sopranos have great access to the head voice and lower registers since they’re in the perfect middle of the scale. but the guys, forget it, even the baritenors. yoongi’s fullest voice will always be coming from a chesty depth and we love him for it. guy just needs to realize.

that’s why his real challenge is rather somehow tweaking the rap parts so his voice finds good resonance like in “혼술” or even “ddaeng”. where his voice is strong, relaxed, and full and flowing. ddaeng — “boy with luv”, too— is ironically in a very high pitch and again caters to hobi’s tone the most, but: yoongi just scales down to his own octave and it still fits, so — great key choice and musicality! and adaptation. it’s not easy to do. you can tell he plays piano.

he either becomes less easy on the ear or has to autotune himself entirely if he works against his voice. or: goes on a track way outside his supported range (dynamite, WOW). it’s a shame. “daechwita” and “agust d” are such a case: both go into the head voice where your resonance should show the most aka the chorus. there are aggressive belts/snarls/shouts that make more sense for higher, trained voices. yoongi is most famous for raps that are literally designed to fuck up his vocal cords 😷that he’s so skilled as a rapper prevents him from that to a degree, but it’s still not healthy. he adapts a lot to bts’ overall delivery but he doesn’t have to, in fact: he could go in the other direction and it would work even better.

the reason for the title track issue: they are the most energetic. in k-pop, energetic means amping up the pitch. and that’s probably a logical choice and a natural human association. if you make a baritone kpop track with a lot of energy, it probably becomes pretty creepy, uneasy, film noir. but i think that’s exactly yoongi’s thing: to unsettle and critique and rage. i think it could work out. lil nas x is a baritone pulling it off. he achieves energetic title tracks, he honors his vocal type well imo. his live singing is cool af, i need this so hard in the rap landscape. so, it’s not impossible to do.

the trick is probably setting everything to minor key. surprise... yoongi’s challenging title tracks are all in major key. boy with luv: minor key, interesting. the former are extremely difficult for him to do so hats off. “shadow” is more suitable for his baritone as is “burn it”. it needs a very heavy, dark track. which is why it’s good that yoongi has that kind of public image. a baritone’s best genre is not super light and whimsical. that’s why all of our baritone faves are not main vocalists but main rappers. kai, taehyung, jaehyun: low voices in vocal lines are soldiers.

---

now a note on yoongi’s best method of singing since it reflects his voice type and brings out the fullness of it. as in, how does it crack and strain less? guess why “사람” is yoongi’s favorite d-2 song to sing. it’s ALL his comfortable range and the singing — very beautifully done —  is in mixed register (= head + chest)! which imo might be his secret weapon. it allows him to do what he longs to do successfuly without going extremely high. bingo.

because: even with baritones, the golden middle is still important. they’re not as deep as a bass, after all. that’s why their voices are so honey-laced in the mixed range and it sounds amazing. heaven, their timbre sounds so seductive. so, it’s wonderful when they find their middle and dare to sing. 

i wish yoongi gets/makes more tracks aimed at just that. in “outro tear” he has to go both too low and too high so it takes a lot of production effort to patch it together. the rapline is doing god’s work to make all their voices sound cohesive without being trained singers. it’s always a trade-off and risk, an immense balance act. “paldogangsan” is hard on yoongi’s voice but works as a whole plus it caters to namjoon to carry the song’s message. the cyphers are chopped up and not chart-friendly but each member is in their comfort zone. 

PS: i said bts’ rap line covers all registers except one. i think that jin is the one to complete bts’ entire spectrum coming from the vocal line. i’m no whistle note expert but dionysus went pretty high up there, i think he might be able to do it. it’s very impressive, even jungkook and jimin probably don’t have access to that register. so, another point for bts being a very ‘complete’ group.

[chibimyumi]

🍵Japanese Reactions☕ Kuromyu 2021

Dear everyone, I received overwhelmingly many questions about Japanese audience reactions, so here you go!

Methodology:

For this post I logged out from Twitter to avoid any bias because of my own user algorithm, and just simply searched the term “kuromyu” (生執事) , and selected “latest tweets”. As you can see, all posts have the word 生執事 in bold, meaning that was my search term.  There are a LOT of reactions, I can’t possibly discuss them all. What I did was just search at any random point of time, and take every other comment. I censored the usernames of the commenter to protect some (ceremonial) level of privacy.

I watched the Kuromyu costume rehearsal and cried, this is not it，，I think it might be better to go to Osaka [performance] without expecting too much I shouldn’t expect the Kuromyu of until last time

Honestly no matter how often I watch [the musical] this time’s Kuromyu is fantastic... as someone who knows the energy of the original comics, I really enjoyed it...

In Kuromyu Violet and Chesslock were the real thing

Like Violet’s way of walking being so slothful it was like the real thing, and the rapping of Chesslock in the cricket scene was cool

The reception of this time’s Kuromyu is entirely polarised, and indeed [this production] has a very different taste than the ones until now so I also understand the people who criticise it, but I think that’s fine.

Click “keep reading” for (a LOT) more reactions. Don’t lie to yourself and not click it, I know you all want the tea. Here’s the tea (ÒvÓ)ノ☕

There’s so much thought going on now I have seen the PV of Kuromyu. Eh? Because he [probably Konishi (Ciel)] has roots in Tennis [Probably prince of Tennis] once he holds the cricket it just looks like he’s swinging a tennis racket.

Bocchan is just too big, I’m not sure about that.

I only watched until half way ー

Calling it the Prince of Cricket is too befitting😂 Such singing and dancing, the youthfulness is exploding. They sure have stamina. #Kuromyu

Ah ーSomehow a lot of memories just popped up tears really are welling up... even though my deep-seated grudge has now passed, my obsession for Kuromyu surfaced, and it felt like it got beaten to a pulp by its big brother...

My heart is recovering through the Kuromyu DVD but the big brother is still the big brother... sob...sob (the dirty wailing of an otaku)

TLN: Big brother here means something’s superiour or better.

It became this production that made me think: Never mind the actors but is it the problem of the makers? Erm. I think it’s a waste. Is it because it’s the footage of the first day performance?

I don’t have the feeling that it’s not that, but that it somehow became cheaper? Is a really strong thought I got from this performance. With this line-up [of cast/staff] it should have been able to create the high quality of Kuromyu, but the impression is that it was a mess.

I finished watching kuromyu. Erm... somehow... it was a theatre production that strongly reminded me of the first Lycoris (the cheapness of the set), felt like they tried to create the feeling of🎾but failed, and tried to do something trendy (🎤) but then the production lost the sense of unity.

Well Mr. Tate’s [Tateishi] Sebas was good, and Undertaker’s acting was good (make up...)

I’ve watched the stream of Kuromyu countless times and gotten used to the songs, and even though I miss the old Kuromyu, maybe it’s not so bad that somebody who can’t let go is rewatching something countless times. If next time they will do the Cult Arc or the Witch Arc I’d be pursuing it. Honestly I want them to stage Lycoris again ←

Kuromyu was this place where I got stimulated by Yuta’s TOHO quality, Ms. AKANE [Madam Red] and Ms. Son [Akisono, Frances]’s Takarazuka quality. The synergy of everything, the original manga’s story, actors, music, directing all were so perfectly done in the past three productions they sure have become a tremendous bar. Once again Yuta, thank you for playing Sebas for us for three times 🥺✨

Kuromyu really was too fun, I’m in trouble

Honestly ------------- Kuromyu was so fun !!!!!!!!! Yasue-kun, you also go watch soon!! Ah, you going tomorrow???

It might be quite unsatisfying for people who only watch Kuromyus that are like Imperial Theatre grand musicals, but I think it’s good that it’s a bit like the Kuromyus of the beginning of before when they adapted the manga arcs

I watched Kuromyu and had fun 😊

I cried, I laughed, it was amazing anyway!

It was the first time watching a musical for me but I think I’ve been sucked into it...

Shall I buy the DVD, I’m indecisive 🌀🤔💭

Now I’ve seen the PV of Kuromyu I don’t think it’s worth going at all... Even in the PV the vibe of 2.5D was ridiculously strong...

My friend went to watch Kuromyu and gave me the review: “I’ve seen all sorts of 2.5, why did they do this for Black Butler. It’s trivial.” I’ve only seen the PV so I won’t say anything, and I really get what I’m refraining from saying. But Mr. Kuma once tweeted the descriptions of Black Butler, I guess it’s fine that the Boarding School Arc feels like this 🤔

Click here for the translation of this tweet. The description of the Weston Arc is as such:

(To the people who will be going to see it I’m sorry)

They did say that the staff along [with the cast] would entirely be renewed, but I feel like they’re actively trying to shake off the fans of Kuromyu until now   I’m a bit sad but I guess I won’t be watching [Kuromyus] anymore... I feel like      But I am buying the stream    I’ll think about it after I’ve bought it...

Anyway about Kuromyu, my mom said she wanted to watch it too so I watched it again with her yesterday, and she sure had a lot to say 😶 My father pulled this weird face of “what is this even” and I had to see him off halfway 😑 I thought about buying the stream of the final performance, but I guess I don’t need a second viewing. I don’t feel like watching the archive either. I really liked the Kuromyu of until now, my shock is too big.

At the beginning [of the musical] we looked back on Lycoris, Circus and Luxury Liner... kinda like some sort of recap, but I thought “huh?”... now I just want to watch that. I used to like Kuromyu, I really have trouble accepting it this time it’s painful.

But honestly when talking about Kuromyu it’s the Sebas with the superb voice who sung about the dynamic with the little lord full of emotion and built the world view, and for better or for worse the world view of Kuroshitsuji is maintained through Sebaciel, the songs, the directing of Sebaciel, but what happened there. Whether you should watch it or not. The past 3 productions were masterpieces、、、

But Sebas is not Mr. Furukawa, Ciel is not Reo-kun and even Mr. Izumi’s [role] of Undertaker was unfortunately changed, this is the new Kuromyu huh...

I watched the stream of the first performance.

I liked the songs so I checked, and I knew it.

This time has a lot of laughing factors, and I thought it was good it had a fresh cast.

I didn’t expect the cricket scene to be taken that far. I thought it was Tenimyu.

Kuromyu, this time be it the story, script, directing or casting, I thought: “it’s more enjoyable to take up this [musical] while temporarily erasing the memories of until now ～🎶”, and I watched the theatre piece without looking back to the past productions, and that was the right decision   To the people who came to love Kuromyu of until now, it’s safer to watch it while temporarily erasing the memories.

Did Kuromyu turn into Tenimyu half way?! I thought,

and the Elite Musical → 2.5D Musical transformation I also felt

Konishibocchan being cutesy was cute, and the P4′s desperate faces resonated all went by in a flash

Above was the report from the theatre ☺️

I went to Kuromyu

I went into it knowing it’d surely be something different from the past productions so it indeed turned out to be so

There were parts that made me go “erm the script....” and also this part that made me go “was it really necessary to make Undertaker descend into that dream in Act 1 just because you wanted to give him stage time??”

I went into 2 shocks gradually

Sebas doesn’t sing He only sings properly at the very beginning of the beginning Even though he’s Sebas There’s no ending solo Even though he’s Sebas

You’re the ♪ah~a~a~ number-one main character though!! That’s why this one!!! Is the N・E・W production--!!!!

I am in shock

I   A M  I  N   S  H  O  C  K  ANGER!!!

I watched the Kuromyu stream!

It was TOTALLY 2.5D~❕❕😁It was also a school setting and the Tenimyu vibes were strong (laughs)

It’s a bit of a shame that Ciel isn’t played by a child actor anymore, but because he has more stage time than Sebas has this time I caccept it.

