#it's way more grounding

[madwomansapologist]

there is a certain insanity that makes people decide to become sorcerers. having an innate technique isn't enough, they have to want to work in such a cruel field and more than that they need to not have anyone willing to do anything to stop them from doing so.

miwa and nobara are, from the younger cast, the only ones with mundane reasons. one wants to help her family, the other would rather die than staying on the same fucked up town. it's clear miwa has a great relationship with her family, and clear nobara hasn't.

which makes me think of nanami, the most normal sorcerer from the older cast. the only sorcerer of his family, putting his life and innocence in danger when he was still a student. if you have a family that will have your back (like nobara hasn't) you don't do that. if you have a good socioeconomical situation (like miwa hasn't) you don't do that. for me, it's clear nanami lacks both of them.

not only i think he used to live dangerously closer to the line of poverty during his youth, i also think someone with at least a bit of care or love for their own family would judge suguru for killing his parents. but nanami couldn't care.

[crowlixcx]

obsessed with the fact that Crowley is the one who's drunk on poison and unsteady on his feet here yet Aziraphale is the one swinging towards him like a horny pendulum

[madamemiz]

saw a post recently about the sun and moon fandom and how non-selfship content is rare, and how that's frustrating, and it struck me, like... how rare that is. genuinely in all my 20ish years in online spaces, i've never seen a fandom that not only welcomed selfship but actively encourages it, when usually the rule of thumb is that it's tolerated at best and despised at worst

so why is this fandom so selfship centric?

the answer is a combination of factors, of course, but I think it was mostly just a perfect storm of the right character with the right traits at the right time. many people between about 23 and 33 were and still are experiencing intense childhood nostalgia that's being perpetuated by online culture and various media, often through a distorted or slightly unsettled lense. the daycare attendant is fun! they're childish, but decidedly not children. they're not human, unattainable in reality, but plausible enough in the age of ai that they make you ponder. they make you long to nap and play and color and do all the whimsical things you wish you could take a week off from your dull job and do! but there's something... off about them. an element of danger that's intriguing. they're dangerous, but what if they aren't to you specifically? or, if they are, what if they overcame that, just for you? what if you were worth it?

people our age are lonely, and if not, often working through issues they didn't have time to contemplate in their teens and early 20s because they were still living throigh the issues. younger people too, of course, but it's especially rampant in the aforementioned age group. past college and college friends, too caught up in work to make new ones. if the dca really clicked with you as a character, it's kind of fun to imagine what it would be like to hang out with them. what if they were your friend? what if they were more?

which leads to my last point--cringe is dead and we stomped on its corpse

maybe it started with a few people drawing a y/n with the dca, and wow the art is cute! who's the cute jester character? ... is that a self-insert? huh. and then more people join in. is that allowed? yes! and the crowd cheers for it too! the right people drawing the right character dynamics at the right moment, drawing others like a moths to a strange robotic flame

ultimately, the fandom attracts so much selfship because that's the bedrock, the foundation the rest of the fandom built its home on. almost all of the common tropes and characterization have roots in selfship fic and art. the dca's popularity very much kicked off from that, and seeing other people using them as an outlet for their loneliness, friendship, romantic or sexual desires, or even just for creative character and plot setups that are only tangentially related to canon actively encouraged others to join in, in a way that could only happen while riding the funerary coattails of cringe culture

it's very much a lightning in a bottle fandom, the likes of which i doubt we'll see again for a while

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[poorly-drawn-mdzs]

Flower Empowered.

[First] Prev <–-> Next

[deadsetobsessions]

Tim Drake, Danny’s human identity in this universe, is a boy trapped in an empty manor with absentee parents a low socialization.

Danny Phantom, on the other hand, is Gotham City himself. He could fly, he could interact, he could be the heart of his city like he needs to be. From the lowest of the lows to the highest of the highs, Danny loved the people that were his. Well, most of them. Child molesters often found themselves crossing paths with a vengeful, mostly recovered Robin.

