#it's sad to see how small it's become

[greentrickster]

Looking back on the Tales of Arcadia/Trollhunters fandom, it's still amazing just how thoroughly the studio managed to screw up with Rise of the Titans. Like, it was a decent series of shows, not gonna lie, but the writing also got weaker as time went on (and they got less and less time for each season and series (I acknowledge that these two things are most likely connected)), again, not gonna lie.

But that was mostly okay, because the world and characters were so fascinating and engaging, and it managed to do enough things right and even really well that the fandom was more than happy to fill in any gaps with fic and art and theory-crafting.

And then comes the movie. This final entry, the capstone of this journey that has lasted six seasons and multiple real-world years, that has enraptured and moved so many people...

And the studio goes, "You know what the best way to end this is? By de-canonizing the entire runtime of all three shows, and not showing any of the new timeline or how it's going to end and work out. Oh, and let's have one of the running gags of the movie be unplanned teen pregnancy."

Like wow.

Wow.

I don't think I've ever seen a fandom lose that many members that fast. And I know most people probably like to repress or ignore the whole incident, but I honestly think the whole thing needs to go down in history. This whole series needs to be taught in university and film schools, for the good stuff that went into the shows, to demonstrate examples of what a shortened runtime can do to what might have been good ideas if they aren't properly trimmed, and so they can hold up the movie at the end and go, "This. Do Not Do This."

[starry-bi-sky]

realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards

*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then

[sci-bax]

Sebastian Solace sleeping peaceful in 4k hyper resolution oculus meta quest 2 quality

Drew him sleeping cause of this:

Same drawing but without the slight darker filter over it:

I wanna draw fish man angst

Also its 4am so im going to sleep goodnight, or goodmorning idk

[mycatmoo]

Isat au where everything's the same except siffrin has nagito komaeda luck

Good luck following the script when the universe is actively working against stage directions bitch

[thingwithfeathers]

you wait twelve tormenting years for something and then it's over in a moment.

[eversncenewyork]

teehee

[fingertipsmp3]

Also I can’t figure out if my life genuinely does suck or I’m just having an existential crisis because my period starts in approximately 48 hours

[ghostzzy]

the weird blowback grief of finally feeling better

[wild-at-mind]

I never understood how LGBTQ events in my area and in the next city over kept splitting into rival groups and organising committees. But yeah I get it now. :(

[shotmrmiller]

wait wait because imagine being a normal OF creator or a cam girl, just a small name nobody who does it for the sole purpose of getting through college. you keep your face out of everything, nothing in the background of any video of yours is personal, like once you get your degree this entire account is getting deleted and it'll be a thing of the past. (not that you're ashamed or anything. we respect sex workers of all kinds here)

and you plan on doing a different kind of video: one of you fucking yourself with a new, much bigger toy. usually you keep to the rabbits and bullets but following your friends advice, you fucking yourself on a dildo wouldn't be terrible.

plus you need it, sweetheart. when was the last time you even had a date?

bitch. (affectionately)

and as soon as you walk into your usual sex store, you double take. there is no, NO, way that is pornstar!ghost's dick you've just spotted as a dildo.

he's been your favorite pornstar long before you even started this side hustle. who in their right mind can resist that beast of a man with the mask and the tattoos and the heaving thing that's between his legs--

you take it home immediately.

it's almost sad how stupid you fuck yourself on it, cunt split open and dripping onto the floorboard for the internet to see but in that moment, you don't give a fuck.

you don't remember how many times you come that night nor how many viewers you had watching your puffy lips swallow "ghost's" cock whole, but come morning, you notice your bank account and it is padded.

PADDED.

one particular tipper was incredibly generous and they even left a message.

i'd love to see you do that on the real thing.

yeah, me too.

(whoever that is becomes a loyal follower who tips regularly.)

*screaming at the thought of simon getting himself off at your video. hasn't come that hard in months and that says a lot since he's yknow, a pornstar.*

[monsterblogging]

"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

[happy74827]

Feels Like Home

[Logan Howlett x Female!Reader]

Synopsis: You decide to take it upon yourself to become best friends with Wade’s new grumpy addition to the family (much to Logan’s dismay).

WC: 2453

Category: Fluff, Sunshine!Reader x Grumpy!Logan trope {TW: Bar Fight, Handsy Drunk Dude, Mentions of Blood + Bruising}.

[Dedicated to: @iluvloganhowlett] I finished it for you!! (I’m shocked at the speed too don’t worry 💀). Hopefully this fluffiness will help add onto the low supply out there.

And incase anyone hasn’t seen it yet: DEADPOOL & WOLVERINE SPOILERS BELOW THE CUT

『••✎••���

You’ve always had a keen eye when it came to others. It’s mostly why you and Wade get along so well; you’re the one person who can see straight through him. And while it means you are very close, it also meant that you can easily tell when something is going on with someone you don't know that well, like the tall, brooding man named Logan, who had just joined the club of misfits.

You could tell by the way he carried himself that he had been through hell and back. He was quiet, grumpy, and had a tendency to snap at Wade, which, most of the time, was a well-deserved snapping.

You could also tell that there was more to him. He wasn't just a grumpy guy; there was something about him that made you want to be his friend. Maybe it was the sadness in his eyes, or maybe it was how lonely he looked.

Either way, you knew he was in need of a good friend, and you wanted to be that friend. Not a pestering one like Wade, but the kind of friend that just makes you feel a bit better.

So, when you spotted him, downing glass after glass of whiskey for the third day in a row, you just knew you had to help.

And he hated it. Oh, man, he absolutely hated it. You were such a happy ray of sunshine, always smiling, always laughing. He found it so fucking annoying. He couldn't deal with you and your constant positivity. It was like you were the PG-13 version of the breathing ballsack next to you.

But you wouldn't give up. Every time you saw him, you would try to cheer him up by making silly jokes, giving him small gifts, or even just sending him encouraging smiles.

