#its a pretty good soundtrack too but i guess this will do

[tiramegtoons]

[love-byers]

stancy + mlvn music coding

this is probably gonna be messy but i will try my hardest to keep it comprehensible

okay so recently i was rewatching the robin/vickie/vickie's bf scene in the gun store (4x08) because i felt like i'd heard the song that plays there before. it reminded me of the song that plays during this scene in 2x01

the song that plays in the s4 scene is actually 2 songs back to back, the first called 'Kids Two' (a variation of 'Kids" from the s1 sound track) and the second called 'Choices', originally from the s2 soundtrack. 'Choices' plays in the scene in 2x08 where dustin apologizes to lucas for lying about dart and suggests max take his place in the party and also says he felt the electricity between lucas and max-- and it leads into the scene where max and mike talk about el, and mike reminds max that she's still not in their party. i find that interesting because no one in that scene says choice, and no one in either scene is making a choice. that name does make sense for the s4 scene, because vickie is torn between her boyfriend and robin, clearly implying she must make a choice. 'Choices' is the song that sounded familiar to me.

the songs aren't exactly the same, but they are definitely similar and the one in s4 is likely an edited version of the one from the stancy scene.

those scenes are obviously parallels, steve sneaks up behind nancy and scares her and they kiss, just like vickie and her bf. then nancy/vickie look at jonathan/robin in a seemingly yearning way. love triangle stuff.

i always figured the song in the stancy scene was an original track from season 2. but turns out it isn't from s2, its from s1. its called 'First Kiss', and, you guessed it, it plays during mike and el's first kiss in 1x08.

i am not lying, go and watch the scenes.

after discovering this, i watched some more stancy scenes to listen for more similarities in the music. and i came across this scene from 1x05, where nancy almost hits steve with her bat and he apologizes to her over dismissing her concern over barb, and nancy gives him a kiss.

i went through the s1 tracklist and even tried shazam-ing the scene, but nothing turned up. i thought it sounded like 'First Kiss', but i wasn't sure if it was my own bias feeding into that. so i went to reddit, where all the people with way too much time on their hands hang out, and asked if anyone knew which ost was playing in that scene. this is what i got back

the reddit gurus agree with me.

as they said, first kiss also plays when mike and el make up in the hospital in 3x05. makes sense, since it's supposed to be their song.

i will also add that the stancy scene in 1x05 is immediately followed by the scene of joyce kicking lonnie out. that speaks for itself. AND, the mlvn scene in 3x05 cuts directly from el smiling at mike to a dead body. take that as you will

so lets recap

'First Kiss', or a section/version of it, has played during

1x05 steve apologizes to nancy 1x08 mike and el kiss 2x01 steve scares nancy and stancy kiss, nancy yearns over jonathan 3x05 mike and el make up via m&ms

2 stancy scenes and 2 mlvn scenes.

hm.

and 'Choices', which i strongly believe is derived from 'First Kiss', plays during

2x08 dustin apologizes to lucas and points out the electricity between lucas and max 2x08 mike and max talk about el 4x08 robin watches vickie and her boyfriend kiss

2 references to a love triangle (dustin,lucas,max & robin,vickie,dan)

and a nod towards mlvn involving max, who in the next season will come between mike and el's relationship.

HM.

im not sure if any of these besides 'Choices' play in s4, but once i do a rewatch i will let you guys know. im pretty sure they don't because i have a weirdly good memory when it comes to my hyperfixations so i think i'd remember it. like i knew the music from the stancy scene in 2x01 just from watching it like four different times since 2017.

all of this coupled with the countless times byler has had music parallels with jancy and lumax, i'm pretty sure this means byler endgame.

if anyone tries to say that it doesn't matter that they reused mike and el's first kiss song for a loveless relationship, i wholeheartedly disagree with you. they make songs that are specifically for one scene and are never played again. for example 'The First Lie', the song that played during jonathan and nancy's first kiss has only played during that scene. never again.

so if mlvn is what the fans say it is, the main couple, the epic love story of stranger things, why can't they just have a song to themselves? jonathan and nancy do. im sure they could've found another song that fit for the stancy/jancy scene in 2x01, knowing the implications it would give if they used it. but nope, they had to use 'First Kiss', which takes place an episode before the stancy scene. 1x08 -> 2x01

one more example, 'On The Bus' is from the s2 soundtrack. it plays once during s2, when lucas and max talk on top of the bus. it doesn't play at all in s3, and then randomly in 4x04, it plays during a byler scene. THAT. HAS. IMPLICATIONS.

take this however you'd like

[beanghostprincess]

What are you most controversial/unpopular OP opinions??? Sorry if it was answered before

You want me to get canceled so bad-- If I speak-- But idk, I guess I'll say the controversial opinions I can say publicly without a bunch of people coming at me!

Zo$an is a bit... Overrated? And by overrated I mean extremely/annoyingly overrated. I like the ship and its canon dynamic but I think at least 80% of the fandom portrays them in a very mischaracterized way. Not to say that... The ship is literally everywhere and the shippers always look for every little thing to prove they're canon, even if the "proof" has literally nothing to do with them. It's not that I don't enjoy the ship (although I must admit I prefer other dynamics a lot more) I just can't stand shippers that go to extremes. It's funny because I think Zo$an's dynamic is way more interesting and romantic in canon than it will ever be in the fandom. It's a bit sad, ngl. I liked them a lot at first but it got so tiring and now I am pretty exhausted from seeing it everywhere. The people force it to be more than it is when the canon is already pretty fucking great.

Adding to the Zo$san thing. I think that relationship would only work if Luffy is there somehow but it wouldn't last a day without him in the relationship. Unless there's like, a ton of character development most of these people don't make them go through.

One Piece Film Z is my worst enemy. It's such a boring movie. The only good thing is the soundtrack and maybe the suits but God watching that was torture.

Boa hate is uhhhh weird. I mean, I get why the joke about her being in love with Luffy might be annoying, but I think most of you need to learn to understand that Oda's sense of humor is sometimes a bit too exaggerated (and not funny) and it has basically nothing to do with the actual canon dynamics between characters. Boa likes Luffy because he's one of the first men who has ever treated her right, so of course she confuses that feeling with love. And of course, yeah, it isn't canon. Whatever. Just read between the lines, maybe? And also, stop using words like "pedo" to describe her because using that term so lightly about 1) a fictional character and 2) somebody who's clearly not a pedo is fucked up. Lmao. Do you even know what that word means???

Once again complaining about Pudding hate and saying that it's stupid. I won't overanalyze because I always do it with her, but the only reason people hate her is for misogynistic reasons and because they're babying Sanji. Evil male characters are okay and hot and very traumatized but the second it's a woman she's the most evilest person ever! Because God forbid they make mistakes! Suddenly their character development isn't valid because they hurt their babygirl!

Now that we're talking about my dearest Pudding. Not tagging anybody of course, but I saw this post with so many interactions of people agreeing about Sanji considering violence as a sign of love which??? Doesn't make sense at all?? OP said it was because he couldn't tell the difference between love/abuse because of his family, but that's just... Not accurate. That could only happen if they had manipulated him into thinking abuse is a type of love, but he had healthy love growing up. Even when he was with the Vinsmokes (Sora and Reiju, I love you). And yet OP said Sanji considered Pudding's behavior flirting (wrong) and that's why he let her attack him (nope) and that it was proof of Zo$an. And okay, it's not a hugely popular theory, but a lot of people agreed with it and it bothered me a lot because it's both out of character and also using Pudding (complex female character) once again to try and prove the canon of a ship (that doesn't have anything to do with WCI either???). It just bothers me. People can perceive the story however they want but... Y'know.

OPLA isn't that good. Or good at all? I only like it because I like the cast and it's funny seeing my blorbos irl. But the script is simple and dull and just stupid most of the time. The characters are either simplified, mischaracterized, or forgotten. And tbh most of the shots are very awful and could be a lot better. The directing is also nonexistent. It's 6/10 and 3 of those points are because both the Zolu and the cast.

Apparently this is a very common theory about Nami's origins, but, uh, I don't think we need to know? What else do you need to know about her? People say she's a lost princess or something like that as if we didn't have a lost princess already (Sanji ily). Repeating the same plot would be boring and underwhelming, but also? It'd be extremely useless for the plot and it'd go against everything about Nami's story and the way Luffy reacts to it.

Luffy isn't canon aroace. In fact, the reasoning people use for him being "coded" is the same Oda uses for Zoro too and Zoro is almost never portrayed as the "idiot who doesn't know what sex is" the way Luffy often is. If you're calling Luffy canon aroace for what Oda said about him being focused on adventures, the same goes for Zoro being focused on his dream. They could be coded arospec but there's nothing confirmed and the constant discourse about it is stupid. Attacking others because of their ships just because you don't agree with them and saying it's wrong using our identity to do it is very fucked up. Especially since most of the time people complaining aren't even aroace. The only reason people do it (attacking others saying they can't ship Luffy and that it's "weird" and "wrong") is that they infantilize Luffy/Don't want him getting in between their ships (<- aroace person writing this) (also, it's very ableist since people agree on Luffy also being neurodivergent coded and treating him like a kid bc of that but this isn't about that now).

Somehow this is very common. Some fucking how. I can't believe I have to say this. I'm tired of people blaming Usopp for what happened in Water 7. Or in general hating Usopp. Actually, he's one of the best-written characters in the whole show and he's so underappreciated it's so frustrating.

Sanji's perv jokes are annoying af and we all know that, but people who hate the character and consider him a red flag for that are missing the point completely. The point being "Oda exaggerates jokes to an annoying extent and most of the time they don't even reflect the character". I understand they can make you uncomfortable (same here tbh) but reducing Sanji to only those jokes is a waste of his character. You need to take jokes less seriously.

If I see one of these "red flag OP boys" TikToks adding Law/Ace/Zoro/Sanji next to fucking Doffy I will riot. Also, stop adding Crocodile there. He's a mafioso, there's NO way he won't be a sweetheart to his lover.

Baron Omatsuri's artstyle and animation is amazing and it fits the plot and aesthetic of the movie perfectly and people saying it's ugly will forever bother me.

"Usopp is suddenly hot after timeskip!" He has always been hot what the fuck are you talking about.

