#it's still Day 2 somewhere right

[dreamingangelwolf]

In which a Sun Summoner wishes he was a Heartrender, even if only for a moment.

Written for @codex-week 2024 Day 2: Hands and Heart

Me, seeing a prompt involving hearts and hands: HEARTRENDER AU HEARTRENDER AU

Me, employing some restraint: don't be daft, Cody and Rex would never be Heartrenders.

Me, an idea emerging: ... Sun Summoner Cody?

One day, I will answer these prompts in an actual Star Wars setting, I swear! (Genuinely have an in-'verse one set for the last day, I promise.) This is not my strongest entry for the week - I do have a longer, more in-depth version of this idea, but I could tell it was going to grow wildly out of control if I didn't rein it in, so I may dust that off for a later venture if anyone wants to see it, heh.

No need to know much about Shadow & Bone before going into this, the basic principles are alluded to in this little one-shot. I do recommend the books and the Netflix show though, for all that the latter was ended too soon... but for now, please enjoy this Codex Week 2024 Day 2 submission!

[bitterseaproduction]

Some days you want to work hard on your little fanfic epics, spending hours detangling the lore and timeline and plans for stories crying in the night for an update, and some days you're sick off your rocker and just hacking a lung out while haze-blinking into the horizon as you halt reading someone else's fic summary mid-first sentence to hard left turn into a very blurry but detailed daydream about the dwarves thinking Bilbo died in the Battle of the Five Armies while Bilbo--unaware of a king and his company upending their own mountain in a fit of grief as he heals among the Men or Elves--ends up in an awkward Race to Mordor with a Sauron he is barely aware of alongside his own ironic Nine, made up of himself, Gandalf, Bard, Legolas, Tauriel, and a trio of dwarves (Dís, Gimli, Gimli's mom) plus an unexpected favorite cousin (Falco Chubb-Baggins) who all broke off from the first convoy of Blue Mountain immigrants to Erebor to go along and protect Bilbo.

Place bets now on how Thorin & Company hear of their burglar's survival and latest insanity (highest bids placed on the remaining Blue Mountain travelers passing along word vs a smarmy message from Thranduil), how quickly they shake off their shrouds of mourning and royal pseudo-widowhood, and where exactly on the path between Erebor and Mount Doom they manage to catch up to and dog pile an unwitting Hobbit.

[foccaccia]

does anyone have recommendations for fictional media that has like. actual lesbians in it. not like supergirl Two White Skinny Girls, One Blonde and One Brunette Kiss media, or "its implied lesbianism!!!" but just regular fucking lesbians

[oh-meow-swirls]

i feel like there must be a gold mine of yo-kai watch stuff that my moms bought and then never actually gave to me.

i have this now-

[whispers-of-gallifrey]

Just watched Fury from the Deep and I love Victoria's exit so much it breaks my heart. She's so worn down by their travels always ending up full of danger and death and her always being put in the position of damsel in distress. She really doesn't want to leave jamie and the doctor but she doesn't want that life and I love that it let's her make that choice. And I love that Jamie's concerned she won't be happy living in, what is to them, the future but she acknowledges she's changed too much to go back to Victorian England, and she's highly unlikely to get back there anyway, not without more death and danger. That the doctor changes his mind about slipping away in the night and agrees to stay another day so Victoria can think about her decision properly without feeling as pressured. The fact that she knows the doctor won't say a proper goodbye because that's his way. The way she stands on the beach watching them row out to the tardis, knowing she'll never see either of them again. The fact she doesn't go back to the tardis with them to collect her belongings. Jamie's "I don't care where we go next" because he's miserable that Victoria made that decision. The Doctor's "I was fond of her too, you know" which is the closest he'll get to admitting how much he cares about them all. I just love it

[steviescrystals]

i seriously need to get a new job and start making money again asap bc i cannot keep living at home much longer it’s driving me insane

(wrote an entire essay in the tags without meaning to oops)

[arielluva]

grief is such a weird emotion bc i can be fine most of the time even if it think about it, but then sometimes thinking about it digs it up all over again

[ruporas]

wait. wait. wait. ive been staring at ur latest comic for awhile now and i think i've noticed something about the colors? which are amazing, first of all- just gotta get that out there cuz i adore that soft pink and deep green combo

but i just realized that throughout most of the comic u use both in equal parts it seems. to separate bg + fg and such, to highlight characters/objects, etc.

but then when vash gets back to their room, all the walls are that dark green. and, bit by bit, the pink totally falls off. by the end, it's nothing but constant dark green as vash starts to cry

but then wolfwood slams in and he's backed by that soft pink. and suddenly the comic is nothing BUT pink. soft lines and whites and gentle pink tones EVERYWHERE to just. SO tastefully highlight the little details.