He is the city, he is Gotham. And with his status came more changes, ones he welcomes more readily that the changes that came with his title of Ghost King.

Being a city couldn’t change him as much as it would have, had he gained the title before becoming King. But now, his shadows are dark, curling around his shoulders and curling away what little light he allowed into his city. His skin, having once glittered green with stars and galaxies and black holes, clouds over just a bit. It gives him a misty quality. His hands become sharper, stronger. Gargoyle-like. He wonders what he looked like to Batman, holding his broken son cradled safely to himself. He’s crueler, now, but that’s easily balanced by his years of being a vigilante himself.

He loves these changes. They are loved in a way changing into Dead Danny Phantom and Ghost King Danny Phantom will never be loved. And even though his human features are different in a way he never had to deal with as Danny Fenton, because it was his body that he died in, Danny finds himself enjoying the distinction. And he enjoys when they combine, because in the end, they’re just facets of who he is, now.

Gotham flies through his city, and enjoys it as a whole. A bigger picture.

Tim Drake walks through his city, and enjoys it as an individual. The smaller picture.

Being Gotham reminds him of what he had to protect as a whole. A duty he gladly bears.

Being Tim reminds him of the people he’s meant to help, the stories he doesn’t get as Danny. A connection he gladly encouraged.

Gotham is power. He is duty, he is fierce love. But for the good of the whole.

Tim is kindness. He is choice, he is gentle devotion. But for the good of the individual.

He’s both.

Danny. Danny Phantom.

Phantom glides through the smog.

The ebb and flow of people is his life blood, the thrumming of life and death and fear and hate and love and everything the city is sung through him and Danny sung back with everything he had. Danny is the gargoyles perched high, watching everything. He’s the stone curves of the sewers, sheltering his rats and mutant murderous crocodile man. The is no love comparable to a city’s mutant rats and their sewers. Ancients, he loves his city.

It would be nice, Danny thinks wryly, if they’d love me enough to stop blowing up buildings.

The sting of destruction to his city would hurt much more, had he not also been King. Regardless, every time there’s an explosion or general large scale property damage, he feels a stab of mild pain. Catching sight of his Bats, Danny stays invisible while following them. He wills the shadows to cradle them, to hide them further. He softens the stone, the mortar, the steel, just a hint. Their footsteps, silent and aided by the city himself. The wind steal away the noise of the grappling guns, so when Danny’s favorite vigilante duo (a fascination he shared with original text!Tim) broke into the building, not a single soul aside them are aware of the intrusion.

Batman skulks across the support beams, Robin following with an anticipatory grin. Danny floats, invisible, undetectable, besides them.

“C’mon!” A goon grunts beneath them. Danny tilts his head. A… Dresden Aberthy. Wow. That’s one hell of a name.

“Hurry it up! Boss said Batman’s going to get here soon!” Another goon- Robbert- said, waving around a gun like a moron at the terrified hostages. Danny could tell half of them were part of a tour bus, mostly because the other half were his Gothamites, bored and unfairly used to this kind of thing. The tourists… He’s fond of them, having kept track of their progress through his city. He doesn’t care for intruders on his haunt, but tourists like to appreciate his city and its doubtlessly Sam-approved architecture. Most of them. Rude tourists get pigeon shit on their heads and food stolen by his lovely rats.

He’ll have to make sure none of the bullets hit the tourists. He likes this group, even if he has enough awareness to question their sanity in choosing his city to sightsee. He knows it’s a mess. It’s Danny’s mess though, so whatever.

——

All said and done, Batman whoops ass and Robin rescues the hostages just fine. Danny grins proudly as Robin knees a guy in the crotch and punches a lady’s throat in order to incapacitate them.

After they tied the goons up, and interrogated them for Two Face’s plans- explode a quarter of Gotham to distract the Bats from his diabolical plan to murder half of Gotham’s judges and lawyers that have been going after him and his people- the duo retreats to the rooftop.

“Didja think Gotham saw that?”

Batman goes to reply, but Danny beats him to it, coming back to visibility with a wind touched laugh.