People reduce Nami to her "mean"/"sarcastic" personality a lot when she's quite literally one of the most kind-hearted characters of all. That being said, morally speaking she's probably one of the worst. I could explain how that works but I don't want to do it now, the point is-- Let the girl be sweet instead of making her mean all the time. And also, let her be mean and selfish without making it her entire personality. There's something called "balance".

Film Red was kind of bad. Like, the songs are amazing (thanks, Ado) but the ending is awful and the plot is very meh. I'm only here for Uta and Shanks but the rest of the characters are just useless. I do appreciate Sanji's hair in the movie, though.

[basil-does-arttt]

DMC Questions Anon here!

As we all know today is the 23rd anniversary of the first Devil May Cry game, and the series as a whole. So I want to hear you talk about DMC 1, what you love about it, headcanons you have about it, alternate scenarios you want to share, anything DMC 1 you want to talk about.

Hello again! This is gonna be a long post i have a lot to say lol

DMC 1 was my introduction to the series way back when as a little kid, when i watched an older cousin play it and eventually tried it out myself. This was also the PS2 version, and i was gifted the disc + console as well at some point.

The Alastor cutscene stuck in my head for literal years after i first saw it as a kid, that and DMC 3's mission 20 arena. Every so often it'd pop into my head as a memory, untill recently when i decided to get back into DMC fully rather than just occasionally remembering it.

DMC 1 holds a very special place in my heart because of that, its a huge nostalgia thing for me and is my favourite game in the series.

I love the setting and tone of the game, its so unique compared to the others, of course all in thanks to DMC 1 starting out as RE4. That whole gothic castle, almost horror vibe is something you dont really expect from hack&slash games these days, and even though it made for some real clunky and annoying moments in game (cough cough Nelo 2 and Griffon 2 cough cough...) to me, the good far outweighs the bad.

Oh and the soundtrack! Its so good, every theme works so well in the scene it's used for, even the abient tracks. I will say however, the bg music got real messed up on the HD remaster which is very dissapointing. (it sounds flat and doesn't have any echoing anymore, specicially the divinity statue room and Phantom's church arena in the start of mission 3). It may not be noticable to some who have only played the HD release, but i noticed it immediately coming from the PS2 version oof. I guess i have to be greatful that a HD release exists in the first place though, and it is a very old game. Still.

The combat also, (and this might not be an opinion shared by everyone which is fine) i feel is the smoothest out of any Dante in any game. All the attacks are so responsive, and although you're limited, you can still style on enemies pretty easily.

Finally the bosses. Arguably the best lineup of any DMC game, every boss is fun in it's own way and brings something new to the table in terms of mechanics. Phantom is a lot of timing correctly, Nelo pushes your fighting style to be more agressive and direct, Griffon challenges your dodging skills, Nightmare is a puzzle solving boss, and Mundus is all three. The designs are also amazing, and most of the arenas are perfect. Griffon 2 and nelo 2 aren't so great arenas but their 3rd arenas more than make up for it.

Okay enough of me gushing about how much i love the mechanics, some HCs i have for it!!

1/ That motorcycle Trish bust the door down with (and then throws at Dante) wasn't hers, right? We see it in the into cutscene before it cuts to Dante at his desk. Well, its my HC that was Lady's bike (she was not happy).

2/ (aside from gameplay mechanic reasons) The reason Dante cant use DT at the start of the game, despite having awakened it in DMC 3, is because Dante wants to push away from embracing his demonic side even more so now after his brother has been "killed". He always disliked being part demon and preferred not to tap into his demonic abilities because of that, demons are evil creatures after all and Dante is far from that, but that hate is even further exemplified after Vergil fell into hell.

3/ When Trish split off to fly solo as a devil hunter, she kept the name "Devil Never Cry" for her business. People do often confuse her for Dante's "Devil May Cry" especially when the names are abbreviated. Dante finds it mildly annoying, Trish finds it hilarious. (Sometimes she'll direct clients to Dante out of pity too when they call her number asking for Devil May Cry rather than Devil Never Cry, instead of convincing them she's the right person. Dante however always sends them over to Trish if they've called the wrong number.)

4/ Dante probably knew Trish was trying to lure him to his death on Mallet island, but he went anyways to avenge his family's death. We know he'd been searching for Mundus ever since DMC 3 (it says so in DMC 5's "history of DMC" cutscene), and he knows that finding and killing Mundus wouldn't be nearly as easy as Trish made it seem. Wether he came back or not, he was going to kill Mundus, or at least try.

As for alternate scenarios, i dont have much in mind. Maybe it would be interesting to see a scenario where Trish never betrayed Dante, and instead she tried to help him during the nightmare fight. It still would've ended the same way for her, but maybe also Dante wouldn't have gotten so angry with her when he saved her.

Ugh i just love DMC 1 so much, like i said before it holds a special place in my heart. I hope that answers everything :> <3

[7grandmel]

Rip of the week: 23/09/2024

P-Switch Back

Season 8 Featured on:

Ripped by AdamCrossing

Tentative rip name: Megalo Switch Back

Undertale celebrated its 9th birthday earlier this month, and as you might've guessed I immediately went to thinking if I ought to celebrate that occasion in some way or another. I mean, yeah, the blog has a dire case of Too-Much-Undertale-itus with Locked In The Underground, Determination is Magic, World Out There - hell, Do for LOVE was just three posts ago - but as I've explained many times I find Undertale's impact on SiIvaGunner is plainly too big to be overlooked. Yet I wanted to find some new way to discuss Toby Fox's work, more than just a good Undertale rip: and right as I was pondering that very topic, the SiIvaGunner channel dropped "P-Switch (OST Version) - New Super Mario Bros." into my sub-box. I'm not quite sure what so expect, a pretty standard runtime attached to what's otherwise a pretty one-note jingle from the New Super Mario Bros series - yet mere moments into the rip, I knew P-Switch Back was an instant classic, and EXACTLY what I was looking for.

AdamCrossing is a pretty unique case as a ripper in that my first exposure to him came from seeing his work spread on Twitter, as the guy has a knack for knowing exactly what kind of audio edits and arrangements are able to get a kick out of people. A lot of his work such as his self-produced fusion collab, his arrangement of the New Super Mario Bros. Wii plains theme or the inverse of the same joke hit a lot of similar beats - the main one, of course, being the reoccurring fixation on the New Super Mario Bros. series of games. And maybe this is me speaking as a fellow Wii-generation kid, but I think that fixation matches perfectly with the SiIvaGunner MO, of both catching you off guard and providing something genuniely delightful: And so, as the aforementioned examples show, AdamCrossing's fantastic ear for quality and deep understanding of the New Super Mario Bros series' sound and sample usage leads to rips that know exactly how to strike the funny bone just right due to the sheer contrast in music featured in them: With New Super Mario Bros. as perhaps the most tonally cheerful thing outside of the Kirby series, just about anything from a more grim series mixed together with it is bound to result in something very interesting to listen to. Put succinctly, it's the appeal of If Pazuzu Sneezes Do You Still Say Bless You? applied to the New Super Mario Bros. series.

P-Switch Back is impressive even beyond many of AdamCrossing's other work, however, due to the factor mentioned at the start of this post: P-Switch is less of a "track" in the New Super Mario Bros. soundtrack and more like a glorified jingle, a timer enforcing stress with a tense synthetic melody of noise and a repeating backing of a sound that's best described as "crunchy", rounding itself out through a Shepard tone repeating until the P-Switch timer ends. And so we have a lead and we technically have a backing - but how does one compose an entire rearrangement with just those confines? The solution is, of course, to "cheat": much like Nape Mango did way back on Earth, Wind & Bombs and as dozens of rippers have done since, the trick is to employ usage of other instruments, samples and segments from the same soundtrack as the source track, whilst keeping the source track as the rip's focal point. Through this, every turn that P-Switch Back makes still resoundingly sounds just like the original New Super Mario Bros. on DS, whilst ALSO always sounding exactly the way that the P-Switch theme ought to. The blend was so good that, upon my first listen, I was halfway convinced that they'd changed the P-Switch theme for some of the later New Super Mario Bros. games, due just to how "New Super Mario Bros. DS" P-Switch Back sounds. It approaches Jamangar levels of authenticity in variety within a rip, the kind I gushed oh so much about back on Story of Undertale: yet here, the core P-Switch melody never quite fades away.

Though I talked a lot about contrast betwixt the New Super Mario Bros. series' tone and whatever else may be mashed up with it, the P-Switch theme in particular is able to resonate more closely with the track being arranged through its prominent tension-building - the repeating synthetic notes being a natural fit for the eerie tension-building intro to Megalo Strike Back. For those unaware, a few years before Undertale's release, Toby Fox contributed the aforementioned track to an EarthBound tribute album, the track itself being arranged entirely using EarthBound's soundfont. It's seen, in a sense, as a stepping stone to what would eventually become Undertale's finalized Megalovania theme - an original composition sharing much the same intensity as that of an A-Class final boss theme. Through its rearranging in P-Switch Back, AdamCrossing employs all the tools within New Super Mario Bros.'s toolbox of sounds to preserve that menacing sound: The lead and backing instruments from the game's Castle theme, notably, take center stage and create a suitably dramatic atmosphere through their slight reverb: An atmosphere that's deliciously (and hilariously) enhanced through the NSMB series' iconic "bah-bahs", now feeling almost akin to the chants of a choir of followers.

The entire rip just OOZES the feeling of the original Nintendo DS in a way that's hard to quite put into words, yet immediately recognizable as soon as you hear it. Yet althewhile, as it runs wild with this dramatic boss theme, the crackling backing instrument of the original P-Switch theme lingers throughout, alongside occasional breaks to add the P-Switch theme's main instrument to the mix. Like lots of what Season 8 has presented already in the likes of Barreltr​ü​ckung of Doom and Luna, Mi Amor, P-Switch Back is an incredibly inspired and inventive rip, leveraging a source so seemingly minescule in material in a way that feels completely natural whilst technically not at all adhering to the premise the rip's title would include. As a fellow Wii kid and enjoyer of specifically these kinds of incredibly arrangement rips, AdamCrossing has my deepest regards - and if he continues on this path of quality, he's bound to become an all-time favorite in the future.