LIKE. WAS THIS INTENTIONAL?! i almost wanna guess that it wasn't since all those green panels w vash crying are all closeups focused on his expression so it makes sense to just put the simple green behind it and all attention on him so the pink just isn't Needed

BUT AT THE SAME TIME THE EFFECT IS SO MASTERFUL THAT I WANNA BELIEVE IT WAS ABSOLUTELY INTENTIONAL

HEHE..... first of all, thank you for looking at my comic so closely, THAT'S LIKE... REALLY SWEET and a huge compliment to hear, thank u thank u

and yes, it was intentional, especially more towards the end!!! in general, the colors are meant to serve as a mood indicator, so a balance of them in a scene would just mean a neutral "okay-ness" and have a functional serve to separate background / foreground / subject matter... deep green signifies introspection or incoming sadness (especially on pg5 when vash cries), and pink signifies wolfwood, which, not an emotion but he is happiness, someone that helps vash lose his doubts in a matter of seconds -- which is why those last few pages are just pink white and lines, and the panels are gone for the majority of it. i wanted to show their unity and togetherness!

while vash still has his issues of just Not saying anything about his loneliness, his feelings are alleviated temporarily with wolfwood's presence and he's just grateful that his paranoia didn't become true, and that wolfwood is genuine, true to his word, when he means he'll be following vash/staying with him. even though it's mission-bound, vash would probably still feel guiltily comforted by that fact.

I'M GLAD IT WAS PARTICULARLY EFFECTIVE IN THIS COMIC because i definitely could've pushed it more... i figured it was a minor thing that not a lot of ppl would care for, but more ppl enjoyed it and noticed the colors than i thought, so i'm glad it worked out!!!

[ectocosme]

I think the next time I go to my Dr I'll just write "Elher-danlos syndrome, ever heard of it you white-coated buffoon!? (or smth close)" right on my forehead bc I get so hesitant and go "mn, mayhaps, perhaps, i'm not sure, it's not just anxiety and more sports won't help?"

[johnny-and-dora]

🚨OBLIGATORY MYTHIC QUEST SEASON 3 POST🚨

i’ve had some time to think about it and i enjoyed s3 overall - there was some really funny stuff, great performances (especially from charlotte and rob) and some really great episodes. it’s nothing that people haven’t said before (and probably a lot better), but if there’s one criticism i have, it’s the lack of character development/arcs for anyone other than poppy & ian. i love their dyanmic and it’s always been the central dyanmic of the show, but mq has such a great talented ensemble cast with such varied rich characters and most of them were criminally underused this season, ESPECIALLY brad in my extremely biased yet valid opinion. (more under the cut)

it’s just frustrating bc the s2 finale set up so many interesting things that didn’t really matter in the end. how did brad going to prison for jo not matter? why did rachel give up on writing so easily, espeically after cw died? why is dana suddenly just another version of ian now who somehow has the power and resources to start her own studio? tbh i’m mainly mad that they called an episode “to catch a mouse” AND had a brad/jo subplot and didn’t explore their wonderful unhinged mouse/shark dyanmic. it was right there!!! and why completely scrap the movie subplot in the last episode, becuase that just made it feel like a big waste of time. i think mythic quest: playpen is a great way of compromising and a great way to get ian and poppy to rejoin mq, i’m much more into the plot of mq vs another rival studio (i’m assuming we might see that with studio dana in s4) as i thought mq vs grimpop was going to be a thing this season that we...didn’t see at all