He didn't want any of it, but it seemed you were too stubborn to listen. Every small note you’d given him was left crinkled in the trash; every gift was placed away without ever being touched. Your smile never got a response.

That is, until one day, as you walked by him, he mumbled something that almost made you trip over.

"Thanks."

You stopped in your tracks and turned around to face him, a look of disbelief on your face. You had tried so hard to cheer him up for the past few weeks, and this was the only thing you got from him? You couldn't believe it.

You had spent so much time and effort trying to make him feel better, and this was all he could say to you?

You wanted to hug him. To scream to the skies and celebrate that he finally accepted your kindness.

You held the restraint to do so, though. You didn’t want to cause him to close off again, and so instead, you sent him a soft smile, and a small nod, before you resumed walking (running) to your friends.

The next day, however, you were met with the biggest surprise of your life.

Logan was sitting at the bar, drinking. He didn't look too different, still dressed in his trademark blue jeans and flannel shirt, but his face was still holding that sadness you had grown used to seeing on him.

You walked over to him and sat down beside him, that classic smile of yours plastered on your face.

"Hi!"

He groaned. "You're not going to leave me alone, are you?"

"Nope!" You replied cheerfully, popping the 'p.'

He grumbled under his breath and downed the last of his drink, signaling to the bartender for another.

"Come on, Wolvie," you said, nudging his shoulder. "Lighten up. Life's not that bad, is it?"

He turned to glare at you, his dark brown eyes piercing into yours. "It's Logan," he said, his voice a low growl.

You shrugged and leaned closer to him, propping your elbow on the counter. This was the usual part—the part where he would give vocal responses while you carried on your one-sided conversation with him.

The difference this time, the surprise of it all, was when a person approached the both of you. Mind you, a very drunk person.

"Heyyyyy, baby girl," he slurred, his hand landing on your shoulder.

You turned to him, and he was looking you up and down with that gaze you knew had only one intention. You still smiled, though, and politely moved his hand off your shoulder.

"Uh, hi?" You answered unsurely.

He slammed his elbow on the counter, his palm on his fist. "You are gorgeous," he commented, and you had to hold back the laughter that was bubbling in your throat.

"Thank you," you chuckled.

Logan scoffed, rolling his eyes, but you paid him no mind. Usual behavior from him, nothing new.

"No, really," the stranger continued, moving his arm around your shoulders, "I think you're the most beautiful thing I've ever seen."

"Well, I'm glad you think so," you answered, still chuckling. "But, I think you're a little drunk."

"Drunk on love," he responded, "Say, wanna get out of here? I'll show you a real good time."

Here comes the awkward part, you thought.

You shook your head, and removed his arm from around your shoulders. "Thank you for… uh, the kind offer," you answered, "But, no, thank you."

You expected him to shrug it off and leave or to just be a dick, as many drunken guys are. But no, this guy did not know how to take a hint.

Instead, he tightened his grip around you and pulled you closer to him, his free hand moving down your waist. "Come on, baby," he said, his words slurring. "You know you want to."

You sighed. You were really hoping it wouldn't have to come to this.

You were about to speak, to politely, yet firmly, tell him to leave you alone, but before you could open your mouth, a gruff voice beat you to it.

"She said no,"

He didn’t even look at the man or you. His eyes were still fixated on the counter as if he was talking to his glass, but he had turned his head a bit to the side so that you could hear him clearly.

The drunk stranger was startled by the sudden intervention. He let go of you and looked over at Logan, confusion clear in his face.

"Who the hell are you?" he asked, his brows furrowed.

"Does it matter?" Logan grumbled.

"Yeah, it does," the stranger retorted, his slurring voice suddenly getting serious. "If I'm gonna be having fun, I don't want an audience."

Oh, how you hated confrontations.

Logan just scoffed with a slight hint of a smile, shaking his head as he still refused to turn around.

"Trust me, pal," he replied, "I ain't interested in watching you do anything."

"Good." He went back to his obnoxious grin, now directing his attention back to you. Oh, man, he was an eyesore.

"So, how about it, beautiful? Wanna head somewhere else?" He slurred.

You were about to reply, again, with a polite rejection, but your shoulder was being grabbed at again, and if it wasn’t for the small training session that Colossus had put you through, you were sure you would have lost your footing.

"Can you let go of me, please?" You asked politely, but the man was a brick wall.

"Nah, sweetheart," he shook his head, and the movement was so intense, you could almost hear the alcohol sloshing around in his head, "You're comin' with me. Trust me, you’ll be perfectly taken care of."

That was when the sound of glass slamming against the counter reached your ears, and you didn't have to see the source of the sound to know it was Mr. Grumps.

What you struggled for what seemed like an eternity, he took that needy arm away from your shoulders within a fraction of a second. It was almost shocking how quick he was, but then again, you knew what he was capable of.

With you safe against the counter, Logan turned to face the stranger, his face still showing that same neutral expression as before, though his eyes held an intensity that made the man flinch.

Normal people would believe he had the patience of a saint. But you weren’t a normal person. You knew this was dangerously close to making him lose it.

"Uh, Logan… maybe we should—"

But your words fell on deaf ears. The only thing that Logan could hear was the weak excuses the guy was trying to give as he tried to pull his hand from the tight grasp Logan had it in.

"Hey, man," he stuttered, his words slurring as the panic set in, "What’s your problem? Let go of me!

But Logan had no intentions of doing so. He held the stranger's arm firmly, his grip growing tighter until he could hear a small crack coming from the guy's bones.

"What's your damage, huh?" the guy continued, trying his best to keep his voice from breaking. "It's just a little fun, right, baby?"

You cringed as his eyes fell back onto you, and the pleading tone of his voice was beginning to make your skin crawl.

"Look, uh," you started, looking anywhere but his eyes, "I don't think—"

"Listen," the man continued, and your eyes fell shut. God, he was just not going to stop. "Maybe you can join us? Huh, big boy? That’s what it is, right? You want her all for yourself?"

Uh, oh.

