#it's still longer than I thought

[merrigel]

I want it back = I drag its dead weight forward

[jarrows]

recently i reread a bunch of my favorite sherlock holmes stories (norw my beloved) and felt compelled to create my own diagram for 221B

[sceletaflores]

isn't it messed up how i'm just dying to be him?

pairing: stanford!art donaldson x stanford!fem!reader

summary: and there it is. there’s that glimmer of attention, that hint of acknowledgement of him. the heavy look of rage taking over your features, the bite in your tone, it’s what art’s wanted for months. your undivided attention.

—or: art tries to get through to you about patrick, it doesn't go how he thought it would.

word count: 6.2k (i'm so sorry lmao pls still read it's good i promise)

warnings: 18+ SMUT MDNI, p in v, rough sex, unprotected sex (wrap it before you tap it y’all!), switch!art a little bit, creampie, kinda hate sex but not really, more like angry sex, swearing, fighting as foreplay, art is lowkey a little gay for patrick (it's literally canon), tiny bit of manipulative!art, art is just kinda an asshole in disguise honestly, hints of mean!reader cause i live for that shit, tashi and reader are cute besties, art being a bad bro, porn with too much plot, no use of y/n.

authors note: so this is basically a re-worked version of art and tashi’s dining hall scene when he’s trying to convince her that patrick isn’t in love with her. it’s really similar just way more messy and angry and with sex. this is literally just a tiny thought i had that somehow spiraled just a little bit, but i needed some lowkey asshole!art in my life. i had so much fun writing this, like way too much fun lmao. title is a lyric from fall out boy’s "sugar, we're going down swinging" cause that song fucks so hard and it's soooo art coded. okay bye! mwah xoxo

psst! tftw series masterlist!

Art Donaldson is a patient guy. He's nice, understanding, empathetic. It's something he prides himself on, lots of guys on campus are pricks, but not him. He's "the sweet blonde guy that plays tennis, like, really well!" according to most people who've met him.

That being said, he's not blind to the fact that you frustrate him to the point of wanting to shout himself hoarse and rip his hair out.

It's been a while since he and Patrick met you for the first time at the Open, and Art has been through hell and back about a million times over by now.

He still so vividly remembers watching you step onto the court, the almost visceral reaction he had. The crowd was cheering and clapping nearly as loud as they were for Tashi. There were even a few signs made in support of you scattered throughout the stands. Big poster boards plastered with your name and your winning streak and pictures of you playing, tennis balls and rackets drawn from markers decorating them.

It was obvious you were a favorite, and it was more than obvious how much you lived for it.

Smiling and waving to the crowd, fully basking in their respect and adoration. You were nearly glowing, Art couldn't take his eyes off you. He could tell that Patrick was thinking the same thing, if the way his thigh tensed up where it was plastered against Arts was any hint, his breath slightly catching as you started stretching.

"Goddamn..." Patrick had muttered under his breath. Art could distantly see his hand clench on top of his thigh when you bent over to tighten your laces. He always tries to be less shameless than Patrick but he’d be lying if he said he wasn’t just as affected by you, fighting the urge to shift in his seat.

After you and Tashi walked up to the net with matching smiles and shook hands for a little longer than usual, it was time to start. Art watched as both of you got in position on the opposite ends of the court. Both of your faces lost the easy-going, excited expressions you’d shared when you first walked out, hardening in concentration as Tashi got ready to serve.

Patrick and Art openly gawking at the two of you would have been embarrassing if it wasn’t so fucking justified.

You and Tashi made magic happen on that court. 

It was powerful hit after powerful hit. Tashi’s backhand was out of this world, your overhand was a monster. Every rally, every volley, every serve was pure perfection. Art had never seen tennis played like that before in his life, he couldn't help but get sucked into your world the longer he watched.

The match was close, completely neck-and-neck throughout each set, neither of you willing to give an inch to the other. Tashi won by a single point, hardly wasting any time before she vaulted over the net to come barreling into your open arms, crashing into you so hard it knocked the two of you to the ground.

You both grasped at each other like lifelines on the hard concrete of the court as the announcer crowned Tashi the 2006 girl’s U.S Open champion.

Art let out a long breath and deflated a little deeper in his seat. His mind racing, he didn’t need to look at Patrick to know he felt the same. They sat in silence like that until the stands were practically empty. 

“What time did you say the party was again?”

Art pointedly ignored Patrick staring at him with a shit-eating grin on his face, stretching his arms out in feigned nonchalance. Patrick just snorted, shaking his head and squeezing Art’s thigh.

That was then, now Art sits across from you in the Stanford dining hall at the same table you two eat lunch at everyday, trying to stay cool as you complain about the latest biology lab you’re doing. 

He’s hardly listening to you, too busy trying his best to not glare too obviously at the hoodie you're wearing. One that he knows for a fact belongs to Patrick. You must have kept it the last time he was in town. The Nike swoosh embroidered to the front almost mocks him. Art puts his water down with a little more force than necessary.

Patrick and you being…whatever the two of you are now was something he tried his best to be okay with in the beginning.

Patrick’s his best guy, Art should have been so stoked that you were into him as much as he was into you when the two of them walked up to congratulate you and Tashi at the Adidas party. Only being able to steal you away from the house after you said your goodbyes to Tashi and her parents, inviting you to join them down at the beach.

It was obvious you were playing into Patrick’s attempts to get in your pants. Not blushing or averting your eyes shyly when he blatantly checked you out, throwing out smart comebacks to his sleazy lines, looking up at him through your lashes and biting your lip.