Sebas and Ciel’s visuals are also good ~ ☺️ 

It’d be even cooler if they increased the fight scenes with Sebas though.

@ivvy_toshiki [Tateishi Toshiki (Sebastian)’s Twitter account]

Thanks for the hard work in the performance.

Today I saw the “first viewing of Kuromyu” of my dreams 🥀😆 Regardless of what I could say Sebastian’s beauty is from beginning to end spellbinding ☺️  My eyes were very happy. moreover, the songs and the killing were also AMAZING 😍 my eyes were nailed to Sebastian. I want to watch it again 💕☺️  I wish that the performances will go without a hitch until the final performance ❕

I was so happy to see the recap of the past productions

I really liked the Circus Arc (original comics), and even though it was comedy it really dived into the darkness! That was the story I also didn’t expect to see the Luxury Liner Arc So Undertaker, for real... for

Up to the last time there weren’t that many songs in total, but there were songs like I shall become your pawn and sword and the contract that made me go BATHUMP--- I have to rewatch this number!!! It’s a shame that this time there were no songs like that.

#Kuromyu

Calling it the Prince of Cricket is too accurate 😂 They sang and danced so much, the youthfulness was bouncing off it. What stamina they have. #Kuromyu

What’s different from the last time is the strong 2.5D vibe...... Until now the ages [of the characters] were fairly faithful [to canon] and in a good way there was no 2.5D-ness and I could just enjoy it as a proper theatre piece This time both the casting including the music had a strong 2.5D vibe for better or for worse #Kuromyu

Very personally! Matsushita’s Sebas was “heavy as the evil of evil and beautiful”, and Furukawa’s Sebas was  “evil, strong and unapproachable and beautiful and gorgeous”, and Tateishi’s was “light hearted and beautiful and a florid kind of evil”!! (My vocabulary is failing me) All Sebastians have a different aura about them it’s fantastic!!! #Kuromyu

The new Sebas is good

Overall

It’s this arc so that it’d get a chit-chat idol? vibe was within the expectation The cricket of the second half had a bad vibe and I was sick of it It might have been different had I watched it live I don’t like the Boarding School and Green Witch arc that much to begin with I am looking forward to the appearance of the real Ciel That's it for now

I don’t know why I’m mentally dead but it must be that, I watched the Kuromyu stream and I am thoroughly dead, mentally dead, but as I managed to say this I’ve reached a level that I recovered a bit??? I am too tired but I don’t feel like sleeping, but if I doze a bit then I realise my fatigue and feel like sleeping unnecessarily

This time’s kuromyu... erm I guess I’ll quit 🤔

I’ll be rant-puking for a bit

I’ve seen a lot of Tenimyu and A-stage [Mankai A3] but it’s not like I wanted to see that in Kuromyu... What I wanted to see was Kuromyu...

I watched the video of the Kuromyu PV? but it’s impossible. Watching the PV [I thought] children should be played by children... and as I watched their interaction it’s not the character building I had in mind... and there’s no wound on the vice principal’s forehead. I planned to watch the stream of the final performance, but I’m hesitant about spending more money to watch that... If I can’t accept Ciel and Sebastian I can’t watch this, that’s just me...

Now I’ve read the reviews of Kuromyu all are saying it went back to 2.5D, and I think that it’s not worth going after all. It’s probably because the Kuromyus until now far surpassed the quality of 2.5D... I guess it’s fine if one were to go for the cast, but I really loved the Kuromyu of until now.

[365days365movies]

January 1, 2021: Dirty Dancing (Review)

Well, I liked it! The soundtrack is literally the music I was born to, so I guess I would like it, right? Anyway, for somebody who isn’t a big fan of romance films, I do think this is an engaging film, with an engaging central romance. Plus, the dissection of class politics during the time is interesting, if a liiiiiittle superficial. From what I’ve read, there’s more to this film subtextually, particularly in terms of the Jewish-American population at the time during which the film takes place. But I won’t get into that here.

Let’s jump right into the Review, yeah? If you’ve only seen this post, check out the Recap if you’d like more info on this film! OK, let’s go!

Review

Cast and Acting: 8/10

Great cast, great acting, and GODDAMN, Patrick Swayze and Jennifer Grey have some amazing chemistry. It’s the highlight of the movie, and sells it all on its own. But then, why an 8? Because the casting of literally every character just...doesn’t fit with their age. Yeah, the ages are all of here, and NOBODY looks their age, and it DISTRACTS ME SO. And so, there are a few points taken away in this category. But for what they have, these guys are awesome.

Plot and Writing: 7/10

This is, by far, the weakest part of this movie, and not really for the writing. The script is a partially autobigraphical work by Eleanor Bergstein, a “teenage mambo queen” whose family summered at a resort hotel in the Catskills, where she would dance. Neat, huh? Anyway, this was a pretty solidly written film. Shame the plot is pretty goddamn cardboard. Yeah, it’s a REALLY simple and overdone plot, sorry to say. And that’s OK, it still works fine, but it is noticeable. And so, for a relatively unoriginal Romeo-and-Juliet style plot, we’re taking off a couple of points.

Directing and Cinematography: 8/10

Emile Ardolino hadn’t exactly directed a lot of well-known films. His most famous films were this and Sister Act. Sadly, he died from AIDS complications in 1993, and I would’ve liked to see more from him, as the direction was great in this movie, especially for a movie centered around dance. Jeffrey Jur’s cinematography is also worth talking about...when it really matters. He doesn’t get to show off too much, but we see it highlighted in some of the less-cluttered scenes, like the one above.

Production and Art Design: 8/10

Does this film scream early ‘60s? Does it say it? yeah, it says early ‘60s, sure. Pretty well, even. But even then, it’s not exactly loud. May be it doesn’t need to be, but this film legitimately feels far more ‘80s to me than ‘60s.

Music and Editing: 9/10

Why in the hell is this not a 10, you ask? Here’s the thing, the music in this movie? GREAT. Part of that is due to the composers for the movie, John Morris, Erich Bulling, and Jon Barns. And the other part, of course, is due to the kick-ass sampled soundtrack. What can I say? It’s fantastic! BUT...also anachronistic. Some background songs are clearly ‘80s songs, and the most famous song of the film, the Academy Award and Grammy Award-winner, the Jimmy Ienner song “(I’ve Had) The Time of my Life...” is CLEARLY an ‘80s song. And as much as I love that song, AND I DO, that is a legit issue with the period setting of this film. But still, despite that, the editing and music of this film deserve nearly full credit. 

80%! B for Baby!

This was supposed to be a “chick flick,” right? Although...in retrospect, maybe I don’t truly know what that means. Let’s re-examine that term, yeah (and also whether that term should even be used, let’s be honest)? But...with which movie? There are SO MANY choices. Was...was this a mistake?

February 2, 2021: Pretty Woman (1990)

[snkpolls]

SnK Episode 67 Poll Results (for Manga Readers)

The poll closed with 254 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

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RATE THE EPISODE 246 Responses

The response to this week’s episode remains overwhelmingly positive, with 97.6% of responses giving it a score of 3 or higher. 

This is the first episode where I have absolutely no criticisms, so im quite happy with how it turned out.

Voice acting was top tier

perfect

Emotional 

Great Job! I'm glad my favorite character's death was so emotionally misered.

Forget Attack on Titans, this episode was Attack on my Feelings ! 😭

I want to rate it a 1 because of Sasha but a 5 because of how well it was done... so 1.5

Absolutely loved it

Perfect

ASIDE FROM SASHA’S DEATH, WHICH MOMENT WAS THE MOST EMOTIONAL FOR YOU? 247 Responses

Connie’s heartfelt admission to Jean seems to have stolen the hearts of the plurality of responders (36%). That is followed by a tie of 18.2% responses noting Eren’s breakdown or EMA’S tense reunion as the most emotional moment for them. In third place is Gabi’s tragic declaration about her struggles with 11.3%. Other responses were, in order, Jean lamenting all of the deaths occurring, Gabi and Falco realizing that Zeke betrayed them, Hange scolding Eren for forcing the SC to intervene in Marley and Levi and Eren’s confrontation.

Connie telling Sasha and Jean that they're special to him made my heart hurt knowing what was going to happen mere minutes after. I honestly saw me and my two best friends through them, and it was gut wrenching seeing Connie and Jean's reactions. Even Mikasa's reaction broke me, to be honest. They all lost a huge light in their lives.

WHICH MOMENT SURPRISED YOU THE MOST? 222 Responses

So this question was meant to only go on the anime watchers poll and ended up here somehow. Thanks to the 222 who were good sports and responded anyway! :P The most shocking moments that took place in this chapter/episode was the revelation that Eren went rogue from the Survey Corps, that Zeke was collaborating with the Survey Corps, how the Survey Corps treated Eren, and that some Paradisians seemed to be turning to nationalism, in that order. 

Not sure why we're being asked as manga readers which moment shocked us the most since we already knew everything that was going to happen this week

HOW MUCH DID SASHA’S DEATH HURT YOU? 249 Responses

When it came to Sasha’s death, it would appear that it broke the hearts of the overwhelming majority of responders, with 81.1% giving it a rating of either 4 or 5 on the tragic scale. 

Broke my heart and I'm still crying over it three days later. Honestly though, it was greatly done. 

3 years later it hit me, Sasha is dead ;_;

Cried my whole soul and body. Rip sweet Sasha

I thought Sasha's death would've been more emotional.

WHOSE REACTION TO SASHA’S DEATH AFFECTED YOU THE MOST? 250 Responses

Sasha’s death elicited various reactions from the main cast. Two different responses tied at 36.4% noting Connie and Mikasa’s reactions to Sasha's death as the one affecting them the most. This was followed by Eren’s at 13.2%. The rest were, in order, Armin, Jean, Levi and Hange. 

I don’t cry at fiction much, but Sasha’s death got me more than I thought it would. I feel like seeing Armin and Mikasa’s reactions in particular is what got me.

The way they animated Armin and Mikasa bawling over Sasha's body and the inclusion of Call Your Name made it all the more emotional. I think by "Assassin's Bullet" they also meant a bullet through my heart because man did that hurt to watch. 😭🤧

WOULD YOU PISS YOUR PANTS IF LEVI WAS GLARING AT YOU WITH MURDEROUS INTENT? 248 Responses

A bit of a joke question, but we wanted to know if Levi appeared as threatening as he seemed. 80.2% seems to think so, admitting their incentive to piss their pants. In contrast, 19.8% don’t think the Captain’s such a scary guy!

THE FULL VERSION OF “ASHES ON THE FIRE” BY KOHTA YAMAMOTO (THE PREVIEW SONG) IS NOW OUT. IF YOU’VE LISTENED TO IT, WHAT DO YOU THINK? 236 Responses

“Ashes on the Fire” has been released to rave reviews, with 88.1% of responses giving it a 4 or a 5. Nobody gave it a 1, either. Yamamoto-san, thank you!

OVERALL, HOW WELL DO YOU THINK MAPPA ADAPTED THE MARLEY ARC? 251 Responses

In spite of the relatively vocal complaints about the adaptation of certain elements of the Marley Arc, it would appear that the overwhelming majority of responders seemed pleased with it, with 51.4% giving it 5 and 37.1% giving it a 4. 1s not present. 

I've been a bit bothered how Mappa follows the Manga like a slave, using the panels as scenes and not adding anything in between. Sure it works for Manga, but it feels weird to me to watch in Anime how Eren grabs Armins hand and they don't give a transition where Armin pulls him in, but just show him inside the airship next. Just little things, but bothers me a bit. Overall I'm really enjoying their choices.

The show looks BETTER

I was fine with the episode. The quality of animation dropped but I understand that every scene cannot be animated on highest level. MAPPA has done a great job with the Marley arc. They shown the character development and bonds between the warriors perfectly. We had some cuts here and there but overally was okay: 8/10 for me. 