"Logan, don’t—"

It was too late. He had already snapped, and with a grunt, he pulled the man closer to him, his other hand forming a fist around his shirt.

"Wanna say that again?" He growled. "Do it. I dare you."

The man was trembling in his grasp, but he was clearly too drunk to understand the danger he was in.

"Oh, I'm sorry, are you her boyfriend?" He taunted, and the fact that he had the guts to do so while his hand was in a painful hold was astonishing, even for you. "Or are you just some guy with a crush? Cause, honestly, it's pretty pathetic. You can't even ask her out."

His words had Logan seeing red, and before you could do anything, the guy was pushed away and was about to be on the receiving end of one of the strongest punches you've ever seen.

So, riskily, to protect yourself and him from being thrown out of his favorite place, you jumped off the stool and slid in between them as he launched his punch, just stopping inches away from your face.

"Please," you said, your palms up and in front of you, as if that would do anything to stop the rage he was feeling, "Please, calm down."

"Calm down?" He repeated, his voice rising. "Are you kidding me?"

"You need to let it go," you told him. "He's drunk, Logan. He doesn't know what he's saying."

"And, what," he retorted, his anger slowly fading away, "Does it look like I give a single fuck about that?"

You sighed, your eyes meeting his, and that was enough for him to finally give in. His clenched fist dropped, and he released a frustrated sigh.

The dude behind you started laughing, his voice sounding as if he was trying to make fun of a fight scene.

"So," he chuckled, "That's it, huh? You're not gonna do shit? You’re just as pathetic as a—"

He gently moved you aside, and in an instant, the man was lying on the floor with a bloody nose, a black eye, and a few broken ribs.

You could only hold your head in your hands, knowing very well the mess you were about to have to deal with.

And it didn't take long.

As soon as Logan stepped away from the drunk idiot, security was on him, grabbing his arms and restraining him. He couldn’t care less, though, as he held a sadistic grin on his face, pleased with his work while being escorted out.

And, so, there, the two of you were on the steps of the apartment building. You, holding your hands in your lap, and he, staring up at the night sky.

The air was warm, the city lights were dim, and the sky was covered in clouds. There was an odd silence between the two of you, which wasn’t really all that odd, but the events of the night had changed the atmosphere.

"Thanks," you spoke, breaking the quiet. "For, you know, standing up for me."

"He was a douche," he stated, his voice gruff. "Someone had to send that fucktart crying home to mommy."

"You shouldn’t have done that, though," you told him. "Now, you’re probably banned from the bar. I know it's your favorite."

"Eh," he shrugged, "Booze is booze. There are plenty more places to get drunk."

You didn't respond. Instead, you focused your attention on the small bugs flying around the dim light next to the door.

"You shouldn't be thanking me, anyway," he continued, turning to you. That was new. "I should be the one thanking you."

You looked at him, your brows furrowed. This whole conversation was getting weird. "Uh, what for?" You asked, confused.

"For putting up with me," he replied, shrugging.

"Putting up with you?" You repeated, not understanding. "I don't understand."

"Y'know," he continued, his gruff voice a little less gruff. "Sticking around. Being friendly. Having… patience. I can be…I can be a real dick. Honestly, I still don't get why you keep trying."

The smile that found its way to your lips waa the most genuine one he's ever seen. Your eyes were full of kindness and understanding, and your lips, which usually held a grin or a smirk, were turned upwards in a soft, gentle smile.

"Logan," you said, your voice low. "You may be a grump, and you might not be the friendliest guy, but that doesn't mean you don't deserve kindness. Everyone deserves that… or at least a little bit of it."

He scoffed. "That's funny," he replied, turning his head away.

You furrowed your brows and cocked your head, confused. "What is?" You asked.

"I used to think," he began, "That no one would ever look at me in the way you do. Not after what I’ve done… not after what I am."

"You're a good man, Logan," you told him. "You proved who you were when you willingly helped Wade."

"Maybe," he sighed, his gaze meeting yours. "But, there's still a lot you don't know about me. I'm not exactly a knight in shining armor."

"Oh, my dear, Wolvie," you said playfully, leaning closer to him and placing your palm on his shoulder, "You never were."

[amaranthinespirit]

simon riley who lets you wear whatever you want because everyone else only gets to look. he gets to be the one to take you home and fuck you until nothing but his name falls from your pretty, pink, puffy lips.

another night out at the bar with simon and his boys, wearing a dress so short, your ass is peeking out the hem, and a cut so low, your cleavage is on full display—and only more pronounced with the low lighting that casted shadows across your skin. the way your nipples hardened—prominent through the material of what you wore—and goosebumps arose your skin at the cold breeze of the ac.

simon saw the way eyes lingered on you every time you detached yourself from his side—and admittedly, he was one of those pairs of eyes. every time his arm wasn't slung around your waist, or around your shoulders pulling you flush against his body, it was like it was an invitation for those around to take a look at you—but it wasn't.

it had made him jealous—possessive even—but he knew it was not your fault, nor your intention. in fact, he encouraged you to wear whatever you wanted—he can fight. and besides, it wasn't like they were the ones that were going to take you home and fuck you on their heavy, lengthy cocks till nothing, but their names spewed from your lips—only him.

regardless, the feeling brewed in the pit of his stomach; a fuzzy tingling feeling that made his dick twitch in his tight jeans. he felt the blood rushing south, his flaccid cock chubbing up at the sight—and thought—of you in that tight, skimpy material that was a sad excuse of a dress. the outline of his bulge in the blue denim becoming more pronounced than before.

he groaned lowly before taking the last remaining sips of his bourbon, muttering an excuse to the guys about it getting a bit late; that he needed to take the missus 'ome.

before they could make a comment, he rose from his seat and crossed the room to you—who stood at the bar waiting to order the next 'round of drinks.

he felt the way your body jumped at the contact of his large hand splayed across the small of your back, the way his thumb dragged back and forth across the material slowly as he looked down at you. the tense muscles across your body relaxed under his hand at the realization it was him before he tugged you out the bar.