It would have been soul-crushing if Art wasn’t such a good friend. So, he stifled the rising feelings of jealousy and plastered a smile on his face as he watched Patrick shamelessly flirt with you.

It wasn’t like it was your fault. Art didn’t come on as strong as Patrick, he never did. Plus it wasn’t like he and Patrick had talked about who could try and score with you prior to the party, anything was fair game.

Besides, you were nice enough to Art that night. Chatting about college admissions and smiling at him over your coke bottle. Sure, it stung seeing you laugh at Patrick’s stupid jokes while the two of you smoked off the same cigarette, but there was nothing he could do about it.

You choosing Patrick had nothing to do with him. Everyone always chose Patrick, he was used to it by now.

At least he thought he was, but the longer it was just you and him, the more angry he felt each time Patrick would visit and steal all your attention. It wasn’t just jealousy or frustration anymore; it was a gnawing, consuming rage that twisted his insides every time he saw you light up around Patrick.

Patrick didn't fucking deserve you. You were too good for him. Nothing like all the easy, ditsy girls he fucked his way through at the academy. You were special, unlike any girl Art’s ever met. Patrick would just take you for granted. He'd grow tired of you, completely dismissing you when he got bored enough. Any day now he'd call Art to spill on his latest hookup with some chick he met on tour. 

But Art didn’t want to sit around and wait for that day to come. He couldn’t stand the thought of you being hurt by Patrick’s inevitable indifference. The idea of you, heartbroken and discarded, made his blood boil. You deserve more than that. You deserve someone who sees you for who you truly are, not just a trophy. 

Art knows he could be that person for you if you’d give him a chance, if for once you’d look at him instead of Patrick. He just has to find a way to get you to understand that.

“Pat texted me this morning,” you say from across the table, boredly poking at your pasta. “He’s gonna be here later this week, says he wants to go see 30 Days of Night. You and Tashi should come with us.”

Art hums noncommittally, not looking at you as he takes another bite of his salad. You do this a lot– extend invites to Art and Tashi when you and Patrick go out.

Art knows you think you’re being nice by trying to make them feel included, but getting invited usually means having to watch Patrick touch you and kiss you and walk around with his hand in your back pocket.

Art’s fork stabs into his salad roughly. He takes a slow breath, trying to calm the emotions starting to swirl inside him. “Yeah, sure,” he says eventually, forcing a smile. “Sounds fun.”

He sneaks a look at you from under his lashes. You’re already looking at him, brow raised at his clipped tone. “You don’t have to come if you don’t want to.”

Art shakes his head, waving a hand dismissively. “No, no, it’s fine. I’ll be there.”

“Okay,” you say slowly, still watching him with a hint of skepticism. “Are you alright? You’ve been weird all day.”

Art lets out a small laugh, but it sounds more sour than sweet, and finally looks up at you. You look back expectantly, concern lingering in your eyes. “Nothing, it’s just…” he pauses, drumming the fingers of his left hand on the table, “the fact that you two are still going out surprises me. That’s all.”

He regrets it as soon as he says it, words sounding way more patronizing than he wanted. His chest immediately tightens with guilt, but he doesn’t wince or shrink back like he normally would, just keeps his eyes on you.

Your brows furrow, a tiny frown pulling at the corners of your lips. “What?” you ask, fork stilling in your hand. “What’s that supposed to mean?”

Art just sighs, putting his fork down and leaning towards you. “I know Patrick better than you do,” he says with a tiny shrug, “he’s always had a hard time with…commitment.” He says slowly, searching for the right word.

You don’t say anything for a couple seconds, eyes scanning over his face slowly like you're examining him. Art forces himself to not start squirming under your intense, studying gaze.

You don’t seem to like what you find, eyes narrowing as you push your tray away from you and lean back in your seat. “Are you seriously shit talking your own best friend right now?”

Art’s brow raises, that wasn’t the reaction he was expecting, at all. His jaw ticks in annoyance, his hand balling into a fist on the tabletop.

“I’m not trying to shit talk him,” he says calmly, voice tinged with frustration. “I’ve just seen how things go with him. I’m looking out for you.”

Your eyes harden, disbelief mingling with irritation. “So, what? You think you know what’s best for me or something? Are you my keeper now?”

That pisses Art off, now you’re just being an asshole. His brows furrow, arms crossing in front of his chest defensively. “That’s not what I meant and you know it.” He says, tone harder than before.

You scoff, anger spilling over your face. “Well what the fuck do you mean then, Art? Because you dancing around whatever it is you obviously want to say is really starting to piss me off.”

Irritation flares in Art’s chest, piercing and sudden. He swallows it down, breathing out his nose slowly to try and calm himself. The air between the two of you is tense now.

You’re loud enough that a few people sitting at tables nearby start to quiet down, discreetly trying to listen in.

“Patrick doesn’t love you.” Art says spitefully, his fingers grip the muscle of his arms tighter. It’s childish, but he doesn't care.

Your eyes widen, clearly caught off guard. You recover quickly, letting out a disbelieving laugh as you push away from the table with a harsh scrape of your chair. "Excuse me?" Your voice cuts through the air, sharp and incredulous.  

He stays silent, letting the weight of his words hang heavy in the air. Your eyes narrow, searching his face for any sign of retreat, but Art meets your gaze head-on, jaw set stubbornly.

You stand with your arms crossed over your chest as you stare down at him. “Why are you telling me this? Why do you care if Patrick loves me or not?”