I’m so pleased that MAPPA has taken the anime. I’m still more of a fan of this particular series’ manga than anime though.

DID SASHA’S DEATH AFFECT YOU MORE WHEN YOU READ THE MANGA, OR SEEING IT ANIMATED WITH VOICES AND MUSIC? 249 Responses

As noted above, Sasha’s death seemed to be a hard hitter for most. Comparison of the adaptation vs the original allows to discern which hit the readers/watchers the hardest. Just one percent shy of a majority (49%) thought that the anime made it much more tragic. 30.9% noted that the impact was roughly similar across both mediums. On the flip side, 10.4% thought that the initial depiction of it in the manga was the hardest hitter. There were also a couple of write-ins. 

I dont remember I sped run reading the manga, kinda regretting it

I knew it for the first time in the manga, so it had a more powerful impact (I cried for a whole week. Not kidding) and the anime managed to make me cry as hard as in the manga. Though, I already was aware and grieved so it wasn't as bad

Got Spoiled :( so kinda meh, saw it coming

When the music kicked in after Connie announced she was gone, my heart broke into a million pieces. 

Let's be honest, Sasha's role was over after she killed the titan in the village and saved Kaya. After that she was just there. She got zero development, zero important moments, zero depth. Her death effected many characters and helped them to develop. Sasha's death was sad but at least brought some important changes in others. 

Not a Sasha fan so I was not really that affected but having a death in the series always feels sour

I think for me, they're both even.....mostly. There's just something about having been waiting for the chapter leaks on reddit with a bunch of other people and most of us collectively grieving at the same time. Once bigger pages of the chapter started coming out, it made me cry. I didn't even cry during serumbowl when I first read it and that had plenty for me to be even more upset about.

Honestly while reading manga I hated that Sasha’s last word was „meat”, it seemed so ridiculous. I’m happy MAPPA made it look more serious with music. Actually everyone’s reaction for Sasha’s death had more impact on me than the death itself

HOW DID YOU FEEL WHEN YOU SAW GABI KILL SASHA IN THE MANGA? AND HOW DO YOU FEEL SEEING IT AGAIN NOW, KNOWING HOW GABI’S ARC DEVELOPS? 247 Responses

Gabi is perhaps the most controversial character introduced post-time skip. Whether you’re a proud member of the Gabi Gang, proud hater of the 12 year old or just a neural party, everyone can admit that. With Sasha’s death at her hands, many seemed to offer up their opinion on the kid, back then and now. A slight plurality, 31.2%, stated that they did not hate her back when 105 first released and they don’t hate her now. 23.1% note that although they were rather upset with her back down, they are not (upset/angry) any longer. On the flipside, 25.5% state that they still hate the kid, as they did back then. Finally, some were simply neutral. Classic. 

Quite a few write-ins, as well.

I hated her in the manga but after watching the anime, I’m not happy about it but I understand why she did what she did and don’t hate her as much anymore.

I was extremely upset about it before and am still extremely upset about it now, but for different reasons. I hate her less but am not any less annoyed by her brainwashed hatred of the Paradisians, although I understand her much better and realize and empathize that she's just a kid who's been used by her country in the worst way.

Gabi Braun Must Die

Broke my heart and was upset, but understood where she was coming from (thought about her perspective only)

Sasha shoulda killed this cunt while she had the chance

It’s war, she did as she needed to.  Her arc is fantastic 

love hate relationship 

I didn't like her but not because of Sasha death (that's war consequence) and it's the same now

I really hated her with my whole heart and soul, but now that it has been all explained, that she had character development, I even like her now

I used to be angry about it but I understand why now, Gabi is just a victim of Marley’s control just like anyone else is, it’s a shame this is the results of it. She’s still at fault but I can’t hate her so much for it

I feel tired of Gabi hate. I disliked her in the manga back then but now I feel neutral towards her, because she has changed. Yet, I wish she took less screentime. 

SORRY for ranting! I don't understand the hate on Gabe. Yes, I know she killed a Paradise character which was present in series since its beginning and I understand Sasha's fans are upset Sasha is not here anymore because of her. but those people do not analyse Gabe as they should be. Every character belongs to a different side and each side is blinded by what heir belives in. It is okay to not like Gabe but I don't tolerate hate on her. I THINK THIS QUESTION SHOULD NOT HAVE BEEN INCLUDED AT ALL.

Initial hate, understanding after some thought

Understanding her situation I know I shouldn’t hate her, but I’m choosing to be petty and hate her anyway 

I liked her much more than I like her now. She was a much better character back then, her killing Sasha (a one-note comedic relief) was cool and brought some spice to the story. Now she just exists to spout themes and convenient exposition and to be an aimbot

i dislike her, even if i understand her

I dont like Gabi. Never did. It isnt because she killed Sasha tho. I just dont care for Gabi tbh BUT i can totally understand her actions and do not blame her for it after seeing the destruction and killings

I was and still am upset about Sasha's death, but from the start I blamed it more on the circumstances than Gabi.

I loved her then, I love her now and it probably wouldn’t change even if she killed my favourite characters. She’s my cinnamon roll

Gabi did nothing wrong, killing a soldier in the battlefield is not a crime.

See, I WANT to like Gabi since she's obviously changed, but knowing she killed Sasha nonetheless will ALWAYS prevent me from having any love or respect for her. She will always be my most hated character

MAPPA ADDED AN EXTENDED SCENE OF FLOCH AND OTHER SURVEY CORPS RECRUITS BEATING GABI AND FALCO. HOW DID YOU FEEL ABOUT IT? 240 Responses

MAPPA added an extra scene of Floch and Friends raining down copious amounts of gratuitous violence upon two 12 year olds (MAPPA is pro-child violence???????? Find out when 111 is adapted). 48.8% seemed to think that it was a decent addition, even if just for the SC’s characterization (or perhaps you enjoyed seeing that?). 22.5% thought it was a bit over the top to feature. Finally, 16.7% did not care. 

I didn't like it. But, it was def a believable reaction from them.

I just wish it was enough to kill her

I liked the additional characterization of Floch & co.

Great addition, it was implied in the manga so the scene fitted well. Still, it was horrifying to see how vile the scouts were to two kids

How about an option where we're glad Gabi got beaten to a pulp but not when Falco was?

ORA ORA thing, but we viewers get hurt too. 

Didn't feel bad about Gabi getting beat up, but I did feel bad seeing Falco get beat up. Poor boy didn't deserve that

A nice addition 

I thought it was a great choice to highlight the continuing violence and feelings of vengeance from both sides even more. and I thought it contrasted really well with Jean's decision not to throw the kids out of the airship.

The people glorifying this scene annoy the shit out of me

It's a good way to hint the "Yaegerist" perspective to anime onlies

MUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDA

The Gold Experience memes are funny

It was an IC scene for people like Floch + I feel bad for the kids

The way they shot that scene made the recruits seem like mindless, gross-faced animals storming towards the kids to beat them up. I liked how they were dehumanised like that, considering that most faces amongst them belonged to the ones who support the rumbling. 

It hurt to see that but good scene though

Feel empathy for Gaby. Violence don't solve problems

Now THAT'S what I call fan service! Who needs big-boobed, big-ass females or shirtless guys with and when you can just have the most hated character get the tar beaten out of them xD

I can see why they did it. MAPPA's not dumb and I'm sure they anticipated a massive onslaught on hate towards Gabi specifically, so it was their way of trying to satisfy the haters. Falco didn't deserve it tho.

It was a good addition

GREAT JOB MAPPA

I hate Gabi too but that was too much beating up a child, yet it also showed how shit Floch and the others are.

Apparently some people never noticed that Gabi and Falco got beat up, probably because it happened in the background. So it was good for MAPPA to call attention to it.

I love Gabi but she had that coming. No need to hurt Falco though. :(

OVERALL, HOW WELL DO YOU FEEL MAPPA EXECUTED THE REVEAL THAT ZEKE IS A TRAITOR TO MARLEY? 240 Responses

The reveal that ZOOK has been working against Marley for years on end is one of the most important ones in the series, really. So it was important to have it be executed in a rather decent manner. The vast majority of the fandom thought that MAPPA did a fine job. 52.1% gave it a rating of 4, 27.5% gave it a 5 and 17.1% gave it a 3. The couple of the other respnders gave it a 2, with no 1s.

IN THE END, DO YOU THINK EREN’S ACTIONS IN MARLEY WERE ULTIMATELY JUSTIFIED? 242 Responses

A question to remember… Were Eren’s actions in Marley ultimately “justified”? A plurality, 44.6% seems to think so. In contrast, 24% disagree. And 31.4% still aren’t sure to this day.

SIMILARLY, DO YOU THINK THE SURVEY CORPS WAS ULTIMATELY JUSTIFIED IN TREATING EREN AS THEY DID? 244 Responses

When it comes to the SC treating Eren as they did, the division is much less pronounced however. The majority, 60.7%, think that the SC had quite the justification for treating Eren as they did. On the flip side, 19.7% think that there was such justification for behaving in such a manner towards Eren. Finally, the same amount of responses stated that still can’t be sure to this day.

NOW THAT WE’VE GOTTEN A CLEAR SHOT OF YELENA, DID MAPPA DO HER JUSTICE? 243 Responses

YELENA is here. Queen 👑. Or well, maybe not. Who am I to say? In any case, her appearance was received well. 52.7% thought MAPPA did very well and 33.7% went on to declare their love for her. Just shy of 10% noted that MAPPA could have done a little better though. 

Kinda wish her hair was like neon or something idk

Need more eps of her to decide, she didn't get much screentime and lines here. 

I don't like Yelena, but yeah I guess they did good.

In the manga she was a creepy-looking person. MAPPA made her unique, interesting and mysterious. I love her voice and her stoic, relaxed self. MAPPA did a good job.  

QUEEN!!!!!

Great adaptation but I still don't like her as a character

Don’t care about her 

don't really care

I hate her and I don't care about her.

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 247 Responses

Such a colorful chart for this one. It would appear that slightly over a quarter look most forward to seeing Crykasa at Sasha’s grace. Slightly less (21.9%) want to see Sasha enjoying Niccolo’s cuisine. In third place is the scene with Connie, Jean, Mikasa and Niccolo at Sasha’s grace. The rest are, in order from most to least, Onyankopon and Yelena teaching the Survey Corps about the Port, EMA talking at the shooting range and Hange and Armin learning about Marley’s technology.

HOW HYPED ARE YOU FOR THE UPCOMING TIMESKIP FLASHBACKS? 239 Responses

The time skip flashbacks seem to be a hit. A little over 51% are super stoked about seeing them animated. Slightly under 24% state that they’ll enjoy them, but are looking forward to other things more. In contrast, 22.6% are ready to go crazy (from a positive standpoint)! Wooo! 

Enjoying AND dreading it at the same time

I just want the centipede

Boring. The only thing what interests me is Historia teasing Mikasa about her crush on Eren. The rest is too jolly. 

I'm looking forward to see Yelena's insane self be animated. That, and more Zeke.