a smug smirk painted his face at the sight of the eyes that followed your earlier movements realizing that you were with him, that you were his—but he would make sure they remembered for the time you guys came back.

he was eager to get home, to tear that tiny little dress from your body. he wasn't sure he could make it past the front room with how hard his dick was in his jeans, twitching with every contact of your skin. his hand grasping your plush thigh tightly in his calloused hand, his skin rough against yours.

goosebumps rising underneath his palm as his hand slid further and further up your leg. his fingers grazed the hem of your panties, feeling the lace material under the pads of his fingertips. trailing along the junction of your thigh and cunt, teasing the skin as he felt your muscle tense beneath his touch.

a huffed chuckle escaped his lips at your eagerness, your desperation while his middle finger grazed down the center of your silken cunt, feeling the folds of your labia through the fabric of your panties that soaked with your wetness. a quiet mewl escaped your lips and you could see the smug expression etch itself onto his face by the way his eyes glanced your way before peeling back to look at the road once more.

he continued to toy with your pussy through the fabric, parting your folds back and forth with a pinch to your sensitive clit every so often that sent a hand flying down around his wrist.

but his movements didn't falter. his teasing finger worked your pussy all the way home, groaning lowly when he finally pulled his hand from between your legs, away from your completely soaked panties, to look at the glistening and pruned finger you caused.

he salivated at the sight, slipping his fingers under his mask to get a taste of you—a sample of what's to come for him.

it wasn't long before he had you pushed back into the bed, dressed hiked up your hips and pushed down from your tits, leaving the material bunched around your midsection.

he growled at the sight of your dampened panties, hooking his hands around your thighs to press your clothed cunt against his painfully hard erection, feeling his heavy dick twitching through the material.

he was desperate, you were desperate, but he couldn't resist the urge to tease you, to punish you for what you had made him feel for the entirety of the night—even if he had been the one who told you to wear whatever you'd felt like.

he rolled his thumb up your panties, pressing down against your clit as he watched you squirm beneath him. he chuckled lowly at your heightened sensitivity as his other hand worked to unzip his jeans. he didn't bother to get undressed, to throw his shirt off and tug his jeans down his hips to hang around his thick thighs.

while you lay practically naked under him, he hovered without a single article of clothing shed from his body as he pulled his erect cock from his boxers.

the sight from below had made you impossibly more soaked—the way he looked down at you with a tiled head, balaclava still on while he remained fully clothed with just his thick, meaty cock poking out from his jeans as he stroked the length with one hand, the other toying with your clit.

he hadn't bothered to pull your panties down your legs, or tear them off even as he lined his weeping dick up to your pussy, biting back a groan at the sight of you desperately clenching around nothing in anticipation for his heavy cock.

precum oozed from the head of his dick, swiped away by his thumb as he stroked himself before teasing his length across your slick. he cursed under his breath at the warmth before slipping his bulbous head past your walls.

he felt the slight stretch of you around him, the whimper desperation for more as he fucked just the tip into you.

"think this'll teach ya what happens when i let ya do what ya want?" his voice is low and strained with withering control as his hips buck further into you involuntarily, "but i think ya do it on purpose, don't ya, love?"

you whined, his name spilling from your lips in response to his words because other than 'simon,' no other words could be formed. just like he wanted.

he watched the way your sopping pussy swallowed his dick, the way his meaty, veiny cock glistened with your slick every time he pulled out, only to slam back in. his bulbous tip kissing your cervix with each pounding thrust, his clothed hips hitting the back of your thighs, turning the skin red and staining his jeans with your slick.

his hips pistoned his cock further into your cunt with an unrelented pace as he leaned over you, feeling your bare skin through the fabric of his shirt as he sucked at your skin. he left marks purposely in areas he knew would be shown off the next time you dared to wear a dress like the one he's fucking you in. his lips bruising the fatty flesh of your breasts and the valley between them, up to your collarbone.

when he felt your first orgasm wash over you, his hips bucked relentlessly and unfaltering into you. the way your body trembled under him didn't stop him from rolling you onto your stomach.

"mm, 'm not done with you yet, lovie," he cooed from above, a hand running along your spine, feeling each vertebrae through your flesh.

his hand slid under your hips to hike your ass into the air as he fucked you into the mattress as one rough hand trailed to your waist to pull you back into his hard cock, and the other tangled in your hair to keep your pretty little wrecked face into the bedding.

with this new angle, he fucked his meaty dick further into your sweet cunt, feeling the way you clench around him with new sensitivity and the way his name fell from your lips in a new octave, muffled by the pillow your face was shoved into.

when he would find his release, he didn't stop either. he continued, though his paced slowed as he watched his creamy load seep from your glistening pussy, fucking it back into you with hard, slow thrusts. a ring of creamy white forming at the base of his cock and soaking into the denim of his newly ruined jeans.

he growled at the mewls that spilled from your lips at the feeling of his jeans against your overly sensitive cunt, pulling out of your pussy with a squelch as he replaced his dick with his fingers, swiping his load that spilled down from your hole to thrust it back into you.

a satisfied and proud hum rumbled his chest as he looked at the bruises and hickeys littering your skin so next time you decide to wear a dress so short and low cut, everybody can tell that you're his.

and maybe you would if it got you fucked like that by simon—but he doesn't need to know that. that's our secret.

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[cy-cyborg]

Disability Tropes: The Perfect Prosthetic

[ID: A screenshot from the movie Nimona, showing Nimona, a small white girl with red hair, grabbing the right prosthetic arm of Ballister, a knight in black armour with black hair and light brown skin. He is holding a broken bottle in his prosthetic hand while Nimona admires his arm. Overlaid on the screenshot is white text that reads "Disability Tropes: The Perfect Prosthetic" /End ID]

In a lot of media, prosthetic limbs are portrayed as these devices that act as a near-perfect replacement for a character who has lost, or was born without a limb. So much so that in a lot of cases, the use of a prosthetic has basically no impact on the character beyond a superficial level or their appearance, or it's portrayed as something that's even better than the old meat-limb it's replacing. This trope shows up most often in Sci-fi, but it shows up in all kinds of stories outside of that, even otherwise very grounded ones!