“I did, little Robin.” Danny smiles, fangs and shadows on display as his vigilantes startles and whips around to face him. “You did well.”

Robin- Jason!- gapes at him.

“I see you’ve recovered, little bird.”

“Gotham! Oh. Wow. People always said Gotham was a lady, but you’re a guy!”

“It was a Lady,” Danny confirmed. “It’s complicated, little bird.”

“So, you’re really… you’re really Gotham? The city?”

Danny looks at Robin with the weight of the city behind his gaze.

“I think you know the answer to that. But yes, I am your city.”

“Constantine,” Batman starts. “He said that city spirits only appear in times of grave danger.”

There is deference in his words. Batman is Batman for Gotham, after all. Danny just wishes he could… well, be friendlier with his knights. May this is a good place to start.

Are you in danger? What threats do we need to handle? How can I help? How can I protect? Please, let me help.

His Knight always felt more than he ever says. Danny smiles.

“Was Robin’s wellbeing not in grave danger?” Danny floats closer. “I am your city. You protect me, it is only right that I protect you, no?”

“Thank you for saving me, Gotham!” Robin’s grin is a touch more sincere than usual.

“Of course, Robin. You are loved.”

“Is there… a reason you’ve shown yourself today? Gotham.”

Danny chuckles, understanding the awkwardness that was Batman addressing someone with deference.

“I wanted to tell you that you did well tonight. Those tourists weren’t harmed in the slightest. Well done.” Danny gave Robin a playful but sincere thumbs up.

“They weren’t a match for us!”

“No, they weren’t.” Danny ruffles Robin’s hair, noticing how still he grew at it. “Robin was too fast for them. That maneuver at the end was masterfully executed.”

Batman clears his throat and Danny resists the urge to laugh at him. It would be mean.

“Thank you, for the… praise.”

Fuck it. He’s played well behaved for too long.

“Yes. I read in child rearing books that positive reinforcement is necessary for healthy development. You did well, Batman.”

Despite trolling Batman- and somehow holding a straight (and hopefully wise face)- he meant every word.

Allowing a small smile to slip at Robin’s chortles and Batman’s quiet sputtering, Danny moves on.

“Where is Nightwing, Batman?”

“He’s still on a mission...”

“If it is awkward to refer to me as Gotham, Phantom will do.”

Batman dips his head once. “In space, with the Teen Titans.”

“I see. Please tell him I request his presence,” Danny barely waits for Batman’s oddly acquiescing agreement before summoning a pigeon.

“Follow her,” Danny instructs the duo. “She’ll lead you to the places with explosives. I will guide you through her, to Harvey Dent.”

Danny winces as another explosion rings out.

“Your face is cracking!” Robin exclaimed, worried. He surged forward to stare at the hairline cracks appearing on Danny’s jaw.

“That would be the explosives. Any damage to the city will be shown on me.”

“Well take care of it.” Batman growled, shoulders straightening once more into an imposing symbol.

“Yeah!”

“I know you will. Stay safe.” Danny disappears, spreading his awareness and directing his Birds to the explosives that will go off the fastest.

Batman and Robin share a glance and leaps off the roof, ready to save their city once more.

——

Tim Drake wanders around Crime Alley, and meets a blonde nine year old trying to throw hands at her absentee Riddler knockoff of a dad. He dodges the brick en route to his face and kicks the guy’s knees out.

“You okay?”

The girl blinks. She stares at her dad, groaning on the dirty street of crime alley, and flicks her gaze back up to Tim, who waits casually.

“Yep. I’m Stephanie. We’re gonna be friends now!”

She grins at him, a baby tooth missing, and Danny melts.

“Heck yeah. Tim!” He introduces himself for the first time in a long time.

Maybe with Stephanie around, he’ll finally use the name Tim? Maybe he’ll get used to it, finally!

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[capydoodle]

have compassion for yourself and for others. it seems hopeless but any small amount of good you can do is just that much more love in the world

[saturnrin]

I love the idea that everything (positive) that Lila lies about somehow comes true for Marinette.