i really liked the christmas episode (reminded me of everlight, my favourite ep) and sarian (holy shit that was some insanely perfect casting for young poppy). charlotte was fantastic as poppy the whole season, she had some of the funniest stuff and she nailed the sadder scenes too. i just thought s2 built on s1 so perfectly by playing with new dyanmics and showing whole new sides to characters (specifically brad and cw) so it’s frustrating to watch what felt like a backwards step in that sense, especially when it comes to brad, who felt like he was just...there. the “oh i’m just the janitor definitely not up to something nefarious” and david being so paranoid thing at the start of the season was so funny, so why did that go nowhere? brad and rachel is a really funny dyanmic, but brad saying he manipulated rachel into abandoning her ethics for the rewards of capitalism felt so much like tell, don’t show. like where is the evidence for that? also fuck nfts lol but this post is already far too long

i really like this show, that’s still true after this season. i think the two season renewal was probably a blessing and a curse and season 3 will end up being a transitionary season, maybe it was a little directionless because they knew they had another one guaranteed, i don’t know. the s3 finale did set up a lot of cool potential arcs for s4, i’m paticularly intersted in how that brad/dana/jo dyanmic will play out and i also love poppy/ian/david as a trio so that could be really fun. i just wanna see more from the whole cast, there’s so much potential for comedy and drama too with all of these characters! 

[ronanlynchbf]

"all this foreshadowing abt declan dying and then he didn't even die" well personally i think declan got murdered dead by mstief in greywaren so. actually 2 me he did die. Badly.

[fingertipsmp3]

People who get annoyed with me for always wanting to be on time & being anxious about being late to stuff would not last two seconds with my family tbh

[bibleofficial]

ok not smoking cigarettes is not that bad i’ll be honest like i was thinking this was going to be WAY worse

[opens-up-4-nobody]

...

[astralsys]

hi again been a bit... uhhh why'd I wanna make this again? oh right talking about random shit. I do wanna get back into some things I left off with some friends of mine, but due to being me and it being a very hard existence things didnt go as planned and I kinda dropped it and lost interest.... which really sucks cause I have so many ideas for where I wanted to take my story ( working on a kirby au of sorts havent sorted out through the entire thing cause my brain doesnt wanna work with me :/ ) that I wanted to actually bring into existence instead of it all just being in my head or a rough draft. maybe I can push myself into gaining interest again by actually working on it again. what I had orginally thought up is no longer what I wanna go with so new things are hard to come up with. off topic from that I have so many fucking games I need to get back to and the game list keeps getting bigger and bigger its gonna drown me at some point :( whyyyyy do I keep doing this to myself.... doom I'm dooming myself this is what I'm doing. and cause I'm me I'm def gonna be forgetting that I made this post in the first place! dont you love being this mess of a person? isnt this FUN?!

[dawnwriterimagines]

The Guilty Plea

SIMON 'GHOST' RILEY x FEM!READER TASK FORCE 141 x FEM!READER

Traitors Among Us (Part 1) and Innocents Among You (Part 2)

Verdict Due (Part 4)

Summary: As you're discharged from the infirmary, under watchful eye, you head to Laswell to talk on the rest of your now ruined military career. Of course, you're forced to confront your team as it happens, the last people on earth you'd like to see.

If you liked this would you Buy me a Coffee?

---

Running your fingers along the raised, pink scar across you cheek, the feeling of it...it really looked terrible. A part of you thought it would disappear, hoped it would, but it didn't. It just became severely more noticeable. Looking at this, you knew you'd always have to think of it. You'd sport this reminder for the rest of your life.

Looking away from it, you find your own tired eyes in the mirror, you haven't been sleeping well. Or at all. You can't remember the last time you got 4 hours, let alone 8. Dark circles still surrounded them but at least the bruising and the swelling had gone down.

You couldn't recognize yourself. Not really.

This woman looked so exhausted, so frail and so goddamn angry. It was accurate, it was how you felt. All of it. So, you supposed that the mirror's reflection was the truth, this was you indeed.

"If you need another day or two, no one will ask questions."

You glance over towards your psychologist, your fucking therapist, a nice little 'gift' sent over by the bureau to check in on your mental state after your ordeal. Glaring at him through the reflection of your mirror, he sighs, putting down his pen that slaps against his notepad, "I can't help you if you don't talk to me."

"I'm going to Laswell." Ignoring his statement, you speak. "I'm ready. I'll pack up. Get back to base. Vera had me discharged from the infirmary. I can start ov--"

"Vera?"

"My nurse. You met her," you continued, annoyance spiking at the interruption. Your wrist brace squeaking quietly under the pressure of your fist tightening beneath the table.