If a story isn't depicting the loss of a limb as the be-all-end-all worst thing that can happen to a person, they almost always default to a perfect prosthetic, functionally curing the amputation with it. But the reality is that prosthetics are FAR from perfect, and as someone who has used them for their entire life I don't think they ever will be. Limb difference is still and always will be a disability, regardless of the prosthetics available, and this really isn't a bad thing.

Why is this trope so common?

I meant it when I said this is a really, really a common trope, so much so that the majority of the media I've seen with amputees and characters with limb differences that released in the last decade or end up using it. Even stories where becoming an amputee is treated like a fate worse than death, ironically, aren't excluded from this. I have a few theories as to why this has happened: The pessimistic answer is that it's easy. You get to have a disabled character and claim you have disability representation, without really having to do much extra work or research because most of your audience won't notice if you aren't accurate - in fact they kind of expect it. You also, for the most part, dodge the backlash other kinds of disability representation (or really any minority representation) usually get. The more optimistic reason is that, for a long time, amputees and people with limb differences (as well as a lot of other disabled people) were predominantly shown in media as sad, depressed and unable to do anything, very much falling into the "sad disabled person" trope. As a kid, this was really the only way I saw people like me on screen or in books. And so, the limb difference community pushed back against that portrayal and were pretty successful in changing the narrative in the public's eye. A little too successful. A lot of creatives were genuinely trying to do right by our community, listen and do better, but many simply overcorrected and instead ended up creating stories where prosthetics were essentially cures instead of the mobility aids they are. I also think the public's general lack of understanding about disability plays a roll in all this. There are a lot of people who, in my experience, believe that the more visible a disability is, the worse it is. Limb differences and amputations are very visible, but prosthetics, even those that aren't trying to be discreet, make them less so. While using a prosthetic is very, very different to a biological limb, you won't necessarily see how in a casual interaction with, say a co-worker or neighbor, especially because there is a very real stigma applied to people with limb differences to keep those things hidden from the public. There are other reasons too, such as the fact that a lot of creatives don't even consider the connection to real amputees when creating characters with robotic limbs in genres like sci-fi and some fantasy, so they never stop to consider that these tropes could be impacting real people. Amputees are also very frequently used in "inspiration porn" content that uses the angle that disabilities can be "overcome" with a good attitude, downplaying the way those disabilities actually impact us. The prosthetics industry - specifically the component manufacturers, often also push the idea of prosthetics being the only way to return to a "normal" life, both to the wider public and to people with limb differences and amputations (which can add to that sense of shame I mentioned when it doesn't play out that way for them). On top of that, I also think the recent increase in popularity of concepts like trans-humanism contributes to it as well. these movements often talk about robotic or bionic body parts being enhancements and "the way of the future", and I think people get a bit too caught up on what may be potentially possible in the future with the real, current experiences of people with "robotic limbs" aka prosthetics, now. There are also inherently disabling things that come with removing and replacing parts of your body, things that will not just go away with some fancier tech.

So How do you actually avoid the trope?

So, we have some ideas about why it happens, but how do you actually avoid the "perfect prosthetic" trope from appearing in your work? The most important thing is to remember that this is still a disability. The loss of a limb, even with the best prosthetic technology or magical item in the world, will always have some inherently disabling aspects to it - and this is not a bad thing. The key is to not over-do it, lest you risk falling into the old "sad disabled person" trope. So let's go over some of the ways you can show how your character's disability impacts them. You don't have to use all of these recommendations, just choose the ones that would best fit your character, their circumstances and your setting.

The prosthetic itself is just different

Probably the most important thing to address and acknowledge for prosthetic-using characters, is the actual ways in which the prosthetic itself is different from a biological limb, and the drawbacks and changes that come with that. For the sake of simplicity, I'm mainly going to focus on modern prosthetics here, but it's worth considering how to apply this your own, more advanced/fantastical prosthetics too. One major thing that most people writing amputees fail to acknowledge is that prosthetic limbs are not fleshy-limbs with a different coat of paint. They do the same basic thing their meat-counterparts do, but how they do it is often drastically different, which changes how they are used. A really good example of this is in prosthetic feet. There are dozens of joints in a biological foot, but most prosthetic feet have no joints or moving parts at all. Instead of having dozens of artificial joints to mimic the real bone structure of a foot, which are more prone to failure, require power and make the prosthetic much, much heavier for very little gain, prosthetic feet are often constructed from flexible carbon fiber sheets inside a flexible rubber foot-shaped shell. This allows the bend and flex those bones provide, without all the drawbacks that come from trying to directly mimic it. Making the sheets into different shapes makes them more ideal for different activities. E.g. feet made for general use, like walking around the city, are simple and light, shaped to encourage the most energy-efficient steps, while still allowing their users to do things like wear normal shoes. Feet made for rough terrain often have a split down the middle of the foot to allow the carbon fiber sheets to bend better over rocks when there is no ankle, and some newer designs also include a kind of suspension using pressurized air pulled from the prosthetic socket to allow some additional padding. Running feet have large "blades" made of these carbon fiber sheets to absorb more pressure when the foot hits the ground, and redirect the force that creates to propel their user forward as quickly as possible.

[ID: A photo of 4 prosthetic feet. On the left, the foot is covered with a black shoe, the one to it's right consists of a small, carbon fiber blade, split down the middle, in roughly the same shape and size as the previous foot. Next to the right is an even simpler and smaller carbon fiber foot with no split, and finally is a very short foot that is vaguely rectangular in shape. /End ID]

These are some of my own prosthetic feet I've had over the years. The two on the right are designed to be used by someone who is less mobile, and the ones on the left are made for someone who is more active. As my needs changed over the years, I've used different designs and styles, and keep the old ones since my needs do tend to fluctuate.