Lila lies about having connections to the queen of England? Suddenly, Marinette is getting regular commissions from the queen herself and forms quite the acquaintance-ship w the royal family.

Lila "is practically family" to an Italian mafia? Marinettes grandmother has quite an eccentric background, and through her, Marinette somehow manages to get a local Italian Mafia to pseudo-adopt her. (Only because she refused to actually be adopted, much to their disappointment)

Lila "went on tour" with Jagged Stone? Guess who wants his favorite designer to accompany him for his U.S. tour during the summer?

Oh, Lila says she acted in a movie for Graham de Vanily Films? Guess who ends up accidentally staring in a Graham de Vanily film?

I just want all the positive things that Lila lies about to happen to Marinette, who is sufficiently surprised every time (you'd think she'd be used to it by now), meanwhile, in the background, Lila gets progressively more pissed.

And the worst part? Every time she tries to upstage Marinette with something even bigger and grander than Marrinettes' own accomplishments? No matter how ridiculous, Marinette somehow ends up stumbling upon That. Exact. Opportunity.

It's incredibly frustrating.

You could say Marinette has some miraculous luck, despite how adamantly Tikki denies any involvement in these increasingly ridiculous turns of events.

All in all; Lila is frustrated, Marinette is frustrated, and Tikki is very amused (as are Adrien and Plagg, who watch this shit-show from the background).

[julijbee]

girlbossing too close to the sun.

[sforzesco]

some "new" designs for different crassus and pompey, specifically for a side project I've been playing with that's so removed from anything relevant (action/adventure/horror standalone story lmao) that they kind of needed their own thing. this story's pompey has a neck scar from an Incident™, crassus has shorter hair and wears (checks notes) jewelry sometimes.

[valtsv]

hold on. i think i've just successfully articulated why VAL's power doesn't work when she tries to use it on herself. it's not that she doesn't necessarily believe her own delusions, that's irrelevant (since we've already had it demonstrated to us that it doesn't matter what you believe, if the last word says otherwise). it's that she's made herself and been made into something that cannot be changed. VAL's sainthood is a trauma response (which isn't to excuse all the mass murder and torture and other petty war crimes; trauma responses are not inherently admissible on the basis that they're rooted in trauma, and while traumatised people are not inherently dangerous, some trauma responses are objectively harmful). it's rooted in her desire to become something that "cannot be bound", to become something that can make it so that if her mother the world says that she cannot be loved, and that nothing she ever does will make her good enough to deserve kindness, then she can simply rewrite the reality that governs it so that it has no choice but to cede to her demands. however, in doing so, she severs herself from being able to be transformed by those changes herself - because then how would she know that they had changed? she remains fixed in place, and must endure whatever consequences her actions have for her. her body suffers under the strain of holding its form while the rest of the world twists and warps around her. she has made herself a vessel for that desire to be unable to ever be hurt or made helpless again, and in doing so defined herself by it, and made herself utterly helpless to and tormented by her own inertia. she can never move on from the pain that drove her to that point, and so she must carry it in a body not built to bear its weight.

[drenched-in-sunlight]

you know I’ve been wondering why the phrase “Have mercy, for the spirited away shamans.” in Elden Ring sounds familiar. I remember where that phrase is from now.

Fromsoft also used that to refer to all the children being kidnapped and died from the Senpou monks immortality experiment in Sekiro.

There’s only one child who survived…

That girl later on also ate two Great Serpent hearts so she could become a Divine Cradle… essentially another vessel for the Divine Heir, a vessel for Divinity…

I wonder if that parallel is the reason why the Miko used to refer to Marika’s ppl is written as 巫子 / Sekiro divine child is 御子 (both pronounced as Miko / with 子 literally means children)

It’s like the more i think about it, the more Marika becomes the sum of all the Fromsoft girlies i have been mourning for for the past 4 years.

Enough. They can’t keep doing this to me 😭😭😭

[tapeworrmart]

Come here 🐺🦷

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."