Why do you care? The question makes his heart drop down to his stomach. Dread mixes with the anger in his chest. This wasn’t how this was supposed to go, he doesn’t want to make a scene in the middle of the dining hall. You’re just being so difficult.

You’re jumping to defend Patrick, not even trying to hear him out, just like you always do. Still refusing to give Art the attention he deserves. It’s fucking infuriating.

“I’m just saying,” he says, voice distant and cold, “he hasn’t been in love with you for a while. He’s told me.” 

It’s a lie, he’s hardly spoken to Patrick recently, but he’s in this now. He may as well go for broke, he always plays to win after all. 

Your face contorts grimly, another disbelieving laugh punches it’s way out your chest. You don’t seem to notice the amount of heads turned in your direction, or maybe you just don’t care. “Oh, he’s told you that has he?” you parrot back mockingly, head cocked to the side as you stare daggers at him, “That’s fucking bullshit Art!”

Art clenches his fists, jaw flexing in anger. He’s never seen you this mad before, never expected to be the cause of it. But at the same time he’s fucking angry too. Angry at you. Angry at Patrick. Angry at himself.

His eyes narrow, holding your own heated gaze without backing down because if there's one thing he hates most, it's losing. “You don’t get it do you?” He mutters quietly, shaking his head in dismay. 

Your jaw tightens, eyes blazing as you lean forward, bracing your hands on the table to get up in his face. He can smell the familiar fruity sweetness of your perfume.

“What’s there to get? The only thing I’m getting right now, is a front row seat to you being a vindictive little prick.” You bite out, breath fanning over Art’s face. “Who even said I wanted Patrick to be in love with me? Who said I gave a fuck about any of that?” You question sternly, brows furrowed as you scowl at him.

Art scoffs loudly, his face twisting in disgust as he rolls his eyes. His blood boils at having to sit here while you bitch him out. He wants to strangle you, to take you by your shoulders and shake you so that you’ll listen.

To make you see what he sees. To make you love him. “Please,” he hisses through gritted teeth, shifting so he’s leaning across the table just as you are, his eyes dark. “Everyone wants Patrick to love them. Everyone wants his attention. You want it.”

You just blink at him, taken aback by his outburst. You stare at him, not budging as your eyes scan over his face for a second time. And there it is. There’s that glimmer of attention, that hint of acknowledgement of him.

The heavy look of rage taking over your features, the bite in your tone, it’s what Art’s wanted for months. Your undivided attention.

After a few tense seconds you just laugh, shaking your head in disbelief. “You might be the worst fucking friend in the world.” You say simply, like you're reading off this week's forecast.

Maybe he is.

Art can feel the heat rising to his cheeks in anger, in embarrassment, in hatred, in lust. The way you’re looking at him makes something stir deep in his gut. His heartbeat echoes in his ears.

You’re so mad, but in that you’re giving him a hint of your attention, giving him the time of day, and you’re still fucking defending Patrick. Rage seethes in him, hot like fire. Yet even in this moment, you’re the only person that really matters. The intensity of your gaze pulls at something raw inside him.

“He doesn’t deserve you.” His voice is lower, pinched with thinly veiled frustration threatening to boil over.

"And you think you're the expert on what I deserve, Art? Last time I checked, your own love life’s track record isn't exactly stellar."

It’s a low blow, bringing up how Tashi rejected him a while back. He hadn’t told you about that, so Tashi must have. He laughs, but his lips are pulled up in a sneer.

"Don’t start deflecting,” Your name falls from his lips sharply, stabbing through the thick tension in the air. “This isn't about me, it's about you. You're setting yourself up to get hurt, and I'm just trying to warn you–"

"Yeah, well, I didn't ask for your fucking opinion," you snap, "maybe you should focus on your own damn problems.”

Art’s jaw tightens further, his frustration finally getting the best of him. "Fine, do whatever the hell you want. But don't come crying to me when Patrick does what he always does— leaves you for someone new."

You stare at him incredulously, shock and anger warring in your expression. "I can't believe you just said that."

"Yeah, well," Art mutters bitterly, looking away. "Believe whatever you want. Just know that he’s playing with your feelings.”

You huff, throwing your arms out at your sides in frustration. “What fucking feelings Art!” you say loudly, not quite shouting but you’re getting there. “Sure, Patrick and I fuck but that doesn’t mean we’re playing husband and wife with each other!” 

You’re definitely way too loud, voice steadily rising in volume the more you talk. Seemingly not caring about who’s around to hear you yell about fucking Patrick. “In fact,” you continue, shaking an accusatory finger at Art, “you’re the one trying to get in my head and play with my feelings, you fucking hypocrite.”

His mind whites out, filled with blinding jealousy all over again. He wants you so fucking badly, he could be everything you needed. Why can’t you see that? How could you be so blind? How could you not see that Patrick was using you, just like he used everyone else?

Art leans further across the table as you speak, his hands coming up to grip the edges of it tightly. “You’re so fucking naive, you know that?” He snaps in a biting tone. It’s harsher than he’s spoken to you during this whole fight.

Your voice drips with sarcasm as you lean forward, eyes locked on his. "Oh, well forgive me for not seeing the truth according to Saint Art."

“So fucking naive.” He repeats, spitting the words across the table meanly.

“And you’re a fucking pussy.” You bite back, leaning in even closer so Art can see your lips form around the words maliciously. You sway close enough that the tip of your nose bumps against his. His breath catches, going ragged in his throat. You’re so close to him. He can smell you, can practically taste you on his tongue.