[ugotnojamzzz]

Mistake Prequel Pt.1

California

Word Count: 2.3k

Pairing: ex!Jungkook x Reader

Genre: kind of Angst, Hurt, ex!Jungkook

Synopsis: idk at this point, sorry. But here’s the jest of it: Y/N, a very successful singer-songwriter was close friends with the members of BTS for several years. She had a relationship with Jungkook that ended painfully. Now they’re stuck trying to navigate the whole exes-to-friends dance, and somebody is bound to get their toes squashed.

Disclaimer: English isn’t my native language, so I apologize in advance for mistakes and awkward wordings to come.

Chapter soundtrack: California – Lana Del Rey

(By the way, for every ‘Chapter Soundtrack’, basically the idea is that it’s a song that YN eventually wrote with that chapter of her life in mind)

Oh, I'll pick you up, If you come back to America, just hit me up. 'Cause this is crazy love, I'll catch you on the flip side. If you come back to California, you should just hit me up.

________________

YN sat on the sandy shore, her satin robe gently swaying in the breeze as she stared out at the endless expanse of the ocean before her. She was on the set of a fellow artist's music video shoot, patiently waiting for her turn to be on camera.

The rhythmic crash of the waves provided a soothing backdrop to her contemplations. In her hand, she held a Berlin postcard, its surface adorned with her friends' familiar scrawl.

A faint smile tugged at the corners of her lips as she traced the words with her fingertips, savoring the sense of connection it brought. It had been ages since she'd received one of those.

With a soft exhale, she reached into her purse and retrieved her phone, fingers deftly navigating to dial a familiar number. As the call connected, she brought the device to her ear, anticipation fluttering in her chest.

“Well, well, well,” Jimin’s voice echoed, “to what do I owe the pleasure?”

“Hello to you too,” she smiled, “am I interrupting?”

“Not in the slightest” he replied, “we just got back to the hotel.”

“Shit-” she muttered, running a hand through her hair in frustration. Time difference, you idiot. “You must be drained. I can call at another time if y-”

“And wait another two months for a phone call?” her friend interrupted, his laughter cutting through her concerns. “Not a chance.”

There was a beat of silence. She knew she should’ve reached out earlier.

"I got your postcard," she finally said, her tone warm. "How did you even get my new address, Jimin-ssi?"

"You know I don’t kiss and tell," he teased, his voice tinged with amusement. “Why? Don’t fancy mail anymore?

"Oh, you know, I can never be too careful,” she quipped, a playful smirk tugging at her lips, “so many stalkers out there."

"Guess that means you found the strand of pubes I slipped in there," Jimin joked.

"Gross," she groaned, wrinkling her nose in disgust.

“Eh, you love it” he replied without missing a beat.

“So, how is Europe treating you?" YN asked.

"Well, we’re in Stockholm right now, you know how it is," he replied, a hint of amusement in his voice, “people are very… tall and morally upstanding."

"And how is everyone doing?" she inquired nonchalantly, though her curiosity lingered beneath the surface.

"Good," he replied, but there was a moment of hesitation before he continued, "Jungkookie’s doing okay, I guess." YN almost sighed in relief, grateful that Jimin had spared her the need to ask.

"You guess?" she pressed, sensing his uncertainty.

“Was Hobi unavailable today?” he asked.

YN winced. She had been found out. She usually talked to Hoseok about Jungkook stuff. Of course she did, Hobi was one of her closest friends. Only, after a while, he had called her out on her shit and told her that she should have the balls to ask for news herself. You do know you won’t be friends again if you don’t try and talk to each other from time to time, right? She'd been pretty much in the dark ever since.

A heavy silence lingered between them before the boy broke it, "You saw the articles, didn’t you?"

YN didn’t reply, but her silence spoke volumes. There had been a bunch of articles in the press lately, and a lot of fans on social media expressing concern over the looks and demeanor of BTS’s maknae.

“Well, you know,” Jimin continued, his tone reassuring, “he has been a little more off than usual. Then again, it’s hard to know if it’s the touring schedule that’s getting to him.”

She sighed inwardly, wishing she’d had the courage to pick up the phone and dial Jungkook's number. She had wanted to reach out so many times but was always held back.

Just then, a commotion erupted in the background, the distant sound of voices and laughter coming through in indistinct snippets.

"Hey, I got YN on the phone over here," Jimin declared to whoever was there. YN's heart skipped a beat as she realized that other members had joined, their boisterous greetings suddenly echoing through the phone.

“YN, I HAVE A NEW VIKING HELMET TO SHOW YOU!”  Tae, of course.

“Tae stole my helmet after he lost his, actually.” And there was Joonie.

Suddenly, a voice, rough around the edges yet achingly familiar pierced through the chaotic backdrop of their conversation.

"Hi, superstar."

Her breath caught in her throat at the sound.

"Hey, Jungkook," she replied softly, her voice barely above a whisper.

She heard the click of a door on the other end of the line and quiet finally returned. They were alone. "So, what's the occasion?” Jungkook asked casually, “Don’t tell me you’re missing us already."

Her lips curved into a wistful smile at his playful tone, "Oh, you know, just wondering when I’ll get to see your faces again," she replied, "if you ever come back to America, that is."

His laughter echoed through the phone, a comforting sound that washed over her like a soothing balm. "Yeah, who knows when that’ll happen," he admitted, the weariness of their never-ending tour evident in his tone. "Don’t worry, though," he added, "your favorite band will probably play the city of angels soon enough."

A grin tugged at her lips as she teased, "Are the Beatles planning a reunion?"

Jungkook's laughter filled the air once more. "Oh, come on," he chuckled. "And then they wonder why we’re taking the long way home," he mumbled, his words laced with mock-offence. In that moment, as their laughter mingled, she felt a sense of peace wash over her.

"For real though," she said, her smile softening as she spoke, "you should come by sometime.”

"Meh,” he shrugged, his tone nonchalant, “California weather isn’t really my cup of tea."

Of course, she thought with a hint of amusement. He never liked the dry heat. Always complained about it. The boys used to joke that it was the Busan in him. You can take the man out of the city, but not the city out of the man, right?

Still, YN wasn’t discouraged. They'd always found a way to make the best of it before. They could do whatever they'd want. They could hit up all the old places, reminisce about the good times. Maybe throw a rager of a party, get his favorite liquor off the top shelf and dance 'til dawn. Like old times. LA had many flaws, but it had always been a great time touring there with the boys.

"Come on," she insisted, her voice gentle yet persuasive. "I’ll even pick you guys up from the airport."

"Princess treatment, huh?" he teased, "Tempting."

There was a beat of silence. This was her shot.

"So," she said softly, her voice betraying a hint of apprehension. "Everything's alright with you?"

“Didn’t get the dirt from Hobi, huh?” he taunted.

“Answer the question, punk,” she replied gently.

"Yeah, yeah,” he replied, his tone casual and breezy, “everything's been great."

YN played with the sand absentmindedly. She wished she could tell him that he didn't have to act all strong and cool with her all the time. She wished she could only reassure him that she would always think the world of him, always see him as the brightest of the brightest stars. No matter what.

But instead, she remained silent, her words trapped within the confines of her mind.

"What about you?" Jungkook's voice pulled her out of her thoughts.

Caught off guard by the sudden shift in focus, she found herself faced with yet another dilemma. There was plenty new with her. Too much, perhaps. Or too much for small talk over the phone, at least.

"Well, you know,” she replied with a forced nonchalance, “same old, same old."

“Oh," he paused, "okay.”

She winced at his noticeable disappointment, knowing she was keeping him at arm's length, too. On top of being a coward she was a hypocrite.

"Hey,” she interjected, changing the topic in an attempt to lighten the mood, “guess where I am right now."

"Oh, I’m not falling for that one" he chuckled, his amusement evident even through the phone. She once had a habit of ending up in the most unexpected of places, much to the group’s amusement and occasional frustration.

"It's nothing like that, Jeon," she reassured him, a small smile playing on her lips as she thought back to their past adventures.

"Well, go on then," he urged, curiosity piqued.

“That little beach in Santa Monica,” she revealed, waiting for his reaction.

There was a moment of silence on the other end of the line, and she couldn't help but wonder if he remembered. After all, there had been many beaches over the years, and the beach bars hadn't exactly helped them keep track of them all.

"The one right across from Jack’s," she added, hoping to jog his memory.

“Aw shit,” Jungkook blurted out, “the one where Tae-?”

“That’s the one,” she confirmed with a chuckle.

Yeah, it had been quite a night for them. A soft smile played on her lips as memories flooded back with vivid clarity. Drinking and dancing on the beach, the salt on her skin, and the pink cocktail umbrellas in her hair.

Jungkook had drunkenly written out a love declaration on the wet sand, to which she had responded with a nauseous heave, both from how horribly cheesy the gesture was and from the alcohol churning in her stomach.

Only it was Taehyung who had ended up bearing the brunt of their drunken escapade, his stomach unable to handle the excesses of the night. She remembered the sight of him retching into the sand, the clear water tainted with vibrant hues of Tequila Sunrise.

“Any remains?” Jungkook asked, his tone light but tinged with curiosity. She found herself wondering whether he was referring to the remnants of Tae's unfortunate mishap or to his own words carved in the sand. She shook off the thought.

“No,” she shook her head, “seems the tide took care of it.”

“Lucky for us,” he remarked.

“Yep,” she echoed, “lucky for us.”

There was a brief moment of silence between them.

“So, are you taking a day off to call old friends while you work on your tan?” Jungkook inquired, breaking the silence.

“Uh, well- not really,” YN replied, her voice faltering slightly. “I’m here for, uh, it’s- like- like a work thing.”

“Oh shit,” he began, “well, I don’t want to hold you up-”

“No, no, it’s fine,” she interjected quickly, not wanting to end the conversation just yet, “I’ve got plenty of tim-”

"Y/N, time for your closeup!" a booming voice interrupted her, and YN's head snapped to the side to see the director in the distance, holding a megaphone.

"…You were saying?" she could practically hear Jungkook's smirk, and he could practically see her eyeroll.

"Okay," she mumbled reluctantly. "Rain check?"

"For sure," he agreed, "you haven’t even gotten to tell me what’s new with you."

"Right," she said, waving to the filming crew to signal she’d be there in a moment.