There are also robotic feet available that are designed as a kind of "all-purpose" foot that use an electronic ankle which more closely mimics a biological foot, but they are not very popular as the mechanism adds a lot of extra weight and it requires a battery and power to work, with many amputees feeling the jointless carbon fiber feet do a better job at meeting their needs. The same goes for arms and hands. "Robotic" hands that mimic a meat hand exist, but they aren't really that popular, even in places like Australia where the prohibitively expensive price tag isn't as much of an issue due to government programs that pay for the device for you. Instead, most arm amputees who use prosthetics that I know prefer simpler devices that do specific tasks, and just swap between them as needed, rather than something that tries to do it all. A big part of this is because the all-purpose hands can be clunky. they often require manual adjustment using the other hand to do simple things like going from holding a deck of cards to putting them down and picking up a glass of water, for example. The few that don't require that, I've been told, are often temperamental and don't actually work for every person with a limb difference.

Altered Proprioception

Loosing a limb is a big deal and this is always going to have an impact on the body in some way that won't be solved with a fancy piece of tech. One such example is how limb loss effects your sense of proprioception. This is your sense of where your body parts are in space. It's how you (mostly) know where your foot is going to land when you're walking, or how you're able to do things like lift up a glass of water without needing to actually watch your hand do it. Your brain does this by creating a mental map of your body, but this map doesn't get adjusted if you loose a limb. If that map doesn't accurately reflect your real body, you're not going to have an accurate sense of proprioception. This might look like a leg amputee being a bit less stable on their feet, or like an arm amputee needing to look at their arm or hand to be able to grab something with it. Those born without their limbs who take to using prosthetics often have a lot of trouble adapting, as their brains aren't used to having that limb in the first place, whereas an amputee's brain can sometimes be tricked into using their outdated body map to help them adjust to the prosthetic (though its impossible to line it up perfectly). Prosthetics that directly integrate with the nervous system, while rare, do exist, and even this direct connection doesn't completely erase this issue for reasons doctors aren't quite sure about. This is something that does become less of a problem with time. Eventually, someone proficient with their prosthetic will learn to compensate, but their sense of proprioception will never be 100% perfect. At the end of the day, no matter how it attaches, a prosthetic is still not a natural part of the body, and that will always cause some issues. It also means if they aren't practicing it all the time, they may have to relearn how to compensate for it.

Extra weight

You also have to remember that a prosthetic is not a natural part of the body, like we already talked about, and so no matter how good it is, your brain will most likely always interpret the weight of the prosthetic as something attached to you, not part of you. This means that, even though prosthetics are actually a lot lighter than biological limbs, they feel so much heavier. This is because, while a meat limb is heavier, a lot of that weight is from muscles which are actively contributing to the limb working, so it doesn't really feel like its that heavy. When you have less of your meat-limb though, you have even less muscle to work with to move this big thing strapped to it, so it feels heavier. The more of the limb you've lost, or just didn't have, the heavier the prosthetic has to be, and the less muscle you have left to move it. It's for this reason that a lot of amputees and people with limb differences get tired faster when using prosthetics. Some of us are fit enough where you almost wouldn't notice the extra effort they need to put in, but once again, just because you can't see it from the outside, doesn't mean it's not an issue.

Avoiding Water

Most prosthetics also aren't waterproof, and so prosthetic users have to be very careful about when and how they come into contact with it. For amputees with electric components, contact with water at all will likely damage the device. This can even include especially heavy rain, something I was told to avoid when I got my electronic knee prosthetic and something I assume would also apply to arm amputees with complex, electronic hands. For those with non-electronic prosthetics, water can be hazardous for different reasons. If the prosthetic has metal components, water may cause them to rust, especially if it's salty water. Other prosthetics have foam covers to give the illusion of a limb with the general shape of muscles and fat, but these covers do not come off, and if they get wet enough that water seeps all the way through, it is very hard to dry it and they may become moldy. Finally, cheaper modern prosthetics may also float. Many are made of very light-weight materials and some have pockets of air trapped inside them. For leg prosthetics in particular, this means a user might, at best, struggle to swim with them on, but at worst, may get flipped upside down and become trapped underwater - something that happened to me as a very young child. On the flip-side, older prosthetics were usually made of heavy materials like wood or steel, and so had the opposite problem, acting like a weight and pulling a person down if they were to wear them in the water. Water-safe prosthetics do exist, I had a pair of prosthetic legs as a teenager that were hollow, and designed especially for me to swim with fins on when swimming in the ocean, and Nadya Vessey, a double leg amputee in New Zealand even got a mermaid-tail prosthetic made especially for use in the water. Most amputees though just swim without any prosthetics at all, and in 99% of cases, this is the easiest and safest way to go.

Prosthetic-Related Pressure Sores and Pain

Many people with limb differences also experience pressure sores from their prosthetics. Modern prosthetics typically attach to the body using a socket made of carbon fiber or fiberglass, held on either by pressure, using a vacuum seal or through a mechanical locking system built into the socket. No matter the specifics though, the socket has to be very tight in order to stay on, and this means that extended periods of use can lead to rub-spots, blisters and pressure sores. Many socket prosthetics also use silicone liners to add extra padding, but this means wounds caused by the pressure can't breathe, and bacteria in sweat has nowhere to go, meaning if the person doesn't rest when one of these wounds occur, it can very easily and quickly turn into a serious infection. In a properly fitting prosthetic, used by someone who has fully adjusted to them, this doesn't happen often, but it is something most amputees and people with limb differences have to at least be mindful of. Some new prosthetics use a different method of attachment, called Osteointegration - where the prosthetic attaches to a clip, surgically implanted into the person's bones. While Osteointegration avoids many of the issues like pressure sores that come from a socket, they have their own issues: mainly that they are incredibly expensive, and as of right now, have a pretty high failure rate due to the implant getting infected. Because the implants are directly connected to the bone, these infections become very serious very quickly. Many people with Osteointegration limbs have to be on very strong medication to keep these infections at bay, and they are generally considered unsuitable for anyone who is going to regularly come into contact with "unclean" environments.