"Right..."

"Do you listen to a word I say outside of...my 'trauma'?" You wonder, bluntly.

Your psychologist blinks, surprised, before clearing his throat, appalled. "If you feel I can be more attentive to your state of well-being throughout our process, than by all means--"

"Oh, so 'no'?" you lean back into your seat, a strained laugh leaving you. His lips press together and you continue before he can find the words. "Because whenever I mention leaving this fucking team, you either adjust our schedule for another two weeks or suggest hypnotic therapy, as if I need anyone else digging around to fuck up my mental state."

"I never meant to imply--"

"Oh, you implied it," you interrupted, gritting your teeth. "I know what I want. And I want off Task Force 141."

He taps at the leather of his notebook. "Scars heal, just remember that, Ms. (L/n). The reminders of your experience shouldn't have to haunt you."

"It's not the scars, I've had my share way before this," you admitted, rising to your feet. You exhale deeply that tells to the effort of it, the steel gear hinges along your leg braces shift with your change of position. Still getting use to them. "It's the person."

"Has she changed, you think?" the psychologist begins to write, getting somewhere.

"She doesn't exist anymore."

Finally, placing the mirror down and onto the side table, you pushed off of the table, rolling your IV pole along with you. Passing the chair your psychologist sits on, he closes his notebook with a frustrated huff, looking over his shoulder. "Session over for you already, Ms. (L/n)?" he sighs. "We've still got the hour."

"I'm done," you take the knob in your hand. Turning.

In more ways than one.

"You understand that, informing your captain on your leave is required of you. Have you spoken to any of them, in the last few weeks?" he spoke up, quickly. "I'm sure giving them a space to open up, share from their view--"

"Why should I care--"

"--will give you better understanding, better clarity of the situation they were in--

Appalled. "What the fuck?" Jamming the door closed with a loud, shuttering thud, you whip around. "IT'S NOT ABOUT THEM!" you could just rip your hair out. "Who--who says that to someone?!"

Your psychologist sits there, eyes wide in confusion. "What--"

"Christ, can you hear me? Can you--can you see me? I've got metal plates in my spine, braces holding my knees in place and nerve damage that'll never heal! Who gives a fuck about them!" your skin feels red hot, your face twisted in rage. "I gave my life! My life to this! And then I'm tortured, I'm threatened, drugged and beaten by my own team, my f--my family for eight fucking years..."

You continue with a heavy chest. "And I'm supposed to invite them for dinner to talk and listen them bitch and moan about why they thought it was necessary to beat me to death for two weeks?! Fuck you!" you spat. "I don't owe them anything!"

"That's not what I was trying to say, Ms. (L/N). I apologize, I overstepped. Come sit down--"

"Of course you meant it," you interrupted, mock humor. "Don't be a pussy, own up to it. Revel in your truth. Be tter yet--" you snatch a journal from the cabinet. Tossing it his way. "Make a note of it."

Turning the knob, you leave the room with a slam of the metal door.

---

You were officially famous. On the base, you were now a legend.

A story that would be mentioned and told at lunch for months. Probably years.

First, you were a rat. Next, you were innocent. This was the most gossip any of those in service had ever seen in their years of service.

An interesting reminder to those in service that you weren't safe off duty either.

You learned a few days ago that there was an update put into the interrogational unit, something about how to properly go about dissecting evidence and being on the lookout for enemy spies in the militia.

You guessed you had been told about it in an effort to be appeased by the thought that the head of control paid attention to anything beyond their own noses for once. But, you had little to no faith in a system that's nearly killed you on and off the field by now, so it didn't matter.

You doubted the new rules would be followed though, there was a plethora of things they'd done to you in that cell that were both illegal and unsanctioned. Most of all, that were expected towards an enemy, a prisoner of war at best, and not a fellow marine.

You arrive at the housing quarters, swiping your key card, pulling the handle and entering the wing. Immediately, you're greeted by a dozen eyes, conversations stopping short and clothes ruffling to silence, suddenly whispers fill the space and eyes turn away.

"Oh, god, it's her..." says one man in the far corner.

"Shut the fuck up, man!" came a harsh whisper back.

"I didn't know it was that bad..."