There was another moment of silence. They’d never been any good at saying goodbye.

"I meant it, by the way," she said suddenly, her voice filled with sincerity.

"Huh?" Jungkook replied.

"If you come back to California, you should hit me up," she reiterated.

She heard him sigh gently. "Alright,” he said, his tone soft and warm. “I’ll catch you on the flip side, superstar."

"Catch you on the flip side, playboy," she replied, a bittersweet smile tugging at her lips as she hung up the phone.

She got up, brushing the sand off her robe as she made her way towards the set.

As she approached, her heart skipped a beat when she saw pretty-boy hopping towards her, his sparkling green eyes lighting up at the sight of her.

"There you are, love!" he exclaimed, sweeping her off her feet and spinning her around in a whirl of excitement.

"There I am," she replied with a smile, her heart fluttering at the warmth of his embrace.

"Thanks again” he said, “for doing this, I mean," he continued with a radiant smile.

"Are you kidding? You couldn’t keep me away if you tried," she beamed. “And you’re not shooting my face, anyway, right? So, it’s not like anybody will recognize me," she added with a playful wink, slipping off her robe to reveal her bikini and handing it to one of the stylists.

He eyed her with a gentle grin, admiration evident in his gaze."Alright, I'll swing by craft service, and I'll be right back. You do your thing, love," he said, his voice filled with warmth and affection. "I trust you." With a final smile, he headed off, leaving her to prepare for the shoot ahead.

She was quickly ushered to the filming spot, where she was briefed on the various angles the director had in mind as the stylists worked on final touch-ups.

"Not a bad day to be Y/N, huh?" a makeup artist declared with a knowing grin.

Caught off guard by the comment, YN hummed inquisitively, "Uh?"

"Well, it's not every day your boyfriend writes a hit song about you," the makeup artist elaborated with a wink.

“Oh,” YN nodded, "right."

As she looked to the horizon, her mind involuntarily drifted to the countless songs another boy had written and sang about her, what felt like ages ago. Most of them had never seen the light of day, let alone the inside of a recording studio; destined to remain tucked away tenderly in the corners of her memory, along with images of messy sheets and late-night drives. But that soft, gentle voice echoed in her mind, still.

“Totally,” she added with a polite smile that didn’t quite reach her eyes.

After a moment, the styling team scattered. The music started playing and the cameras finally began to roll.

“Tastes like strawberries, on a summer evening…”

___________

Guess who’s baaaaack???? Hope you all liked it! Please interact lol, I am desperate for any reaction at all. Help a girl out, army. Xxx

[alvin-draper]

Alien: Romulus

spoilers!

let's chat. and also preface with the fact I've only seen alien and Aliens before, both of which I adore and rewatch endlessly.

I've seen some reviewers talk about this, but Andy carried that movie character wise. Everyone else was good - props to the weird cousin guy. He was a dick but he added some much needed internal group conflict.

Andy and Rain - she was weirdly cookie cutter in a very video game protagonist kinda way. She had a goal: get off planet. She had a brother who she viewed both as person and as pet. Something to be loved and coddled. At no point was she ready for him to have more agency. From the minute you knew she'd decided to leave him behind, you could plot the course of her entire arc. Andy was better. I was worried they were doing a weirdly placed take on adults with strong autism to start with, and was kinda relieved to find out he was artificial with a buggy system, and then realised that actually no the comparison still 100% works, but I like how they played it. He gets agency with intelligence, but it's at the cost of losing his human connections. His little sister, and the friends he's an outlier to. He never feels integrated into the group, always slightly on the outside. When he gets his new chip and directive, I read it as equal parts programming and rebellion. It took away some of his desire to do anything for Rain, and replaced it with pragmatism. But you can see its still him in there, and that he's mad about them leaving him behind. He keeps making decisions to keep Rain alive, but he focuses in on her life rather than her emotional needs, and lets other people die. It still reads as love, to me. But instead of her sacrificing him for her better life, he sacrificed her emotional wellbeing for both of them to live. Definitely the character with the most intricacy.

As said, everyone else and everything else felt kind of cookie cutter. The characters don't make interesting decisions. Its still well written and well done: you understand the how'd and whys of every decision they make. But none of them shine enough to keep up with Andy.

Okay, enough character stuff. Let's talk everything else.

The score and sound mixing: incredible. Loved that it started on that deep space silence. The music is good and more than functional, will probably listen to the soundtrack as a background for a while. The best choice sound wise in the whole movie is when she floats out the bottom of the cargo bay in the final act and the sound cuts almost completely. You could've heard a pin drop.

The look of the thing: impeccable. The minute they get onto those prowling H G Geiger ships I was sold on the whole thing. The wires and curves and me grin so hard. Less excellent alien hiding places than I would've liked, but they didn't use that trick too many times so it worked out. The red and orange lighting in the dark rooms gave the movie a very distinct aesthetic, separate from the other Alien movies that I've seen. And of course the shot composition was glorious. One of my favourite visuals was in the water filled cyro fuel room, when Andy freezes and reboots. Hi standing stock still as the camera pans up and we the audience understand: oh shit, that's a lot of facehuggers.

Things they set up and paid off: the pregnancy. Andy slipping a vial of the compound into his pocket. The X Ray scanner. The dropped key. The gravity timer. Just about the security cameras. Things they didn't quite pay off: the temperature sensing device. The facehuggers travelling through the vents. The sharp edges and quick mechanical closing of the vent covers they get into the ship through.

Shit that came out of nowhere: all the goddamn fully grown xenomorphs. That bit was pretty out of left field. I had anticipated there being more Aliens, but they fact they left it so late doesn't really make much internal sense. I guess because they were in the other half of the outpost?

Callbacks I loved: the Nostromo at the start and the vague references to Ripley. Rook being Ash. That was gooooood. Also shows that the companies whole thing in Aliens that synthetics aren't like that anymore is kind of bollocks.

That fucking thing: I'm calling it Romulus for obvious reasons. I thought the design was excellent. So fucking horrifying. I will be having nightmares. Its like they reached into my subconscious and designed it specifically to get to me. Incredible. Didn't like the fact it roared I think if it had made either an Alien hiss or a human noise it would've been way more compelling. Properly horrifying though. Really hit home that it's a horror movie more than anything else. Also. The death scenes in the movie? Incredible. It did those Well. My favourite was absolutely the acid blood literally burning a whole through that guys chest, because it was visceral and brutal and horrifying and so so hell done. You could really feel the panic and tension and still clock him scrabbling at his chest just to melt his fingers and feeling sick all over again. Just brilliant.

Overall: it was good! It sucks that I only really liked Andy, and he only really atarts coming into his own after Rain betrays him. Still fucked she took his autonomy away again at the end, even if their quipping was cute. Loved them raising the temperature of that room as a disguise that was inspired. Loved them turning off the Gravity to shoot the Aliens that also worked great. The elevator was also a good set piece. The biggest let down in this movie is the characters. Andy's great, Rain is alright, and sos the cousin who's only around for the firstish act. Bit the main side character guy, who's sisters pregnant? I don't even remember his name. They kept hinting at there being both backstories for him and for Rain that were more interesting than what he got. For him, some kind of genuine military past. For her: she'd been to Yvaga before. Maybe even grew up there as a little kid. It was an opportunity to add proper dimension to both characters that was squandered in favor of the crazier action scenes, which sucks. This movie was in dire need of clearer and deeper characters, particularly because in my eyes that'd what Alien does best, and Aliens takes a really good stab at considering the larger main cast.

Essentially. It's a good damn horror movie, but I'm not sure it's a great Alien movie, for all the incredible HR Giger and weird sexual violence undertones. I'm just not sure that plot wise it earned its Alien credentials. Like the last few lines. Rain leaves a log, as she's the last survivor of her ship. But there's no passenger log. It was never an authorised mission. Its a pointless message to leave. It gives the audience closure because it flashes us back to the end of Alien, but it makes no sense as closure for Rain. That's where I'm at.

[stuvvshii]

Nine Inch Nails - Pretty Hate Machine

listening thoughts forgive me everyone im still not a rock person

Head like a hole - the intro reminds me of molten crater spyro soundtrack...... i cant get it out of my head. lyrics are my dog thoughts when i try to take something he found on the streets from his mouth (i mean it in all the good ways pls dont kill me) 9/10

Terrible lie - BWAM BWAM. the drums send me. 7/10

Down in it - i like the way its structured even tho musically it doesnt exactly bite me in the right spot. spot on lyrics tho 7.5/10

Sanctified - dont glitch in my ear you little shit. i blacked out all i could hear is come inside her. which is... dont. 6/10

Something i can never have - sad times ig. noo mr michael dont do it there are plenty fish in the sea. i have that weird feeling of disconnection between lyrics and music in this one 6/10 for making me think about my ex

Kinda i want to - this sounds gay. dont torture urself with the thoughts just go for it michael. spicy guitar 7 / 10

Sin - why every track feels like he talks about different person each time how many people fucking you up my lil bro. music gets evil in the end. sinful ig. 8 / 10

That's what i get - another song about someone else. thats what he gets i guess. a bit too repetetive for my liking. dundundundundundundudnudndundudndun is fun it deserves another 8/10

The only time - we talked about it come on. the meowing synths. funky. this guy is either drunk or horny or both. 9/10 for bwyau bwyau

Ringfinger - why it has a club vibe and country lyrics. this one comment speaks for me. 9/10

@romysoph2 tagging youu. forgive me for i have sinned

[stoic--rose]

my chemical brothers cds finally came in!!!!! so uuuuh i guess ill do overviews of each album.

Dig Your Own Hole - 1997

almost certainly my favorite chembros album. full of pumpin beats, punchy drums, unique vocal samples, pretty much everything i love from electronic. the eponymous track is very good, but my favorite track has to be Get Up On It Like This. i love the brass sample they use, its just too damn good, i can never get enough of it. Electrobank is another favorite, the vocal tracks at the beginning are pretty fun, and i like what it turns into later. (bonus points for just having explosion samples at the end) Setting Sun is the first song on the album to have full lyrics which is pretty cool, and the way this album ends is just so outta left field but damn its good as hell. Where Do I Begin is such a laidback and chill track that feels very introspective, and The Private Psychedelic Reel is just a journey of a song. also, my favorite part of this album is the middle section, specifically It Doesn't Matter, Don't Stop The Rock, and Get Up On It Like This. each track flows neatly into the next, and theyre all really good tracks. Don't Stop The Rock has this squishy, unorthodox synth in it that i really fuck with. It Doesn't Matter also has this pulsing, harsh bass that i like a lot. overall, a phenomenal album with back to back bangers and a soft side near the end.