He wants to take you in his arms, to hold you and kiss the anger off your face. The only thing keeping him from lunging out is the way you look. Your whole body is rigid with anger, eyes dark and cheeks flushed. You’re so beautiful. He has to remind himself that he’s supposed to be pissed at you and fight the urge to pull you in and really taste you.

But then you're backing away completely, “I won’t waste my time on stupid shit like this,” you mutter, turning to pick your bag up off the floor. “Thanks for lunch, Art.” You say sarcastically, not even looking at him as you turn on your heel and walk towards the dining hall’s exit before he can respond.

Art’s heart lurches forward at your words, not with pain, but with want. He watches you leave, the regret quickly setting in once you’re not here to play into his resentment. It hits him like a cold shiver, he wants to feel good for speaking his mind, for telling you how it is. Maybe on some level he does, but it’s overshadowed by how awful he feels.

Art stares down at his unfinished salad, appetite gone. He sighs loudly, standing up to toss his own tray plus the one you left behind. He tries his best to ignore the stares he can feel following him as he walks out.

ᯤ

Art wallows in misery for the rest of the day, skipping the practice he had planned after lunch. He just locks himself in his dorm, laying on his mattress and staring at the ceiling as he replays the fight in his mind. Replaying every word you said to him, every word he said back to you, every angry look you gave him. 

He thinks about texting you a thousand times. Typing and deleting different messages until he eventually gave up. He knows you’re beyond pissed, that him reaching out will only piss you off more and he wants to try and salvage this before you completely shut him out. The thought of losing you is why he never wanted to bring it up in the first place, regret settles in his gut like a ball of lead.

And yet, there was a small part of him that hoped, despite the shit show in the dining hall, that you’d see the quiet care he showed, the way he was there for you, and choose him for once. But hope was a dangerous thing, and Art wasn’t sure how much longer he could hold out.

Hours go by with nothing from you, it’s the longest you’ve gone with talking since the semester started. He forced himself to study for his biology final in a lazy attempt at taking his mind off you. You’d usually be in his dorm room right now, all spread out on his bed like it’s your own as you talk his ear off about something like your asshole psychology professor. 

The longer he sits at his desk the longer the ache in his chest consumes him. Art would do anything to know what you were thinking right now. He’d grovel for your attention, he’d fall to his knees and beg and plead if that’s what it took for you to forgive him. 

He’s getting ready for bed when his Blackberry pings on his night stand, it’s almost embarrassing how fast he rushes over to it. His heart stutters in his chest when he sees it's a text from you. It’s only two words, a simple ‘come over’. 

Art’s never moved faster in his life, rushing out of his room with only his phone, wallet, and keys. 

He makes it to your dorm in record time, nearly sprinting across campus to hurry up and get there before you change your mind. All that needy rushing completely vanishes once he’s actually outside your door. 

Art hesitates, staring at the little door decals taped on with your name written on them in black sharpie. He rests his ear against the door, but he can’t hear anything. He worries his bottom lip between his teeth, brows pinched as he wrestles with himself.

“C’mon Donaldson, don’t be such a little bitch.” Patrick’s voice rings out in the back of his mind. He takes a breath and knocks on the door.

Barely a second passes before it’s swinging open and you're there, gripping the front of his shirt and dragging him inside your room. Art's back hits the closing door with a thud, his breath catching in surprise. His hands shoot out to brace on either side of the door, knocking over a racket resting on the wall. Everything he brought with him falling to clatter onto the wood floor loudly.

You look rough, eyes slightly red and puffy like you may have been crying. Your breath comes out in short, quick bursts as you stare up at him. All the anger he swore would come rushing back when he saw you drains out of him in a second.

His face softens, a tiny frown on his lips. "Hey, what’s going on?" he asks, voice a mix of confusion and worry. His hands come up to hover near your hips, hesitating at the last second, not sure if he should touch you.

Without a word, you’re flying forward while yanking him down by his shirt. Closing the distance between the two of you with your lips crashing against Art’s. It’s so sudden, so completely out of left field, that Art stumbles forward a few steps, hands gripping your hips tightly to steady himself.

It’s almost pathetic how easily he kisses back, not even hesitating. Flashes of Patrick’s face go through his mind as he eagerly reciprocates, not stopping him from pulling your hips flush against his. He definitely might be the worst friend in the world, all the loyalty he felt to Patrick tossed out of his mind the second your tongue slides past his lips.

It’s intense, there’s no romance or gentleness about it. Your lips move against his almost violently, all the aggression and anger from earlier still very much there. He’s never kissed a girl like this before, it’s not how he imagined his first kiss with you would go. He’s still getting hard in his sweats anyway.

Your tongue fucks into his mouth roughly, it reminds him of the time he and Patrick kissed when they were still at the academy for “practice”. He moans loudly into your mouth, letting you dominate the kiss and just trying his best to keep up. Your teeth clack against his roughly, biting down on his bottom lip hard enough to have him whining embarrassingly high and needy.  

“It’s over with Patrick,” you breathe hotly, slick lips brushing his with every word. “I want you to fuck me.”

Jesus fucking Christ.

Art’s dick feels hard enough to burst out of his sweats by sheer force, but he pauses, pulling away from you with a hesitant look. "I-" he tries, voice cracking slightly. He can feel his cheeks starting to burn as he clears his throat. "I don't think that's a good idea. It's so soon, and I mean you're obviously going through something and I don't want to take advantage of yo-"

An incredulous laugh bursting from your lips effectively cuts Art off, your eyes roll to the ceiling in dry amusement. “God, Art.” you scoff, both hands pushing off his chest to create space between the two of you. He keeps his hands on your hips, the thin material of your bottoms bunching in his grip. “You’re such a fucking little bitch, you can kiss me but you won’t fuck me? What is it? You scared of Patrick or something?”