THE MOST RECENT LIST OF FUTURE EPISODE TITLES SHOWS THAT EPISODE 12 WILL LIKELY END AROUND CHAPTERS 109-111, LEAVING CHAPTER 112 (EMA’S ARGUMENT) FOR EPISODE 13. EPISODE 67 WAS ALMOST ENTIRELY ADAPTED FROM CHAPTER 105, PROVING THAT ADAPTING DIALOGUE-HEAVY CHAPTERS FAITHFULLY CAN EASILY REQUIRE THE FULL 20 MINUTES. WITH ONLY 16 EPISODES - AND SO MANY WHICH ARE DIALOGUE-HEAVY - DO YOU THINK THINGS WILL END OFF WITH THE INITIATION OF THE RUMBLING (CH. 122), AS HAS BEEN SPECULATED BY MUCH OF THE FANDOM? 238 Responses

The manner in which the Season will end is a mystery to even the manga readers. Where will it end? Will it have many cuts? These are the questions. 36.6% seem to think that MAPPA will somehow manage to both end it at Chapter 122 and cut as little as possible. 26.5% don't believe ending on 122 is possible. 12.2% do believe MAPPA will end the Season on 122, but only with many notable cuts. Finally, just a little under 20% are simply not sure. There were a few write-ins as well. 

I hope not, too many cuts would be required 

The is no way they're making it up to 122, at first I thought they were going to finish it off with Eren's head getting blown off in 119, but now that seems like a reach too. Now I think MAPPA is probably going to end this first half of the season with Eren and Pieck's "where is the enemy?" and the warriors arriving to Shiganshina 

I’m not sure right now so I’ll have to see for later episodes for the cut-off point, if it isn’t the Rumbling then it’ll be when Gabi shoots Eren

MOVIE

I'm conflicted. I'm sure they'll end at rumbling because it's the only reasonable point to cut it, but I feel like they're running out of episodes. Then again I'm feeling the same about the state of Manga, there's just too little chapters left to end things up well.

I don't really want to think too much about it, I just want to enjoy the anime lol

I fully expect 119 to be the end

What was the point of rushing Reiner's chapters if you are going to slow down later. Goddamn it MAPPA. 

It'll really depend on the pacing for the next couple episodes, but I'm with a bulk of the fandom that see Chapter 119 Two Brothers being the end point for The Final Season. IF they were to skip the opening and maybe the ending, I can see them transitioning from Eren's head getting blown off immediately into his transformation and the beginning of the Rumbling. But even that is quite farfetched. 

I have no idea, I'm a little worried now. Wouldn't be the first time a lot of content gets cut but if they insist on reaching ch. 122, I just don't see how you do that without butchering a lot. If that happens, it would probably lessen my enjoyment of the season.

Yeah, I think it will have a lot of cuts, but I believe that it will get there because Ymir falling in the tree was in the trailer

ADDITIONAL THOUGHTS ON THE EPISODE?

It's amazing seeing how each week, something with SnK trends! ^^

It still baffles me just how much people insist on hating Gabi, especially when her arc has shown tremendous growth in the manga. Reiner was no better than her when he was a child and continued to insist that Paradisians are devils and chose to further destroy their lives even after sleeping under the same roof as the 104th for 3 whole years and forming personal bonds with them. Yet, his actions are forgivable but Gabi's are not? Both characters have shown remorse for their former beliefs and misdeeds against Paradisians. Both realized that they were in the wrong. The characters have forgiven Gabi. Why can't y'all do the same? People who want Gabi to suffer are no better than they accuse her of being. 

Well done episode which managed to capture the emotions of sasha's death perfectly

monke

I really appreciate Gabi as a character. She has spunk and a strong character arc in which she changes and grows more than anyone in the last 30 chapters of the manga, save maybe Mikasa (ignoring how Eren, Reiner, Armin and maybe a few others changed during the timeskip). It makes me sad seeing people wishing for her to die and praising Floch and the others for kicking her.

Gabi absolutely deserves the hate she gets

I absolutely love to see the anime-onlies mass hate of GabBitch, does my heart good xD

Boring ,too much Gabi she is annoying

Time to strap in: wild ride ahead!

Gabi Braun is the WORST character, her arc was poorly written and the moment she kills Sasha solidifies her rightful place as most hated character

No development has made me stop hating Gabi. The wound of Sasha's death will ALWAYS overshadow any crocodile tears Gabi may cry.

Kudos to Jean's and Connie's voice actors. Emotions were so raw and natural.

so good! they're really nailing down the emotional beats so far!

Dialogue-heavy but still amazing! Also the music was great

I didn't felt anything when Sasha died. Even the first time, in the manga. She hasn't enough personnality for me to care. Erwin and Bertolt's death were more saddening for me. Stop hating Gabi. She was in grief and she did what Marley brainwashed her to. And Sasha killed people right in front of her, so…

1 chapter was too little to be adapted for an episode, you could tell some scenes were stretched to fit the runtime

The music they chose for the scene of Sasha passing was also the same music they used when the Survey Corps first donned their capes and Eren found out Marco was dead... man, that song is gonna hit harder than ever now

It didn’t help with the overwhelming amount of hate Gabi is getting. I hope Mappa does her justice because she’s a great character but the Anime only seem to hate her because its a “funny” “popular” thing but it really isn’t... shows who really is paying attention to the story and the people who are watching it because it’s popular and trendy 

People who are hating on Gabi do not understand the themes portrayed in AoT

Pretty solid overall. Wonderful bits of animation such as the ODM bits and the solid character acting from Sasha going down, Mikasa and Armin is distress, personal highlight being Gabi's reload animation. Good ost choices, nice addition of Samuel and Daz to foreshadow their conflict later on in the story, and great work from Connie, Gabi and Eren's VAs.

Friendly reminder that just because we hate Gabi does NOT mean we don't "understand" the story or themes. We just don't care because Gabi is a bad character.

U mad at Gabi for what she did ? Did she kill Potato girl for no reason? Imgine a kid, at least 3 years younger than the 104th, made fighting on WARS and praised for it, brainwashed by Marley that Paradisians are devils, and these devils came in her home, killing her friends and this WOMAN killed in front of her eyes two people who tried to protect her. Don't be mad at Gabi. Grieve for Sasha, okay, but stop hating Gabi. You're the worst when you do it

Hey Gabiatans: as long as you're not threatening the VA or other RL p olle, it's PERFECTLY fine to hate Gabi. Period. We don't have to like her, and it's not like we don't "understand" her just because we hate her. I "understand" a lot of Germans were forcibly coerced into joining the Nazi regime, but I don't have to pity then for any consequences that came for them.

Leviiiiiii

I was surprised that Mikasa and Armin crying over Sasha had no voice over. I thought it was still effective but I'm not sure if I prefer it. Other than that, the character animation was amazing this episode. Gabi's hands as she reloaded the rifle and Armin crying were my favorites. Overall, everything was pretty perfect and I love it when a chapter gets adapted in full with basically no cuts. One of the best episodes in the series and a proper send off for Sasha.

Wonderfully done episode! They truly did Gabi and Falco's perspectives justice. Also, seeing Eren's expressions and reactions in animated format was clarifying and super well done, too!

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 227 Responses

Thanks again to everyone who participated! 

[gstqaobc]

CBC THE ROYAL FASCINATOR

Friday, November 20, 2020

Hello, royal watchers and all those intrigued by what’s going on inside the House of Windsor. This is your biweekly dose of royal news and analysis. Reading this online? Sign up here to get this delivered to your inbox.

Janet DavisonRoyal Expert Fact, fiction and The Crown

The last time Arthur Edwards took a photo of Prince Charles with Lord Louis Mountbatten, the heir to the throne had his arm around his great uncle. Similarly, Mountbatten had his arm around his great-nephew. They both seemed to be in fine form that day, not too long before Mountbatten lost his life to an IRA bomb in the summer of 1979 off the coast of Ireland. "They were laughing together," Edwards, the longtime royal photographer for the Sun newspaper, recalled over the phone from the U.K. this week. The recollection came to mind as controversy swirls over the newly released Season 4 of the Netflix drama The Crown. The show takes viewers into the reign of Queen Elizabeth, with the latest season moving the action into the 1980s. In the first episode, Mountbatten is seen just before his assassination writing a letter to Charles saying he could bring "ruin and disappointment" on the Royal Family with his pursuit of Camilla Parker Bowles, who in real life is now Charles's wife but at that time was married to someone else. There's no evidence — again, in real life — that such a letter was ever written or that Charles and Mountbatten quarrelled before he was killed. It's just one of many moments in the latest season that have set off debate over how fact meets fiction in the award-winning drama created by Peter Morgan. "Many people will think it's the truth ... but it's not," said Edwards, who snapped his first photo of Charles feeding sugar to his polo ponies in the mid-1970s, just after he'd left the Royal Navy. "Much of it … comes out of a scriptwriter's brain, which I can understand because … it's drama.” What bothers Edwards, he said, is the portrayal of Charles. "I've worked with him now for over 40 years, and I don't recognize that man in it." And therein lies a challenge of turning history into drama. "Certainly, in every season [of The Crown], there's a blend of fact and fiction, but it stands out in Season 4 because we are getting closer to the present day," said Toronto-based royal historian and author Carolyn Harris. Because so many in the audience will have their own memories of how what is portrayed in Season 4 turned out in real life — how Charles's marriage to Diana, Princess of Wales, collapsed in spectacular fashion, for example — there is perhaps further potential for the controversy now swirling. "It's always a challenge with historical fiction that the people who are being portrayed do not know what's going to happen next, but the audience ... does," said Harris. In some instances, the episodes present events that played out in the public eye and reflect the historical record. "An example is that engagement interview where Prince Charles famously said, 'whatever in love means,'" said Harris. But there are many other examples of events being fictionalized or put together to create a narrative. Take Michael Fagan's break-in at Buckingham Palace, a focus of Episode 5. That actually happened, in 1982. He breached security and made it to the Queen's bedroom, where he spoke to her. "But Michael Fagan describes it as a very brief conversation before he was arrested, whereas for the purposes of the series, he has a more extended dialogue about [Prime Minister] Margaret Thatcher's politics in order to tie this event to the series's critique of political developments while [she] was prime minister," said Harris.

CBC Archives: The leadership fracas that forced Margaret Thatcher from power

Edwards worries, however, that people will believe The Crown's version of what happened when Fagan broke into the palace that night, which isn’t true, with its portrayal of a longer chat with the Queen. "That's what really irritates me," he said. And he remains troubled by the thought that the portrayal of Charles, pilloried for a bad marriage, doesn't reflect the driven and hard-working man he has seen up close, whether he is visiting and offering support to schoolgirls in northern Nigeria or the Jewish community in Krakow, Poland. "You won't see that on Netflix." Edwards went with Charles when he returned in 2015 to the site of Mountbatten's assassination. "I watched him … and he was remembering it." As aware as Edwards is of The Crown, he has stopped watching it.   "You've got to remember it's drama; it's not necessarily the whole truth."

Just let loose and dance Peter Morgan may be the creative mind behind The Crown, but in the current season, at least one moment playing out on the small screen came straight from the actor. At one point, Diana — played by Emma Corrin — dances by herself with wild abandon inside a very well-appointed room at Buckingham Palace — or in this case, a stately home filling the role of the palace where Diana went to live after her engagement to Prince Charles was announced in 1981. "It was one of my favourite scenes to film," Corrin said in a recent interview with the Royal Fascinator. "I loved it because they wanted to choreograph it, and I said, 'Do you mind if we don't ... I don't think we can choreograph a moment like that. I'd love to just let loose and dance.'" So she did, and she chose the song that was blasting over the speakers during filming, a bit of musical time travel to 1998, and Cher's Believe. Corrin's love for the song dates back a few years. "There's a theatre company in Britain called DV8, and they do this show called The Cost of Living, and there's an amazing dance scene," she said. "A guy does this dance to Cher's  … Believe…. It's like the truest form of expression I've seen." In Corrin's research for the role, she was surprised to learn how important dance was for Diana. "It was quite a private thing," said Corrin. "You see her dancing and what that does, how that is such a mode of expression and release, and I thought that was really interesting."