Surrender - 1999

this album is actually home to the first chembros song i ever heard, that being Let Forever Be, a personal favorite of mine. Surrender has a lot of good to it, though i dont think it's one of my favorites. Music:Response is a really good opener, Orange Wedge is super funky, i already said my thoughts on Let Forever Be, but other than that there's not too many standout tracks here, at least to me. Under The Influence was on the WipE'out" 3 soundtrack and fits in pretty well there, but listening on its own its nothin to write home about. Hey Boy Hey Girl is weirdly popular, but it just doesn't do anything for me. Out of Control is good, but it drags on a bit too long for me. the eponymous track is good though, i like that one. overall, i think surrender just aint for me mostly. its got some tracks i like, and ill definitely listen to it all, it just isnt gonna be my first pick.

Push The Button - 2004

for this album, the focus on electronic is pushed to the side a bit to make way for a more lyrical, hip hop focused album, and nowhere is that more clear than the opening track, Galvanize, which is chembros' most well known song. and i like it well enough! the wordsmiths here do a great job, and i like the string sample that permeates most of the song. that being said, i think it drags on a bit and is a little too long? you could definitely cut this one down and not lose a whole lot. but it has the catchiness to not make that runtime boring, for sure. after Galvanize comes The Boxer, which is probably my favorite track on the album. by this point the change in style for Push The Button is starting to shine through more, but the chembros know how to make it work, and MAN does it shine in The Boxer. it has this looping, cut up sample of a keyboard that i just cant get enough of, and the vocals here are super great. other tracks of note are Believe, which has a lot of cool noises in it, Shake Break Bounce, which has some cool drums and guitars, and Left Right, a commentary piece on war, which i can always appreciate. (shoutouts to Flobots) Close Your Eyes is a classic chembros move of having a more relaxed, uplifting track near the end of the album, and it does its job super well. overall, while Push The Button is very different from everything chembros had done up to that point, i think they tackle the new style really well and deliver a lot of unique bangers here. really great stuff.

[xxsycamore]

Hello great idea you had for our challenge if I may can I have Comte x Leonardo with the prompt Office AU ?

Thank you have a wonderful day 🙏😊

Glad that you like the idea!! 🥺 You too have a lovely day & enjoy the business daddies~

[ 🌈 part of the character x character or genderbent!character x mc requests🌈 ]

For Different Universe, Same Love content creation challenge, hosted by @queengiuliettafirstlady and me.

𝐎𝐅𝐅𝐈𝐂𝐄 𝐀𝐔┅┅┅Leonardo x Comte (slightly suggestive)

𝐥𝐞𝐭'𝐬 𝐥𝐞𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐨𝐟𝐟𝐢𝐜𝐞

"Tsk, Leonardo. Feet off the desk, please."

"You're not my boss."

It's practically true. After the company merged, Germain & Da Vinci's legal CEO is no other than Leonardo himself - for better or for worse. The family-owned business that Leonardo inherited came in a package deal with all its complicated management that dear Comte, the vice-president, was ready to shoulder as a part of his secret deal with Leonardo. The guy is just not fit for a boss; or so he claims.

"I suggest we leave those formalities in the office. You surely know what day today is, signore CEO?"

Leonardo has to briefly spin on his office chair to reach for the small calendar on his desk and move the date to what he assumes it might be, in order to get an idea of what's so special about today. It's a whole miracle on itself that he can find said calendar among the mess that his desk is, seeing that he'd once again dismissed the secretary before she could do her job.

"I saw Dazai by the coffee machine wearing his kimono ... Casual Friday... July 7th." The confident guess is accompanied by a snap of his fingers. "What is July 7th?"

Comte sighs, visibly disappointed by his antics and the fact that he'd forgotten. It's better to show than tell.

Like a magician performing for his one-person public, all it takes is a few ministrations of Comte's capable hands to undo and shrug off both his business suit and diligently ironed black shirt to reveal...another shirt underneath. Short-sleeved. Palm-tree printed. Hawaiian.

"Vacation. That's what it is. Our flight is in 5 hours, I believe you're clueless about this too."

It's good that office chairs are no good for attempting to balance them on two legs. Leonardo would've found himself on the floor. NOONE in team meeting would believe him about this. At least he's able to shake off the surprise pretty fast.

"Well, heh. Guess I need the holiday if my head is such a mess, huh?""

Comte's gaze softens, because, that's actually something he can't argue with. Managing the company aside, Leonardo works hard on the research front to better the formula passed down in his family business. That's always been what the genius wanted to do.

"Nice shirt, by the way. You got one my size?"

Comte's soft chuckles soundtrack his approach to the desk and die down to a small humming noise by the time he arrives at Leonardo's side. A slender finger nudging the first button of his shirt - the first buttoned one, anyway - until it slowly, annoyingly slowly comes undone.

Leonardo moves in for a kiss, but the other party withdraws all too fast.

"I might just have one your size. But I told you. Feet off the desk first."

Taglist: @arsnovacadenza @ale-teodora @kimi00twin @otomelady @privilegedpancake @g-kleran    @pumpumnnnp @thesirenwashere @ravenarld @kimmy-banana @devonares @galaxyprison @sadshaxk @starshards26 @pro-cat-stination @acethephoenix256 @ikevamp-shrine-2 @nad-zeta @crystal13unny @keen19thcenturygoatsstudent @lordsister @ikemen-banshou   @themysticalbeing @canaria-blackwell @otome-scribbles @rhodolitesrose @coornn @kpop-and-otome @queen-dahlia @kisara-16 @chaosangel767 @ikemenlibrary @aurora-morning @aquagirl1978 ​ @ikemenlover24 @violettduchess @mcofthemansion @joy-the-reader @katriniac @ikemen-writer @tele86 @lovely-bubb1es @aria-chikage @babyblue0t7 @thewitchofbooks @rhodoliteschaos Let me know if you want to be tagged/untagged!

[winterdeepelegy]

My Thoughts on Dawntrail

So having finished DT, here are some of my thoughts on the expansion as a whole. Expect spoilers below the cut, do not click if you haven't finished. Again these are entirely my opinions, I don't intend to present this from a perspective of fact.

Hmm. I don't hate DT, but it's not high on my list: 1. Shadowbringers 2. Heavensward 3. Stormblood 4. Endwalker 5. Dawntrail 6. ARR That said, I don't hate any of the installments of this game, but there are some definitely high and low points. Let's rip the bandage off and get the blanks out of the way: 1. DT has a dialogue problem. I don't hate Wuk Lamat as a character, it was kind of refreshing to see a green, earnest character take center stage while our characters stepped aside and provided a guiding hand. The big problem I have with her is her dialogue. She's basically a shounen character, complete with the 'I'm gonna be king of the pirates'/'I'm gonna be hokage!' schtick, and it really wears on me after a while. That's not the character's fault so much as it is the writing team. That being so, this game is best played in short stints, 1-2 hours at a time instead of trying to marathon the whole thing in short order. Any more than that and it really becomes repetitious. If they want to script it to sound like an episodic anime series, it will be best enjoyed in smaller bites. Sphene suffers from the same problem. I wanted to enjoy her more as a character, but the script made that a challenge. 2. Pacing and exposition. God. The first few hours of EW were enough of a slog with its slow pacing before getting to the first dungeon, this felt like an eternity by comparison. Up to about the level 95 content, it is a long span of exposition and lore stuffing (far be it from me to complain about abundant lore!), so much of which could have been covered in less time and with less repetition. They really wanted to hammer the tribes into our heads, and it felt like too much at times. They wanted us to care about the tribes and the people therein, but few things make me care less than overdoing it. Level 95-ish is when things start becoming more interesting, in my opinion. That's a long way to climb to reach the proverbial cookie jar. 3. The music. I'll be honest, soundtrack wise, this is not my favorite. I appreciate all genres of music, but swing jazz doesn't quite fit the feel of Tulliyolal. I would have liked to hear something closer to a cultural aesthetic to match the visuals and themes presented throughout the areas and civilizations therein. We didn't get that, and it's kind of a weird choice. The main themesong, also? Ehh... I didn't care for it in the trailer. This opinion hasn't shifted since my playthrough. I didn't really start finding enjoyable area music until Shaaloani. 4. 'My people are more important than your people'. This plot point has been done. We just dealt with the Ascians and pretty much got the same shpiel from Hades. They made Sphene and her subjects a little more sympathetic, though, so... good, I guess? 5. Erenville deserved better. Fussy Bunbun got done so dirty in this expack, the very least anyone could have done was give him a hug. He didn't even get that from his mother who, frankly, was the worst character out of all of it. He was also deadnamed repeatedly, which could have been a teachable moment. 6. Wuk Lamat and/or Bakool Ja Ja still owes me tacos. ------------ As for the positives? There are some. Thanks for sticking with me so far. 1. Pretty graphics updates - better over all. 2. No weirdly split zones - thank the Twelve for this. StB, ShB, and EW all had zones that you could only cover in part, and couldn't finish until later. The zones in DT flow pretty well for the most part, and the transition between upper and lower areas of Yak'Tel are nothing short of beautiful, especially in flight. 3. More Reflections - I'm glad to see more of these and I hope this trend continues. 4. For once, I'm not luke warm on the bard AF gear. It's actually a fresh look, but haven't found a dye pairing I like yet.

[tiramegtoons]

Okay so last night i finished watching the entirety of Okage Shadow King and-

.... I dont even know where to start. this is unlike any game ive watched or played before. It felt so weird yet so enticing and half of the time i couldn't tell if my brain was rotting or there was just some real deep lore or hidden meaning in here Maybe both??? and it left a strange, creepy, yet longing and nostalgic feeling in the back of my head too.