The taunt hits Art like a slap across the face, he freezes for a second before disbelief gives way to white hot rage. You just stare up at him smugly, lips red and wet. Art bares his teeth, using his strong hold on your hips to force you backwards until your knees hit the edge of your bed.

“You’ve pushed me and pushed me and pushed me,” he spits, glaring down at you as he speaks. “Acting like such a fucking brat. You want me to fuck you?” He pushes you back onto the bed roughly, covering your body with his, letting his weight sink you deeper into the mattress. “Fine, I’ll fuck you.”

Art sits up, ripping his shirt over his head and tossing it somewhere behind his shoulder. Your greedy eyes rake down the toned muscle of his torso, hands coming up to lightly scratch your nails over his abs. His breath hitches, goosebumps breaking out all over his skin. He grabs your wrists, forcing them down and pinning them to the bed. “No touching.” he chastises, leaning down to bite the skin of your neck roughly. Sucking hard enough that he’ll definitely leave a mark. 

His dick twitches against the inside of his sweats at the thought of you walking around campus with his claim staked on you, at the thought of Patrick, if he was still coming down, seeing it and immediately knowing who left it there. He slides his knee between your legs, he can feel the warmth radiating from your pussy, can feel how you’re so wet it’s soaking through your bottoms and onto his thigh. 

You hiss at the sting of his teeth, trying to squeeze your wrists out of his strong grip. Your thighs tighten around his knee, hips bucking up against him. “Are you gonna fuck me anytime soon, Art? Or do I need to find someone else that’s not all talk?”

Art chuckles darkly, nipping at the sensitive skin of your collarbones. “You can bitch and moan all you want, but I haven’t even touched you yet–” he leans forward to whisper directly into your ear, “–And you’re still fucking soaked for me anyway.” He drags his tongue along the shell of your ear in a dirty stripe. 

You let out a keen, pretty and high, grinding your hungry pussy against his knee faster. He lets go of your hands, grabbing your hips and flipping you onto your stomach. Tossing you around like it’s nothing, just manhandling you.

“God,” he groans, big hands coming up to knead the meat of your ass, spreading it lewdly making you moan softly. “You’re so fucking hot.” He whispers, words falling from his lips like he couldn’t hold them in any longer.

Art keeps one hand tight on your hip, the other fumbling with the drawstring of his sweats so he can push them down to finally free his aching dick. Letting it spring out to slap up onto his bare stomach, trailing a thin line of pre-come across his abs. 

You squirm under him, feet kicking out as you struggle in his hold. Your head craning over your shoulder and zeroing in on his dick, hard and red and leaking. “You came over here with no panties on, Donaldson?” you taunt, pushing your ass back onto the sensitive length of his erection. “How slutty–” 

“Shut up,” he snaps harshly, but his dick twitches where it’s dragging over the seam of your ass. He’s leaking like a faucet, leaking like a girl, all over your light green plaid bottoms. It strikes him suddenly, how familiar they look. He stares at the worn down fabric covering your ass, at the way his pre-come stains the material darker, at the way they hang too low on your hips, too big for you. 

“Are these…are these Patrick's,” he asks slowly, voice low as his fingers skim over the soft material. You chuckle wickedly, wiggling your hips back teasingly. 

“Yeah, they are,” you say, sliding your ass back and forth over Art’s dick. “You’re leaking jizz all over your best friend's pants, Art.”

Art groans loudly, chin dropping to his chest as hips jerk against your ass involuntarily. A full body shiver wracks through him like lightning, eyes screwing shut as he tries not to come all over your ass. “Shit–” he bites out sharply, voice rough and scratchy. He can distantly hear you laughing at him through all the white noise buzzing in his ears.

He breathes out through his nose, willing himself to calm down. He needs to be in control for once, needs to teach you a lesson for ignoring him for so long.

Art’s hands come up to the waistband of your– Patrick's– pants, fingers digging underneath the loose material and forcefully yanking it down along with your panties, only pulling them down to your mid-thigh. You yelp in surprise, hands gripping the sheets of your bed tightly. 

“I need to get inside you, right fucking now.” he rumbles thickly, flipping you onto your back again. He needs to see your face when he fucks you for the first time, needs to burn it into his mind forever.

“Fuck yes,” you reply eagerly, arms coming up to circle around his shoulders. “Finally.”

Art doesn't reply, eyes fixed on your bare pussy, so fucking wet and shining underneath the shitty ceiling light of your dorm. His mouth waters, he wants to drop to his stomach and eat you out until you're shaking and squirting all over his face. His dick drools at the thought, but he’ll have to wait. He needs to fuck you.

He takes his dick in his hand, dragging it through the silky skin of your soaked folds. He spreads your wetness around your clit, rubbing the leaking tip over you back and forth teasingly. You whine, thighs starting to shake on either side of him. He drags his dick back down to your clenching hole, lining up and slowly sinking inside the tight, wet heat.

Art doesn’t give you any time to adjust to the thick head of his dick breaching your tight hole, burying himself to the hilt inside of you with a sharp thrust. 

“Fuck!” you cry out, legs coming up to wrap tightly around his hips, digging your heels into his lower back. “Shit, fuck you’re– God, you're so fucking deep.”