Looking ahead — and looking back

Every so often over the past few years, there have been rumblings about whether Queen Elizabeth, now 94, might step aside from her role as she gets older. And as soon as those rumblings emerge, other royal observers are quick to note how that is unlikely for a variety of reasons, including the dark shadow cast by her uncle's abdication as King Edward VIII in 1936, her deep devotion to duty and how she has always considered her role as one for life. So it wasn't too surprising to see that scenario play out again in recent days when one royal biographer suggested Elizabeth might "step down" when she turns 95 next April. But soon after, there was also a very strong signal from Buckingham Palace about looking ahead in her reign. The first plans were announced for celebrations in 2022 to mark her Platinum Jubilee, or 70 years on the throne. It would be an unprecedented milestone — no British monarch has reigned as long as she has. In the United Kingdom, it will culminate in a four-day bank holiday weekend in early June. Oliver Dowden, the British culture secretary, said it would be a "truly historic moment" worthy of a "celebration to remember," the BBC reported.

Royally quotable

"Let us reflect on all that we have been through together and all that we have learned. Let us remember all victims of war, tyranny and persecution; those who laid down their lives for the freedoms we cherish; and those who struggle for these freedoms to this day."

— Prince Charles,

during a visit to Germany

to attend events commemorating its national day of mourning, which focused on British-German relations this year.

Royals in Canada

While members of the Royal Family have made numerous trips to Canada over the years, The Crown hasn't turned its dramatic attention to them yet, even though the show has featured several foreign visits.

"It's a shame," said royal historian Harris, because during Queen Elizabeth's reign, "there have been some very interesting Canadian tours."

Sure, there's been a brief glimpse of a Canadian flag at a table during a Commonwealth Heads of Government Meeting portrayed in The Crown.

"But we don't see Canada assuming a prominent role, whereas the series has had at least three tours of Australia," Harris said.

One episode in the current Season 4 focuses on Charles and Diana's 1983 trip Down Under. Shortly after that visit, Charles and Diana came to Canada. Had that been portrayed in The Crown, it would have backed up a developing theme, Harris said.

During the visit, Diana celebrated her 22nd birthday on Canada Day.

"There's press footage of Canadians giving Charles birthday cards to give to Diana, and a scene like that would have supported the theme of that episode of Charles feeling overshadowed by Diana," said Harris.

Edwards, the Sun photographer, was along for that trip, and has been to Canada about 15 times with members of the Royal Family.

The 1983 trip lasted 17 days and was "fantastic," he said. "It was just brilliant. I can recall it like it was yesterday. We criss-crossed the country."

During the opening of the World University Games in Edmonton on July 1, the crowd sang Happy Birthday to Diana.

"The whole crowd. It was phenomenal," said Edwards.

Harris sees potential plotting for future seasons of The Crown possibly playing into how the series has portrayed foreign visits so far.

"We see a stronger Australia focus, and it's certainly possible that the 1999 Australian referendum [on the monarchy] may come up in a subsequent season so some of this may be building towards that.

"But definitely in terms of the Commonwealth, certain nations are emphasized more than others in the series."

Royal reads

1. Queen Elizabeth and Prince Philip

celebrated their 73rd wedding anniversary today

, and a photo was released of them reading a card from their great-grandchildren. [CBC]

2. In a rare statement, Prince William has said he

welcomes an investigation by the BBC

into circumstances around the controversial Panorama interview his mother, Diana, Princess of Wales, gave to Martin Bashir in 1995. [CBC]

3. Meghan, Duchess of Sussex,

did authorize a friend to talk to the authors of Finding Freedom

, a biography of her and Prince Harry that was published his summer, court papers say. [ITV]

Cheers!

I’m always happy to hear from you. Send your ideas, comments, feedback and notes to

royalfascinator@cbc.ca

. Problems with the newsletter? Please let me know about any typos, errors or glitches.

GSTQAOBC 🇨🇦🇬🇧🇦🇺🇳🇿

[betweenthetimeandsound]

Three Minutes to Eternity: My ESC 250 (240-231)

#240: Joci Pápai - Az én apám (Hungary 2019)

"Hallom őt, az ő szívét a húrokon Látom őt, múló idővel az arcomon Az ő hitét büszkeség vallanom Ezeregy dalból ezt az egyet dúdolom, dúdolom"

"I can hear him, his heart on the strings I can see him, bearing the passing time on my face I’m proud to confess his faith Of a thousand and one songs this is the one that I hum"

If there's anything I love at Eurovision, is when someone sings a song from their soul. And in both of Joci's entries, he does just that.

Az en apam is a bit more sedate than his first entry (which will come soon enough), but it's calming and serene with substance. The lyrics, talking about his relationship with his father, is a touching and poetic tribute, one that people should really speak to their loved ones that care about them.

It's just a shame this song was the one to break Hungary's impressive qualifying streak; I thought they were on a path to win soon (though not with this one...). And they left the contest too; hopefully they will steer the ship back to more open waters and come back.

Personal ranking: 5th/41 Actual ranking: DNQ (did not qualify)--12th in the first semi-final in Tel Aviv

#239: Anna Vissi -- Mono i Agapi (Cyprus 1982)

"Η ζωή μας περνά, κι ότι φεύγει πονά Πίσω δε γυρνά, κι όμως κάτι μας κρατά"

"Our life passes by, and whatever leaves, we’re in pain It doesn’t come back, but something holds us together"

In most cases, the first entry somebody has sent in the contest is their best, with a number of exceptions here and there. Anna is one of them; I never liked her first entry, but her other two are fantastic.

Mono i agapi is quite lyrically simplistic--it talks about how love remains between two people, as the world changes around them. But the melody has a very loungy sound--I've heard it being compared to a James Bond theme. While I don't hear why it would be the case (other than the alluring mystery of this piece), it does give a calming vibe, and stands out in the rather mediocre field in 1982.

Personal ranking: 3rd/18 Actual ranking: 5th/18 in Harrogate

#238: Yardena Arazi -- Ben Adam (Israel 1988)

בן אדם הוא רק בשר ודם,” אבק פורח במדבר, בן אדם, בדרך העולם, כצל עובר, כחרס הנשבר "

“A human being is only flesh and blood, Dust flying in the desert A human being, in the way of the world Like a passing shadow, like broken pottery"

Yardena's time at Eurovision 1988 is best known for the anecdote where she goes to a fortune teller who said that song #9 would win that contest. When the draw occurred, Israel was slotted into that place, but was shafted up to #8 when Cyprus withdrew from having an already-released song. #9 would go to Ne Partez Pas Sans moi, which would end up winning and make history thanks to its singer.

This ends up taking away from the song itself; Ben Adam is reminiscent of older folk songs, but it takes off with its own character and flair. I also love the lyrics, which recognizes humans as flawed, without berating them as such. (We need a little bit more of that in the internet world, haha)

The flurry towards the end of the song was well-executed too, and the instrumentation is just fantastic. It feels like one was in a festival!

Personal ranking: 2nd/21 Actual ranking: 7th/21 in Dublin

#237: Amandine Bourgeois -- L'enfer et moi (France 2013)

“Tu m’as fait pleurer à vif Mon cou porte encore ta griffe J’aimais échanger de peau”

“You made me cry a lot You can still see your mark on my neck I used to like exchanging skin”

I love the dark sensuality of this song—with its blues influences, it tells a story of a relationship gone awry, but does so with sophistication. It starts out with a slick guitar line, which later devolves into a full on outrage against the lover at question.

The harshness of this song probably clashed with its opening spot, which is why it’s so underrated. Or it was because of Amandine’s styling...

Either way, it has grown on me since I watched the 2013 contest, and it gets the right vibes going...except with the lyrical story...

Personal ranking: 5th/39 Actual ranking: 23rd/26 GF in Malmo

#236: Ambasadori -- Ne mogu skriti svoju bol (Yugoslavia 1976)

"Ne molim da se vratiš Al’ molim te da pamtiš Voljela tebe samo sam ja”

“I’m not begging you to come back But please remember I only loved you”

Ambasadori was one of Yugoslavia's biggest groups, and they have a long list of who's who in the Bosnia music scene. I'm not familiar with their other music, but Ne mogu skriti svoju bol definitely highlights their artistry, along with the dark-pop take Yugoslavia had in 1970s Eurovision.

This song was initally my fifth place of 1976, but it has steadily grown until it became my fourth (knocking out Portugal in the process) The instrumentation conveys a dark mood, despite the upbeat strings and the poppy sound. There’s a grooviness in it to contrast the sullen lyrics, mourning for a lost love. It definitely stands out in the crowd; along with Ismeta's lack of makeup.

It got rewarded with a second-to-last place, which is way too low for this. And Yugoslavia withdrew for five years, and came back with a new sound...

Personal ranking: 4th/18 Actual ranking: 17th/18 in Den Haag

#235: Zibbz -- Stones (Switzerland 2018)

"Sins of the father make us fall And I can’t do anything about it"

2018 had a number of staging errors which cost several countries qualification. In Stones' cases, this wasn't the case.

Corrine has incredible stage presence, with a sense of strength and attiude as she struts on the stage. She definitely adds substance to this powerful pop-rock song, fighting against bullying in all corners of society.

To further that, she lights a flare at the bridge, which definitely hits the tone of the song home. Plus, it was an awesome moment to behold.

Basically, Zibbz did everything right--great song, thoughtful message, simple but impactful staging, and it still didn't qualify...While it has outgrown me a bit, it's still a total jam.

Personal ranking: 9th/43 Actual ranking: DNQ -- 13th in the first semi-final in Lisbon

#234: Kalomira -- Secret Combination (Greece 2008)

“An open book An open book, well, I'm sorry, I am not Sometimes I'm acting like a lady Sometimes woman, sometimes baby.”

"You maybe an open book Spongebob, but I'm a bit more complicated than that"

One third of the female-bop grouping in the 2008 contest, Secret Combination takes Greek instrumentation and American production to produce quite the gem. I could imagine Britney Spears singing this, but I also thought of the Cheetah Girls when I was listening to it. With a bit of sweetness and a touch of sexiness, Kalomira plays the different roles well--and has a cute moment when the book actually opens, revealing her in a really nice silvery dress!

Personal ranking: 7th/43 Actual ranking: 3rd/25 GF in Belgrade

#233: Avi Toledano -- Hora (Israel 1982)

"וגם ההורה, ההיא עם הה”א קולה עוד עולה, קולה לא נדם"

"And also the Hora, the one with the Hey Its voice still rises, its voice has not been silenced"

Israel had a particular style with songs from the 1980s--they are usually really energetic, with fun choreography in which everyone joins along. It makes for good results and good energy, especially when it's done well!

Hora seems to embody it in many ways, from the celebratory lyrics to the fun dancing across the really tiny stage in Harrogate. It combines Israeli folk music with a sense of joie-de-vivre, celebrating the nation (which as you will see later, may not work today...)

Avi earns himself a strong second place, but he would write something even better the following year (again, will come later)!

Personal and actual ranking: 2nd/18 at Harrogate

#232: Raphael Gualazzi -- Madness of Love (Italy 2011)

"Ma vedrai un altro me in un sogno fragile Riderai come se non ti avessi amato mai Cercherai un altro me oltre all’ombra di un caffè"

"But you’ll see another me in a fragile dream You’ll laugh as if I had never loved you You’ll look for another me beyond the shadow of a coffee"

Between 1994 and 2010, Italy withdrew from Eurovision, with only one participation in 1997. Nobody knows why, with reasons ranging from the rise of a televote to Italian disinterest in the contest, but they were certainly missed. Thanks to the late Rafaella Carra and a bunch of other circumstances, Italy came back in 2011, and they did so in style.