All those eyes on you, makes you pause in your step, looking around at all of your fellow soldiers, the men and women you've served with for years. Many you recognized, ate with, fought beside that turned their backs to you now. Out of respect? Out of distaste, morale, nerves, pity, it all didn't matter. It all felt the same.

The wheels attached to your IV pole suddenly sounded much too loud on the polished flooring, as you walked down the hall as fast as you were able to.

Breathing out deeply, you get to an elevator, pushing on the button, once, twice, three times, just open goddamn it.

With a ding, the metal doors open, and suddenly you're aware that people could be in the elevator, they could be in this elevator, he could be in this elevator. Your eyes flicker down to the floor, your grip on the pole of your iv tightens, your shoulders stiffen, waiting for a blow that will never come.

You stand there as the doors open up, the small space empty, the metal walls reflect only her and a streak of lighting from the ceiling.

Looking up slowly, finally taking a breath, before sliding the iv up and onto the elevator, following it as you press your floor number along the way.

The ride up is fast, a little rumble as it stops, and then the doors open. Faster than you were prepared for.

Peeking out down the hallway, luckily no one to bump into, which you were thankful for. But, it didn't make this hall any less haunting. You'd been cornered in this same hall, you could recall being hauled out of the room after the solid handle of a knife hits your temple.

You don't go down fast enough, whipping around as you stumble to take the wrist of your attacker, mostly for balance, it's Price. In shock, you're unprepared as Johnny's arm encircle your neck, locking you into position as you both stumble backwards onto the floor. He blocks your airways, hushing you harshly as you struggle, feet kicking out and your vision blurring as your team surrounds you. Your family.

That was quite the headache to wakeup with afterwards.

You hadn't quite remembered until now. Being back served as a hell of a kickstart to your memory.

Just a few more reasons to get the fuck off of 141.

Getting off the elevators, the metal doors sliding closed behind you, you make your way down the hall. The polished flooring creates a subtle squeak through the wheels of your iv pole, your hand absently running over the fading stitches along your side.

Passing the shadows of your tortured memory, the doorway of the office was closed, locked.

You pass Kyle's room.

Johnny's.

Finally, you rush up to the next room on the left, grabbing the handle, before beginning to twist, but then you're yanking your hand back as if the metal had burned you. Your back ramming into the back wall, catching yourself, this wasn't your room.

It was Simon's.

You'd spent hours, days, in that room. More than your own.

Why wouldn't you? You were about to get married to the man. You had more in this room than you had in yours.

Sharp breaths leave you, shivering in your effort to keep yourself together, your head goes back into the wall, swallowing down the ache in your chest.

You wait, muscles tensed and your body pressing back into the wall, hoping it'd absorb you if that door opens. Listening for every sound, any pin drop, even an exhale from beyond that doorway. Luckily, Simon seemed to be out for the day.

Hurriedly, nearly running, you steady yourself against the wall as you rush down to the corner of the hallway, finally finding your room.

Turning the handle, it's not locked, it's broken. It opens with ease.

Entering the room slowly, pushing the doorway aside, the crackle of glass beneath your boots as you step forwards, clothes and picture frames laying scattered.

The mattress flipped and ripped open, springs and cotton cut from it. Your wall of metals and certificates, from acts of bravery and mementos of valor, discarded, later you'd find them in the trash, one with a bullet lodged into the gold.

Sniffling as you leaned down, picking a specific frame off the ground, the only one that hadn't been broken. Laying along the ruined rug, with no care for the glass digging through your jeans, you stare at the still shot of your family.

The only family you had outside of Task Force 141, your father and his sister, military brats themselves, until their retirement. Your mother had passed, or just up and left, days after your 5th birthday, you weren't completely sure, the story kept changing every year. But, these two were the only family you've ever known, ever had, until you joined the military, following in their footsteps.

They'd been so proud when you arrived back after your first assignment, in truth you were heavily traumatized, but seeing them, you just had to smile. Having a family that understood the harsh toll on the line of a trooper, now a lieutenant, it was always easier to bring your troubles to them. But, they were also military nuts so "suck it up" was also a quick go to answer from your aunt, while your father was the smoother talker.

They had met Simon, loved him, his rank, his love for you, his seriousness. They trusted him completely with your heart.

So, when he called them, after the evidence leaked...

They believed him.