“I’m going to use your fucking pussy however I want,” Your name falls from his lips, dirty and blistering. “because it’s the least I deserve for putting up with your bullshit for so fucking long, and you’re going to be good and lay there and take it.” He drives his point home with a mean thrust of his hips.

“Fuck you, Art.” you mutter back, trying to keep up the bratty act even though your voice is going breathless and needy.

Art doesn’t ease into it, pulling back only to start pounding into your pussy ruthlessly. Sharp slaps of his hips stinging your ass each time he drives back in, your eyes roll back in your head, slack lips parted in pleasure as he fucks you. 

Art can’t help but lean down to claim your mouth, kissing you a little too sweetly for the moment. He can’t help it, not when you’re under him making the sweetest noises, letting him fuck your perfect fucking pussy like he owns it. God.

“Fuck, fuck, fuck, fuck,” Art growls, breaking the kiss to rest his sweaty forehead against yours. “You’re so fucking, tight. Feels so fucking– shit, so fucking good.” His hips speed up, desperately rutting into you.

“Art,” you whine, nails scratching down his back hard. “I’m so close, fuck I’m so close– keep going, don’t stop, don’t stop, don’t stop–”

He cuts off your rambling with a kiss, groaning at the way his name sounds getting fucked out of your mouth. The loud squelch your pussy makes each time he buries himself back inside has his ears burning, he can feel you soaking the skin of his thighs with every thrust.

“Wanna feel your tight pussy milk me dry,” he grinds out through gritted teeth, picking up his pace. “Fuck, I‘m gonna come, I’m gonna fucking come.” He ruts into you harder, splitting you open with every thrust. The skin of your ass turning red and raw from how hard he’s giving it to you. 

Your hands come up to bury themselves in his hair, tugging sharply to make him look at you. “Inside,” you pant, eyes glazed over and wild, “come inside me Art, please. I’m on the pill you can, you can come inside me.” Your legs tighten their hold on his hips, ankles locking snugly over his lower back so he couldn’t even pull out if he wanted.

“Fuck!” Art shouts your name hoarsely, hips stuttering as he unloads in you. Hot come spraying the walls of your pussy. You let out a broken moan, your whole body shaking as you come with him. Your pussy chokes his dick so tightly, gripping him like a vice, milking him.

Art tilts his head up, catching your lips with his to greedily swallow down all your moans. He keeps going, shallow thrusts of his hips working you through the aftershocks of your orgasm until you’re kicking at his back, whining at him to stop. He collapses on top of you, his sweaty skin sticking to the fabric of your shirt. 

It’s quiet for a while, the two of you silently trying to catch your breath. Your hands come up to his head, sliding into the messy strands of his hair. “It’s pretty late now,” you say slowly, nails scratching against his scalp softly. “You could…you could stay here if you want.”

Art hides the wide grin breaking out on his face in your chest, arms coming up to circle around your waist. “Yeah, that sounds good.” He whispers back, squeezing the soft skin of your hips once.

It’s only later, when you’ve fallen asleep on his chest, that he stares up at the ceiling lost in thought. He’s too worked up to sleep, so fucking thrilled that it worked. His plan actually worked. You’re his now. He looks down at you, glowing softly in the moonlight filtering through your window, deep hickeys scattered across your neck. He drags his fingers along your cheekbone, tucking a stray strand of hair behind your ear.

This is what he’s wanted for so long, you.

You asleep in bed with him, you curled up in his arms, you with his come steadily dripping out of your swollen pussy.

Art can hear his Blackberry start buzzing on your nightstand, lighting up with an incoming call. Even from far away he can read the name displayed on the screen. Patrick. He lets it ring.

taglist!

@ebodebo @yuenity @artemis-b-writes @motopoppp @nhlfs @elaci @myahswrld @angelheavensblog @arianaroman @mcugurl @igotmajordaddyissues @redmoonsofvenus @tomorrowillmissyou

if you want to get tagged for any of my works just fill out this form!

[way2gosuperrstarr]

the world's most underqualified daycare team 😁🫶

i fear theyre cooked.

ignore moon and monday being in almost the same pose i noticed it too late to change it.

original au post w og refs and au explaination

my sun and moon designs w more 'detail elaboration' (not sdgo related post, just them in general)

i did want to make sun and moon's designs in sdgo different than my general personal designs that i use in my self insert au for easier differentiation for other people (i can tell them apart pretty easiy because i portray them personality-wise pretty differently in both aus), but . im too attached . to my current designs um 😔 /silly their designs r basically the same i just wanted to draw them in this lineup w monday/yn/mc/whathaveyou so they didnt look . sad and lonely. lol . theyve already got enough of that "sad and lonely" shit going on in the storyline ❤️

i probably shouldve written a bit more on the image itself but i didnt . want to crowd it.

closeups and a bit ....more..... yapping (not too much, but might interest some? maybe?) under cut 👍 + their all eye variations put onto their actual drawn faces, for funsies ^_^

moon doesnt get a security mode until later into the timeline ^_^ it's (spoilers i guess) actually how the virus gets passed onto him and sun! when his security mode gets added the virus comes with it.

moon's by far got the most eye variations god damn (i love him)

[lilybug-02]

[beneathsilverstars]

been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.

but. that doesn't have to mean it's a different universe entirely.

maybe that's just what happens after a thousand loops.

the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.

like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)

through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.

so they made a wish. and the loop restarted. not just a reboot, but something more complete.

the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.

[sun-e-chips]

Waterpark au Sun and Moon now in color!!!

I still need to finish their ref sheets for art-fight but I’m so so happy to finally have them colored!

