#it's very ONE OF EACH!!!

[mermaidsirennikita]

(Sorry I dont know if you've answered this before) how would you rank all the Maiden Lane heroes? On a scale of hotness/fuckability/insanity...

I probably did this a looong time ago, but my preference tends to shift slightly. Top 4 is always top 4, I think, but they then move around in terms of their ranking because those four... are super special. And everyone else can shift depending on reevaulating (I REALLY need to reread Apollo and Caire's books).

Right now, it would be:

Winter Makepeace

Maximus Batten

Mickey O'Connor

Asa Makepeace

James Trevillion

Valentine Napier

Godric St. John

Apollo Greaves

Griffin Remington

Hugh Fitzroy

Raphael de Chartres

Lazarus Huntington/"Caire"

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[symphonyofsilence]

Let the poor man rest.

[monkesupreme]

ref

a satisfactory answer for Selina

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[inkskinned]

having good & true friends will literally save and protect you in a million unfathomable ways. like okay we have written so many times about lovers. but the way a platonic friend laughs and cries with you. the way they hold your hand at 14 years old and at 34. the way they keep a little silver tie to you, touching base over and over and over. how you can go years without talking, only to re-meet and discover: oh shit! you're still cool!

there are people who have been in my life for more than half of it, and i have loved every version of them. do you know how fucking beautiful that is. yeah love will save the world. but the way friends love you is gonna save the you.

[auden-dahn]

netpet, your new friend! 💾

[🍵 kofi]

[blackkatdraws2]

[Toon x Mobster] A tender moment.

[Animation timelapse here!]

[AUDIO USED:] Chet Baker - Almost Blue Sound Effects edited by me!

[puppppppppy]

renaissance dogys

characters belong to @canisalbus

[demigods-posts]

i think grover pointing out to percy that annabeth's yankee's cap is the only thing she has of her godly parent makes percy realize how important it is for demigods to have symbols of their parents with them. and i would really love to see it all come full circle when percy battles with ares later on in season one, and after he wins, he demands that ares leave them alone so they can return the bolt and that he gives clarisse another spear to make up for the one he broke. which would be an amazing way to set up percy and clarisse's 'i have a lot of respect for you/you're an annoying bitch that i tolerate/if anyone messes with you, i'll cut them' trope for later seasons.

[haunted-xander]

AA loves their siblings huh.

Probably missed some too!

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[nostalgicfun]

Feel free to share which is your favorite NOW in the tags, but this particular poll is about which you preferred as a child! ⭐ In a few days we'll do another one with more options!

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[justsomestuffreally]

I think the Batkids reaction to a Bruce who isn't de-aged to 8 but rather 29 (pre-Jason death, post his adoption) would be fascinating. 

Their reaction would vary wildly:

Dick: Oh. Bruce is soft again. Bruce calls them ‘chum’ and ‘buddy’ and gives head pats for no reason. He still isn’t perfect, his communication skills are still a work in progress, but compared to his future self? Without actively dying Dick is hugged plenty. Bruce asks him to go to the zoo, unrelated to any case, just to spend time together. Dick is hit with more nostalgia and longing for the past than he knows what to do with.

Also notable: his dad is younger than him. That is something. Second, holy existential crisis Batman, his dad is younger than him and already one adult and one teenage kid??? Dick is not ready to feel this old yet. Third, Dick has absolutely no idea how Bruce managed to stay patient through his no-pants years. He is going to thank reason every day from now on that Damian wears full protection.

Jason: After his death and League he clung to an image of Bruce. One many tried to beat out of him, but he still kept it somewhere close to his heart, buried deep enough even he couldn’t see it. When he came back Bruce wasn’t like this idea of him. How stupid of him to believe the mind of a traumatized kid. Trying to create one good thing before the kid drew his last breath. Making up memories that never even existed.

But they did. Every smile and hug and even his words reflect the image tugged safely against his still-beating heart. His dad very clearly, very deeply loves him. Which is so much worse. Because he can understand why a Bruce, who never cared, didn’t kill the Joker. But he cares. So why the fuck did he not kill the Joker?

Tim: The reason he joined the family, the reason why he became Robin in the first place was because he saw a problem when Bruce started self-destructing and thought ‘Someone needs to fix that!’. Therefore he went and collected Dick, who didn’t seem keen on fixing it. So, the job fell to him to fix it.

He thought he did a good job, he thought he fixed the problem. Except now he sees who Bruce was, and he knows he failed. Their Bruce is less soft, less affectionate, less like he was before. Batman needs a Robin and Tim didn’t manage to be good enough of one to save him. 