"Madness of Love" is frequently overlooked amongst Italy's post-comeback entries, as some of us aren't into jazz. I don't listen to the genre often, but I like this song particularly. It's flirty and sweet, under a very sophisticated soundscape which reminds me of a 1920s speakeasy. And while people are put off by Raphael's vocals, the way he lets himself go at the end of the chorus is definitely a highlight.

Basically, it's one of those runners-up that should've won against the winner of its year. But it was nicely made up for ten years later.

Personal ranking: 2nd/43 Actual ranking: 2nd/25 GF in Dusseldorf

#231: Anneli Saaristo -- La dolce vita (Finland 1989)

“Minä sammutin elämän janoa vaan Minä osasin onnea anoa vaan Jälkeen kaiken nyt saatan sen sanoa vaan La dolce vita”

“I was just quenching life’s thirst I knew how to plead for happiness After everything all I can say is: The good life”

La Dolce Vita sounds more stereotypically ”Spanish” than “Finnish”, because of its flamenco influences versus the dark pop or metal we expect from the country. Apparently, a lot of Finns travel south for vacations, which makes a bit more sense here.

Either way, it springs a bit of life and joy into a dark heart. It embraces life in its tropical vibe and Anneli’s deep vocals, and conveys a comfortable mood. Apparently, it was also known for Anneli's slight choreography, but I only noticed her standing during the instrumental.

It would be Finland’s last top ten result for many years, but the 7th place it got in Lausanne was deserved (and they should've done better, actually!). A fitting send-off for their long-time conductor Ossi Runne (RIP).

Personal ranking: 3rd/22 Actual ranking: 7th/22 in Lausanne

[x-exo]

*slides into your asks with a rose in my mouth* why hello, tis me!

Apologies for the long wait but your favorite long asks anon is here and OOF so much has happened. Let us break it down one by one lol

Monsta x our beans, welp we can officially say we are army wives for them because shownu is now at the military and just welp this feels weird lol. I lowkey forgot he was meant to enlist so when the news came out I went through so many emotions. Its why the latest comeback feels a bit bittersweet to me. It is their BEST for sure and for this year, I agree so to not see him perform right before he left is a bit sad. I don't blame him of course (if anyone does i am fish slapping you) but just a shame. I'm happy we do get content with him still? Seems pre-planned so that is nice!

Onto legends exo, fantastic comeback. I cannot stop listening to the album, its just bops full of bops to me. They broke so many records and I'm over here sipping my tea because fudge yes. It isn't a full member comeback, 2 of the members featured in the comeback are off playing call of duty and they still did THAT. While having lay properly in the comeback!? (Or at least some form, better than tempo era!) Kyungsoo my beloved, the man that can swoon you off your feet, his proper solo album. Omg I am just in love? The album feels like a Playlist that you hear while taking a walk or on a raodtrip? I love it, I just love everything about this with how much thought was given. It makes me feel warm and I'm so proud of him (I think he even got a first win) but sadly xiumin got the it shall not be named virus D: I feel so bad and I can only hope he gets better! It makes me worried because I keep seeing more and more idols getting sick and I can't help but wonder why don't the kpop entertainment just put a pause with stuff? Of course that is VERY unrealistic, I am aware that is naive for me to think but its just so idk how to word it properly (my English brain is not working I am sorry) I cannot help the feeling of while I get people are being safe and yes we need to still live like normal beings, is it worth risking idols health just for some entertainment? Idk how to explain my thoughts properly but maybe I hope I made sense!!

Onto svt! That is perfectly fine to not vibe with a comeback! I will admit, I didn't fully vibe with this comeback and it shocked me because every comeback was a hit to me. Even fear, left and right or homerun where I know many fans were split on, I liked but RTL was a grower. For me, listening to it without watching the mv, helped it alot and it is a song I like. Is it their best? No I don't think so but it is alright to say "hey I didn't bop to this, not my cup of tea" (imo I blame the mv? The mv REALLY didn't do the song justice at all, I am sorry if I sound like a fake fan but this mv Just is bad in all aspects. Sure we have some pretty shots but like it just doesn't fit at all?) So if anything listening to the song or wishing the live performances does it better. Seeing the choreography amps the song up more, cannot go wrong with their dancing. As for the rest of the songs, I admit game boy is my top favorite? Idk if it is because I am a gaming nerd and found all the production of the song so creative but yeah. We can wait for the next comeback! Svt always have something up their sleeves, plus we do have their music projects to look forward too (I wonder when we will get one? Seeing as RTL promotions stopped) some positive news with the boys is they resigned like a year before their contract ends and I'm a bit emotional :') I'm excited to see the boys future projects. We did have caratland recently! Did you watch it if I may ask? We did get in the soop confirmation so I'm excited to watch that, the boys deserve that nice break (even if it was filmed for a show fjsbsns)

Ok I think that is it for kpop updates? XD I do hope life has been treating you kindly! Life has been a bit all over the place sadly so I hope it wasn't like that for you as well! Until next time my bean!

hii!!!! omg sorry for the late reply i've been pretty busy these days 🙈

indeed so much has happened! and much more since you sent this ask omg!!

our shownu is at war *looks into the distance* *wipes away tear* *sighs* by now I got used to enlistment news (see what happens when you stan 2nd and 3rd gen groups) but STILL [[IT HURT]] when they uploaded the monchannel videos of his goodbye day like ????? what kind of twisted mind diuhdfuihdifuhs but the boys were all so cute and soft but they seemed so sad they didn't want to let go of their super leader :(( I hope he's learning lots and making new friends (and also we've got our international super spy yoo kihyun giving us small updates on him every now and then so everything's fine!). Yeah I totally get you it felt empty without him this comeback and at first it didn't really clicked with me but when the enlistment news came out i understood he had to take care of his health and thoroughly check on his eye sight in order to be 100% ready for the military so it made sense he had to be absent :( everything was so close (the comeback and enlistment) that I'm sure there was no other way for doing it I'm pretty sure he couldn't maybe postpone the enlistment day any further

onto exo! my ksoo my soft boi my romantic boi 🥺 his album is so him SO HIM i can't explain it bur it's just HIM you know it's the type of album you'd play on loop on a summer afternoon when you've taken your papers and paints outside in the garden to paint a bit with the warm soft breeze moving the trees lightly 🤧 and he signs in English and SPANISH (he did it for me) my multilingual king he's a native. Also I've been watching Honeymoon Tavern with Jongin these days and OMG i could d word for him really (if you haven's watched it go do it when you have time) he's SO SOFT and SO CUTE and he works as a waiter and a wedding planner and helps with the room preparations and is also a tour guide and he's just so cute so happy al the time the way he interacts with everyone is so 🥺🤧😭 onto more serious stuff now: yeah i was so worried about minseok catching covid omg but i'm glad he went through it with our any major complication and the rest of the boys are safe too! I guess the industry doesn't stop bc that would mean a huge loss of thousands and thousands of dollars/won/etc so as long as the gov doesn't prohibit going out or gathering like at the beginning of the pandemic, they'll keep on going with the idols' schedules otherwise the industry would just shut down having no way of earning money to sustain all the companies and idols.

as for seventeen! yeah i like the songs too! the mv sure ruined rtl and listening to it without watching it has really helped it grow on me more but still it feels kind of meh to me idk i really like anyone i think it's my favourite from the album. AND NOW WE'VE GOT A COMEBACK IN OCTOBER!!!! yayyyyy i can't wait they seem to be preparing very diligently (i hope they release a sexy bop) it's a shame junhao aren't gonna be present for this comeback but i'm soooooo happy they have the opportunity to visit their families again omg they have spent 2 whole years without seeing them in the flesh they must be so happy to get back to them again!!! it's so funny seeing them be bored at the quarantine hotel and doing lives every day duhdfiudhfiuh i hope it passes quickly and they can see their loved ones finally! and I did watch Caratland!! omg the unit switch song was the best thing ever hhu doing lilili yabbay and not being able to stop laughing idfuhdifuhs perf team doing chocolate and owning it????? hello??? performance team more like main vocal team wow! and the vocal team being a complete mess during check in lmaooo i loved it! In The Soop has finally started!!! I love these kind of "normal life" concepts I love seeing the boys being themselves cooking and relaxing I've watched the first and second eps as of today and also few clips from the third and omg mingyu and jeonghan drowning in the pond dfuhidfhidfs lmao they're so dumb i love them 🤣 i'm glad they could go away for a few days and spend time together away from their hectic schedules!

I hope you're well now and if not hang in there it'll all pass soon enough! 🥰💕 bye bye!!

p.s.: I got your request for the svt this or that gifset and i promise i’ll do it one day i just don’t feel like giffing these days dhbduusi i’m out of energy 

[elriell]

Book Rec’s

Going to try and add a lot of less known books that are amazing and not enough people talk about, this would be too long if I talked about each one in depth, so I am going to leave my fav quotes as that tends to give me a feel for books and whether I will like them and I will link the GR page for more info! Happy reading:)

Fantasy Vibes

From Blood And Ash by Jennifer L Armentrout    (CLICK THIS TOO)

“Death is like an old friend who pays a visit, sometimes when it’s least expected and other times when you’re waiting for her. It’s neither the first nor the last time she’ll pay a visit, but that doesn’t make any death less harsh or unforgiving.”

“Fear and bravery are often one and the same. It either makes you a warrior or a coward. The only difference is the person it resides inside.”

 “You're an absolutely stunning, murderous little creature.”

Storm And Fury by Jennifer L Armentrout

“What are you going to do if it does get worse?” he asked. “Maybe I’ll get myself a seeing-eye gargoyle.”

(HONESTLY BADASS GARGOYLES. SO UNIQUE AND AWESOME)

Demons At Deadnight by A&E Kirk   

“I launched into a graceful ninja-like front roll, then stood my ground to face the monstrous heathen, fearless in my determination to vanquish the deadly foe.

Nah, just kidding. I bolted, discretion being the better part of not getting dead.”

“We are killers,” Matthias said. Bad news. 

“Not girls. We don’t kill girls.” Good news. 

“She’s no girl.” Insulting news? 

“What? Of course she’s a girl.”

 “Want me to check?” 

“Shut up, Blake,” the rest of them chorused.”

The Cruel Prince by Holly Black   

“If I cannot be better than them, I will become so much worse.”

“If you hurt me, I wouldn't cry. I would hurt you back.”

“I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this is the least of what I can do.”

MM Romance

Him by Sabrina Bowen & Elle Kennedy

“Our mouths fit together so perfectly. Every time we kiss, I fall even more in love with him, and it has nothing to do with sex or lust. It's him. His closeness and his scent and the way he soothes me.”

“I…” He clears his throat. “I’d let you do it, though.” My hand freezes in his hair. “You would?” Wes nods. “I’d let you do anything to me, Canning.”

Misfits by Garrett Leigh (Poly romance, its just so perfect ala herongraystairs!)

“Learn something. Read a book. Explore someone. Anger is just a hole where your life could be.”

In The Absence Of Light by Adrienne Wilder

“The light is a funny thing, Grant. We think it shows us what we need to see, but in reality, it blinds us. That’s why I brought you here. I wanted you to see me.”

“Morgan may be autistic, but he is a normal man with a mental condition, not a mental condition who is a man.”

HOneStly JUST READ IT

The Foxhole Court by Nora Sakavic

“It’s not the world that’s cruel. It’s the people in it.”

“I'm not a math problem." "But I'll still solve you."

“Is your learning curve a horizontal line?”

“Who said 'please' that made you hate the word so much?"  Andrew gazed at him in silence for a minute. "I did.”

“I didn't think I was a personal problem. You hate me, remember?" "Every inch of you," Andrew said. "That doesn't mean I wouldn't blow you." 