Moon’s platings are colored and textured to mimic wood grains, over that he is “painted” with varying tones of blues and teals.

Sun’s platings resemble painted Aztec stone with vibrant cool and warm colors, some of the “stone” remains bare.

Up close, guests can see that both animatronics designs have intentional weathering to really sell their imagined materials.

[shikai-the-storyteller]

I've been thinking a lot about Leonarda's not-death ever since it happened back in April.

("What death?" you might ask, to which I say: "EXACTLY!")

Back in mid-April, Vegetta and Leonarda were mining together in a one-block wide tunnel. A mob (a Petriman) got between the two of them, and Vegetta told Leonarda to step back while he took care of it. At this point, they'd spent enough time together that he trusted Leo to listen to him.

Instead, she was killed by the same sweeping edge bug that killed her siblings.

-

Vegetta's reaction here is what's really interesting to me. Unlike most other parents on the Island, there are no shouts or tears – only a very brief "Hmm" and then silence. He very quietly takes stock of the situation, saying "Vegetta, no" and wondering aloud why Leo didn't defend herself. In chat, Foolish says "It was a bug, right? LAG" to which Vegetta slowly responds "Yes, lag. Bug." (Despite this, Foolish still asks "WHAT HAPPENED" in chat, though Vegetta doesn't reply).

Instead, he creates a slightly wider space in the tunnel where Leo's body is. He continues quietly taking stock of the situation, wondering why Leo didn't defend herself (which is what necessitated his intervention). She'd been lagging a lot that day, and he figures that must be the cause, and eventually when Leo re-appears out of thin air in the middle of the cave and collects her stuff, she confirms that the lag got to her and that's why she didn't fight the mob.

Now here's where things get interesting:

Vegetta checks the tab list. Online, it's just him, Leonarda, Roier, and Foolish. He quietly tells Leonarda "The body has already disappeared, and without a body, there is no crime. Nothing is happening. Did you die?" Leo shakes her head, and Vegetta shakes his head too, and in the kind voice he uses sometimes with Leo, he says: "I believe you have not died. Where is the body? It isn't anywhere, no mija. If it was a mistake, it was a mistake."

Leo says: "I saw Diosito (God) pa, and I was scared. God, what am I doing here?" and Vegetta laughs, telling her it's alright. Leo says "No pasa nada (don't worry / nothing happened)" and Vegetta says: "And the people who are watching us have not seen it either." To Foolish and Roier, he messages: "Secreto."

And the funniest thing about this is it worked.

Not a single person spoke about it. I saw this entire event go down live and I didn't see a WHISPER of what transpired among fans. I can't even remember if the QSMP official accounts talked about it (they sure didn't mention it in Vegetta's recap of the day). We could discuss this in meta terms of course– Leo was having known lag issues that day, Vegetta's beloved by the admins so of course they're willing to turn a blind eye rather than slap a "?" over Leonarda's life on the Eggstatistics, but meta talk isn't what I'm interested in here.

I'm interested in q!Vegetta, the weird "god-adjacent" aura he's got, and the way the universe bends to his will.

Before he took a break from the server, Rubius seemed to be a caretaker for the Eggs who died (for example, he was present when Maxo, Quackity, and Mariana & Slime said their final goodbyes to Trumpet, Tilin, and JuanaFlippa). Because of his role as an "angel" and some of his dialogue during the early days of the server, it's not a stretch to say he probably came to collect any Egg who lost a life. I can imagine he did the same when he saw Leonarda die – that is, until Vegetta said "And the people who are watching us have not seen it either." Realistically, we know Vegetta was saying this to Chat (and possibly the admins as well), but again, we're looking at this from an "in-universe" perspective.

I wonder if Vegetta was aware of Rubius' role, and this was his way of telling Rubius "No. I won't allow that to happen." We know Rubius has a soft-spot for Vegetta (and we also know that Rubius was cast out of heaven several months later) so it makes me wonder if these two instances are connected.

Either way, this isn't the first time the laws of the QSMP universe have bent for Vegetta, and I certainly don't think it'll be the last.

Rubius or no, Leo didn't die that day.

Vegetta made sure of it.

[tblsomedoodles]

The Preferable Alternative - part 14

Start - previous - next

rare 6 pg update! b/c the pacing was better if i stopped the scene there.

Leo: That was weird.......ANYWAYS!

: )

[phlesbian]

nobody else in the room

[iwritenarrativesandstuff]

Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.

So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.

All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.

But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.

He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.

But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.

He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.

So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[cbrownjc]

Alice is in her third trimester

I've seen a few comments about Daniel possibly cheating on Alice with Armand and I'm kinda like . . . you're assuming that Daniel or Armand -- who regularly, at least in the books, would be in situations where Armand would sit in a chair and watch Daniel have sex with other people -- would themselves view that as cheating. Because I don't think they would've. (At the very least, not younger Daniel.)

It's been talked about, more than once, about how the vampires in this universe are inherently polyamorous. I don't think Armand would care at all about sharing Daniel with another lover. And Daniel, being entangled with Armand (and quite possibly Louis as well) for so long might have himself become not overly concerned with such a thing.

I think Alice is the only one who would have cared that Daniel was sleeping with someone else (if she ever found out), and would have seen it that way. But I, personally, can see Armand and younger Daniel not caring about that view of things in the slightest . . . particularly because they were the ones who were together initially anyway. And that Daniel probably first ever got together with Alice during one of Daniel's running away periods.