Maintenance

[ID: A screenshot of Winrey, from Full Metal alchemist Brotherhood, a white woman with blond hair handing out the sides of a green hat. She is measuring a piece of metal from a prosthetic she is making while Ed, the prosthetic's owner, gives her a thumbs up in the background. /End ID]

Finally, prosthetics also require maintenance from a specialist called a prosthetist, and they don't last forever. Some parts, like a foot or hand, can be reused over an over, but the sockets of a prosthetic need to be completely remade any time your body changes shape, including if you gain/loose weight, you start experiencing swelling, or you're just a child who is growing. Children in particular need new prosthetics every few months because they grow so fast, and as such, their prosthetics have to be made with this growth in mind. If they go too long without adjustment or an entirely new prosthetic, it can seriously impact the child and their growth but even small adjustments can be costly, depending on where you live. While prosthetics are built to be sturdy and reliable, they need a lot of work to stay that way. The more complex the prosthetic, the more work is needed. Complicated electronic components may need to have regular maintenance done by your prosthetist or even the specific component's manufacturer, and depending on where you live, this might mean having to send your prosthetic limb away for this to be done. While my prosthetist technically has the skills and knowledge to do the maintenance on my electronic knee, for example, the manufacturer forbids anyone not from their company to provide this service, meaning my leg needs to be shipped off to Germany once every few years if I want to keep the warranty. This has the unfortunate side effect of sometimes your limbs getting lost in postage (shout-out to Australia Post, who lost mine twice), meaning it can be months before you get it back or get a replacement. Usually, you'll be given a replacement in the meantime if you need it, but walking on a leg that isn't yours, even when its correctly fitted, always feels a bit weird (maybe that's just me though).

Not every difference is Inherently Negative

We've talked about some of the negatives that come from having a prosthetic, but not every difference is negative or even really that big of a deal. In fact, often times, it's these little moments in the depiction of a disability that go the furthest and make it feel the most genuine. My amputations effect me from the moment I wake up, to the moment I go to bed, but that doesn't mean every single way it impacts me is always inherently bad or negative. For example, back when I was working a normal job and going to university, I would often come home, throw my legs off at the door with the shoes still attached and get into my wheelchair, the same way you might throw your shoes off after work and replace them with comfy socks and other comfy clothing. This is something I've only ever seen on screen once, with Eda from the Owl House (and she wasn't even an amputee yet, her limbs were just detachable)

[ID: an screenshot of Eda from the owl house, a very pale woman, laying on the couch in a bathrobe, her hair in a towel. She has taken her actual legs off, throwing them to the other side of the seat. /End ID]

After that, my day mostly looked the same as most other people working a 9 to 5, I'd make myself dinner, watch some TV or play some games, maybe do some extra work at my desk or chat with friends. The only difference is that it would all be from a wheelchair, mainly because my prosthetics were heavy and it was just easier to use the chair around the house. The fact my afternoon and evening routine was done from a wheelchair wasn't a bad thing, it was just different. Likewise, I also don't sleep or shower with my prosthetics on, for the same reasons most other people wouldn't take a shower or sleep in thigh-high, steel-capped boots. In your own stories, this might look like giving your characters similar alterations to how they go about their day. Let them take their arm or leg off when they're resting or relaxing, show them taking a few minutes longer to get ready because they have to put it back on, show them doing some things without it. Arm amputees in particular tend to get very good at going about their days without their arm prosthetics, and leg amputees often either learn to get around more relaxed spaces like their homes using a different mobility aids like wheelchairs or crutches, or just through hopping if that's something they're physically able to do. Even when everything is going well and working as intended, your limb-different character won't wear their prosthetic 24/7, no matter how much they love it. There doesn't have to be something wrong with it or painful about it to not want it glued to them at all times, just like you can love a pair of big heavy boots but not want them on when you're trying to sleep. For more action-focused stories, being an amputee, also changes things like how you fight. The specifics will vary from person to person, but for example, when I did Hap Ki Do, a Korean Martial art, my instructor heavily modified when I learned what techniques. Beginner-level kicks and most leg attacks were impractical for me, as the force from the kicking motion would usually cause one of my legs to fly off. I also couldn't jump very well, due to some complications with my original amputation that made my stumps too sensitive to withstand the force of landing again. So I ended up learning a lot more upper-body attacks much earlier than it is typically taught. By the time I got my green belt, I was practicing upper-body techniques usually saved for black belts - including weapons training that I could use my secondary mobility aids for, like crutches and my cane in a bad situation. Many holds that rely on creating tension in your target are also less effective on amputees, because either the anatomy that causes those holds to be painful just simply isn't there, or the body part in question can just be removed to escape. Whether we're talking about the negative things, or just neutral differences that come with using prosthetics, you don't want to go too far with any one example. The key is to strike a balance. Of course, the old writing advice of "show don't tell" also applies here. It's one thing to tell us all of this stuff, but unless we actually see it play out, it won't mean much.

How NOT to avoid the trope

Before we move on, let's focus for a moment on some common things I've seen that you SHOULDN'T do as a way to get away from the trope.

The Enhanced Prosthetic

A lot of sci-fi in particular will take prosthetic limbs, make them function exactly the same as a biological limb, but add something extra to it. This does change the way the prosthetic functions and is used, but it usually still ignores the actual disabling parts of having a prosthetic. A really good example of this can be seen in pretty much any futuristic setting, but personally, I think Fizzeroli, from Helluva Boss is the best one to demonstrate what I mean. Fizz is a quadrilateral, above knee/above elbow amputee with highly advanced prosthetics that function, more or less exactly like the limbs he lost, but with the added benefit of being super-stretchy. Fizz is an acrobat and a clown in service, at least initially, to Mammon, one of the Seven Deadly Sins. These prosthetics help him perform and we even do see how they change little things like how he walks and just goes about his day, but the show still treats them like natural arms and legs, but better. 