EVERY QOUTE IS ICONIC TBH 

Vampires, Angels & Greek Mythology

Bloodlines by Michelle Read

“The greatest changes in history have come when people were able to shake off what others told them to do.”

“Takes a lot of tries before you hit perfection." He paused to reconsider that. "Well, except for my parents. They got it on the first try."

“No, thank you," said Adrian. "These hands don't sully themselves with fighting.”

“Everything's about my personal entertainment. The world is my stage. Keep it up- you're becoming a star performer in the show.”

Angels Blood by Nalini Singh

“Some things were worth the dance with danger.”

“You do realize this makes your wings even more unique." "Are you saying you shot me as a cosmetic procedure?”

“You ask a lot of questions for a dead woman.” “What can I say? I prefer to die well-informed.”

“You don't fear me," he said now. She wasn't stupid enough to lie. "I'm petrified. But I figure you didn't make me come all this way just so you could push me off the roof.”

Dark Lover by J.R Ward (warning OTT vamps if thats not your jazz either skip)

“Some bridges you crossed on your own, no matter who drove you to the edge”

“Vengeance was one hell of a roommate.”

Half-Blood by Jennifer L Armentrout

“Two people see each other across a room or their skin brushes. Their souls recognize the person as their own. It doesn’t need time to figure it. The soul always knows… whether it’s right or wrong.”

“It’s just words and words mean nothing. Only action does.”

“People do the damndest things when they’re in love.”

“There is a difference between love and need. Sometimes, what you feel is immediate and without rhyme or reason.”

Assasin-y Goodness

Grave Mercy by Robin LaFevers

“When one consorts with assassins, one must expect to dance along the edge of a knife once or twice.”

“I comfort myself with the knowledge that if Duval ever feels smothered by me, it will be because I am holding a pillow over his face.”

“Surely He does not give us hearts so we may spend our lives ignoring them.”

“There is no shame in scars, Ismae.”

Daughter Of The Pirate King by Tricia Levenseller

“I am me because I choose to be me. I am what I want. Some people say you have to find yourself. Not I. I believe we create ourselves to be what we want.”

“Lass, you've the face of an angel but the tongue of a snake.”

“Everyone has something dark in their past. I suppose it's our job to overcome it. And if we can’t overcome it, then all we can do is make the most of it.”

“Waiting. Not waiting. One lover. A hundred lovers. There should be no judgement either way. A woman is not defined by what she does or doesn‘t do in the bedroom.”

“Even a man who’s spent his whole life at sea has reason to fear her when she’s angry. But not I. I sleep soundly. Listening to her music. The sea watches over me. She protects her own.”

Six of Crows by Leigh Bardugo

“No mourners. No funerals. Among them, it passed for 'good luck.”

“It's not natural for women to fight." "It's not natural for someone to be as stupid as he is tall, and yet there you stand.”

“I will have you without armor, Kaz Brekker. Or I will not have you at all.

“The heart is an arrow. It demands aim to land true.”

“Kaz leaned back. "What's the easiest way to steal a man's wallet?" "Knife to the throat?" asked Inej. "Gun to the back?" said Jesper. "Poison in his cup?" suggested Nina. "You're all horrible," said Matthias.”

The Kiss of Deception by Mary E. Pearson

“It can take years to mold a dream. It takes only a fraction of a second for it to be shattered.”

“Taking another life, she had whispered, even a guilty one, should never be easy. If it were, we'd be little more than animals.”

“Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky,”

“We all have our different skills. You’re patient to a fault, which sometimes doesn’t work to your advantage. I, on the other hand, have the patience of a wet cat. Only on rare occasions does that come in handy.”

“Maybe there were a hundred different ways to fall in love.”

Circus Vibes

Caraval by Stephanie Garber

“Every person has the power to change their fate if they are brave enough to fight for what they desire more than anything.”

“She imagined loving him would feel like falling in love with darkness, frightening and consuming yet utterly beautiful when the stars came out.”

“Some things are worth pursuit regardless of the cost.”

The Night Circus by Erin Morgenstern

“You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.”

“Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.”

Six of Hearts by L.H Cosway

“Note to self: Never try to out-trick a trickster.”

“So why not live with the magic? Be a kid again and believe in the fantastical. Life is more fun with a little smoke and mirrors.”

“We all have thoughts that we would never, ever vocalise. And people who say they don’t are liars.”

“I once read that people who have imaginary friends never reach out to touch them. There’s some part of their brain that subconsciously knows it will break the spell. That’s what it feels like with Jay.”

Amour Amour by Krista & Becca Richie

“We all traverse in and out of people’s worlds, leaving footprints. Some larger, some smaller, but there is always a mark. We can’t sweep it away.”

“Life is a rollercoaster with no volunteers. We’re all forced to take a seat and ride it out.

“I’m average. I’ve been average most of my life, but there are moments where I feel extraordinary. Invincible. Able to conquer any fear and step outside any box. There is no illusion, no fantasy. I can climb a forty-foot pole. I can fly eighty-feet in the air. I can be taller than tall. It’s a dream that I’m living. Every day. With him.”

More M/M Romance

The Song Of Achilles by Madeline Miller

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”

“And perhaps it is the greater grief, after all, to be left on earth when another is gone.”

“He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.”

“He is half of my soul, as the poets say.”

Axel’s Pup by Kim Dare  (Shifter Romance & BDSM FYI if thats not your jazz)

"I want to screw you, and tie you up, and make you writhe from-you know all that. But I want so much more. I want the whole thing, not just a quick scene. I want twenty-four hours a day, seven days a week. I want you to be mine. I won't take anything less."

Aristotle And Dante Discover The Secrets Of The Universe by Benjamin Alire Sáenz

“In your dream. You were looking for me.""I'm always looking for you," 

“He was funny and focused and fierce. I mean the guy could be fierce. And there wasn’t anything mean about him. I didn’t understand how you could live in a mean world and not have any of that meanness rub off on you.”

“He looked like an angel. And all I wanted to do was put my fist through his jaw. I couldn't stand my own cruelty.”

“One of the secrets of the universe was that our instincts were sometimes stronger than our minds. Another secret of the universe: Sometimes pain was like a storm that came out of nowhere.”

Shattered Glass by Dani Alexander

"Tell me something good about your life," I whispered, needing to hear that he wasn't as broken as I thought him to be.[...]"You." It was so quiet I almost didn't hear it.”

“Is he my competition?” I asked. “Everyone is your competition.” Peter lifted his hand to his eyes and began lowering it incrementally. “It goes normal human beings, crazies, republicans, my hand, imaginary characters, corpses and then, in a moment of lustful psychosis, you.” By the time he was done, his hand was below the table.

Romance 

Kiss The Sky by Krista & Becca Richie

“You’re not a pit stop. You’re my finish line. There’s no one after you.”

“People hope to touch the sky. I dream of kissing it.”

“I love the way he’s staring at me. It makes me feel more than just beautiful. I feel like I’m his. Like no one else could possibly compare to me. He doesn’t even have to say the words. I see it in his eyes. I can practically read it in his mind.”

“I’ve wanted so many things in life,” he says softly, “but you’re the one that has meant the most to me.”

Translation: I love you.”

Wallbanger by Alice Clayton

“You know those moments when everything is exactly the way it was meant to be? When you find yourself and your entire universe aligning in perfect synchronization, and you know you couldn’t possibly be more content? I was inside that very moment, and fully conscious of it.”

“The right woman for you wouldn't want you to change anything about your life. She wouldn't rock your boat, she'd jump right in and sail it with you.”

“It breaks my heart the way young girls pick themselves over, never thinking they're good enough. You make sure you always remember, you're exactly the way you're supposed to be. Exactly. And anyone who says otherwise, well, poppycock.”

Ugly Love by Colleen Hoover

“Ugly love becomes you. Consumes you. Makes you hate it all. Makes you realize that all the beautiful parts aren't even worth it. Without the beautiful, you'll never risk feeling the ugly. So you give it all up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again.”

“Some people they grow wiser as they grow older. Unfortunately, most people just grow older.”

“Sometimes the spirit of a man isn't strong enough to survive the ghosts of his past”

“My grandfather used to say the placement of a birthmark was the story of how a person lost the battle in their past life. I guess you got stabbed in the neck. Bet it was a quick death, though.”

On Dublin Street by Samantha Young

“Gentlemen are gentlemen in bed. They make sure you're having a good time." "I'll make sure you're having a good time, and that you're okay with everything. I just won't be well mannered about it.”

“In truth it’s difficult to describe a broken heart.”

“Sometimes words aren’t needed for you to know a change has come upon you.”

Romance Series

Paper Princess by Erin Watt

“My skill, if I have one, isn’t dancing. It’s my ability to believe that tomorrow can be a better day.”

“My life is mine. I live it. I control it.”

“but a clean knife still makes a painful wound.”

“Fate is for the weak--those people who don't have enough power or will to shape life into what they need it to be.”

Foreplay by Sophie Jordan

“I’m not going to lie to you and convince you that I’m someone good and shiny like your guy that’s going to be a doctor.”

“You can’t even see it. I’m the safest thing you’ll ever find”

“That's what I wanted. Something to enrich me, to make me feel better about the things in my life that I could never change."

Wait for You by J.Lynn.  (AKA Jennifer L Armentrout) 

“You are really…” “Amazing? Awesome?” He paused, brows raised. “Astonishing?” “I was going to go with bizarre.” “Well, hell, if I had feelings that might actually hurt.”

“As long as the sun’s shining, shit can’t be that bad.”

The Deal by Elle Kennedy

“Sometimes people sneak up on you and suddenly you don’t know how you ever lived without them.”

“I want to murder him in his sleep, A. No, I want to murder him when he’s awake so he can see the joy on my face when I do it.”

“And the most important lesson I learned is that I’m not a victim—I’m a survivor.”

Romance w/ Epic Plots

The Unbecoming Of Mara Dyer by Michelle Hodkin

“This was the boy I loved. A little bit messy. A little bit ruined. A beautiful disaster. Just like me.”

“You could start a fire with the heat between you two.""You're mistaking bitter animosity for heartfelt affection.”

“You're supposed to say, 'All I want is your happiness. I'll do whatever it takes, even if it means being without you.'""Sorry," Noah said. "I'm just not that big of a person.”

“I’ll walk forever with stories inside me that the people I love the most can never hear.”

“We are far too screwed up for a goddamned love triangle.”

“You will love him to ruins.”

The Winners Curse by Marie Rutkoski

“He knew the law of such things: people in brightly lit places cannot see into the dark.”

“Isn’t that what stories do, make real things fake, and fake things real?”

“The Winner’s Curse is when you come out on top of the bid, but only by paying a steep price.”

“The god of lies must love you, you see things so clearly.”

Obsidian by Jennifer L Armentrout (are you getting the idea I love everything she writes? because I do!)

“I've always found that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect."

“More books." His eyes went wide. "You have, like, them books you just said you haven't read." "Doesn't mean I won't get more books."

Angelfall by Susan Ee

“I never thought about it before, but I'm proud to be human. We're ever so flawed. We're frail, confused, violent, and we struggle with so many issues. But all in all, I'm proud to be a Daughter of Man.”

“Sometimes, as we're stumbling along in the dark, we hit something good.”

“I knew from the start that your loyalty would get you killed. I just never thought it would be your loyalty to me that would do it.”

Unique Reads

Dont Look Back by Jennifer L Armentrout

“I was stuck in a life I didn't remember, squeezed into the shell of this girl - this Samantha Joe Franco - and the more I learned about her, the more I was starting to hate her.”

“Things aren’t perfect. They are far, far from it,but they are getting there, and I wasn’t looking back. Not when there were so many good things in the future.”