Because the main thing that led to their splits sometimes, i.e. Daniel running away, was because Armand's refusal to make Daniel a vampire. Other than that, though? Nothing else in the relationship between them was a problem, particularly for Daniel. And I think that is going to be true wrt the show's version of events. Still being with his vampire lover, even after he may have gotten married? Don't think it is at all outside of possibility -- or that Daniel would have any guilt about it.

And THAT piece of information -- that the only problem he had with the relationship with Armand is that Armand wouldn't turn him -- is going to be the info that Daniel, in the present, likely won't want to face about himself IMO.

Daniel is clearly accepting of the fact that he was a shit father and a terrible husband. But accepting the possible true reason behind all of that?

I said it last year, and I'll say it again -- the revelation about the Devil's Minion that's going to hit Daniel the hardest is very likely going to be the one that reveals he has ZERO moral high ground when it comes to these vampires.

At the moment, Daniel can tell himself that he asked Louis for the Dark Gift because he thought Louis was wasting it. But that excuse is not going to work when it comes to the years and years he asked and wanted Armand to turn him.

That Armand refused to break his vow to never bring another into The Blood -- that is what ended up being what drove them apart. Not any moral conscious Daniel ever had, or grew, about being with Armand at all. Not even whatever transpired regarding Daniel and Alice (and Daniel getting her pregnant likely not just once, but twice, never mind marrying her.)

If Armand had decided to break his vow back then, then IMO, Daniel would have accepted. Alice or no Alice. Kids or no kids. Because while Daniel in the present has nice, even sincerely heartfelt memories about Alice? His past self was clearly emotionally checked out of whatever relationship he had with her by the time of that pregnancy announcement in 1985.

1985. The same year when, in the books, Armand finally did break his vow and turn Daniel, on Halloween. And this is what Daniel had to say about it when Armand finally decided to turn him:

"But don't you see," Daniel said, "all human decisions are made like this. Do you think the mother knows what will happen to the child in her womb? Dear God, we are lost, I tell you. What does it matter if you give it to me and it's wrong! There is no wrong! There is only desperation, and I would have it! I want to live forever with you."

As long as Daniel held any knowledge of not only vampires but of Armand specifically, this is what he would think, what he would always want. And that, IMO, is why he was emotionally checked out when Alice announced that pregnancy. Because, at that point in time, he still held the knowledge, of not just vampires, but Armand himself.

And they were still very much entangled with each other at that time IMO. Still lovers.

My theory is that it isn't Daniel kicking his drug habit that had him "getting his shit together." Well, okay, he did kick a drug habit, but the drug in question was actually Armand's blood. Not to mention Armand himself.

And I think that event happened sometime around when Alice was in her third trimester. (Hence, the name of that track listing).

. . . .

I'm also beginning to wonder if Armand actually was the one who repressed/blocked Daniel's memories of him, or if it was someone else. No, I don't think Louis was the one who did it, (or Lestat either btw), and Armand doing it does make the most sense, given he clearly is not harboring any happy thoughts about Alice, and Daniel splitting from him for her. But a day or so before the new clip came out, @faerywhimsy made a comment to me about who could have also done it, given a comment I made elsewhere about the timeline length Daniel and Armand were apart, and what book-event that matches up with and well . . . .

That person being the one who took Daniel's memories not only tracks wrt the timeline Armand and Daniel spend apart, but it would also track when it comes to the relationship Armand has with that person too. That's all I'm saying . . .

. . . .

Anyway, yeah. I think it was around Alice's third trimester when Armand and Daniel actually split for good. Which, depending on when she got pregnant could conceivably be around towards the end of 1985. Though, more possibly, go over into 1986. But I think that is why there is actually a track named that when it comes to the score for Season 2. Because that time period became a significant one. The time when Daniel actually "got his shit together."

And maybe why, in the present, he can have such love and loving thoughts about Alice. Because the reasons for his being emotionally checked out were no longer at the forefront of his mind for so long anymore (even if he still ended up being a shitty husband and father still -- with Alice as his ex and his kids not speaking to him -- without them).

[poorly-drawn-mdzs]

Culture Shock

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[atopvisenyashill]

alright here is my rec list for everything george rr martin:

(link will be in reblog). in it you will find:

the list of all the asoiaf books and related supplemental books and graphic novels (just to like, cover all my bases here)

books and authors across all genres that george has name dropped as having an influence on the series, from historical books written in the late 1800s about random scottish castles to the beginnings of the sword-and-sorcery genre written in serials in magazines.

books about the history he's taken inspiration from besides the ones he's name dropped - basically i found non fiction books that seemed well reviewed on an academic level but also sounded like narrative non fiction bc i can’t do anything too dry or technical. however,,,, i included notes in this section on what part of the story is inspired by each book. i kept it to the stuff that he’s name dropped - like dorne being a mash up of wales, moorish spain, and palestine, or hadrian’s wall or the anarchy - so if you think something sounds interesting but the book i picked was ass, basically every subject had a bunch of books on it!

(caveat i mean, i picked stuff that was readily available to me through my library system as someone in the greater chicagoland area lol so ymmv as to whether there's a lot of info available to you. if you want to know about how to use libby, hoopla, or kanopy tho, hit me up!!)

books i think it's very likely he took inspiration - this is the smallest section, i’m not about to project onto this man, its at the very bottom of the sheet & it’s just like, lolita, some fairy tale stuff, and other books george has written, so it’s also about further understanding his ~style~ + i am simply interested in these titles.

if anything is kind of unclear or if you noticed i missed something george has said, feel free to let me know!

[mycatmoo]

Have more of my shitty edits that I made instead of going to bed