[ID: A screenshot of Fizzeroli from Helluva Boss, a white-skinned imp with 4 black, prosthetic limbs, dressed in teal a nightgown as he lays in bed, reading from a list /End ID]

We see that he never takes them off, even when sleeping, and when he needs to use them as regular arms and legs, they do everything he needs, perfectly fine - at least when they're working correctly. The only time he ever even takes them off or has any issues with them, is when they break in season 2. The word amputee is never used to describe him, as far as I remember, and the fact he is one never really comes up at all, except for when they break or when the story focuses on how he lost them. Which brings me to my next point.

The Glitchy/Broken Prosthetic

One way I see people try to avoid the perfect prosthetic trope, is to take the prosthetic and break it or otherwise make it unreliable by having it malfunction, but not really changing anything else. This approach is heading in the right direction but still kind of misses the point of the criticism a lot of limb different folks have with the depictions of prosthetics in the media. Yeah, prosthetics do break down and some do require extra maintenance, but if your character's prosthetic is still exactly the same as a biological limb (or even better, in the case of the "enhanced prosthetic") when it's not broken, and the only time their disability is treated like a disability, is when it breaks, you're not really addressing the issue. Real prosthetics, like we discussed, even when functioning at 100%, exactly as the manufacturer intended, don't function the same as a meat-limb. They are fundamentally different, and the glitchy/unreliable prosthetic completely ignores all of that. Once again, Fizz is a really good example of this - the only time his prosthetics are not perfect, is when they break or are malfunctioning (despite the criticism, I do genuinely love Fizz as a character, but he unfortunately does fall into a lot of disability tropes).

[ID: Another screenshot of Fizzeroli, this time in a torn up jester outfit, looking down, panicked, at his prosthetic arms which are fully extended and laying motionless on the ground, with his left arm visibly short-circuiting with electricity around it. /End ID]

Now this isn't to say you can't have your character's prosthetics break down or malfunction at all. just that this shouldn't be the only way you differentiate the prosthetic from a biological limb. You should also be mindful of how or why they're breaking. A typical prosthetic isn't going to break down randomly from normal use unless something is very, very wrong or your character just has a terrible prosthetist (which unfortunately, does happen). You might experience issues if you try to make the prosthetic do something it just wasn't designed to do, or expose it to something it wasn't designed to deal with though (e.g. submerging an electronic prosthetic in water and trying to use it to swim).

Just add Phantom Pain

Another common pitfall I see when people are trying to avoid the perfect prosthetic trope, is to just give the character in question phantom pain - which is a side-effect of amputation where your brain's mental map of the body doesn't acknowledged you lost a limb. Your brain tries to fill in the gaps, since there is no signals coming from that part of the body anymore, and assumes either something must be wrong and so you should be in pain, even when you actually aren't. Alternatively, it can also happen when your brain was so used to feeling pain from that area before, in the case of people who had chronic conditions before they lost their limb, that it just keeps remaking those old signals itself. Like the broken/glitchy prosthetic approach, this also doesn't really address the issue with the perfect prosthetic trope, because it has nothing to do with the prosthetic itself. Phantom pain doesn't come from the prosthetic, nor does it effect how they're used, and so including it doesn't really address the issue of the prosthetic being functionally the same as the original, biological limb. This isn't to say that you shouldn't include phantom limb sensation or pain as something your character experiences, but just keep in mind that, when used on it's own, it doesn't counter the trope. Also, just be sure to do your research, everyone's experience with phantom pain is different and it's not something everyone with a limb difference even experiences.

Why is this trope even a problem?

Alright, so we know what the trope is, we know why it became so prevalent, ways to avoid it and also how not to avoid it. All good information, but why is this trope even bad? Why should you try to avoid it? Outside of just wanting to portray a real disability that effects real people more accurately in your creations, the prevalence of this trope actually contributes to a lot of real-world issues, especially when it's as overused as it currently is. I've talked before about "the jaws effect" - where the depiction of something in the media, especially something that the public is widely uneducated on, influences how people see it in real life. The Jaws effect specifically referred to how the popularity of creature-feature movies featuring sharks, like Jaws, caused the belief that sharks were monstrous killing machines to become much more wide-spread, even going so far as to influence decisions about laws and policy surrounding real-life shark preservation and culling in some parts of the world. But sharks aren't the only thing this has happened to.

Disabled people are so thoroughly misunderstood by wider society, that when tropes like this one become popular, people can and often do start to believe the misinformation they spread - in this case, believing that our prosthetics are a perfect replacement for a biological limb, and that getting a prosthetic means you're not disabled any more. While this can be annoying and cause small scale issues for some of us, like people giving us a hard time for using disability accommodations we very much need, it can also impact us in systemic ways too. If the wrong people believe these tropes, it can and does have a very real impact on the lives of disabled people through things like changes to policies to make it harder for amputees and people with limb differences to access financial assistance for other things outside of our prosthetics we may need assistance with.

Conclusion

Despite the very real harm tropes like this can do when it's overused, I don't think it should go away entirely. Some of my favourite pieces of media even use the perfect prosthetic trope and there are even some kinds of media where I even think it's somewhat unavoidable. Characters with perfect prosthetics in kids media in particular, especially when talking about side characters, can help to correct some of the other stereotypes kids may have seen elsewhere - such as prosthetics being "creepy" or "scary" - in a way that is casual and easy for them to understand. The problem with the trope, in my eyes, is it's excessive overuse. It's the fact that it seems to be the only representation amputees and people with limb differences are getting now. Not every story with a limb-different character can or even should delve into the reality of what using prosthetics is actually like, but we need at least some stories that do, without it being this majorly depressing thing.

[cetoddle-archive]

my favorite necklace got tangled into a nasty knot and i'm literally inconsolable about it