Verity by Colleen Hoover

“I wasn’t heroic. I wasn’t simple. I was difficult. An emotionally challenging puzzle he wasn’t up for solving.”

“A writer should never have the audacity to write about themselves unless they’re willing to separate every layer of protection between the author’s soul and their book. The words should come directly from the center of the gut, tearing through flesh and bone as they break free. Ugly and honest and bloody and a little bit terrifying, but completely exposed.”

“No one is likable from the inside out.”

“Find what you love and let it kill you.”

Painted Faces by L.H Cosway

“We all paint on a face to show the world," Nicholas replies philosophically. "For some of us, that's quite literal.”

“I love him because he makes me laugh when I don't feel like laughing. I love him because he challenges my view of what a man is. I love him because I know I shouldn't love him and that he'll break my heart. I love him because he's a complete and total anomaly. I love him because I want to kill the sadness inside him more than I want anything else in the world.”

“You saw me, changed my life, made it better, and I’m completely fucking in love with you.”

Sorcery of Thorns by Margret Rogerson

“It was always wise to be polite to books, whether or not they could hear you.”

“Knowledge always has the potential to be dangerous. It is a more powerful weapon than any sword or spell.”

“When terrible things have happened to you, sometimes the promise of something good can be just as frightening.”

“You belonged in the library, as much as any book.”

“You unmanageable, contrary creature. You have made me believe in something at last. It feels as wretched as I imagined.”

Obviously not every book is going to suit everyone, everyone has pet peeves, and things that they won’t enjoy but hopefully this gives you some variety and I personally loved them all at some point! Pls feel free to come to my ask/chats to discuss any of them  that would make me so happy <3 this took 4 hours damn

[aion-rsa]

15 Best Final Fantasy Characters

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While the list of things that Final Fantasy has gifted the gaming world is much longer than the one we’re bringing you today, one of the most consistently incredible aspects of this legendary RPG franchise is the quality of its casts of characters.

Even if you’ve only played one or two Final Fantasy games in your lifetime (or perhaps even just absorbed elements of the series through its prominent place in gaming culture) you likely know and have strong feelings about at least one Final Fantasy character. No matter how fantastical these games get, their heart will always be found in the heroes, villains, and even NPCs that drive some of the greatest adventures in RPG history.

Which Final Fantasy character is the best of them all, though? That’s a question fans will never find a universally approved answer to, but I’m willing to be most personal shortlists include at least a few of these incredible characters that have become icons of this franchise, the genre, and gaming.

15. Bartz Klauser (Final Fantasy 5)

Many Final Fantasy protagonists are tortured souls burdened by destiny and circumstances. There’s nothing inherently wrong with that type of character (we’re actually going to honor a few of those tortured souls later in this list), but too much of that kind of personality can really wear you down.

That’s what makes Bartz Klauser such a breath of fresh air. As a young man just trying to honor his father’s dying wish to go out and explore the world, Bartz didn’t ask to get caught up in an epic battle or grand adventure. Yet, he handles the incredible events that befall him with positivity, humor, and constant support for his friends and allies. 

14. Squall Leonhart (Final Fantasy 8)

There was a time when it felt like Squall’s place somewhere at the bottom of any list of Final Fantasy protagonists was all but reserved. There are still more than a few Final Fantasy fans who passionately hate him, and it’s easy to understand why. He’s angsty, he’s sometimes derivative of other characters, and he’s even sometimes cruel to people who should be his closest allies.

Yet, there’s just something about Squall. His looks and gunblade certainly make him memorable from a design perspective, but there’s also something to be said for how we get to watch Squall grow throughout Final Fantasy 8 in a way that few franchise protagonists get to grow across the course of their own adventures. Squall is the surprisingly grounded heart of a Final Fantasy game that reaches all-time high levels of weirdness.

13. Zidane Tribal (Final Fantasy 9)

I’ll always have a soft spot for Final Fantasy 7 and 8’s more somber protagonists, but like many fans at the time, I was more than ready to embrace Final Fantasy 9’s return to medieval fantasy as well as its returns to slightly more upbeat lead characters. 

Zidane is a fantastic example of a more lighthearted Final Fantasy protagonist, but he is no mere throwback to a simpler time. There’s plenty of darkness in Zidane’s surprisingly deep backstory, which makes his attempts to become a better person and a better leader (as well as his insistence on enjoying life whenever possible) that much more interesting. 

12. Cidolfus Orlandeau (Final Fantasy Tactics)

Some version of Cid pretty much had to be on this list, but which Cid is the best of them all? Well, there’s certainly an argument to be made for Final Fantasy 7’s Cid, Final Fantasy 14’s Cid, and Final Fantasy 9’s Cid, but my vote for the best Cid goes to a somewhat outside the box version of this recurring character. 

It’s interesting enough that Final Fantasy Tactics’ Cidolfus Orlandeau is a warrior when so many other versions of Cid are engineers, mentors, or even political leaders, but what makes Orlandeau really stand apart is how powerful he is. This is one of the most overpowered characters in Final Fantasy Tactics in terms of both lore and in-game abilities. Actually, his incredible power kind of feels like a love letter to the entire Cid “lineage.”

11. Zack Fair (Final Fantasy 7)

It may seem like Zack Fair’s popularity only started to grow in more recent years, but the truth of the matter is that many Final Fantasy 7 fans have always loved Zack and just weren’t able to properly share their love for this previously minor character prior to the modern internet age. 

Before Zack Fair finally got to star in his own game (the largely underrated PSP title, Crisis Core: Final Fantasy VII), he won the hearts of millions with his optimism, friendly nature, and unwavering belief that he can fight to make the world a better place. He is, in many ways, what we think of when we think of heroes. 

10. Celes Chere (Final Fantasy 6)

Final Fantasy 6 certainly isn’t lacking in memorable protagonists (or villains), which really makes it that much more impressive that Celes Chere has arguably become the game’s unofficial lead all these years later. 

Celes initially comes across as a standoffish enemy general who is only helping the player’s party because they’re temporarily united against a common threat. By the time we reach this game’s legendary opera scene, though, we understand who Celes really is and even start to sympathize with what we previously believed were her greatest flaws. Celes was one of the first Final Fantasy characters that properly showcased the storytelling potential of this franchise and gaming.

9. Lightning (Final Fantasy 13)

Final Fantasy 13 honestly deserves a lot of the criticism it regularly receives, but it’s always been a shame that the game’s divisive (often negative) legacy means Lightning is sometimes denied the status she so rightfully deserves. 

Lightning’s backstory isn’t the most complicated in Final Fantasy history, but that actually proves to be one of the character’s strongest qualities. Lightning is mostly interested in protecting her sister, which turns out to be all the motivation as she needs to embark upon an epic journey as well as all the motivation we need to sympathize with the incredible things she does along the way. Lightning is fearless, strong, determined, and the kind of person many of us like to think we would become in her situation. 

8. Balthier (Final Fantasy 12)

It’s certainly easy to understand why so many Final Fantasy fans have compared Balthier to Han Solo over the years. Balthier is, after all, a sarcastic yet suave sky pirate who gets caught up in a war. You don’t have to break your brain to see the similarities.

However, that doesn’t make Balthier any less of a compelling character. Balthier believes he’s the real protagonist of Final Fantasy 12’s all-time great story, which is honestly hard to argue against when you consider that he’s the most consistently compelling character in the game and one of the most consistently entertaining characters in the history of this franchise.

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7. Tifa Lockhart (Final Fantasy 7)

What is it about Tifa that’s made her one of the most popular characters in Final Fantasy history? Is it her warmth? Is it her combat abilities? Is it the ways that she’s able to so easily pivot between leader and supporter based on what the situation calls for? 

The answer is “yes.” Tifa is capable in ways that the best playable video game characters sometimes need to be, but she’s still vulnerable, conflicted, and sometimes scared in the ways that any of us would be if we were in her situation. She’s a truly well-rounded character who is more than worthy of her fan-favorite status. 

6. Auron (Final Fantasy 10)

On the surface, Auron is everything that you’d expect to see in a “cool” Final Fantasy character. With his giant sword, samurai-like philosophies and lifestyle, and mysterious vibes, you could even argue that Auron represents some of the “tropes” we sometimes associate with this franchise’s most notable warriors.

Yet, Auron is so much more than the (admittedly badass) warrior he first seems to be. As we learn Auron’s backstory, we also learn more about the Final Fantasy X universe and this game’s wonderfully weird and surprisingly complicated storyline. Auron is undoubtedly cool, but it’s the sweet and sorrowful details of his backstory that elevate him above some notable competition. 

5. Cloud Strife (Final Fantasy 7)

It’s sometimes hard to look at Cloud and not see a collection of what we now think of as cliches for both Final Fantasy protagonists and JRPG characters. Even if you want to push aside the fact that Cloud helped introduce (or at least arguably perfected) some of those cliches, you can still make a compelling argument for the character’s all-time great status on the basis of some of his qualities that don’t get talked about quite as often as they should. 

Cloud is a much deeper and more mysterious character than he often gets credit for. Given that we learn more about him as we learn more about Final Fantasy 7’s plot, world, and emotional stakes, he’s also one of the best (if initially less obvious) player surrogates in the history of RPGs. 

4. Sephiroth (Final Fantasy 7)

Like so many of Final Fantasy’s other great characters, you could make an argument for Sephiroth’s “best” credentials on the basis of his design alone. Any character that looks this cool and has a theme song as incredible as “One-Winged Angel” is destined to steal some hearts. 

What’s most impressive about Sephiroth, though, are the ways that the Final Fantasy team has revisited this character and grown him over the years. Sephiroth is a tragic character in many ways, but you won’t find many who are willing to shed a tear for him or the ways he’s used his personal tragedies to internally justify unforgivable acts. 

3. Yuna (Final Fantasy 10)

While I don’t hate Tidus as much as some people do, I have to admit that I’ve always seen Yuna as the real protagonist of Final Fantasy 10 as well as one of the series’ best characters ever.

Yuna’s incredible empathy and compassion are appropriate character traits for a summoner who is so willing to complete what is generally considered to be a suicide mission. Yuna believes in the role she plays in this world, but she’s not so committed to her duties that she becomes this one-track protagonist that doesn’t get to develop a personality. Indeed, it’s Yuna’s likability that inspires so many Final Fantasy 10 players to see her complete her quest, whatever the cost may be. 

2. Kefka Palazzo (Final Fantasy 6)

When people are praising Kefka as a villain (which is obviously something that happens quite often), the line you’re almost always guaranteed to hear is that Kefka is one of the few villains in any medium who achieves their seemingly absurd plans for world domination. His almost unrivaled success as a villain has rightfully become the defining part of his legacy.

As a character, though, Kefka stands apart through the almost horror movie-like nature of his design (he’s somewhere between Pennywise and the Joker) as well as for the way he goes from court jester to world-destroying diety so convincingly. He is, at the very least, the best Final Fantasy villain ever. 

1. Vivi Ornitier (Final Fantasy 9)

Vivi’s short lifespan and the fact he was ignored and dismissed for so many of the few days he had to live should make him one of the most tragic characters in Final Fantasy history. Indeed, many aspects of Vivi’s life are a tragedy and a pretty compelling tragedy at that. 

Yet, there’s a reason that simply hearing the name “Vivi” puts a smile on so many Final Fantasy players’ faces. Vivi may discover the sorrowful truth of his existence in Final Fantasy 9, but he also learns the joys of friendship, confidence, and adventure. In many ways, the character’s final words represent how we all feel whenever we have to leave our favorite Final Fantasy characters:

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

“I’m so happy I met everyone… I wish we could’ve gone on more adventures. But I guess we all have to say goodbye someday.”

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