"What're you talking about?" You took the handle of the chair in your grip, easing you down into it as your legs do weak at what you were hearing. "I didn't...I didn't do it, Dad."

"Do you know how humiliating and disappointing--how it felt to hear him say that to me, hm?" he says, static crackles on the reciever. "My daughter...my own flesh and blood...working with terrorists--"

"I'm not working with anyone! Are you-" you huff out a breath of disbelief. "Are you even listening to me? I've never betrayed the code. How can you think that way of me?"

For a moment, he's silent. "Alright, then," he began. "Than, what'd you do? huh?"

"What--what..."

"Oh, come on, (Y/n)!" your father yells. "What did you do?! What could they possibly have had on you that made you the most likely target? You had to have had done something, been somewhere, were with somebody you weren't supposed to be with! They didn't just get that information from anywhere."

"What the fuck--" Your expression twists with frustration and misery, running your hand through your hair, pulling at it. "I've sacrificed every part of myself for this job, for this team, what do I have to gain from throwing that all away? They send me everywhere, places you've never heard of, places you'll never hear about and people you'll never have to meet, because of me! Why would you just believe Simon? Why couldn't you just wait to talk to me?!"

Hearing your father scoff at your words was painful. "What reason do I have not to believe him? He knows you, maybe even better than any of us. Besides, he was going to be my son in law--"

"I'm your daughter! Fuck Simon, what about me? You'd believe him instead?"

He sighs. "Listen, you're upsetting Cass. We didn't expect your call. I gotta make this brief..."

"You're upset?" pulling at your hair, sucking in sharply. "I'm the one who's permanently fucking altered here. What do either of you have to be upset about?!"

"Watch your fucking mouth!" he seethes. The anger in his voice isn't new, but the way he spits it at you is. "You did this to yourself, I didn't. Maybe that's what your nightmares were about, am I right? Your guilt?"

Wiping the streaks of tears that had fallen down your face, lips quivering and chest aching with sobs you frustratedly shoved down. "Why don't you believe me?"

"I don't deserve the disgrace that will come with you as my kin, I've lived my part of this war. No daughter of mine should even be in this fucking position," your father spat, disgusted into the receiver. Suddenly, he was the cruel, bitter old man your mother had always known him to be, you wished she had stayed to at least remind you of that. Maybe it wouldn't have hurt as much. "You should be ashamed of yourself, but at least you got yourself out it. The least you could do for us."

"Well--what does that mean?" you spoke, quietly.

"Don't call again..."

"Dad, no--" you break this time, a sob escaping you.

"Me and your Aunt Cass..."

"Daddy please, don't do this--"

"..We've decided to cut ties. We're not taking any heat from this, you're on your own," he finishes, clearing his throat, waiting a moment, listening to the pleads and cries of his only daughter, his once pride. "You take care of yourself. Goodbye, kid."

"Why can't you just believe me? Why?!" you cried.

"Don't come to the house."

"No, no,--" the line goes dead. And staring down at your phone, his caller id going blank and the call disconnecting.

Your phone all of a sudden feels heavy, the device and your hand falling down to your thigh, before the phone slips out of your grip and onto the floor. You sit there silently, until your tears drop up and even after.

Staring at the photo now was haunting in its own way, it was just another painful reminder.

Using the bed frame to stand to your feet, your grip on the frame is painful as you squeeze it, the glass cracks audibly.

"Bonnie..."

Whipping around at the sound of John MacTavish's voice, you back up a few steps at the sight of him, your back hitting the edge of your desk.

He reaches out as you stumble, before his fingers curl back into his palm as you find your balance, his hands receding back to his sides. He doesn't enter the room, just lingering just beyond the doorway, his eyes flickering around the room, guiltily.

"I didn't know--we didn't know you were out," he speaks quietly, as opposed prideful personality that translated into his voice usually.

You say nothing.

In the dark, your eyes are wide and your shoulders are tensed up, he can see the glint of your leg braces, the iv pole at the side, the scar beneath your eye. You looked terrified to see him.

"We were coming back to clean up today, just got back from...from a mission..." he stutters on his words, shifting his feet.

"It's been a week."

His lips press together hearing your voice. "I know..." Johnny glances around at the room he'd let those officers destroy, it hadn't been them, but they might as well had done it. "I know...we just...didn't know it was so bad."