Let me explain.

spoilers ahead!!!

okay so First of all, the visual style of the game looks awesome I loved the characters and the dynamics going on between the NPC's and especially the main characters. I loved enjoying the witty banter and arguing between Stan and Rosalyn the most. But also, why is Stan insulting and body shaming her so much SHE AINT EVEN FAT??? i LOOK AT HER MODEL AND IM LIKE BRUH

for some odd reason i still found it funny though. Some of the humor might've even been exaggerated to a degree as well(not sure if that was intentional). Even if the writing and dialogue was a bit lost in translation, maybe perhaps, it was still pretty good as a whole and it caught me by surprise.

As for the world and NPC's... something definitely felt off at the beginning and i guess thats what gave me the initial unsettling feeling. Everyone just seemed so bent on doing their own part like dude i couldn't even explain to you Our main protagonist, Ari, is just a wet pathetic little boy who lets everyone step on him/lh Damn, even his own family doesn't seem to care much for him as an individual person and doesn't consider that he has his own ambitions and it rubbed me in a weird way. and yet for some reason i was still hooked. and then came STANLEY HIHAT TRINIDAD THE FOURTEENTH(the 3d challenged flappy shadow)to sweep our poor little boy off his feet and make him his "slave"(adoptive son/j) so he can conquer the world bfhdgsdvhgdfbgdhjg which btw how could anyone take any "evil king" that seriously with a name like that? I LOVE IT. i really enjoyed him getting his ghostly ass handed to him by the NPC's it was hilarious. He was-without a shadow of a doubt(hehehehehe)- the best character. Also it's so funny how he claims to be an evil king but intentionally and unintentionally does good things? I love that trope with villians. Anywho getting off track a little, Another thing that struck out to me was the soundtrack. It's pretty unique, but at times can get pretty repetitive. The ones i enjoy a lot are -Forest of willkur(just really encompasses the feel of the entire game) -Evil King Battle and my favorite- -Addashi Desert(got me in a shimmy FR)

YEAAAAAAAAAA

anywho going back to repetitive things... Eeeeeee... the fighting mechanics are sure something(GOD WHY ARENT THE COMMANDS BEING CARRIED OUT ON TIME WH- IS THE GAME POSSESSED??? DID STAN POSSESS THE GAME???) Also why are there ghosts in broad daylight?? WHY ARE THERE SO MANY GHOSTSSSS) i get it, you do need to grind for items and XP in this game but it looks pretty tedious, especially deep grave pit... oh lordy dude there are literally eight floors in the cave its not a cave its the 7 circles of hell(plus front desk)/j I don't wanna dunk on this game but the fighting could use improvements. Back to the story... i like the melancholy turn it takes when princess Marlene was revealed to be a doll which made total sense when Stan found she had no soul, the reveal of Beiloune's true identity, and when Ari becomes totally ignored and forgotten by just about everyone and from that point going forward the game took a more serious turn... also why does Triste(which means sad in spanish and i see what they did there-)

... why does that remind me of the wasteland from Epic Mickey where other people who've been forgotten reside there... also the dark, odd vibe of both games kinda match too. Another thing, I'm not sure if anyone else had the same thoughts but did anyone else expect a twist where Ari would become the evil king??? i mean, if this was a supposed journey of our main character who is always reminded about how much of a pushover he is would've lead me to think that the buildup would lead to something like Beiloune making him all powerful and force him to fight against his friends. But the last chapter also surprised me with its own twist and im digging that too. but yeah just about everything was coming back together about why the world was and felt as it is. its always the butler isnt it? Also Stan's final form:

I CANT-

im sorry i can't take this seriously when he's just letting them hang out like that(his moobs)

... anywho that happened. As for any hidden meanings and morals I'll have to talk about that later cause my smooth brain still cannot grasp. And its just

SO MUCH

[nerves-nebula]

I know this might be kinda stupid but. do you have any music recs. specifically of the child abuse variety because I'd be very interested in that.

*sweats* ok so here's the thing- I have a playlist called "Abuse" and its full of music that is either explicitly about abuse, related to abuse thematically, or just has Abuse Vibes to me (some of which is likely inexplicable to other people)

im also kind of self conscious about my taste in music, cause sometimes it's like. i dunno. the steven universe soundtrack or a fnaf song i really like. and thats CRINGE! and really any genre of song can be about Child Abuse so it's like. idk if you'll like any of the things i recommend.

THAT BEING SAID, here's a selection i guess!! because I'm flattered you would even ask haha. a lot of these are pretty well known already tho so idk how helpful this will be. anyway this got hella long so. under the cut!

songs explicitly about or including themes of child abuse/having shit parents/having familial issues:

Guiltless by Dodie

Black by Okkervil River (narrative about a guys girlfriend telling him about her dad sexually abusing her. one of, if not the first, song i ever heard about CSA and it holds a special place in my heart)

The Mute by Radical Face

Ripple Effect by Scott Helman (kinda more about generational trauma & healing if im honest. i dont listen to it as much as the others on this list)

Poplar St by Glass Animals

Daddy Issues by The Neighborhood

Twin Sized Mattress by The Front Bottoms (classic i know)

The Family Jewels by Marina and the diamonds

Family Line by Conan Gray

Christmas Kids by ROAR (ok technically not about the kids but i find the subtext of how the kids are used in this abusive relationship horrific. also, it reminds me of my parents)

Drift Away - Steven Universe (OK I KNOW ITS NOT TECHNICALLY ABOUT THAT BUT TO ME IT'S ABOUT MY MOM. IT TRACKS TOO EXACTLY TO NOT INCLUDE HERE)

Other Abuse songs:

labour by Paris Paloma

This Hurts by Mindless Self Indulgence (my ex wife says i listen to this song to go joker mode and i hate that because i know she means Straight Joker and not Camp Joker but i do really like the song)

I'm your puppet by Gregory And The Hawk

Eric by Mitski (REAL GOOD)

Believe Me by James and the Shame (more about spiritual abuse sort of)

Girl Anachronism by The Dresden Dolls

Thermodynamic Lawyer esq GFD by Will Wood and the Tapeworms

We'll Never Have Sex by Leith Ross (less about abuse and more about, like, a healing relationship. still i think you can easily read into the alluded past abuse or sexual issues going here)

Fuck About It by Waterparks

Please, Please, Please, Let Me Get What I Want by The Smiths (this is just such an abused person song)

This Hurts by Mindless Self Indulgence (my ex wife says i listen to this song to go joker mode and i hate that because i know she means Straight Joker and not Camp Joker but i do really like the song)

Sex With A Ghost by Teddy Hyde

I Cant Handle Change by ROAR (obviously)

rotting by vivivivivi

rook by sardonica

My favorite "Abuse Vibe" songs (NOTE: some of these songs might be about abuse or toxic relationships but um. im not very smart or good at sorting so. they ended up here):

Take a Slice by Glass Animals (PLEASE LISTEN TO THIS ONE FUCK THE REST OF THIS LIST EXCEPT ANIMALS I LOVE THOSE TWO)

Animals by Stomach Book (SEE ABOVE)

Youth by Daughter

Duck Or Ape by ROAR

Million Dollar Gold Digger (idk what it is about this remix im not even a huge fan of either of the songs its mixing. this is the VIBES part of the rec list i don't have to explain myself)

I'll Be Good by Jaymes Young

Gooey by Glass Animals

Breaking Down by Florence & The Machine

Moby Dick by Jakey

Aurora Borealis by Lemon Demon (hard to justify but this song just brings such vivid "abused kid failing to be normal while hanging out with someone and further isolating themself" vibe. yes im projecting. leave me alone)

The Dismemberment Song by Blue Kid (sometimes you just wanna kill your parents)

I'M GONNA WIN by Rob Cantor (this one just feels like anger and bitterness and being suspicious of anyone who tries to help you. I listen to it when im fucking going through it. its also a bop but you prolly already know that, i think it's pretty popular? idk)

It's Alright by Mother Mother (stereotypical i know)

South Dakota by Jakey (honestly i dunno. i dont even know where south dakota is)

My Blood by Twenty One Pilots (for all you sibling havers out there)

My Play by AJR (my parents arent divorced but man i wish they were. Also, this just brings up very vivid memories for me trying to show my parents things and it is fucking crushing haha)

Best Of You by Foo Fighters (idk just more shit that reminds me of my parents)

The Woods by San Fermin (this one is just very "I should have died as a child"-core to me)

JUVY ft. Julia Bard by Nnamdi Ogbonnaya (this guy is weird and i didnt like his stuff at first but then... i came back... and now he holds a place in my heart)

Grape Gil by Nnamdi Ogbonaya (i think this is my favorite song of his. I nearly made an owl house animatic to it)

Obsession by OK GO

Better Than Me by The Brobecks

ARE WE STILL FRIENDS by Tyler The Creator

Dumb Dumb by Mazie (honestly this one just reminds me of thinking "i hate it here everyone is so dumb" and then maladaptive daydreaming for hours to escape the situation hah)

Stone Wall, Stone Fence by Gregory And The Hawk

Never Wanna Fall in Love With U by Nelward

Another New World by Punch Brothers (this one is such an explicit and straightforward narrative i really can't explain it other than like. the emotions.)

Julep by Punch Brothers (once again, the emotions)

Always Sayin' by The Littles Man Band

A NIGHT OUT ON EARTH by Waterparks

Consequences by Lovejoy

Scum by Lovejoy

SMELLS LIKE TEEN SECRETS by lil boodang (another hard to justify one. idk. it just feels like it ok. sue me)

anyway i'm sure there's more but thats just a quick selection from my Abuse playlist. and by quick i mean you better appreciate this cuz i put way more effort into this than i needed to.

[arwenkenobi48]

I’ve decided to make my own rewrite of alternate Gabriel and put him in a new original story, in light of recent events

[Warning: long post]

Basically, Gabe (as he is now called) is the subject of a painting created by an artist who unknowingly has the power to bring his artwork to life. Gabe loved it when his creator called him the most beautiful thing he’d seen and when the artist moved on to other projects, the painted angel basically went mad with jealousy.

Breaking free from his canvas, Gabe began corrupting the artist’s other paintings, turning them into twisted, monstrous images. When the horrified artist saw what was happening, he decried Gabe as a monster. Heartbroken and furious that his creator rejected him, Gabe killed the man and used his blood to create a new painting; a portrait identical to his dead creator, one that would be eternally loyal to him.