[Or: Tim has a guilt complex a hundred miles wide and blames himself for things that aren’t his fault part 52]

Steph: Jason and she are very similar. Both come from the Narrows, both have a mother addicted to drugs and a shitty father. The differences start when Steph keeps waiting on the roof of their apartment for Batman to whisk her away, while Jason tries to steal the tires of the Batmobile and is taken in.

When Steph started out as Spoiler Bruce tried to keep her off the field, and obviously this one would too (even if he would probably be less paranoid about it), but she knows this Bruce would have also taken her in. This Bruce would be the father she always wished for when she sat on their roof and couldn’t see any stars. 

And she didn’t get to have this because Jason went ahead and died. (Of course, she knows she isn’t fair to the guy. Dying isn’t fun… And she knows the only reason she lived is because he died. When Batman rescued her from Black Mask she was in such terrible shape that Leslie managed to convince the World’s Greatest Detective that she died. If Jason hadn’t died Bruce wouldn’t have been as paranoid, wouldn’t have noticed her missing so soon, wouldn’t have been as urgent in his response. Would have been just a minute slower, a minute which would have killed her. Just as it had Jason.)

For her, this Bruce is a distorted mirror into a past which never was. 

Cass: This Bruce and B are not the same person. They don’t move the same. In a fight, this Bruce is younger, faster, stronger. Doesn’t compensate for a previously broken spine. Less experienced. Still one of the most experienced she knows, but less. 

He still moves differently, outside a fight, less pain. More likely to engage in physical affection, more likely to hug and pat and talk. He talks more than B. B knows what she means without words. This Bruce doesn’t.

She likes this Bruce, warmth, and softness. But not as much as B. He knows what she means, when she wants a hug, when she tells him ‘I love you’ without words. B doesn’t need words. This Bruce doesn’t know her, doesn’t communicate like her. She wants B back.

Damian: At first, when this version of his father seemed uncanny and oddly familiar, he assumed it to be due to the stories of his mother. After all, she always told him tales about his father. He simply did not have the frame of reference to understand the kindness she spoke of. Clearly, the clash between the ideals of the League and the ones of his father causes these feelings, just as they did when he first entered the manor.

He presumed this to be the case until one day on patrol Batman laid a hand on his shoulder and told him he did a good job after no particularly impressive fight and he nearly called him ‘Grayson’. Because the stories of his mother may have painted the picture of this version of his father, however, it wasn’t what made it familiar; no, he knew this kindness. These hugs and compliments one would bestow upon a child. Compliments which, despite the indignity, still warm him. Because Grayson learned how to be a… caregiver from his father.

His father used to be like Grayson, used to be until his grief hardened him. Damian could have had this. Damian could have a brother and father who would- But he doesn’t because of Todd. He loathes Todd. Loathes him for ruining the life he could have had.

Why did he die anyway? Damian certainly wouldn’t have a problem escaping bonds created by the Joker, Damian would have disarmed the bomb in time, Damian would have never thrown this life away like he did.

[Or: Damian is a child who was raised by assassins and has unreasonable standards for fighting abilities and also is a child who needs to focus his rage on someone.]

Duke: He was neither there before Jason died nor in the aftermath [according to my math he was around 4 when Jason died] he joined the family when Jason was already back for 4 years or so. He mostly skipped all the drama. For him, Bruce is the way Bruce is because he is Bruce. It’s weird to see him so different, to see how grief shaped parts of Bruce which Duke assumed were just Bruce things.

He’s glad this Bruce is brighter, or not because it just highlights how much that light will dim? Who knows, certainly not him. 

What he does know is that, with their Bruce, he has a distance which, with his parents still alive, he appreciates. With this Bruce, he can understand why Dick struggled so much whether he wants to be his ward or son, how he doesn’t want to replace his parents but still have this Bruce as a dad. It definitely explained the ted talk Dick tried to give him after Bruce officially took him in as a ward.

He likes this Bruce well enough, but he doesn’t necessarily want him to stay this way. Yes, their Bruce is less happy, less open but he did heal, he did grow. Duke met a Bruce who tried to learn from his mistakes, learned to communicate better, and learned when to pull and when to push. For Tim, Damian, Dick, and certainly Jason there is too much baggage, too much history in their relationships, it’s difficult for them to ever move past- anything really.

Sure, when Dick and Bruce are on the same page they are essentially invincible but then the past catches up again and they don’t talk to each other for months. And honestly? Apart from Cass, Duke’s pretty sure he has one of the best relationships with Bruce simply because he got to know him at a better time.

Duke doesn’t mind this Bruce. But their Bruce loved Jason, cared for him so deeply the scars still show to this day. And he still chooses to open up again even if just a bit by bit. Even if just Duke can see it. He is used to being the only one that can see.

And maybe knowing this care extends to him, this love even grief can’t shake? Maybe it makes him feel just a little bit safer, a little bit warmer, a little bit brighter.

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