"Really?" your voice is mockingly sweet, drawing out the word. "You didn't know? Well look..." you hold up your family photo, the light in the hallway catching on the glass. "You missed one."

Your hand dropping, the heavy frame comes down just as fast, ramming into the ground, the glass practically exploding on impact.

Johnny flinches, the photo of your family...He looks back to you, surprised. "Bonnie..."

Snatching the next closest thing from your desk, a ceramic cup. "Oh, wow, can't believe you guys missed this one," you chuck it into the wall. It breaks on impact, the remains scatter along the flipped mattress and onto the floor. "That used to be my favorite mug by the way."

The Scotsman worriedly steps forwards, 'Lass, I'm sorry--"

"FUCK YOU!" you spat, coming into the light. You're sure you look deranged, and you didn't care. You could've wrapped your hands around his throat, killed him right on the floor and you wouldn't have blinked. "It doesn't mean anything! 'I'm sorry', 'I'm sorry', 'I'm sorry', over and over and over again! As if you shouldn't be! Your apologies mean fuck all."

"I know...I know," he breathes. "But, I've gotta say it anyway, bonnie. I should've believed you, there was no reason not to. I know that now. I just--"

"Believe me!" you cut him off with a yell. "Trust me! Fucking 'HELP ME'!" you screamed with the same fever as your days in the interrogation room, that terrible cell, the cold, the burn and pain. "I cried it all to you, to all of you, and nobody came. Nobody came for me," you breathe in sharply. "It doesn't matter what you should've done. You didn't do it!"

Johnny's eyes are red, he opens his mouth, closes it and then swallows down whatever chokes him up as he looks at you. "I should've came for you. I wish I did. I wanted to, Bonnie..." he steps forwards, and you recede back away from him, your eyes narrowed with violence. "I'll never forgive myself for not listening to you. For not coming to help you. For laying a hand on you. I'm so sorry, (Y/n). I'm sorry..."

I'll never forgive myself... "That makes two of us," you assured.

Johnny's eyes widen, before they close, his guilt ever consuming. He can't help but understand, to respect your decision, to know things can never be ok again. "(Y/n)...."

Grabbing hold of the nearest thing, a pencil cup, you hurl it at Johnny. He doesn't put his hands up, flinching as it hits him, the metal clinking against his kevlar, eyes closing then opening, he stands still. "I don't forgive. I don't accept your apology. I don't fucking care about it!" with each sentence you throw something else his way, a broken frame, the trash bin, a pillow, the CD player.

His hand has to come up for the knife you unsheathe, a memento from one of your missions, it's rusted, ancient probably. But, you hadn't given it up to a museum or to pawn, you had nearly died on this mission, saving Johnny ironically. You had to keep it.

Seeing the weapon, his defensive position is instinctive but his hands drop just as fast, he understands, you need this. You deserve this. "If you need to..." he speaks. Your eyes flicker up to him, away from the knife. "If you need to, I get it..."

And you need to. You really fucking do.

Your grip on the knife is dangerously hard, it hurts.

Looking at Johnny, he'd been your brother in more than a few ways on and off the field, he had been your comfort, your friend, your family. You had bled with him, held onto him as he carried you from the battlefield, joked, laughed, screamed and cried. You've loved him for years.

He'd had a rough few nights you could see that. He was quieter, reserved. Almost as terrified to see you, as you had been of him.

And you could kill him right now and never bat an eye.

And so, throwing that knife was so fucking easy.

Johnny's eyes close as you do just that, fists clenching and teeth biting down on his tongue to prepare for the pain.

The ancient weapon whiz's through the air, the sound is sharp and he knows it will cut through him like butter.

The thud rings in the room, and Johnny's eyes blow open wide, holding his breath as he collapses to his knees, before turning to you.

You dig into the pile of clothes that had been cast aside, a pair of sneakers and a new shirt. You don't look at him a single time as you take it all, stuffing them in a bag, and leaving the room, passing him completely, a limp in your step.

Johnny releases a pained breath, tears finally leaving him as he looks up, the knife lodged into the frame of the doorway, just barely missing him. The sleeve of his uniform ripped open.

He sits there in the quiet, destroyed room. A testimony to the relationship he's destroyed between you.

Part 4!! OUT NOW