Gabe’s second in command, simply known as Edward (an expy of Six/the Intruder), still retains the skills of an artist and the mysterious powers he possessed before his murder. He creates more disturbing minions for his master, all while passing them off as ‘horror art’.

The vast majority of these art pieces fall into the hands of an eccentric rich man named Zekiel Thomson, who adds them to his vast collection. This guy’s so rich he has his own private art gallery that he shows off to all his wealthy socialite friends. After installing the ‘horror art’, however, things begin to take a turn for the worse.

First, mysterious music is heard in the night; the sickly sweet sound of a harp and the operatic voice of an angel. The last person to awaken to its sound is found dead the next day, mutilated and - most disturbingly - with a significant amount of blood missing.

As more and more of these mysterious murders unfold, Zekiel is plagued by nightmares in which Gabe’s demonic underlings are tormenting him. He resorts to hiring a detective named Vincent Truman, who’s something of a theology/occult enthusiast.

The main framing sequence of the story is told through Vincent’s notes on the case, as he goes from being sceptical of Zekiel’s credibility to finding himself in a tangled web of mass murder and blood magic, to standing face to face with the devil himself, The Painted Angel, Gabe.

I haven’t yet decided on a title for this story, but I quite like the sound of The Painted Angel. The Peculiar Case of Zekiel Thomson is another potential title, although it is a little wordy.

Also I decided to set the whole thing in England bc that’s a pretty good place for haunted paintings and unexplained phenomena. Adds a gothic feel to the whole thing too.

Kinda toying with the idea of frequently switching between different POVs between chapters but I don’t want it to get confusing. I guess that once I have the entire story mapped out it should be fine.

There’s going to be recurring themes of facing one’s inner demons, unprocessed trauma and self worth. Elements of the horror game Layers of Fear, an old Victorian story titled The New Mother, Skinamarink and Motion Picture Soundtrack by Radiohead are also going to be worked into the project.

I haven’t yet decided if this is going to be a straight up novel or a comic yet. My ability to draw is…inconsistent at best. I feel like the story might work better with some accompanying visuals, though.

But yeah that’s my thoughts so far. I have had bits and pieces of this project in my drafts for a while but I had no idea what to do with it. I think this could probably tie it all together.

Now I need to get some sleep bc I am exhausted. Lmk what you think of this idea and feel free to suggest any potential titles.

[catboybiologist]

Should I get armored core

I'm right at the end of chapter 1 (haven't had much time to play), so of course I may miss some things here, but here's my review. Spoiler free

It's a good, clean game. Well worth the price and far more tight and put together than most other AAA games on the market (the fact that this is a standard is a bit sad, but oh well). It's fun, and I think most people will enjoy it.

Here's whats great about it:

Movement. mmmmmmmmmmmmmmm, absolute butter. You truly soar in this game, both figuratively and literally, and even the tankiest of builds have a distinctive glide to them that gives the game both a unique character, and in general, a high quality. I'd love to see similar movement styles adapted to other games and other genres.

Build customization and variety. The thing everyone talks about in this game, and it deserves to be praised. Building your mech and piecing together how you're going to address a specific level or problem in your own particular way is a really fun puzzle, and the builds don't just affect numbers on a screen- they very meaningfully affect how your mech moves, which enemies they're most effective against, and what other pieces you need to pair it with. It strikes a nice balance of tailoring a build to specific levels, as well as finding signature styles that work for you.

Ignore people who say the game is ugly. It has a strong gunmetal and wasteland aesthetic, but it fits the tone of the game incredibly. It's not vibrant, but that's a deliberate, artistic choice, and it manages to have art variety even within that aesthetic. The desert mission in chapter one exhibits this beautifully.

The soundtrack fucks HARD. Probably my top Fromsoft soundtrack, and probably one of my favorite video game OSTs of all time.

That being said, I criticize things I love more than things I hate, because I understand them enough to do so. So here's my take: it's def not up to par with Fromsoft's usual lineup or output. Of the modern (post-DS1, I've never played Demon's souls) From games, its probably the weakest. There's a couple of glaring issues with the game, unfortunately:

The complexity of the missions does not match the complexity of the player's build and inputs in the slightest. This is why there's been a lot of complaints about the game simultaneously being too easy and too hard. Either the enemies are simple and don't do enough damage to kill you, or they are simple and do enough damage to kill you. Even with dodging via intricate movements, there are some parts that are flat out bullshit and some parts that are a breeze. Because of this, it often feels like I'm injecting my own fun into the game by being flashy in my own right, but the game should reward that on its own. It's interesting to note that this feels like an inversion on how Fromsoft games typically work. Most From games have pretty simple input mechanics that you're forced to push to their absolute limits with environments and bosses that are extremely complex. This is true of all mainline Dark Souls, Elden Ring, and hell, even Sekiro and Bloodborne.

The storytelling.. this ain't it, chief. I guess it's to be expected, since Miyazaki isn't the director of this one. A plot element just got dropped in right at the end of the mission I'm on now that seems like it'll make things more elaborate later on, but no matter how complex the plot itself becomes, the classic Fromsoft storytelling style isn't there. You're back to this being a game where the plot is laid out for you with monologues, direct explanation, and cutscenes. The environmental storytelling is almost absent. As much as "item description storytelling" is memed on, but combat log collection is a slap in the face substitute for that.

Building on the "environmental storytelling is absent" point, the environments themselves have no complexity and don't reward even the barest minimum of exploration. There's like... one collectathon item per level, and that's it. No hidden pockets of the maps, no character moments, no scenes in a corner that show interesting bits of lore or story, no interesting details about the world to find. This is pretty bad for me tbh. Like yes, I understand its supposed to be a linear experience, but this isn't about linearity vs open world- its about how much you're doing with the linearity. Even compared to all of the Dark Souls games, which are all linear or branching linear, there's a distinct lack of care and detail in the levels that could really be there.

It's a fun, tightly made, well put together game that is fun, flashy, and has the most fun movement of any game I've played probably ever, but there's a lot of wasted potential. I would love to see similar brands of sci fi games, or hell, even fantasy magic shooters that build on these same types of controls and level of customization. If that sounds fun to you, go for it.

[jasbaklonbri]

My issues with the Avatar Live action show. (Spoilers)

before I get on with this… rant I guess, I want to stress that I do not “Hate” this adaptation, I actually think it’s pretty…. decent. Mixed in terms of being an adaptation but as its own thing i do think it actually is good. If a newcomer gets introduced to the franchise through this show, I’d mostly be okay with that (though would still stress to watch the original, especially hinting about the rest of the story if they’re really invested) before I go into my biggest problems I should quickly list its positives.

The characters, for the most part, are done well, they meet the core criteria of what made the original characters so beloved. The acting, for the most part, is good, overall the cast does a really good job at their respective roles. Costumes are amazing, sets, while not exactly 1:1, are still overall awesome. soundtrack is really REALLY good, stellar work all round. The action is not only great, it’s BRUTAL AS FUCK, it does not shy away from the themes of war and death and I love that 😈 some of the expanded editions to the lore are really interesting, big shoutout especially to the inclusion that zuko’s crew is also the battalion he defends in the war room, that was actually brilliant 👌 on top of that, references and inclusions of stuff from expanded material I mostly really liked, from the comics, to legend of Korra to even the kyoshi novels. As for the writing and story…. I can accept no adaptation is perfect and there will be changes, I think it follows the moments of the show decently and that the writing is… adequate. overall rating for me is a decent… 6/10… almost was a 7 but… no.

okay now for the stuff that sucked!

The Characters that weren’t good:

Aang is not bad in this, character wise and acting is overall good, Gordon Cormier does a good job, he looks and sounds the part. My issues are how the character is written. Ill get into more about his biggest issues later on as it mostly has to do with writing and a few particular scenes, but for now I’ll harp on how repetitive and annoying his dialogue can be sometimes, way too many times has the character had the same “guilt scene” which hits the exact same beats: he sees devastation, he says “this is my fault”, he’s reassured it’s not. Again and again.

sokka is awful in this. And to be honest it’s not really the writings fault, Ian Ousleys portrayal does not do it for me, his line delivery is too monotone-ish, his emotional delivery is lacking, he has the same blank facial expression throughout the show. He has a decent one liner here and there, but the comedy and character is MILES away from the over expressive, hilarious and badass original.

zukos actor is decent just enough, and honestly it’s a little unfair to compare Dallas Liu to Dante Bascos performance, but admittedly I felt he was comparatively more underwhelming at times. Though if anything I was more annoyed at the look of his Scar. Don’t get me wrong, its leagues more noticeable than it was in the god awful movie adaptation… but it’s still not great. Remember how grotesque his scar is in the animated show, even at a distance, his skin is shrivelled, he can hardly open his eye, even his ear is half burnt off, they could of gone all out in showcasing his disfigurement, the greatest source of his self shame and most brutal showcase of his fathers cruelty and abuse… but no it’s just a dark red patch around his eye, it’s not even ugly to look at. Disappointing.

Bumi, while acted and portrayed really well by Utkarsh Ambudkar, is written very badly. His motivations have completely changed from the original, and no it is no where near as good, unlike in the show were he “toys” with Aang to teach him lessons about the journey ahead of him, offering wisdom and compassion to his old friend, keeping his identity a secret allowing Aang to realise who he is, making an emotional reunion when he realises another piece of his lost past is still alive: here Aang finds out immediately it’s him, and Bumi instead is pissed and petty that Aang left to the point HE TRIES TO KILL HIM, completely disregarding the point of the message and character from the original show. Oh and not to mention the ending scene with him, but again I’ll get to that scene later.

finally, biggest problem I’ll harp on the characters themselves is the diminishing, lack of focus and editing of the three protagonists flaws. Aangs childish immaturity, kataras inexperience, Sokkas rudeness and distrust. There are reasons why the show took these out or didn’t focus on them, but in my opinion this was a huge mistake to do. Character flaws are integral to character growth, throughout the original show we see the characters learn and grow with and out of said flaws to become more rounded and stronger characters, Aangs journey to embrace his destiny and responsibilities, Kataras growing wisdom and strength, Sokka accepting his wrongdoings becoming more open minded and accepting. Diminishing these ultimately take away a lot from these characters and it does them and the fans a huge disservice to outright ignore them at times.

Aang and Kataras bond is there… but it’s Seriously lacking!

I’m a Kataang shipper. Before I go into detail with this I think it’s important to point out a certain bias I might have with this, but regardless of any opinions about the original shows romantic themes, I’d still argue that Aang and Kataras relationship is one of the core and integral bonds of the original show (the others being Katara and Sokka, Zuko and Iroh, Aang and Zuko and Zuko and Azula (book 2 onwards) so getting this right is in my opinion important to any adaptation. Overall their relationship is fine in this iteration, but MAN it’s just not as good.

Imagine my utmost disappointment When in this version: Katara is not the first person Aang sees when he wakes up! Now I know that seems like a petty thing to harp on but really think back to the original show, how beautifully written their friendship was, how they constantly support and empathise with each other, how Aang is a source of Kataras hope, how Katara is an emotional rock for Aang when coming to terms with his loss and grief. All of it starts with the foundation of their first meeting in that first episode. After a hundred years of sleep, Katara accidentally discovers Aang (with Sokka) and rushes to save him, the first person Aang sees as he opens his eyes is her, he immediately, and essentially asks her out. Katara introduces him to her village, she’s enamoured by his playful attitude and abilities, there are hints of a blooming crush between them (mostly from Aang) they promise to explore the world together, they go penguin sledding, until finally, when Katara realises and breaks the truth about Aangs 100 year absence and slow realisation that everything and everyone he knew is likely gone, Katara tries to reassure him mentioning there may be a bright side: Aang responds with “I did get to meet you”. all of that build up and setup of the friendship (and budding romance) of our two leads is masterfully established in one, 23 minute long episode. Really think about that. It takes the original show 1 episode to set the core points of the two lead’s relationship in what takes this show AN ENTIRE SERIES TO PROPERLY ESTABLISH! Not only is all of that practically absent in this iteration, but plenty of scenes and moments are either missing or lessened, Such as when Katara calms Aang out of the Avatar state, or how they begin to train and learn their waterbending together (more on THAT later), cave of two lovers is now given to Katara and Sokka?? (really missed the point of that episode) or how about the mutual understanding of each others grief through their own grief, oh yeah that’s another thing, in this version Katara, nor Sokka for that matter, ever mention to Aang that their mother is dead?! Not once. I don’t even think he ever knows, or maybe he finds out off screen? Big thing to not mention guys??

Now there are plenty of scenes in the show that do help build up their friendship here, but by missing core scenes, especially those from the first episodes, it just makes it harder for the show to establish that bond towards an audience, and again just pales in comparison.

No statue room???

I’ll be a little more brief here, but the fact that this moment is completely missing infuriates me. You have the quintessential moment where Aang is in full view of the scope of his legacy, a monument to hundreds of all the past avatars, a moment for our characters and the audience to visually realise the weight and burden that Aang Carries upon his shoulders… and you completely take it out??? What the actual FUCK???

Kyoshis premonition almost ruins the show! as awesome and badass as Avatar Kyoshi was in this version, this one tidbit is by far not just a weird addition, it’s arguably one of the biggest fundamental flaws of the show, not as an adaptation, but the show in of it self. The idea apparently (according to behind the scenes comments) is that kyoshis premonition to Aang of the northern watertribes destruction is to give him more of an assentive to head “straight to the point”, removing the unnecessary detours and filler of the original. The problem with that is even for that reason, this addition is completely pointless, because Aang already has enough assentive to head to the north: LEARN WATERBENDING!!!

In the original show after Katara and Sokka save Aang from zukos ship in the 2nd episode, they establish that they must find Aang a water bending master so he can begin his first step in becoming the avatar, in fact rewatching the first few episodes, AANG MAKES THE SUGGESTION FIRST TO KATARA SO SHE CAN MASTER HER WATERBENDING! Even the god awful movie understood that that was enough reason to head north! And if you really want more reason and imperative for them to get there as soon as, why not just reiterate that there is a WAR GOING ON! The attack on the south, the genocide of the air nomads, accidentally bringing an invasion to Kyoshi island, these are all good enough reminders for the Gaang to showcase the need for Aang to head to the known one place in the world where Aang can possibly master an art integral to achieving his destiny. But even worse than that, this addition seriously hurts the show going foward, because now, after Aang has been shown the impending doom destined for the north, he STILL detours from it, not once but twice! (And according to one gossiping bartender, possibly a few more times!!) in an attempt to try to showcase his nobility and compassion to always help those in need, every time he decides to stop to help a new problem, HE IS LITERALLY RISKING THE DESTRUCTION OF AN ENTIRE CIVILISATION!!! Priorities dude!!! It’s not like he’s given a time frame, for all he knows this premonition could happen at anytime, it could be already happening??? It is by far one of the biggest, if not THE BIGGEST flaw of the show.

Muddying the rules of the spirits and spirit realm

Aside from kyoshis future sight, too many instances does this show, in an attempt to expand ideas of worlds spirituality, often just make things more confusing. Another example is when Aang accidentally drags Katara and Sokka into the spirit world, which even with the reasoning they give it makes no sense whatsoever and it only serves an excuse to combine moments from other episodes into one. Or how about when wan shi tong… for some reason… explains that spirits can only talk to the avatar and only they can communicate with and talk to spirits… except that rule is completely ignored when Katara and Sokka can clearly hear what koh is saying? ooops???

Hai Bai has no agency or resolution in his inclusion here, he’s not even the central threat despite HIS forest being burnt. Instead of going on a full rampage against humanity for their destruction, he’s now just really angry about being wounded? Instead of hai bai kidnapping people, it’s now Koh, who while still really creepy in this version, his abilities are now greatly diminished. Instead of his lightning quick speed to remove the faces of anyone who show any ounce of emotion in his presence, here he can only prey on negative emotions, and is never shown to be especially fast (except the two jump scares). again it just pales in comparison to the intensity of the original scene.

Kuruk should know why his advice is horseshit!

while I like the inclusion of some details of the lore outside the original show, using it during Aangs scene with Kuruk significantly hurts his first scene, because now we have the writers completely miss the point and lessons of Kuruks life. Kuruks advice to “walk the path alone” to “distance himself from his friends” is not just obviously poor advice on its own, but considering that the past avatars are aware of events after their death, it especially doesn’t make sense coming from Kuruk! Avatar Kuruk HAD friends! the kyoshi novels go into detail about his closest companions as well as his secret deeds of hunting dark spirits. Yes Kuruk did it in secret and inadvertently and purposely distanced himself from the people he loved so that he could in his mind protect them, and that’s excusable because Avatars never have hindsight about some of the consequences of their actions, in fact past avatars often use their mistakes and their consequences as advice and warnings to the current avatar. KURUK SHOULD BE ADVISING THE EXACT OPPOSITE!!!

One of the major consequences of pushing his friends and keeping secrets was that when he eventually died mysteriously at a young age, his companions felt they had failed in their mission to serve and protect their friend, pushing one of them, Jianzhu, to fall into a path of political meddling and corruption, and being consumed with keeping his power and influence through back handed tactics like kidnapping, torture, intimidation and murder, eventually becoming Kyoshi’s earliest nemesis and one of her greatest enemies (highly recommend reading the Kyoshi novels 😍) Not to mention that Kuruks “advice” leads to an incredibly forced scene and trope where our hero attempts to push Katara away and “nobly distances himself to protect his friend”, only for the advice to be immediately ignored a few minutes later, making it entirely pointless.

AANG NEVER LEARNS WATERBENDING???

yes, through the entirety of BOOK 1 WATER, Aang never learns waterbending! Katara offers to show him some techniques she knows in one scene, but for some reason he’s hesitant to take her offer, which would have been interesting to explore, except they never really address it?? Worse even when they finally reach Pakku in the north, all that happens is that he’s kind of scolded for not starting his training, but not once is it seen or mentioned by pakku that he’ll teach him ANYTHING. If there’s enough time to have Katara shown water healing lessons as well as arguing and fighting Pakku to teach her combative techniques, WHY THEN DOES EVERYONE IGNORE TRAINING THE GOD DAMN AVATAR!!! The fate of the world rests on Aang learning the 4 elements, but for some reason they completely leave it out?

Now Katara is mentioned to teach him in the future like in the original, but the problem now in this version is that while Katara is gifted and talented, unlike the original show she’s never formally trained (outside of healing lessons) by Pakku or a master to warrant her to become Aangs official waterbending teacher. They are literally leaving the training of the most important person of their time to an AMATEUR!!!

a baffling diversion?!?!

Finally my last big problem with the show is the handling of the ending scene. Take in mind that the fire nation sends an entire fleet, no, hundreds upon hundreds of ships to invade, subjugate and snuff out an entire civilisation, and to take out the avatar, once and for all. Also consider the sheer loss of life and devastation that was unleashed by the ocean spirit upon them when zhao murdered the moon spirit, they got hit back hard and then some, honestly it was spectacular to watch! The problem, according to Ozai: “it was all according to plan”…..

WHAT THE ACTUAL FUCKING FUCK?!?!?!

apparently it’s revealed that the North Pole wasn’t the “real target”, but instead a “clever ploy” to instead… invade Omashu?? First of all, who are you creating a diversion for??? We don’t see earth kingdom soldiers coming to assist the fight in Agna Q’ela? It’s not like we ever see waterbenders helping to defend Omashu when we were there earlier, it’s not like anyone outside the protagonists was aware of Aangs premonition (oh by the way why didn’t Kyoshi warn Aang it was a “diversion”??) WHO ARE FUCKING TALKING ABOUT???

and again, just to reiterate, you are saying you sacrificed an ENTIRE INVASION FORCE, big enough to destroy a whole society, which led to a huge loss of life and ships which YOU CLAIM was “to be expected”…. In order for you to take one city???? YOU HAVE GOT TO BE FUCKING JOKING??? That’s not just bad writing, that is beyond STUPID!!! Oh and just to add, unlike in the show where Bumi willingly surrenders to avoid the destruction of Omashu, instead opting to wait for the right opportunity to free it later, saving his people doing so, here we see him bruised and bloodied after a siege! Yeah, one of the most powerful earth-benders in the world is taken out offscreen!!! CHRIST ALL BLOODY MIGHTY!!!

okay… rant over… 😮‍💨😮‍💨